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  • Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)  (108)
  • Transizioni = Transitions  (58)
  • Friedrich-Ebert-Stiftung
  • Norwegian  (108)
  • Spanish  (60)
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  • 1
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 2
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 3
    Publication Date: 2024-01-17
    Description: An increasing number of preschool teachers have a master's degree, and in Norway, employing preschool teachers with a master’s-level education is a stated political objective. In both Norway and Denmark, there is growing demand for greater expertise in preschool and more career options for preschool teachers and educators. Thus, there is also a need for greater understanding about the impact of academic knowledge on preschool pedagogical practice. In this anthology, new empirical knowledge is presented on how master's-level competence is applied practically within the preschool context, and how academic knowledge is found relevant in practice. The empirical material that forms the basis of this anthology is qualitative interviews with master's-educated teachers in Norwegian and Danish preschools as well as a survey sent to all preschools in Norway. The anthology is also based on historical material and documents that highlight the rise of specialized education in general and master's education in particular. The book stems from the research project “Preschool master in practice”, a collaborative project between researchers at one Danish and two Norwegian educational institutions: VIA University College in Århus, Oslo Metropolitan University, and the University of South-Eastern Norway. The aim of the project has been to increase understanding of how master’s-educated preschool teachers’ feel their particular expertise is put to use, and how their expertise benefits the preschool and creates opportunities within the sector.
    Description: Stadig flere barnehagelærere har masterutdanning. I Norge er det også en uttalt politisk ambisjon om at det skal ansettes flere masterutdannede barnehagelærere i barnehagen. Både i Norge og Danmark ser vi en økende etterspørsel etter mer kompetanse i barnehagen og flere karriereveier for barnehagelærere og pedagoger. Dermed blir det også behov for mer kunnskap om hva som skjer i møtet mellom akademisk kunnskap og barnehagefaglig pedagogisk praksis. I denne antologien presenteres ny empirisk kunnskap om hvordan kompetanse på masternivå anvendes i barnehagen, og hvordan akademisk kunnskap gis relevans for barnehagens praksis. Det empiriske materialet som ligger til grunn for antologien, er kvalitative intervjuer med masterutdannede barnehagelærere i norske og danske barnehager og en spørreundersøkelse sendt ut til alle norske barnehager. Antologien er også basert på historisk materiale og dokumenter som synliggjør framveksten av videreutdanninger generelt og masterutdanning spesielt. Bokutgivelsen springer ut av forskningsprosjektet «Barnehagefaglig master i praksis», som er et samarbeidsprosjekt mellom forskere ved én dansk og to norske utdanningsinstitusjoner, henholdsvis VIA University College i Århus, OsloMet – storbyuniversitetet og Universitetet i Sørøst-Norge. Målet med prosjektet har vært å utvide kunnskapen om hvordan barnehagelærere med barnehagefaglig masterutdanning erfarer at deres kompetanse blir anvendt, og om hvordan kompetansen kommer barnehagen til gode og gis muligheter i sektoren.
    Keywords: professional practice, academic knowledge, early childhood education, dialogical governance, critique, pedagogisk praksis, akademisk kunnskap, barnehage, dialogisk styring, kritikk ; bic Book Industry Communication::J Society & social sciences::JN Education::JNM Higher & further education, tertiary education::JNMN Universities ; bic Book Industry Communication::J Society & social sciences::JN Education::JNF Educational strategies & policy::JNFN Inclusive education / mainstreaming
    Language: Danish , Norwegian
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  • 4
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 5
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 6
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 7
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 8
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 9
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 10
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 11
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 12
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 13
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 14
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 15
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 16
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 17
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 18
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 19
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 20
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 21
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 22
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 23
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 24
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 25
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 26
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 27
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 28
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 29
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 30
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 31
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 32
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 33
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 34
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 35
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 36
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 37
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 38
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 39
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 40
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 41
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 42
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 43
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 44
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 45
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 46
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 47
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 48
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 49
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 50
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 51
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 52
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 53
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 54
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 55
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 56
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 57
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 58
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 59
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 60
    Publication Date: 2023-11-16
    Description: In 2020, Norway’s national curriculum for primary and secondary school eduction, known as Kunnskapsløftet, came into effect. The plan is marked by increased emphasis on education for sustainability, and a notable example of this is the inclusion of sustainable development as an interdisciplinary topic in most subjects in primary and secondary school. As a result, the focus on sustainabilty has also increased in teacher eduction programs, for preschool as well as primary and secondary school teachers. Furthermore, a number of research networks have been established to explore sustainability in the context of education, and new research and textbooks are being published on this topic. This anthology presents new research on how the subject of sustainability is being handled in schools and preschools today, to all those interested in the topic. Education for Sustainability. Experience and Research from Preschool, Primary and Secondary School can be read as a handbook in sustainable teacher and preschool teacher education, or as a collection of individual research articles that contribute to greater awareness of, focus on and commitment to education for sustainability.
    Description: I 2020 trådte den nye læreplanen, Kunnskapsløftet (LK 20) i kraft. Planen marker et taktskifte med økt satsing på utdanning for bærekraft. Et synlig uttrykk for dette er at bærekraftig utvikling skal inn som et tverrfaglig tema i de fleste fag i grunnskolen og i videregående skole. Som en følge av dette har fokuset på bærekraft økt både i lærerutdanningen og i barnehagelærerutdanningen. Det er i tillegg etablert en mengde forskningsnettverk som jobber med temaet bærekraft og utdanning, og forskning og nye lærebøker har blitt publisert om temaet. Denne boken presenterer ny forskning om hvordan det jobbes med temaet i skole og barnehage. Boken vil gi ny kunnskap til alle som er opptatt av temaet. Utdanning for bærekraft. Erfaing og forskning fra barnehage og skole kan leses både som en fagbok innrettet mot bærekraftutdanning for lærere og barnehagelærere, og som enkeltstående forskningsbidrag. Artiklene i antologien kan bidra til økt innsikt, engasjement og fokus på utdanning for bærekraft.
    Keywords: sustainability, school, kindergarten, sustainability education, bærekraft, skole, barnehage, Kunnskapsløftet, bærekraftutdanning ; bic Book Industry Communication::J Society & social sciences::JN Education ; bic Book Industry Communication::J Society & social sciences::JN Education::JNL Schools ; bic Book Industry Communication::J Society & social sciences::JN Education::JNL Schools::JNLA Pre-school & kindergarten ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RN The environment::RNU Sustainability
    Language: Norwegian
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  • 61
    Publication Date: 2023-11-17
    Description: Originally developed by the Canadian sociologist Dorothy E. Smith, institutional ethnography is an approach to research that aims to explore and challenge power relations in society. In Norway and the other Nordic countries, the approach is used by researchers in a variety disciplines and professional fields. In Experiences with Institutional Ethnography, we gain insight into several different researchers’ motivation for, experiences with and reflections on delving into and using institutional ethnography in their own research. We gain insight into specific research processes and their attendant methodological approaches, into experiences of using key concepts from institutional ethnography, and into reflections on the researcher's role. This book will be a useful tool for researchers, master’s students and research fellows who utilize – or are considering utilizing – institutional ethnography in their work.
    Description: Institusjonell etnografi er en forskningstilnærming som opprinnelig ble utviklet av den kanadiske sosiologen Dorothy E. Smith, og som har som formål å utforske og utfordre maktforhold i samfunnet. I Norge og Norden for øvrig brukes tilnærmingen av forskere fra ulike disipliner og fagfelt. I Erfaringer med institusjonell etnografi får vi innblikk i ulike forskeres motivasjon for, erfaringer med og refleksjoner rundt å sette seg inn i og bruke institusjonell etnografi i sin egen forskning. Vi får innblikk i bestemte forskningsprosesser og metodiske grep i slike prosesser, i erfaringer med å bruke sentrale begreper fra institusjonell etnografi og i refleksjoner over forskerrollen. Boken er et nyttig redskap for forskere, masterstudenter og stipendiater som benytter – eller vurderer å benytte – institusjonell etnografi i sin forskning.
    Keywords: institutional ethnography, Dorothy E. Smith, welfare, research method, social science, professions, sociology, institusjonell etnografi, Dorothy E. Smith, velferd, forskningsmetode, samfunnsvitenskap, profesjoner, sosiologi, ; bic Book Industry Communication::J Society & social sciences ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology::JHMC Social & cultural anthropology, ethnography
    Language: English , Norwegian , Danish
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  • 62
    Publication Date: 2024-03-23
    Description: Security Policy and Military Strength in the Arctic presents new Norwegian research in High North defence and security policy topics. Against the backdrop of today’s security situation, the book provides a unique introduction to the role military strength plays in the region. The book will be of interest to all those concerned with defence policy issues. Through research contributions by experts in land, sea and air power conditions, Security Policy and Military Strength in the Arctic renders a comprehensive overview that will be especially relevant for students at the Norwegian military academies and others studying political science and history, as well as researchers and practitioners in the field. An additional objective of the book is to advance the debate on the role of the military in the northern regions and the Arctic, and contribute to increasing awareness of ongoing developments in defence and security policy in the North.
    Description: Sikkerhetspolitikk og militærmakt i Arktis presenterer ny norsk forskning på forsvars- og sikkerhetspolitiske spørsmål i nordområdene. Med dagens sikkerhetspolitiske situasjon som bakteppe gir boken en unik innføring i militærmaktens rolle i regionen. Boken retter seg mot alle med interesse for forsvarspolitiske spørsmål. Gjennom forskningsbidrag fra eksperter innen land-, sjø- og luftmilitære forhold gir Sikkerhetspolitikk og militærmakt i Arktis en helhetlig oversikt som vil være særlig relevant for studenter på våre tre krigsskoler, men også for studenter i fag som statsvitenskap og historie, samt forskere og praktikere innenfor feltet. Boken har også som ambisjon å videreutvikle debattene om militærmaktens rolle i nordområdene og i Arktis, og bidra til økt forståelse av pågående utviklingstrekk innen forsvars- og sikkerhetspolitikken i nord.
    Keywords: arctic security ; military power ; Norway ; NATO’s northern flank ; High North ; arktisk sikkerhet ; militærmakt ; Norge ; NATOs nordflanke ; nordområdene ; thema EDItEUR::1 Place qualifiers::1D Europe::1DN Northern Europe, Scandinavia::1DNN Norway ; thema EDItEUR::1 Place qualifiers::1M Australasia, Oceania, Pacific Islands, Atlantic Islands::1MT Atlantic Ocean islands / Polar regions::1MTN Arctic regions ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPS International relations::JPSL Geopolitics ; thema EDItEUR::J Society and Social Sciences::JW Warfare and defence::JWL War and defence operations
    Language: Norwegian
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  • 63
    Publication Date: 2024-04-08
    Description: Hans Nielsen Hauge established and led at the end of the 18th century Norway's first nationwide popular movement, a low church network that would leave its mark on everyday life, business development and politics in the transition from absolute monarchy to representational government. People called themselves Haugians long after Hauge's death in 1824. It was a spiritual awakening on a scale that deserves considerable room when we write the history of modern Norway. This book provides a new perspective on the roots of the Hauge movement in the religious mentality of the 18th century, on how it functioned in its most radical phase up to 1814, and on the importance of the network for economic modernization and political mobilization in the subsequent decades. Retrospective interpretations of Hauge's complex endeavor are also explored. In sum, the nine chapters provide a broader understanding of the Hauge movement and the era in which it flourished. We hope that the book also sheds light on the state of Norway's people, government and religiosity today, over 250 years after Hauge's birth. The book has been edited by research fellow Eli Morken Farstad and associate professor Kristian Holen Nymark, both historians at the University of South-Eastern Norway.
    Description: Hans Nielsen Hauge startet Norges første landsomfattende folkebevegelse på slutten av 1700-tallet. Det lavkirkelige nettverket satte sitt preg på hverdagsliv, næringsutvikling og politikk i overgangen fra enevelde til folkestyre. Folk kalte seg haugianere lenge etter Hauges død i 1824. En slik vekkelse må få stor plass når vi skriver historien om det moderne Norge. Denne boka gir nye perspektiv på Hauge-bevegelsens røtter i 1700-tallets religiøse mentalitet, på hvordan vekkelsen virket i sin mest radikale fase fram mot 1814, og på nettverkets betydning for økonomisk modernisering og politisk mobilisering framover i hundreåret. Ettertidens fortolkning av Hauges mangslungne virksomhet blir også lagt under lupen. I sum gir de ni kapitlene en bredere forståelse av Hauge-bevegelsen og tiden den virket i. Vi håper at boka også kan kaste lys over folk, stat og religiøsitet i dag, over 250 år etter Hauges fødsel. Boka er redigert av stipendiat Eli Morken Farstad og førsteamanuensis Kristian Holen Nymark, begge historikere ved Universitetet i Sørøst-Norge.
    Keywords: Hans Nielsen Hauge, Haugean movement, religiosity, social movement, political mobilization, Hans Nielsen Hauge, Hauge-bevegelsen, religiøsitet, folkebevegelse, politisk mobilisering ; bic Book Industry Communication::H Humanities::HR Religion & beliefs ; bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRC Christianity ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSR Religious groups: social & cultural aspects ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSR Social groups: religious groups and communities
    Language: Norwegian
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  • 64
    facet.materialart.
    Unknown
    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-03-28
    Description: Local police departments receive a vast number of calls annually from the healthcare sector, the education sector, the Norwegian Labour and Welfare Administration, other social service agencies, families, friends, neighbors and others, expressing concern that individuals or groups might be, or are at risk of becoming, violent extremists. The majority are unwarranted. Yet Norway has, in recent years, experienced that extremists can inflict a great deal of damage, pain, fear and death – not just on individual victims, but on society as a whole. How can the relevant authorities intervene in time to prevent such events from occurring without compromising important democratic values? This book takes a look at how local police perceive and carry out their role in the tremendously complex and demanding field we call ‘concern work’ (bekymringsarbeidet). The police face complicated dilemmas on a daily basis: What is the relationship between extreme behavior and expression, and extremist violence? Where are the boundaries between conservative and extreme forms of religion? Is there an appropriate moment for the police to confront persons who have not (yet?) broken any laws? Concern Work. Police Prevention of Radicalization and Violent Extremism will appeal to researchers and practitioners working with prevention initiatives, and anyone interested in radicalizaion and violent extremism, as well as democracy, freedom of speech and the rule of law.
    Description: Hvert år mottar lokale politidistrikter et stort antall meldinger, fra helsevesenet, skoleverket, Nav, diverse lavterskeltilbud, pårørende, naboer eller andre, der det uttrykkes bekymring for at individer eller miljøer kan være i risiko for å være, eller bli, voldelige ekstremister. De fleste av disse utgjør ingen slik fare. Samtidig har Norge de siste årene flere ganger erfart at ekstremister kan forårsake stor skade, smerte, frykt og død – ikke bare for noen få, men for hele samfunnet. Hvordan skal myndighetene gripe inn i tide for å forhindre at slikt skjer, uten å sette viktige demokratiske verdier i fare? Denne boken utforsker hvordan lokalt politi forstår og utfører sin del av det uhyre komplekse og krevende feltet vi kaller bekymringsarbeidet. Politiet står i kompliserte dilemmaer i sitt daglige virke: Hva er forholdet mellom ekstreme holdninger og ytringer og ekstremistisk vold? Hvor går grensene mellom konservative og ekstreme former for religion? Når blir det riktig for politiet å intervenere overfor folk som (ennå?) ikke har begått lovbrudd? Bekymringsarbeidet. Politiets forebygging av radikalisering og voldelig ekstremisme henvender seg til forskere og praktikere i forebyggingsfeltet, og til alle som er opptatt av radikalisering og voldelig ekstremisme, så vel som rettssikkerhet, demokrati og ytringsfrihet.
    Keywords: radicalization, extremism, prevention, police, police conversation intervention, radikalisering, ekstremisme, forebygging, bekymring, politi, bekymringssamtale ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFK Violence and abuse in society ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPW Political activism / Political engagement::JPWL Terrorism, armed struggle ; thema EDItEUR::J Society and Social Sciences::JK Social services and welfare, criminology::JKS Social welfare and social services::JKSN Social work ; thema EDItEUR::J Society and Social Sciences::JK Social services and welfare, criminology::JKS Social welfare and social services::JKSW Emergency services::JKSW1 Police and security services ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPH Political structure and processes::JPHV Political structures: democracy ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPV Political control and freedoms::JPVH Human rights, civil rights
    Language: Norwegian
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  • 65
    facet.materialart.
    Unknown
    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-04-07
    Description: In her well-known song, ‘Når himmelen faller ned’ (‘When the Sky Falls Down’), the Norwegian musician Anne Grete Preus described snow as ‘celestial tipp-ex’ and a mighty ‘wonder’. But what exactly is it that snow corrects? And what gives snow its power? Snow’s Formulas: A Natural Phenomenon in Literature attempts to answer these and similar questions by discussing the motif of snow in the context of modernization processes marked by increasing instrumentalization and rationalization. Snow transforms landscapes and defies modernity’s innovations; it simultaneously obscures and accentuates, and also enchants. This process can be described in different ways: as the sublime’s breakthrough in a philosophical, aesthetic sense, or, in a poetological sense, as non-mimetic writing. This strategy plays out in language, and the objective of this study has been to investigate snow’s rhetoricity and how literary depictions of snow can be in response to the challenges of modernity. The book includes readings of texts by H.C. Andersen, Olaf Bull, Hans Børli, Paul Celan, Alexander Kielland, Jonas Lie, Tor Ulven and Tarjei Vesaas, among others. The relationship between snow and modernity is illustrated from a dual perspective. Emphasis is placed on the individual’s position and self-perception within the process of modernization, as well as on the aesthetical problems that arise when writing about snow. Snow makes a white surface; it ‘overwrites’ the ground and encourages a non-mimetic poetry. Snow can be said to be an engine of modern aesthetics that does not take language’s referential aspect for granted.
    Description: I sin kjente låt Når himmelen faller ned betegner Anne Grete Preus snø som «himmelsk korrekturlakk» og et mektig «under». Men hva er det egentlig som snø må korrigere, og i hva består dens makt? Snøens formler: Et naturfenomen i litteraturen søker svar på slike spørsmål idet snømotivet diskuteres på bakgrunn av moderniseringsprosessen, kjennetegnet ved økende instrumentalisering og rasjonalisering. Snø forandrer landskapet og sier modernitetens nyttetenkning imot; den tildekker og aksentuerer samtidig og fortryller. Denne prosessen kan beskrives på forskjellige måter: som det sublimes gjennombrudd i filosofisk-estetisk henseende, eller, i poetologisk henseende, som en form for avrealisering. Denne strategien utspiller seg i språk, og formålet med denne studien er å granske snøens retorisitet og hvordan den litterære fremstillingen av snø svarer på modernitetens utfordringer. Boken inneholder lesninger av blant annet H.C. Andersen, Olaf Bull, Hans Børli, Paul Celan, Alexander Kielland, Jonas Lie, Tor Ulven og Tarjei Vesaas. Forholdet mellom snø og modernitet belyses fra et dobbeltperspektiv. Søkelyset rettes på individets stilling og selvforståelse i moderniseringsprosessen, men også på estetiske spørsmål som reiser seg når det diktes om snø. Snøen lager en hvit flate, den «overskriver» jorden og spiller på denne måten en amimetisk poetikk i hendene. Snø kan sies å være en pådriver av en moderne estetisk posisjon som ikke tar språkets referensielle side for gitt.
    Keywords: snow theme, poetological writing, modernity, literature, phenomenology, memorialization, snømotiver, poetologisk diktning, modernitet, litteratur, fenomenologi ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800::QDHR5 Phenomenology and Existentialism ; thema EDItEUR::W Lifestyle, Hobbies and Leisure::WN Nature and the natural world: general interest::WNW The Earth: natural history: general interest::WNWM Weather and climate: general interest
    Language: Norwegian
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  • 66
    Publication Date: 2024-03-24
    Description: Accessibility to art and cultural activities is a topic with increasing attention. Most municipalities in the Scandinavian countries have kulturskoler (extra curricular schools of music and performing arts) that offer training and experiences in – and through – art and culture subjects for children and young people. But the users of these institutions are not representative for the society around them. The majority of the children and young people who actually use the kulturskole come from middle-class homes and have well-educated parents. There is therefore an increasing and absolutely necessary attention in the municipalities on how kulturskoler can reach new target groups, ensure more fair representation and develop as institutions being inclusive forces in the local community. The development project ""Kulturskolen as an inclusive force in the local community (KIL)"" had this focus. In this anthology, there are nine independent peer-reviewed research articles with topics that are relevant for those municipalities wanting to develop their potential as inclusive forces further. The book is suitable for both researchers, students or teachers associated with the didactic field of art, but also kulturskole leaders, elementary school teachers and others who are interested in how the kulturskole can function as an inclusive force in the local community
    Description: Tilgjengelighet til kunst og kulturaktivitet er et tema med økende oppmerksomhet. De fleste kommuner i de skandinaviske landene har musikk- og kulturskoler som tilbyr opplæring og opplevelser i og gjennom kunst- og kulturfag for barn og unge. Men kulturskoleelevene avspeiler ikke samfunnet rundt, for størstedelen av de barn og unge som faktisk bruker kulturskolene kommer fra middelklassehjem og har godt utdannede foreldre. Det er derfor et økende og helt nødvendig søkelys på hvordan kulturskolene kan nå nye målgrupper og sikre en bedre representasjon. Utviklingsprosjektet Kulturskolen som inkluderende kraft i lokalsamfunnet (KIL) hadde dette søkelyset. I denne antologien finnes ni selvstendige fagfellevurderte forskningsartikler med tematikk som er relevant for å kunne utvikle dette potensialet videre. Boken passer for både forskere, studenter eller lærere tilknyttet det kunstfagdidaktiske utdanningsfeltet, men også kulturskoleledere, lærere og andre som interesserer seg for hvordan kulturskolen kan bli en inkluderende kraft.
    Keywords: school of music and performing arts, music school, arts education, inclusion, cultural diversity, action learning, skole for musikk og scenekunst, musikkskole, kunstutdanning, inkludering, kulturelt mangfold, aksjonslæring ; thema EDItEUR::A The Arts::AT Performing arts::ATQ Dance ; thema EDItEUR::A The Arts::AT Performing arts::ATX Other performing arts ; thema EDItEUR::J Society and Social Sciences::JN Education::JNL Schools and pre-schools
    Language: Norwegian , Swedish , Danish
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  • 67
    Publication Date: 2023-11-17
    Description: This anthology is the second in a series of books from the Department of Management and Organization at Kristiania University College. HR in Today’s Working Life builds on the book Leading People in Today’s Working Life (2020). Through its 12 chapters, the book explores such HR- and management-related topics as: global uncertainty, unforeseeable change, crisis management, predictive analysis and scenario thinking, managerial development and management practices, health-oriented self-management, managerial recruitment, new forms of connection in working life, managers’ legal maneuvering room, demographic development and diversity in working life, and the caregiver’s role. The chapters have there starting point in various aspects of current working life. The authors discuss how changes in and around businesses have necessitated an evolved understanding of what influences organizations and people, a need for new HR practices, and new approaches to how managers should exercise their role. The book builds on central dimensions of HR and management as research fields: • Good management and a good working life in Norway are best developed through an understanding of the Norwegian context. • Good HR and managerial practice are based on solid insight into how an organisation's resource and capability needs are influenced by both internal factors and external changes. • Implicit in fostering a good working life is having a conscious relationship to the global factors and trends that are drivers of change that in turn affect organisations, work, people and managers. The book's 17 authors are forward-thinking Norwegian researchers and professionals in their fields. Each chapter explores themes, issues and concepts with the goal of offering new insights into research and practice in the Norwegian context. The authors contribute to research-based knowledge development in working life today through theoretical, conceptual and empirical studies. The book is therefore aimed at researchers and students, as well as specialists and managers with an interest in HR, organization and management. HR in Today’s Working Life has been edited by Andreas N. Thon (senior lecturer in management, organisation and HR at Kristiania University College), Laura E. M. Traavik (associate professor in organization and management at Kristiania University College) and Kjetil A. Vedøy (lecturer at the Department of Management and Organisation, Kristiania University College).
    Description: Denne utgivelsen er den andre i en serie bøker fra Institutt for ledelse og organisasjon ved Høyskolen Kristiania. HR i møte med det nye arbeidslivet bygger videre på boken Ledelse av mennesker i det nye arbeidslivet (2020). Boken tar gjennom 12 kapitler for seg HR- og ledelsesrelaterte temaer knyttet til blant annet global usikkerhet, uforutsigbare endringer, kriseledelse, prediktive analyser og scenariotenkning, utvikling av ledere og ledelsespraksis, helsefremmende selvledelse, lederrekruttering, nye tilknytningsformer i arbeidslivet, leders juridiske handlingsrom i konflikt, demografisk utvikling og mangfold i arbeidslivet, og utvikling av pårørenderollen. Kapitlene tar utgangspunkt i perspektiver om det nye arbeidslivet. Forfatterne diskuterer hvordan endringer i og rundt virksomhetene fordrer utvikling av forståelsen av hvordan organisasjoner og mennesker påvirkes, behovet for ny HR-praksis og hvordan ledere skal utøve sin rolle. Boken bygger på sentrale dimensjoner ved HR og ledelse som forskningsfelt: • God ledelse og et godt arbeidsliv i Norge utvikles best gjennom forståelse for norsk kontekst. • God HR- og ledelsespraksis baseres på solid innsikt i hvordan organisasjonens behov for utvikling av ressurser og kapabiliteter påvirkes av endringer knyttet til indre faktorer og endringer i omgivelsene. • Et godt arbeidsliv utvikles ved å ha et bevisst forhold til hvordan globale faktorer og utviklingstrekk er endringsdrivere som påvirker organisasjoner, arbeidsoppgaver, mennesker og ledere. Bokens 17 forfattere er en samling fremtidsorienterte norske forskere og fagpersoner innenfor sine fagfelt. Kapitlene i boken utforsker temaer, problemstillinger og begreper med ambisjon om å bidra til ny innsikt i forsknings- og praksisfeltet i norsk kontekst. Forfatterne bidrar til forskningsbasert kunnskapsutvikling i det nye arbeidslivet gjennom teoretiske, konseptuelle og empiriske studier. Boken retter seg derfor både mot forskere og studenter, og mot HR-spesialister og ledere med interesse for HR, organisasjon og ledelse som fag. HR i møte med det nye arbeidslivet er redigert av Andreas N. Thon (førstelektor i ledelse, organisasjon og HR ved Høyskolen Kristiania), Laura E. M. Traavik (førsteamanuensis i organisasjon og ledelse ved Høyskolen Kristiania) og Kjetil A. Vedøy (høyskolelektor ved Institutt for ledelse og organisasjon, Høyskolen Kristiania).
    Keywords: HR, HR analysis, management, leadership development, change, crisis management, diversity, health-promoting work life, HR, HR-analyse, ledelse, lederutvikling, endring, kriseledelse, mangfold, helsefremmende arbeidsliv ; bic Book Industry Communication::K Economics, finance, business & management::KJ Business & management ; bic Book Industry Communication::K Economics, finance, business & management::KJ Business & management::KJM Management & management techniques::KJMB Management: leadership & motivation ; bic Book Industry Communication::K Economics, finance, business & management::KJ Business & management::KJM Management & management techniques::KJMV Management of specific areas::KJMV2 Personnel & human resources management
    Language: Norwegian
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  • 68
    Publication Date: 2024-04-07
    Description: How are school meals organized in the Scandinavian countries? And in what ways can new pedagogical practice lead to better school meal programs for students and a better understanding of the importance, for health and sustainable development, of the food offered through schools? Learning Through Food and Meals in Primary School takes a look at school meal programs in Denmark, Sweden and Norway with the objective of providing educators and teacher-education students an understanding of school meals from public health and nutritional perspectives, as well as a sense of the potential for teaching through school meals. The book is written in Danish, Swedish and Norwegian, and is structured in three parts, presenting new research from each of the three countries. Thematically, the chapters range from studies of different school meal initiatives to analyses of the social, democratic, and pedagogical significance of school meals. Through the different contributions, the book presents both experiences of how teaching through food can be done in a practical sense and an argument for its importance in an overall pedagogical and didactic perspective. The book will be relevant for anyone who is interested in food and meals served in primary schools, such as teachers, researchers, politicians and school administrators. The authors include researchers, educators and primary school administrators. Learning Through Food and Meals in Primary School has been edited by Dorte Ruge (UCL University College, Denmark), Frøydis Nordgård Vik (University of Agder, Norway), and Johanna Björklund and Sara Frödén (Örebro University, Sweden). The anthology has been made possible with the support of Nordplus Horisontal, project LEARNFOOD. The illustrations on the cover of the book are by Elisabeth Werngren (Sweden) and Marie Madsen (Denmark).
    Description: Hvordan er skolemåltiderne organiseret i de skandinaviske lande? Og på hvilken måde kan ny pædagogisk praksis give eleverne et bedre skolemadstilbud og en bedre forståelse af skolemadens betydning for sundhed og bæredygtig udvikling? Læring gennem mad og måltider i grundskolen præsenterer viden om skolemad fra Danmark, Sverige og Norge. Formålet med antologien er at give pædagoger, lærere og studerende indenfor læreruddannelse, folkesundhed og ernæring viden om skolemad, og om hvad læring gennem måltider kan være. Bogen er skrevet på dansk, svensk og norsk. Den er inddelt i tre dele, som præsenterer ny forskning fra hvert enkelt land. Tematisk spænder indholdet fra studier af forskellige skolemadsordninger til forskning i skolemåltidernes sociale, demokratiske og pædagogiske betydning. Gennem de forskellige bidrag præsenterer bogen både erfaringer med, hvordan læring gennem skolemåltider kan foregå i praksis, og en begrundelse for, hvorfor dette er vigtigt i et helhedsorienteret pædagogisk og didaktisk perspektiv. Bogen er relevant for alle, som er optaget af mad og skolemåltider i grundskolen, herunder lærere, forskere, politikere, skoleledere og rektorer. Forfatterne omfatter både forskere og lærere, pædagoger og skoleledere i grundskolen. Læring gennem mad og måltider i grundskolen er redigeret af Dorte Ruge (UCL Erhvervsakademi og Professionshøjskole, Danmark), Frøydis Nordgård Vik (Universitetet i Agder, Norge) samt Johanna Björklund og Sara Frödén (Örebro Universitet, Sverige). Antologien er støttet af Nordplus Horisontal, projekt LEARNFOOD. Illustrationer på omslag er udarbejdet af Elisabeth Werngren (Sverige) og Marie Madsen (Danmark).
    Keywords: food education ; social learning ; social equality ; school meals ; free school meals ; whole school approach ; health promotion ; sustainability ; pedagogy ; maddannelse ; social læring ; social lighed ; skolemad ; gratis skolemad ; helhedsorienteret tilgang ; sundhedsfremme ; bæredygtighed ; pædagogik ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies::JBCC4 Cultural studies: food and society ; thema EDItEUR::J Society and Social Sciences::JN Education::JNL Schools and pre-schools::JNLB Primary and middle schools
    Language: Danish , Swedish , Norwegian
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  • 69
    Publication Date: 2024-03-29
    Description: This anthology constitutes the primary report resulting from a three-year innovation project in which the main focus has been on collaboration between preschools and primary schools, and the ‘PP-tjeneste’ (pedagogisk-psykologisk tjeneste, a public service that assists in evaluation of children with special educational and/or psychological needs and helps those working in the educational setting make appropriate accommodations for those needs), and establishing a program in which they jointly develop their competence regarding inclusivity. Researchers from NLA University College, the University of Stavanger and Statped (a national service for special needs education) have formed a partnership to support a range of innovation processes as well as track their progress through data collection and analysis, and thereby respond to the profile set forth in the national strategy, ‘Kompetanseløftet for spesialpedagogikk og inkluderende praksis’ (Enhancements in special pedagogic and inclusive practices), initiated during the project period. The experiences presented in this anthology will therefore be relevant and of interest to many in both the higher educational sector and the municipalities.
    Description: Denne antologien utgjør hovedrapporten etter et tre-årig innovasjonsprosjekt som har hatt hovedfokus på samarbeidet mellom barnehage/skole og PP-tjenesten, og etablering av et samarbeid der man i fellesskap utvikler kompetanse for inkluderende praksis. Forskere ved NLA Høgskolen, Universitetet i Stavanger og Statped har gått inn i et partnerskap der man både har støttet de ulike innovasjonsprosessene og fulgt prosessene gjennom datainnsamling og analyse. Slik samsvarer dette innovasjonsprosjektet på flere måter med profilen i den nasjonale strategien Kompetanseløftet for spesialpedagogikk og inkluderende praksis, som er iverksatt i løpet av prosjektperioden. Erfaringene som presenteres i antologien vil derfor være relevante og aktuelle både for aktører i universitets- og høgkolesektoren og i kommunene.
    Keywords: collaborative research, inclusive practice, educational and psychological counselling service, partnership, local competence development, SUKIP, samarbeidsforskning, inkluderende praksis, PP-tjeneste, partnerskap, lokal kompetanseutvikling, ; bic Book Industry Communication::J Society & social sciences::JN Education::JNH Education: care & counselling of students ; bic Book Industry Communication::J Society & social sciences::JN Education::JNL Schools::JNLA Pre-school & kindergarten ; bic Book Industry Communication::J Society & social sciences::JN Education::JNL Schools::JNLB Primary & middle schools ; thema EDItEUR::J Society and Social Sciences::JN Education::JNF Educational strategies and policy::JNFC Counselling and care of students ; thema EDItEUR::J Society and Social Sciences::JN Education::JNL Schools and pre-schools::JNLA Pre-school and kindergarten ; thema EDItEUR::J Society and Social Sciences::JN Education::JNL Schools and pre-schools::JNLB Primary and middle schools
    Language: Norwegian
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  • 70
    Publication Date: 2024-04-11
    Description: Migration and mobility transform the daily lives and surroundings of those who travel and relocate, as well as the places they move from and to. This anthology presents some of the disparate perspectives, theories and methodologies that characterize research on migration and mobility. Through the book’s eleven chapters the authors shed light on international research on migration and Norwegian research on transience and tourism. The contributions include empirical studies of immigrant workers and their welfare, marginalization in the job market and opportunities for successors, social mobility in the new country, repro-migration, and local community responses and adaptation to mobility. The book also provides a comprehensive discussion of Norwegian integration policy and methodological challenges and blind spots in Norwegian migration research. On the whole, Migration and Mobility – Actions, Patterns and Perceptions in the Context of Norway is a significant contribution to the advancement of research in these areas. The book will be of interest to everyone concerned with the study of migration and mobility in Norway, but especially to researchers in the field and students of sociology, social anthropology, human geography and other social sciences at the higher educational level. Migration and Mobility has been edited by Mariann Villa (professor of sociology, NTNU), Erik T. Valestrand (doctoral fellow in sociology, NTNU) and Johan Fredrik Rye (professor of sociology, NTNU).
    Description: Migrasjon og mobilitet former hverdagsliv og omgivelser for dem som flytter og reiser, og på de stedene det flyttes og reises til. Denne antologien viser noe av mangfoldet av perspektiver, teorier og metodologier som preger forskningen innen migrasjon og mobilitet. Gjennom elleve kapitler belyser forfatterne internasjonal migrasjonsforskning og nasjonal flytte- og turismeforskning. Bidragene inkluderer empiriske studier av arbeidsinnvandrere og deres omsorgspraksis, marginalisering på arbeidsmarkedet og etterkommeres muligheter, innenlands sosial mobilitet, repromigrasjon og lokalsamfunns respons på og tilpasning til mobilitet. Boka tilbyr også en mer overordnet diskusjon om norsk integreringspolitikk og om metodologiske utfordringer og blindsoner i norsk migrasjonsforskning. Samlet sett er Migrasjon og mobilitet – handlinger, mønstre og forståelser i norsk sammenheng et bidrag til videre utvikling av forskningsfeltet migrasjon og mobilitet. Boka retter seg mot alle med interesse for hvordan migrasjon og mobilitet studeres i norsk sammenheng, men særlig mot forskere på feltet og studenter i sosiologi, sosialantropologi, samfunnsgeografi og andre samfunnsvitenskaper på høyskole- og universitetsnivå. Migrasjon og mobilitet er redigert av Mariann Villa (professor i sosiologi, NTNU), Erik T. Valestrand (doktorgradsstipendiat i sosiologi, NTNU), og Johan Fredrik Rye (professor i sosiologi, NTNU).
    Keywords: migration ; mobility ; Norway ; social class ; place ; tourism ; reproduction ; transnational ; immobility ; migrasjon ; mobilitet ; Norge ; sosial klasse ; sted ; turisme ; reproduksjon ; transnasjonal ; immobilitet ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFH Migration, immigration and emigration ; thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PB Relating to peoples: ethnic groups, indigenous peoples, cultures and other groupings of people::5PBC Relating to migrant groups / diaspora communities or peoples ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFQ Social mobility ; thema EDItEUR::1 Place qualifiers::1D Europe::1DN Northern Europe, Scandinavia::1DNN Norway
    Language: Norwegian
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  • 71
    Publication Date: 2023-11-17
    Description: Learning in a Vygotskian Perspective demonstrates how Lev Vygotsky's (1896–1934) socio-cultural perspectives on learning and education can in various ways hone our perceptions of good education in kindergarten and school. Vygotsky's ideas are an important frame of reference for current educational thinking and constitute a central perspective within the field of education. And yet, it is hard to ignore the pronounced difference between the socio-cultural perspective and the standardization of education occurring today, propelled globally by politicians and education reformers. This anthology contributes to a deeper understanding of how socio-cultural perspectives can provide ""opportunities and consequences for education"". The authors of the chapters in the book have been inspired in various ways by Vygotsky's pedagogical ideas, actively using and promoting them in new research projects in the context of new fields of research and practice within kindergartens, schools and teacher education. The book will be of interest to researchers, teacher educators, teachers, students and others who are interested in socio-cultural learning processes in education. The authors are affiliated with a variety of national and international institutions. The editors are affiliated with the Faculty of Teacher Education and Pedagogy at Høgskolen i Inlandet and the Department of Sámi Teacher Education at Sámi allaskuvla. Ann-Cathrin Faldet is an associate professor in pedagogy, Thor-André Skrefsrud is a professor in pedagogy, and Hege Merete Somby is an associate professor in pedagogy.
    Description: Læring i et Vygotsky-perspektiv viser hvordan Lev Vygotskys (1896–1934) sosiokulturelle perspektiver på læring og utdanning på ulike måter kan bidra til å skjerpe blikket for hva god opplæring kan være i barnehage og skole. Vygotskys ideer er en viktig referanseramme for dagens pedagogiske tenkning og utgjør et sentralt perspektiv innenfor utdanningsfeltet. Samtidig er det vanskelig å overse den markante forskjellen mellom det sosiokulturelle perspektivet og samtidens standardisering av utdanning, drevet frem globalt av politikere og utdanningsreformatorer. Antologien bidrar til en dypere forståelse av hvordan sosiokulturelle perspektiver kan gi «muligheter og konsekvenser for opplæringen». Kapitlene i boken er på ulike måter inspirert av Vygotskys pedagogiske tenkning og bruker den aktivt og viderefører den inn i nye forskningsprosjekter i møte med nye forsknings- og praksisfelt innenfor barnehage, skole og lærerutdanning. Boken henvender seg til forskere, lærerutdannere, lærere, studenter og andre som interesserer seg for sosiokulturelle læringsprosesser i utdanning. Kapitlene er skrevet av en rekke fagfolk fra ulike nasjonale og internasjonale institusjoner. Redaktørene er tilknyttet Fakultet for lærerutdanning og pedagogikk ved Høgskolen i Innlandet og Institutt for samiske lærerutdanninger ved Sámi allaskuvla. Ann-Cathrin Faldet er førsteamanuensis i pedagogikk, Thor-André Skrefsrud er professor i pedagogikk, og Hege Merete Somby er førsteamanuensis i pedagogikk.
    Keywords: Vygotsky, socio-cultural perspectives on learning, kindergarten, school, pedagogical theories, Vygotsky, sosiokulturell læringsteori, barnehage, skole, lærerutdanninger, pedagogisk teori ; bic Book Industry Communication::J Society & social sciences::JM Psychology::JMR Cognition & cognitive psychology::JMRL Learning ; bic Book Industry Communication::J Society & social sciences::JN Education::JNA Philosophy & theory of education ; bic Book Industry Communication::J Society & social sciences::JN Education::JNL Schools::JNLA Pre-school & kindergarten
    Language: English , Norwegian
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  • 72
    Publication Date: 2024-05-12
    Description: Music plays an important role in many religions and in a variety of religious contexts. Music and Religion: Texts on Music in Religion and Religion in Music takes a look at the intersections between music and religion. We experience religion in music, and in religion we encounter musical expression. Although music and religion are unquestionably mutually pervasive, we can also come across gaps between them: Is it possible to move beyond a musical experience toward a religious one without having to hop over this gap? And is there any direct route from religion into music as an acoustic phenomenon? Without a religious interpretation of the music remaining? There is a wealth of research about music and religion, but little on how they meet. That is what this anthology seeks to remedy. Music and Religion will be relevant for anyone with an interest in encounters between these two phenomena. It will be especially relevant for students in performing, composing and scientific music education, as well as theology and religious studies. The anthology has been edited by Henrik Holm (associate professor in education at Oslo Metropolitan University and professor in philosophy at Rudolf Steiner University College) and Øivind Varkøy (professor in music education and music sciences at the Norwegian Academy of Music and professor II in music at Oslo Metropolitan University).
    Description: Musikk spiller en stor rolle i ulike religioner og ulike religiøse sammenhenger. Musikk og religion: Tekster om musikk i religion og religion i musikk setter søkelyset på møtepunkter mellom musikk og religion. Mennesker erfarer religion i musikken, og i religionen møter mennesket i musikalske uttrykk. Selv om musikk og religion utvilsomt gjennomtrenger hverandre, kan vi også støte på gap mellom dem: Er det mulig å overskride en musikalsk erfaring henimot det religiøse uten å måtte hoppe over dette gapet? Og finnes det en vei fra religionen direkte inn i musikken som klangfenomen? Forblir det ikke bare en religiøs fortolkning av musikk? Det finnes mye forskning på musikk og religion, men lite om hvordan de møtes. Denne antologien forsøker å gjøre noe med dette. Musikk og religion retter seg mot alle med interesse for møter mellom disse to livsfenomener. Den vil være særlig aktuell for studenter innenfor utøvende, skapende og vitenskapelige musikkutdanninger, teologi og religionsvitenskap. Boken er redigert av Henrik Holm (førsteamanuensis i pedagogikk, OsloMet, og professor i filosofi, Steinerhøyskolen), og Øivind Varkøy (professor i musikkpedagogikk og musikkvitenskap, Norges musikkhøgskole, og professor II i musikk, OsloMet).
    Keywords: music, aesthetic experiences of religious music, religious expressions of music in the presence and the past, theology, musikk, religion, estetiske erfaringer av religiøs musikk, religiøse musikkuttrykk i nåtid og fortid, teologi ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLK Sacred and religious music ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVK Spirituality and religious experience ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRJ Judaism ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVJ Prayers and liturgical material::QRVJ1 Worship, rites, ceremonies and rituals ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general::QRAB Philosophy of religion
    Language: English , Norwegian , Swedish
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  • 73
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2023-11-16
    Description: In a world marked by surging international conflicts, labour market globalisation, ever-widening economic inequities, steady improvement in the flow of information, and increasing possibilities for mobility over greater distances, the number of migrants on a worldwide basis is hardly likely to decrease in coming years. Immigration regulations are devised within a confluence of national interests, international laws, and attention to migrants’ individual rights. The tension between these disparate considerations begs the question: How can we best safeguard both universal rights issues and European economic integration, as well as the Norwegian state’s obligation, vis-à-vis the distribution of benefits, to its own citizens. We are moving into extremely complex ethical and legal territory, where there are no easy answers. In this book, the author puts Norway’s immigration policy under a moral-philosophical loupe for a thorough analysis of various answers to key questions in the Norwegian immigration debate. This book is aimed at anyone interested in immigration policy issues, but especially persons working professionally in the field, such as political philosophers, politicians, lawyers, case managers and political scientists.
    Description: I en verden der internasjonale konflikter stadig blusser opp, arbeidsmarkedet globaliseres, økonomiske ulikheter blir stadig større, informasjonsflyten kontinuerlig forbedres og mulighetene for å forflytte seg over store avstander er gode, vil antallet migranter på verdensbasis ikke bli lavere i årene som kommer. Innvandringsregulering finner sted i spenningen mellom statlige interesser, internasjonal rett og hensynet til migranters individuelle rettigheter. I lys av disse spenningene må vi stille spørsmålet om hvordan vi best mulig kan ivareta både universelle rettighetshensyn og europeisk økonomisk integrasjon, samt den norske stats forpliktelse overfor egne innbyggere i fordeling av goder. Vi beveger oss inn i et etisk og juridisk felt med stor kompleksitet, hvor ingen enkle svar er gitt. I denne boken legger forfatteren norsk innvandringspolitikk under en moralfilosofisk lupe, og drøfter grundig ulike svar på en rekke sentrale spørsmål i norsk innvandringsdebatt. Boken retter seg mot alle med interesse for innvandringspolitiske spørsmål, men særskilt personer som arbeider profesjonelt innenfor feltet, slik som politiske filosofer, politikere, jurister, saksbehandlere og statsvitere.
    Keywords: Norwegian immigration policy, ethics, political philosophy, civil justice, welfare state sustainability, refugee crises, norsk innvandringspolitikk, etikk, politisk filosofi, sivil rettferdighet, velferdsstatens bærekraft, flyktningkriser, ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFN Migration, immigration & emigration ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFD Refugees & political asylum ; bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions::LND Constitutional & administrative law::LNDA Citizenship & nationality law::LNDA1 Immigration law
    Language: Norwegian
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  • 74
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-03-24
    Description: This book is in commemoration of the composer, educator, conductor and social worker Magnar Åm’s 70th birthday. Right from the start of work as a composer, music as a form of recognition has been central, along with an impulse to disrupt boundaries between established forms and conventions. This has also been a guiding principle behind the contributions to this anthology, where the goal has not only been to honor one individual, but to be a source of new insight. Music and literature are about the creation and dissemination of meaning. In this sense, it is paradoxical to talk about silence as a hallmark of certain art forms. But anyone who reads or listens actively knows that there is more to be gained from art than what lies in the immediate and explicit expression. The voice (in a broad sense) finds its complimentary opposite in silence. The first part of the anthology provides a brief theoretical background for interdisciplinary research into music and literature. The contributions that follow do not view artworks simply as finished products, but as parts of a living practice in which the composer, author, music, text, performer and audience all meet. In the next part, we are drawn into the workshops of composers and musicians who reflect on the music of Magnar Åm, as well as their own in light of this. In the final part, we cross the border between art and other forms of experience, with eudaimonia as a unifying concept: How should one live a complete and meaningful life? This book has been written by researchers in a variety of fields such as literature, music, natural science and outdoor life, as well as practicing artists: composers, musicians and writers. Between research and art, through scientific articles and professional essays, a conversation arises that engenders recognition across fixed boundaries.
    Description: Denne boka er eit festskrift i høve 70-årsdagen til komponisten, pedagogen, dirigenten og samfunnsmennesket Magnar Åm. Heilt frå starten av komposisjonsarbeidet hans har musikken som erkjenningsform stått sentralt, men også trongen til å bryte grensene mellom etablerte former og konvensjonar. Dette har fungert som leietrådar også for bidraga til denne antologien. Målet har ikkje berre vore å lage eit heidersskrift til éin person, men å vere ei kjelde til ny innsikt. Musikk og litteratur handlar om skaping og formidling av meining. Slik sett er det paradoksalt å snakke om stille som eit sentralt kjenneteikn ved desse kunstartane. Men alle som les og lyttar aktivt, veit at det er meir å hente i kunsten enn det som ligg i det umiddelbare og eksplisitte uttrykket. Stemma (i vid tyding) har stilla som si komplementære motsetning. Første hovuddel av antologien gir ein kortfatta teoretisk bakgrunn for ei tverrvitskapleg forsking på musikk og litteratur. Bidraga som følgjer ser ikkje på kunstverka berre som ferdige produkt, men som delar av ein levande praksis, i møtet mellom komponist, forfattar, musikk, tekst, utøvar og mottakar. I neste del blir vi tekne med inn i verkstaden til komponistar og musikarar som kommenterer musikken til Magnar Åm, men også sin eigen i dette lyset. I siste del kryssar vi grensa mellom kunsten og andre erfaringsformer, med eudaimonia som samlande omgrep: Korleis kan ein kan leve eit fullstendig og meiningsfullt liv? Boka er skriven av forskarar frå ulike fagfelt som litteratur, musikk, naturvitskap, friluftsliv, men også av utøvande kunstnarar: komponistar, musikarar og forfattarar. I møtet mellom forsking og kunst, gjennom vitskaplege artiklar og faglege essay, oppstår det ein samtale som skaper erkjenning på tvers av fastlåste grenser.
    Keywords: Music, literature, voice, silence, meaning, Samtidskomponister, musikk, litteratur, stillhet, stemme ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Norwegian
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  • 75
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2022-02-22
    Description: How can we be sure that the food we buy in grocery stores won’t make us sick? The institutions, laws and regulatory systems put in place to safeguard that food is safe to consume are the result of a long and complex process. This book takes a close look at that process and at how various actors and institutions – we call them ‘food’s facilitators’ – have worked to ensure that the food we eat is fresh, healthy and safe. Food’s Facilitators explores how modern foods and systems for food can be seen as the result of a series of administrative efforts and negotiations over how such food is produced. The authors examine laws and regulations, expertise, technologies, and media that contribute to binding the various modern industrialized food systems together. Their subject matter ranges from cookbooks and schools for housewives that have greatly influenced the Norwegian diet, to the industrial production of foods, freezer technology, date marking, and quality assessment. In addition, the authors look at the presentation of food on television as informational activity as well as debates about industrially produced ingredients and food products like margarine, artificial vanilla and farmed salmon. Through these examples the book illustrates how regulation, quality and information became necessary cornerstones in the evolution of the food industry. The authors have backgrounds in science and technology studies, history, anthropology, sociology and media science. The anthology has been edited by Terje Finstad, Stig Kvaal and Per Østby, all from the Department of Interdisciplinary Studies of Culture at the Norwegian University of Science and Technology (NTNU), and Håkon B. Stokland from the Norwegian Institute for Nature Research and NTNU’s Department of Interdisciplinary Studies of Culture.
    Description: Hvordan kan vi stole på at maten vi kjøper i butikken ikke gjør oss syke? Etableringen av institusjoner, lover og kontrollsystemer som sikrer oss at maten er trygg, er resultatet av en lang og sammensatt historisk prosess. Denne boken ser nærmere på denne prosessen, og på hvordan ulike aktører og institusjoner – kalt matens meglere – har arbeidet for å gjøre maten vi spiser god, sunn og sikker. Matens meglere viser hvordan moderne mat og matsystemer kan forstås som resultat av en rekke styringsforsøk og forhandlinger om hvordan mat blir til. Forfatterne ser på lover og regler, ekspertise, teknologier og medier som bidrar til å knytte de moderne industrialiserte matsystemene sammen. Tematikken strekker seg fra kokebøker og husmorskoler, som har hatt stor innflytelse på det norske kostholdet, til etablering av matvareindustri, fryseteknologi, datomerking og vurdering av matkvalitet. Videre ser forfatterne på mat på TV som opplysningsvirksomhet, og debatt omkring industrielt produserte ingredienser og matprodukter som margarin, vanilje og oppdrettslaks. Gjennom disse eksemplene viser boken hvordan kontroll, kvalitet og kunnskap ble nødvendige omdreiningspunkt i den industrielle matens tid. Forfatterne har bakgrunn fra vitenskap- og teknologistudier, historie, antropologi, sosiologi og medievitenskap. Redaktører er Terje Finstad, Stig Kvaal og Per Østby, alle ved Institutt for tverrfaglige kulturstudier ved NTNU og Håkon B. Stokland ved Norsk institutt for naturforskning og Institutt for tverrfaglige kulturstudier ved NTNU.
    Keywords: Industrial food systems, food safety, regulation, quality, knowledge, science and technology studies, food history, Industrielle matsystemer, mattrygghet, kontroll, kvalitet, kunnskap, teknologi- og vitenskapsstudier, mathistorie ; bic Book Industry Communication::K Economics, finance, business & management::KN Industry & industrial studies::KND Manufacturing industries::KNDF Food manufacturing & related industries ; bic Book Industry Communication::T Technology, engineering, agriculture::TD Industrial chemistry & manufacturing technologies::TDC Industrial chemistry::TDCT Food & beverage technology
    Language: Norwegian
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  • 76
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-04-04
    Description: What gave rise to the Norse legal system? When? And where were the meeting places under this system located? These are questions that have long remained unanswered in Norwegian and Northern European history. An overriding theme of the book is establishing when this legal system arose and how it developed over time at the local and regional levels. Central topics include the localization of assembly sites in the landscape and how these sites became important to the consolidation of power structures and, later on, the royal system of governance. The ‘things’ are discussed in relation to successive political and economic structures as well as the influence of conditions within settlements and society. The book also looks at the assembly sites in their various contexts regarding localization and importance in the region, and in connection with the system’s development in Northern Europe. The Landscape of the Law provides extensive insight into the places where law and justice and related legal matters were decided in Viken. This is an aspect of Norway’s territorial division that has not been addressed in prior research. The book is relevant for researchers and history and archeology students working in such areas as legal and religious history, administrative jurisdictions, and state-formation processes, as well as local historians and other readers interested in cultural history.
    Description: Når og hvorfor oppstod det norrøne rettssystemet og hvor var tingstedene lokalisert? Dette er tema som lenge har vært ubesvart i norsk og nord-europeisk historie. I Rettens landskap. Tingsteder og rettskretser i Viken i jernalder og middelalder undersøkes stedene for rettsmøter (tingsteder) og den administrative organisasjonen i det historiske Viken-området: de kystnære og sentrale delene av Sørøst-Norge, fra Telemark i vest til Bohuslän i øst. Dette geografiske området utgjør Borgartingets lovområde i middelalderen. Gjennom arkeologiske funn, onomastiske, topografiske og historiske kilder, diskuteres fremveksten av det juridiske landskapet i et langtidsperspektiv fra jernalder til middelalder, det vil si perioden 100–1600 e.Kr. Et gjennomgående tema er når rettssystemet oppsto og hvordan det utviklet seg over tid, både på lokalt og regionalt nivå. Sentralt står lokaliseringen av tingstedene i landskapet, og hvordan tingstedene inngikk som en viktig del av konsolideringen av maktstrukturer og senere kongelige styringssystem. Tingene drøftes i sammenheng med skiftende politiske og økonomiske strukturer, samt bosetnings- og samfunnsforhold som kan ha påvirket tingsystemet. Boken ser også på tingstedene i deres ulike kontekster med hensyn til lokalisering og betydning i regionen, og i sammenheng med tingsystemets utvikling i Nord-Europa. Rettens landskap gir dyptgående innsikt i steder for lov og rett og tilhørende rettsområder i Viken. Dette er en del av Norges territorielle inndeling som ikke har vært belyst i tidligere forskning. Boken er relevant for forskere og studenter innenfor historie og arkeologi som arbeider med eldre retts- og kirkehistorie, administrative inndelinger og statsdannelsesprosesser, men den er også velegnet for lokalhistorikere og kulturhistorisk interesserte lesere.
    Keywords: Thing sites, assembly sites, church sites, skip-levy organisation, administrative areas, law area, state formation processes, Tingsteder, kirkesteder, administrative områder, leidangsorganisasjonen, lovområder, rikssamling, statsformasjonsprosesser ; thema EDItEUR::N History and Archaeology::NK Archaeology::NKD Archaeology by period / region ; thema EDItEUR::1 Place qualifiers::1D Europe ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500::3KL c 1000 CE to c 1500 ; thema EDItEUR::N History and Archaeology::NK Archaeology::NKL Landscape archaeology
    Language: Norwegian
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  • 77
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2022-01-14
    Description: How should we go about collaborating with children and adolescents? Young Participation: Creativity and Conflict in Planning explores how youth participation work in practical terms, in the context of urban development processes at the municipal level in Norway. From their unique perspectives, several social scientists, artists, an architect, and a young contributor discuss experiences and dilemmas of including children, teens, and young adults as contributing stakeholders on various projects. The reader will find concrete examples of participation processes and tools developed in cooperation with young people, architects, and public employees. The chapters reveal how good intentions regarding inclusion can obscure power hierarchies, friction, and conflicts of interest. Yet they also demonstrate that the potential for creativity and innovation are great when young people are invited to contribute their input in planning and developing everything from youth community centers and school grounds to parks and other outdoor spaces in local neighborhoods. This anthology will provide inspiration to researchers, students, municipal employees, urban planners, and others working collaboratively in urban and community development. Among the topics covered are participation as co-research, social entrepreneurship and participation as part of school curricula and in socio-cultural place analyses, the power of the hand in creative practices, co-location as a trend, digital and hybrid participation processes, and power plays in planning. By introducing a new model for ‘thick participation’, the anthology attempts to ensure that young citizens are not just seen and heard but are also given the opportunity to become lasting resources within their local communities. The book’s editors, senior researcher Aina Landsverk Hagen and research professor Bengt Andersen, are both based at the Work Research Institute (AFI), Oslo Metropolitan University.
    Description: Hvordan gjør vi medvirkning med barn og unge? Ung medvirkning: Kreativitet og konflikt i planlegging tar for seg hvordan medvirkning med barn og unge utspiller seg i praksis, i steds- og byutviklingsprosesser i norske kommuner. Fra sine ulike ståsteder diskuterer samfunnsforskere, kunstnere, en arkitekt og en ung medvirker erfaringer og dilemmaer med å inkludere barn, ungdom og unge voksne som medvirkere. Leseren får konkrete eksempler fra medvirkningsprosesser og presentasjon av verktøy som er utviklet i samarbeid med ungdom, arkitekter og offentlig ansatte. Bidragene viser hvordan gode intensjoner om inkludering kan skjule makthierarkier, konflikter og interessemotsetninger. Samtidig peker boken på hvordan muligheten for kreativitet og nytenking er stor når unge inviteres inn til å medvirke i planleggingen av alt fra ungdomshus og skolegårder til parker og uteområder i nabolaget. Antologien gir inspirasjon til forskere, studenter, kommunalt ansatte, planleggere og andre praktikere som jobber med medvirkning i by- og stedsutvikling. Blant temaene som tas opp er medvirkning som medforsking, sosialt entreprenørskap og medvirkning i skolefag og i sosiokulturelle stedsanalyser, håndens kraft i kreative praksiser, samlokalisering som trend, digital og hybrid medvirkning og medvirkningens maktspill. Ved å introdusere en ny modell for «tykk medvirkning», søker antologien å sikre at unge innbyggere ikke bare blir hørt og sett, men også får mulighet til å være vedvarende ressurser i sine nærmiljøer. Bokens redaktører, Aina Landsverk Hagen og Bengt Andersen, er begge seniorforskere ved Arbeidsforskningsinstituttet, OsloMet – storbyuniversitetet. Forfatterne av antologien har også utviklet en digital ressurs for alle som er interessert i ungdomsmedvirkning: https://unghus.oslomet.no
    Keywords: Participation, youth, planning, urban development, creativity, power, municipalities, Medvirkning, ungdom, planlegging, by- og stedsutvikling, kreativitet, makt, kommuner ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RP Regional & area planning::RPC Urban & municipal planning ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSP Age groups::JFSP2 Age groups: adolescents ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology::JHMC Social & cultural anthropology, ethnography
    Language: Norwegian
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  • 78
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2022-06-08
    Description: This book, written by 12 authors, asks: Who governed the Nordic towns from c. 1500 to 1800? The book is inspired by pivotal studies undertaken by Finn-Einar Eliassen in the late 1990s concerning the progression of family dynasties in ruling several small towns in Norway from c. 1600–1800. Eliassen ascertained that 8–10 small Norwegian towns happened to be dominated by two-three families in economic, social, political and administrative matters. He maintained that ownership of the very ground upon which the town was built came to define a privatized lordship, not only in Norway but also in various peripheries in central and northern Europe. Our investigations explore quite opposite patterns. The Norwegian landlords more effectively dominated their towns – compared with landlords in Danish, Finnish, and Baltic towns – by actually living and working there, and due to their vast engagement in lumber trade and shipping. In other parts of the Nordic region the landlords normally did not reside in the towns or get involved in business in the town district. However, they possessed other types of power and authority. Finally, we assert that the paths to power and wealth in privatized monopoly towns lay in the establishment of social networks, the ownership of strategic land estates in connection with trade, industry and transport, and, above all, controlling the credit system that bound the peasants and other social groups to supply their masters with labour, lumber, agricultural products, and so on. However, the power of the dynasties had obvious limitations.
    Description: Denne boka kretser rundt spørsmålet om hvem som styrte de nordiske byene ca. 1500–1800. Boka – skrevet av tolv forfattere – er inspirert av Finn-Einar Eliassens pionerarbeid fra 1990-årene om familiedynastier i norske byer. Eliassen kom fram til at åtte–ti norske småbyer i perioden 1600–1800 ble dominert av to–tre familier økonomisk, sosialt, politisk, administrativt og kulturelt, noe han mener også har vært mønstre i periferier i Nord- og Sentral-Europa. Kilden til makt lå i det å eie bygrunnen. Våre undersøkelser viser andre mønstre. De norske godseierbyene ca. 1500–1800 skilte seg ut fra tilsvarende byer i resten av Norden på flere måter. I Norge kom byherrene til å styre og dominere mer, de var sterkt involvert i næringsvirksomheten, og de bodde i byene. I resten av Norden ble godseierbyene preget av andre økonomiske eliter og av at godseierne ikke residerte i byene. På den andre siden hadde danske, svenske og finske godseiere andre maktmuligheter enn de norske. Samtidig avdekker våre funn at det å eie grunnen ofte ikke var hovedkilden til makt og rikdom i en by. Dynastier og eliter fant ressursene i sosiale nettverk og strategisk eierskap i næringer og kredittsystemer. Like viktig var det at byherrenes makt i Norden på flere måter var begrenset.
    Keywords: political economy, small town feudalism, privatized monopoly towns, family dynasties, company towns, network towns, politisk økonomi, småbyføydalisme, privatiserte monopolbyer, familiedynastier, nettverksbyer ; bic Book Industry Communication::K Economics, finance, business & management::KC Economics::KCP Political economy ; bic Book Industry Communication::H Humanities::HB History::HBL History: earliest times to present day::HBLH Early modern history: c 1450/1500 to c 1700 ; bic Book Industry Communication::H Humanities::HB History::HBL History: earliest times to present day::HBLL Modern history to 20th century: c 1700 to c 1900 ; bic Book Industry Communication::K Economics, finance, business & management::KC Economics::KCZ Economic history ; bic Book Industry Communication::1 Geographical Qualifiers::1D Europe::1DN Northern Europe, Scandinavia
    Language: English , Norwegian
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  • 79
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-04-09
    Description: Ministers, deacons, catechists and cantors are among the church professionals laypeople meet in the context of worship, other church services, and congregational activities. These professionals are upholding a social mission, influencing church practices, setting the tone and developing programs and services within their congregations. What are the hallmarks of the different professions within the church? What insight should church professionals have into each other’s identities and areas of expertise to collaborate and participate in interdisciplinary teamwork? And how, in practical terms, should they be lead? Profession and Leadership in the Church of Norway: Organizing Work of a Church in Change provides sociological and administrative insights into general and contextual phenomena in the church professions. Relationships between professions, administration and organization in the Church of Norway are analyzed in light of empirical studies and an institutional theoretical framework. The author discusses how the professions derive appropriate ways of organizing their work. A key finding in the book is that church professions are characterized by calling, autonomy and complexity. These particular features make value-based leadership especially well-suited to the church professions. Part of the work on a new national church law includes addressing central questions about how the Church of Norway, with its extensive range of services and activities, should be led and organized. This book contributes to a broader base of knowledge about administration and the role of the church professions in this complex. Profession and Leadership in the Church of Norway will be of interest to researchers in professional studies and in organization and management, as well as practitioners: employees, church leaders and advisory council members. Thematically, the book is also relevant for students in educational programs that lead to church employment. Stephen Sirris (PhD) is a professor and leader of the Centre for Values-Based Leadership and Innovation at VID Specialized University’s Faculty of Theology, Diaconia and Leadership Studies.
    Description: Prester, diakoner, kateketer og kantorer er profesjonsutøvere som møter folk i gudstjenester, kirkelige handlinger og aktiviteter i menighetene. De ivaretar et samfunnsoppdrag, har innflytelse over kirkens praksiser, preger menighetslivet og utformer tjenestene. Hva kjennetegner kirkeprofesjonene? Hva slags innsikt bør profesjonsutøverne ha om hverandres identitet og faglighet for å samarbeide og delta i et tverrfaglig samspill? Og hvordan kan profesjonene best mulig ledes i praksis? Profesjon og ledelse i Den norske kirke: Organisering av arbeid i en kirke i endring gir profesjonssosiologiske og ledelsesfaglige innsikter i allmenne og kontekstuelle fenomener ved kirkeprofesjonene. Sammenhenger mellom profesjoner, ledelse og organisering i Den norske kirke analyseres i lys av empiriske studier og et institusjonelt teoretisk rammeverk. Forfatteren drøfter hvordan profesjonene utgjør en hensiktsmessig måte å organisere arbeid på. Et sentralt funn i boken er at kirkens profesjoner kjennetegnes ved kall, autonomi og kompleksitet. Disse særtrekkene bidrar til at verdibasert ledelse er særlig velegnet overfor profesjonene. I arbeidet med ny kirkeordning inngår sentrale spørsmål om hvordan Den norske kirke med sin mangfoldige virksomhet skal ledes og organiseres. Denne boken bidrar til et større kunnskapsgrunnlag om fagledelse og profesjonenes rolle i dette komplekset. Profesjon og ledelse i Den norske kirke er aktuell for forskere i profesjonsstudier og organisasjons- og ledelsesfaglig samt praktikere; ansatte, kirkeledere og rådsmedlemmer. Tematisk er boken også relevant for studenter ved utdanninger som fører til kirkelig stilling. Stephen Sirris (PhD) er professor og leder ved Senter for verdibasert ledelse og innovasjon ved Fakultet for teologi, diakoni og ledelsesfag, VID vitenskapelige høgskole.
    Keywords: profession, leadership, organizing, church, management, institutional theory, Profesjon, ledelse, organisering, kirke, fagledelse, institusjonell teori ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVS Religious institutions and organizations ; thema EDItEUR::K Economics, Finance, Business and Management::KJ Business and Management::KJM Management and management techniques::KJMB Management: leadership and motivation ; thema EDItEUR::K Economics, Finance, Business and Management::KJ Business and Management::KJU Organizational theory and behaviour
    Language: Norwegian
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  • 80
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2022-06-08
    Description: Women's law, gender equality and non-discrimination law have constituted fields of research at the Faculty of Law at the University of Oslo for decades. Law establishes rights and obligations, legal protections and punishments – it can create, maintain and transform society’s distribution of power and resources between individuals and groups. It is thus an important part of legal education to create understanding of how legal constructs, rules and decisions can lead to – or counteract – inequality and discrimination. This book presents various types of gender perspectives in a range of disciplines within law. The chapters cover areas within both public and private law, such as family law, administrative law, welfare law, contract law, corporate law, and criminal law. The book also includes gender perspectives in such related disciplines as legal philosophy, legal sociology, criminology, law and economics, and professional ethics for lawyers. Gender and Law: Women's, Gender and Gender-Equality Perspectives in Legal Studies has been written primarily with law students in mind, but everyone with an interest in the relationship between law, gender, society and politics will find it relevant.
    Description: Kvinne-, kjønns- og likestillingsperspektiver på retten har en lang tradisjon som forskningsfelt på Det juridiske fakultet ved Universitetet i Oslo. Retten regulerer rettigheter og plikter, rettsvern og straff – den kan skape, opprettholde og endre samfunnets fordeling av makt og ressurser mellom individer og grupper. En viktig del av samfunnsoppdraget til juristutdanningen er å skape forståelse for hvordan rettslige strukturer, regler og avgjørelser kan føre til – eller motvirke – ulikhet og diskriminering. Denne boken bringer ulike typer kjønnsperspektiv inn i en rekke av fagene som inngår i rettsvitenskapen. Artiklene omfatter både privatrettslige og offentligrettslige emner, som familierett, forvaltningsrett, velferdsrett, avtalerett, selskapsrett og strafferett. Boken inneholder også kjønnsperspektiv på tverrgående fag som rettsfilosofi, rettssosiologi, kriminologi, rettsøkonomi og yrkesetikk for jurister. Kjønn og rett: Kvinne-, kjønns- og likestillingsperspektiver i jusstudiet er skrevet primært med tanke på jusstudenter, men er relevant for alle som interesserer seg for forholdet mellom juss, kjønn, samfunn og politikk.
    Keywords: mainstreaming, women's law, legal studies, gender and law, gender equality, gender mainstreaming, kvinnerett, kjønnsperspektiv, rettsvitenskap, likestilling ; bic Book Industry Communication::L Law::LA Jurisprudence & general issues::LAQ Law & society::LAQG Gender & the law
    Language: Norwegian
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  • 81
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-03-24
    Description: This anthology deals with co-singing (Norwegian: samsang) in different life stages and various settings in a Scandinavian context. Co-singing forms an essential part of our shared cultural heritage. Co-singing involves all forms of singing-activities in which people coexist, and characterizes in various ways human companionship throughout the course of life, from cradle to grave. From a critical analytical perspective, the research in this anthology sheds light on several themes related to the importance and value of co-singing practice in terms of sensemaking and experiencing coherence in life. This involves musical, physical, psychological, emotional, cognitive, ethical, cultural, and social factors. The research project examines for instance the position of singing activities in Norwegian kindergartens and schools, co-singing and health-related topics, co-singing from a gender perspective, co-singing from a multicultural perspective, co-singing activities in light of motivation and coping, and also low-threshold, flexible daily life singing activities for persons with dementia and their relatives. Choir singing in various life stages, from childhood to age of retirement, are also explored in several chapters. With its broadly arranged and pluralistic approach, this anthology provides a multi-faceted contribution to the development of knowledge in the research field of music associated with the power and legitimacy of co-singing at the individual, group, and societal levels. The contributing authors have their practical and scientific experience from higher music education within the fields of music pedagogy, music performance, music therapy, music and health, and also from other types of cultural and musical practices.
    Description: Denne antologien omhandler samsang i ulike livsfaser og sammenhenger i en skandinavisk kontekst. Samsang utgjør en vesentlig del av vår felles kulturarv. Samsang, som innebærer alle former for sang der mennesker synger sammen, karakteriserer på ulike måter menneskelig samvær gjennom hele livsløpet, fra vugge til grav. Med et kritisk analytisk blikk belyser forskningsarbeidene i antologien varierte tematikker omkring samsangpraksisens betydning og verdi for meningsskaping og opplevelse av sammenheng i livet knyttet til musikalske, fysiske, psykiske, emosjonelle, kognitive, etiske, kulturelle og sosiale faktorer. Undersøkelsene innbefatter blant annet sangens stilling i norske barnehager og skoler, samsang og helserelaterte temaer, samsang i et kjønnsperspektiv, samsang i et flerkulturelt perspektiv, samsangaktiviteter i lys av mestring og motivasjon, samt hverdagslige samsangaktiviteter for personer med demens og deres pårørende. Korsang i ulike livsfaser, fra oppvekstår til pensjonsalder, tematiseres også i flere kapitler. Med sin bredt anlagte og pluralistiske tilnærming, gir antologien et mangesidig bidrag til kunnskapsutviklingen på det musikkpedagogiske området knyttet til samsangens kraft og legitimitet både på individ-, gruppe- og samfunnsnivå. Forfatterne har erfaring som praktikere og forskere fra høyere utdanning innen musikkpedagogikk, utøvende musikk, musikkterapi, musikk og helse og musikalske praksiser i det frie kunst- og kulturfeltet.
    Keywords: Co-singing, life course, music, health, choir singing, kindergarden, school, Samsang, livsløp, musikk, helse, korsang, barnehage, skole ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLC Choral music ; thema EDItEUR::J Society and Social Sciences::JN Education::JNL Schools and pre-schools::JNLA Pre-school and kindergarten
    Language: English , Norwegian
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  • 82
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-03-23
    Description: Why do children and young people need art? How do we rationalize the significance of art in society? This anthology is based on research carried out by members of the multidisciplinary research group Art and Young People at the Faculty of Fine Arts of the University of Agder in Kristiansand. The contributing authors argue in favor of research into children’s and young people’s actual experience of art and artistic practices as well as issues within the arts that affect them indirectly. The book’s subtitle indicates a desire to employ a wider understanding of the notions of art and childhood and youth, which is also evident in the themes, content and research approaches it includes. The chapters span both children’s and young people’s interaction with visual art, music, theater within and outside the context of preschool, school and extracurricular programs, and projects that are more on the periphery of these areas. The authors are thus not just interested in the importance of art to children and young people, but to society in general as well. This anthology is aimed at readers across a broad spectrum of academic disciplines, but will also be of interest to all those concerned with art’s place and meaning in schools, in society, and in research itself.
    Description: Hvorfor trenger barn og unge kunst? Hvordan begrunnes kunstens betydning i samfunnet? Denne antologien tar utgangspunkt i forskning utført av medlemmer av den tverrfaglige forskningsgruppen Kunst og barn & unge ved Fakultet for kunstfag, Universitetet i Agder i Kristiansand. Forfatterne argumenterer både for betydningen av å forske på barn og unges møter med kunst og kunstnerisk praksis direkte og det å forske på kunstfaglige problemstillinger som indirekte berører barn og unge. Bokens undertittel peker på et ønske om å anvende en utvidet forståelse av begrepene kunst og barn og unge, som også kommer til uttrykk i antologiens temaer, innhold og forskningstilnærminger. Kapitlene omhandler både barn og unges omgang med visuell kunst, musikk og teater i og utenfor barnehage, skole, kulturskole, og prosjekter som er mer i randsonen av denne målgruppen. Forfatterne er derfor ikke bare opptatt av hvilken betydning kunst og kunstnerisk praksis har for barn og unge, men også for samfunnet generelt. Antologien retter seg mot et bredt fagfelt og kan være interessant for alle som er opptatt av kunstens plass og betydning i skole og samfunn og i forskningen selv.
    Keywords: Art and young people, art education, relevance of art, visual art, theatre and music, performative approaches, Kunst og barn & unge, kunst og utdanning, kunstens betydning, visuell kunst, teater og musikk, performative tilnærminger ; thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSP Age groups and generations::JBSP1 Age groups: children ; thema EDItEUR::J Society and Social Sciences::JN Education::JNA Philosophy and theory of education
    Language: English , Norwegian , Danish
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  • 83
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2022-10-25
    Description: Press, Profession and Politics is a festschrift in honor of Paul Bjerke, who celebrated his 70th birthday on 2 October 2022. Bjerke has had a far-reaching career in journalism, research and as a social commentator. This festschrift consists of research articles, professional literature, and congratulatory texts from colleagues and collaborators in the media and academic communities. The anthology includes new analyses of various aspects of professional journalistic practice and reflections on the realities of journalism today. Three key concepts are central to an understanding of Paul Bjerke’s research work: press, profession and politics. These concepts comprise the title of the festschrift and are also used to structure its content, with the goal in mind of providing insight into some of the work Bjerke has contributed, as well as linking the texts in this anthology to his research activities. In addition, we gain insight into his many years as a journalist, news editor, and finally, the editor of Klassekampen. This book will be of interest to media researchers and researchers in other disciplines concerned with the function of the media in society, as well as students and practitioners.
    Description: Presse, profesjon og politikk er et festskrift til Paul Bjerke, som fyller 70 år 2. oktober 2022. Bjerke har en allsidig karriere bak seg innen journalistikk, forskning og som samfunnsdebattant. Dette festskriftet samler forskningsartikler, fagartikler og hilsningstekster fra kolleger og samarbeidspartnere i presse og forskning. Boka inneholder nye analyser av forskjellige sider ved journalistisk profesjonspraksis og refleksjon rundt den virkeligheten journalistikken befinner seg i. Tre hovedbegreper er sentrale når Paul Bjerkes forskergjerning skal sammenfattes: presse, profesjon og politikk. Disse utgjør tittelen på dette festskriftet og er også brukt for å organisere stoffet. Målet er både å gi et innblikk i en del av de arbeidene Bjerke har bidratt med, og samtidig koble tekstene i dette festskriftet til hans forskervirke. I denne boka får vi dessuten et innblikk i hans mange år som journalist, nyhetsredaktør og til slutt redaktør i Klassekampen. Boka retter seg mot medieforskere, forskere innen andre fagdisipliner med interesse for medienes funksjon i samfunnet, studenter og praktikere.
    Keywords: media research, news journalism, press ethics, profession, politics, local journalism, newspapers, festschrift in honor of Paul Bjerke, medieforskning, nyhetsjournalistikk, presseetikk, profesjon, politikk, lokaljournalistikk, aviser, festskrift til Paul Bjerke ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies
    Language: Norwegian
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    Publication Date: 2022-12-16
    Description: Society’s use and management of water relies on professional expertise spanning diverse fields: from biology and technology to economics and law. This book examines current issues related to regulating water through chapters summarizing various sets of regulation as well as chapters that take a scientific deep dive into selected themes. The diversity of professional expertise is also reflected in the law aspect. We explore such subjects as surface runoff, natural disasters, drinking water, groundwater, salmon, hydropower, and human rights, as well as general impact assessment requirements and duty of knowledge in environmental law administration. A key objective of the book has been to provide an interdisciplinary understanding of the legal circumstances associated with water, and in addition, deliberate the pros and cons of some of the current regulations. This book will be particularly useful for those who in various ways support and facilitate procedures within the public sector at both the national and municipal levels. It will also be useful for private sector actors seeking familiarity with legal questions that can arise in relation to public administration and other private actors. From a broader perspective, we hope the book can help to throw light on conflicts between different interests and groups within society that occur, for example, when introducing fees, special injunctions against private actors, and requirements for knowledge basis. This book project is the result of legal research conducted at the Norwegian University of Life Sciences (NMBU) and is supplemented by national expertise in several areas. It has been edited by Steinar Taubøll, a professor at NMBU’s Department of Property and Law. Taubøll has a background in both law and the natural sciences, and extensive experience with interdisciplinary work.
    Description: Håndtering og bruk av vann i samfunnet krever et faglig mangfold fra biologi og teknikk til økonomi og juss. Denne boken drøfter aktuelle temaer knyttet til rettslig regulering av vann, både i form av oversiktskapitler om ulike regelsett og gjennom vitenskapelige dypdykk i utvalgte temaer. Den faglige spennvidden gjenspeiler seg også innen det juridiske. I boken finner man stoff om overvannshåndtering, naturfare, drikkevann, grunnvann, villaks, kraftutbygging, menneskerettigheter, samt om generelle utredningskrav og kunnskapsplikter i miljørettsforvaltning. Et sentralt siktemål er å bygge opp tverrfaglig forståelse av gjeldende juridiske forhold knyttet til vann, og dessuten sette noen av dagens reguleringer under debatt. Boken retter seg særlig til de ressurspersonene som på ulike måter støtter saksbehandlingen i stat og kommune. Boken antas også å være nyttig for private aktører som vil gjøre seg mer kjent med rettsspørsmål som kan oppstå i forhold til forvaltningen og til andre private aktører. I et bredere perspektiv er det dessuten ønskelig at boken kan bidra til å belyse konflikter mellom ulike hensyn og grupper i samfunnet, for eksempel ved innføring av gebyrer, pålegg rettet mot private, innføring av tyngende vilkår og krav til kunnskap og faktagrunnlag. Bokprosjektet springer ut av den juridiske forskningen ved Norges miljø- og biovitenskapelige universitet, og har i tillegg knyttet til seg nasjonal spisskompetanse på mange temaer. Bokas redaktør er dosent Steinar Taubøll ved Institutt for eiendom og juss ved NMBU, som har naturfaglig og juridisk utdannelse, samt lang erfaring med tverrfaglig arbeid.
    Keywords: environmental law, natural hazards, spatial planning, water Framework Directive, water management plans, stormwater management, miljørett, naturfarer, arealplanlegging, vannrammedirektivet, vannforvaltningsplaner, overvannshåndtering ; bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions ; bic Book Industry Communication::1 Geographical Qualifiers::1D Europe::1DN Northern Europe, Scandinavia::1DNN Norway ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general ; bic Book Industry Communication::J Society & social sciences::JP Politics & government
    Language: Norwegian
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  • 85
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2022-10-11
    Description: Collective mobilization arises in the context of social movements and people’s desire for change. In this book, collective mobilization is discussed in light of a variety of perspectives, theories and methodological entryways. Grassroots mobilization is an important principle in community work along with citizen collaboration, influence, and co-creation in the development of local environments and communities. This anthology explores current issues related to welfare policies and practices, as well as global challenges associated with environmental and societal problems. The authors show how community work as a subject, theory, method, and field of research can contribute to greater understanding and development of sustainable solutions. The chapters include examples from a minority organization’s work to counteract negative social control, peer-support consultants’ contributions in treatment programs, young persons’ entry into and resolution of conflicts on social media, union organization of women in India, and neighborhood development planning in urban areas. With Freire’s consciousness-raising teachings on teamwork and Putnam’s and Bourdieu’s ideas about social capital as an underpinning, the authors examine how collective mobilization happens and how it is exercised. As such, the book is a contribution to disciplines and educational programs within the social sciences and social professions. Collective Mobilization is relevant for students, researchers and practitioners within various disciplines and professional areas where collective approaches to society’s challenges are of interest. The book is the result of a collaboration that originated in the community work research group at Western Norway University of Applied Sciences. The editors are Gudmund Ågotnes and Anne Karin Larsen, associate professor and associate professor emerita, respectively, at Western Norway University of Applied Sciences.
    Description: Kollektiv mobilisering har sitt utgangspunkt i sosiale bevegelser og menneskers ønsker om forandring. I denne boken diskuteres kollektiv mobilisering i lys av ulike perspektiver, teorier og metodiske innganger. Et viktig prinsipp i samfunnsarbeid er grasrotmobilisering og innbyggernes samarbeid, innflytelse og samskaping i utvikling av eget nærmiljø og lokalsamfunn. Antologien tar opp tidsaktuelle problemstillinger relatert til velferdssamfunnet, samt globale utfordringer knyttet til miljømessige, sosiale- og samfunnsmessige problem. Forfatterne viser hvordan samfunnsarbeid som fag, teori, metode og forskningsfelt kan bidra til økt forståelse og utvikling av bærekraftige løsninger. Kapitlene belyser eksempler hentet fra en minoritetsorganisasjons arbeid for å motvirke negativ sosial kontroll, erfaringskonsulenters medvirkning i behandlingstilbud, ungdoms inngang til og løsning av rollekonflikter på sosiale medier, fagorganisering av kvinner i India og områdesatsing i byområder. Med utgangspunkt i Freires bevisstgjørende samhandlingspedagogikk og Putnams og Bourdieus forståelse av sosial kapital undersøker forfatterne hvordan kollektiv mobilisering oppstår og utøves. Slik bidrar boken til samfunnsvitenskapens og sosialprofesjonenes fag og utdanninger. Boken retter seg mot studenter, forskere og praktikere innen ulike yrkes- og fagområder som er opptatt av kollektive tilnærminger til samfunnsmessige utfordringer. Antologien er et resultat av forfattersamarbeid som springer ut av forskningsområdet samfunnsarbeid ved Høgskulen på Vestlandet. Redaktører for boken er førsteamanuensis Gudmund Ågotnes og førstelektor emerita Anne Karin Larsen, begge ved Høgskulen på Vestlandet.
    Keywords: collective mobilization, community work, social work, social science, participation and citizenship, social movements, social capital, sustainability, area development, social innovation, kollektiv mobilisering, sosialt arbeid, sosialvitenskap, deltakelse og medborgerskap, sosiale bevegelser, sosial kapital, bærekraftig utvikling, områdesatsing, sosial innovasjon, samfunnsarbeid ; bic Book Industry Communication::J Society & social sciences::JK Social services & welfare, criminology::JKS Social welfare & social services::JKSN Social work ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RP Regional & area planning::RPC Urban & municipal planning ; bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPW Political activism::JPWH Non-governmental organizations (NGOs) ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology::JHBA Social theory
    Language: English , Norwegian
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  • 86
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2022-06-08
    Description: Animal Welfare Management in Norway is about how authorities can best promote high standards of well-being and respect for animals. In Norway, the Norwegian Food Safety Authority has primary responsibility for ensuring that businesses and persons comply with animal welfare laws and regulations. This book presents the results of a unique research project on the effects of the Food Safety Authority’s efforts within land-based food industries, in which key questions were: What kinds of regulatory measures and oversight are most effective? Is organizing all regulatory activity under one authority worthwhile? Is industry receptive to oversight? How can the authority utilize measures such as guidelines, warnings or punishment to best effect? This book provides new insight into challenges associated with animal welfare management, an area that has previously been under-researched in Norway. The book is geared toward persons with supervisory roles as well as those working in industries that handle animals, but it will also be of interest to anyone concerned with animal welfare or oversight in general. The book can also be relevant for instruction at the higher educational level. The contributors have backgrounds in political science, law, sociology, social anthropology, veterinary and other livestock-related fields, as well as inspection services. The book has been edited by Stig S. Gezelius, a professor at the University of South-Eastern Norway, and Frode Veggeland, a professor at the University of Oslo and senior researcher at the Norwegian Institute of Bioeconomy Research (NIBIO). The editors are experienced in research into public administration and implementation of legislation.
    Description: Forvaltning av dyrevelferd i Norge handler om hvordan myndighetene best kan fremme god dyrevelferd og respekt for dyr. I Norge er det Mattilsynet som har hovedansvaret for å kontrollere at virksomheter og personer overholder dyrevelferdsloven. Denne boka presenterer resultatene fra et unikt forskningsprosjekt om virkninger av Mattilsynets virksomhet i landbaserte matnæringer. Sentralt står spørsmålet om hva slags tilsyn som virker best. Er det hensiktsmessig å samle alle tilsynsoppgaver i én etat? Er næringen mottakelig for styring? Hvordan kan tilsynet bruke virkemidler – som veiledning, advarsler eller straff – på en hensiktsmessig måte? Boka gir ny innsikt i utfordringer knyttet til dyrevelferdsforvaltningen. Forvaltning av dyrevelferdsloven er knapt studert i Norge tidligere. Boka retter seg særlig mot tilsynsforvaltningen og aktører innen næringer som håndterer dyr, men vil være interessant for alle som er opptatt av dyrevelferd eller av tilsynsvirksomhet generelt. Den er egnet for undervisningsformål på universitets- og høyskolenivå. Kapittelforfatterne har bakgrunn fra statsvitenskap, jus, sosiologi, sosialantropologi, veterinær- og husdyrfag, så vel som fra inspeksjonsvirksomhet. Bokas redaktører er Stig S. Gezelius, professor ved Universitetet i Sørøst-Norge, og Frode Veggeland, professor ved Universitetet i Oslo og seniorforsker ved Norsk institutt for bioøkonomi (NIBIO). Redaktørene har lang erfaring fra forskning på offentlig forvaltning og iverksetting av lovverk.
    Keywords: regulation, public administration, animal welfare, inspection, implementation, enforcement, compliance, regulering, offentlig forvaltning, dyrevelferd, tilsyn, iverksetting, håndhevelse, etterlevelse ; bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPP Public administration ; bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions::LNK Environment, transport & planning law::LNKG Animal law ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFZ Animals & society
    Language: Norwegian
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  • 87
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2022-10-19
    Description: The ABCs of Complaint: The Book of Lamentations Through the Ages analyzes the biblical Book of Lamentations. Central to the book are the questions: How can we translate the Hebrew text while at the same time taking into consideration the poetic devices of the source text and insights from recent research into biblical Hebrew grammar? What are the literary forms and content of the poems? How have readers read, understood and used Lamentations over the course of its reception history? The author examines Lamentations’ literary form, its religion-historical, theological and historical content, and its contexts. In addition, selected stations along Lamentations’ nomadic journey through reception history are explored. The book combines historical-critical, literary and form-critical methods. The five poems of Lamentations are analyzed according to the categories orientation (being at equilibrium), disorientation (a state of being out of balance), and reorientation (a state of existence where equilibrium has been restored), inspired by Walter Brueggemann’s typology of psalms. Based on a meticulous philological analysis of the Hebrew text, the author presents a new, transparent Norwegian translation. A distinctive feature of this translation is that it, in several instances, interprets the Hebrew perfect (qatal) as a so-called precative perfect (“perfect of prayer”). The ABCs of Complaint is relevant for students of theology and religion, researchers, church employees, lay people, and all who are interested in Biblical lament literature and images of God from a historical perspective on theology and religion.
    Description: Klagens ABC: Boken Klagesangene i dens samtid og ettertid analyserer den bibelske boken Klagesangene. Sentralt står spørsmålene: Hvordan kan vi oversette den hebraiske teksten og samtidig ta hensyn til grunntekstens poetiske virkemidler og innsikter fra nyere forskning på bibelhebraisk grammatikk? Hva er diktenes litterære form og innhold? Hvordan har lesere lest, forstått og brukt Klagesangene gjennom dens resepsjonshistorie? Forfatteren drøfter Klagesangenes litterære form, dens religionshistoriske, teologiske og historiske innhold og dens kontekster. I tillegg drøftes utvalgte stasjoner langs Klagesangenes nomadiske vandring gjennom resepsjonshistorien. Boken kombinerer historisk-kritiske, litterære og formkritiske metoder. De fem diktene i Klagesangene analyseres ut fra kategoriene orientering (en tilværelse i likevekt), desorientering (en virkelighet ute av balanse) og nyorientering (en tilværelse hvor likevekten er gjenopprettet), inspirert av Walter Brueggemanns salmetypologi. På grunnlag av en nitid filologisk analyse av den hebraiske teksten presenterer forfatteren en ny, transparent norsk oversettelse. Et kjennetegn ved oversettelsen er at den i flere tilfeller forstår hebraisk perfektum (qatal) som en såkalt prekativ perfektum («bønneperfektum»). Klagens ABC henvender seg til teologi- og religionsstudenter, forskere, kirkelige medarbeidere, legfolk og alle som interesserer seg for Bibelens klagelitteratur og gudsbilder i et teologisk og religionshistorisk perspektiv.
    Keywords: Complaint literature in the Bible, poetry in the Bible, the Babylonians’ destruction of Jerusalem/Zion and The First Temple, Judah’s Babylonian crisis, historical-critical interpretation of the Bible, Lamentations’ reception history, klagelitteratur i Bibelen, poesi i Bibelen, babylonernes ødeleggelse av Jerusalem/Sion og Det første tempelet, Judas babylonske krise, historisk-kritisk bibeltolkning, Klagesangenes resepsjonshistorie ; bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRL Aspects of religion (non-Christian)::HRLB Theology
    Language: Norwegian
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  • 88
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2022-01-14
    Description: This book presents wide-ranging video research in pedagogical contexts that have previously received little notice. Video research is, and can be employed for, so much more that standing in a classroom and filming with a camera. That is what we hope to achieve with this book – to demonstrate the inherent flexibility in video, that it can serve as one tool among many and be utilized in a variety of settings in several different ways. We want to emphasize the fact that you don’t need a professional lab with lots of equipment to do quality video research. All you need is a camera, a microphone, and a good plan for what you can, and cannot, capture in your project. Video Research in Educational Settings: Diverse Video Data in Pedagogical Research and Development is written primarily for other researchers, including those who are just beginning their research activities (such as master students and PhD candidates) and are interested in discovering how flexible, applicable and creative data collection can be with the help of video, and how rich the data material one obtains can be. The chapters represent a broad cross-disciplinary approach, yet with one common denominator: the use of video in different educational arenas, not only for data collection, but also for stimulating reflection, learning and greater expertise.
    Description: Denne boken presenterer en bredde i videoforskning innen pedagogiske kontekster som tidligere ikke har fått så stor oppmerksomhet. Med andre ord, videoforskning er, og kan brukes til, så mye mer enn å bare stå i et klasserom og filme med et kamera. Det er det vi ønsker å gjøre med denne boka – vise fleksibiliteten i bruk av video og hvordan video er ett verktøy blant mange, men som kan brukes til flere ulike problemstillinger og på flere ulike måter. Vi ønsker å løfte frem det aspektet at du ikke trenger en stor videolabb med en masse utstyr for å få til god videoforskning. Du klarer deg med et kamera, en mikrofon og en god plan for hva du kan og ikke kan fange opp i ditt prosjekt. Videoforskning på ulike læringsarenaer: Mangfoldig videodata i pedagogisk forskning og utvikling er primært for andre forskere, men også andre som er på vei inn i forskningsaktivitet, eksempelvis masterstudenter eller ph.d.-kandidater som er interessert i å oppdage hvor fleksibel, brukbar og kreativ datainnsamling med hjelp av video kan være, og hvor rikt datamateriale man kan skaffe seg. Boka presenterer en bred tverrfaglighet, men som uansett har en felles nevner: bruk av video på forskjellige læringsarenaer, både for å samle inn data til forskning og for å stimulere til refleksjon, læring i utdanning eller kompetanseutvikling.
    Keywords: Video observations, video analysis, learning, method, methodology, interaction, research ethics, Videoobservasjoner, videoanalyse, læring, metode, metodologi, interaksjon, metodeetikk ; bic Book Industry Communication::G Reference, information & interdisciplinary subjects::GP Research & information: general::GPS Research methods: general ; bic Book Industry Communication::U Computing & information technology::UG Graphical & digital media applications::UGV Digital video: professional ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFP Social interaction
    Language: Norwegian
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  • 89
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2022-08-23
    Description: Which voices, bodies and practices have expressed critical powerlessness in the face of institutional power, and who is expressing this today? What is at play, and what is the root of this powerlessness? These questions are at the core of this book. With Michel Foucault’s theory of power and powerlessness as a point of departure, the contributing authors analyze and discuss the many conflicts and tension that arise when service users and patients take (or relinquish) a particular position. Institutions and professional practitioners have used and still use traditions, theories and methods that often weaken more than strengthen service users’, patients’ and clients’ own volition and subjectivity. The chapters are by researchers in a variety of disciplines including theology, nursing, ethics, child welfare, disability research, history, diakonia, and social work. In the context of these fields, recognizing and emphasizing people’s dignity and promoting equity are explored. But both historically and at present, research and experience show that the opposite also occurs. The ethical takes place between power, powerlessness and practice.
    Description: Hvilke stemmer, kropper og praksiser har uttrykt en kritisk motmakt til institusjonenes makt, og hvem uttrykker den i dag? Hva står på spill, og hvor er motmakten forankret? Dette er spørsmål som står i sentrum for denne boken. Med utgangspunkt i Michel Foucaults teori om makt og motmakt analyserer og drøfter forfatterne i denne boka de mange spenninger og konflikter som oppstår når tjenestebrukere og pasienter tar (eller gis) en egen posisjon. Institusjoner og profesjonsutøvere har brukt og bruker tradisjoner, teorier og metoder som ofte mer svekker enn styrker tjenestebrukeres, pasientenes og klientens egen vilje og subjektivitet. Kapitlene kommer fra forskere innen mange fagfelt, som teologi, sykepleie, etikk, barnevern, funksjonshemmingsforskning, historie, diakoni og sosialt arbeid. I disse kunnskapsområdene handler det om å anerkjenne og å styrke menneskers verdighet og fremme rettferdighet. Men både historisk og aktuelt viser forskning og erfaring at det motsatte også skjer. Det etiske utspiller seg mellom makt, motmakt og praksis.
    Keywords: pastoral power, counter conduct, practice studies, diaconia research, epistemological critique, agency, critical religous studies, pastoralmakt, motmakt, praksis studier, diakoniforskning, kunnskapskritikk, aktørskap, kritiske religionsstudier ; bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRL Aspects of religion (non-Christian)::HRLM Religious life & practice ; bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRL Aspects of religion (non-Christian)::HRLP Religious institutions & organizations ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFJ Social discrimination & inequality ; bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPW Political activism::JPWF Demonstrations & protest movements ; bic Book Industry Communication::H Humanities::HP Philosophy::HPK Philosophy: epistemology & theory of knowledge
    Language: Norwegian
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  • 90
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-04-14
    Description: Civil drones are about to become a billion industry in Norway, and they are often touted as Norway´s new oil. But what exactly do we mean by civil drones, and how can we best ensure that they are used responsibly in society? That is the main question to be discussed in this book. Drones in Civil Society elucidates the topic from many different perspectives. Who are the various actors involved, and how do they work together? What are the differences between civil and military uses of drones? How do we differentiate between the hobby pilot and the professional drone operator, and how can students be trained in responsible, experimental investigation of drone technology? And not least: What happens to the privacy protection of the individual citizen in the midst of all this? The escalating pace of development suggests that drones will soon be an integral part of our everyday lives. What are the implications of this new reality on transportation, business, nature, surveillance, privacy, crime, warfare, and communication?
    Description: Sivile droner er i ferd med å bli milliardindustri i Norge, og i mange fora omtales de som Norges nye olje. Men hva er sivile droner, og hvordan kan vi best sikre at droner brukes på ansvarlig vis i samfunnet vårt? Det er hovedspørsmålet som diskuteres i denne boka. Droner i sivilsamfunnet belyser temaet fra mange ulike vinkler. Hvem er aktørene, og hvordan samhandler de? Hva er egentlig forskjellen på sivil og militær dronebruk? Hva skiller hobbypiloter fra profesjonelle operatører, og hvordan kan studenter trenes i ansvarlig, eksperimentell utforskning av droneteknologi? Og ikke minst: Hva skjer med personvernet og enkeltmenneskene midt oppi alt dette? Den raske utviklingen på feltet tyder på at droner om kort tid vil være en integrert del av vår nye hverdag. Hvordan vil det påvirke transport, næringsliv, natur, overvåkning, personvern, kriminalitet, krigføring og kommunikasjon?
    Keywords: Drones, journalism, aviation, learning, media, privacy protection, civil protection, education, technology, Droner, journalistikk, luftfart, læring, medier, personvern, samfunssikkerhet, utdanning, teknologi ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TR Transport technology and trades::TRP Aerospace and aviation technology ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDR Impact of science and technology on society
    Language: Norwegian
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  • 91
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-04-08
    Description: How should cultural and religious diversity be understood? What happens when different cultures and religions meet? How should we understand such encounters in society and school today? How have they played out historically? This scholarly anthology elucidates these questions from a variety of perspectives, disciplines and subject areas. The book includes both theoretical and practice-oriented texts. Fundamental questions and conceptual understanding are combined with discussions of encounters and diversity in daily life. The book is written for researchers and students at the bachelor, master and doctoral levels, and anyone interested in questions pertaining to culture, religion and society.
    Description: Hvordan skal vi forstå kulturelt og religiøst mangfold? Hva vil det si at kulturer og religioner møtes? Hvordan skal vi forstå dette i samfunnet og i skolen i dag? Hvordan har det utspilt seg i historien? Denne vitenskapelige antologien belyser disse spørsmålene ut ifra ulike perspektiver, fag og fagområder. Boken har både teori- og praksisorienterte tekster. Prinsipielle spørsmål og forståelse av begreper kombineres med drøftinger av møter og mangfold i levd liv. Boken er skrevet for forskere og studenter på bachelor-, master- og doktorgradsnivå og ellers alle som er interessert i spørsmål knyttet til kultur, religion og samfunn.
    Keywords: Diversity, cultural diversity, religious diversity, education, history, Mangfold, kulturelt mangfold, religiøst mangfold, skole, historie ; bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRA Religion: general ; bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRL Aspects of religion (non-Christian)::HRLM Religious life & practice ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSR Religious groups: social & cultural aspects ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVP Religious life and practice ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSR Social groups: religious groups and communities
    Language: English , Norwegian
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  • 92
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-03-24
    Description: Among all artists in Norway, musicians are the majority, and this book is all about them. Musicians work in many different fields, across a broad spectrum of professional roles, and they express themselves in many different genres. You experience them at clubs and on concert stages nationally and internationally. You find them at the podium leading a philharmonic and in the orchestra pit when musicals, plays, dance, and opera are on the program. You encounter them as teachers in music schools, elementary schools, and high schools. You meet them as musical directors and motivators behind choirs, marching bands, and folk music groups. You meet them in our churches and as driving forces in big cities and remote towns, in school gymnasiums and community house auditoriums. The twelve chapters focus attention on musicians’ actual jobs and daily work life. The book describes transformations and trends within the music industry and society in general that have an impact on musicians’ professional development and wellbeing. The book’s four parts look at changes in the musician’s role, professionalization, digitalization, and cultural-political and societal developments that all influence working conditions in the music industry, resulting in differing circumstances for different types of musicians.
    Description: Musikerne er den største gruppen av kunstnere i Norge, og denne boka handler om dem. Musikere arbeider på mange ulike arenaer, inntar et bredt spekter av yrkesroller og uttrykker seg i mange forskjellige sjangre. Du opplever dem på klubb- og konsertscener nasjonalt og internasjonalt. Du finner dem på podiet i de store orkestrene og i orkestergrava når musikal, teater, dans og opera står på programmet. Du møter dem som lærere i kulturskolen, grunnskolen og på videregående. Du møter dem som musikalske ledere og drivkrefter i kor, korps og spellemannslag. Du møter dem i de mange kirkene våre og som ildsjeler i bygd og by, gymsaler og grendehus. Gjennom tolv kapitler rettes oppmerksomheten mot musikernes konkrete arbeidsoppgaver og arbeidshverdag. Boka beskriver endringer og tendenser i musikkbransjen og i samfunnet som er viktige for hvordan musikere kan, vil og får utfolde seg. Bokas fire deler ser på endringer i musikerrollen, profesjonalisering, digitalisering og kulturpolitiske og samfunnsmessige utviklingstrekk som alle påvirker arbeidsforholdene i bransjen, og gir ulike vilkår for ulike typer musikere.
    Keywords: Music industry, higher music education, professionalization, digitalization, creative industries, cultural entrepreneurship; Musikkbransjen, høyere musikkutdanning, profesjonalisering, digitalisering, kreativ næring, kulturelt entreprenørskap ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries::KNTF Music industry
    Language: Norwegian
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  • 93
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-03-24
    Description: This volume of Skriftkultur illustrates how the cross-disciplinary field of writing culture can provide new perspectives on fundamental questions. A definitive foundation of all research and scholarly activity is that it is based in writing. This is true not only within the humanities, but in all scientific disciplines. Scientific theories and modes of thought are linguistic constructions within cultural communities, and science happens in written form. Basic issues in exploring language and writing are thus also basic issues in other written language practices, whether they are scientific or more general. The relationship between a language, texts the language is the basis of, and awareness of the language users is precisely about such basic issues. What are our grounds for understanding, describing and explaining these situations, and to what extent do different subjects and disciplines provide different approaches and answers to such questions?
    Description: Dette nummeret av Skriftkultur viser korleis det tverrfaglege skriftkulturelle feltet kan opne nye perspektiv på grunnleggande spørsmål. Eit avgjerande grunnlag for all forsking og vitskap er at han er skriftbasert. Det gjeld ikkje berre i humaniora, men i alle vitskaplege disiplinar. Vitskaplege teoriar og tenkjemåtar er språklege konstruksjonar i kulturelle fellesskap, og det er i skriftleg form vitskapleggjeringa skjer. Grunnlagsproblem i utforsking av språket og skrifta er dermed samstundes grunnlagsproblem for andre skriftspråklege praksisar, anten dei er vitskaplege eller meir generelle. Tilhøva mellom språket, tekstane det gjev grunnlag for og medvitet til språkbrukarane handlar nettopp om slike grunnproblem. Kva er grunnlaget vårt for å forstå, beskrive og forklare desse tilhøva, og på kva måtar gjev ulike fag og disiplinar ulike inngangar til og svar på slike spørsmål?
    Keywords: Language, text, consciousness, psycholinguistics, philosophy of language, aesthetics, religious experience, Språk, tekst, medvit, psykolingvistikk, språkfilosofi, estetikk, religiøs erfaring ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFA Philosophy of language ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFD Psycholinguistics and cognitive linguistics
    Language: Norwegian
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  • 94
    Publication Date: 2024-03-23
    Description: Agder was and is an important industrial and working-class county. Wasn't it in Arendal that the Norwegian Labor Party was founded? Isn't it the case that a number of eloquent agitators, ideologues and strategists come from the South? It's not a guess that Kristiansand is new Houston? This book will help bring work, the workers and the labor movement in Agder out of oblivion. Eight authors take us through working life in Southern Norway between 1500 and 2020. The history of industrial work in Sørlandet is proud and varied: There was shipbuilding and ironworks operation, steam engines and mechanical workshops, textile industry, breweries and bakeries before 1900. Around the turn of the century, the region gained large jobs in wood processing and the electrometallurgical industry. In the 20th century, these were supplemented by many small and medium-sized businesses. And in recent times there has been another increase, with industrial work in shipbuilding and the oil industry. This anthology deals with the history of work, workers and the labor movement and also concerns challenges, conflicts and cooperation. As several of the contributions in the book show, it happened that Sørlandet's underclass took a strong stand against the authorities and employers. Labour, the workers and the labor movement in Agder not only have a past, but also a present. Two of the contributions shed light on current topics such as labor migration in and out of Agder, neoliberalism and trade union work in Agder. The chapters in the book are relevant for both researchers and lay people, not least from the labor movement, from Agder and other parts of the country.
    Description: Agder var og er et viktig industri- og arbeiderfylke. Var det ikke i Arendal at Det norske Arbeiderpartiet ble stiftet? Er det ikke slik at en rekke taleføre agitatorer, ideologer og strateger kommer fra Sørlandet? Går det ikke gjetord om at Kristiansand er det nye Houston? Denne boka vil bidra til å hente fram fra glemselen arbeid, arbeiderne og arbeiderbevegelsen på Agder. Åtte forfattere tar oss med gjennom arbeidslivet på Sørlandet mellom 1500 og 2020. Historia om industrielt arbeid på Sørlandet er stolt og variert: Det var skipsbygging og jernverksdrift, dampmaskiner og mekaniske verksteder, tekstilindustri, bryggerier og bakerier før 1900. Omkring århundreskiftet fikk landsdelens store arbeidsplasser innen treforedlingen og den elektrometallurgiske industrien. På 1900-tallet ble disse supplert med mange små og mellomstore bedrifter. Og i den seneste tida kom enda en tilvekst, med industrielt arbeid i fartøysbygging og oljeindustrien. Denne antologien tar for seg historia om arbeid, arbeidere og arbeiderbevegelsen og dreier seg også om utfordringer, konflikter og samarbeid. Som flere av bidragene i boka viser, hendte det at Sørlandets underklasse tok kraftig til motmæle mot øvrighet og arbeidsgivere. Arbeid, arbeiderne og arbeiderbevegelsen på Agder har ikke bare ei fortid, men også ei samtid. To av bidragene kaster lys på dagsaktuelle emner som arbeidsmigrasjon inn og ut av Agder, nyliberalismen og fagforeningsarbeid på Agder. Kapitlene i boka er aktuelle for både forskere og lekfolk, ikke minst fra arbeiderbevegelsen, fra Agder og andre landsdeler.
    Keywords: work, labour, labour movement, working class, Agder, Norway, arbeid, arbeiderbevegelse, arbeiderklasse, Norge ; thema EDItEUR::1 Place qualifiers::1D Europe::1DN Northern Europe, Scandinavia::1DNN Norway ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTK Industrialisation and industrial history
    Language: Norwegian
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  • 95
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-03-24
    Description: The starting point for this issue of Skriftkultur is the 150th anniversary of Ivar Aasen’s launch of a national language, which at the time lacked freedom of choice in form and conjugation, but has since developed, for specific historical reasons, into today’s Nynorsk, characterized by great freedom of choice compared to the vast majority of other official written languages in the world. Constant changes to the language’s orthography throughout the 20th century led to both resistance to and difficulties in implementing the reforms. Publishers and newspapers created their own house rules, and a number of studies have shown that students at all levels and even teachers have had difficulty keeping track of what is correct in Nynorsk at any given time. Likewise, students probably have greater exposure to Bokmål than Nynorsk, even in the core area for Nynorsk in Western Norway, which can create challenges for Nynorsk users. In the six scholarly articles, the authors discuss the challenges and opportunities linked to the use of, exposure to and instruction in written Nynorsk. The articles include questions related to the use of house styles in Nynorsk organisations, deviations from standard Nynorsk orthography in student texts, and exposure to and instruction in Nynorsk in educational settings. In a broader perspective, the question of Nynorsk’s continuing evolution also concerns the place and functions the language fills, that is to say, the kinds of social practices that are at the foundation of Nynorsk. This publication will be relevant for students, researchers and others who are interested in written Nynorsk practices.
    Description: Utgangspunktet for dette nummeret av Skriftkultur er at det no er 150 år sidan Ivar Aasen lanserte landsmålet, som den gongen var utan valfridom i form- og bøyingsverket, og at dette skriftspråket av bestemte historiske årsaker har utvikla seg til eit nynorsk skriftspråk som er kjenneteikna av stor valfridom jamført med dei aller fleste andre offisielle skriftspråk i verda. Stendig nye rettskrivingar gjennom det 20. hundreåret medførte både motstand mot og vanskar ved implementeringa av reformene. Forlag og avishus laga sine eigne husnormer, og ei rekkje studiar har vist at elevar, studentar og jamvel lærarar har hatt vanskar med å halde styr på kva som til ei kvar tid er tillatne former i nynorsk. Samstundes blir norske elevar og studentar truleg eksponerte for meir bokmål enn nynorsk jamvel i kjerneområda for nynorsken på Vestlandet, noko som kan skape utfordringar for nynorskbrukarar. Gjennom seks vitskaplege artiklar diskuterer forfattarane utfordringane og moglegheitene som knyter seg til bruk av, eksponering for og opplæring i det nynorske skriftspråket. Artiklane inkluderer spørsmål knytt til bruk av husnormer i nynorskorganisasjonar, avvik frå nynorskrettskrivinga i elevtekstar og eksponering for og opplæring i nynorsk i utdanningsinstitusjonar. I eit vidare perspektiv handlar spørsmålet om tradering av nynorsk også om kva plass og funksjonar språket fyller, det vil seie kva slags sosial praksis som ligg til grunn for nynorsken. Publikasjonen rettar seg mot studentar, forskarar og andre som er opptekne av det den nynorske skriftkulturelle praksisen.
    Keywords: language attitudes, language awareness, language exposure, code-switching, language standardization, New Norwegian/Nynorsk, språkhaldningar, språkmedvit, språkeksponering, språkveksling, språknormering, nynorsk ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFA Philosophy of language ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFD Psycholinguistics and cognitive linguistics
    Language: Norwegian
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  • 96
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-04-04
    Description: 2020 saw the 80th anniversary of the occupation of Norway on 9 April 1940 and the 75th anniversary of Norway’s liberation on 8 May 1945. The anniversaries provided an opportunity to reflect on these central events in Norwegian history, and to take a closer look at the war for the sake of collective remembrance. This was the background for the 2020 Agder Seminar. This anthology consists of eight chapters that illuminate in different ways the relationship between memory and repression in the history of our understanding of the Second World War. The chapters are wide-ranging, from theory-based analyses of recognition as a concept and a phenomenon, to empirical studies of various groups’ struggle for recognition. The contributors represent a number of different disciplines within the social sciences.
    Description: I 2020 var det 80 år siden Norge ble okkupert 9. april 1940 og 75 år siden frigjøringen 8. mai 1945. Det ga anledning til å minnes disse sentrale hendelsene i norsk historie, men også til å se nærmere på krigen som kollektivt minnearbeid. Dette var bakgrunnen for Agderseminaret 2020. Denne antologien består av åtte bidrag som på ulike måter belyser forholdet mellom minne og glemsel i kunnskapshistorien om andre verdenskrig. Bidragene favner vidt. Fra teoridrevne undersøkelser av anerkjennelse som fenomen og begrep til empiriske studier av ulike gruppers kamp for anerkjennelse. Bidragsyterne representerer en rekke ulike fag innen humaniora og samfunnsvitenskap.
    Keywords: Second world war, memory, public history, recognition, occupation, Andre verdenskrig, minnekultur, historiebruk, anerkjennelse, okkupasjon ; thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWR Specific wars and campaigns::NHWR7 Second World War ; thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWL Modern warfare ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPB Early 20th century c 1900 to c 1950::3MPBL c 1940 to c 1949::3MPBLB c 1938 to c 1946 (World War Two period) ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHQ History of other geographical groupings and regions
    Language: Norwegian
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  • 97
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2022-06-08
    Description: This anthology presents research projects that examine the quality and tension in various forms of collaboration on teaching in and across different artistic disciplines, art forms and educational programs. The contributors are teachers, administrators, and researchers from Norway’s ‘culture school’, primary school and preschool as well as higher educational programs that train teachers for these schools. Data for the studies has been obtained from these types of schools and from joint projects between them. The research spans a number of topics: culture school’s external and internal collaboration patterns, diversity, well-being, tensions and conflicts in collaboration between culture school and primary school, what happens in practice when differing views about art collide, challenges that German music teachers encounter in teaching music at the primary school level, collaboration between students and children on musical theater productions, a statistical analysis of the elective primary school subject ‘theater production’, a look at how performative and transformative pedagogical practices with resistance, disruption, and transgression as key aspects can lead to understandings of difference and the bizarre. The book also includes an overview of the considerable research on collaboration between music schools and primary schools in Germany in connection with the project ‘Jedem Kind ein Instrument’ (An Instrument for Every Child). This anthology provides a substantial contribution to research on culture school in particular, inasmuch as culture school is a part of so many different realms of collaboration. The idea for this anthology was conceived in a music pedagogical research environment that, in keeping with the focus on collaboration, sought to encompass the full breadth of different artistic disciplines, art forms and educational programs.
    Description: Denne antologien presenterer forskningsprosjekter som undersøker kvaliteter og spenninger i ulike former for samarbeid om utdanning i og mellom forskjellige kunstfag, kunstformer og utdanninger. Bidragsyterne er lærere, ledere og forskere fra kulturskole, grunnskole og barnehage, samt disse skoleslagenes lærerutdanninger. Datamateriale for studiene er samlet innenfor disse skoleslagene og i samarbeidsprosjekter mellom dem. Forskningsprosjektene undersøker en rekke temaer; kulturskolens eksterne og interne samarbeidskonstellasjoner, mangfold, trivsel, spenninger og motsetninger ved samarbeid mellom kulturskole og grunnskole, møter mellom ulike kunstsyn i praksisfeltet, tyske musikkskolelæreres utfordringer i møte med musikkundervisning i grunnskolen, samarbeid mellom studenter og barn om produksjon av musikkteater, statistisk beskrivelse av valgfaget produksjon for sal og scene, undersøkelser om hvordan performative og transformative pedagogiske praksiser med blant annet motstand, forstyrrelser og overskridelser som sentrale elementer, kan åpne for forståelser av ulikhet og det underlige. Antologien inneholder også en oversikt over den omfattende forskningen om samarbeid mellom musikkskole og grunnskole i Tyskland knyttet til prosjektet Jedem Kind ein Instrument. Antologien gir særlig et bidrag til forskning hvor kulturskolen er et omdreiningspunkt, siden kulturskolen står i så mange ulike samarbeidskonstellasjoner. Ideen om antologien ble unnfanget i et musikkpedagogisk forskningsmiljø som i trå med fokuset på samarbeid, ønsket å omfavne bredden av ulike kunstfag, kunstformer og utdanninger.
    Keywords: music and performing arts education, arts education, cooperation, music education, performing arts, utdanning i kunstfag, kulturskolen, samarbeid, musikkskolen, musikkundervisning, scenekunst, kunstfag ; bic Book Industry Communication::J Society & social sciences::JN Education::JNK Organization & management of education ; bic Book Industry Communication::A The arts::AS Dance & other performing arts ; bic Book Industry Communication::A The arts::AV Music
    Language: English , Norwegian
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  • 98
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-03-23
    Description: The fact that you are reading these words means you have already stepped over the threshold of a collection of what the author calls reflexive études. Here, the author is expanding on the word étude as it is used in music’s most ‘classical’ department, where it denotes a practice piece designed to address an isolated problem of musical technique, and transforms it to serve as a practical thought exercise for the (theatre) field as a whole. The reflexive étude therefore serves as a practical-theoretical exercise in trying to think one’s way to freedom from the (often) unconscious or semi-conscious assumptions and obstacles that the art actor constantly has to contend with. Implicit here is the notion that thinking through also constitutes an exercise and that the art of thinking is inextricably associated with art in general. Like musical exercises, the reflexive études are characteristically specific: each focuses on practice relevant to something particular – perhaps one performance, an issue of acting technique, an acute theatre -sociological situation, or the question of what a theatre script can and should look like. The ambition is to develop what I have called a reflexive dramaturgy. This conception of dramaturgy does not limit itself to analyses of the theatrical text, or to the theatre’s arsenal of calculated stage effects, but is capable of expanding its reach to identify other kinds of action that exert a powerful influence, despite their being seemingly inconspicuous. In this sense, reflexive dramaturgy becomes a kind of theoretical practice that seeks to identify and articulate those actions which (reflexively) set the limits for aesthetic experience, but which are often insufficiently covered by the ways that art and theatrical art view themselves.
    Description: Den som leser disse ordene, befinner seg nå allerede over terskelen til en samling av det forfatteren har kalt refleksive etyder. Ordet etyde utvides her fra musikkens mest ‘klassiske’ avdeling, hvor det betegner et øvelsesstykke innrettet mot å løse et isolert teknisk-musikalsk problem og transformeres til praktiske tankeøvelser for (scenekunst) feltet som helhet. Den refleksive etyden er derfor valgt som en praktisk teoretisk øvelse i å tenke seg løs fra de (ofte) ubevisste eller halv-bevisste forutsetningene og hindringene som en kunstaktør hele tiden arbeider i, og med. I dette ligger en forståelse av at det å tenke over også er en øvelse, og at kunsten å tenke uløselig henger sammen med kunst overhodet. Ambisjonen er å utvikle det forfatteren har kalt for en refleksiv dramaturgi. I dette ligger en dramaturgi som ikke begrenser seg til analyser av sceneteksten, eller av teaterrommets kalkulerte kunstneriske virkemidler, men som i tillegg evner å utvide sitt søk etter andre, og mindre iøynefallende, men ikke desto mindre virksomme, handlinger. Refleksiv dramaturgi blir slik en type teoretisk praksis som forsøker å lokalisere og artikulere de handlingene som (refleksivt) setter grenser for det estetiske, men som ofte selv ikke er tilstrekkelig del av kunstens og scenekunstnerens selvforståelse.
    Keywords: reflexive ; theatre ; performing arts ; dramaturgy ; thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies ; thema EDItEUR::A The Arts::AT Performing arts::ATC Individual actors and performers
    Language: Norwegian , English
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  • 99
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    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2021-02-10
    Description: "This book is the first in a series of publications from the Department of Leadership and Organization at Høyskolen Kristiania. Through 12 chapters, we highlight leadership-related issues concerning, among other things, digitalization, employee empowerment, consulting, behavioral biology, mentoring programs, self-leadership, corporate health, trust, and workplace inclusion. The chapters include studies within the business arena, the public sector, sports and the media, touching on one or more key dimensions of the research field: • Good leadership takes into account that people are more than processes. • Good leadership rides on the realization that our scope of action is crucial to how we manage our work. • Good leadership reflects understanding the importance of the context in which people and organizations find themselves • Good leadership means being aware of the relationship between change and continuity On the one hand, the chapters explore themes, cases and concepts that bring the field of research forward, especially in the Norwegian context, with a diversity of theoretical, conceptual and empirical studies. On the other hand, these same chapters challenge a number of assumptions, language choices and claims within management research that can obscure the value of the subject matter for working life in general. As this is a scientific anthology, the chapters are rich in research-based insights into circumstances and processes about which tomorrow's leaders will benefit from knowing. The book is therefore primarily aimed at researchers, managers and leadership developers, but it will also engage students and practitioners with an interest in leadership and management disciplines."
    Description: "Denne utgivelsen er den første i en serie bøker fra Institutt for ledelse og organisasjon ved Høyskolen Kristiania. Ledelse av mennesker i det nye arbeidslivet byr på 11 kapitler om ledelsesrelaterte problemstillinger knyttet til blant annet digitalisering, oppdragsbasert ledelse, konsulentvirksomhet, atferdsbiologi, mentorprogrammer, selvledelse, bedriftshelse, tillit og arbeidsinkludering. Kapitlene tar utgangspunkt i eksempler og empiri fra næringslivet, offentlig sektor, idrett og media, og berører sentrale dimensjoner ved ledelse som forskningsfelt: • God ledelse tar hensyn til at mennesker er mer enn prosesser • God ledelse innser at menneskers handlingsrom har avgjørende betydning for hvordan vi gjør jobben vår • God ledelse forstår betydningen av konteksten som mennesker og organisasjoner befinner seg i • God ledelse innebærer å være bevisst på forholdet mellom endring og kontinuitet På den ene siden utforsker kapitlene temaer, caser og begreper som bringer forskningsfeltet framover, spesielt i norsk sammenheng, med et mangfold av teoretiske, konseptuelle og empiriske studier. På den andre siden utfordrer de samme kapitlene en del antagelser, språkbruk og påstander innen ledelsesforskning som kan bidra til å tilsløre fagets verdi for arbeidslivet generelt. Kapitlene er rike på forskningsbaserte innsikter i hva slags omstendigheter og prosesser morgendagens ledere vil ha nytte av å kjenne til. Boka retter seg derfor primært mot forskere, ledere og lederutviklere, men også til studenter og praktikere med interesse for ledelse som fag."
    Keywords: Future work life, leadership challenges, human resource management, organizational behaviour, leadership in theory and practice, leadership in a Norwegian context, organizational development, Fremtidens arbeidsliv, lederutfordringer, ledelse av menneskelige ressurser, organisasjonsadferd, ledelse i teori og praksis, ledelse på norsk, organisasjonsutvikling ; bic Book Industry Communication::K Economics, finance, business & management::KJ Business & management::KJM Management & management techniques
    Language: Norwegian
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  • 100
    Publication Date: 2024-04-01
    Description: Our healthcare system is undergoing considerable transformation; standards are changing and established ways of working are being challenged. One change that has consequences for nursing services is increasing digitalization, with new information systems existing alongside paper-based and analogue systems. In this anthology, we have gathered contributions from researchers from a broad spectrum of disciplines and research traditions. Our objective has been to thematicize key perspectives on information and documentation work in the nursing profession during this period of increasing digitalization. We accomplish this objective by focusing on the changing role of the patient, nurses’ record-keeping and important tools that have an impact on quality and collaboration in healthcare services.
    Description: Our healthcare system is undergoing considerable transformation; standards are changing and established ways of working are being challenged. One change that has consequences for nursing services is increasing digitalization, with new information systems existing alongside paper-based and analogue systems. In this anthology, we have gathered contributions from researchers from a broad spectrum of disciplines and research traditions. Our objective has been to thematicize key perspectives on information and documentation work in the nursing profession during this period of increasing digitalization. We accomplish this objective by focusing on the changing role of the patient, nurses’ record-keeping and important tools that have an impact on quality and collaboration in healthcare services.
    Keywords: digitalization ; nursing services ; information systems ; healthcare system ; sykepleietjenesten ; digitalisering ; brukermedvirkning ; dokumentasjonsarbeid ; informasjonssystemer ; journalføring ; thema EDItEUR::M Medicine and Nursing::MQ Nursing and ancillary services ; thema EDItEUR::U Computing and Information Technology
    Language: Norwegian
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