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  • Drawing  (193)
  • Modulate  (192)
  • thema EDItEUR::C Language and Linguistics::CF Linguistics  (187)
  • thema EDItEUR::N History and Archaeology::NH History::NHB General and world history  (137)
  • Italian  (462)
  • Russian  (44)
  • Danish
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  • 1
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    Narrazioni ibride post-sovietiche (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: In light of the dramatic events which have been shocking Ukraine since November 2013, this work’s itinerary aims at functioning as a basis for the formulation of new contact points, for a dialogue between traditions and cultures which nowadays are again being shaken by the events of history. The author examines the self-identification paths of the literary phenomenon of Russian language in Ukraine. With the help of interviews with important representatives of the Ukrainian Russian-speaking literary scene, made on the eve of the so-called 'Ukrainian crisis', the author shall closely observe the origins of the marginal nature of these 'post-Soviet hybrid narratives'.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 2
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    La morte e i suoi riti in Italia tra Medioevo e prima Età moderna (2022)
    Firenze University Press
    Details
    Publication Date: 2024-04-02
    Description: Consciously repressed by the current dominating culture, in Italy and Europe in the late mediaeval and early modern age death was addressed with greater confidence and awareness, and sometimes even with serenity. The modes of dying and of conceiving death – and the varied and rich religious and civil rituals that accompanied it – reflected the values and the choices of rich and poor, of kings and peasants, merchants and soldiers, nobles and churchmen, men and women. Several decades after the major studies that opened the road to these strands of research in Italy too (Ariès, Tenenti), this book offers a series of penetrating and suggestive explorations of a fascinating and complex theme which no reader can consider extraneous.
    Keywords: Morte ; Ritualità religiosa ; Storia ; Medioevo ; Italia ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 3
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    Chapter Transición desde el cuadrado a la elipse. La cripta barroca del Convento de San Francisco de Guadalajara (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 4
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    Chapter Modellando Piero. Indagini ricostruttive sulla Madonna del Parto (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 5
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    Очерки по истории и культуре староверов Эстонии III [Studies on the history and culture of Old Believers in Estonia III] (2021)
    University of Tartu Press
    Details
    Publication Date: 2024-03-23
    Description: Acta Slavica Estonica is an international series of publications on current issues of Russian and other Slavic languages, literatures and cultures. This volume continues the tradition of publishing studies on the history and culture of the Old Believers in Estonia. It includes research papers on the topic, as well as transcripts of recorded texts from the Old Believers. The special focus of the volume is on the island Piirissaar, its history, architecture, people and their language, customs and traditions.
    Keywords: cultural studies ; Slavic studies ; Russian linguistics ; Russian dialects ; Russian onomastics ; folklore ; Russian lexicology ; old believers ; idiolects ; thema EDItEUR::1 Place qualifiers::1D Europe::1DT Eastern Europe::1DTE Estonia ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AG Slavic (Slavonic) languages::2AGR Russian ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity::QRMB Christian Churches, denominations, groups::QRMB2 Orthodox and Oriental Orthodox Churches ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBG Popular beliefs and controversial knowledge::JBGB Folklore studies / Study of myth (mythology) ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSC Rural communities ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies::JBSL1 Ethnic groups and multicultural studies
    Language: Russian , Estonian
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  • 6
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    Firenze e la lingua italiana fra nazione ed Europa (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: The volume collects the proceedings of the conference “Firenze e la lingua italiana tra nazione ed Europa” (Florence and the Italian language between nation and Europe), which was held from on May 27 and 28 2004 in the Aula Magna of the University of Florence and the Accademia della Crusca. As known, Florence played a central role in the process of national linguistic unification and thanks to its international vocation the city has promoted the spread and knowledge of the Italian language and culture all over Europe and in the world. Beyond any celebratory enthusiasm, the conference has been an occasion of open discussion on the cultural identity of the city in the contemporary context, through a critical reflection on its history (in particular on some significant moments of the Florentine culture between the nineteenth and twentieth centuries) and on its linguistic primacy.
    Keywords: Lingua italiana ; Linguistica ; Storia ; Atti di convegno ; Firenze ; Europa ; thema EDItEUR::C Language and Linguistics::CF Linguistics
    Language: Italian
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  • 7
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    Interprétations du discours métalinguistique (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: Ancient linguistic reflection in India was able to combine the analysis of Sanskrit with the awareness that the language through which this analysis is conducted (Sanskrit) is different from the object it examines. Although this language-tool finds its dimension in the artificial Sanskrit of the sütras - the aphorisms of Påñini's grammar - metalinguistic discourse is not restricted to specialized discourse: common speech abounds in metalinguistic notations. The present work focuses on the testimonies of the grammatical school of Pâininian origin, by trying to retrace the course by which metalanguage left the field of naive linguistics to become an object of the school.
    Keywords: Lingua sanscrita ; Linguistica ; Cultura indiana ; India ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs
    Language: Italian
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  • 8
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    La Fisica ad Arcetri (2022)
    Firenze University Press
    Details
    Publication Date: 2024-04-02
    Description: The exhibition: “La Fisica ad Arcetri. Dalla nascita della Regia Università alle leggi raziali” was organized by the Department of Physics and Astronomy of the University of Florence and by the Florence Section of the Italian National Institute of Nuclear Physics, in collaboration with the Historical Archive of the Municipality of Florence, the Physical Science and Natural Mathematics Library of the University of Florence, the Science and Technology Foundation, and the “Galileo” Museum of Florence. It was held from May to September 2016 in the Exhibition Hall of the Municipal Historical Archive in via dell'Oriuolo, Florence. The time covered by the exhibition ranges from the birth of the Royal University of Florence (1924) to the enactment of racial laws in Italy by Benito Mussolini’s government (1938). The exhibited material comes from the Municipality's Historical Archive, the Garbasso Archive, the Della Corte Fund, the Department of Physics and Astronomy, the Science and Technology Foundation and from private collections. The catalogue is published as the third volume of the series of publications associated with the magazine «Il Colle di Galileo».
    Keywords: thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDN Scientific equipment, experiments and techniques ; thema EDItEUR::P Mathematics and Science::PH Physics ; thema EDItEUR::P Mathematics and Science::PH Physics::PHK Electricity, electromagnetism and magnetism ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TJ Electronics and communications engineering::TJF Electronics engineering
    Language: Italian
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  • 9
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    Chapter Digital Transitions for a Comprehensive 3D Documentation: European Trends for Heritage Preservation (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-03
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 10
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    Chapter Il controllo della forma nelle superfici libere dell’architettura contemporanea (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 11
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    Chapter Progettare dall’infanzia: rappresentare e produrre per un apprendimento inclusivo (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-06
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 12
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    Chapter Piattaforme digitali integrate per la gestione del patrimonio costruito esistente: il progetto InSPiRE (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 13
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    Chapter La dimensione visuale dei nativi digitali (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 14
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    Raccontare la guerra (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: War is an event, theme, topos that induces fiction more than any other – stimulating, one might say, superego-like instances of historical fidelity – to press on its own boundaries, inhibit the space of the invention and merge with non-fictional forms of writing (memorial, diary, reportage ...). But in what way and to what extent its literary (as well as theatrical, cinematographical, comic book...) representation has changed – in terms of tone and strategies, in the degree of deformation of the known and shared reality – in the space of a Century that has seen the transformation of war strategies, media coverage and consequently the collective imagination linked to conflicts? The volume, conceived and edited by Nicola Turi, while tracing the individual path of known and lesser-known authors, in relation to the main theme of the book, both Italian and not (from Leopardi to Zanzotto, from Gadda to Calvino, from Salsa to Dessí, from Luzi and Fenoglio to Leavitt, Eisner and Celestini), also stimulates and elaborates a profound reflection on the bewilderment and natural attraction of the artistic gesture (from time to time in the name of fierce irony, desperate incredulity, the elegiac testimony) for evil, pain, the martial distortion of the human, social and political context.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFF Historical and comparative linguistics ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 15
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    Malyj dialektologičeskij atlas balkanskich jazykov. Serija grammatičeskaja (2021)
    Peter Lang International Academic Publishing Group
    Details
    Publication Date: 2024-03-24
    Description: Der hier vorliegende Kartenband behandelt die grammatischen Kategorien des Substantivs in den Sprachen Südosteuropas, wobei die Sprachdaten aus 12 südosteuropäischen Ortspunkten auf 127 Karten präsentiert werden. Als Grundlage dient das Sprachmaterial, das in internationaler Zusammenarbeit im Rahmen des Forschungsprojektes "Malyj dialektologičeskij atlas balkanskich jazykov/Kleiner Balkansprachatlas" erhoben und bearbeitet wurde
    Keywords: atlas ; balkanskich ; dialektologičeskij ; grammatičeskaja ; imeni ; jazykov ; Kategorii ; Kleiner Balkansprackatlas ; Linguistik ; Malyj ; nogo ; Serija ; slavische Sprachwissenschaft ; Sobolev ; Sprachkarten ; Südosteuropäische Sprachen ; suščestvitel ; thema EDItEUR::C Language and Linguistics::CF Linguistics
    Language: Russian
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  • 16
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    La traiettoria storica dell’Etiopia di Meles Zenawi (2022)
    Firenze University Press
    Details
    Publication Date: 2024-04-03
    Description: The present study analyzes the historical framework of contemporary Ethiopia. Particular attention is given to the economic and political events from the regime change in 1991 to the death of TPLF leader Meles Zenawi in 2012. In line with the Braudelian historical analysis three aspects will be taken into consideration: the Ethiopian Empire under Haile Selassie’s rule, the Ethiopian Revolution of 1974, with the rise to power of the Soviet-aligned Derg, and the ensuing civil war with the Maoist guerillas of the TPLF. In addition, the TPLF regime will be examined according to its three underlying concepts – revolutionary democracy, ethnic federalism, and developmental state – and defining theories – neo-patrimonialism, vanguard capitalism, and political marketplace.
    Keywords: Ethiopia ; History and Politics of Contemporary Africa ; Marxism ; Post-Insurgent States ; Developmental State ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTV Institutions and learned societies: general ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPH Political structure and processes
    Language: Italian
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  • 17
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    Языковые категории в сознании и творчестве русского поэта (2022)
    Peter Lang International Academic Publishing Group | Peter Lang AG
    Details
    Publication Date: 2024-03-23
    Description: Поэзия – сфера свободного словесного творчества. Тем не менее, поэт должен придерживаться каких-то языковых норм. Механизмы внутренней речи, преобразования смысла и эмоций в текст получают в книге лингвистическую интерпретацию. Материалом для наблюдений и выводов служит русская поэзия, в основном ХХ века (Б. Пастернак, О. Мандельштам, М. Цветаева, Б. Окуджава, Ю. Левитанский, А. Кушнер и др.).
    Keywords: A. Kushner ; B. Okudzhava ; B. Pasternak ; Innere Sprache ; Linguistische Interpretation ; M. Tsvetaeva ; Norman ; O. Mandelstam ; Russische Poesie ; Yu. Levitan ; А. Кушнер ; категории ; поэта ; русского ; сознании ; творчестве ; Ю. Левитанский ; Языковые ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AG Slavic (Slavonic) languages ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Russian
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    Chapter Disegno di nuovi spazi urbani e percorrenze culturali nel patrimonio storico di Stigliano (MT) (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Karel Teige fra Cecoslovacchia, URSS ed Europa (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: Karel Teige was one of the leading theorists of the Czech avant-garde, and his activity is bound up with the most enriching cultural contributions made to the Czech Republic in the first half of the twentieth century. Proclaiming himself a Marxist, he was frequently at odds with Czech liberal-pragmatic thought. The emergence of European totalitarianism coincided with a major turning-point in his life when, towards the end of the 1930s, he had to come to terms with the Nazi invasion of his country and with the local version of Stalinism. After the War he was marginalised from cultural life and he died of a heart attack while being persecuted in a ferocious campaign of defamation by the Communist Party. The book offers a portrait of this protagonist of European culture and of the process of rediscovery that in the 1960s reintegrated his work and his thought into the extraordinary cultural revival that blossomed in the Prague Spring of 1968.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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    Ospedali e politiche assistenziali a Vicenza nel Quattrocento (2022)
    Firenze University Press
    Details
    Publication Date: 2024-04-02
    Description: The fifteenth century is the century of hospital reforms, started in numerous Italian cities in order to overcome the inadequacies of traditional charitable practices of the Middle Ages and to face the social and health emergencies of that period with the help of different tools. Vicenza also participated in the reform process, restructuring the organisation of its care network, especially thanks to the intervention of the urban patriciate, which ruled the government of the major hospitals according to "managerial" criteria. In the fifteenth century the search for the bonum commune (common good) thus found expression in a new and rational way of understanding, financing and dispensing charity, conversing with public and private actors of the urban scene: a new but not so revolutionary way, in which ancient and recent feelings converged, such as Christian pietas, civic religiosity and protection of the social class’ status quo.
    Keywords: thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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    Figure d’Atene nelle opere di Plutarco (2022)
    Firenze University Press | University of Groningen Press
    Details
    Publication Date: 2024-03-24
    Description: The volume contains the text of nineteen contributions, elaborated by professors of eight European universities, linked together in the “Réseau Thématique Plutarque” (Madrid, Málaga, Coimbra, Paris X, Leuven, Groningen, Salerno, Florence) and intends to comment on the news provided from Plutarch on the life and activities, the importance and influence of the great figures of ancient Athens. Relevant contributions are proposed on famous political figures (Teseo, Solone, Pericle and Cimone); on the great Athenian philosophers (in particular Socrates, the tradition of the Platonic Academy and of the Peripate); on the astrologer Metone and Epimenide, the purifier of Athens; but also on famous women (in particular, Aspasia). Two chapters deal with the historical situation of Athens at the time of the Diadochi and in the Roman age. Two other chapters deal with the reception of two specific plutarchic works during the Renaissance: Gloria degli Ateniesi (Glory of Athenians) e Detti degli Ateniesi (Sayings of the Athenians).
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::DB Ancient, classical and medieval texts
    Language: Italian
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  • 22
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    Chapter Transizioni virtuali: studio su un edificio non realizzato di Alberto Legnani a Castelfranco Emilia (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 23
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    Chapter L’opera Elba di Pietro Consagra: nuovi paradigmi analitico-documentali per l’intervento di restauro (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    L'archivio di Odoardo Beccari (2022)
    Firenze University Press
    Details
    Publication Date: 2024-04-02
    Description: Botanist, zoologist, explorer and anthropologist: between the second half of the nineteenth century and the early decades of the twentieth, Odoardo Beccari was all this and more. His fame continues to be linked primarily with the scientific expeditions to south-east Asia, and Borneo in particular, and his work on Palms, as well as his skill as a draughtsman and photographer. The material conserved in his personal archive is of fundamental importance for a reconstruction, not only of the his scientific career but also of his private life. This inventory finally provides us with the key to find our way around a very significant body of documents ranging from correspondence, notes and preparatory materials to manuscript drafts, travel journals, map sketches, drawings and photographs.
    Keywords: Botanica ; Scienze naturali ; Storia della scienza ; Odoardo Beccari ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics ; thema EDItEUR::M Medicine and Nursing::MB Medicine: general issues::MBX History of medicine
    Language: Italian
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    Russkie vremennye kvantifikatory (2021)
    Peter Lang International Academic Publishing Group
    Details
    Publication Date: 2024-03-24
    Description: 〈P〉Die Reihe besteht seit 1980 und setzt ihren Schwerpunkt auf Arbeiten zur theoriebasierten Beschreibung der Grammatik und Lexik slawischer Gegenwartsprachen. Sie umfasst Monographien, thematische Sammelbände und Tagungsbände. 〈/P〉 〈P〉Publiziert wird in jenen slawischen Sprachen, die der Thematik und dem Zielpublikum am besten entsprechen, und darüber hinaus auf Deutsch und Englisch. Publikationsvorschläge und Manuskripte werden vom Herausgeber und einem fachlich kompetenten ExpertInnenkreis begutachtet. 〈/P〉
    Keywords: dovič ; kvantifikatory ; Linguistik ; Philologie ; Russkie ; Russland ; Slavische Sprachwissenschaft ; Slavistik ; vremennye ; thema EDItEUR::C Language and Linguistics::CF Linguistics
    Language: Russian
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    Il pensiero estetico di Nikolaj Evreinov dalla teatralità alla 'poetica della rivelazione' (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: This research offers an integral analysis of the aesthetic thought of the director, playwright and art theorist Nikolaj Nikolaevic Evreinov. The work focuses on the analysis of the treaty The revelation of art, written in Paris in the 1930s, which represents the greatest testimony of the author's research in the aesthetic field. Henceforth, a connection is offered between the known aspects of Evreinov's theatrical thought, relating to the period of the avant-garde in Russia, and others, of a broader nature, which have long been precluded from being known. Through insights on the Russian theatrical history of the early 20th century, reflections touching textual criticism, the history of aesthetic thought and Russian criticism, the complex figure of an artist emerges against the background of the culture expressed by post-revolutionary Russian emigration. An artist who, as an intellectual, begins a dialogue with the Western European cultural tradition. This book thus intends to restore the visibility, as well as an exegetical and historiographic completeness, of Evreinov’s rich legacy as a writer, a philosopher and a critic.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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    12. letno srečanje Združenja za slovansko jezikoslovje = 12th Slavic Linguistics Society Annual Meeting = XII ежегодная конференция Общества славянского языкознания (2022)
    ZRC SAZU, Založba ZRC
    Details
    Publication Date: 2024-03-23
    Description: The 12th Slavic Linguistics Society Annual Meeting organised by the Fran Ramovš Institute of the Slovenian Language (Research Centre of the Slovenian Academy of Sciences and Arts), Department of Slavistics, Department of Slovenian Studies and the Department of Comparative and General Linguistics (Faculty of Arts, University of Ljubljana) held in Ljubljana between 21 and 24 September 2017 hosted a remarkable 100-odd Slavicists from Northern America, Europe, Russia, South Korea and Japan. The multifariousness of linguistic enquiry and methodology characterising the resultant book of abstracts celebrates the overall importance and responsibility of methodological pluralism that is the driving force behind the constructive dialogue fostered at any scientific meeting.
    Description: Publikacija je zbornik povzetkov prispevkov 12. letnega srečanja Združenja za slovansko jezikoslovje (Slavic Linguistics Society) (Ljubljana, 21.–24. september 2017, v organizaciji Inštituta za slovenski jezik Frana Ramovša Znanstvenoraziskovalnega centra Slovenske akademije znanosti in umetnosti ter Oddelka za slavistiko, Oddelka za slovenistiko in Oddelka za primerjalno in splošno jezikoslovje Filozofske fakultete Univerze v Ljubljani). Zbornik vsebuje okrog 100 prispevkov, katerih avtorji so jezikoslovci iz Severne Amerike, Evrope, Rusije, Južne Koreje in Japonske, ki se ukvarjajo z znanstvenim preučevanjem slovanskih jezikov. V prispevkih so v duhu omogočanja enakih možnosti vsem in ohranjanja metodološkega pluralizma v znanosti zastopane različne jezikoslovne poddiscipline, teoretični modeli in metodološki pristopi, saj je glavni namen delovanja združevanja prav vzpostavljanje tvornega dialoga med njimi.
    Keywords: collective volume ; proceedings ; Slavic languages ; summaries ; posvetovanja ; povzetki ; slovanski jeziki ; zborniki ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AG Slavic (Slavonic) languages ; thema EDItEUR::C Language and Linguistics::CF Linguistics
    Language: English , Russian , Slovenian
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    Spatial and Temporal Dimensions for Legal History (2021)
    Max Planck Institute for Legal History and Legal Theory
    Details
    Publication Date: 2024-04-02
    Description: "The spatiotemporal conjunction is a fundamental aspect of the juridical reflection on the historicity of law. Despite the fact that it seems to represent an issue directly connected with the question of where legal history is heading today, it still has not been the object of a focused inquiry. Against this background, the book’s proposal consists in rethinking key confluences related to this problem in order to provide coordinates for a collective understanding and dialogue. The aim of this volume, however, is not to offer abstract methodological considerations, but rather to rely both on concrete studies, out of which a reflection on this conjunction emerges, as well as on the reconstruction of certain research lines featuring a spatiotemporal component. This analytical approach makes a contribution by providing some suggestions for the employment of space and time as coordinates for legal history. Indeed, contrary to those historiographical attitudes reflecting a monistic conception of space and time (as well as a Eurocentric approach), the book emphasises the need for a delocalized global perspective. In general terms, the essays collected in this book intend to take into account the multiplicity of the spatiotemporal confines, the flexibility of those instruments that serve to create chronologies and scenarios, as well as certain processes of adaptation of law to different times and into different spaces. The spatiotemporal dynamism enables historians not only to detect new perspectives and dimensions in foregone themes, but also to achieve new and compelling interpretations of legal history. As far as the relationship between space and law is concerned, the book analyses experiences in which space operates as a determining factor of law, e.g. in terms of a field of action for law. Moreover, it outlines the attempted scales of spatiality in order to develop legal historical research. With reference to the connection between time and law, the volume sketches the possibility of considering the factor of time, not just as a descriptive tool, but as an ascriptive moment (quasi an inner feature) of a legal problem, thus making it possible to appreciate the synchronic aspects of the ‘juridical experience’. As a whole, the volume aims to present spatiotemporality as a challenge for legal history. Indeed, reassessing the value of the spatiotemporal coordinates for legal history implies thinking through both the thematic and methodological boundaries of the discipline."
    Keywords: Sicily ; Colonial Law ; Legal History ; Carl Schmitt ; Global History ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::L Law::LA Jurisprudence and general issues::LAZ Legal history
    Language: Italian , English , Spanish
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    La lirica di Vasyl' Stus (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: Vasyl’ Stus's (1938-1985) poetry is one of the richest and most complex chapters in the literary history of late Soviet Ukraine. His poems are not only born of the author’s talent, but also of his erudition and deep cultural awareness; Stus’s poetry eloquently shows the presence of a significant Modernist trend in the literature of the Ukrainian underground during the Age of Economic stagnation. Stus's Modernism is the ideal evolution of the Ukrainian poetic culture of the first decades of the century, and develops thanks to an intense intertextual dialogue with the European literature. Stus’s reception of Russian and German poetry, in addition to becoming the model for nineteenth-century and early-twentieth-century Ukrainian poetry, proves fundamental to fully understand his work’s literary palimpsest, which this volume offers a comprehensive reading of, from the early stages to the maturity’s collections.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 30
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    Chapter Archivos digitales de arquitectura: la transformación de la difusión del dibujo (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Contributi Italiani al XV Congresso Internazionale degli Slavisti (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: This volume contains Italian contributions to the XV Slavists’ International Congress (Minsk, 20-27 August 2013). In the wake of the best Italian Slavic tradition, the lecturers present a wide range of themes in different languages, ranging from the Cyril-Methodian question to the critical reflection on contemporary authors. Despite the diversity of disciplinary and methodological approaches - from paleography to textual analysis, from literary comparative studies to sociolinguistics - these contributions show that Italian Slavistic studies maintains their roots, critically developing previous studies and opening up new perspectives for research, while a new generation of scholars is born. As in the past, Italian studies on Slavistics are playing a significant role not only in Italy's cultural relations with the Slavic countries, but more generally on the perspective of a vast and complex process of integration of the various European cultures, which goes further beyond the borders of the European Union; a process in which the Slavic world, with its variety of languages and cultures, is one of the main actors.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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    Dono Imperiale (2023)
    Firenze University Press
    Details
    Publication Date: 2024-04-02
    Description: This volume presents the recovery, cataloging, and valorization project of the collection donated by the Holy Roman Emperor Joseph II (1741-1790) to the Mineralogical Cabinet of the Collegio Nazareno in Rome in 1785. This donation represents, so far, the only geo-mineralogical collection belonging to Joseph II with certainty. The specimen cataloging records, drawn according to the ICCD national catalographic standards for the mineralogical (BNM) and petrographic (BNPE) heritage, are freely available on the Catalogo Generale dei Beni Culturali website. The collection is open to visitors in its permanent exhibition at the Istituto San Giuseppe Calasanzio in Rome. This volume has been realized within the project PANN20.00605 “Dono imperiale. La collezione mineralogica dell’Imperatore Giuseppe II al Collegio Nazareno di Roma” thanks to the financial support of the Italian Ministry of University and Research, Annual Grant – Legge 6/2000 – D.D. 1524 of 21/01/2019.
    Keywords: Joseph II ; Collegio Nazareno ; mineralogical collection ; cataloging ; museum ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics
    Language: Italian
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  • 33
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    Chapter Messina ricostruita in pietra artificiale: la grafica di palazzo Mariani per il progetto di restauro (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 34
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    Scienza e opinione pubblica (2022)
    Firenze University Press
    Details
    Publication Date: 2024-04-02
    Description: Let's try to imagine a world where scientific illiteracy is the exception rather than the rule. That is a world of subjects who are, in the vast majority, informed and aware of the main ongoing scientific debates, and who are capable of critically and independently thinking about them. A world in which everyone could dispose of the resources to develop a thoughtful opinion on cloning techniques, genetically modified organisms, new anti-cancer therapies or even on the origin of life on Earth and the final destiny of the universe. If this world were possible, what would it look like? The scepticism about the feasibility of such a scenario is justified, however it is equally undeniable that during the twentieth century there have been such profound transformations in the relationship between science and public opinion as to make the question at least legitimate and worthy of an answer.
    Keywords: Scienza ; Biotecnologie ; Società ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics
    Language: Italian
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  • 35
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    Chapter Documenting Theatres as Spaces for ‘Transitions’ (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 36
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    Honos alit artes. Studi per il settantesimo compleanno di Mario Ascheri. II. Gli universi particolari (2022)
    Firenze University Press
    Details
    Publication Date: 2024-04-02
    Description: The researches accounted in the volume, being reported by historians who had different vocations, illustrate various aspects of medieval and modern history (laws, economy, society, church and civil institutions, architecture, art, urban planning); they are focused on single town realities and limited geographical-political areas. Among these, particular attention ought to be given to the city of Siena and its territory, which constitute one of the centres of interest for the illustrious scholar to whom is dedicated the series of four volumes, which the present also belongs to.
    Keywords: thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 37
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    Chapter Canova digitale: il potere della copia tra rappresentazione e immaginazione tattile (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 38
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    Семиотическая природа смысловой неопределенности в современном поэтическом дискурсе (2021)
    Peter Lang International Academic Publishing Group
    Details
    Publication Date: 2024-03-23
    Description: Поэзия – это творческое исследование семиотических возможностей языка и поле функционирования сложных нетривиальных смыслов. В основе смыслопорождения в герметичном поэтическом дискурсе лежат процессы подвижного семиозиса, в котором отношения стабильности между означающим и означаемым поставлены под вопрос, а сила тяжести перемещена на интерпретанту, и смысловой энтропии как интенсивного приращения смысла с невозможностью сформулировать его конечное состояние. В книге на материале текстов на немецком и русском языках рассматриваются разнообразные проявления поэтического герметизма в актуальной поэзии, а также семантико-синтаксические механизмы и прагматический потенциал смысловой неопределенности – от неуловимого намека и неразрешимой двусмысленности до нонсенса и тайнописи.
    Keywords: Linguistics ; Language teaching and learning ; Language: reference and general ; Literature: history and criticism ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AG Slavic (Slavonic) languages ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Russian
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  • 39
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    Firenze e Dubrovnik all'epoca di Marino Darsa (1508-1567) (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: This book contains the proceedings of the study day devoted to "Firenze e Dubrovnik all'epoca di Marino Darsa (1508-1567)"which was held in Florence on 31 January 2009. In addition to exploring the work of the playwright and the subjects he addressed, the contributions also map out the cultural and economic context of his work, dwelling in particular on the influence and importance that the relations between Tuscany, and Florence in particular, and Dubrovnik (Ragusa) had upon his production. Enhanced by a short biography of Marin Držić and a selection of critical articles, the publication is addressed to scholars while also being proposed as a tool for teaching on university courses, providing an initial introduction to the man and his work, undeservedly little known, set against the political and economic background of his time.
    Keywords: storia economica ; Slavistica ; Marino Darsa ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::K Economics, Finance, Business and Management::KC Economics::KCZ Economic history
    Language: Italian
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  • 40
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    Alterità (2022)
    Firenze University Press
    Details
    Publication Date: 2024-04-02
    Description: The contributions collected in this volume are the result of the seminars organized by the Laboratory of Modern History during its ten-year activity (from 2003 to 2013) within the Department of Historical and Geographical Studies (now called SAGAS Department) of the University of Florence. Thanks to the participation of Italian and international colleagues, as well as young scholars, this annual cycle of seminars, entitled Temi e problemi della storia moderna (“Themes and problems of Modern History”), aims at encouraging the scientific community to discuss and reflect critically on topics of great historical importance. The theme of otherness is central in the Modern Age as well as in in the contemporary world, and it has been the subject of several seminars. The essays reconstruct significant moments and aspects of the relationships with “the other” in modern Europe: political models and cultural paradigms, cities of refuge and institutes of conversion, attitudes showing integration and/or exclusion of the Jews, Muslims, heretics and foreigners have been analysed in the volume according to the Laboratory’s 'pluralistic spirit’.
    Keywords: thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 41
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    Chapter Digital Unrealities. Photo(Un)Realism and Alienation in Contemporary Postdigital Architecture (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 42
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    Le prime opere narrative di Don DeLillo (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: This study deals with the first works by Don DeLillo, from Americana (1971) to Running Dog (1978), but it also extends its investigation horizon to his following works. The work deals specifically with the conception of time, and the way it is represented in the texts of the American author. By integrating the philosophy of time with narratology, the volume offers critical reflections aimed at identifying the type of poetics through which DeLillo articulates time in his work. In particular, the centrality of the perception of time in his novels and, more specifically, the concentration of the plots in certain moments, the oblique presence of the influence of Samuel Beckett's work in the representation of duration and the attention of the author to the double temporality of the cinematographic image and its hidden aesthetic potential are highlighted. Therefore, time becomes the conceptual context in which the textures of these texts, and the themes characterising them, find a resolution. In the representation of time, in the microscopic analysis and in the slow motion of some specific time segments, DeLillo's narrative traces the possibilities of an indefinable and mysterious perception of reality and history.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 43
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    Kratkija pravila rossijskoj grammatiki (2021)
    Peter Lang International Academic Publishing Group
    Details
    Publication Date: 2024-03-24
    Description: Der vorliegende Faksimile-Nachdruck stellt die Ergänzung zu den bereits 1980 edierten Kvatkija pravila Rossijskoj grammatiki von 1784 dar (Band 32 dieser Reihe). Ihm ist eine Aufsatzstudie beigefügt, in der einige der mit den Kvatkija pravila von 1773 und 1784 verbundenen Probleme behandelt werden. Hierdurch wird die an anderer Stelle (vgl. SPS, Bd. 32, Vorwort) angekündigte Einleitung ersetzt.
    Keywords: 1784 ; Anton Alekseevič Barsov ; Ausgabe ; grammatiki ; Kratkija ; Moskva ; Nachdruck ; Philologie ; pravila ; rossijskoj ; russische Grammatik ; russische Sprachwissenschaft ; Schütrumpf ; slavische Sprachwissenschaft ; thema EDItEUR::C Language and Linguistics::CF Linguistics
    Language: Russian
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  • 44
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    Okozritel'nyj ustav v istorii bogosluženija Russkoj cerkvi (2021)
    Peter Lang International Academic Publishing Group
    Details
    Publication Date: 2024-03-24
    Description: Sredi original'nych liturgičeskich pamjatnikov Drevnej Rusi osoboe mesto zanimaet Okozritel'nyj ustav archiepiskopa Novgorodskogo i Pskovskogo Gennadija (+ 1505). Okozritel'nyj ustav predstavljaet soboj zamečatel'nyj rezul'tat tvorčeskogo i smyslennogo otnošenija k liturgičeskim izmenenijam, svjazannym v russkoj bogoslužebnoj praktike s perechodom ot povsemestnogo upotreblenija Studijskogo tipika k upotrebleniju Ierusalimskogo, načavšego svoe bytovanie na Rusi s konca XIV v. "Die anschauliche Ordnung" des Erzbischofs Gennadij in der Geschichte des Gottesdienstes der Russischen Kirche. In kyrillischer Schrift, russ. - Enth. Außerd.: Okozritel'nyj ustav / Gennadij 〈Erzbischof von Novgorod und Pskov〉.
    Keywords: bogosluženija ; cerkvi ; Danilenko ; istorii ; Okozritel ; Russk ; Russkoj ; ustav ; Обзор списков ; Основная редакция ; Пискаревская редакция ; Сокращенная редакция ; Устойчивая редакция ; thema EDItEUR::C Language and Linguistics::CF Linguistics
    Language: Russian
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  • 45
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    Per amor del cielo (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: This work outlines the phenomenon of conversions to Catholicism which took place in Florence between the 17th and 18th century, and starts by reconstructing the history of the House of Catechumens. In the second half of the 17th century, thanks to a noblewoman from Florence’s bequest, the Institute offered hospitality to "infidels" of all origins, and the number of conversions increased considerably. Such liberality ended up causing a serious economic crisis, which the Lorraine Grand Dukes tried to solve in the 18th century by restricting the field of action to Tuscan subjects only. However, there was no lack of abuse and interference by clergymen, especially towards Jews.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity
    Language: Italian
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  • 46
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    Poesie scelte (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: The volume presents a selection of poems originally composed in German by Austrian-Italian author Benno Geiger and translated into Italian for the first time. This publication aims to make Geiger’s poetical work available to a broader audience and place it aside his better known writing on Art History. Geiger’s specific role as a mediator and bridge between two cultures makes his poetical work extremely significant, as well as considering his prolific activity as a literary translator to which he devoted himself throughout his life. The current edition provides bilingual parallel text, preceded by an introductory essay and a biographical profile of the author. The critical apparatus highlights both the intertextual references and the writer’s complex links with the Italian and German poetical traditions.
    Keywords: Austrian Literature ; Poetry ; Sämtliche Gedichte by Benno Geiger ; The First Half of the Twentieth Century ; Translation ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFP Translation and interpretation ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 47
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    Il matriarcato slavo (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: This book on Slavic matriarchy is the result of the studies and researches that Evel Gasparini carried out over the span of his lifetime. Intrigued by the possibility of a close link between the collective ownership of the land and the ancient agricultural-matriarchal substrate of Slav culture, Gasparini launched on the titanic enterprise of analysing the archaeological and historical sources of early Slavic civilisation. Basing himself on a concept of culture elaborated in the ethnological field, he brought to light certain contradictions in the application of the Indo-European paradigm to Slavic culture and identified a series of elements illustrating the matriarchal substrate. Exploiting an uncommon knowledge of cultural anthropology and profound linguistic competencies, in this book Gasparini maps out a complex panorama ranging from the economy to the social structure and from the religious traditions to music and dance. Out of print for some time, the book is now proposed in a new, more convenient form, complete with an appendix on Finns and Slavs – which was originally intended as another chapter in the book but was then left out – a detailed preface by Gasparini's disciple Remo Faccani, and a bibliography of the scholar's oeuvre edited by Donatella Possamai.
    Keywords: Slavistica ; antropologia culturale ; Protoslavi ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology
    Language: Italian
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  • 48
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    «Israelita ma di eccezione» (2022)
    Firenze University Press
    Details
    Publication Date: 2024-04-02
    Description: 1938 in Italy is marked by the introduction of the racial laws which ejected Jews from schools and universities, preceding similar measures in Germany. The aim of the author is to illustrate the debates in parliament around the Day of Memory and on holocaust denial before dealing with the events of 1938, in order to underline their contemporary significance and to interpret them as linked and not separable. After showing the progress that has been made in terms of historical research and the difficulties that the political world has experienced in taking this work into account, the volume examines the losses in qualitative terms in Italian university teaching and the huge difficulties encountered by professors who had lost their posts and struggled to return to their former positions. The case of Florence is studied closely within the framework of the transformations to university institutions which took place during the Fascist period. The indifference or the silence of the intellectuals, including Gentile, is underlined.
    Keywords: Day of Remembrance ; racist laws ; Fascist period ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 49
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    Chapter Digital Transitions for the Use and Reuse of Digital Assets for Museum Collections (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 50
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    Chapter Beyond Letarouilly (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Ri-abitare patrimoni fragili: il caso studio di Pomarico (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 52
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    Chapter L’interazione visibile: transizioni tra modelli analogici e digitali per le ricostruzioni storiche (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    La diocesi di Bobbio. Formazione e sviluppi di un’istituzione millenaria (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-23
    Description: Drawing on different disciplinary and historiographic traditions, the volume offers a series of summaries and thematic insights, functional to contextualising the peculiar case of the episcopate of Bobbio, founded in 1014 in the Piacenza Apennines as a development of the famous monastery of San Colombano. The considerable documentary source available thanks to the recent reorganization of the diocesan archives, which made it possible to illustrate the cathedral library as well, required an overall presentation and specific attention to the constitutive acts of the new institution. The deepening of the historical context, within which the subsequent diocesan story unfolds, was conducted in relationship with the monastery and with a selection of the nearby cities. The analysis of the settlement dynamics of the Bobbian center and of the structural developments of the church and of the episcopal complex are counterpointed by both in-depth analyses aimed at the organization of the territory, captured in its civil, religious, welfare articulations, and treatments of cultural and liturgical components that animate this Church.
    Keywords: thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500::3KL c 1000 CE to c 1500::3KLY 15th century, c 1400 to c 1499 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MD 16th century, c 1500 to c 1599 ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 54
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    Chapter Ca’ Venier e ponte dell’Accademia nel 1985. Tre immagini transitorie (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 55
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    Chapter Systematizing Virtual Reconstruction of Lost or Never Built Architectures (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 56
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    Креативный потенциал языка современной русской поэзии (2024)
    Peter Lang International Academic Publishers
    Details
    Publication Date: 2024-04-03
    Description: В монографии демонстрируется возможность изучать современный поэтический язык не только с точки зрения эстетической функции, но и креативной, воздействие которой предполагает создание новых форм и неожиданных сочетаний при передаче разнообразной текстовой информации. Для исследования выбран поуровневый метод описания. На иллюстративных примерах показывается, как креативность проявляет себя на разных уровнях организации текста: фонетико-орфографическом, словообразовательном, лексико-семантическом, грамматическом – и как уровни взаимодействуют друг с другом. На уровне же целого текста важными параметрами становятся субъектная организация и взаимодействие текста с другими текстами.
    Keywords: Fateeva ; Henrieke ; Natalia ; Stahl ; грамматика ; интертекстуальность ; креативная функция ; современная русская поэзия ; субъект ; Язык поэзии ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetry
    Language: Russian
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    Le pubblicazioni dell’Istituto per l’Europa orientale (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: With the additional help of archival material, the first part of this volume reconstructs the history of the Institute for Eastern Europe (Ipeo), founded in Rome in 1921, whose activity was characterized by a remarkable editorial production closely connected to the birth and development of Italian Slavic Studies. Despite the inevitable coexistence with fascism and the submission, somehow, to a line of conduct which especially in the 1930s accompanied the regime’s policy, the Ipeo’s activity was marked above all by a sincere desire to spread knowledge of a world which was still quite unknown in the Italian context under many aspects. The Ipeo operated until the end of World War II, when the government funding and even the political and cultural assumptions which had favoured its birth ceased because of the changed geopolitical context, determined by the end of the conflict. The second part of the volume covers the General alphabetical catalogue of all Ipeo’s publications, accompanied by a Chronological catalogue and by an Index of authors, editors, translators and preface writers.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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    The Heian Court Poetry as World Literature (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: What could be the common points between the Literature produced at the imperial court of 9th-10th century in Japan with the one composed in Italy under the rule of Frederick II of Hohenstaufen? Why the Kokinwakashū in Japan and the Sicilian School of Poetry in Italy have been acknowledged as canons for later literary traditions? How did the political power influence the production of court poetry and the role of poets in the court environment? Why two particular poetic forms like the sonnet in Europe and the waka in Japan succeeded to survive until modern times?
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Italian
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    Russkij jazyk konca XX stoletija (2021)
    Peter Lang International Academic Publishing Group
    Details
    Publication Date: 2024-03-24
    Description: Eta monografija predstavljaet soboj pervuju popytku dat' chotja by priblizitel'no polnyj, obobščajuščij analiz tech izmenenij, kotorye russkij jazyk preterpel v period 'perestrojki'. Ona ochvatyvaet mnogočislennye jazykovye primery, izvlečennye prežde vsego iz raznych gazet, žurnalov, knig i illjustrirujuščie te izmenenija v russkom jazyke, kotorye byli vyzvany perelomnymi periodami perestrojki i posleperestroečnogo vremeni.
    Keywords: Duličenko ; jazyk ; konca ; Russkij ; stoletija ; Адьективно-субстантивная ; идеологизации языка и общества ; Лексические доминанты ; словообразовательных ; социальные потрясения ; thema EDItEUR::C Language and Linguistics::CF Linguistics
    Language: Russian
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    Storia, identità e canoni letterari (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: This volume collects the interventions of the post-doctoral fellows and PhD students of the University of Cluj Napoca, the University of Bucharest and the University of Florence (Mediterranean Cultures; Doctoral School of Comparative Languages, Literatures and Cultures, specialisation in Language, Literature, Philology: Intercultural Perspectives) presented in occasion of the seminar Storia, identità e canoni letterari (“History, identity and literary canons”, Florence, 22-23 November 2011). The contributions are centred on the idea of canon, as a cultural construct founding modern national identities. Another trace is the literary and cultural hybridisations between different geographies. For the Romanian context, the contributions pay particular attention to the movements of the avant-garde of the early 1900s. Some contributions account for the most problematic aspects of the contemporary world using interdisciplinary approaches.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFP Translation and interpretation ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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    Agricoltura e allevamento nell’Italia medievale. Contributo bibliografico, 1950-2010 (2022)
    Firenze University Press
    Details
    Publication Date: 2024-04-02
    Description: The bibliography proposed takes into account the historiographical works on Middle Ages (VI-XV centuries) of the years 1950-2010: these are years particularly significant for the development and consolidation of studies relating to Italian (and more generally European) agricultural history. In order to facilitate the consultation, the work is organized into chapters and thematic sections, preceded by a brief explanatory note which gives an account of the criteria used to identify the listed works. The Introduction presents thoughts on the salient moments of the historiographical history at the heart of the contemporary discussion.
    Keywords: thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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    Kesarevo Kesarju (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: This collection of studies is dedicated to Cesare G. De Michelis for his seventy years. It contains contributions by friends and students wishing to recall his teaching and research, together with the variety and breadth of his interests. This explains the heterogeneity of the contributions, which focus primarily on Russian literature but also extend to other Slavic literatures, and then to Russian religious and secular history, to cultural relations between Italy and Russia and to some pages of the modern anti-Semitism. The volume opens drawing a profile and the bibliography of professor De Michelis, including his vast scientific production and a dense list of publicity contributions in which the rigour of the scholar and his civil passion are reflected.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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    Sprachatlas des Dolomitenladinischen und angrenzender Gebiete (2021)
    Editions de Linguistique et de Philologie
    Details
    Publication Date: 2024-03-24
    Description: The volumes 7 contains supplementary information to the 1066 dialect maps of the volumes 1-5.
    Description: Der Band 7 enthält Ergänzungen und zu den 1066 Dialektkarten der Bände 1-5.
    Keywords: Linguistic Geography ; Geolinguistics ; Dialectology ; Romance Philology ; Linguistic Atlas ; Sprachgeographie ; Dialektologie ; Romanistik ; Sprachatlas ; Gen ; Griechische Sprache ; Italienische Grammatik ; Kos ; Lettische Sprache ; Po (Fluss) ; Polenta ; thema EDItEUR::C Language and Linguistics::CF Linguistics
    Language: Italian , German , Raeto-Romance
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  • 64
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    Una voce parigina nel Futurismo russo: la poesia di Ivan Aksenov (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: Ivan Aksenov is one of the most neglected figures of early 20th Century Russian literature. The few scholars who have noticed his great originality interpret his verses above all as an application of the principles of Cubist painting in poetry, in the light of the experiences of Mayakovsky &Co.; these investigations denote a poor knowledge of the author, who did not fail to declare the incompatibility between the two artistic media. This book is therefore the first systematic study of Aksenov's poetry, starting from a reflection on the philological state of the texts, to move on to the reconstruction of his aesthetic thought and to integral analyzes of poetic compositions. An unprecedented theory of art emerges from this - which develops ideas of Tolstoy, Vjaceslav Ivanov and Freud - and a production in verses characterized by daring metric innovations and a flow-of-consciousness poetics of the with a subtly humorous urbanism that recalls authors such as Apollinaire and Cendrars. It is thus intended to highlight the peculiarity of Aksenov, the only Russian poet from the Futurist area to have participated, even for a few months, in the cultural life of Paris in the 1910s and an advocate at home of themes and stylistic elements partly related to the French esprit nouveau.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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    Le guide touristique: lieu de rencontre entre lexique et images du patrimoine culturel. Vol. II (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-23
    Description: This book is the second part of the work devoted to the tourist guide as a meeting place between lexicon and images of cultural heritage, a work resulting from the colloquium which took place on June 11 and 12, 2015 in Pisa and Florence. This volume focuses on the image, as a representation of reality but also as a place from which the imagination can be exercised by evoking mental representations (the imaginary). The three proposed sections (I. Les images du voyage; II. L’art dans le guide; III. Les guides entre imaginaire et propagande) intend to suggest routes of reflection around the tourist guide, an object that has never ceased to transform and which, through the lexicon and images, has been able to transmit the most different and picturesque cultural heritages.
    Keywords: thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999 ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFP Translation and interpretation
    Language: Italian
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    altri canoni / canoni altri (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: The concept of the literary canon is one of the most debated and controversial in the western intellectual tradition. This book offers ten contributions by Italian scholars of Anglo-American culture addressing the way in which the concept of the literary canon holds out against areas traditionally considered as external or extraneous to it. The essays range over different topics: the etymological analysis of the term "canon"; the relations between canon and performativity; paraliterature – a universe populated by non-hierarchic genres; the relations between post-colonial literature and the canon; postmodern biofiction; studies on translation and finally gay and lesbian literature. The book ends with a meditation on the innovations wrought on the Anglo-American canon by the virtual world of Internet and with a reading proposal originating from a different area of literary studies. Taken as a whole, the intention of the book is to pave the way to democratisation and pluralism in literary studies, going beyond the limitations set by the traditional scale of values of the "western canon". It proposes a frequentation of the geographical and cultural borderlines and hence of the areas of resistance that such borderlines pose to the dominant conceptual hierarchies within and around us, enabling us to glimpse an original future for literature and for western culture in a broader sense.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFP Translation and interpretation ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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    Papiri della Società Italiana. Vol. XVI (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: This volume is the 16th of the PSI series (started by Girolamo Vitelli in 1912) and contains the edition of 79 texts written in Greek on papyri or other materials (wood, parchment), coming from Egypt and kept at the Papyrological Institute «G. Vitelli». There are both fragments of famous Ancient Greek authors (Homer, Hesiod, Herodotus, Thucydides, Xenophon, Isocrates, Demosthenes, Plutarch; the Septuagint, Cyril of Alexandria, the Physiologist), as well as fragments of unknown works: among others, a grammar text on the Ionian dialect and a doxographic fragment on Aristotelian philosophy. Then, there are texts of documentary nature: petitions, tax receipts, registers, reports, private letters, testimony of the daily life in Egypt during Roman and Byzantine times.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::DB Ancient, classical and medieval texts ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::W Lifestyle, Hobbies and Leisure::WC Antiques, vintage and collectables::WCS Antiques, vintage and collectables: books, manuscripts, ephemera and printed matter
    Language: Italian
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    Voci dal mondo per Primo Levi (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: Twenty years ago a unique figure in the history of our country returned dramatically to the world of the "drowned", one of the spectral "saved" who had found the strength to testify the dramas of the twentieth century: Primo Levi. On the twentieth anniversary of his death, Firenze University Press has decided to revive his lesson with a tribute that is not intended as a celebration, but rather as a pause for refection in which we can listen again to the words of this great writer, dissected and scrutinised the world over, generating germs of memory hopefully as universal as the mathematical and geometrical signs and the chemical formulas he so loved. Voci dal mondo per Primo Levi. In memoria, per la memoria edited by Luigi Dei, a lecturer in physical chemistry at the University of Florence, consists of fifteen short essays contributed by a polyhedric group of writers from various parts of the world and of different educational and professional backgrounds. Review: La Rassegna Mensile di Israel Interview with Ustation.it
    Keywords: Letteratura ; Letteratura italiana ; Storia contemporanea ; Primo Levi ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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    Chapter Do Students Dream of Electronic Worksheets? The ‘Grade Runner’ Dilemma (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Le lingue slave tra struttura e uso (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: The volume, originating from the 5th Slavic Linguistics Meeting (Rome, 25-27 September 2014), reflects the state of the most recent research carried out in Italy in this discipline. It aims to continue the tradition already started at the end of the 1980s from the series Morphosyntactic problems of Slavic languages (Bologna 1988, 1990, 1991; Padua 1994, 1995), which has been recently renewed in the volumes published after the Meetings of Bergamo (2007), Padua (2008), Forlì (2010) and Milan (2014). This contribution testifies an expansion of interest beyond the boundaries of morphosyntax, towards other areas of theoretical and applied linguistics, such as pragmatics, semantics, language acquisition and sociolinguistics. Due to the variety of topics and methodologies used, the publication could interest not only those who carry out both theoretical and applied research in the field of Slavic languages, but also scholars in General linguistics.
    Keywords: Slavic languages ; theoretical and applied linguistics ; language acquisition ; sociolinguistics ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 71
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    Upotreblenie vidov glagola v russkom jazyke (2021)
    Peter Lang International Academic Publishing Group
    Details
    Publication Date: 2024-03-24
    Description: Die 1972 von den Frankfurter Slavisten Olexa Horbatsch und Gerd Freidhof begründete Reihe Specimina philologiae Slavicae wird heute von Holger Kuße (Dresden), Peter Kosta (Potsdam), Beatrix Kreß (Hildesheim), Franz Schindler (Gießen), Barbara Sonnenhauser (Zürich) und Nadine Thielemann (Wien) herausgeben. In der Reihe erscheinen Monographien, Sammelbände und Lehrbücher zu allen Gebieten der Slavistik, der Sprach-, der Literatur- und der Kulturwissenschaft. In der Sprachwissenschaft erscheinen sowohl sprachhistorische als auch innovative Arbeiten zur Pragmatik und Semantik, zu slavischen Kleinsprachen und zur Diskurslinguistik. In der Literatur- und Kulturwissenschaft gehört zu den besonderen Interessensgebieten die Russische Philosophie.
    Keywords: glagola ; jazyke ; Linguistik ; Rassudova ; russkom ; Slavische Sprachwissenschaft ; Upotreblenie ; vidov ; видов глагола в форме инфинитива ; глагола в будущем времени ; Употребление глагола в прошедшем времени ; thema EDItEUR::C Language and Linguistics::CF Linguistics
    Language: Russian
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  • 72
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    Kommunikativnaja neudača v dialoge (2021)
    Peter Lang International Academic Publishing Group
    Details
    Publication Date: 2024-03-24
    Description: Issledovateli, predstavljajuščie samye raznye podchody i napravlenija, schodjatsja vo mnenii, čto model' kommunikacii dolžna byt' rasširennoj. Kommunikativnaja neudača v takoj modeli - eto uže ne stol'ko projavlenie nesoveršenstva jazykovogo koda, skol'ko neudača dejstvij rečevych subaektov. (...) Pričiny ee mogut predopredeljat'sja, vo- pervych, osobennostjami jazyka, vo-vtorych, osobennostjami situacii i, nakonec, samimi partnerami po kommunikacii, bolee ili menee udačno učityvajuščimi eti osobennosti, bolee ili menee udačno sledujuščimi pravilam pol'zovanija jazyka.
    Description: Issledovateli, predstavljajuščie samye raznye podchody i napravlenija, schodjatsja vo mnenii, čto model' kommunikacii dolžna byt' rasširennoj. Kommunikativnaja neudača v takoj modeli - eto uže ne stol'ko projavlenie nesoveršenstva jazykovogo koda, skol'ko neudača dejstvij rečevych subaektov. (...) Pričiny ee mogut predopredeljat'sja, vo- pervych, osobennostjami jazyka, vo-vtorych, osobennostjami situacii i, nakonec, samimi partnerami po kommunikacii, bolee ili menee udačno učityvajuščimi eti osobennosti, bolee ili menee udačno sledujuščimi pravilam pol'zovanija jazyka.
    Keywords: Linguistics ; Dialog ; Russia ; dialoge ; Dialogtheorie ; Goletiani ; Kommunikativnaja ; Linguistik ; neudača ; Russistik ; Russland ; Sprachwissenschaft ; thema EDItEUR::C Language and Linguistics::CF Linguistics
    Language: Russian
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    Le vestigia dei gesuati (2022)
    Firenze University Press
    Details
    Publication Date: 2024-04-02
    Description: The book analyses the history of the Jesuat congregation, highlighting the elements of connection and comparison with the social contexts, then describing the origin and the most ancient events of the female branch of the congregation, and the memory of the meeting between the "founder" of the Jesuats and the "foundress" of the Gesuate. The iconographic memory of the initiator of the congregation, Giovani Colombini, the collection of the lauds of the Jesuat Bianco da Siena, and the fortune of the 15th-century Life of Giovanni Colombini, written by Feo Belcari, are also investigated. Then the research reconstructs the constellation of groups, religious experiments and bearers of ideas and devotions that were linked to the Jesuats and, in particular, to the convents of Milan, Siena, Lucca, Venice and Rome and the sanctuaries managed by the congregation. The congregational sociability is analysed along its lines: the practice of work as pharmacists and the cultivation of spiritual friendships with prominent people such as the Countess of Guastalla, Lodovica Torelli. Finally, the erudite use of Colombini's Epistolario as a language text is studied. The volume closes with a documentary appendix on the Jesuat convent of Chiusi.
    Keywords: Jesuats ; religious studies ; medieval and modern history ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity
    Language: Italian
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  • 74
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    Chapter Discusión taxonómica del campo de las Extended Realities (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter From Survey to Digital Reconstruction. Study of a Roman Fragment of an Ionic Volute (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Una comunità rurale toscana di antico regime (2021)
    Firenze University Press
    Details
    Publication Date: 2024-04-02
    Description: In a perspective of local history that combines problem analysis with a reconstruction accessible even to non-specialists, this book addresses the economy, society and institutions of a rural community of the Tuscan Apennines. The community of Raggiolo is portrayed over a long span of time ranging from the late centuries of the Middle Ages up to the end of the eighteenth century. We are thus offered a picture of the Casentino mountains which reveals - in the centuries-old intertwining of mountain economy, social equality, sharing of the management of the local administration and the goods belonging to the collectivity - one of the main reasons for the resistance to change which was to mark the end of the ancien regime.
    Description: In una prospettiva di storia locale che intreccia l'analisi problematica alla ricostruzione accessibile anche ai non specialisti, il volume studia economia, società, istituzioni di una comunità rurale dell'Appennino toscano. La comunità di Raggiolo viene colta in una lunga durata che dai secoli finali del Medioevo si protrae fino alla fine del Settecento. In tal modo viene offerto un quadro della montagna casentinese che coglie nel secolare intreccio fra economia montana, eguaglianza sociale, condivisione della gestione dell'ammistrazione locale e dei beni appartenenti alla collettività, uno dei principali motivi della resistenza al cambiamento che segnerà la fine dell'antico regime.
    Keywords: medieval communities ; middle ages ; comuni medievali ; toscana ; medioevo ; tuscany ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSC Rural communities
    Language: Italian
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    I Mannelli di Firenze (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-23
    Description: The volume reconstructs the role of the "art objects" in the renewal of identity (social, political and cultural) of the Mannelli family, among the oldest families of the Florentine patriciate. During the 17th Century the main exponents adopted a lifestyle inspired by the Medici court, gradually dismantling, but at different times, the dress of the merchant. The analysis of the main town and countryside residences and of the displaying of the objects of art, conducted on a documentary basis and with the “display of art” critical tools, returns the fundamental stages of the renewal process and, together with numerous autonomous episodes of unpublished patronage and collecting, the emergence of common narrative strategies of historical and political identity through art objects.
    Keywords: thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500::3KL c 1000 CE to c 1500::3KLY 15th century, c 1400 to c 1499 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MD 16th century, c 1500 to c 1599 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MG 17th century, c 1600 to c 1699 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3ML 18th century, c 1700 to c 1799 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899 ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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    Chapter Matrice delle transizioni nell’ambito disciplinare del Disegno (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Sprachgeschichte und Sprachwandel im Slavischen (2022)
    Peter Lang International Academic Publishing Group
    Details
    Publication Date: 2024-03-24
    Description: Mit dem Sammelband wird Professor Dr. Jadranka Gvozdanović, die langjährige Inhaberin des Lehrstuhls für Slavische Philologie (Sprachwissenschaft) an der Universität Heidelberg, für ihren unermüdlichen Einsatz in Forschung und Lehre der Slavistik geehrt. Die Beiträge der Festschrift spiegeln das breite Spektrum des Lehr- und Forschungsgebietes von Jadranka Gvozdanović wider, knüpfen jedoch an das von der Jubilarin besonders bevorzugte Thema «Sprachgeschichte und Sprachwandel im Slavischen» an. Die Festschrift wollen die Autoren und Herausgeber nicht nur als Zeichen menschlicher wie fachlicher Wertschätzung der Jubilarin verstehen, sondern auch des Dankes für die langjährige freundschaftliche und kollegiale Zusammenarbeit auf den mannigfaltigsten Gebieten der slavistischen Wissenschaft.
    Keywords: Bierich ; Festschrift ; Gvozdanović ; Historische Sprachwissenschaft ; Jadranka ; Phraseologie ; Semantik ; Slavischen ; Sprachgeschichte ; Sprachwandel ; Standard- und Umgangssprache ; Wortbildung ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: German , Russian
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    Ancient and modern knowledges (2023)
    UNICApress | UNICApress
    Details
    Publication Date: 2024-04-04
    Description: This volume contains the Proceedings of the Conference held on Oct. 7-8, 2022, at the Department of Humanities, Languages and Cultural Heritage of the University of Cagliari, as a conclusion of a two-year Research Project. The idea of dedicating a Research Project to artistic-craft production arose from years of fieldwork in both archaeological and art-historical disciplines, which have increasingly highlighted how much the long tradition of craftsmanship of which Sardinia is proud, which is expressed in artifacts made of ceramics, glass, metal, stone, wood and fabric, even at first glance reveals a transmission of technical and artistic 'knowledge' that is kept alive through the centuries.
    Description: Published
    Description: Il volume contiene gli Atti del Convegno tenuto nei giorni 7-8 ottobre 2022, presso il Dipartimento di Lettere, Lingue e Beni culturali dell'Università di Cagliari, a conclusione dello svolgimento del Progetto biennale di ricerca omonimo. L’idea di dedicare alla produzione artistico-artigianale un Progetto di ricerca è scaturita da anni di lavoro sul campo sia nel settore delle discipline archeologiche sia storico-artistiche, che hanno evidenziato sempre più quanto la lunga tradizione artigianale di cui la Sardegna va fiera, che si esprime in manufatti in ceramica, vetro, metallo, pietra, legno e tessuto, anche solo ad un primo sguardo riveli una trasmissione di ‘saperi’ tecnici e artistici che si mantiene viva attraverso i secoli.
    Keywords: Sardinian craftsmanship ; University of Cagliari ; thema EDItEUR::N History and Archaeology::NK Archaeology ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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    Chapter Processo di digitalizzazione in HBIM per la gestione ampliata del patrimonio culturale. La Lonja de Zaragoza (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    L'età berlusconiana (2022)
    Firenze University Press
    Details
    Publication Date: 2024-04-02
    Description: This work reconstructs the main national events in the time span between Silvio Berlusconi's arrival on the political scene in 1994 and the start of his second government in 2001. The aim of the volume is to answer some of the main questions which have characterized the public debate in Italy over the past twenty years. Did the transition from the First to the Second Republic really take place? What role did the leader of the party “Forza Italia” play in this process? Does the new political system represent an anomaly compared to Italy’s recent history? Answering these questions will make a clear reading of current political affairs easier.
    Keywords: thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPA Political science and theory
    Language: Italian
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  • 83
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    Zentrum und Peripherie (2022)
    Akademische Verlagsgemeinschaft München (AVM)
    Details
    Publication Date: 2024-03-24
    Description: From March 16-19, 2016, the Young Romance Studies Forum on "Center and Periphery" took place at the Julius-Maximilians-Universität Würzburg. In this volume, the dialectical concepts of center and periphery are examined from the perspectives of literary, linguistic, and cultural studies. Their relevance in Romania is examined in the individual contributions on the basis of geographical, spatial, historical, social, and linguistic aspects, in order to include different approaches and methods of analysis. In addition to a heterogeneous approach to the dimensions of the conceptual pair, the volume offers a structured presentation of the individual phenomena studied. The two thematic blocks focus, on the one hand, on diverse literary studies considerations of the dichotomy of the conceptual pair, and, on the other hand, on linguistic conceptions of center and periphery. Thus, new perspectives on both central and peripheral phenomena in Romance studies are opened up, on the one hand by presenting the range of (traditional) centers and peripheries, and on the other hand by referring to current discussions in the context of the two concepts.
    Keywords: Creole language Papiamentu; Old French demonstratives; Pier Paolo Pasolini; female constructions of space and identity; Michel Tremblay; Latin American football narratives; Prosper Merimees; Colette Fallous; Sylvain George; Sarah Mauriacourt ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: German , French , Italian , Spanish
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    Studi slavistici tra linguistica, dialettologia e filologia (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: The volume contains a selection of some of the most representative works from Rosanna Benacchio’s extensive scientific production. It is divided into three parts, the first one being dedicated to the category of verbal aspect in the Slavic languages. The second part deals with Slavic minority varieties spoken in Italy, in particular the Slovene dialects of Friuli and Molise Slavic. The third part focuses on three linguistic phenomena that are analysed from a diachronic perspective: the referential usage of the personal pronoun Vy in the Petrine era; the use of clitic pronouns in the Slavic languages; the formation of the definite article in the Slovene area based on the evidence of the Resian Catechism of the 18th century.
    Keywords: Slavistics ; philology ; verbal aspect ; dialectology ; language contact ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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    Mare, fiume, ruscello (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: Mare, fiume, ruscello. Acqua e musica nella cultura romantica (Sea, river, stream. Water and music in romantic culture) re-reads German literature between the 18th and 19th centuries, focusing on the figure of water, following the theoretical-methodological lines traced by Gaston Bachelard in his studies on material imagination, especially in his 1942 work L'eau et les rêves. The work investigates the elective affinities between liquid substance, poetic word and music in the romantic period. The rereading highlights the large number of "liquid-aquatic" metaphors in Franz Schubert's lieder works, with particular attention to the cycles Die Schöne Müllerin (1823) and Winterreise (1828). The study is conducted in an interdisciplinary perspective that extends, between literary and musical analysis, to the reading and listening of the Lieder.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 86
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    Chapter Silenzi e riflessioni nel villaggio di Shurdhah in Albania (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 87
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    Chapter La metamorfosi comunicativa con Il Mondo Illustrato Giornale Universale (1847-1861) (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 88
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    Alfavitar radi učenija malych detej. Un abbecedario nella Russia del Seicento (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: The volume presents the edition of a copy of an anonymous Russian manuscript spelling book probably written by the famous scholar Yevfimiy Cudovsky, or by personalities close to him from the Muscovite background of the Philhellenes, in the 1680s. This spelling book represents a significant evidence of the level reached, on the eve of the great reforms introduced by Peter, by the Russian didactic literature intended for elementary education, heir to the tradition established by Ivan Fyodorov with the manual printed in Lviv in 1574. The edition is accompanied by a preface and a commentary that locates the spelling book in the Russian historical-cultural and literary context of the second half of the 17th century, particularly in relation to other books of this kind and grammar manuals circulating at the time.
    Keywords: Linguistica ; Lingua russa ; Filologia russa ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 89
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    Chapter Disegno e intelligenza artificiale. Enunciati teorici e prassi sperimentale per una poiesi condivisa (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 90
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    Chapter Transizioni artistiche da preservare: street art tra realtà fisica e conservazione digitale (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 91
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    Chapter Uncertainty in Hypothetical 3D Reconstructions: Technical, Visual and Cultural ‘Transitions’ (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 92
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    Chapter Conoscenza e trasmissione del patrimonio urbano romano: Piazza Montanara (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 93
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    Chapter Lygia Pape. A obra Tteia I na Bienal de Veneza e a transição sensível entre linhas e teias (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 94
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    «Non lasciar vivere la malefica» (2022)
    Firenze University Press
    Details
    Publication Date: 2024-04-02
    Description: Yet another book on witches and witchcraft? Although numerous, studies on this phenomenon that had such a profound influence on the political, social and religious history of the late Middle Ages and the early modern age in Europe can never be enough. At this time the political regimes were actively involved in the witch hunts, not least the Catholic church which was intensely engaged in developing instruments of control aimed at governing and curbing dissent. The book is broken down into thematic sections – rules, treatises and trials, transmission /possession – which reflect the multiplicity of the scientific proposals that have emerged in recent years, and also represent a conscious preliminary orientation of possible readings. At centre stage of the witchcraft show are the witches and their judges, from the theologians and philosophers to the exorcists. As well as addressing actual events, the book also explores the nature of the beliefs and the way in which they were transmitted in the various social strata, and the phenomenon of diabolical possession which conveyed the message of the presence of the devil in the world.
    Keywords: Stregoneria ; Esorcismo ; Inquisizione ; Storia religiosa ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity
    Language: Italian
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  • 95
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    Il mutamento signorile. Assetti di potere e comunicazione politica nelle campagne dell’Italia centro-settentrionale (1080-1130 c.) (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-23
    Description: The purpose of this book is to explore the transformations in the functioning of power in the countryside of the kingdom of Italy over the fifty years at the turn of the 1100s, and more particularly the process of affirmation and crystallization of the rural lordship. The investigation develops through the reconstruction not only of the structures of power over men and space, and of the related social morphologies, but also of the political communication system at the local level. The outbreak of the civil wars connected with the “struggle for the Investitures", after 1080, translates into a clear reconfiguration of the socio-political matrix, transforming both the practices of local power, and the instruments of political communication and the related documentation. The Italian case offers in this sense a new perspective on the great and still open historiographic problem, of the "feudal revolution" in the European context.
    Keywords: thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500::3KL c 1000 CE to c 1500::3KLY 15th century, c 1400 to c 1499 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MD 16th century, c 1500 to c 1599 ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 96
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    Altri orientalismi (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: Other Orientalisms analyses various forms of knowledge about India through the circulation of people, ideas, knowledge, images and objects between Florence and Bombay. In the second half of the nineteenth century Florence became an important centre for studies on India, manifested in the organisation of exhibitions, museums, journals and international conferences. Inspired by the relationship between two Indianists – the Italian Angelo De Gubernatis, a teacher of Sanskrit in Florence and the Goan José Gerson da Cunha, a physician and historian in Bombay – this book discloses an India that emerged from different places, peopled by a multiplicity of voices. The institutional, intellectual and museum experience of Florentine orientalism, albeit peripheral, further enhances the debate on knowledge and colonial power that has engaged social and human sciences in recent decades.
    Keywords: thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 97
    facet.materialart.
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    Diaboliche, maledette e disperate (2022)
    Firenze University Press
    Details
    Publication Date: 2024-04-02
    Description: In a time, ours, in which historiography prefers to measure itself with witchcraft as a judicial phenomenon, or with the men who personally led the persecution, or even with the demonological treatises that greatly influenced witch hunters, this book focuses instead on the victims. Women accused of witchcraft are the protagonists of the trials initiated between the late Middle Ages and the early modern age: that was the time when the great witch hunt was unleashed in Europe. The profiles of the alleged witches, even if drawn by their judges, emerge from these pages in all their changeability and drama: women that are reluctant to plead guilty to unspoken crimes, marked by stubborn silence, surrendered to the full confession of every wickedness extorted by torture.
    Keywords: thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity
    Language: Italian
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  • 98
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    Chapter Documentare e rappresentare bassorilievi e decorazioni per conoscere e valorizzare il patrimonio (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 99
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    Dal greco classico al greco moderno (2022)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: The Greek koinè shows a double development in the crystallised Greek language (intended for literary, administrative and ecclesiastical uses) and the language of everyday use subject to innovations that would lead to the birth neo-Greek, which was never the official language for written documents. This situation determined the almost absolute lack of documents that allow us to reconstruct the evolution of the Greek language from the late age to the early Middle Ages. This work contributes to the reconstruction of this gap by analysing the Greek language of the the private letters written on papyrus, a documentary typology probably close to the spoken register. The analysis isolated four peculiar phenomena of the morphosyntactic evolution of the Greek (genitive-dative syncretism, disappearance of the infinitive, replacement of the perfect tense with equivalent periphrases and disposition of the clitics), offering a renewed picture.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFF Historical and comparative linguistics ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Italian
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  • 100
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    Chapter Geometrie in movimento nelle architetture cinetiche (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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