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  • Spanish  (374)
  • French  (93)
  • Russian  (30)
  • German  (24)
  • Swedish  (7)
  • Finnish  (4)
  • Danish  (3)
  • 2020-2024  (502)
  • 2010-2014  (13)
  • 1985-1989  (3)
  • 1980-1984  (3)
  • 1960-1964  (2)
  • 1955-1959  (18)
  • 1950-1954  (5)
  • 2024  (502)
  • 2012  (13)
  • 1979
  • 1977
  • 1975
  • 1959  (12)
  • 1955  (8)
  • 1952  (5)
Collection
Language
Years
Year
  • 1
    Call number: SR 93.0767(37)
    In: Sveriges geologiska undersökning. Serie Ca, Avhandlingar och uppsater
    Type of Medium: Series available for loan
    Pages: 295 S. + 1 Kt.
    Series Statement: Sveriges geologiska undersökning : Ser. Ca, Avhandlingar och uppsatser 37
    Language: Swedish
    Location: Lower compact magazine
    Branch Library: GFZ Library
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  • 2
    Call number: SR 93.0767(31)
    In: Sveriges geologiska undersökning. Serie Ca, Avhandlingar och uppsater
    Type of Medium: Series available for loan
    Pages: 24 S.
    Series Statement: Sveriges geologiska undersökning : Ser. Ca, Avhandlingar och uppsatser 31
    Language: Swedish
    Location: Lower compact magazine
    Branch Library: GFZ Library
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  • 3
    Monograph available for loan
    Monograph available for loan
    [Paris] : Masson
    Call number: G 6552
    Type of Medium: Monograph available for loan
    Pages: 721 S.
    Language: French
    Location: Upper compact magazine
    Branch Library: GFZ Library
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  • 4
    Monograph available for loan
    Monograph available for loan
    Paris : Albin Michel
    Call number: O 2314
    Type of Medium: Monograph available for loan
    Pages: 284 S. : Ill., graph. Darst., Kt.
    Series Statement: Sciences d'aujourd'hui : collection dirigée par André George
    Language: French
    Location: Upper compact magazine
    Branch Library: GFZ Library
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  • 5
    Monograph available for loan
    Monograph available for loan
    Associated volumes
    Call number: MOP 25606(1955-1959)
    In: Sovetskie ėkspedicii v Antarktiku
    Type of Medium: Monograph available for loan
    Pages: 128 S.
    Language: Russian
    Note: in kyrill. Schr.
    Location: MOP - must be ordered
    Branch Library: GFZ Library
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  • 6
    Monograph available for loan
    Monograph available for loan
    Leningrad : Gidrometeorolog. Izd.
    Call number: MOP 33767
    Type of Medium: Monograph available for loan
    Pages: 663 S.
    Language: Russian
    Note: In kyrill. Schr., russ.
    Location: MOP - must be ordered
    Branch Library: GFZ Library
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  • 7
    Call number: MOP 19538/1d-6d
    Type of Medium: Monograph available for loan
    Pages: 111 S.
    ISSN: 0486-2287
    Language: Russian
    Note: In kyrill. Schr.
    Location: MOP - must be ordered
    Branch Library: GFZ Library
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  • 8
    Monograph available for loan
    Monograph available for loan
    Bogotá
    Call number: MOP 25246
    Type of Medium: Monograph available for loan
    Pages: 35 S. , Ill., graph. Darst.
    Language: Spanish
    Location: MOP - must be ordered
    Branch Library: GFZ Library
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  • 9
    Monograph available for loan
    Monograph available for loan
    Madrid : Secc
    Call number: PIK N 456-17-90913
    Type of Medium: Monograph available for loan
    Pages: 536 Seiten
    Series Statement: Ministerio de Transportes Turismo Y Comunicaciones : Publicación Serie A 114
    Parallel Title: 1,1=6; 2,1=13 von Publicaciones / D / Ministerio del Aire, Subsecretaria de Aviación Civil, Servicio Meteorológico Nacional
    Language: Spanish
    Location: A 18 - must be ordered
    Branch Library: PIK Library
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  • 10
    Monograph available for loan
    Monograph available for loan
    Leningrad : Gidrometeorologičeskoe Izdatel'stvo
    Call number: MOP 40088 / Mitte
    Type of Medium: Monograph available for loan
    Pages: 367 Seiten , Illustrationen , 27 cm
    Language: Russian
    Note: In kyrillischer Schrift
    Location: MOP - must be ordered
    Branch Library: GFZ Library
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  • 11
    Monograph available for loan
    Monograph available for loan
    Moskva : Izdatel'stvo Inostrannoj Literatury
    Call number: MOP 47295 / Mitte
    Type of Medium: Monograph available for loan
    Pages: 366 Seiten , 23 cm
    Language: Russian
    Note: In kyrillischer Schrift
    Location: MOP - must be ordered
    Branch Library: GFZ Library
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  • 12
    Monograph available for loan
    Monograph available for loan
    Moskva : Gosudarstvennoe Izdatel'stvo Fiziko-Matematičeskoj Literatury
    Call number: AWI S5-19-92294
    Type of Medium: Monograph available for loan
    Pages: 409 Seiten
    Language: Russian , German
    Note: Teilweise in kyrillischer Schrift
    Location: AWI Reading room
    Branch Library: AWI Library
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  • 13
    Series available for loan
    Series available for loan
    Santiago de Chile
    Associated volumes
    Call number: SR 90.1036(4)
    In: Boletín
    Type of Medium: Series available for loan
    Pages: 13 S. + 4 Beil.
    Series Statement: Boletin / Instituto de Investigaciones Geologicas, Chile 4
    Language: Spanish
    Location: Lower compact magazine
    Branch Library: GFZ Library
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  • 14
    Monograph available for loan
    Monograph available for loan
    Leningrad : Gimiz
    Call number: MOP 23149
    Type of Medium: Monograph available for loan
    Pages: 315 S.
    Language: Russian
    Location: MOP - must be ordered
    Branch Library: GFZ Library
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  • 15
    Monograph available for loan
    Monograph available for loan
    Leningrad : Gidrometeorologičeskoe izdat.
    Call number: MOP 23822
    Type of Medium: Monograph available for loan
    Pages: 53 S. : Ill.
    Edition: 2., verb. u. verm. Aufl.
    Language: Russian
    Location: MOP - must be ordered
    Branch Library: GFZ Library
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  • 16
    Call number: MOP A2 26047
    Type of Medium: Monograph available for loan
    Pages: 473 S.
    Language: Russian
    Note: In kyrill. Schr.
    Location: MOP - must be ordered
    Branch Library: GFZ Library
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  • 17
    Call number: AWI E2-13-0067-1
    In: Materialy nabljudenij naučno-issledovatel'skoj drejfujuščej stancii 1950/51 goda, Tom 1
    Type of Medium: Monograph available for loan
    Pages: XXXII, 532 Seiten , Illustrationen
    Series Statement: Ėkz. 184
    Language: Russian
    Note: Содержание = Soderžanie = Inhalt: Предисловие = Predislovie = Vorwort. - Дрейф научно-исследовательской станции 1950/51 года = Drejf naučno-issledovatel'skoj stancii 1959/51 = Driftende Forschungsstation 1950/51 / М. М. Сомов = M. M. Somov. Океанология = Okeanologia = Ozeanologie. - Организация океанографических работ = Organizacija okeanografičeskich rabot = Organisation der ozeanographischen Arbeit / М. М. Никитин = M. M. Nikitin. Измерение глубин = Izmerenie glubin = Tiefenmessung / 3. М. Гудкович = Z. M. Gudkovič. - Приложение = Priloženie = Anwendung. - Наблюдения над температурой воды и взятие проб на химический анализ = Nabljudenija nad temperaturoj vody i vzjatie prob na chimičeskij analiz = Beobachtungen zur Wassertemperatur und Probenahme für die chemische Analyse / 3. М. Гудкович = Z. M. Gudkovič. - Определение химического состава морской воды = Opredelenie chimičeskogo sostava morskoj vody = Bestimmung der chemischen Zusammensetzung von Meerwasser / М. М. Сомов = M. M. Somov, А. А. Мусина = A. A. Musina. - Результаты предварительного анализа глубоководных гидрологических наблюдений = Rezul'taty predvaritel'nogo analiza glubokovodnych gidrologičeskich nabljudenij = Ergebnisse der vorläufigen Analyse hydrologischer Beobachtungen im Tiefwasser / 3. М. Гудкович = Z. M. Gudkovič. - Приложелия = Priloželija =Anwendung. - Наблюдения над течениями = Nabljudenija nad tečenijamin = Beobachtungen zu Strömungen / М. М. Никитин = M. M. Nikitin. Приложение = Priloženie = Anwendung. - Гидробиологические работы = Gidrobiologičeskie raboty = Hydrobiologische Arbeiten / К. А. Бродский = K. A. Brodskij , М. М. Никитин = M. M. Nikitin. - Приложелия = Priloželija =Anwendung. - Результаты изучения донных отложений = Rezul'taty izučenija donnych otloženij = Die Ergebnisse der Sedimentuntersuchung / Н. А. Белов = N. A. Belov. Приложелия = Priloželija =Anwendung. , In kyrillischer Schrift
    Location: AWI Reading room
    Branch Library: AWI Library
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  • 18
    Call number: AWI E2-13-0067-2
    In: Materialy nabljudenij naučno-issledovatel'skoj drejfujuščej stancii 1950/51 goda, Tom 2
    Type of Medium: Monograph available for loan
    Pages: 380 Seiten , Illustrationen
    Series Statement: Ėkz. 35
    Language: Russian
    Note: Содержание = Soderžanie = Inhalt: Предисловие = Predislovie = Vorwort. - Ледоведение = Ledovedenie = Eiswissenschaft. - Визуальные наблюдения над состоянием дрейфующего ледяного покрова = Vizual'nye nabljudenija nad sostojaniem drejfujuščego ledjanogo pokrova = Sichtbeobachtungen der Eisbedeckung / Г. Н. Яковлев = G. N. Jakovlev. - Нивелировочные работы по изучению морфологии ледяного покрова = Nivelirovočnye raboty po izučeniju morfologii ledjanogo pokrova = Nivellierungsarbeiten zur Untersuchung der Morphologie der Eisbedeckung / Г. Н. Яковлев = G. N. Jakovlev. - Приложения = Priloženija = Anwendungen. - Физико-механические свойства и толщина ледяного покрова = Fiziko-mechaničeskie svojstva i tolščina ledjanogo pokrova = Physikalisch-mechanische Eigenschaften und Dicke der Eisbedeckung / И. Г. Петров = I. G. Petrov. - Температурный режим ледяного покрова = Temperaturnyj režim ledjanogo pokrova = Temperaturbedingungen der Eisbedeckung / Г. Н. Яковлев = G. N. Jakovlev. - Приложения = Priloženija = Anwendungen. - Астрономия = Astronomija = Astronomie. - Астрономические наблюдения = Astronomičeskie nabljudenija = Astronomische Beobachtungen / Н. А. Миляев = N. A. Miljaev. - Приложения = Priloženija = Anwendungen. , In kyrillischer Schrift
    Location: AWI Reading room
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  • 19
    Call number: AWI G7-82-0332
    Type of Medium: Monograph available for loan
    Pages: 37 S. : Ill., graph. Darst., Kt.
    Language: Russian
    Note: Contents: 1. Seismic observations. - 2. Observations of microseisms. - Conclusion. - References. , In kyrill. Schr.
    Branch Library: AWI Library
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  • 20
    Call number: AWI P6-93-0356
    Type of Medium: Monograph available for loan
    Pages: 128 S. , graph. Darst., Ill., Kt. , 1 Kt.-Beil.
    Language: Russian
    Note: Contents: From the editor. - Introduction. - The first Antarctic Expedition. - Observatory Mirny. - Field stations. - Foreign relations. - The second Antarctic Expedition. - Routes of expedition ships. - Observatory Mirny. - The third Antarctic expedition. - Routes of expedition ships. - At Mirny. - Antarctic inland traverses. - First expedition traverse. - Second Expedition traverse. - Glaciological traverse. - Mirny - Komsomolskaya traverse. - To the south geomagnetic pole area. - Third expedition traverses. - To the pole of relative inaccessibility. - On penguin tractors to Pionerskaya. - To the area of the pole of relative inaccessibility and the south geomagnetic pole. - Work of the Antarctic stations. - Pionerskaya. - Oasis. - Vostok-1. - Komsomolskaya. - Vostok. - Sovetskaya. - Pole of Inaccessiblity. - Brief summary of results. - Arrival of the Fourth Expedition to Antarctica. - Abstract in English. - References. - Documental films produced on materials of the Soviet Antarctic Expeditions. - Appendixes. - 1. Main data of the Soviet Antarctic Stations. - 2. Disciplines under study. - 3. Calendar of the expedition ships operations. - 4. Personnel of the Soviet Antarctic Expeditions. - 5. List of members of the Antarctic Expeditions. , In kyrill. Schr. , Mit engl. Zsfassung
    Location: AWI Reading room
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  • 21
    Monograph available for loan
    Monograph available for loan
    Moskva - Leningrad : Izdatel'stvo Akademii Nauk SSSR
    Call number: MOP 47176 / Mitte
    Type of Medium: Monograph available for loan
    Pages: 377 Seiten
    Language: Russian
    Location: MOP - must be ordered
    Branch Library: GFZ Library
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  • 22
    Monograph available for loan
    Monograph available for loan
    Novosibirsk : Akademičeskoe Izdatel'stvo "GEO"
    Call number: AWI G2-22-94741
    Type of Medium: Monograph available for loan
    Pages: 289, 3 Seiten , Illustrationen , 25 cm
    ISBN: 978-5-904682-70-5
    Language: Russian
    Note: In kyrillischer Schrift
    Location: AWI Reading room
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  • 23
    Call number: O 2075/1964 II
    Type of Medium: Journal available for loan
    ISSN: 0367-6684 , 0568-5249 , 0568-5249
    Former Title: Vorg. Akademija nauk SSSR Izvestija Akademii Nauk SSSR / Serija geografičeskaja i geofizičeskaja
    Subsequent Title: Forts. Akademija nauk SSSR Izvestija Akademii Nauk SSSR / Fizika zemli
    Subsequent Title: Forts. Akademija nauk SSSR Izvestija Akademii Nauk SSSR / Fizika atmosfery i okeana
    Language: Russian , English
    Note: Teils mit Jg.-Zählung , In kyrill. Schr
    Location: Magazine - must be ordered
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  • 24
    Series available for loan
    Series available for loan
    Leningrad : Gosudarstvennoe Naučno-techničeskoe Izdatel'stvo neftjanoj i gorno-toplivnoj literatury
    Call number: AWI G3-23-95262
    Type of Medium: Series available for loan
    Pages: 386, 1 Seiten , Illustrationen
    Series Statement: Trudy Vsesojuznogo Neftjanogo Naučno-Issledovatel'skogo Geologo-Razvedočnogo Instituta 140
    Language: Russian
    Note: In kyrillischer Schrift
    Location: AWI Reading room
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  • 25
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: En 1983 Pere Gimferrer publicó su primera novela, Fortuny. Según Octavio Paz, con este unicum literario, el poeta barcelonés reinventa el género novelesco 
con pinturas verbales que capturan fragmentos de un mundo artístico perdido. En este estudio se reconstruye por primera vez la génesis y la recepción de esta novela singular, teniendo en cuenta el (doble) impacto (y algunas polémicas) que causó en las letras hispánicas (catalana y castellana). Proponiendo un análisis narratológico, se desvelan las referencias literarias y cinematográficas del imaginario complejo de toda la producción gimferriana.
    Keywords: Intertextuality,Critical reception,Aestheticism,Belle Époque,Literature and cinema,Venice,Ekphrasis,Culturalism,Catalan contemporary novel,Orientalism,Gimferrer, Pere,Fortuny
    Language: Spanish
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  • 26
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    Logos Verlag Berlin | Logos Verlag Berlin
    Publication Date: 2024-03-24
    Description: Mito: relato explicativo, simbólico y dinámico, de uno o varios acontecimientos extraordinarios personales con referente trascendente, que carece en principio de testimonio histórico, se compone de una serie de elementos invariantes reducibles a temas y sometidos a crisis, que presenta un carácter conflictivo, emotivo, funcional, ritual y remite siempre a una cosmogonía o a una escatología absolutas, particulares o universales. Esta definición, general, fría e indeterminada, requiere un tiempo, un espacio, y sobre todo una conciencia que la viva. El mito no es un constructo mental ajeno a las vicisitudes socioculturales: lleva marcada en su piel y sus entrañas la huella de cada individuo y sociedad que lo vio nacer; pero también sabe adaptarse a las condiciones del nuevo tiempo que lo acoge. Mitos de hoy narra esa tensión del mito por mantenerse vivo en el terreno, aparentemente inhóspito, de un mundo desengañado. La Mitocrítica Cultural, aquí puesta en práctica, combina las herramientas tradicionales de la mitocrítica con factores no considerados sistemáticamente por la crítica precedente: la globalización, la inmanencia y el consumismo. Ofrece así una modesta contribución a la tarea de identificar, analizar y sintetizar la tipología de las manifestaciones del mito en la literatura, las artes y los medios de comunicación contemporáneos. Así será más fácil comprendernos a nosotros mismos en este mundo desconcertante. José Manuel Losada (Universidad Complutense), es fundador y editor de Amaltea. Revista de Mitocrítica, presidente de Asteria. Asociación Internacional de Mitocrítica y director de Acis. Grupo de Investigación de Mitocrítica.
    Keywords: Myth ; Mythology ; Literature ; Philosophy ; Religion ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000 ; thema EDItEUR::F Fiction and Related items::FN Fiction: Traditional stories, myths and fairy tales ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRR Other religions and spiritual beliefs::QRRT Indigenous, ethnic and folk religions and spiritual beliefs::QRRT1 Indigenous religions, spiritual beliefs and mythologies of the Americas
    Language: Spanish
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  • 27
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    EDP SCIENCES
    Publication Date: 2024-03-07
    Description: Medical laboratory testing and techniques;Biology, life sciences
    Keywords: Medical laboratory testing and techniques ; Biology, life sciences ; bic Book Industry Communication::M Medicine::MB Medicine: general issues::MBG Medical equipment & techniques::MBGL Medical laboratory testing & techniques ; bic Book Industry Communication::M Medicine::MQ Nursing & ancillary services::MQW Biomedical engineering
    Language: French
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  • 28
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 29
    Publication Date: 2024-04-05
    Description: Information technology: general topics
    Keywords: Information technology: general topics ; thema EDItEUR::U Computing and Information Technology::UY Computer science
    Language: French
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  • 30
    Publication Date: 2024-02-27
    Description: This research book deals with the fact that the moments of reading improve reading comprehension in the literal, inferential and critical levels of the students of the second grade "E" of the advanced cycle of the CEBA "Politécnico Regional del Centro"- Huancayo, it is of quantitative nature, applied type, pre-experimental design, with pre-test and post-test in a single group, non-probabilistic sample. A pre-test was applied to diagnose their text comprehension, then an experimental proposal based on Isabel Solé's reading moments strategy and a post-test to determine the effects. It was statistically demonstrated that the application of this strategy significantly improves reading comprehension at the literal, inferential and critical levels. This is based on the fact that in the pre-test most students achieved scores below 10 (vigesimal scale); but in the post-test most of them surpassed this average in these levels. The calculation showed that there are significant differences between the pre-test and post-test scores of 6.6 points p 〈 0.05.
    Description: Published
    Description: Este libro de investigación trata sobre que los momentos de la lectura mejoran la comprensión lectora en los niveles literal, inferencial y crítico de los estudiantes del segundo grado “E” del ciclo avanzado del CEBA “Politécnico Regional del Centro”- Huancayo, es de naturaleza cuantitativa, tipo aplicada, diseño pre experimental, con pre test y pos test en un solo grupo, muestra no probabilística. Se aplicó un pre test para diagnosticar su comprensión de textos, luego una propuesta experimental basada en la estrategia los momentos de la lectura de Isabel Solé y un post test para determinar los efectos. Se demostró estadísticamente que la aplicación de esta estrategia permite mejorar significativamente la comprensión lectora en el nivel literal, inferencial y crítico. Esto se fundamenta porque en el pre test la mayoría de estudiantes alcanzó calificaciones inferiores a 10 (escala vigesimal); pero, en el post test la mayoría superó este promedio en estos niveles. En el calculó se evidenció que existen diferencias significativas entre las puntuaciones del pre y post test de 6,6 puntos p 〈 0,05.
    Keywords: Lectura ; Nivel literal ; Inferencial ; Crítico ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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  • 31
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 32
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il presente volume consiste in una miscellanea di studi su vari temi del mondo classico offerta da amici, colleghi, ed ex-allievi, a Ettore Cingano, Professore Ordinario di Letteratura Greca presso l’Università Ca’ Foscari Venezia, in occasione del suo settantesimo compleanno. I contributi qui presentati coprono, con approcci metodologici variegati, una vasta area della cultura classica: dall’epica arcaica e la lirica arcaica e tardo-arcaica alla storia degli studi e alla ricezione antica e moderna della classicità, dalla poesia latina alla storia politica e del pensiero, dalla poesia ellenistica alla prosa imperiale, dalla linguistica alla metrica.
    Keywords: Evenius,Glaucus of Rhegium,Platon curapalates,Epigram,Latin Literature,Apollonios Malakos,Ass,Lyric poetry,Augustus,Poetry and religion,Herodotus,Poseidippus,Intertextuality,Didactic poetry,Hesiod,Theognis,Ancient reception,Early Greek hexameter poetry,Civil wars at Rome,Aphrodite,Metric-rhythmic variation,Corinna,Hecataeus of Miletus,Freud,Ancient readership,Hexameter,Pragmatics,Enunciation,Tragic irony,Delphic verse oracles,Magic,Alcibiades,Romance,Moirai,Oracular poetry,Epicleseis,Hellenistic,Anthropology,Homeric Hymns,Textual history,Alcman,Antigone,Hedylus,Lyric Poetry,Atalanta,Amphiaraus,Antinoupolis,Etymology,Codex,Aristophanes,Garland,Priapus,Aelian,Alexandrian scholarship,Narrative,Aeschines,Eschatology,Ritual,Dionysus,Cleopatra,Erotodidaxis,Etymologica,Epic,Programmatic,Local traditions,Pindar,Sexual meaning,Volcanism,Caesarion,Iphigenia,Dictys of Crete,Pythian Apollo,Eratosthenes’ Catasterismoi,PSI X 1174,Aspasia,Sacrifice,Ausonius,Second stasimon,Sublime,Greek Popes,Virgil,Human error,Hyginus’ Astronomica,Hesiodic Catalogue of Women,Prometheus Bound,Sicily,Socrates,Perioikoi,Pope John VII,Eumenides,Callimachus,Catalogue of Women,Poetic allusivity,Poetry,Verbal adjectives,Cyprus,Homeric hymn,Collection,Byzantine poetry,Asclepiades,Ps,μάχλος,Christian poetry,Ancient scholarship,Didymus,Dares the Phrygian,Epitaphs of animals,Ancient exegesis of comedy,Typhonomachy,Funerary epigram,Theban saga,Aristophanic scholia,Carmina Latina Epigraphica 1395,Odyssey,Text and image,Corinthian vases,Critical editions,Oxyrhynchus,Aeschylus,Curse,Plato,Commentary,Sophocles,Audience,Greek Poetry,Hermes,impersonation,Adespota,Aristocracy,Roman epic and politics,Greek Literature,Knowledge,Linguistics,Elegy,A personal anthology of modern Greek poems (from D,Frazer,Homeric model,Euphronius,Athenaeus,Venus,Boeotian dialect,Heraclides of Pontus,Carthage and Alexandria in the Aeneid,Metaphors,Antiatticist,Kitharōidia,Fragmentary poetry,Comparatives,Prose,Greek epigram,Byzantine Rome,Xenophon,Authorship,Ancient Rhetoric,Epiploke,Narratology,Aulōidia,Epithets,Longinus,Book,Tragedy,Second Sophistic,Papyrology,Trojan War,Mount Etna,Body doubles,Plutarch’s De musica,Reperformance,Inscribed Greek verse,Solon,Strabo,Rhodes,Ibycus,Heracles,Homer,Lexicography,The Greek West,Pyrwias,Folklore,Iliad,Melampous,Herodicus,Cyrene,Dancers,μαχλοσύνη,Late Latin epigrams,Parthenopaeus
    Language: English , Italian , French
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  • 33
    Publication Date: 2024-04-03
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 34
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 35
    Publication Date: 2024-04-06
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 36
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 37
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 38
    facet.materialart.
    Unknown
    Ariadna Ediciones
    Publication Date: 2024-04-16
    Description: Among so many possible conceptions of the human being – from the emphasis on the sacred in ancestral cultures, Socratic reason, the faith of Christian theology, Cartesian centrality, the finitude of Kant, the action of Fichte, the will of Schopenhauer or Nietzsche , Kierkegaard's singularity, the possibility and projection of Jaspers or Heidegger, Huizinga's homo ludens, Scheler's being a person, Gehlen's lack, and others – we understand it here as a search for meaning. And like any seeker, explorer or adventurer (in the manner of Ulysses) we long to conquer, to possess meaning, which, by the way, we never manage to conclude.
    Keywords: Philosophy, philosophical anthropology, construction of the self, transcendent meaning ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTJ Philosophy: metaphysics and ontology
    Language: Spanish
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  • 39
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 40
    Publication Date: 2024-01-30
    Description: In the first part, a summary of oil management from 1972 to the present is made, as well as a description of the oil policy applied by the governments, from the administration of Dr. Oswaldo Hurtado to the administration of Mr. Guillermo Lasso. The second part analyzes the legal environment in the context of natural resources, especially oil, within the framework of the Hydrocarbons Law and the Constitution of the Republic of Ecuador. And in the third, we analyze the production in the Sacha Field, awarded to ORNCEM through the specific services contract and according to its two amendment contracts. It concludes with some considerations that should be taken into account and that call for reflection when contracts are proposed and executed whose benefit is not the best for the country. On the other hand, forests are great "cleaners" of carbon dioxide; when they are destroyed, their absorption potential is annulled and, therefore, they contribute to global warming by increasing greenhouse gases, which is why deforestation must be counteracted.
    Description: Published
    Description: En la primera parte, se realiza un resumen del manejo del petróleo a partir de 1972 hasta la actualidad, así como también se describe la política petrolera aplicada por los gobiernos, desde la administración del doctor Oswaldo Hurtado hasta la administración del señor Guillermo Lasso. En la segunda, se analiza el entorno jurídico en el contexto de los recursos naturales especialmente del petróleo, en el marco de la Ley de Hidrocarburos y de la Constitución de la República del Ecuador. Y en la tercera, se analiza la producción en el Campo Sacha, adjudicada a ORNCEM mediante el contrato de servicios específicos y de acuerdo a sus dos contratos modificatorios. Se concluye con algunas consideraciones que se deben tomar en cuenta y que llaman a la reflexión cuando se proponen y ejecutan contratos cuyo beneficio no es el mejor para el país. Por otro lado, los bosques son grandes “limpiadores” de dióxido de carbono, al ser destruidos se anula su potencial de absorción y, por lo tanto, contribuyen al calentamiento global del planeta por el incremento de gases de efecto invernadero, razón por la cual, se debe contrarrestar la deforestación.
    Keywords: Política petrolera ; Campo Sacha ; Petroleo ; Política ; Gobierno ; bic Book Industry Communication::J Society & social sciences ; bic Book Industry Communication::K Economics, finance, business & management
    Language: Spanish
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  • 41
    Publication Date: 2024-02-26
    Description: The present work starts from the problem when investigating how the same penalty for the crime of Fraudulent Embezzlement affects the principle of proportionality, so it is necessary to refer to Article 387 of the Penal Code, which reads as follows: The public official or servant who appropriates or uses, in any form, for himself or for another, funds or effects whose collection, administration or custody are entrusted to him by reason of his position, shall be punished with deprivation of liberty for not less than two nor more than eight years. It is an aggravating circumstance if the funds or effects were destined for welfare purposes or social support programs. In these cases, the prison sentence shall be not less than four nor more than ten years. According to the Plenary Agreement No. 4-2005/CJ-116, Plenary Jurisdiction of the Permanent and Transitory Criminal Chambers of the Supreme Court of Justice, the elements of the criminal offense of embezzlement are (i) the existence of a functional relationship, (ii) the collection, administration or custody, (iii) appropriation or use, (iv) the recipient: for himself or for a third party, (v) funds and effects. The result was that when punishing with the same penalty in the crime of Fraudulent Misappropriation in its modality of appropriation and use, despite the differences if we appreciate them from a patrimonial perspective or from the perspective of safeguarding the right of property of the public entity, in the modality of use there is an excess in the penalization, affecting the principle of proportionality, reason for which it should have a different treatment.
    Description: Published
    Description: El presente trabajo se inicia del problema cuando se investiga de qué manera al sancionar con una misma pena en el delito de Peculado Doloso afecta el principio de proporcionalidad, por lo que es necesario remitirnos al artículo 387 del Código Penal, cuyo tenor es como sigue: El funcionario o servidor público que se apropia o utiliza, en cualquier forma, para sí o para otro, caudales o efectos cuya percepción, administración o custodia le estén confiados por razón de su cargo, será reprimido con pena privativa de la libertad no menor de dos ni mayor de ocho años. Constituye circunstancia agravante si los caudales o efectos estuvieran destinados a fines asistenciales o a programas de apoyo social. En estos casos, la pena privativa de la libertad será no menor de cuatro ni mayor de diez años. Según lo establecido por el Acuerdo Plenario N.° 4-2005/CJ-116, Pleno jurisdiccional de las Salas Penales Permanentes y Transitoria de la Corte Suprema de Justicia, los elementos del tipo penal de peculado son (i) la existencia de una relación funcional, (ii) la percepción, administración o custodia, (iii) apropiación o utilización, (iv) el destinatario: para sí o para un tercero, (v) caudales y efectos. El resultado fue que al sancionar con una misma pena en el delito de Peculado Doloso en su modalidad de apropiación y utilización visten de igual contenido de ilicitud, pese a las diferencias si las apreciamos desde una perspectiva patrimonialista o de salvaguarda del derecho de propiedad del ente público, en la modalidad de utilizar existe un exceso en la penalización afectándose el principio de proporcionalidad, razón por la cual debe tener un tratamiento distinto.
    Keywords: Sanción penal ; Peculado doloso ; Proporcionalidad de la pena ; bic Book Industry Communication::L Law
    Language: Spanish
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  • 42
    Publication Date: 2024-04-14
    Description: The book is a complete work that deals with different important aspects of computer science, from the architecture and organization of the computer to the construction of a gamer PC. The first chapter explains in detail the architecture and organization of computers, while the second chapter analyzes the different generations of computers and their evolution over time, up to artificial intelligence. The third chapter is dedicated to computer memory and how it works, while the fourth chapter explains the tools needed for PC maintenance and repair, from cloning hard disks to building multi-boot devices. Finally, the fifth chapter focuses on gamer PCs and offers a complete guide for gaming enthusiasts, providing a step-by-step procedure for building your own gamer PC. This book is valuable for both systems students and computer professionals, as it covers fundamental topics such as computer architecture and organization, history and evolution, computer design, memory, computer maintenance and repair tools, and how to build a higher-performance computer for gamer users. In short, this book offers useful and complete information on the evolution of the computer, from its beginnings to the present day, and provides practical tools and advice for its use and maintenance.
    Description: Published
    Description: El libro es una obra completa que aborda distintos aspectos importantes de la informática, desde la arquitectura y organización de la computadora hasta la construcción de una PC gamer. En el primer capítulo se explica de manera detallada la arquitectura y organización de los ordenadores, mientras que en el segundo se analizan las diferentes generaciones de ordenadores y su evolución a lo largo del tiempo, llegando hasta la inteligencia artificial. El tercer capítulo está dedicado a la memoria de la computadora y su funcionamiento, mientras que en el cuarto se explican las herramientas necesarias para el mantenimiento y la reparación de la PC, desde la clonación de discos duros hasta la construcción de dispositivos multi boot. Por último, el quinto capítulo se enfoca en las PC gamer's y ofrece una guía completa para los entusiastas de los juegos, brindando un procedimiento paso a paso para construir su propio PC gamer. Este libro es valioso tanto para estudiantes de sistemas como para profesionales de la computación, ya que cubre temas fundamentales como la arquitectura y organización de computadoras, historia y evolución, el diseño de computadoras, la memoria, las herramientas de mantenimiento y reparación de computadoras, y cómo armar una computadora de mayor rendimiento para usuarios jugadores. En resumen, esta obra ofrece información útil y completa sobre la evolución de la computadora, desde sus inicios hasta la actualidad, y brinda herramientas y consejos prácticos para su uso y mantenimiento
    Keywords: Computador ; PC ; Arquitectura ; PC Gamer ; Construcción ; thema EDItEUR::U Computing and Information Technology
    Language: Spanish
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  • 43
    facet.materialart.
    Unknown
    EDP SCIENCES
    Publication Date: 2024-04-05
    Description: Chemistry
    Keywords: Chemistry ; thema EDItEUR::P Mathematics and Science::PN Chemistry ; thema EDItEUR::P Mathematics and Science::PN Chemistry::PNN Organic chemistry::PNNP Polymer chemistry
    Language: French
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  • 44
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 45
    Publication Date: 2024-02-05
    Description: In the southern border area, where Ecuador is located with neighboring Peru. There are two important cantons for its commercial passage, the canton Macará in the province of Loja, and the canton Huaquillas in the province of El Oro. Through the Coordination 7 of the Ministry of Public Health, thanks to the ProSalud Frontera Sur Project, the database of the Automated Daily Registry of Consultations and Outpatient Care was managed, which allowed us to clarify the problems at the public health level in these cantons. It can be observed throughout the text that women present a greater number of diseases compared to men, with the latter remaining stable over the three years for both Ecuadorians and foreigners.
    Description: Published
    Description: En la zona fronteriza sur, donde se localiza el Ecuador con el vecino país Perú. Se encuentran dos cantones importantes por su paso comercial, el cantón Macará de la provincia de Loja, y el cantón Huaquillas de la provincia de El Oro. En donde, por medio de la Coordinación 7 del Ministerio de Salud Pública se gestionó gracias al Proyecto ProSalud Frontera Sur, la base de datos Registro Diario Automatizado de Consultas y Atenciones Ambulatorias, que nos permitió clarificar la problemática a nivel de salud pública en estos cantones. Se puede observar a lo largo del texto que las mujeres presentan mayores cantidades de enfermedades frente a los hombres manteniéndose estables estos en los tres años y tanto para ecuatorianos como para extranjeros
    Keywords: bic Book Industry Communication::M Medicine
    Language: Spanish
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  • 46
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 47
    Publication Date: 2024-01-17
    Description: An increasing number of preschool teachers have a master's degree, and in Norway, employing preschool teachers with a master’s-level education is a stated political objective. In both Norway and Denmark, there is growing demand for greater expertise in preschool and more career options for preschool teachers and educators. Thus, there is also a need for greater understanding about the impact of academic knowledge on preschool pedagogical practice. In this anthology, new empirical knowledge is presented on how master's-level competence is applied practically within the preschool context, and how academic knowledge is found relevant in practice. The empirical material that forms the basis of this anthology is qualitative interviews with master's-educated teachers in Norwegian and Danish preschools as well as a survey sent to all preschools in Norway. The anthology is also based on historical material and documents that highlight the rise of specialized education in general and master's education in particular. The book stems from the research project “Preschool master in practice”, a collaborative project between researchers at one Danish and two Norwegian educational institutions: VIA University College in Århus, Oslo Metropolitan University, and the University of South-Eastern Norway. The aim of the project has been to increase understanding of how master’s-educated preschool teachers’ feel their particular expertise is put to use, and how their expertise benefits the preschool and creates opportunities within the sector.
    Description: Stadig flere barnehagelærere har masterutdanning. I Norge er det også en uttalt politisk ambisjon om at det skal ansettes flere masterutdannede barnehagelærere i barnehagen. Både i Norge og Danmark ser vi en økende etterspørsel etter mer kompetanse i barnehagen og flere karriereveier for barnehagelærere og pedagoger. Dermed blir det også behov for mer kunnskap om hva som skjer i møtet mellom akademisk kunnskap og barnehagefaglig pedagogisk praksis. I denne antologien presenteres ny empirisk kunnskap om hvordan kompetanse på masternivå anvendes i barnehagen, og hvordan akademisk kunnskap gis relevans for barnehagens praksis. Det empiriske materialet som ligger til grunn for antologien, er kvalitative intervjuer med masterutdannede barnehagelærere i norske og danske barnehager og en spørreundersøkelse sendt ut til alle norske barnehager. Antologien er også basert på historisk materiale og dokumenter som synliggjør framveksten av videreutdanninger generelt og masterutdanning spesielt. Bokutgivelsen springer ut av forskningsprosjektet «Barnehagefaglig master i praksis», som er et samarbeidsprosjekt mellom forskere ved én dansk og to norske utdanningsinstitusjoner, henholdsvis VIA University College i Århus, OsloMet – storbyuniversitetet og Universitetet i Sørøst-Norge. Målet med prosjektet har vært å utvide kunnskapen om hvordan barnehagelærere med barnehagefaglig masterutdanning erfarer at deres kompetanse blir anvendt, og om hvordan kompetansen kommer barnehagen til gode og gis muligheter i sektoren.
    Keywords: professional practice, academic knowledge, early childhood education, dialogical governance, critique, pedagogisk praksis, akademisk kunnskap, barnehage, dialogisk styring, kritikk ; bic Book Industry Communication::J Society & social sciences::JN Education::JNM Higher & further education, tertiary education::JNMN Universities ; bic Book Industry Communication::J Society & social sciences::JN Education::JNF Educational strategies & policy::JNFN Inclusive education / mainstreaming
    Language: Danish , Norwegian
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  • 48
    Publication Date: 2024-01-30
    Description: The organizations demonstrate an adequate conduct based on their organizational culture, which facilitates decision making as well as contracting a good relationship internally and externally, and even being able to apply a good Corporate Social Responsibility (CSR) with society and its environment. This research aims to determine the impact that ethics and CSR have had in the search to contribute to the preservation of natural resources in Ecuador through social, economic and environmental improvements assumed by socially responsible entities. Therefore, it is based on a documentary and bibliographic methodology by using bibliographic sources, books, journals, scientific articles to have a base supported by the information collected to make a response to the main theme. The results show an increase in the level of interest of the population in issues that affect the environment and generate pollution, while the discussion shows that for Ecuadorian companies, concepts such as CSR are relatively new, causing organizations to overlook the creation of policies for the ethical care of natural resources. This leads to the conclusion that in Ecuador there is evidence of a growth in organizations focused on CSR because of the existence of many companies that do not apply practices to preserve sustainable development, due to the need to avoid expenses and prioritize their income over the environment.
    Description: Published
    Description: Las organizaciones demuestran una conducta adecuada basándose en su cultura organizacional, la cual les facilita la toma de decisiones como también contraer una buena relación internamente como externa, e incluso poder aplicar una buena Responsabilidad Social Empresarial (RSE) con la sociedad y su entorno. La presente investigación pretende determinar el impacto que ha tenido la ética y la RSE en la búsqueda para contribuir a preservar los recursos naturales en Ecuador mediante el mejoramiento social, económico y ambiental asumidos por las entidades socialmente responsables. Por ello, se basa en una metodología documental y bibliográfica al utilizar fuentes bibliográficas, libros, revistas, artículos científicos para tener una base respaldada de la información recopilada para efectuar una respuesta al tema principal. En los resultados se evidencia un incremento referente al nivel de interés de la población sobre temas que afectan al medio ambiente y generan contaminación, mientras se aprecia en la discusión que para las empresas ecuatorianas conceptos como RSE son relativamente nuevos, haciendo que las organizaciones pasen por alto la creación de políticas para el cuidado ético de los recursos naturales. Lo cual lleva a la conclusión de que en Ecuador se evidencia un crecimiento en los organismos centrados en la RSE a causa de la existencia de muchas empresas que no aplican prácticas para preservar el desarrollo sostenible, debido a la necesidad de evitar gastos y priorizar sus ingresos sobre el medio ambiente.
    Keywords: Responsabilidad social ; medio ambiente ; recursos naturales ; empresas ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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  • 49
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 50
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 51
    Publication Date: 2024-04-11
    Description: Technology: general issues;Materials science
    Keywords: Technology: general issues ; Materials science ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBC Engineering: general ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBC Engineering: general
    Language: French
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  • 52
    facet.materialart.
    Unknown
    Editorial Univerdidad Mariana | Editorial Univerdidad Mariana
    Publication Date: 2024-01-09
    Description: Este trabajo se encaminó al estudio del estrés de tipo cotidiano en la etapa infantil, el cual está integrado por reacciones a nivel biológico y psicológico que son generadas por ciertas “demandas frustrantes e irritantes que se producen en la interacción diaria con el entorno” (Trianes, Blanca, Fernández-Baena, Escobar y Maldonado, 2014, p. 32), que no son susceptibles de control por parte del niño, y que alteran su equilibrio general. Hay que decir que, las consecuencias del estrés en los más pequeños son múltiples, en especial cuando el problema es crónico (Ruiz Lázaro, 2016) y que no son únicamente a largo plazo (en la adolescencia y la edad adulta), sino que repercuten en la salud y en el bienestar de los niños, casi de manera inmediata (Pérez-Padilla y Menéndez, 2016; Quijada, 2013; Orlandini, 2012).
    Keywords: Philosophy and theory of education ; bic Book Industry Communication::J Society & social sciences::JN Education::JNA Philosophy & theory of education
    Language: Spanish
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  • 53
    Publication Date: 2024-04-06
    Description: How the Steel Was Tempered in East Asia. Nikolai Ostrovsky’s novel How Steel Was Tempered (1932-34) tells the story of a young Ukrainian man named Pavel Korchagin who sacrifices his life and body to forge a steel-like spirit amid revolution, civil war, and postwar socialist construction. Although his physical injuries, which left him paralyzed and even blind, looks somehow grotesque, but his heroic self-sacrifice also had the power to inspire young readers. Regarded as an exemplary work of Soviet socialist realism, it was translated into many languages and read avidly at one time by left-wing readers in the West as well as in the Communist countries in the East. It was particularly influential in China, where it is so popular that even today it is invariably named as one of the favorite books of university students. This is in contrast to post-Soviet Russia today, in which the novel has lost the privileged position it once enjoyed and is no longer widely read. In China under the socialist regime, Ostrovsky’s novel was published in large numbers as suitable reading for young people and incorporated into school education. However, their active introduction in the public sphere alone does not explain their popularity. Chinese readers seem to have become deeply emotionally involved in the protagonist’s unsuccessful love affair with Tonya, a young girl whose bourgeois gestures and characterization must have been considered negative. As a result, the Soviet ideological novel has brought an unexpected meaning of European-style romantic love for Chinese readers. This presentation will trace the reception of Ostrovsky’s novel and the changes in the heroine Tonya’s image by comparing five adaptations: two Soviet films in 1942 and 1957, a Chinese lianhuanhua (serial picture book) in 1972, a Japanese manga in 1975, and a Chinese TV drama in 1999.
    Keywords: Socialist Realism ; Nikolai Ostrovsky ; adaptation ; China's reception ; Japan's reception ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Russian
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  • 54
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 55
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 56
    facet.materialart.
    Unknown
    EDP SCIENCES
    Publication Date: 2024-04-05
    Description: Chemistry
    Keywords: Chemistry ; thema EDItEUR::P Mathematics and Science::PN Chemistry ; thema EDItEUR::P Mathematics and Science::PN Chemistry::PNN Organic chemistry::PNNP Polymer chemistry ; thema EDItEUR::P Mathematics and Science::PN Chemistry ; thema EDItEUR::P Mathematics and Science::PN Chemistry::PNN Organic chemistry::PNNP Polymer chemistry
    Language: French
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  • 57
    facet.materialart.
    Unknown
    EDP SCIENCES
    Publication Date: 2024-04-04
    Description: Mathematics
    Keywords: Mathematics ; thema EDItEUR::P Mathematics and Science::PB Mathematics
    Language: French
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  • 58
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 59
    facet.materialart.
    Unknown
    Peter Lang International Academic Publishers
    Publication Date: 2024-04-07
    Description: La poésie de Pétrarque et le pétrarquisme qui en est dérivé constituent une matière inestimable et un champ fertile pour comprendre les sources des identités et des cultures européennes. Il est donc crucial d’examiner les études pétrarquiennes au regard de nouvelles notions critiques telles que la transculturalité ou la transnationalité. L’exemple emblématique français constitue un champ d’enquête privilégié pour décrire ce que l’auteur définit comme le « mouvement migrant » du pétrarquisme européen. Grâce à l’application de nouvelles théories et méthodologies transdisciplinaires, cet ouvrage offre au public la possibilité de découvrir la richesse des traductions françaises des Rerum vulgarium fragmenta sur une période très vaste qui court du XVIe au XXIe siècle. Au-delà de l’ambition d’un travail d’érudition, ce livre est surtout le fruit d’une enquête intime sur des formes archétypales qui s’incarnent dans l’histoire des idées et des littératures. L’histoire de la traduction et des traductions n’est pas seulement une histoire des textes, mais aussi un récit des imaginaires qui les ont traversés.
    Keywords: Alouëtes ; Claudio ; fragmenta ; française ; Gigante ; histoires ; imaginaires ; langue ; Pétrarque ; Phenix ; Poëte ; Raimondo ; Rerum ; Riccardo ; siècle ; Thierry ; traditions ; Traduire ; vulgarium ; Waser ; XVIe ; XXIe ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFP Translation and interpretation ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetry
    Language: French
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  • 60
    Publication Date: 2024-04-11
    Description: Materials science
    Keywords: Materials science ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBC Engineering: general ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TG Mechanical engineering and materials::TGM Materials science ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBC Engineering: general ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TG Mechanical engineering and materials::TGM Materials science
    Language: French
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  • 61
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Los once trabajos de este segundo volumen de la colección VenPalabras ponen a disposición del investigador en lexicología y de los lingüistas e historiados del español un conjunto de estudios que, bien asentados en la mejor tradición filológica de nuestra lengua, proyectan la mirada hacia el futuro y ofrecen nuevas perspectivas de estudio. Los términos lexicalización, léxico y lexicografía organizan las tres partes del volumen.
    Keywords: Notarial records,Focus operator,Orthography,Grammaticalization,Golden Age,Diacronic studies,Diachrony,Epistemic marker,History of Spanish language,Colloquialization,Japonesismo,Grammaticography,Evidentiality,18th century,Confirmation,Diccionario de la lengua española,Japanese loanwords for food,Discourse marker,Historical morphosintaxis, History of Spanish, lex,Philosophical discourse,Preverb,Subjectivization,Lexicon,Italianisms,Latin,Vocabulary,Japanese loanwords for martial arts & sports,Chronological reconstruction,Lexicography,Spanish,Discursive traditions,Osservationi della lingua castigliana,Rejection,Certainty,Separation of words,Lo que es,Dictionaries,19th century,Semantics,Real Academia Española,Amalgamation of words,Pragmaticalization,Japanese loanwords for martial arts &amp ; sports,Lexicology,Spanish language,Diccionario de Autoridades,Tematizer values
    Language: Spanish
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  • 62
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 63
    facet.materialart.
    Unknown
    EDP SCIENCES
    Publication Date: 2024-04-06
    Description: Science: general issues
    Keywords: Science: general issues ; thema EDItEUR::P Mathematics and Science::PN Chemistry::PNR Physical chemistry::PNRP Quantum and theoretical chemistry
    Language: French
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  • 64
    facet.materialart.
    Unknown
    Iberoamericana Vervuert
    Publication Date: 2024-04-04
    Description: This book brings together different perspectives on the representation of the Spanish Civil War in digital and analog games, considering them an important part of the cultural production inspired by this historical event. Games must be understood as powerful disseminators of historical stories due to their influence on the processes of memory and reification of the past. Therefore, it is essential to analyze the ideologies they transmit and the visions of the past they offer to players—just like literature, cinema and comics. In this sense, this work introduces the study of games about the Civil War and evaluates the recreational environments in which they appear. It aims to reflect on how games, as distinctive media, can enrich research on conflict and historical memory in general. The case studies of games set in the Spanish Civil War allow us to discover and discuss the visions about the historical moment that circulate in the world of games. The Spanish Civil War in games and recreational environments also offers an overview of methods and theories for the analysis of games as cultural artifacts.
    Keywords: digital games, analog games, cultural production, historical memory, case studies ; thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWR Specific wars and campaigns::NHWR3 Civil wars ; thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWL Modern warfare ; thema EDItEUR::1 Place qualifiers::1D Europe::1DS Southern Europe::1DSE Spain ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPB Early 20th century c 1900 to c 1950::3MPBG c 1919 to c 1939 (Inter-war period)::3MPBGJ c 1930 to c 1939
    Language: Spanish
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  • 65
    Publication Date: 2024-04-07
    Description: Optical physics
    Keywords: Optical physics ; thema EDItEUR::P Mathematics and Science::PH Physics::PHJ Optical physics
    Language: French
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  • 66
    facet.materialart.
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    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: ‘Volontà’ discende, etimologicamente, da voluntas. Ma nell’accezione di voluntas non è più avvertita la plurivocità terminologica presente nella lingua greca. Di conseguenza la teoria dell’azione ampiamente affrontata nel contesto del pensiero classico (si pensi, tra gli altri, alle Etiche aristoteliche) ne ha risentito, finendo per risolversi, in ambito romano, in un quadro concettuale semplificato. I saggi qui raccolti hanno consentito di mettere a fuoco un vero e proprio nuovo paradigma articolato. Al suo interno si colloca una rinnovata concezione di ‘volontà’: quella che si dispiega nella moderna interpretazione dell’‘atto volontario’ e del ‘volontarismo’ tout-court.
    Keywords: Cynicism,Boulesis,Weakness of assent (asthenês sunkatathesis),Stoic psychology,Choice,Fate,Passion,Masculinity,Lucan,Power,Seneca,Original sin,Sponte,Uoluntas,Strength,Virtus,Mens,Augustine,Fortuna,Tragedy,Events,Anger,Action,Cicero,βούλησις,Audacia,Voluntas,Stoicism,Odysseus,Desire,Heracles,Will,Prohairesis,De ira,Temeritas,Historia naturalis,Epibole,Heroes,Officium,Socrates,Velleitas,Impulse,Responsibility,Gods
    Language: English , Italian , French
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  • 67
    Publication Date: 2024-02-26
    Description: The objective of this research work was to evaluate the effectiveness of free games in the development of creative thinking in 5-year-old students of the Educational Institution Nº 329 of Huancavelica. The methodology of free games offers a dynamic and active education to students, which encourages the development of creative thinking in 5-year-old students, through a greater sense of security and self-confidence. This methodology was carried out in a motivating environment and free areas, focusing on dynamic and motivating participation, in order to strengthen their abilities and skills, seeking for them to develop autonomous learning. With the results obtained, it can be affirmed that free games directly favor the development of creative thinking in 5-year-old children, since Student's t-test with 53 degrees of freedom, for independent samples, with a significance of 5%, shows a value of 0.038, which is lower than the value proposed, accepting the alternative hypothesis as valid.
    Description: Published
    Description: Este trabajo de investigación tuvo como objetivo evaluar la eficacia de los juegos libres en el desarrollo del pensamiento creativo en los estudiantes de 5 años de la Institución Educativa Nº 329 de Huancavelica. La metodología de los juegos libres ofrece una educación dinámica y activa en los estudiantes, la cual incentiva el desarrollo del pensamiento creativo en los estudiantes de 5 años, a través de un mayor sentido de seguridad y confianza en sí mismos. Esta metodología se realizó en un ambiente motivador y áreas libres, centrándose en la participación dinámica y motivadora, con el fin de fortalecer sus capacidades y habilidades, buscando que ellos desarrollen un aprendizaje autónomo. Con los resultados obtenidos se puede afirmar que los juegos libres favorecen directamente en el desarrollo del pensamiento creativo en los niños de 5 años, toda vez que t de Student con 53 grados de libertad, para muestras independientes, con una significancia del 5%, muestra un valor de 0.038 el cual es inferior al valor planteado, aceptando la hipótesis alternativa como válida.
    Keywords: Pensamiento creativo ; Juegos ; Pensamiento ; Niños ; Educación ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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  • 68
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 69
    Publication Date: 2024-04-01
    Description: Feminicide has become a problem of general interest due to its high impact on the Colombian population; in this sense, this phenomenon was studied to characterize it in the departments of Huila and Tolima, which is why for the researchers it is essential to make this problem visible, pointing out the conditions framing violence against women from this macho culture that prevails in the region and country. The topic is of special interest since a review of press articles, epidemiological reports, local statements, and research on femicide in the two departments was carried out, seeking to make this phenomenon more visible to show the country’s reality so that it can be reported on. The results show that there is no research on the subject, which makes it possible to initiate a database with studies on femicide. Similarly, the National Institute of Legal Medicine and Forensic Sciences (2016) considers that the data described on homicide in 2015 and in previous years have decreased in magnitude over the years. The analysis of the variables realizes that the risk factors triggering the violent events that determine homicide have not been neutralized, reduced, or controlled, considering that public policy on security and citizen coexistence has been insufficient.
    Description: Published
    Description: El Feminicidio se ha convertido en un problema de interés general por su alta afectación a la población colombiana, en tal sentido se estudió este fenómeno para caracterizarlo en los departamentos del Huila y Tolima, es por esta razón que para las investigadoras resulta fundamental visibilizar esta problemática, señalando las condiciones que enmarcan la violencia contra la mujer desde esta cultura machista que impera en la región y en el país. El tema reviste especial interés toda vez que se realizó una revisión de artículos de prensa, informes epidemiológicos, pronunciamientos locales e investigaciones frente al feminicio en los dos departamentos, buscando visibilizar con mayor fuerza este fenómeno a fin de mostrar la realidad al país para que se informe sobre éste. Los resultados evidencian la no existencia de investigaciones al respecto, lo que permite iniciar una base de datos con estudios acerca del feminicidio. De igual forma, el Instituto Nacional de Medicina Legal (2016) considera que los datos descritos sobre el homicidio en el año 2015 y en años anteriores han disminuido en magnitud año tras año, el análisis de las variables da cuenta que los factores de riesgo que desencadenan los hechos violentos que determinan el homicidio no han sido neutralizados, reducidos o controlados, considerando que política pública de seguridad y convivencia ciudadana ha sido insuficiente.
    Keywords: Feminicidio ; investigación ; violencia de género ; protección a la mujer ; thema EDItEUR::N History and Archaeology::NH History
    Language: Spanish
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  • 70
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 71
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 72
    Publication Date: 2024-04-04
    Description: Where and how will we do our shopping tomorrow? With the rise of digital platforms, self-service is being called into question, in the food sector as elsewhere. And yesterday's customer journey is being groped and reinvented. This book imagines four likely scenarios up to 2050. For each of them, it shows how the platforms, based on a specific customer journey, will bring out a new food offering. The products in each scenario combine distinctive modes of consumption and production. In the Personalisation scenario, customers delegate the anticipation of their desires to a platform, which offers them a personalised food stream for their well-being; the offering sees the merging of final processing and local logistics. In the Commitment scenario, empowered customers accept that a platform will control and radically change their diet for the common good; the platforms coordinate to steer the transition to a sustainable food system. In the Community scenario, customers looking for authenticity want to join short-distance platforms where genuine, strong relationships are forged between producers and consumers; the supply chains are decentralised. In the Low Price scenario, customers who have lost interest in their food use platforms to access commoditised products at very competitive prices; production becomes globalised and costs are crushed. This book is aimed at retail professionals, public authorities, researchers and students, as well as consumers and anyone interested in the market economy.
    Keywords: food ; consumer ; economy ; market ; modelling ; thema EDItEUR::K Economics, Finance, Business and Management::KJ Business and Management::KJE E-commerce: business aspects
    Language: French
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  • 73
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 74
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 75
    Publication Date: 2024-04-03
    Description: В монографии демонстрируется возможность изучать современный поэтический язык не только с точки зрения эстетической функции, но и креативной, воздействие которой предполагает создание новых форм и неожиданных сочетаний при передаче разнообразной текстовой информации. Для исследования выбран поуровневый метод описания. На иллюстративных примерах показывается, как креативность проявляет себя на разных уровнях организации текста: фонетико-орфографическом, словообразовательном, лексико-семантическом, грамматическом – и как уровни взаимодействуют друг с другом. На уровне же целого текста важными параметрами становятся субъектная организация и взаимодействие текста с другими текстами.
    Keywords: Fateeva ; Henrieke ; Natalia ; Stahl ; грамматика ; интертекстуальность ; креативная функция ; современная русская поэзия ; субъект ; Язык поэзии ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetry
    Language: Russian
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  • 76
    facet.materialart.
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    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: A emergência nos últimos anos dos ‘estudos ibéricos’ torna necessária a reflexão sobre os desafios e potencialidades desta área. Este volume, com uma clara vontade de renovação metodológica, reúne contributos que exploram possibilidades de análise sobre o espaço ibérico e fenómenos associados, oferecendo um quadro plural de referentes teóricos e de perspetivas, em que os reptos colocados pelos casos basco, catalão e galego têm especial importância. No seu conjunto, a obra constitui uma valiosa ferramenta para ler a situação atual e para desenvolver um novo pensamento crítico sobre este objeto de estudo.
    Keywords: Vertical and horizontal historiography,Polyphony,Nation branding,Gender,Interliterariness,State,Culture,Canon formation,Digital cartography,Interdisciplinarity,Oral tradition,Hispanism,Galician Studies,Cinema and national image,GIS,Subjectivity,Violence,S,Canon,Cultural conflict,Literary systems,Pan-Hispanic folk balladry,Translation,Queer Studies,Political fantasy,Centre,Digital Humanities,Identity building,Catalan culture,Basque Studies,Globalisation,Iberian Studies,Island Studies,Literary Criticism,Cultural stereotypes,Periphery,Luso-Brazilian/Portuguese Studies,Centripetal and centrifugal movements,Sexuality,Literature,Contemporary Galician narrative,Modes of remembering,Imagology,World literature,Iberisms,Literary history,Academia,Commercial nationalism,Philology,Cultural memory,Local literatures,U,Cultural planning,Feminism,Literary geography,Catalan Studies,Nationalism,Postimperialism,Translation Studies,Comparative Literature,Epistemological reflexivity
    Language: Portuguese , Catalan , Spanish
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  • 77
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    EDP SCIENCES
    Publication Date: 2024-04-07
    Description: Mathematics
    Keywords: Mathematics ; thema EDItEUR::P Mathematics and Science::PB Mathematics
    Language: French
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  • 78
    facet.materialart.
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    EDP SCIENCES
    Publication Date: 2024-04-11
    Description: Materials science
    Keywords: Materials science ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBC Engineering: general ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TG Mechanical engineering and materials::TGM Materials science ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBC Engineering: general ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TG Mechanical engineering and materials::TGM Materials science
    Language: French
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  • 79
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    Ariadna Ediciones
    Publication Date: 2024-04-02
    Description: This book analyzes the theoretical and political positions of the Social Democratic Federation (SDF) against imperialism in the context of the Second Boer War, taking into consideration the following components: colonialism, in the sense of the SDF's assessment of the European colonial expansion and the reality of colonial peoples, in this case the situation of the Boer people and the native populations of South Africa; colonial politics, understood as the discussions of the government of the colonies, whether the possibility of establishing some type of imperial federation or the need to abandon them; imperialism itself, which included debates on the economic causes of the expansion of powers and its character as a generalized policy of bourgeois states or phase of capitalism; the imperialist war and national defense in the sense of the possibility of a war between the European powers and the need to defend Great Britain and its possessions and, the second Boer war itself, which implies taking into account the causes attributed to the conflict, the positions of the different party members (supporting or condemning the conflict) and the means to stop it.
    Keywords: Imperialism, colonialism, South Africa, white supremacy ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics
    Language: Spanish
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  • 80
    Publication Date: 2024-04-04
    Description: Physics
    Keywords: Physics ; thema EDItEUR::P Mathematics and Science::PH Physics
    Language: French
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  • 81
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 82
    facet.materialart.
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    EDP SCIENCES
    Publication Date: 2024-04-07
    Description: Chemistry
    Keywords: Chemistry ; thema EDItEUR::P Mathematics and Science::PN Chemistry ; thema EDItEUR::P Mathematics and Science::PN Chemistry::PNN Organic chemistry::PNNP Polymer chemistry
    Language: French
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  • 83
    facet.materialart.
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    EDP SCIENCES
    Publication Date: 2024-04-06
    Description: Mathematics;Physics
    Keywords: Mathematics ; Physics ; thema EDItEUR::P Mathematics and Science::PB Mathematics
    Language: French
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  • 84
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    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: El volumen recoge los trabajos de un grupo de hispanistas de universidades italianas y otro de italianistas de universidades españolas comprometidos con la investigación de la traducción literaria, tanto desde el punto de vista teórico como práctico, que centran su interés en el problema de la variación lingüística. En textos de distintas épocas, desde el Medioevo y el Renacimiento hasta el siglo XXI, se analizan distintos problemas de traducción que plantea el paso del español al italiano, del italiano al español e incluso del italiano al catalán, poniendo de relieve cómo el diálogo entre España e Italia sigue siendo un tema de gran actualidad.
    Keywords: Alas de fuego,Literary translation Spanish-Italian,Polyphony,Tabucchi,Laura Gallego,Fantasy,Multilingualism,Register,Spanish and peninsular varieties,〈p〉Translation,Fables,Linguistic variation,Ricard Permanyer,Colloquial language,Don Quixote,Spanish translation into Italian,Miguel de Cervantes,Young adult literature,Verbal games,Translation,Theatre,Polysystem,Sicilian dialect,Baricco,Reception of Italian Literature,Leopardi,Italian translation into Spanish,Literary Translation,Adaptation in verse,Camilleri,Canti,Literature,Italian translation into Catalan,Odo of Cheriton,Libro de los Gatos,Dialect,Moralisation,Translation strategies
    Language: Italian , Spanish
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  • 85
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 86
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 87
    Publication Date: 2024-02-27
    Description: The rapid expansion of the agricultural frontier as a consequence of deforestation and anthropogenic changes worldwide is a matter of concern for the international scientific community. In addition, in the fight against climate change due to livestock farming, one of the main strategies for mitigating greenhouse gases is the use of sustainable alternatives if products with a high carbon footprint are used, while revaluing local resources. In the case of northern Ecuador, in spite of the limited soil fertility gradient, dairy and/or dual-purpose cattle raising represents one of the strongest links in the family economy. Therefore, it is necessary to investigate production alternatives that allow us to conserve natural resources given the fragility of these megadiverse ecosystems. This book shows that the use of conventional livestock systems degrades natural resources with significant losses in productivity, as well as low economic returns. Consequently, the implementation of silvopastoral systems as an easy-to-install technological alternative is undoubtedly the way to achieve more efficient and environmentally friendly livestock systems, while diversifying the economic income of the population.
    Description: Published
    Description: La rápida expansión de la frontera agrícola como consecuencia desmesurada de la deforestación y cambios antropogénicos a nivel mundial, es un tema de preocupación por la comunidad científica internacional. Además, frente a una lucha contra el cambio climático por efecto de la ganadería, una de las principales estrategias para la mitigación de gases de efecto invernadero, lo constituyen alternativas sostenibles si uso de productos con alta huella de carbono, revalorizando, además, los recursos locales. En el caso de la zona norte de Ecuador, a pesar de los limitados atributos respecto a gradiente de fertilidad de los suelos, la cría de ganado ya sea de leche y/o doble propósito representa uno de los eslabones más fuertes dentro de la economía de las familias. Por lo tanto, es menester investigar alternativas de producción que nos permitan conservar los recursos naturales dada la fragilidad de estos ecosistemas megadiversos. Mediante este libro se plasma que el uso de sistemas ganaderos convencionales, degradan los recursos naturales con mermas significativas de la productividad, así como bajo réditos económicos. En consecuencia, la implementación de sistemas silvopastoriles como alternativa tecnológica de fácil instalación, es sin duda el camino para alcanzar sistemas ganaderos más eficientes, amigables con el medio ambiente, diversificando además los ingresos económicos de la población.
    Keywords: Amazonia ; Emisión de gases de efecto invernadero ; Sistemas convencionales ; Sistemas silvopastoriles ; bic Book Industry Communication::R Earth sciences, geography, environment, planning
    Language: Spanish
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  • 88
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 89
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 90
    Publication Date: 2024-02-05
    Description: This article analyzes the advertising ethics handled by Ecuadorian companies, making a synthesis of the way in which the social responsibility of the entities or officials linked to their advertising practices is involved. This research is carried out due to the constant changes in advertising nowadays, with the objective of deepening how organizations in Ecuador disseminate advertising and how they direct them to interest groups showing social responsibility. For this, it is based on a methodology of bibliographic review being a qualitative research where data are collected to be evaluated from the general to the particular. Thus, the impact of advertising for product awareness and customer attraction that companies or enterprises currently use is observed from all business-commercial activities. In this sense, it is necessary to review the ethics in advertising, the approach to stakeholders, the management of social responsibility as well as its regulation within companies, in order to learn new advertising techniques and methods for companies to comply with responsibility to generate advertising strategies with an ethical approach.
    Description: Published
    Description: Este artículo analiza la ética publicitaria manejada por las empresas ecuatorianas, realizando una síntesis de la forma en que se involucra la responsabilidad social de las entidades o funcionarios vinculados con sus prácticas publicitarias. Esta investigación se lleva a efecto por los constantes cambios de la publicidad en nuestros días, con el objetivo de profundizar como las organizaciones en Ecuador difunden publicidad y como las direccionan a los grupos de interés mostrando una responsabilidad social. Para ello, se basa en una metodología de revisión bibliográfica siendo una investigación cualitativa donde se recogen datos para ser evaluados desde lo general a lo particular. Así se observa desde toda actividad empresarial-comercial el impacto de la publicidad para el conocimiento de productos y atracción de clientes que las empresas o emprendimientos utilizan actualmente. En este sentido se hace necesaria la revisión de la ética en la publicidad, el enfoque de los grupos de interés, el manejo de la responsabilidad social tanto como su regulación dentro de las empresas, con el fin de conocer nuevas técnicas publicitarias y métodos para que las empresas cumplan con responsabilidad para generar estrategias publicitarias con un enfoque ético.
    Keywords: Ética ; publicidad ; Responsabilidad social ; grupos de interés ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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  • 91
    Publication Date: 2024-04-07
    Description: Voltaire is one of the few European authors of the 18th century to have dealt with Korea. In this study, we first propose to highlight, through an analysis of all of his work, the texts in which he mentioned Korea and how this country is represented there. We will then try to identify his documentary sources, and we will focus mainly on how the author created stories from historical elements. Our survey also aims to understand Voltaire’s attitude to the historical-philosophical and dramatic genres, and to better understand his conception of these two genres.
    Keywords: Voltaire ; Korea ; Historiography ; Theatre ; thema EDItEUR::N History and Archaeology::NH History
    Language: French
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  • 92
    facet.materialart.
    Unknown
    Iberoamericana Vervuert
    Publication Date: 2024-03-27
    Description: This book addresses some of the most significant aspects of Miguel Delibes, such as his human dimension, the presence of nature in his works, the projection of the historical context and society in his narrative, or the connections between his literary portraits and the pictorial ones. Thanks to the variety of approaches inherent to research in different disciplines, each chapter takes on the challenge of completing the analyzes known to date in a certain area. The personal testimonies about the writer are followed by a study of differential lexicon, that is, of voices not included in academic dictionaries, but commonly used in certain contexts, specifically that of hunting; Along with this, a comparative analysis regarding the fauna and flora present in several novels from different periods. The semiotic method serves as a basis to delve into the social and family background implicit in one of his best-known stories, The Dethroned Prince, and in its corresponding film version, while the historiographic resources have made it possible to identify and explain real events of national and cultural significance. international reflected in both supports. Various instruments of artistic research are also brought together for the examination of the drawings and literary portraits of the Valladolid author.
    Keywords: Miguel Delibes, interdisciplinary criticism, national literary figure creation, 20th century ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000
    Language: Spanish
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  • 93
    facet.materialart.
    Unknown
    Finnish Literature Society / SKS
    Publication Date: 2024-01-04
    Description: This book is the first Finnish-language collection of research on superdiversity. At the core of the book is the growing migration to Finland since the turn of the 1990s and its numerous effects on Finnish society. The interdisciplinary examination of superdiversity is important at the current moment: Finland as a society has reached the point where certain social categories, such as ethnic background, country of birth, mother tongue or gender, are not necessarily sufficient to understand the increased diversity and its consequences. The book consists of a comprehensive introduction to the topic and thirteen chapters. In Finland, research on superdiversity is carried out especially in critical sociolinguistics and applied language studies, education, cultural studies, social sciences, and urban studies. Therefore, these disciplines are strongly represented in the collection, and the chapters approach a variety of topics including refugees’ mental health, experiences of multilingual families, the diversity of education and working life, discursive practices in social media, issues of urban planning and pro-asylum activism.
    Keywords: diversity; superdiversity; migratory movement (demography); immigration; multilingualism; Finland ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies ; bic Book Industry Communication::J Society & social sciences::JN Education ; bic Book Industry Communication::J Society & social sciences ; bic Book Industry Communication::C Language::CF linguistics::CFB Sociolinguistics
    Language: Finnish
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  • 94
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    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: I contributi raccolti nel presente volume delineano lo stato dell’arte delle ricerche di linguistica slava svolte recentemente nell’ambito della slavistica italiana. I saggi sono dedicati a temi di morfologia, sintassi, semantica, lessicologia, pragmatica, sociolinguistica e didattica delle lingue slave, in ottica contrastiva, sincronica o diacronica, secondo quadri teorici e approcci metodologici di scuole e tradizioni diverse. La grande varietà dei temi trattati dagli autori, non solo italiani, è la più viva testimonianza della vivacità e della ricchezza che oggi permeano lo studio delle lingue slave in Italia e non solo.
    Keywords: Current Relevance,Russian Heritage Speakers,Slovene,Deixis,Czech language,Transfer,Locational,Negative Concord,Verb,Discourse/pragmatic markers, ved', Russian-Italian,Spatial metaphor,Italian,Czech,Present gerund,Passive voice,Competing inflectional case endings,Pragmatics,Nominative case,Background knowledge,Russian Renarrative markers,Manuscripts,Indefinite article,Fixed expression,Contrastive interlanguage analysis,Verbal aspect,17th century,Aktionsart,Conjunction chot’,Supralexical prefixes,Russian,Macedonian,Semantic shift,Articles,Verbs of motion,Oblique case,Slovo,Variation,Morphosyntactic structure,Saturday Russian Schools,Phraseology,Language standardisation,Aspectual pairs,Metaphor,Meta-linguistic analysis,Bulgarian,Spatial prefixes,Dynamic modality,Italian verb ‘fare’,Negative polarity items,Zonal inclusion,Language Learning,Slovo, the prefix iz-/vy-,Female referent,Indefiniteness,Scalar semantics,Slovenian,Neologisms,Comitative,Imperfective general-factual (IGF),Resian,Ved',Derivation,Delimitatives,Areal distribution,Non-paradigmatic imperative forms,Subjunctive complements,Metonymy,Resumption,Russian as a foreign language,Linguistic gender,Word formation,Běžati,Verbal mood,Anglicism,L2 Russian,With-phrase,Alienable,Factual meaning,Location-possession,Polish,Derivational models,Heritage Languages,Nonce compounds,Semantics,Aspect,Dialects,Litoral dialect,Part-of-speech affiliation,Albanian,Natural gender,Contrastive Interlanguage Analysis,Syntactic idioms,Truthfulness,Vocabulary articles,Learner corpus,Grammaticalization,Romance languages,Syntactic environment,Corpus-based contrastive analysis,Evidentiality,Resultative constructions,Relative Introducers,Croatian,Morphosyntax,Ukrainian,Linguistic minorities,Verbal lexicon,Minimizers,Tense,Negative indefinites,Old-Russian language,Discourse/pragmatic markers,Bilingualism and Migration,Contrastive studies,Morphology,Slavic languages,Perfective,Language planning,Past gerund,Slavic aspect,Evaluation,Present participle,Secondary borrowing,Negation,Irrealis,Predicative possession,Syntax,Non-past,Actionality,Distance,Intensification,Internet linguistics,Support (light) verb constructions,Productivity,Gradual verbs,Russian-Italian contrastive analysis,Inalienable,Contemporary Russian,Corpus,Modal logic,Modality of strong obligation,Linguistic coding,Taboo words,Restrictive/non-restrictive,Vocative case,Emotion verbs,International recognition,The prefix iz-/vy-,Deadjectival verbs,Grammatical aspect,Clausal mood,Translation,Causation,Language Acquisition,Relative Clauses,Derogatory words,Intercomprehension,Slavonic,Mood and modality,Suffixation,Telicity,Parallel corpora,Prepositions,Analogy,Neologism,Causative verbs,Neosemy,Lexicography,Discontinuous past,Prefixes,Molise Slavic,Colloquial Slovenian,Iintensification,Early East Slavic language,Preposition,Semantic Roles,Numeral one,Mood and moality,Aorist,Perfect,Slavic languages (Serbian, Polish, Bulgarian),Etiquette formulas
    Language: Russian , English , Italian
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  • 95
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 96
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 97
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 98
    Publication Date: 2024-03-30
    Description: The book presents an in-depth exploration of the relationship between food and human evolution. It begins by deciphering the dietary changes of early hominids and how these changes influenced their physical and cognitive development, from dentition to increased brain size. It then analyzes the cultural and socio-political influence on diet in ancient civilizations such as Egypt, Rome and China. It highlights food in pre-Columbian cultures, highlighting agricultural diversity, sustainable practices and the cosmic connection with the earth. It also addresses the Industrial Revolution and how it transformed food patterns, leading to health problems in modernity. It also discusses the "green revolution" and technologies to improve food production. And finally, it explains sustainability in food systems and innovations for the future, such as laboratory meat and insect-based nutrition. The book concludes by recognizing nutrition as a multidisciplinary science, which seeks to ensure health and quality of life. This work is the result of a collective effort of academics seeking to understand human nutrition from its origins to the present.
    Description: Published
    Description: El libro presenta una exploración profunda de la relación entre la alimentación y la evolución humana. Inicia descifrando los cambios dietéticos de los primeros homínidos y cómo estos cambios influenciaron su desarrollo físico y cognitivo, desde la dentición hasta el aumento del tamaño cerebral. Luego analiza la influencia cultural y sociopolítica en la dieta de antiguas civilizaciones como Egipto, Roma y China. Se destaca la alimentación en culturas precolombinas, resaltando la diversidad agrícola, sus prácticas sostenibles y la conexión cósmica con la tierra. Aborda también, la Revolución Industrial y cómo transformó los patrones alimentarios, llevando a problemas de salud en la modernidad. También se discute la "revolución verde" y las tecnologías para mejorar la producción alimentaria. Y finalmente se explica sobre la sostenibilidad en los sistemas alimentarios y las innovaciones para el futuro, como la carne de laboratorio y la nutrición basada en insectos. El libro concluye reconociendo la nutrición como una ciencia multidisciplinaria, que busca garantizar la salud y calidad de vida. Esta obra es el resultado de un esfuerzo colectivo de académicos que buscan entender la alimentación humana desde sus orígenes hasta el presente.
    Keywords: Evolución ; Culturas antiguas ; Revolución Industrial ; Sostenibilidad ; Nutrición ; thema EDItEUR::M Medicine and Nursing
    Language: Spanish
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  • 99
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación | Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación ; IdIHCS
    Publication Date: 2024-04-01
    Description: Published
    Description: Un país para los porteños propone un panorama renovado y plural sobre la experiencia del Estado de Buenos Aires al asumir libremente el ejercicio de su soberanía interior y exterior (1852-1861) en el proceso de construcción del Estado nacional argentino. El objetivo es facilitar una mayor comprensión de los intensos y complejos procesos acaecidos a mediados del siglo XIX que permiten señalar particularidades del Estado de Buenos Aires, sin dejar de considerar los enfrentamientos armados y demás interrelaciones con la Confederación Argentina y las agencias indígenas. Con esa finalidad, quince investigadores elaboraron síntesis argumentativas, estados de la cuestión e investigaciones específicas, desde sus respectivas especialidades, sobre: las provincias y la Confederación Argentina; la rebelión rural y federal de 1852; la condición estatal de Buenos Aires; la renovación política en las gobernaciones; los entramados jurídico-político-institucionales en la campaña; los procesos eleccionarios; las fuerzas armadas de Buenos Aires; las alternativas indígenas; la población, fiscalidad, economía y política de tierras; las mujeres de la Sociedad de Beneficencia; la prensa en la política; la cuestión religiosa; y las formas de construcción de una identidad porteña como comunidad imaginada.
    Keywords: thema EDItEUR::N History and Archaeology::NH History
    Language: Spanish
    Format: image/jpeg
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  • 100
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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