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  • Spanish  (4,252)
  • Portuguese  (2,173)
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  • 201
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    Chapter La Chiesa di Piedigrotta a Pizzo. Due modalità di rappresentazione per guardare attraverso (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 202
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    Chapter Geometrie e transizioni dal paesaggio all’architettura: l’abitare a Lignano per Marcello D’Olivo (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 203
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    Chapter Del óleo al gouache. Los dibujos de Sorolla en Nueva York (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 204
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    Imperiales esperpentos ibéricos (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Lo grotesco, como categoría transtemporal, en la versión contemporánea del grotesco esperpéntico, es el principal tema teórico de este libro. Con una perspectiva comparatista, nos acercamos a la novela As Naus (Las naves), de António Lobo Antunes (1988), a partir de Tirano Banderas. Novela de tierra caliente, de Ramón del Valle-Inclán (1927). Dos obras en las cuales el modo de representación es el grotesco esperpéntico, modo literario deconstructor de los poderes institucionalizados, de la historia oficial y de los héroes canonizados, mediante un proceso de heteromímesis que critica, en contrarrepresentación, los discursos fictivos o ficcionalizantes de los discursos oficiales.
    Keywords: Esperpento,Deconstruction,Iberism,Grotesque,Metaphor,Novel,Literary Theory
    Language: Italian , Spanish
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  • 205
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    Chapter Considerazioni sulla produzione teatrale di Gabriele D’Annunzio illustrata da caricature (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 206
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    Chapter Imaging the Cultural Landscapes of Remote Areas. Storytelling, Fragilities and Future Scenarios (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 207
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    Fronteiras da engenharia e ciências ambientais (2024)
    Fundação Editora da UNESP | Fundação Editora da UNESP
    Details
    Publication Date: 2024-04-11
    Description: Os impactos ambientais decorrentes da ação humana têm se tornado cada vez mais evidentes e intensos, comprometendo o equilíbrio dos ecossistemas e a disponibilidade dos recursos naturais. Nesse contexto, os aspectos sociais e econômicos amplificam a complexidade da tomada de decisões rumo ao desenvolvimento sustentável. Nesse cenário desafiador, as áreas de Engenharia e de Ciência Ambiental são fundamentais para produzir conhecimento e tecnologias capazes de conciliar a proteção ambiental com o bem-estar social e o desenvolvimento econômico. Este livro reúne contribuições de pesquisadores atuantes em diversos campos daquelas duas disciplinas, sendo direcionado, principalmente, para profissionais e alunos de pós-graduação. Além de apresentar aspectos atuais e relevantes dessas áreas, a obra fornece ao leitor uma experiência multidisciplinar da engenharia e da ciência ambiental, destacando a necessidade de integração entre diversas esferas de conhecimento na busca pelo ideal do desenvolvimento sustentável.
    Keywords: Environmental science, engineering and technology ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TQ Environmental science, engineering and technology
    Language: Portuguese
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  • 208
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    Chapter L’ultima dimora di Pino Zac: documentazione e valorizzazione digitale di uno studio d’artista (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 209
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    Chapter Shin Takamatsu e l’origine di un disegno (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 210
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    Proposições e novos olhares ao ensino de ciências (2024)
    Editora da Universidade Federal da Fronteira Sul | Editora da Universidade Federal da Fronteira Sul
    Details
    Publication Date: 2024-03-29
    Description: Esta obra descreve situações práticas e estudos sobre a sala de aula que permitem elaborar sentidos e significados sobre o ensino de Ciências, relacionando os pressupostos, os conteúdos, as concepções, os pensamentos e as representações sobre ele. Esse cenário produz, principalmente, um conjunto de hipóteses e de conceitos que possibilita interpretar, qualificar e compartilhar as teorias e novas estratégias úteis para a sala de aula. Oportuniza também o apoio à divulgação científica, cujas discussões convidam para a investigação de novos objetos de pesquisa, os quais aprofundam a temática sobre os currículos por meio de debates que consideram abordagens de ensino planejadas ou desenvolvidas na sala de aula. “Proposições e novos olhares ao Ensino de Ciências” estrutura-se em duas partes. Na primeira parte, articulam-se teorias de aprendizagem e de linguagem com as práticas das salas de aula, enfatizando objetos de estudo que permitem a interpretação dos fenômenos educacionais e abordagens que visam a melhoria do ensino e da aprendizagem. Na segunda, apresentam-se investigações que analisam os desdobramentos no uso de livros didáticos, da avaliação e de abordagens de ensino. Também se enfatiza como os temas sociocientíficos são relevantes para o planejamento curricular, para a experimentação e para incorporar a diversidade cultural na educação científica. Trata-se do segundo volume da Coleção Ensino de Ciências, organizada pelos pesquisadores Roque Ismael da Costa Güllich, Rosangela Inês Matos Uhmann e Rosemar Ayres dos Santos.
    Keywords: Teacher training ; bic Book Industry Communication::J Society & social sciences::JN Education::JNM Higher & further education, tertiary education::JNMT Teacher training ; thema EDItEUR::J Society and Social Sciences::JN Education::JNM Higher education, tertiary education::JNMT Teacher training
    Language: Portuguese
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  • 211
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    Aprendizaje Activo y Participativo en el Aula (2024)
    Instituto de Investigación y Capacitación Profesional del Pacífico - IDICAP PACÍFICO
    Details
    Publication Date: 2024-03-10
    Description: En el panorama educativo actual, la búsqueda de métodos de enseñanza que promuevan el compromiso, la participación y el aprendizaje significativo de los estudiantes es una prioridad constante. En este contexto, el aprendizaje activo y participativo en el aula se erige como un enfoque pedagógico fundamental que desafía el paradigma tradicional de la educación pasiva y unidireccional. Este libro universitario, titulado "Aprendizaje Activo y Participativo en el Aula", está diseñado para proporcionar a educadores, estudiantes y profesionales de la educación una comprensión profunda y práctica de este enfoque transformador. Desde la sala de clases hasta los entornos virtuales de aprendizaje, el aprendizaje activo y participativo se basa en la premisa fundamental de que los estudiantes son agentes activos en su propio proceso de aprendizaje. Este enfoque fomenta la interacción, la colaboración y el compromiso profundo con los contenidos, permitiendo a los estudiantes construir conocimiento de manera significativa y aplicarlo en contextos relevantes para sus vidas y futuras carreras. Este libro aborda una amplia gama de temas relacionados con el aprendizaje activo y participativo, incluyendo los fundamentos teóricos subyacentes, estrategias de enseñanza efectivas, tecnologías educativas innovadoras y métodos de evaluación auténtica. Ya sea para un educador experimentado en busca de nuevas ideas y enfoques pedagógicos, un estudiante universitario interesado en maximizar su experiencia de aprendizaje, o un profesional de la educación comprometido con la mejora continua, este libro ofrece recursos valiosos y perspectivas únicas para potenciar el aprendizaje activo y participativo en el aula. A través de la colaboración, la reflexión y la innovación, podemos transformar la experiencia educativa y preparar a los estudiantes para enfrentar los desafíos del mundo en constante cambio en el que vivimos.
    Description: Published
    Keywords: educación ; aprendizaje ; aprendizaje activo ; bic Book Industry Communication::J Society & social sciences::JN Education
    Language: Spanish
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  • 212
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    Música de museu (2024)
    Editora da Universidade do Estado de Minas Gerais | Editora UEMG
    Details
    Publication Date: 2024-03-24
    Description: O livro promove uma reflexão sobre a perspectiva museológica, a partir das funções museais de preservação, pesquisa e comunicação, em diálogo com a musicologia. Propõe uma aproximação entre os conceitos de música e museu, aplicando essa análise ao Núcleo de Acervos da Escola de Música da UEMG. Dessa forma, é apresentada uma nova forma de atuação em acervos musicais, principalmente quanto à comunicação do patrimônio, em suas vertentes material e imaterial.
    Keywords: Music ; thema EDItEUR::A The Arts::AV Music
    Language: Portuguese
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  • 213
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    Clima organizacional y gestión académica del docente de la Universidad Técnica “Luis Vargas Torres” de Esmeraldas sede Santo Domingo (2024)
    Editorial Grupo AEA | Análisis Científico de la Ética desde la Perspectiva Multidisciplinaria
    Details
    Publication Date: 2024-01-30
    Description: Organizational behavior is somewhat unpredictable due to the very different personalities of the individuals working in the same institution such as universities, being necessary a method to regulate behavior while complying with legal requirements established by the governing bodies of higher education. The objective of this article is to analyze the organizational behavior and the performance of the teachers of the Technical University Luis Vargas Torres of Esmeraldas, Santo Domingo Campus, in order to improve the efficiency with which the processes are carried out and to comply with the institutional objectives by establishing guidelines for the conduct of teachers. As for the methodology used, the bibliographic review method was chosen by searching for information through books, scientific and academic articles. In the discussion, deficiencies in the instability of organizational behavior are evidenced, thus affecting performance and the application of new practices in the institution. The results indicate that there is a direct relationship between leadership and organizational behavior in the educational environment leading to the conclusion that the implementation of actions to generate a positive organizational behavior in pedagogical management allows the creation of an environment with better communication, focus and performance improvement, which allows the growth of the establishment.
    Description: Published
    Description: El comportamiento organizacional es algo impredecible debido a las personalidades tan distintas de los individuos que trabajan en una misma institución como las universidades, siendo necesario un método para regular la conducta mientras se cumple con exigencias legales establecidas por los órganos rectores de educación superior. En el presente artículo se tiene como objetivo analizar el comportamiento organizacional y el desempeño de los docentes de la Universidad Técnica Luis Vargas Torres de Esmeraldas Sede Santo Domingo con el fin de mejorar la eficacia con la que se realizan los procesos y dar cumplimiento a los objetivos institucionales al establecer lineamientos para la conducta de los docentes. En cuanto a la metodología utilizada se optó por el método de revisión bibliográfica al realizar búsqueda de información por medio de libros, artículos científicos y académicos. En la discusión se evidencia deficiencias en la inestabilidad del comportamiento organizacional afectando así el rendimiento y la aplicación de nuevas prácticas en la institución. Los resultados indican que existe relación directa entre el liderazgo y el comportamiento organizacional en el ámbito educativo llevando a la conclusión de la implementación de acciones para generar un comportamiento organizacional positivo en la gestión pedagógica permiten crear un ambiente con mejor comunicación, focalización y la mejora del desempeño las cuales permiten el crecimiento del establecimiento.
    Keywords: Comportamiento organizacional ; desempeño ; docentes ; administración ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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  • 214
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    Habilidades interpersonales: de la teoría a la práctica (2024)
    Instituto de Investigación y Capacitación Profesional del Pacífico - IDICAP PACÍFICO
    Details
    Publication Date: 2024-03-10
    Description: Es inevitable interactuar con otras personas en muchos ámbitos, situaciones y aspectos de la vida, sobre todo en los niveles personal y profesional. Manejar, dominar y sobrellevar nuestras habilidades interpersonales nos ayudan a tener una comunicación más beneficiosa con los demás, a expresar mejor lo que necesitamos decir y a entender lo que se nos quiere comunicar;, por lo tanto, a relacionarnos mejor y efectivamente con otro ser humano; es decir, con otro profesional, autoridad, compañero de trabajo y hasta amigo y familiar. Las habilidades interpersonales forman un conjunto de comportamientos y hábitos necesarios para garantizar una adecuada interacción, mejorar las relaciones personales y alcanzar los objetivos de la comunicación; es decir, transmitir o recibir correctamente un mensaje, una información o una orden; son útiles para construir equipos de trabajo eficientes y mejorar las bases de la comunicación interna. Por otro lado, saberse desenvolver en estas habilidades interpersonales, sobre todo en el plano de la educación superior posibilita enormemente el trabajo de aprendizaje por el efecto de bienestar en el desarrollo de su actividad, de su quehacer diario. En ese entender, nos permite establecer vínculos y relaciones estables y efectivas con las personas; es así que su desarrollo implica la capacidad de reconocer nuestras emociones y las de los demás, así como la posibilidad de saber regularlas en las relaciones con los otros. Para los fines señalados, este texto permitirá conocer, de manera muy práctica, a través de la propuesta de sesiones de aprendizaje y marco teórico respectivo, cómo trabajar, aporta, desarrollar habilidades interpersonales en la comunidad educativa universitaria.
    Description: Published
    Keywords: educación ; universidad ; habilidades interpersonales ; bic Book Industry Communication::J Society & social sciences::JN Education
    Language: Spanish
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  • 215
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    El Modelo Kaizen en el sector público (2024)
    Editorial Grupo AEA
    Details
    Publication Date: 2024-01-30
    Description: Public sector institutions must meet the needs of their users, which is why they are controlled by different governmental entities and comply with different legal regulations. Under this approach different methodologies for efficiency and effectiveness arise, the book responds to a "Kaizen" model but under the governmental methodology of Government by Results. The model presented uses quality tools such as identification of the mudas that correspond to waste, application of the 5s, which is a methodology applied to cleanliness, order, planning, safety and self-discipline, these two tools under a PHVA scheme that is nothing more than the process of planning, doing, verifying and acting. In order to apply this model, data must be obtained from the processes and activities, with which we have a background and can measure the fulfillment of institutional objectives.
    Description: Published
    Description: Las instituciones del sector público deben acogerse a las necesidades emanadas por sus usuarios, por esto son controladas por diferentes entidades gubernamentales y cumplen diferentes normativas legales. Bajo este enfoque surgen diferentes metodologías para la eficiencia y eficacia, el libro responde a un modelo “Kaizen” pero bajo la metodología gubernamental de Gobierno por Resultados. El modelo presentado utiliza herramientas de calidad como identificación de las mudas que corresponden a los desperdicios, aplicación de las 5s que es una metodología aplicada a la limpieza, orden, planificación, seguridad y autodisciplina, estas dos herramientas bajo un esquema PHVA que no es más que el proceso de planificar, hacer, verificar y actuar. Para poder aplicar este modelo se debe obtener datos de los procesos y actividades, con lo cual se tiene un antecedente y poder medir el cumplimiento de los objetivos institucionales
    Keywords: Kaizen ; Mejora continua ; Calidad ; Sector Público ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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    Transizioni = Transitions (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions; Cross; Modulate; Develop; Drawing; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: English , Italian , Spanish
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    Importancia de los principios éticos en los negocios globales (2024)
    Editorial Grupo AEA | Resultados Científicos de la Investigación Multidisciplinaria desde la Perspectiva Ética
    Details
    Publication Date: 2024-02-05
    Description: Global businesses are of vital importance, both for those who carry them out, as well as for those who benefit indirectly from them. International multi-million dollar agreements or contracts can affect the economy of a nation. Being the companies the main actors and key point for the national economy, therefore, this research aims to demonstrate the importance of ethical principles in global business, as well as business ethics is a basic requirement, in this way to obtain good results with passing of the times. The project is based on a literature review methodology where critical points of view are supported by specific cases from various documented sources, such as the omission or implementation of business ethics and its influence on success, as well as the failure of a company. In the analysis of the results, it can be seen that companies from countries such as Ecuador, Costa Rica, Chile, Peru, Panama, Paraguay and Colombia increasingly adopt ethical principles, looking beyond economic benefit by creating an environment of trust with society, complying with objectives of sustainable development, which in turn have a positive impact allowing the fulfillment of organizational goals.
    Description: Published
    Description: Los negocios globales son de vital importancia, tanto para los que lo realizan, así como para los que se benefician de manera indirecta con estos, los convenios o contratos multimillonarios internacionales pueden afectar a la economía de una nación. Siendo así las empresas los principales actores y punto clave para la economía nacional por ello esta investigación pretende demostrar la importancia de los principios éticos en los negocios globales, también como la ética empresarial es un requerimiento básico, de esta manera obtener buenos resultados con el pasar de los tiempos. El proyecto está basado en una metodología de revisión bibliográfica donde los puntos de vista críticos son sustentados en casos puntuales de varias fuentes documentadas, como son la omisión o la implementación de la ética empresarial y su influencia en el éxito, así como del fracaso de una compañía. En el análisis de los resultados se aprecia que empresas de países como Ecuador, Costa Rica, Chile, Perú, Panamá, Paraguay y Colombia adoptan cada vez más los principios éticos viendo más allá del beneficio económico al crear un ambiente de confianza con la sociedad cumpliendo con objetivos del desarrollo sostenible, los cuales a su vez impactar de manera positiva permitiendo cumplir con las metas organizacionales.
    Keywords: Principios éticos ; metas organizacionales ; desarrollo sostenible ; empresas ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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    Chapter Le fortificazioni bastionate capuane. Ricostruzione e rappresentazione degli assetti difensivi (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Digitalizzazione del patrimonio archeologico: procedure H-BIM per lo scavo della chiesa di San Sisto (Pisa) (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-07
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Investigación aplicada: creando cultura investigativa desde los programas académicos (2024)
    Corporación Universitaria Americana | Corporación Universitaria Americana
    Details
    Publication Date: 2024-01-19
    Description: In the era of information and knowledge, educational institutions must constantly evolve to prepare their students for the challenges and opportunities that arise in an ever-changing world. The American University Institution has stood out for its unwavering commitment to academic excellence and the integral formation of its students, and this book, "Applied Research: American University Institution's commitment to strengthen the research culture from the Academic Programs," produced by Professor Hernán Hernández Belaides, is a testimony of that commitment. Today it is clear to recognize that research is the engine that drives the advancement of knowledge, innovation and progress in society. In the academic context, Research Semilleros are vital spaces where students can enter the exciting world of inquiry, experimentation and discovery. These workshops not only foster critical thinking, problem solving and creativity, but also contribute significantly to students' professional training, preparing them to face the challenges of a competitive job market.
    Description: Published
    Description: En la era de la información y el conocimiento, las instituciones educativas deben evolucionar constantemente para preparar a sus estudiantes para los desafíos y oportunidades que se presentan en un mundo en constante cambio. La Institución Universitaria Americana se ha destacado por su compromiso inquebrantable con la excelencia académica y la formación integral de sus estudiantes, y este libro, "Investigación aplicada: apuesta de la Institución Universitaria Americana para fortalecer la cultura investigativa desde los Programas Académicos," producido por el profesor Hernán Hernández Belaides, es un testimonio de ese compromiso. Hoy día es claro reconocer que, la investigación es el motor que impulsa el avance del conocimiento, la innovación y el progreso en la sociedad. En el contexto académico, los Semilleros de Investigación son espacios vitales donde los estudiantes pueden adentrarse en el emocionante mundo de la indagación, la experimentación y el descubrimiento. Estos semilleros no solo fomentan el pensamiento crítico, la resolución de problemas y la creatividad, sino que también contribuyen significativamente a la formación profesional de los estudiantes, preparándolos para enfrentar los retos de un mercado laboral competitivo.
    Keywords: Investigación ; Educación ; Reflexiones ; J
    Language: Spanish
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    Chapter Un’installazione di video mapping per la valorizzazione del Teatro Farnese di Parma (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Periurbano hortícola del Gran La Plata (2024)
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación | Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación ; IdIHCS
    Details
    Publication Date: 2024-02-19
    Description: Published
    Description: Este libro se propone compendiar un conjunto de investigaciones que describen, analizan y reflexionan acerca de las tramas socioculturales y productivas actuales del periurbano hortícola platense. Se divide en 4 bloques: ambiente, modelo productivo, educación y dinámicas socioculturales. Parte de un abordaje interdisciplinar pero que en su heterogeneidad coinciden en un fuerte sesgo cualitativo de análisis. En el bloque ambiente se presentan investigaciones que ponen el foco en dos temas recurrentes: el problema del agua y el uso de agroquímicos. El segundo bloque compendia tres reflexiones en torno a la esfera productiva: las posibilidades de los modelos productivos alternativos a la forma de producción hegemónica; los circuitos cortos de comercialización y, el rol de las jóvenes generaciones de horticultores/as en torno a la agroecología. El bloque sobre educación presenta tres investigaciones acerca de las trayectorias educativas de jóvenes y adultos productores hortícolas: su paso por las instituciones educativas de la región, así como sus sentires y experiencias. Por último, el cuarto bloque denominado socio-cultural reúne tres investigaciones que reflexionan acerca de los lazos sociales, las dinámicas interculturales y las condiciones de vida aportando una mirada de género al análisis.
    Keywords: Horticultura ; Agroecología ; Modelo productivo ; Dinámica sociocultural ; bic Book Industry Communication::J Society & social sciences ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RG Geography ; bic Book Industry Communication::1 Geographical Qualifiers::1K The Americas::1KL Latin America::1KLS South America::1KLSA Argentina
    Language: Spanish
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    Actos y grados de la Universidad de Orihuela en el siglo XVIII (2024)
    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Details
    Publication Date: 2024-04-16
    Description: This book contains a set of materials on the University of Orihuela in the Eighteenth Century. Based on the books of Acts and Degrees, a factitious “chronicle” of University life and a detailed record of collated degrees have been produced. The book concludes with an appendix of Rectors, Professors, Doctors and other people.
    Description: Published
    Description: Este libro contiene un conjunto de materiales sobre la Universidad de Orihuela en el siglo XVIII. A partir de los libros de Actos y Grados, se ha realizado una “crónica” facticia de la vida universitaria y un registro detallado de los grados colacionados. La obra concluye con un apéndice de Rectores, Catedráticos, Doctores y Personal.
    Keywords: Orihuela ; University ; Eighteenth Century ; Degrees ; Acts ; Universidad ; Siglo XVIII ; Grados ; Actas ; bic Book Industry Communication::L Law ; bic Book Industry Communication::H Humanities::HB History
    Language: Spanish
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    Chapter Oltre il visibile: dispositivi lenticolari per i beni culturali tra fotografia e diagnostica (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Programación Web del Frontend al Backend (2024)
    Editorial Grupo AEA
    Details
    Publication Date: 2024-04-14
    Description: In this book the fundamentals of web programming were investigated, as well as the essential technologies to create web applications, such as HTML and CSS. The basic concepts of Frontend programming using the JavaScript programming language were documented, and the concepts of Backend programming using the PHP programming language were also documented. This book aims to get involved in web programming starting with the study of Frontend to Backend with the basic concepts, codes and examples, using free programming technologies accessible to any student, to create dynamic applications with database access. As a result, it was obtained that it is possible to create complex web applications using current free technologies, with a nice design, designing it easily with a CSS Framework such as Bootstrap, and using JQuery as a library to quickly create applications with JavaScript. PHP was also used because it is one of the most used languages to create applications connected to MySQL databases.
    Description: Published
    Description: En este libro se investigó los fundamentos de la programación web, así como las tecnologías esenciales para lograr crear aplicaciones web, tales como HTML y CSS. Se documentó los conceptos básicos de la programación Frontend utilizando el lenguaje de programación JavaScript, se documentó también los conceptos de la programación Backend utilizando el lenguaje de programación PHP. Este libro tiene como objetivo involucrarse en la programación web iniciando con el estudio del Frontend hasta el Backend con los conceptos básicos, códigos y ejemplos, utilizando tecnologías de programación gratuitas accesibles para cualquier estudiante, para llegar a crear aplicaciones dinámicas con acceso a base de datos. Como resultado se obtuvo que se puede llegar a crear aplicaciones web complejas utilizando tecnologías actuales gratuitas, con un diseño agradable, diseñándolo fácilmente con un Framework CSS como Bootstrap, y utilizando JQuery como una librería para crear rápidamente aplicaciones con JavaScript. Se utilizó además PHP por ser uno de los lenguajes más utilizados para crear aplicaciones conectadas a bases de datos MySQL.
    Keywords: Programación Web ; Frontend ; Backend ; thema EDItEUR::U Computing and Information Technology
    Language: Spanish
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    Theodoro de Moraes na história da alfabetização no Brasil (2024)
    Editora UNESP | Editora UNESP
    Details
    Publication Date: 2024-04-03
    Description: Esta obra discute a contribuição do educador paulista Theodoro de Moraes (1877-1956) para a disseminação da assim denominada “pedagogia moderna” no Brasil, tanto por meio de sua atuação em cargos e funções no magistério como de sua produção ensaística e pedagógica, extremamente prolífera. Além de participar da produção de documentos oficiais, Moraes elaborou artigos para periódicos, textos de literatura infantil, livros, cartilhas e ainda foi tradutor e conferencista. O educador, de acordo com a autora, defendia com ênfase o ensino da leitura para crianças e para adolescentes e adultos, pelo chamado método analítico, um componente essencial da pedagogia moderna e que se destaca pela busca da praticidade e o uso da intuição. Por este método, o ensino deve ser gradual, completo e contínuo, de modo a favorecer a atividade individual do aluno. O processo de ensino seguiria, dessa forma, “do mais simples para o mais complicado” e avançaria “passo a passo”. O educador prescrevia ainda prática e exercícios constantes e o uso comedido das regras durante o transcorrer das atividades didáticas. Muito graças a Moraes, o método analítico para o ensino inicial da leitura – que se tornara oficial para as escolas primárias do estado de São Paulo entre o fim do século 19 e o início do século 20 – teve um inegável revigoramento e deixaria marcas indeléveis na educação do país.
    Keywords: Biography: general
    Language: Portuguese
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    Deporte, salud mental y alimentación en tiempos de pandemia por COVID-19 (2024)
    Editorial Univerdidad Mariana | Editorial Univerdidad Mariana
    Details
    Publication Date: 2024-01-09
    Description: ¿Qué pasará mañana?, ¿cuándo terminará esto?, ¿me enfermaré?, ¿les pasará algo a mis seres queridos?, ¿podré mantener mi empleo?, ¿qué pasará con mis estudios?, ¿será éste el fin de todo?, ¿cómo debo cuidarme?, ¿cómo cuido de los que amo y aprecio? Éstas son algunas de las preguntas e inquietudes que han surgido en cada ser humano del planeta Tierra durante la pandemia por COVID-19; el coronavirus lo cambió todo y a todos. Teniendo un pensamiento muy racional del comportamiento humano y social, es entendible que, ante cualquier crisis como la que se vive actualmente, las personas respondan y actúen de diversas maneras; habrá quienes se vean afectadas negativamente, así como otras que pueden centrarse en su desarrollo individual, con una conciencia ligada a una buena actitud que puede producir resultados positivos y así, enfrentar la adversidad.
    Keywords: Psychiatric and mental disorders ; bic Book Industry Communication::M Medicine::MM Other branches of medicine
    Language: Spanish
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    Arqueología y aleteiología (2024)
    Logos Verlag Berlin | Logos Verlag Berlin
    Details
    Publication Date: 2024-04-08
    Description: El presente volumen reúne catorce estudios publicados entre 1994 y 2014, en revistas especializadas de Europa y Latinoamérica. Los estudios abordan diferentes aspectos del pensamiento heideggeriano, tal como éste se desarrolla desde 1919 hasta comienzos de los años '30. Aunque no pueden verse como capítulos de una monografía unitaria, están estrechamente relacionados y se agrupan en torno de tres ejes temáticos fundamentales, claramente definidos, a saber: el vinculado con el carácter metódico de la concepción elaborada por Heidegger, el vinculado con su orientación básica a partir de la noción de verdad, en el sentido trascendental que alude a la apertura del ente a la comprensión, y el vinculado con la teoría del significado y el juicio, dentro del contexto polémico provisto por las principales concepciones elaboradas en la filosofía de la lógica alemana de fines del siglo XIX y comienzos del XX. Alejandro G. Vigo es Profesor Ordinario del Departamento de Filosofía e Investigador Principal del Instituto Cultura y Sociedad, de la Universidad de Navarra (Pamplona, España). Desde 2006 es Miembro Titular del Institut International de Philosophie (Francia). En 2010 recibió el Premio ``Friedrich Wilhelm Bessel'', concedido por la Fundación Alexander von Humboldt, en reconocimiento a su trayectoria en la investigación.
    Keywords: Philosophie ; Phänomenologie ; Hermeneutik ; Ontologie ; Heidegger ; bic Book Industry Communication::H Humanities::HP Philosophy ; bic Book Industry Communication::H Humanities::HR Religion & beliefs ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs
    Language: Spanish
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    Estéticas de la tierra en América Latina (2024)
    Iberoamericana Vervuert
    Details
    Publication Date: 2024-04-15
    Description: In the framework of the global socioecological crisis, the figure of the earth is presented as an alternative paradigm to the anthropocentric model. The essays collected in this volume explore material, discursive, cultural, and literary manifestations related to land in Latin America from the 19th century to the present. Focusing attention on a specific geopoetic space and, based on a situated epistemology, these essays debate alternative imaginaries against the system of Western modernity.
    Keywords: Ecocriticism, Anthropocene, interartistic criticism, 19th-21st centuries ; thema EDItEUR::1 Place qualifiers::1K The Americas::1KL Latin America – Mexico, Central America, South America ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::A The Arts::AT Performing arts::ATM Film, television, radio and performing arts genres ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100::3MRB Early 21st century c 2000 to c 2050
    Language: Spanish
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    No limiar do desconhecido (2024)
    Editora UNESP | Editora UNESP
    Details
    Publication Date: 2024-04-03
    Description: Tadeusz Kantor (Polônia, 1915-1990) foi um dos mais importantes homens do teatro do século XX, e seu trabalho, fortemente influenciado pelas artes plásticas, principalmente pelas vanguardas do início do século passado (Construtivismo, Bauhaus, Dadaísmo, Surrealismo, Expressionismo). Seu teatro é marcado pela ocorrência de imagens fortes e perturbadoras, principalmente a partir da encenação de A classe morta (1975). Entre os vários elementos de sustentação, os objetos (sejam reais, cotidianos ou construídos exclusivamente para finalidade cênica) transpassam toda a sua obra. No entanto, Kantor nunca explicou satisfatoriamente essa ocorrência em seu teatro. Nesse sentido, este livro trata da reflexão sobre o objeto no teatro de Kantor, tendo como tema central a demonstração do objeto como elemento responsável pela criação de outra realidade de tempo e espaço onde seus espetáculos acontecem.
    Keywords: Theatre studies
    Language: Portuguese
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    Chapter Disegno come transizione tra storia e progetto: note su una continuità romana (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    El Próximo Oriente antiguo y el Egipto faraónico en España y Portugal (2024)
    Publicacions i Edicions de la Universitat de Barcelona
    Details
    Publication Date: 2024-04-02
    Description: La exploración de Oriente y Egipto estuvo dominada, entre los siglos XVIII y XIX, por las tres potencias de la época: Francia y, siguiendo su estela, Gran Bretaña y Alemania, que sentaron los fundamentos de la asiriología y la egiptología. A pesar del contexto poco favorable, tanto España como Portugal también hicieron esfuerzos —en general en intervenciones aisladas y personalistas— para contribuir a la investigación en estos ámbitos. Esta monografía reúne los estudios de una serie de especialistas hispanolusos realizados con el objetivo común de recuperar el legado de algunos de estos pioneros españoles y portugueses en el campo de las antigüedades orientales y egipcias, y de reivindicar el trabajo de las instituciones, los viajeros, los diplomáticos y los coleccionistas que abrieron el camino por el que hoy transitamos.
    Keywords: Egiptologia ; Assiriologia ; Arqueologia ; thema EDItEUR::N History and Archaeology::NH History::NHG Middle Eastern history
    Language: Spanish
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    Chapter Processi di transizione architettonica e culturale dell’isola di Hydra in Grecia (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Approcci multi-scalari per descrivere e comunicare il patrimonio campanario di Napoli (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Na trajetória das Letras (2024)
    Editora UFFS | Editora UFFS
    Details
    Publication Date: 2024-04-03
    Description: A coletânea de textos que constitui esta obra analisa, relata e compartilha as experiências acadêmicas vivenciadas pelo Curso de Letras ao longo dos dez primeiros anos de atuação. Ao abordar a própria experiência, são debatidos aspectos da formação superior, em especial nos cursos de licenciatura. A obra trata de questões históricas, como o desenvolvimento do ensino superior na região oeste de Santa Catarina, e de questões atuais, a exemplo das políticas de acessibilidade, ações afirmativas e curricularização da extensão. O público de interesse são as pessoas vinculadas à área de Letras e Linguística, assim como profissionais de demais áreas das Ciências Humanas, para as quais se apresentem problemáticas correlatas. “Na trajetória das Letras: reflexões sobre a construção coletiva da experiência acadêmica na UFFS”, constituído de 16 capítulos, em três partes – Programas de formação acadêmica e de inserção social do Curso de Letras, Projetos e políticas de ação pedagógica e A história e nosso futuro em Letras – tanto celebra os 10 anos do Curso de Letras – Campus Chapecó, como lança um compromisso com a atuação profissional combativa em resguardo do porvir, da continuidade das conquistas que permitiram o Curso chegar até aqui.
    Keywords: bic Book Industry Communication::C Language::CF linguistics
    Language: Portuguese
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    Chapter Fra spazio fisico e digitale: ricostruzione e comunicazione del complesso del Castello di Mirafiori (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Pitched-Brick Barrel Vaults and Biaxial Cross-Vaults in Egypt’s Western Desert (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    La religión de las cosas (2024)
    Sello Editorial UNAD
    Details
    Publication Date: 2024-02-15
    Description: Ana a young indigenous enslaved in the Colombian eastern plains, condemned to impending tragedy; the Sanchez brothers, murderers of grandparents with the dilemma between life and death, idealized towards eternal rest; Sandra and her young daughter, pigeonholed in an indecipherable witchcraft ritual; Roger, a foreigner in search of a lost Latin American Indian tribe; Samuel, a grandfather with a confusing and inexplicable life, dedicated to the work of reviving the hopes of the exiled people; and Daniel, Samuel's alleged grandson, a survivor of a reality he does not understand face diverse situations that are highlighted as traps, circumstantial moments of revelation and anguish, of struggle and despair, and pain and cruelty to discover the reason for their tragic ailments. These stories revolve around the real lives of its protagonists who understood, after the hard blow, that the heart, the deeper its wounds, the closer it is to “Things.”
    Description: Published
    Description: Ana, una joven indígena esclavizada en los llanos orientales colombianos, condenada a la tragedia inminente, los hermanos Sánchez, asesinos de abuelos con el dilema entre la vida y la muerte idealizados hacia el descanso eterno, Sandra y su hija pequeña, encasilladas en un ritual de brujería indescifrable, Roger, un extranjero en búsqueda de una tribu indígena latinoamericana perdida, Samuel, un abuelo con una vida confusa e inexplicable, dedicado al trabajo de revivir las esperanzas del pueblo epifiado, y Daniel, supuesto nieto de Samuel, sobreviviente de una realidad que no entiende, se enfrentan a diversas situaciones que se resaltan como trampas, momentos circunstanciales de revelación y de angustia, de lucha y desespero, de dolor y de crueldad, para descubrir el porqué de sus trágicas dolencias. Estas historias giran en torno de la vida real de sus protagonistas, y que comprendieron, luego del golpe certero, que el corazón, entre más profundas tenga las heridas, más cercano está de “Las cosas”.
    Keywords: Religión ; Realismo ; Novela ; Vida ; Muerte ; Sueño ; Destino ; Earth sciences, geography, environment, planning
    Language: Spanish
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    Chapter Lo spazio narrativo nel romanzo: dalla descrizione testuale all’illustrazione grafica (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Un approccio euristico alla progettazione. Transizioni da algoritmi generativi a modelli parametrici (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 241
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    Ética frente a la discriminación contra la mujer en el ambiente laboral en el Ecuador (2024)
    Editorial Grupo AEA | Análisis Científico de la Ética desde la Perspectiva Multidisciplinaria
    Details
    Publication Date: 2024-01-30
    Description: Discrimination in Ecuador is a constant struggle because today there is great discrimination and exclusion of the feminist group, even in organizations there are barriers that women must endure compared to male workers in the work environment. The objective of the research is to know the impact of ethics on discrimination against women in Ecuadorian companies. The methodology uses a descriptive approach, using information documented by various theoretical sources such as the INEC-ENEMDU statistics to support the arguments presented. The results of the statistical analysis showed the existence of inequalities in terms of the figures, due to the high unemployment rates of the female gender. Regarding the discussion section, theoretical sources are evidenced covering the problems of discrimination in the labor field that still persist for both sexes, but in greater proportion for women due to different factors. Finally, it is concluded that in spite of the laws governed by the constitution of Ecuador, it has not been possible to completely eliminate the existing discrimination against women in the workplace, this has been seen as a great disadvantage for many professionals who should be remunerated correctly as stipulated by law.
    Description: Published
    Description: La discriminación en el Ecuador es una lucha constante debido a que hoy en día se palpa una gran discriminación y exclusión al grupo feminista, inclusive en las organizaciones se consta la existencia de barreras que las mujeres deben soportar a comparación de trabajadores masculinos en el ambiente de trabajo. El objetivo de la investigación es conocer cuál es el impacto que tiene la ética sobre la discriminación de la mujer dentro de las empresas del Ecuador. La metodología se utiliza un enfoque descriptivo, usando información documentada por varias fuentes teóricas como lo es el medio de estadístico INEC-ENEMDU para brindar un respaldo a los argumentos presentados. En los resultados de los análisis estadísticos se demostró la existencia de desigualdades en cuanto a las cifras, debido a las altas tasas de desempleo por parte de género femenino. Respecto al apartado de discusión se evidencian fuentes teóricas abarcando los problemas de discriminación en el ámbito laboral que aún persisten para ambos sexos, pero en mayor proporción para las mujeres debido a distintos factores. Finalmente se concluye que a pesar de las leyes que se rigen en la constitución del Ecuador, no se ha logrado eliminar de forma completa la discriminación existente contra las mujeres en el ámbito laboral, esto se ha visto como una gran desventaja para muchas profesionales que deberían ser remuneradas de forma correcta como lo estipulan las leyes.
    Keywords: Discriminación laboral ; grupo feminista ; Ecuador ; exclusión ; leyes ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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  • 242
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    As Casas dos Sovietes (2024)
    Imprensa de História Contemporânea
    Details
    Publication Date: 2024-04-02
    Description: Os edifícios desempenharam um papel importante na história soviética, desde o assalto ao Palácio de Inverno, em outubro de 1917, até à defesa da Casa Branca de Moscovo, durante a tentativa de golpe de estado de 1991. Nos anos 30, os «Velhos Bolcheviques» mudaram-se das «Casas dos Sovietes», antigos hotéis onde viviam de forma mais ou menos comunitária, para a «Casa do Governo», um grande edifício onde residiam em apartamentos de família, rodeados por guardas e criadas. E não foi só de edifícios realmente existentes que se fez a história da URSS, a qual se assemelhava a um grande apartamento comunitário. Esta coletânea inclui um artigo seminal sobre a União Soviética como uma federação multinacional, na qual diferentes repúblicas nacionais ocupavam quartos semiautónomos, seguindo-se um ensaio sobre a relação entre o amor jovem, os «Velhos Bolcheviques» e a domesticidade a que se viram condenados. Termina com uma conversa sobre as casas soviéticas, a historiografia sobre a URSS e o percurso do próprio Yuri Slezkine.
    Keywords: Soviet Union; Nationalities; Russia; Revolution ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999
    Language: Portuguese
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    Chapter Dall’illustrazione alla realtà immersiva: l’evoluzione del visual journalism (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    «Entra el editor y dice»: ecdótica y acotaciones teatrales (siglos XVI y XVII) (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: La edición de las didascalias escénicas es uno de los pasos más delicados de la labor del crítico textual, sobre todo en el caso de las acotaciones del teatro de los siglos XVI y XVII, cuyos textos nos han llegado de manera azarosa en versiones manipuladas por compañías de actores. Este volumen aborda la ecdótica de las didascalias desde distintas perspectivas: la semiótica, la estemmática, la transmisión manuscrita e impresa, la evolución de la escritura dramatúrgica, la historia del teatro, la praxis editorial pasada y presente, la traducción y la mirada comparatista hacia textos del Siglo de Oro español y los teatros nacionales inglés, francés, portugués y holandés.
    Keywords: Printed plays,Juan Eugenio Hartzenbusch,Actors’ roles,Variants,Editing, reading, performing dramatic texts,Notational trascriptions,Lope de Vega,Calderón de la Barca,Textual studies,Stage copies,Graphic indications,El castigo sin venganza,Editor’s choices,Copyists,Locations,NeoLachmannian method,Performative variants,Theatre,Onstage,La corona de Hungría,Autograph manuscripts,Scribes,Aside,Portuguese theatre,Manuscripts,Verbal forms,Digital edition,Editorial criteria,Critical edition,Stemmatics,Editing,Producing the stage,Stage directions,Lope de Vega’s autographs,Dutch adaptations,La dama boba,Vera Tassis,Autograph comedies,Holograph manuscripts,Spanish Theatre of the Golden Age,French theatre of the sixteenth and seventeenth ce,Textual Criticism,Textual criticism
    Language: Spanish
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    Ingeniería del Software II: Implementación, Pruebas y Mantenimiento (2024)
    Editorial Grupo AEA
    Details
    Publication Date: 2024-04-14
    Description: In this book the processes of implementation, testing and maintenance of software engineering were investigated and the different types of software tests were documented to validate the correct operation of a software, the processes of evolution of a software to achieve a correct software maintenance were also documented. The objective of this book is to apply the concepts and theories of software validation in order to create quality, reliable, available, protected and safe software, so that the information systems professional is able to manage efficiently and in ethical and responsible environments projects immersed in software creation. Several books were investigated and a compendium of the most important parts was made and it was concluded that software engineering provides several techniques for the evaluation and validation of software and several methodologies for the development of reliable and safe software that the professional can use depending on the different needs, situations or projects to be developed.
    Description: Published
    Description: En este libro se investigó los procesos de implementación, pruebas y mantenimiento de la ingeniería del software y se documentó los diferentes tipos de pruebas de software para validar el correcto funcionamiento de un software, se documentó también los procesos de evolución de un software para lograr un correcto mantenimiento del software. Este libro tiene como objetivo aplicar los conceptos y teorías de validación del software con el fin de crear de software de calidad, confiable, que se encuentre disponible, protegido y seguro, para que el profesional de sistemas informáticos sea capaz de gestionar con eficiencia y en ambientes éticos y de responsabilidad proyectos inmersos en la creación software. Se investigó varios libros llegando a realizar un compendio de las partes más importantes y se llegó a la conclusión de que la ingeniería del software proporciona varias técnicas para la evaluación y validación del software y varias metodologías para el desarrollo de software confiable y seguro que el profesional puede utilizar dependiendo las diferentes necesidades, situaciones o proyectos a desarrollar
    Keywords: Ingeniería del Software ; Pruebas ; Mantenimiento ; Seguridad ; thema EDItEUR::U Computing and Information Technology
    Language: Spanish
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    Chapter L’Éléphant triomphal a Parigi: dal disegno di progetto al simbolismo iconico, alla ricostruzione virtuale (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    “As palavras necessárias” – Estudos em comemoração dos 30 anos da Escola de Direito por ocasião do centenário de Francisco Salgado Zenha Volume I (2024)
    UMinho Editora | UMinho Editora
    Details
    Publication Date: 2024-03-30
    Description: Published
    Description: A Escola de Direito da Universidade do Minho (EDUM) comemora este ano de 2023 os seus 30 anos de existência. À semelhança do que aconteceu nas comemorações dos seus 10 e 20 anos, a celebração dos 30 anos da Escola de Direito levou à publicação desta obra coletiva, em dois volumes, onde consta o trabalho científico de muitos docentes e investigadores. Coincidindo com os 30 anos da EDUM, assinala-se também este ano o Centenário de Francisco Salgado Zenha, tendo a Escola promovido algumas iniciativas nesse contexto. Assim, estes Estudos em Comemoração dos 30 anos da EDUM assinalarão também o centenário do Dr. Salgado Zenha, encontrando-se nesta obra, por isso, alguns testemunhos pessoais.
    Keywords: Francisco Salgado Zenha
    Language: Portuguese
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  • 248
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    Chapter Verso un disegno post-digitale? Culture figurative nel disegno di architettura contemporaneo (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    O império da ordem (2024)
    Fundação Editora da UNESP | Editora UNESP
    Details
    Publication Date: 2024-03-12
    Description: O autor analisa aqui a permanência, após a mudança das normas de nomeação, do prestígio social dos milicianos civis da Guarda Nacional do Município de Mariana (MG), província com a maior população livre e escrava do Brasil durante a Regência. Naquele período, a milícia prestava serviços não remunerados e utilizando recursos próprios, com base na noção de honra social e no sentimento de obrigação para com o soberano, suprindo a falta de funcionários públicos necessários à manutenção da ordem social. O soberano, em troca, concedia dádivas, honras e mercês aos oficiais. Até a segunda metade do século 19, os oficiais eram escolhidos por meio de eleições em que votavam os próprios milicianos. E, para se tornar miliciano, bastava ao pleiteante ter status de cidadão ativo, ou seja, ter a mínima condição financeira para votar e ser votado nas eleições primárias. Tal sistema era duramente criticado pelas autoridades, que o consideravam potencialmente perigoso, uma vez que possibilitava a indivíduos não brancos, destituídos de status social em uma sociedade escravocrata, exercerem postos de liderança. No entanto, a partir da segunda metade do século 19, quando os movimentos “perturbadores da ordem” se enfraquecem e o Império torna-se pacificado, o Exército ganha importância e projeção e os políticos conservadores reformam a Guarda Nacional, por meio da Lei 602, de 19 de setembro de 1850. Entre outras determinações, essa lei abole o sistema eleitoral, de forma que os oficiais, daí em diante, passaram a ser nomeados pelos presidentes das províncias mediante propostas encaminhadas pelos comandantes locais. Mais do que mero capricho jurídico, a nomeação tinha por finalidade romper com o “ranço democrático” da lei anterior e reafirmar a hierarquização no interior da corporação. O autor sugere que, mesmo com a abolição do pleito eleitoral em 1850, os oficiais continuaram a demonstrar carisma, pois o líder deve provar-se como tal perante seus pares, sob pena de descrédito na sua autoridade.
    Keywords: Ethnic groups and multicultural studies ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSL Ethnic studies::JFSL1 Ethnic minorities & multicultural studies
    Language: Portuguese
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    Criticità nella comunicazione interculturale tra spagnoli e italiani | Puntos críticos en la comunicación intercultural entre españoles e italianos (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Spesso si ritiene che espressioni, gesti e consuetudini siano naturali e comuni a tutti gli individui. In realtà, questi elementi hanno una profonda matrice culturale che si basa sui modelli che caratterizzano una società, ma la differenziano da un’altra. Nel volume, i summenzionati elementi vengono presentati nell’ambito della comunicazione interculturale fra italiani e spagnoli. Nel volume si focalizzano alcuni punti chiave della comunicazione interculturale, senza alcuna pretesa di esaustività rispetto ai comportamenti; poiché a comunicare non sono culture ma persone, ognuna con il proprio modo originale di rielaborare gli stimoli e i condizionamenti che la sua cultura offre.
    Keywords: Cultures,Non-verbal communication,Verbal communication,Intercultural communication,Communication between Spanish and Italians
    Language: Italian , Spanish
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    Chapter Transizioni comunicative nella narrazione dell’Italia oltre ai suoi confini (1924-1929) (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter La Libreria Nuova del complesso conventuale di San Giuseppe in Brescia (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Dall’archivio al modello: processi metodologici per valorizzare il patrimonio invisibile (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Meditaciones Fichteanas (2024)
    Logos Verlag Berlin | Logos Verlag Berlin
    Details
    Publication Date: 2024-04-08
    Description: Este año de 2014, celebramos y conmemoramos el 200 aniversario de la muerte de Juan Teófilo Fichte, el gran filósofo idealista alemán, discípulo de Kant y genial creador del primer gran sistema filosófico idealista, basado en los revolucionarios hallazgos de la filosofía kantiana, inicio brillante de un camino filosófico que conducirá a la filosofía contemporánea. A pesar de la inmensa fama e influencia que tuvo en su tiempo, Fichte, junto con su inicial y brillante seguidor, Schelling, ha sido relegado posteriormente por figuras como Kant o Hegel . También el propio Hegel ha padecido tras la caída del Muro de Berlín un cierto desinterés por su filosofía, en comparación con Kant o Husserl. No obstante, en la segunda mitad del pasado siglo, se ha iniciado entre los especialistas un proceso de rehabilitación y nueva valoración de la filosofía de Fichte, junto con la del propio Schelling, que ha ido dando frutos al renovar el interés de los estudiosos actuales por los dos filósofos de aquella época filosófica del llamado Idealismo clásico alemán. Por nuestra parte quisiéramos añadir, a las voces que se unan al coro conmemorativo de aquel gran filósofo alemán, algunas reflexiones a modo de meditaciones En tal sentido trataremos de llevar críticamente a un autor como Fichte a la plenitud de su significación, en especial sobre un aspecto que puede despertar de nuevo el interés por la obra fichteana, raramente tratado por la crítica especializada, que es el de la conexión anticipadora de la Teoría del Conocimiento de Fichte desarrollada en su Wissenschaftslehre, con la novedosa y mundialmente influyente concepción del conocimiento humano desarrollada por Jean Piaget en su Epistemología Genética.
    Keywords: Fichte ; Piaget ; Actión ; Wissenschatslehre ; Epistemologie Genetique ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy::HPCD Western philosophy: c 1600 to c 1900 ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought
    Language: Spanish
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    Chapter Idoli virtuali. Rappresentazioni di corpi in transito e modelli estetici da incarnare (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 256
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    Chapter I disegni di Francesco Paolo Labisi per il convento dei Padri Crociferi a Noto (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Transitus Signa. Il complesso monastico medioevale di San Giorgio Maggiore a Venezia (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 258
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    Chapter Mapping Landscape Qualities in Inner Areas and UNESCO Sites in North Sicily by a GIS Multisource Geodatabase (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-07
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Lo spazio dell’Annuncio. Portici, abitazioni, palcoscenici nella pittura italiana tra Trecento e Cinquecento (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 260
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    Método de investigación científica: Diseño de proyectos y elaboración de protocolos en las Ciencias Sociales (2024)
    Instituto de Investigación y Capacitación Profesional del Pacífico - IDICAP PACÍFICO
    Details
    Publication Date: 2024-03-29
    Description: El presente libro que llevó por título "Método de Investigación Científica: Diseño de proyectos y elaboración de protocolos en las Ciencias Sociales" ofrece una guía completa para investigadores en el campo de las Ciencias Sociales. Explora la importancia de la investigación rigurosa y ética en disciplinas como la sociología desde un punto de vista cuantitativo y cualitativo. A lo largo de sus páginas, se detalla el proceso de investigación, desde la formulación de preguntas hasta la comunicación de resultados. Se enfatiza la necesidad de la colaboración y se proporcionan herramientas y técnicas para la recopilación y análisis de datos. Este libro se presenta como una valiosa fuente de referencia para quienes buscan avanzar en la investigación en Ciencias Sociales.
    Description: Published
    Keywords: metodología ; Investigación ; diseño ; proyectos ; protocolos ; bic Book Industry Communication::J Society & social sciences::JN Education ; thema EDItEUR::J Society and Social Sciences::JN Education
    Language: Spanish
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  • 261
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    El elogio a la vida y otros textos (2024)
    Sello Editorial UNAD
    Details
    Publication Date: 2024-03-23
    Description: The essays in this book serve to promote the reading of little-known universal authors in Colombia, such as Elías Canetti, Joseph Brodsky, authors of different languages ​​whose translations mainly come from English or the original language. The book is a compilation of essays that address a fundamental point of each author, as each author encourages the reading of each one because each one has a key collection, more than ten books each, in which we find narrative resources either in short stories, essays, or novels that represent the culture of other countries.
    Description: Published
    Description: Los ensayos de este libro sirven para promocionar la lectura de autores universales poco conocidos en Colombia como es el caso de Elías Canetti, Joseph Brodsky, autores de diferentes lenguas cuyas traducciones vienen fundamentalmente del inglés o de la lengua original. El libro es una compilación de ensayos que tratan un punto primordial de cada autor ya que cada autor motiva a la lectura de cada uno, porque cada uno cuenta con un acervo clave, más de diez libros cada uno, en los cuales encontramos recursos narrativos ya sea de cuento, ensayo o novela que representan la cultura de otros países.
    Keywords: escuela ; Literatura ; fenomenología ; poesía expresionista ; guerra mundial ; política ; surrealismo ; internamiento psiquiátrico ; thema EDItEUR::A The Arts
    Language: Spanish
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  • 262
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    Chapter Rappresentazioni AI nella comunicazione del patrimonio culturale: nuovi scenari del digital storytelling (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 263
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    La ética del cuidado dentro de las organizaciones sociales (2024)
    Editorial Grupo AEA | Resultados Científicos de la Investigación Multidisciplinaria desde la Perspectiva Ética
    Details
    Publication Date: 2024-02-05
    Description: Human beings are naturally sociable entities that need to interact with other people throughout life, in this course they meet those who share ideas, tastes and become important in their day to day life, but they also go through complicated moments where it is unable to take care of himself and needs others to live by depending on human weakness, which is known as the ethic of care. The objective of the article is to identify the way in which the ethics of care intervenes in social organizations, from those that range from the public, private, religious spheres or any type of person with whom one has a relationship. The applied methodology is a qualitative bibliographic review whose purpose is to go from inductive to deductive to understand how to describe the qualities and characteristics within social organizations. In the analysis you can see that there are organizations in the country which provide free services for the benefit of people in vulnerable situations with principles to follow, but they are not fully complied with due to the lack of ethics among some members, giving rise to actions corrupt. Finally, it is concluded that social organizations promote the value of ethics by recognizing improvements through respect, equality, solidarity and justice.
    Description: Published
    Description: Los seres humanos son entes naturalmente sociables que necesitan relacionarse con otras personas a lo largo de la vida, en este transcurso conocen a quienes comparten ideas, gustos y se vuelve importantes dentro de su día a día, pero también se atraviesan momentos complicados donde se es incapaz de cuidarse a sí mismo y necesita a los demás para vivir al depender de la debilidad humana, lo que se conoce como la ética del cuidado. El objetivo del artículo es identificar la manera en que cual la ética del cuidado interviene en las organizaciones sociales, desde las que van del ámbito público, privado, religioso o cualquier tipo de personas con las que se tiene relación. La metodología aplicada es de revisión bibliográfica con carácter cualitativo cuya finalidad es pasar de lo inductivo a deductivo para comprender la forma de describir las cualidades y características dentro de las organizaciones sociales. En el análisis se puede apreciar que existen organizaciones en el país las cuales brindan servicios gratis a beneficio de las personas en situación de vulnerabilidad con principios a seguir, pero los mismos no son cumplidos en totalidad por la poca ética entre algunos miembros dando lugar a acciones corruptas. Finalmente se concluye que las organizaciones sociales fomentan el valor de la ética mediante el reconocimiento de mejoras a través del respeto, igualdad, solidaridad y justicia.
    Keywords: Ética ; organizaciones sociales ; cuidado ; principios ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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    Chapter La prospettiva solida come strumento di analisi delle transizioni tra lo spazio euclideo e lo spazio della rappresentazione (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 265
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    Ansiedad en la era COVID-19: Estado, Rasgo y Resiliencia (2024)
    Editorial Grupo AEA
    Details
    Publication Date: 2024-03-30
    Description: This research analyzes the levels of trait-anxiety and state-anxiety, modifying a state-anxiety as an immediate emotional state, evolving over time. While trait-anxiety refers to relatively stable individual differences in anxiety. The objective was to determine levels of state-trait anxiety in times of Covid-19 pandemic in workers of Red de Salud Angaraes - Huancavelica, 2021. Methodology: basic research, descriptive level, synthetic analytical method, non-experimental, transactional, descriptive design, technique used, survey, Inventory of Trait-State Anxiety (IDARE), sample of 110 workers was used. Results: Concerning state anxiety levels, low level 7.27%, medium level 41.82% and high level 50.91%. Regarding trait anxiety, 6.36%, low level, 40.91% medium level and 52.73% high level. Regarding gender for state anxiety, for females, 2.73% low level, 20.00% medium level and 30.91% high level; for males, 4.55% low level, 21.82% medium level and 20.00% high level. According to gender, trait anxiety, females present 1.82% low level, 20.00% medium level and 31.82% high level. Males presented 4.55% low level, 20.91% medium level and 20.91% high level.
    Description: Published
    Description: Esta investigación analiza los niveles de ansiedad-rasgo y ansiedad-estado, modificando una ansiedad-estado como un estado emocional inmediato, evolucionando en el tiempo. Mientras que la ansiedad rasgo se refiere a diferencias individuales relativamente estables en la ansiedad. Tuvo como objetivo determinar niveles de ansiedad estado - rasgo en tiempos de pandemia Covid-19 en trabajadores de Red de Salud Angaraes - Huancavelica, 2021. Metodología: investigación básica, nivel descriptivo, método analítico sintético, diseño no experimental, transaccional, descriptivo, técnica utilizada, encuesta, se utilizó Inventario Ansiedad Rasgo Estado (IDARE), se tuvo muestra de 110 trabajadores. Resultados: Concerniente a niveles de ansiedad estado, se evidencia nivel bajo 7,27%, nivel medio 41,82% y 50,91% nivel alto. Respecto a ansiedad rasgo, 6.36%, nivel bajo, 40,91 % nivel medio y el 52,73% nivel alto. Respecto al género para ansiedad estado, para femeninos 2.73% nivel bajo, 20.00% nivel medio y 30.91% nivel alto; para masculinos, 4,55% nivel bajo, 21,82% nivel medio y 20,00% nivel alto. De acuerdo con el género, ansiedad rasgo, femeninos presentan 1,82% nivel bajo, 20.00% nivel medio y 31,82% nivel alto. Género masculino presentan 4,55% nivel bajo, nivel medio 20,91% y 20,91% nivel alto. Respecto a edad, trabajadores de 21 a 30 años presentan ansiedad estado en nivel bajo (2,7%), 22,7% nivel medio, y 9,1% nivel alto; de 31 a 40 años 2,7% nivel bajo, nivel medio 13,6%, y 34,5% nivel alto. Conclusión: Los trabajadores de la Red de Salud Angaraes, presentan nivel alto de ansiedad estado 50,91%, respecto a ansiedad rasgo, presentan un nivel alto 52,73%.
    Keywords: Ansiedad ; estado ; rasgo ; Covid-19
    Language: Spanish
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    Periodismo de frontera en América Latina (2024)
    Bielefeld University Press
    Details
    Publication Date: 2024-04-04
    Description: En esta obra se aborda la situación de violencia y desigualdad que enfrentan los periodistas en América Latina, centrándose en el caso de México por ser este el país en donde se ha asesinado a un mayor número de comunicadores en los últimos 22 años. El enfoque se dirige hacia los periodistas de frontera, aquellos que trabajan en los márgenes físicos, políticos, económicos, culturales y tecnológicos de un territorio, y cuya condición no puede entenderse únicamente como un reflejo de lo que ocurre a nivel nacional o internacional, ya que presentan características propias y particularidades que los modelos existentes no logran explicar. Además, se explora el contexto histórico y político en el que los periodistas han ejercido su labor, incluyendo las transiciones democráticas y los regímenes autoritarios, y se destaca el impacto de la guerra contra el narcotráfico en la violencia ejercida hacia ellos en México. La autora enfatiza en la necesidad de adoptar nuevos marcos de análisis para comprender la situación de los periodistas de frontera, tomando en cuenta los márgenes del estado, la esfera pública a nivel microlocal y la capacidad que tienen para enfrentar las crisis.
    Keywords: Periodismo ; América Latina ; México ; Violencia ; Violence ; Migration ; Migration Policy ; Latin America ; Bielefeld University Press ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFH Migration, immigration and emigration ; thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PB Relating to peoples: ethnic groups, indigenous peoples, cultures and other groupings of people::5PBC Relating to migrant groups / diaspora communities or peoples ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPQ Central / national / federal government::JPQB Central / national / federal government policies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFK Violence and abuse in society
    Language: Spanish
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    Processo de enfermagem (2024)
    Editora UFFS | Editora UFFS
    Details
    Publication Date: 2024-04-03
    Description: Este livro, que é o terceiro volume da Coleção Processo de Enfermagem: da teoria à prática, conta com a participação de 28 autores(as). A partir do tema central – cuidado de enfermagem ao paciente oncológico –, organiza-se em seis capítulos, os quais apresentam aspectos históricos e contextuais do cuidado em oncologia, o relato acerca do desenvolvimento e a implantação do histórico de enfermagem no serviço de oncologia do Hospital Regional do Oeste (HRO), em Chapecó, os resultados de uma pesquisa sobre a prevalência dos diagnósticos de Enfermagem em pacientes com neoplasias gastrointestinais, a apresentação da Matriz Assistencial com a ligação entre os diagnósticos, intervenções e resultados de Enfermagem para o atendimento a pacientes em tratamento oncológico, o relato da informatização do Processo de Enfermagem no HRO e o ensino do Processo de Enfermagem em oncologia. Processo de Enfermagem: da teoria à prática no cuidado oncológico pode contribuir com o processo de aprendizado de estudantes e de enfermeiros, além de ser uma leitura essencial para docentes que atuam no ensino teórico, prático e na pesquisa. O conteúdo revela um modelo construído que contribui para o desenvolvimento do pensamento crítico de profissionais de enfermagem que desejam adaptá-lo à sua vida profissional.
    Keywords: Nursing specialties ; bic Book Industry Communication::M Medicine::MQ Nursing & ancillary services::MQC Nursing::MQCL Nursing specialties
    Language: Portuguese
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  • 268
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    Chapter Tabulae scalatae: ritratti anamorfici in transizione (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 269
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    Introducción a la estructura ecológica principal del Distrito Capital y su región ambiental: Conceptos fundamentales, ordenamiento territorial e instrumentos jurídicos (2024)
    Editorial Grupo AEA
    Details
    Publication Date: 2024-02-26
    Description: The Capital District, as a territorial entity located in the center of the Bogota Savanna, has the political and administrative responsibility to lead environmental sustainability and articulate with the Corporación Autónoma Regional de Cundinamarca (CAR) in order to preserve the ecological structure of the territory and promote sustainable land uses (urban and rural). To this end, there is a set of administrative tools and instruments contemplated in the Land Use Plan (POT) of the Capital District that all citizens should know and use to protect the ecosystems of the savanna of Bogota and the human rights associated with environmental sustainability. The objective of this publication is to contribute to the dissemination of these tools, through conceptualization and synthesis of relevant legal information on the subject. To achieve this purpose, this book is structured in two parts, the first one presents a theoretical contextualization and history of land use planning in Bogota and the second part presents the main concepts of the main ecological structure following the articles of the POT of Bogota - District Decree 555 of 2021.
    Description: Published
    Description: El Distrito Capital, como entidad territorial localizada en el centro de la Sábana de Bogota, tiene la responsabilidad política y administrativa de liderar la sostenibilidad ambiental y articularse con la Corporación Autónoma Regional de Cundinamarca (CAR) con miras a preservar la estructura ecológica del territorio y propiciar usos sostenibles del suelo (urbano y rural). Para ello existe un conjunto de herramientas e instrumentos administrativos contemplados en el Plan de Ordenamiento Territorial (POT) del Distrito Capital que todos los ciudadanos deberían conocer y usar para proteger los ecosistemas de la sabana de Bogota y los derechos humanos asociados con la sostenibilidad ambiental. El objetivo de esta publicación es contribuir a la divulgación de dichas herramientas, mediante conceptualización y síntesis de la información jurídica relevante sobre la materia. Para lograr este propósito, este libro está estructurado en dos partes, la primera plantea una contextualización teórica e historia sobre el ordenamiento territorial en Bogotá y la segunda parte presenta los principales conceptos de la estructura ecológica principal siguiendo el articulado del POT de Bogotá - Decreto Distrital 555 de 2021.
    Keywords: Ordenamiento ; Estructura Ecológica Principal ; Distrito Capital ; Plan de Ordenamiento Territorial ; Historia de Bogotá ; bic Book Industry Communication::J Society & social sciences ; bic Book Industry Communication::L Law
    Language: Spanish
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  • 270
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    Chapter Dal testo verbale al testo estetico del fumetto. Un esercizio di stile (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 271
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    Chapter Manet o Pistoletto? Riflettersi nella sala delle Prospettive di Palazzo Calini a Brescia (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 272
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    De la periferia al centro: nuevas escritoras vascas (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Entre finales del año 2018 y principios de 2020, en un pequeño lapso tiempo, confluyeron en el sistema literario vasco dos fenómenos que aportaban una sensación de cambio de ciclo narrativo. Las escritoras Eider Rodríguez, Irati Elorrieta y Karmele Jaio ganaron el Premio Euskadi de Literatura en los años 2018, 2019 y 2020. En paralelo a este proceso tenía lugar un fenómeno de globalización y reconocimiento en la traducción de la obra de Katixa Agirre, Eider Rodríguez, Karmele Jaio y Leire Bilbao, hasta entonces poco conocidas fuera del sistema vasco. Este volumen ayuda al conocimiento de la obra de estas escritoras componiendo una investigación singular en el ámbito de la escritura en lengua vasca.
    Keywords: New masculinity,Children’s literature,Leire Bilbao,Karmele Jaio,Narrative,Basque Literature,Works of women writers,Victim,Women’s writing,Reception,Literature,Male violence,Basque literature,Aggressor,Sociology of Literature,Picturebook,Feminism,Maternity,Violence against women,Poetry
    Language: Spanish
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  • 273
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    Novecento e dintorni (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Il volume celebra la chiusura della lunga e prolifica carriera accademica di Giuseppe Grilli, di cui si riconosce un lungo e proficuo percorso nello studio della letteratura catalana che ha prodotto diverse illuminazioni e troballes. Si sviluppa sull’ambizione di ricordare tale percorso attraverso le testimonianze di una vita fatta di rapporti affettivi e letterari: da una parte il ricordo degli amici, degli alunni, dei poeti; dall’altra lo sviluppo diacronico degli argomenti su cui si sono articolati i filoni di studio più importanti della seconda parte del Novecento. La comparazione dei classici e la storiografia della critica, le traduzioni italiane e la ricerca sul barocco catalano sono alcuni dei temi grilliani riproposti qui negli approdi più attuali, insieme al contributo creativo di Manuel Foraster, Pere Gimferrer e Narcís Comadira.
    Keywords: Italian Literature,Iberianism,Fortune,Don Quijote,Phraseology,Iberianist Portuguese League,Literary criticism,Curial e Güelfa,Solitude,Tirant lo Blanc,Criticism,History of Medieval Philosophy,History of literature,Collocations,Experience of reality,Corpus Linguistics,Symbolic transfiguration,Catalan literature of the Middle Ages,Carnation Revolution,Early Modern Age,Translation,Giuseppe Grilli,Maragall,Regeneracionism,Cultural contest,Digital Humanities,Comparative literature,Catalan culture,Narcís Comadira,Baroque,Anthology,Bernat Metge,Francesc Vicent García,Contemporary Catalan literature,Nature and writing,Tableaux,Postmodernism,Anniversary,Diachronic Linguistics,Poetical intentions,Humanism,Yxart,Re-translation,Twentieth Century,Catalan Literature,Medieval and Renaissance Catalan Literature,Francesc Fontanella,Ramon Llull,Poetic language,Poetry,Grilli,Count Arnau
    Language: Italian , Catalan , Spanish
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  • 274
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    Alegrias engarrafadas (2024)
    Fundação Editora da UNESP | Editora UNESP
    Details
    Publication Date: 2024-04-14
    Description: O livro faz uma exuberante reconstituição da boemia paulistana entre os anos de 1860 e 1920, quando São Paulo teve a sua primeira fase de crescimento explosivo e a população saltou de pouco mais de 30 mil habitantes para algo em torno de 200 mil, graças à chegada em massa de imigrantes, principalmente italianos desencantados com a lavoura, e de estudantes de outros estados do país, a maioria deles para estudar na Faculdade de Direito do Largo São Francisco. Inspirado pelo trabalho do pensador alemão Walter Benjamin (1892-1940), que avaliou os gostos e costumes da Paris da Belle Époque, a autora retrata como eram as tabernas da época e como se comportavam os seus frequentadores, reconstituindo, assim, as relações sociais e pessoais que permeavam o consumo de álcool na São Paulo daquela época. Também faz um minucioso mapeamento da produção e do consumo de bebidas alcoólicas na cidade durante o período. A pesquisa ainda desvela, como pano de fundo, os gestos e sensibilidades do cotidiano da cidade nesse momento anterior à industrialização, captando costumes e modos de vida e pondo à mostra toda uma cultura gestual, material e historicamente construída, que logo acabaria por se transformar inteiramente.
    Keywords: Children’s / Teenage personal and social topics: drugs and addiction ; thema EDItEUR::Y Children’s, Teenage and Educational::YX Children’s / Teenage: Personal and social topics::YXJ Children’s / Teenage personal and social topics: Drugs and addiction
    Language: Portuguese
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    Capital Social y la Intención de Emprender (2024)
    Editorial Grupo AEA
    Details
    Publication Date: 2024-02-17
    Description: Discovering what factors motivate and influence entrepreneurial activity is a topic of great interest for researchers, socioeconomic policy makers, academics and people in general. Throughout this book, the authors tell us in an entertaining and understandable way how our immediate and distant environment forms a series of values, attitudes and beliefs that predispose or do not predispose the individual to undertake. A book that will undoubtedly enrich our entrepreneurial spirit, answering questions that we have sometimes asked ourselves about people who make the big decision to create their own businesses.
    Description: Published
    Description: Descubrir qué factores motivan e influyen en la actividad emprendedora es un tema de gran interés para investigadores, formuladores de política socioeconómica, académicos y para las personas en general. A lo largo de este libro, los autores nos relatan de forma amena y comprensible cómo nuestro entorno cercano y lejano forma una serie de valores, actitudes y creencias que predisponen o no al individuo a emprender. Un libro que sin duda va a enriquecer nuestro espíritu emprendedor, dando respuesta a preguntas que alguna vez nos hemos planteado en torno a las personas que toman la gran decisión de crear sus propios negocios.
    Keywords: Emprendimiento ; Teoría del Comportamiento Planificado ; Capital Social ; bic Book Industry Communication::K Economics, finance, business & management
    Language: Spanish
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  • 276
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    Chapter Architetture del mare. Un metodo per lo studio delle tonnare (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-05
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 277
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    Chapter Modelli procedurali per l’ideazione, il controllo e la generazione della forma libera negli apparati decorativi (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-02
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Prefazione (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 279
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    Escritos sobre fenomenologia da percepção (2024)
    Fundação Editora da UNESP | Fundação Editora da UNESP
    Details
    Publication Date: 2024-04-08
    Description: São diversos os caminhos de estudo que se apresentam quando se busca compreender como a fenomenologia descreve a percepção e como suas contribuições podem se ligar às preocupações concretas de quem vive no século XXI. Destacam-se discussões referentes aos vínculos entre a percepção e a ação, entre a percepção e a consciência, entre a percepção e o desejo, à dinâmica da percepção no tocante à passividade e à atividade, ao lugar do corpo nas indagações acerca do fenômeno perceptivo, à relação entre a experiência sensível e o mundo social, além do papel da estética nos estudos da percepção. Neste livro, fruto de pesquisas empreendidas ao longo de nove anos, envolvemo-nos nessas matérias, empenhados em examinar os fundamentos da fenomenologia da percepção e seus desdobramentos a partir de uma matriz conceitual que prioriza, justamente, a natureza corpórea e ativa da percepção.
    Keywords: Phenomenology and Existentialism ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy::HPCF Western philosophy, from c 1900 -::HPCF3 Phenomenology & Existentialism ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800::QDHR5 Phenomenology and Existentialism
    Language: Portuguese
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  • 280
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    Phonodia (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Phonodia es un archivo en línea dedicado a la voz de los poetas ideado y realizado por el autor de este libro en el marco de las actividades científicas de la Universidad Ca’ Foscari de Venecia. En Phonodia, las grabaciones de la voz de los poetas que leen sus poemas se presentan yuxtapuestos al texto poético. Este ensayo, que analiza el elemento de la «voz» en el discurso poético y las grabaciones, se enfoca en esa específica configuración donde se activa una «relación intermedial» entre medio-voz y medio-escritura. Con un enfoque interdisciplinario, el ensayo propone también un método para «escuchar críticamente» esas voces y presenta veintiocho entrevistas realizadas a los poetas españoles contemporáneos que entraron a formar parte de Phonodia y aceptaron hablar de su relación con la «voz» y cómo este elemento actúa en su práctica creativa.
    Keywords: Intermedial relation,Critical listening,Author’s voice,Sound recording,Digital archives
    Language: Spanish
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  • 281
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    Arquimedes, Pappus, Descartes e Polya (2024)
    Fundação Editora da UNESP | Fundação Editora da UNESP
    Details
    Publication Date: 2024-04-04
    Description: Este livro discute os indícios heurísticos presentes nas obras O método, do pensador grego Arquimedes de Siracusa (287 a.C-212 a.C.); A coleção matemática, do matemático helenístico Pappus de Alexandria (c.290-c.350 d.C.); e Regras para a direção do espírito, do filósofo francês René Descartes (1596-1650). A partir dessa discussão, o Balieiro Filho estabelece relações com a sistematização da atividade heurística apresentada nas obras A arte de resolver problemas e Matemática e raciocínio plausível, do matemático húngaro George Polya (1887-1985). A atividade heurística – definida como esquema psíquico por meio do qual o homem cria, elabora e descobre a resolução de um problema – é o eixo central dos estudos sobre como pensamos, estabelecidos por Polya e que fundamentam a Resolução de Problemas, linha de pesquisa em Educação Matemática. Este livro também traz a primeira tradução em português, feita pelo autor, a partir do original em grego clássico, da obra O método, de Arquimedes, a mais antiga obra de heurística de que se tem conhecimento.
    Keywords: Mathematics ; thema EDItEUR::P Mathematics and Science::PB Mathematics
    Language: Portuguese
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  • 282
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    Chapter Dai disegni analogici all’esplorazione in ambiente immersivo: la Stazione Autocorriere di U. Nordio (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Giovanni Antonio Zamarin: la ‘normalità’ di un artista (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Il fenomeno delle ferrovie dismesse. Il di-ségno per descrivere, ricostruire e comunicare (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 285
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    Digitrabes em contexto (2024)
    Ariadna Ediciones
    Details
    Publication Date: 2024-04-06
    Description: This book was prepared with the purpose of facilitating the understanding of a relevant dimension of the contemporary metamorphosis of the world of work: the emerging, complex, heterogeneous, dynamic and blurred constellation of work activities mediated by digital platforms. This specific variety of process digitization is designated here by the name digitrab, an acronym for digital work.
    Keywords: World of work, teleworking, digital platforms, job insecurity ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBL Sociology: work and labour
    Language: Spanish , Portuguese
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  • 286
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    La vida y la muerte ante el poder policiaco (2024)
    Editora Educación Emergente
    Details
    Publication Date: 2024-02-02
    Description: En La vida y la muerte ante el poder policiaco: raza, violencia y resistencia en Puerto Rico, Marisol LeBrón traza la historia de la aparición, desarrollo y consolidación del poder estatal colonial en Puerto Rico como poder policiaco y punitivo. Éste se dirige abrumadoramente contra las poblaciones espacial, económica y racialmente marginadas y vulnerables, quienes son continuamente responsabilizadas por los estragos violentos que ocasiona el régimen colonial capitalista. El fin del pacto social del estado de bienestar y el alza del neoliberalismo en EE. UU. en los años setenta pusieron en jaque, respectivamente, las mejores caras de la ficción del ELA --en particular, el proyecto muñocista de "industrialización por invitación"-- y la incentivación de la migración puertorriqueña a EE. UU. como válvula de escape del desempleo y la precariedad en el archipiélago. A partir de los gobiernos de Carlos Romero Barceló y Rafael Hernández Colón, en los setenta y ochenta, el estado colonial puertorriqueño comenzó a volcarse a la regulación y el patrullaje policiacos como formas preferentes de gobernanza y "manejo de crisis" sociales, económicas y hasta culturales. La apoteosis de la gobernanza punitiva se alcanzaría en el violento gobierno neolinberal de Pedro Rosselló en los años noventa, con su infame campaña "mano dura contra el crimen," a la que se dedica una importante porción de este libro. A partir de entonces, la estrategia represiva y punitiva se ha mantenido incólume en gobiernos tanto del PNP como del PPD, tal como LeBrón destaca al considerar los gobiernos de Sila Calderón, Aníbal Acevedo Vilá y Luis Fortuño. Al mismo tiempo, este estudio interdisciplinario constituye una oda a las múltiples formas de oposición, resistencia y creación que organizaciones, comunidades e individuos, en el archipiélago y en la diáspora, en las calles y en las redes, han adelantado en pos de un Puerto Rico justo, libre e inclusivo. Destacan el movimiento estudiantil y la huelga de 2010 en la UPR, los movimientos antirracistas, feministas y cuir, el underground y el reggaetón, y la extraordinaria labor comunitaria de Taller Salud. El epílogo, por su parte, recoge algunos de los más luminosos esfuerzos de soberanía comunitaria tras el paso del huracán María por el país.
    Keywords: Social sciences ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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    Chapter Dalla pianta al volume: transizioni e trasformazioni geometriche del cerchio nell’architettura di Mario Botta (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 288
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    Chapter Il digital twin dei siti culturali per l’inclusività e la valorizzazione. Il Castello Aragonese di Ischia (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Il segno visivo del ponte Morandi a Genova: transizione di forme e significati (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    El teatro clásico español en el cine (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Este libro tiene el objetivo de profundizar en la relación entre el teatro clásico español y el cine a través del análisis de un corpus estudiado solo en parte y recientemente rescatado por la crítica. Se tratan cuestiones teóricas sobre la adaptación cinematográfica de un texto dramático y se reflexiona en torno a épocas significativas en la historia política y cultural del siglo XX, como la producción artística del exilio y la del régimen franquista; también se tiene en cuenta la aportación creativa de las realizaciones más recientes y su impacto en la sociedad contemporánea.
    Keywords: Nazism,Cinematic space,El desdén con el desdén,Pilar Miró,Golden Age Drama,Filmic rewriting,Monologue,Francisco Franco,Shakespeare,Theatrical space,Rafael Alberti,Hispanism,Franco’s regime,Portugal,Don Juan,Reception of the Golden Age Theatre Heritage,Dictatorship,Adaptation,Communism,Spanishness,Lope de Vega,National identity,Spanish Comedia,Spanish theater of Golden Century,Theatre,El Alcalde de Zalamea,Theater-cinema relations,Francoism,Siglo de Oro,Cinematographic adaption,Calderón,Reception,Menos es más,Spanish cinema,Theories on adaptation,Audience,Screen adaptation,Spanish Golden Age theater,Film adaptation,Cinema,Spain,Theatre in cinema,Argentine cinema,Film version,María Teresa León,Agustín Moreto,El perro del hortelano,Pedro Calderón de la Barca,Golden Age Drama Studies,Propaganda,Censorship,Dialectic high vs low,Naples,La vida es sueño,Reception of the Golden Age theatre heritage
    Language: Spanish
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  • 291
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    Chapter Geometrie programmate: AAD sperimentazioni di graphic design (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 292
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    Chapter Transizioni digitali e fisiche per i beni museali (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 293
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    Chapter Digital Humanities for Underground Worship Heritage (UWH). Casi studio in Calabria (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 294
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    Ao revés do ‘pós’ (2024)
    Fundação Editora da UNESP | Editora UNESP
    Details
    Publication Date: 2024-03-12
    Description: Dentre o conjunto de edições do Festival de Inverno de Campos de Jordão, tradicionalmente dedicado à música erudita e à formação de jovens concertistas, a edição de 1983 destacou-se como “dissonância” e particularizou-se por ter sido dedicada a professores de Educação Artística da rede pública de ensino do estado de São Paulo. Em quarenta anos de vida dos festivais, sua décima quarta versão – organizada por Cláudia Toni, Ana Mae Barbosa e Gláucia Amaral – foi singular pela concepção, pela programação e pela relação com o entorno político e educacional de sua época. Por meio do programa do festival, dos discursos de professores nele proferidos, de textos de jornais, cartas e relatos e de imagens, Rita Bredariolli dedica-se à análise dessa edição do festival e faz uma avaliação da importância do programa pedagógico e da concepção de ensino de arte enunciados no XIV Festival de Inverno de Campos de Jordão.
    Keywords: Curriculum planning and development ; bic Book Industry Communication::J Society & social sciences::JN Education::JNK Organization & management of education::JNKC Curriculum planning & development
    Language: Portuguese
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  • 295
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    Chapter Euristica dell’errore. La ‘Stonehenge ricostruita’ di Inigo Jones (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 296
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    Chapter Progetto di ridisegno urbano di Craco Peschiera: servizi e strategie di valorizzazione (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 297
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    La ética en la agricultura para el cuidado del medio ambiente en el Ecuador (2024)
    Editorial Grupo AEA | Análisis Científico de la Ética desde la Perspectiva Multidisciplinaria
    Details
    Publication Date: 2024-01-30
    Description: The global challenges we face are the increasing scarcity and depletion of natural resources, at a time of growing demand for food, goods and services; agriculture, including crops, livestock, forestry, fisheries and aquaculture, are growing rapidly. Ecuador has one of the highest rates of biodiversity per square meter on the planet, livestock and agriculture are no strangers to this classification. Modern industrial agriculture, which is characterized by the biotechnology model, must be exposed to sustainable agriculture. The objective of the research is to analyze how ethics influences within the field of agriculture to provide environmental care in Ecuador, as well as to achieve sustainability of life on the planet. This project is based on a qualitative explanatory methodology with the use of a bibliographic review of different scientific journals through the evaluation and search of information. When analyzing the results, it can be seen that international trade has very low controls and certifications, putting at risk the ecological production in order to generate low production costs by making excessive use of land, water and genetic resources, endangering not only Ecuador, but the world in general. Finally, it is concluded that ethics linked to agriculture strengthens a measure of long-term care of the planet in which we live, by taking care of it, we also take care of the inhabitants.
    Description: Published
    Description: Los desafíos globales que enfrentamos son la creciente escasez y el agotamiento de los recursos naturales, en un momento de creciente demanda de alimentos, bienes y servicios; la agricultura, incluidos los cultivos, la ganadería, la silvicultura, la pesca y la acuicultura, están creciendo rápidamente. Ecuador tiene uno de los índices de biodiversidad por metro cuadrado más altos del planeta, la ganadería y la agricultura no son ajenas a esta clasificación. La agricultura industrial moderna, que se caracteriza por el modelo de biotecnología, debe estar expuesta a la agricultura sostenible. El objetivo de la investigación es analizar cómo influye la ética dentro del ámbito de la agricultura para ofrecer cuidado del medio ambiente en el Ecuador, así como lograr la sostenibilidad de la vida en el planeta. Este proyecto se basa en una metodología cualitativa explicativa con uso de la revisión bibliográfica de distintas revistas científicas mediante la evaluación y búsqueda de la información. Al analizar los resultados se puede apreciar que el comercio a nivel internacional tiene muy bajos controles y certificaciones poniendo en riesgo la producción ecológica a fin de generar bajos costes de producción al hacer uso excesivo de tierra, el agua y los recursos genéticos nos pone en peligro no solo a Ecuador, si no al mundo en general. Finalmente se concluye que la ética vinculada con la agricultura fortalece una medida de cuidado a largo plazo del planeta en el cual habitamos, al cuidar del mismo, también cuidamos a los habitantes.
    Keywords: Ética ; agricultura ; medio ambiente ; biodiversidad ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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  • 298
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    Chapter Transizioni digitali: artefatti dalle macchine intelligenti. Riflettendo con Cesare Battelli (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 299
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    Chapter Shapes and way of inhabiting the excavated architecture: knowledge and comparison of the cave dwellings in Bamyan and Matera (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Léxico y semántica (2024)
    Stockholm University Press
    Details
    Publication Date: 2024-04-11
    Description: In fact, from an etymological perspective, contributions have been presented on prepositional parasynthesis and preverbiation, as well as verbal parasynthetic formations. The diachronic aspect of semantics, marginalized until the very end of the 1960s, is the vision with which lexical change, etymological series and the tension between innovation and tradition in lexical-semantic changes have been focused. From this same diachronic perspective, together with linguistic theories of reception, the reception of lexical pieces and semantic change, as well as etymological opacity and significant slippage, have been studied. These etymological shifts, semantic slips and deviations can only be productively studied diachronically for the lexicon, and diachronically and pragmatically for the lexicon in use. The study of the lexicon, from this approach, meets two fundamental requirements in linguistic descriptions: the general historical and diachronic dimension and the current synchronic dimension; the lexical systemic (dictionary) and the usual social (language in use). This is how it can be understood that we can find in this work not only the Latin and Spanish lexicon, but a glossary from 1600, as well as examples from Japanese and Arabic. Likewise, there are also conceptual and terminological descriptions referring to the lexicon and language contact in specialty languages, especially English and French. In these terminological analyzes very marked defining characteristics can be seen, particularly in relation to the techno-scientific record and legal language. Onomatopoeia, semantically conditioned semi-lexical elements, have been studied from the point of view of contrastive linguistics, not focusing exclusively on the intralinguistic aspect, but also the extralinguistic aspect. The semantic distribution of the peripheral constituents of the left and the right is also one of the great contributions of this book where the corpus of analysis is a compilation of linguistic productions of very advanced users of L2 Spanish. The change of meaning in translation and the problems generated by the translation of religious phraseologisms in the framework of judicial interpretation have also been studied, with implications that go beyond the conventional dictionary meaning to influence the ideological conditioning of the meaning. The lexicon of emotions and phraseological discourse is also present in this work, addressing the topic from a cognitive perspective. There is, of course, no shortage of the informatics and computational perspective of natural language processing, specifically when it involves machine translation, and lately machine interpretation. In fact, one of the approaches to semantic analyzes is the exploration of the translatability of specific cases of natural language by some machine translation programs.
    Keywords: Automated translations of phraseologisms; Enfermedad de Alzheimer; Discurso oral; Left- and right- periphery; Onomatopoeia; Specialized languages; Romancero nuevo; Translation ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFX Computational and corpus linguistics ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFD Psycholinguistics and cognitive linguistics::CFDC Language acquisition ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFG Semantics, discourse analysis, stylistics
    Language: Spanish
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