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  • 101
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-03-24
    Description: La metafora è una componente fondamentale di ogni linguaggio, e in particolare di quello poetico. Nel Medioevo si sviluppano ampie riflessioni sugli usi propri della lingua, gli ornamenti stilistici e i vari significati di un testo. Dante si appropria di queste elaborazioni teoriche per legittimare il proprio uso del linguaggio figurato e per dar vita a un articolato sistema di metafore che rinnovano la lingua, realizzano complesse strategie discorsive e istituiscono fitte reti di connessioni. Questo volume si propone di intrecciare una storia delle teorie medievali sul linguaggio figurato con un esame delle riflessioni dantesche e con un’analisi multifocale delle metafore della Commedia.
    Keywords: Figurative language,Metaphor,Linguistics,Dante,Stylistics,Medieval rhetoric ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Italian
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  • 102
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 103
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 104
    facet.materialart.
    Unknown
    Editorial Univerdidad Mariana | Editorial Univerdidad Mariana
    Publication Date: 2024-04-11
    Description: El hecho de que la industria de la construcción en la ciudad de Pasto y, en general, en el departamento de Nariño, haya sido considerada poco estructurada en todos sus eslabones, ha llevado a que sea un sector con algunas desventajas, sobre todo en las Pequeñas y Medianas Empresas (PYME), siendo estas organizaciones, parte importante y representativa de la economía regional, con gran potencial dinamizador desde la generación de empleo y el crecimiento industrial. El libro relata la industria de la construcción de vivienda y da una mirada desde la administración y la contaduría; recoge las opiniones de los constructores y gerentes de las PYME de construcción en la ciudad de Pasto, específicamente sobre aspectos del proceso administrativo y de la dinámica de las áreas funcionales de una organización, incluyendo actividades de mercadeo, tecnología e innovación, además de dar una visión general de la situación financiera de las empresas y el retorno de las inversiones a sus accionistas; por último, recopila aspectos tributarios de índole nacional y local. Por lo tanto, es un tema de interés para conocer la dinámica de este sector.
    Keywords: Building construction and materials ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TN Civil engineering, surveying and building::TNK Building construction and materials
    Language: Spanish
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  • 105
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    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Come può l’individuo trovare la strada dell’emancipazione se la modernità, che gliela prospetta, si rivela una gabbia? Se egli è irretito e non liberato dai progressi sociali, politici, economici e tecnico-scientifici, perso nel labirinto delle grandi città? Opere degli ultimi decenni dell’Ottocento di Ibsen, Bang, Strindberg, Obstfelder e Claussen mostrano l’acuta percezione del dilemma, ma invitano anche ad avventurarsi nella lettura dei segni del moderno: un percorso dall’esito incerto, ma che produce risultati decisivi per la letteratura. Eredi di Romanticismo, Realismo e Naturalismo, aperti agli orizzonti del Simbolismo, questi autori scandinavi inaugurano il Modernismo europeo.
    Keywords: City in literature,Sophus Claussen,Sigbjørn Obstfelder,Henrik Ibsen,Space in literature,August Strindberg,Herman Bang,Modernity in literature,Scandinavian literature
    Language: Italian
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  • 106
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 107
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Scrivere di Islam. Raccontare la diaspora è una riflessione sul nostro presente multireligioso, multiculturale, e multilingue. È il frutto di riflessioni personali e collaborative sulla necessità di ripensare la cultura e l’identità nazionale in maniera più diversa, inclusiva, e antirazzista. Se è vero che la letteratura può formare o mettere in discussione le comunità di cui ci sentiamo parte, interrogare il modo in cui i prodotti culturali sono realizzati e consumati può essere un’opportunità per ripensare il nostro senso di appartenenza e per mettere in discussione le categorie dicotomiche che spesso lo definiscono.
    Keywords: Points of view,Immigration literature,Islam in Europe,‘Minor’ literature,Multiculturalism,Collaboration,Memory,Transnational Italian Studies,Belonging,Translation,Islam,Islam in Italy,Religious coexistence,Cultural market,Diaspora,Hybridity,Diversity,Islamophobia
    Language: Italian
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  • 108
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Frutto di ricerche svolte in diversi Paesi europei, questo libro analizza il fenomeno del posting of workers in un’ottica internazionale e interdisciplinare, con particolare attenzione alle condizioni di lavoro, salute e sicurezza, alle questioni normative, agli illeciti, alle violazioni dei diritti dei lavoratori in distacco transnazionale. Da questa disamina ricca di documentazione, il posting of workers emerge come una nuova frontiera della svalorizzazione del lavoro, che estremizza tendenze caratteristiche delle trasformazioni del lavoro avvenute negli ultimi decenni a scala globale, in primis la precarizzazione e il dumping sociale.
    Keywords: Working conditions,European law,Health,Precarious work,Posting labour,Internal market,Labour exploitation,Collaboration,Non-European,European Labour Authority (ELA),Slovenia,Law applicable,Transnational labour market,Austria,Subcontracting,Wage dumping,Labour market,EU,Dumping,Occupational safety and health,The Aarhus Light Rail,Undeclared work,Belgium,Precariousness,Transnational posting of workers,Cross-border,The Copenhagen Metro,Free movement of workers,Freedom to provide services,European Union,Occupational Safety and Health (OSH),Posted work,Directive 96/71/EC,Trade Union,Rule enforcement,Precarity,Cross-border labour recruitment,Employment conditions,Labour migration,Language barriers,Exploitation,Inspection services,Outsourcing,Housing,Inspection activity,Construction sector,Directive 2014/67/EU,Labour flexibility,Posted workers,OSH,Atypical employment,Social dumping,Public works,Rule Enforcement,Posting of workers,Free provision of services,Third country nationals,Work transformation,Labour mobility,Italy,Applicable labour law regime,Unions,Bosnia and Herzegovina,Collective rights,Germany,Flexibility
    Language: English , Italian
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  • 109
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 110
    Publication Date: 2024-01-09
    Description: La responsabilidad social (RS) tiene sus orígenes en el contexto empresarial, apareciendo por primera vez en 1953, cuando Howard R. Bowen (1953) la definió como un comportamiento ético de la empresa ante la sociedad y las partes interesadas y, reconoció el espíritu del entorno legal y normativo en el ámbito empresarial. Desde el ámbito educativo, este concepto encuentra su referente en el funcionamiento de la universidad; las universidades, además de ser generadoras de conocimiento útil para la comunidad y el desarrollo socio empresarial, deben mantener vínculos con la sociedad, en un afán por desarrollar su quehacer docente e investigador e incrementar su influencia en los grupos de interés bajo el enfoque de stakeholders.
    Keywords: Higher and further education, tertiary education ; bic Book Industry Communication::J Society & social sciences::JN Education::JNM Higher & further education, tertiary education
    Language: Spanish
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  • 111
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: In che modo Cipro, avamposto della dinastia tolemaica nel Mediterraneo orientale, entrò nell’orbita politica di Roma? L’isola, celebre in antico per le sue ricchezze, fu dichiarata proprietà del popolo romano nel 58 a.C. su iniziativa di P. Clodio Pulcro, che fece affidare a Catone Uticense il comando della missione incaricata di porre in atto la confisca. Si creò così un inusitato sodalizio fra il celebre tribuno della plebe e lo stoico aristocratico romano: i loro interessi trovarono un’importante convergenza nell’ambito di una vicenda in cui l’espansionismo romano si intersecò con il dibattito politico interno e lo scontro per l’affermazione delle grandi personalità del tempo. Il libro indaga l’episodio grazie al quale Cipro fu inserita in una rete strategica e commerciale di vasta scala: la base legale, le motivazioni, lo svolgimento e gli effetti della conquista sono indagati analiticamente, a partire da un ricco dossier di fonti antiche, alcune soltanto di recente scoperte o valorizzate dalla critica.
    Keywords: Cicero,Cato the Younger,Cyprus,Mediterranean History,Egypt,Ancient Historiography,Roman History,Roman Politics,Epigraphy,Pompey,Hellenistic History,Ptolemies,Caesar,Clodius,Papyrology
    Language: Italian
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  • 112
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 113
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il volume esamina lo stato dell’arte sull’educazione letteraria e sulla didattica della letteratura in Italia e collega i principali approcci, metodi e obiettivi dell’insegnamento letterario all’educazione linguistica, all’educazione interculturale e alla comunicazione interculturale. In particolare, sono presentati un modello di competenza comunicativa letteraria e interculturale e un metodo ermeneutico e relazionale, finalizzati ad apportare dei benefici anche all’acquisizione linguistica e allo sviluppo della consapevolezza interculturale. L’obiettivo del volume è quello di offrire delle risorse contenutistiche e metodologiche per l’insegnamento della letteratura italiana e straniera.
    Keywords: Literary education,Teaching of literature,Intercultural communication,Upper secondary school,Language education
    Language: Italian
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  • 114
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 115
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 116
    facet.materialart.
    Unknown
    Wydawnictwo Uniwersytetu Łódzkiego
    Publication Date: 2024-04-12
    Description: Książka stawia w centrum historie życia kobiet, które łączy aktywny stosunek do rzeczywistości oraz brak zgody na to, co zastają w swoich czasach i środowiskach, czyli odwaga w obalaniu schematów. To praca interdyscyplinarna. Autorki i autorzy tekstów składających się na książkę podejmują temat braku pokory kobiet, wybierając jako przykłady tego typu postawy - nie tak oczywistej dla kobiet z europejskiego kręgu kulturowego - bohaterki żyjące od XVII wieku do współczesności. Publikacja wpisuje się w nurt herstory, ukazując transformacje wyobrażeń na temat kobiecego losu i biografii. Artykuły ilustrują i analizują, jak owych przemian dokonywały bohaterki tekstów oraz z jaki mi konsekwencjami musiały się liczyć. W książce znajdziemy herstorie o sportsmenkach, badaczkach, kobietach interesu itd. Praca rozwija jeden z nurtów badawczych studiów gender, a mianowicie herstory, w tym dowodzi użyteczności kategorii gender i herstory. Ukazuje ich przydatność w refleksji naukowej wielu dziedzin z zakresu humanistyki i nauk społecznych.
    Keywords: aktywistki ; sufrażystki ; Piłsudska Aleksandra ; Rosenblattówny ; Orzeszkowa Eliza ; Konopnicka Maria ; Gojawiczyńska Pola ; Rubinstein Helena ; Dentière Marie ; Kozłowska Maria Franciszka
    Language: Polish
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  • 117
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    Editorial Grupo AEA | Resultados Científicos de la Investigación Multidisciplinaria desde la Perspectiva Ética
    Publication Date: 2024-02-05
    Description: The business world is made up of a market system where participants form a large network to exchange their products or services, however, due to the constant change in supply and demand, the various enterprises and companies must adopt to obtain funding, improve their practices, innovate in technological aspect and even launch new businesses, etc. The objective of the article is to analyze the way in which ethics is related to market systems, due to the change that exists in the working environment where all the actors, functions and issues of a sub-sector of products are interconnected. The bibliographic review methodology is applied based on registered publications of articles that include criteria of labor market, ethics and market systems to provide constructive elements on the way in which labor changes are evidenced in the city of Quito. The results are organized in two parts. first, a conceptual analysis of the actors and the usefulness of their theoretical engagement is considered; then emphasis is placed on defining the contributions of business ethics to this theory. In conclusion, it is evident that there must be a concept of ethics based on trust, cooperation between the company and its stakeholders, in addition to management responsibility in a market where there is a constant need for regulations, recognition and sanctions for those who violate laws, consumer fraud, shareholder fraud, accounting fraud, etc.
    Description: Published
    Description: El mundo de los negocios se encuentra conformado por un sistema de mercado donde los participantes conformar una gran red para intercambiar sus productos o servicios, sin embargo, debido al constante cambio de la oferta y demanda, los distintos emprendimientos tanto como las empresas deben adoptarse para obtener financiamiento, mejorar sus prácticas, innovar en aspecto tecnológico e incluso lanzar negocios nuevos, etc. El objetivo del artículo es analizar la forma en la que se relaciona la ética junto a los sistemas de mercado, debido al cambio que existe en el medio laboral donde se interconectan todos los actores, funciones y temas de un subsector de productos. Se aplica la metodología revisión bibliográfica en base a publicaciones registradas de los artículos que incluyen criterios de mercado laboral, ética y sistemas de mercado para proporcionar elementos constructivos sobre la forma en que se evidencian los cambios laborales en la ciudad de Quito. Los resultados se organizan en dos partes. primero, se considera un análisis conceptual de los actores y la utilidad de su compromiso teórico; luego se pone el acento en la definición de los aportes de la ética empresarial a esta teoría. Al concluir se evidencia que debe existir un concepto de ética basado en la confianza, cooperación entre la empresa y sus grupos de intereses, además de la responsabilidad de gestión en un mercado donde existe un constante es necesario se apliquen normativas, reconocimientos y sanciones para quienes infringen leyes, estafas al consumidor, defraudaciones a accionistas, engaños contables, etc.
    Keywords: Ética ; sistemas de mercado ; cambio laboral ; Quito ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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  • 118
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 119
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: This volume gathers some original studies conducted by graduates of the Department of Linguistics and Comparative Cultural Studies at Ca’ Foscari University of Venice, who have contributed to the research in linguistics through the description of the linguistic competence of individuals whose access to language is compromised, and whose ability to verbally express themselves is limited or completely hindered. Thanks to their contributions, targeted linguistic strategies have also been developed to promote the enhancement of language and communication skills in some of these individuals. The first article provides some observations on the methods and tools available for assessing and improving linguistic competence in contexts of deafness and communication disabilities. Three articles focus on describing the linguistic competence of different groups of deaf or hard-of-hearing adults, assessing some linguistic properties (clitic pronouns and interrogative sentences) in Italian, and narrative abilities in Italian and Italian sign language. One contribution focuses on the case of a deaf girl of foreign origin with extremely poor linguistic competence in Italian. Teaching activities have been proposed using various multimedia and multimodal tools to enhance her language skills in Italian and her communicative abilities. The final contribution, following a similar approach, describes the communication methods based on the use of signs proposed to a girl with a phonological and articulatory disorder to allow her to interact with the people around her.
    Keywords: Genetic illness,Italian sign language,Hearing impairment,Deaf people,Language assessment,Teaching activities,Wh-questions,Syntactic training,Written Italian,Linguistic disorders,Narrative skills,Italian,Deaf participants,Cochlear implant,Interrogative sentence,Explicit teaching,Italian Sign Language,Case study,Syntactic skills,Elicited production,Augmentative and Alternative Communication,Comprehension test,Communication,Assessment,Adults,Deaf child,Phonological and articulatory disorder,Homesigns,Passive sentences,Communication difficulties,Deafness,Deaf signers,Narrative abilities,Storytelling,Production,Deaf adults,Clitic pronouns,Linguistic training
    Language: Italian
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  • 120
    facet.materialart.
    Unknown
    Peter Lang International Academic Publishers
    Publication Date: 2024-04-15
    Description: Martin Zimmermann sprengt Grenzen: Grenzen der Genres – Tanz, Theater, Installation, Zirkuskünste und Clown. Aber auch die Grenzen zwischen Körper, Objekten und Raum, zwischen Wirklichkeit und Traum. Mit Analysen wie auch Zeugnissen von Weggefährt*innen schaut der vorliegende Band auf sein transdisziplinäres Œuvre. Martin Zimmermann se joue des frontières : celles qui séparent les genres – danse, théâtre, installations scéniques, arts du cirque et clown – mais aussi celles qui délimitent les corps, les objets et l’espace, ou encore la réalité et le rêve. Grâce à des analyses et à des témoignages de compagnons de route, le présent ouvrage permet de plonger dans son œuvre transdisciplinaire. Martin Zimmermann abbatte i confini fra le varie discipline – danza, teatro, installazioni sceniche, arti circensi e clown – ma anche i confini tra corpi, oggetti e spazio, tra realtà e sogno. Tramite analisi e testimonianze di compagni di viaggio, il presente volume consente di immergersi nella sua opera transdisciplinare. Martin Zimmermann shatters boundaries: not only between genres – dance, theatre, installation, circus arts and clowning – but also between bodies, objects and space, and between real and dream worlds. This edition contains analyses of his transdisciplinary oeuvre as well as tributes from colleagues he has worked with along the way.
    Keywords: 2021 ; Andreas ; Anne ; Circus arts ; Dance ; Departement ; Eidgenössisches ; Fournier ; Gilardi ; Inneren ; Klaeui ; Martin ; MIMOS ; Paola ; Schmidt ; Theater ; Yvonne ; Zimmermann ; thema EDItEUR::A The Arts::AT Performing arts ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKN Installation art ; thema EDItEUR::A The Arts::AT Performing arts::ATQ Dance
    Language: English , French , German , Italian
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  • 121
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: All’interno della millenaria storia della Crimea, questo volume prende in considerazione l’arco temporale del dominio imperiale russo sulla regione, vale a dire dalla conquista del 1783 sino alla Rivoluzione del 1917. L’accento principale è posto sul tema della dimensione multietnica e multiculturale della penisola, che in questo periodo costituiva un vero e proprio mosaico di popolazioni. L’idea centrale del volume è che alla storia politica e culturale della Crimea in epoca imperiale occorra accostarsi superando sia il tradizionale russocentrismo, sia uno studio troppo parziale delle singole comunità e culture, quasi non interagissero le une con le altre e non si trovassero inserite in un contesto più ampio al quale dovevano tutte corrispondere, sia pure con modalità proprie.
    Keywords: Venetian Sources,Bazmavep,Ukraine,Karaites,Crimean Italians,Tatars,Agriculture and tourism,Christianization of Kievan Rus’,Orientalism,‘Moscovia’,Italian influences,Old Russian historical syntax and morphology,Ayvazovskij,Russian empire,Crimea and Russian Culture,Crimea in Russian Literature,Abraham Firkovitch (1787-1874),Crimean war,Colonization,Paradise,Russian Empire,Modernisation,Keywords???,Mediaeval hagiography and chronicles,Russian landscape,Language policy,Manuscripts,Crimea,Russia,Identity,Black Sea,Haykazean Institute,Migration,Italian landscape,Osip Mandel’shtam,Crimean Tatar,Cartography,Vladmir’s conquest of Cherson (Byzantine theme in ,Xalipean College,Qipchaq Turkic languages,Crimean Tatars,Dove of Masis,Seraja Šapšal (1873-1961),Ottoman empire
    Language: Italian
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  • 122
    Publication Date: 2024-02-26
    Description: The book is a comprehensive work that examines the vital integration of strategic direction and change management. The first chapter argues that strategic change is a crucial component of strategic direction, highlighting the need to anticipate and adapt to fluctuations in the business environment. The second chapter presents strategic direction as a change model, highlighting the importance of aligning strategy with the company's vision and objectives to drive effective change. The final chapter discusses the essential competencies needed for strategic management, emphasizing skills such as leadership, informed decision making, and managing uncertainty. This work is an essential guide for those seeking to understand and effectively apply change management in a strategic framework.
    Description: Published
    Description: El libro es una obra completa que examina la integración vital de la dirección estratégica y la gestión del cambio. El primer capítulo argumenta que el cambio estratégico es un componente crucial de la dirección estratégica, destacando la necesidad de anticipar y adaptarse a las fluctuaciones en el entorno de negocio. El segundo capítulo presenta la dirección estratégica como un modelo de cambio, subrayando la importancia de alinear la estrategia con la visión y los objetivos de la empresa para impulsar el cambio efectivo. El capítulo final analiza las competencias esenciales necesarias para la dirección estratégica, enfatizando en habilidades como el liderazgo, la toma de decisiones informada y la gestión de la incertidumbre. Esta obra es una guía esencial para aquellos que buscan comprender y aplicar efectivamente la gestión del cambio en un marco estratégico.
    Keywords: Competencias Esenciales ; Dirección Estratégica ; Gestión del Cambio ; Liderazgo ; Toma de Decisiones ; bic Book Industry Communication::J Society & social sciences ; bic Book Industry Communication::K Economics, finance, business & management
    Language: Spanish
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  • 123
    Publication Date: 2024-02-26
    Description: The purpose of the research entitled: "Tax obligations and their influence on the tax collection of micro and small enterprises" was to reflect the influence of tax obligations on tax collection, it also seeks to reduce informality, and expand the tax base by means of benefits granted to micro and small enterprises that are included in the tax regimes, with the purpose of increasing tax collection. The structure was developed on the basis of four chapters, CHAPTER I deals with the problem statement, formulation, objectives and justification, CHAPTER II covered the background of the study, theoretical bases on the research topic, conceptual bases, definition of terms, hypothesis, variables and the operationalization of variables, CHAPTER III contains the materials and methods used in this study and finally CHAPTER IV dealt with the discussion of results, analysis of the information and hypothesis testing. The final part of this study includes the conclusions, recommendations, bibliographical references and annexes.
    Description: Published
    Description: La investigación titulada: “Obligaciones tributarias y su influencia en la recaudación fiscal de las micro y pequeñas empresas” tuvo como propósito reflejar la influencia de las obligaciones tributarias en la recaudación fiscal, también busca reducir la informalidad, y ampliar la base tributaria mediante beneficios otorgados a las micro y pequeñas empresas que se acojan a los regímenes tributarios, con la finalidad de aumentar la recaudación fiscal. La estructura se desarrollado en base de cuatro capítulos, el CAPÍTULO I trata sobre el planteamiento del problema, la formulación, objetivos y justificación, CAPÍTULO II abarcó los antecedentes de estudio, bases teóricas sobre el tema de investigación, bases conceptuales, definición de términos, hipótesis, variables y la operacionalización de variables, el CAPÍTULO III contiene los materiales y métodos que se utilizó en el presente estudio finalmente el CAPÍTULO IV trató sobre la discusión de resultados, análisis de la información y la prueba de hipótesis. Como parte final del presente estudio comprende las conclusiones, recomendaciones, referencias bibliográficas y anexos.
    Keywords: Obligaciones tributarias ; recaudación fiscal ; SUNAT ; tributos ; bic Book Industry Communication::K Economics, finance, business & management
    Language: Spanish
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  • 124
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Sotto un titolo senza dubbio attraente e provocatorio, questo libro raccoglie alcuni saggi e articoli essenziali per capire la condizione femminile nel momento in cui questa è posta in discussione, chiamata in causa, mossa dall’impulso alla fuga, da quel difficile spostamento della volontà che rivela chiaramente un potere in movimento, un’energia nomade che le donne, nel corso della storia, hanno sempre saputo praticare.Bajo un título atractivo y provocador, este libro hace algo más que compilar enjundiosos ensayos y artículos en torno a la condición femenina cuando se halla interpelada, convocada, lanzada por la fuga, por ese arduo desplazamiento de la voluntad que deja ver a las claras un poder en movimiento, una energía nómade que las mujeres han sabido practicar a lo largo de la historia.
    Keywords: Gender,Violeta Parra,Writing variants,Contemporary novel in Slovenian,Fiction,Saints,Italian settlement,War,Fuga,Luminarias de Janucá,Musical performance,Female characters in Luminarias de Janucá,Giulian-Dalmatian exodus,Death imagery,History,Maja Haderlap,Argentine Literature,Argentine,Maria Teresa Andruetto,Chilean folk and popular music,Jewish identity,Body,Narrative,Nahḍa,Contemporary literature,E-literature,Aracoeli,Integration,Witness,Travelers,Italian literature,Fugue,Sight,Lives,Patagonia,Feminism,Banisadr,Poetry,Autobiografy,Female art,Italian Racist Laws,Zenoveva,Carson,Escape,Mexican literature,Argentine literature,Jibrān Khalīl Jibrān,Mayy Ziyāda,Pacifism,Women’s poetry,Imagination,Cortázar,Mobility,Motherhood,Proust,The Slovenians of Carinthia,Women bodies,Elsa Morante,First World War,Novel,Arabic language and literature,Exile,Frontier,Chilean literature,Hybrid identity,Margaret Sackville,Migrations,Cansinos Assens,Memory,XX century,Autofiction,Female character,Glantz,Singular women,Henriette Sauret,Latin American context,Trauma,Philosephardic campaign,Journey
    Language: Italian , Spanish
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  • 125
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Questa ricerca si svolge su un crinale: su un versante si focalizza su come è la realtà, sull’altro su come dovrebbe essere; da un lato la ricerca sulla situazione europea e dall’altro su quella italiana; su un versante la riflessione su cosa significa «sapere una lingua» e sull’altro come mettere in moto un meccanismo che avvicini la realtà delle università italiane a quanto indicato dalla riflessione da un lato i risultati della ricerca internazionale, dall’altro la constatazione di come stanno le cose in Italia.
    Language: Italian
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  • 126
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 127
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 128
    Publication Date: 2024-02-26
    Description: The objective of this research was to determine the level of relationship between perceptual skills and the learning of mathematics of 5-year-old children from an educational institution in Huancavelica, in remote education. The design used was correlational and the sample consisted of 46 students of 5 years of age from an early education institution in Huancavelica. The instruments used were the checklist for each variable with 30 items. The results show that there is a statistically significant relationship between perceptual skills and the learning of mathematics in 5-year-old students of an educational institution in Huancavelica, in remote education. These quantitative results, with an r=0.75, represent a moderate positive correlation, according to the table of correlation indexes of Hernandez, Fernandez and Baptista (2018)
    Description: Published
    Description: La presente investigación tuvo como objetivo determinar el nivel de relación entre las habilidades perceptivas y el aprendizaje de la matemática de los niños y las niñas de 5 años de una Institución Educativa de Huancavelica, en la educación remota. El diseño empleado fue el correlacional y la muestra lo conformaron 46 estudiantes de 5 años de una institución de educación inicial de Huancavelica. Los instrumentos empleados fueron, la lista de cotejo para cada variable con 30 ítems. Los resultados evidencian que existe relación estadísticamente significativa entre las habilidades perceptivas y el aprendizaje de la matemática en los estudiantes de 5 años de una institución educativa de Huancavelica, en la educación remota. Estos resultados cuantitativos, con un r=0.75, representan una correlación positiva moderada, según el cuadro de índices de correlación de Hernández, Fernández y Baptista (2018)
    Keywords: Habilidades ; Percepciones ; Aprendizaje Remoto ; Educación ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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  • 129
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 130
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 131
    facet.materialart.
    Unknown
    Firenze University Press
    Publication Date: 2024-04-03
    Description: The essay aims at reconstructing the history of the University of Florence, from the fall of fascism on July 25th 1943 to the post-World War II period. At the center of this path lies Piero Calamandrei's Rettorato, which began in the summer of 1943 and immediately interrupted by events related to September 8th and the armistice with the Allied powers. As dean of the university, in the aftermath of the Liberation of Florence in August 1944, Calamandrei marked a significant turning point. It was a turning point that not only promptly revived teaching and research functions; but it was also able to provide for the reinstatement of teachers expelled as a result of the racial legislation and for opposition to fascism, along with the beginning of the removals of teachers most involved with the dictatorship. At the same time, in the context of a city deeply involved in the Liberation, the new constitutional order of the Republic began to be drawn; a constitutional project to which Florentine professors - such as Piero Calamandrei and Giorgio La Pira - would offer an outstanding contribution.
    Keywords: Florence ; World War II ; History of Università degli studi di Firenze ; Fall of Fascism ; Assemblea Costituente ; Piero Calamandrei ; thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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  • 132
    facet.materialart.
    Unknown
    Editorial Universidad del Valle
    Publication Date: 2024-04-03
    Description: Germán Espinosa es uno de los narradores colombianos que más recurrió a pasados distantes como materia para su escritura; no obstante, son pocos los trabajos amplios y sistemáticos sobre las novelas históricas del escritor cartagenero. En el presente libro se busca reconocer de qué manera la construcción de la ficción y el discurso ficcional integran discursos históricos, en las novelas cuáles relaciones y de qué tipo se tejen con otros textos donde se ha cifrado el pasado, cuáles visiones del pasado y de la historia se pueden identificar en las ficciones. Dicho con otras palabras, el estudio se propone una caracterización de las narrativas —y de una posible poética— de la historia susceptibles de inferir del corpus. Para responder estas inquietudes se despliega un modelo de análisis. Mediante recursos metodológicos y referencias conceptuales reconocidos en la teoría de la literatura y en sus vínculos con otras disciplinas, se indaga sobre temáticas y aspectos narrativos; así, los temas, los personajes, los tiempos, los espacios, los conflictos, entre otros, van apareciendo sistemáticamente. Esta orientación no excluye la observación de otros componentes sustanciales como el lenguaje y, sobre todo, el vínculo de la ficción con otros textos por lo que respecta a su conexión con la historia. El estudio está organizado en siete capítulos. En el primero se recoge un sintético marco histórico-conceptual sobre la novela histórica como género literario. Entre los capítulos segundo y sexto se desarrollan los análisis de las cinco novelas, en un orden que encuentra su justificación en el trabajo: El signo del pez (1987), Los cortejos del diablo. Balada de tiempos de brujas (1970), La tejedora de coronas (1982), Sinfonía desde el Nuevo Mundo (1990) y Los ojos del basilisco (1992). En el último capítulo se presenta como síntesis una serie de proposiciones que se desprenden de la observación de las relaciones que la ficción sostiene con la historia.
    Keywords: Literary Criticism / Science Fiction & Fantasy ; bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSK Literary studies: fiction, novelists & prose writers
    Language: Spanish
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  • 133
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 134
    facet.materialart.
    Unknown
    FedOA - Federico II University Press
    Publication Date: 2024-03-23
    Description: The volume provides an overview of the results obtained in the Final Synthesis Laboratory in Modern Restoration, conducted by professors Gianluigi de Martino and Marella Santangelo within the Master's Degree Course in Architectural Design at the University of Naples "Federico II". Through work on the city of Pontinia, the laboratory selected and investigated the heritage of modern architecture produced during the “Fascist Ventennio”, proposing restoration projects capable of combining historical memory with an innovative vision. The aim was to envision an alternative future for the city, capable of responding to contemporary urban transformation needs through various design experiments. The volume is divided into four sections, each dedicated to different aspects of the restoration and design process, offering in-depth readings and practical insights. Through contributions from both professors and students, the concepts of conservation and innovation in urban heritage are explored, with particular attention to the relationship between the original fabric of the founding city and its contemporary evolution. The volume concludes with a photographic review of the exhibition held at the Museum of the Pontine Marshes in June 2022, providing a comprehensive view of the laboratory's outcomes and their integration into the local community.
    Description: Published
    Description: Il volume offre una panoramica dei risultati ottenuti nel Laboratorio di Sintesi Finale in Restauro del Moderno, condotto dai professori Gianluigi de Martino e Marella Santangelo nel contesto del Corso di Laurea magistrale in Architettura Progettazione Architettonica presso l'Università degli Studi di Napoli "Federico II". Attraverso il lavoro sulla città di Pontinia, il laboratorio ha selezionato e indagato il patrimonio dell’architettura moderna prodotta durante il “Ventennio fascista”, proponendo progetti di restauro capaci di coniugare la memoria storica con una visione innovativa. Lo scopo è stato quello di prefigurare un futuro alternativo per la città, capace di rispondere alle esigenze contemporanee di trasformazione urbana, attraverso diverse sperimentazioni progettuali. Il volume si articola in quattro sezioni, ciascuna dedicata a diversi aspetti del processo di restauro e progettazione, offrendo letture approfondite e spunti pratici. Attraverso contributi dei docenti e degli studenti, vengono esplorati i concetti di conservazione e innovazione del patrimonio urbano, con particolare attenzione al rapporto tra il tessuto originario della città di fondazione e la sua evoluzione contemporanea. Il volume si conclude con una rassegna fotografica della mostra tenutasi presso il Museo dell’Agro Pontino nel giugno 2022, offrendo un'ampia visione degli esiti del laboratorio e della loro integrazione nella comunità locale.
    Keywords: Architecture, Pontinia, foundation city, restoration, modern architecture ; thema EDItEUR::A The Arts::AM Architecture
    Language: Italian
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  • 135
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 136
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 137
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il volume miscellaneo che qui si presenta è stato pensato da amici e colleghi non solo come omaggio a Paolo Mastandrea, ma anche e soprattutto come illustrazione delle innumerevoli prospettive aperte dai suoi studi: l’indagine dei meccanismi dell’intertestualità nel mondo antico; l’analisi filologica di tradizioni controverse; i numerosi problemi storico-letterari offerti dai testi della Tarda Antichità latina; l’esame della ricezione umanistica e rinascimentale dell’eredità classica. Non si è naturalmente trascurato il contributo cruciale portato dallo studioso alla teorizzazione e allo sviluppo, fin dagli anni Novanta, di strumenti informatici di ricerca testuale, la cosiddetta ‘galassia Musisque Deoque’, di cui si tiene conto in molti dei lavori presenti nel volume.
    Keywords: Vergilian tradition,Formulas,Fortuna Catulli,Declamationes,Dramaturgy,FAIR principles,Neo-Latin elegy,Nicolò d’Arco,Orality,Auienus,Misplacements,Manuscript tradition,De magistratibus,Roman consulate,Scholar exercise,Laudatio puellae,Intertextuality,Lucretius,‘Doge’ of Venice,Latin philology,Tacitus (Emperor),Christian Afterlife,12,Pliny the Elder,Hexameter,Roman aristocracy,Laocoon,Griphus,Examinatio,Latin historiography,Pupienus,Catabasis,Tibullus,Venice Ducal palace,Christian literature,Book circulation,Epic poetry,Latin Language,Fables,Conjectures,Things,Republicanism,Bacchus,Musisque Deoque,Alcimus Avitus,Late Latin poetry,Latin poetry,Catullus,Propertian intertextuality,Sallust,Inscriptions,Book of Daniel,Corippus,Book 3,Fortleben of Classics,Florentine Renaissance,Ausonius,Epigrammata Bobiensia,Metellus,Animus,Peleus,Virgil,Metamorphoses,Variatio,Principate,Machiavelli,Classical literature,Ancient roman epic,Symposius,Experimentalism,Hymn,Princeps,Late Latin literature,Late antiquity,Textual criticism,Hymnodic formulas,Tales,Epistulae,Propertius,Roman Empire,Servius auctus,Seneca,Macrobe,Sidonius,Portraits,am,Historia Augusta,Claudian,Italian Reinassance,Religious identity,Fortuna,Religion,Balbinus,Zodiac dish,Cicero,Digital Humanities,Roman Republic,Aeneid,Critical edition,Ovid,Characters,Medea,Style,Epos,Phaedrus,Classical philology,Optatianus Porfyrius,Book circulation,Aratus,Farewell from elegiac poetry,Monologue,3,Martial,Lucan,Open data,Cerberus,John Lydus,Rusticitas,Neo-Latin poetry,Objects,Carmen 9,Remigius of Reims,Saturnalia,Narratology,Vergil,Eratosthenes of Cyrene,Roman Senate,Bucolics,Carmina minora,Maximinus,Philology,Clinamen,Diomedes,Visuality,Sidonius Apollinaris
    Language: English , Italian , French
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  • 138
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-04-01
    Description: Che cosa fu il tiranno e che cos’è la tirannide? Come restituire problematicità speculativa a queste due nozioni usurate da indeterminatezza e discredito? I saggi della prima parte di questo volume indagano il senso della tirannide attraverso la ripresa di otto figure decisive: la coppia archetipica Giobbe-Edipo, il momento-Machiavelli, l’Illuminismo francese, Weber, Heidegger, Voegelin, Hayek e Aron. La seconda parte ricostruisce, a partire da testi inediti, lo scenario del classico dibattito che vide protagonisti Strauss e Kojève. Ad integrazione di tali indagini viene proposta la traduzione di due saggi di Strauss e Fessard, ed una bibliografia aggiornata.
    Keywords: thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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  • 139
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-04-01
    Description: Sul finire dello scorso secolo Eric J. Hobsbawm, sollecitato circa il motivo del suo essere così filo-italiano, rispose che era difficile non esserlo. A partire dai primi anni Cinquanta era entrato in contatto con il mondo culturale e politico italiano, instaurandovi duraturi rapporti professionali, di amicizia e di affinità politica. Il volume, giovandosi di fonti archivistiche inedite e sviluppando il genere biografico attraverso un approccio di ‘microstoria translocale’, mette a fuoco l’affinità elettiva che legò lo storico inglese all’Italia, ricostruendone le reti di relazioni, esaminando gli esiti che queste interazioni provocarono nella sua identità comunista così come nella sua produzione storiografica, analizzando infine la fortuna italiana delle sue opere.
    Keywords: Biography,Italy,Marxism,Eric Hobsbawm,Communism ; thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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  • 140
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 141
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 142
    Publication Date: 2024-02-17
    Description: La Biotecnología Ambiental emplea el uso de organismos para la prevención, monitoreo y remediación de los ecosistemas, al mismo tiempo permite la generación de bioproductos y energía limpia. El libro consistió en tres capítulos, en el primero se establece los fundamentos de la Biotecnología Ambiental y sus aplicaciones en entornos terrestre, acuático y aéreo; además, se presentan herramientas aplicadas como los biosensores en el monitoreo ambiental, la fitorremediación en varios contextos de América Latina y el fortalecimiento de la agricultura sustentable. En el segundo capítulo se describe la importancia de un estudio bibliométrico y el enfoque para las diversas investigaciones, se detalla un manual de uso, que permite su replicabilidad en otros contextos. Además de presentar un caso de estudio aplicado al tema central de este libro, que sistematiza los temas más estudiados, las tendencias, revistas y países con mayores contribuciones. En el tercer capítulo se presentan varias prácticas de laboratorio y una sección de preguntas, que pueden ser empleadas en otras instituciones educativas o de manera autónoma. En conclusión, los capítulos son complementarios entre sí, facilitando la comprensión e interés del lector. El área de mayor relevancia corresponde a la biorremediación en suelos contaminados por hidrocarburos y metales pesados, los grupos más frecuentes en la revisión fueron hongos, cianobacterias y organismos genéticamente modificados. Finalmente, existe una oportunidad del uso y la potencial combinación de las técnicas basadas en metagenómica, ADN ambiental, inteligencia artificial para el desarrollo de las nuevas tendencias de la Biotecnología Ambiental
    Description: Published
    Description: La Biotecnología Ambiental emplea el uso de organismos para la prevención, monitoreo y remediación de los ecosistemas, al mismo tiempo permite la generación de bioproductos y energía limpia. El libro consistió en tres capítulos, en el primero se establece los fundamentos de la Biotecnología Ambiental y sus aplicaciones en entornos terrestre, acuático y aéreo; además, se presentan herramientas aplicadas como los biosensores en el monitoreo ambiental, la fitorremediación en varios contextos de América Latina y el fortalecimiento de la agricultura sustentable. En el segundo capítulo se describe la importancia de un estudio bibliométrico y el enfoque para las diversas investigaciones, se detalla un manual de uso, que permite su replicabilidad en otros contextos. Además de presentar un caso de estudio aplicado al tema central de este libro, que sistematiza los temas más estudiados, las tendencias, revistas y países con mayores contribuciones. En el tercer capítulo se presentan varias prácticas de laboratorio y una sección de preguntas, que pueden ser empleadas en otras instituciones educativas o de manera autónoma. En conclusión, los capítulos son complementarios entre sí, facilitando la comprensión e interés del lector. El área de mayor relevancia corresponde a la biorremediación en suelos contaminados por hidrocarburos y metales pesados, los grupos más frecuentes en la revisión fueron hongos, cianobacterias y organismos genéticamente modificados. Finalmente, existe una oportunidad del uso y la potencial combinación de las técnicas basadas en metagenómica, ADN ambiental, inteligencia artificial para el desarrollo de las nuevas tendencias de la Biotecnología Ambiental
    Keywords: Biotecnología Ambiental ; Aplicaciones ; Tendencias ; Guía ; Revisión Bibliométrica ; bic Book Industry Communication::R Earth sciences, geography, environment, planning
    Language: Spanish
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  • 143
    Publication Date: 2024-04-04
    Description: According to a well-established Italian university tradition, the verification of learning of a subject belonging to the cultural area of the 'STEM disciplines' involves passing a written test and an oral test. While the latter is intended as verification of the acquisition of both the conceptual foundations and the theoretical formalism of the discipline, the written test is intended to verify problem solving skills according to the "knowing means knowing how to do" paradigm, of whose formative validity the authors of this manual are convinced supporters. Usually there are many very good textbooks that cover the theoretical part, while there are chronically few textbooks that propose problems at the right level of complexity, also offering detailed and commented solutions. This is particularly true for those disciplines corresponding to the last year of the three-year cycle of a Bachelor's degree. In order to at least partially fill this gap, a textbook is proposed here that brings together a rich and varied series of problems (with solutions and comments) in the physics of atoms, molecules and crystalline solids. These topics, which constitute an indispensable body of knowledge in modern physics, represent the core of the discipline 'Structure of Matter', as defined by the Italian university taxonomy.
    Description: Published
    Description: Secondo una consolidata tradizione universitaria italiana, la verifica dell’apprendimento di una materia appartenente all’area culturale delle “discipline STEM” prevede il superamento di una prova scritta e di una prova orale. Mentre quest’ultima è intesa come verifica di acquisizione tanto dei fondamenti concettuali quanto del formalismo teorico della disciplina, la prova scritta intende verificare le capacità di problem solving secondo il paradigma “sapere significa saper fare”, della cui validità formativa gli Autori di questo manuale sono convinti sostenitori. Usualmente esistono molti validissimi manuali che coprono la parte teorica, mentre è cronicamente scarso il numero di manuali che propongano problemi al giusto livello di complessità, offrendone anche la dettagliata e commentata soluzione. Questo è particolarmente vero per quelle discipline che corrispondono all’ultimo anno del ciclo triennale di una laurea di primo livello. Al fine di colmare almeno parzialmente questa lacuna, qui viene proposto un manuale che raccoglie una ricca e variegata serie di problemi (con soluzioni e commenti) di fisica degli atomi, delle molecole e dei solidi cristallini. Questi argomenti, che costituiscono un irrinunciabile corpus di conoscenze in fisica moderna, rappresentano il cuore della disciplina “Struttura della Materia”, come definita dalla tassonomia universitaria italiana.
    Keywords: physics ; thema EDItEUR::P Mathematics and Science::PH Physics
    Language: Italian
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  • 144
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 145
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Un sacrificio umano, empio, abnorme, grava sul tessuto drammaturgico di Ifigenia in Aulide: la figlia del re deve essere immolata per propiziare la spedizione contro Troia. Personaggi instabili e di levatura morale modesta, pronti a repentini cambiamenti di idea, cercano vanamente di opporsi all’orrore del sacrificio, finché la protagonista, per un illusorio ideale patriottico, sceglie di andare volontariamente verso la morte eroica sull’altare. A chiusura di una tragedia testualmente labile, l’esodo spurio, in cui l’empietà dell’atto è trascesa dall’esito numinoso, avvolge di mistero la morte di Ifigenia. Smarrito il senso della politica, rimane la favola bella, con effetti patetici e quadri di raffinato gusto pittorico. La tormentata vicenda critico-testuale del dramma viene ripercorsa in questa prima edizione critica italiana, che sceglie una linea di equilibrio nella costituzione del testo.
    Keywords: Italian Translation,Iphigenia in Aulis,Textual Criticism,Human Sacrifice,Euripides,First Italian Critical Edition,Interpretation,Greek Tragedy
    Language: Italian
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  • 146
    facet.materialart.
    Unknown
    Archaeopress Publishing Ltd
    Publication Date: 2024-04-04
    Description: Picta Nilotica Romana presents an in-depth analysis of Roman paintings with a Nilotic theme. The first part of the study introduces the classical texts on Egypt and provides an overview of landscape depiction in Roman art. After an outline of methodology, an iconographic-archaeological catalogue of the 74 paintings is developed, founded on specific scientific criteria, with a classification into three categories according to iconographic composition. The corpus is followed by an analysis of the archaeological contexts in which these paintings are found, an analysis of Nilotic iconographies and a definition of the 'Nilotic landscape'. The volume is also completed by an iconographic apparatus and several maps showing geographical and chronological spread.
    Keywords: Social Science ; Archaeology ; thema EDItEUR::N History and Archaeology::NK Archaeology
    Language: Italian
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  • 147
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 148
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 149
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 150
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 151
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Un viaggio nel Giappone del Medioevo per comprendere la condizione femminile in un’epoca di grandi trasformazioni. Attraverso la produzione letteraria della monaca Abutsu (1225 ca.-1283 ca.) e la sua personale esperienza di vita come dama di corte, moglie, madre, vedova e religiosa si ricostruisce un ritratto realistico della donna giapponese nel Medioevo evidenziando alcuni problemi che hanno caratterizzato la storia femminile non solo in Giappone, ma anche in altri paesi del mondo: ricerca di risorse finanziarie, riconoscimento di diritti giuridici, necessità di essere iscritte non solo nella vita riproduttiva ma anche in quella intellettuale.
    Keywords: Marriage institution,Abutsu no fumi,Medieval Japan,Fujiwara no Tameie,Utatane,Nun Abutsu,Inheritance patterns,Women’s history,Izayoi nikki
    Language: Italian
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  • 152
    facet.materialart.
    Unknown
    FedOA - Federico II University Press
    Publication Date: 2024-04-04
    Description: The rich calendar of initiatives organized by SISFA throughout 2021 to celebrate the first forty years of activity of the Italian community of Historians of Physics and Astronomy concluded with a Workshop, the Proceedings of which are presented here. In 1981, our community embarked on the common path that led to the foundation of the current Society in 1999. Already during our XLI National Congress held in Arezzo in September 2021, a special session commemorated the important anniversary. In that context, it was decided to organize a Workshop on December 15 and 16, 2021, to discuss and reflect more deeply on what happened in the past forty years. The organization was entrusted to members Fabio Bevilacqua, Ivana Gambaro, Pasquale Tucci and President Salvatore Esposito. The Proceedings of the two days are collected in these pages.
    Description: Published
    Description: Il ricco calendario di iniziative organizzate dalla SISFA, svoltesi nel corso del 2021, per festeggiare i primi quarant’anni di attività della comunità degli storici italiani della Fisica e dell’Astronomia si concluse con un Workshop di cui qui presentiamo gli Atti. Infatti la nostra comunità nel 1981 intraprese il comune cammino che condusse alla fondazione dell’attuale Società nel 1999. Già nel corso del nostro XLI Congresso nazionale, tenutosi ad Arezzo nel settembre 2021, una speciale sessione ricordò l’importante anniversario. In quella sede si decise di organizzare un Workshop il 15 e il 16 dicembre 2021 per discutere e ragionare più a fondo su quanto avvenuto nei trascorsi quarant’anni. L’organizzazione fu affidata ai soci Fabio Bevilacqua, Ivana Gambaro, Pasquale Tucci e al Presidente Salvatore Esposito. In queste pagine sono raccolti gli Atti delle due giornate.
    Keywords: Physics, Astronomy, History of Physics, History of Astronomy, Italian Society for the History of Physics and Astronomy (SISFA) ; thema EDItEUR::P Mathematics and Science::PH Physics
    Language: Italian
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  • 153
    facet.materialart.
    Unknown
    FrancoAngeli
    Publication Date: 2024-04-14
    Description: The growing number of children and adolescents with a migrant background in Italy has radically changed the composition of the country’s primary and secondary school populations. However, only recently have some of these students have begun entering university. This lag can be explained by the fact that a history of migration brings with it multiple economic, social and educational disadvantages and weaknesses. The book More than is required. Tales of university students with a migrant background is a collection of biographies of young people who, having exceeded society’s common expectations —and therefore having done “more than is required"—have achieved exceptional scholastic results, leading them to wish to continue their studies at university. Their stories of family and school, relationships with peers, and their ambitions, successes and struggles reveal the critical challenges they face, and offer some ways current educational policies can be improved.
    Keywords: Young people, Education, University, Immigrants, Migratory background, Academic success ; thema EDItEUR::Y Children’s, Teenage and Educational::YX Children’s / Teenage: Personal and social topics::YXZ Children’s / Teenage: Social issues / topics::YXZG Children’s / Teenage social topics: Environment, sustainability and green issues ; thema EDItEUR::J Society and Social Sciences::JN Education::JNM Higher education, tertiary education
    Language: Italian
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  • 154
    Publication Date: 2024-04-04
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 155
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 156
    facet.materialart.
    Unknown
    Ariadna Ediciones
    Publication Date: 2024-03-29
    Description: The book Separation, divorce and family relationships. A multidisciplinary analysis is the result of a collective work of academics and professionals, in which the processes of separation and divorce are addressed from a legal, sociocultural and psychosocial perspective, offering an interdisciplinary analysis of said process, its causes and the effects that They can manifest in family members, both in adult ex-spouses and in sons and daughters.
    Keywords: Family, divorce, children, family law ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBK Sociology: family and relationships
    Language: Spanish
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  • 157
    facet.materialart.
    Unknown
    Milano University Press | Milano University Press
    Publication Date: 2024-04-04
    Description: Is it possible to have mathematics experience in the school courtyard garden? Can we observe plants "with different eyes" and identify the connections between mathematical sciences and plant biology? This booklet contains and comments on three interdisciplinary activities that secondary school mathematics and science teachers can conduct in their classrooms, using the group laboratory work method. The proposed activities concern two apparently distant fields: geometry and botany, and are linked to the laboratory kit "Symmetry: mathematics in the garden" (http://specchi.mat.unimi.it/matematica/matematica_in_giardino.html). This work intends to provide teachers, and not only them, with an unusual classification tool based on symmetry and also with a look at topics that are little known to most people and not usually covered in the school curricula, such as floral diagrams and phyllotaxis.
    Description: Published
    Description: È pensabile fare esperienza di matematica nel cortile-giardino della scuola? Possiamo osservare le piante “con altri occhi” ed arrivare a individuare i collegamenti tra le scienze matematiche e la biologia vegetale? Questo libretto contiene e commenta tre attività interdisciplinari che i docenti di matematica e scienze della scuola secondaria di primo grado possono condurre in classe, utilizzando il metodo di lavoro del laboratorio a gruppi. Le attività proposte riguardano due campi apparentemente distanti: la geometria e la botanica, e sono legate al kit di laboratorio “Simmetria: matematica in giardino” (http://specchi.mat.unimi.it/matematica/matematica_in_giardino.html). Con questo manuale si intende fornire agli insegnanti, e non solo a loro, uno strumento di classificazione inusuale basato sulla simmetria e anche uno sguardo ad argomenti poco conosciuti ai più e non abitualmente trattati nel ciclo scolastico come i diagrammi fiorali e la fillotassi.
    Keywords: Laboratory ; Simmetry ; Phyllotaxis ; thema EDItEUR::P Mathematics and Science
    Language: Italian
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  • 158
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Narratives of Violence is a contribution to the ethical turn in literary studies. In the current context of systemic political violence unleashed in the wake of 9/11 and the global advance of capitalism and neoliberalism, literature constitutes a particularly timely device to raise awareness about injustice, the abuse of power, and the violation of human rights. Literature may also be helpful in order to face social challenges such as peaceful coexistence with immigrants and displaced people, and the settling of refugees. This book is an invitation to read a selection of narratives of violence anchored in different geopolitical realities, and located in historical contexts ranging from the beginning of the 20th century to the present day. By adopting ethical criticism in order to tackle the dilemmas posed by these stories, we aim to contribute to the configuration of global imaginaries based on respect, recognition, and empathy, especially towards those who are most vulnerable. This collection offers critical readings of works of various genres, originally written in different languages. Authors discussed comprise Mrīrīda nʾait ʿAtiq (Morocco), Janina Hescheles (Poland), Eva Koch (Denmark), María Galindo (Bolivia) and Sonia Sánchez (Argentina), Najat El Hachmi (Morocco-Catalonia), Arundhati Roy (India), Leila Abdelrazaq (Palestine), and Yū Miri, Murata Sayaka, and Kawakami Mieko (Japan). The corpus includes biographical, autobiographical, testimonial, and fictional narratives, sometimes very close to documentary or life history. The works analysed in this collection portray experiences of violence and oppression caused by social, political, economic, and military conflicts. The novelty of this book lies in the challenge it poses to the Western-centric and patriarchal bias often found in similar collections of scholarly essays. Thus, the book focuses on female authors, seeking to give visibility and voice to women victims, generally forgotten in hegemonic cultural discourses.
    Keywords: Polish Jewishness,Spanish Civil War,Symbolic violence,Gender,Jay Winter,Murata Sayaka,Graphic memoir,Sustainability,Catalan literature,Respect,Villar,Japanese literature,Amazīgh culture,Palestine,Colonialism,Body,Political violence,Systemic violence,Temporality,Interactive visual art,Youth,Genealogies,Anal sex,Violence,Jean Laplanche,Testimony,Psychoanalysis,Precariousness,Memory,Prostitution,Reading,Najat El Hachmi,Subalternity,Ethics,Guerrillas,Body literature,India,Nini Haslund Gleditsch,Morocco,Holocaust,Walter Benjamin,Villar - Los hijos de Manuela,Testimonial narrative,Dignity,Representation,Economic violence,Ethical turn,Historical memory,Marianne Hirsch,Identity,Literature,Epistemic violence,Maurice Halbwachs,Yū Miri,Eva Koch,Memoir,Mrīrīda nʾait ʿAtiq,Kawakami Mieko,Feminism,Oliva and Norwegian humanitarian aid,Immigration,Postcolonialism,Argentinean feminist movement,Heroism,Violence against women,Exile,Human rights
    Language: English , Catalan , Spanish
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  • 159
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: En El licenciado Vidriera de Cervantes se halla un gran elogio de Venecia, que se define como «admiración del mundo antiguo» por «su riqueza infinita, su gobierno prudente» y otros muchos valores que solo la hacen paragonable a «la gran Méjico». Con esta invitación, el presente libro recoge las tres conferencias plenarias y una selección de las contribuciones presentadas al XIV Coloquio Internacional de la Asociación de Cervantistas (2-4 de octubre de 2019), que giran principalmente en torno al teatro, la recepción y las relaciones italianas de Cervantes. Al mismo tiempo, este volumen rinde homenaje a Donatella Pini y Carlos Romero Muñoz, organizadores de la clásica serie «Giornate cervantine».
    Keywords: Quixote,Testament,Gender,Novelas ejemplares,Erotic crimes,De senectute,Contemporary theatre,Villaseñor,Intertextuality,Biography,Sergio Pitol,Fiction,Theogenes,Golden Age theatre,Narrative transition formulas,Cervantes theatre,Garcilaso,Library,Ludeña,Orlando furioso,Spain,Ortega Rosa,Tríptico del carnaval,History,Show,Don Quijote,El Toboso,Exemplary Novels,Body,Law,Truth,Galatea,Carla Perugini,Authentication,Reception,Revival,Classic,Interlacing,Grammar,José Manuel Lucía Megías,La Mancha,Error,Hypothetical and narrative discourse,Dances,Persiles,Anticipation,Honesto y entretenido sarao,Poetry,Jorge García López,Quijote,Music,Parody,Recreation,Elegiac dystic,Antonio de la Peña,Fame,Miguel de Cervantes,Voyage to Parnassus,Amplificatio of the enunciative system,Individual,Comparative study,Theatre,Linguistic deformation,Lofraso,Veridiction,Entremeses,Fielding,Irony,Society,Tirante,Metafiction,Conception of speech,Corography,Judgment,Orlando innamorato,Royal Court,Lie,Italy,Novel,Quintanar de la Orden,Quijote II, 74,Mainstreaming,Viaje del parnaso,Love,La Galatea,Posthumous fame,Suicide,Shakespeare,Pride,Don Quixote,Timbrio and Silerio,English theatre,Jordi Gracia,Entremés,Narratology,Rubric,Spanish Court,Narrative frame,Narrative perspective,Translation,Avellaneda,Madness,María de Zayas,Inserted poetry,Spanish novel,Clientelar relationship,Individuality,Scrutiny,Philology,Romantic irony,Scipio,Cervantes,Libretto,Opera,Poetics,Melancholy,Picaresque
    Language: Spanish
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  • 160
    Publication Date: 2024-02-22
    Description: Nell’Era dei regimi totalitari il rapporto tra Italia e Giappone, pesantemente influenzato dall’ingombrante presenza tedesca, fu reciprocamente ambiguo: il nippofilo Mussolini diffidava, in realtà, dell’alleato orientale, e l’armistizio dell’8 settembre 1943 confermò tragicamente, alla fine, i costanti dubbi nipponici su un’Italia dove, successivamente (luglio 1945), il Governo democratico presieduto da Parri si sarebbe spinto a dichiarar guerra all’ex alleato, poco prima della conferenza di Potsdam. Per tentar di risollevare le sorti politico-diplomatiche dell’Italia sconfitta, Parri e i suoi, non senza affanni, presero la decisione di schierarsi contro il Giappone: l’inattesa resa giapponese vanificò la spericolata scelta, che sarebbe tuttavia ingeneroso banalizzare. Nel nuovo contesto della Guerra Fredda, ripristinare normali relazioni tra i due paesi, pur dopo una guerra non combattuta, si rivelò assai difficoltoso, dagli inizi (1951-52) e per un lungo ventennio di sfibranti trattative.
    Keywords: Italy: September 8, 1943,Italian diplomats interned in Japan (1943-45),Italy’s declaration of war on Japan (July 15, 194,Potsdam Conference and Italy (1945),Tripartite Pact (1940-45),Italian-Japanese relations (1934-45),End of the state of war between Italy and Japan (,World War II
    Language: Italian
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  • 161
    Publication Date: 2024-03-30
    Description: At the beginning of the 21st century, the role that the history of law should play in the training of jurists cannot be the same as the discipline played in the last century, hence the importance of reflecting on the scope that from now on the subjects of historical content should have in the different curricula in which the knowledge of law in its historical dimension has a place. The delimitation of the role to be played by historical education requires reflection on the three traditional dimensions of knowledge, the material, spatial and temporal dimensions. This is the reasoning that justified the first symposium of the Spanish Society of Law Historians.
    Description: Published
    Description: El papel que en los inicios del siglo XXI debe tener la Historia del Derecho en la formación de los juristas no puede ser el mismo que la disciplina cumplió en el siglo pasado, de ahí la importancia de reflexionar sobre el alcance que de aquí en adelante deben tener las asignaturas de contenido histórico en los distintos planes de estudio en los que tiene cabida el conocimiento del derecho en su dimensión histórica. La delimitación del cometido que debe cumplir la formación iushistórica requiere reflexionar sobre las tres dimensiones tradicionales del conocimiento, la dimensión material, la espacial y la temporal. Siendo este el razonamiento que justificó el primer simposio de la Sociedad Española de Historiadores del Derecho.
    Keywords: Historia del Derecho ; Universidad ; Formación ; Juristas ; Siglo XXI
    Language: Spanish
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  • 162
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 163
    Publication Date: 2024-04-03
    Description: The anatomical-functional structure with which human beings are equipped today has its roots in our evolutionary history: knowing the latter helps us understand why our body looks like this and functions in this way. Every living being, including Homo sapiens, is the result of a progressive stratification of forms that have adapted to environmental pressures which have shaped their morphology from deep time until today. Our masticatory apparatus (evolutionarily very recent) began to develop with the advent of mammals around 250 million years ago, structuring itself with a unique morphology and function, closely linked to the upright posture typical of the Homo genus and to globular encephalisation, a characterizing peculiarity Homo sapiens.
    Keywords: Dentistry ; Paleoanthropology ; Gnathology ; Evolution ; Posture
    Language: Italian
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  • 164
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il volume prende in esame le cause e le forme della nuova emigrazione (interna e internazionale) nell'Italia di oggi.
    Language: Italian
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  • 165
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 166
    facet.materialart.
    Unknown
    Milano University Press | Milano University Press
    Publication Date: 2024-03-05
    Description: Health is a Constitutional right. So, why is talking about private consumption in healthcare relevant? Does thinking there could be room for further private initiative make sense in a quasi-market? If so, given the issue of constitutionally guaranteed rights, what scope is there and for what needs? These are the questions explored and to which this textbook seeks answers by filling a gap in the management and health policy literature. Rigorously analyzing the trend of private health consumption in the Italian health sector, the implications for the NHS, and proposing conceptual and operational frameworks for those interested in developing entrepreneurial activity in healthcare or consolidating their management skills in the field.
    Description: Published
    Description: La salute è un diritto garantito dalla Costituzione. Perché, quindi, parlare di consumi privati in sanità? Ha senso pensare che, in un quasi mercato, possa trovare spazio ulteriore iniziativa privata? Se sì, dato il tema del diritto costituzionalmente garantito, quali spazi di operatività ci sono e per quali bisogni? Queste le domande che sono approfondite ed a cui questo testo cerca di dare risposta, per colmare una lacuna nella letteratura di management e politica sanitaria. Analizzando con rigore l’andamento dei consumi sanitari privati nel settore della salute italiano, le implicazioni per l’SSN e proponendo quadri concettuali ed operativi per chi è interessato a sviluppare l’attività imprenditoriale in sanità o consolidare le proprie competenze gestionali in materia.
    Keywords: Private Healthcare Consumption ; Out of pocket ; Accredited Healthcare Management ; Health Sector ; Management of Private Facilities ; Healthcare Consumerism ; bic Book Industry Communication::M Medicine::MB Medicine: general issues::MBP Health systems & services::MBPM Medical administration & management
    Language: Italian
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  • 167
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: In questa indagine si vuole far emergere la percezione personale rispetto allo studio del francese da parte degli studenti della scuola secondaria di primo grado. La Scuola italiana prevede l’insegnamento obbligatorio dell’inglese dalla prima classe della scuola primaria alla quinta classe della scuola secondaria di secondo grado e ciò genera una percezione da parte degli studenti (e, vista l’età del campione focalizzato, anche delle famiglie) dell’inglese come lingua utile, indispensabile – per- cezione confermata dai mass media – collocando le altre lingue straniere in una posizione secondaria. La conseguenza di questo ruolo di secondo piano è spesso una scarsa motivazione allo studio delle altre lingue, viste come meno utili e interessanti.
    Language: Italian
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  • 168
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 169
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    Taylor & Francis | Teoría sociocultural y español LE/L2 | Routledge
    Publication Date: 2024-03-24
    Description: Teoría sociocultural y español LE/L2 introduces the key concepts of sociocultural theory (SCT) as they apply to the teaching and acquisition of Spanish as a second and foreign language. Contributions from leading experts from across the globe, both well-established and emerging scholars, offer an in-depth view of how a sociocultural approach can impact the teaching and learning of Spanish. The first book on this subject to be written in Spanish, this unique volume examines the transformation that sociocultural ideas are producing and conceives learning and development as sociocultural and interpersonal activities. It highlights the objective of evaluation and research as dynamic intervention tools for learning and growth, the active role learners must play, and how a sociocultural approach illuminates the importance of mediation in the learning and development processes of the individual. Key features include: An interview with James P. Lantolf, one of the most prominent researchers in SCT applied to second languages A consistent use of sociocultural theory terminology in Spanish throughout A homogeneous chapter structure which makes it easy to consult Its own newly developed theoretical and research proposals An online glossary of relevant terms in sociocultural theory with brief definitions Designed for those with no prior knowledge of the subject area, Teoría sociocultural y español LE/L2 provides straightforward and accessible explanations of SCT accompanied by specific and practical applications for the language classroom. It is an essential resource for anyone teaching or studying to teach Spanish, as well as researchers in Spanish second language acquisition.
    Description: Teoría sociocultural y español LE/L2 es una introducción académica a conceptos clave de la teoría sociocultural aplicada a la enseñanza y el aprendizaje de español como segunda lengua y lengua extranjera. Los capítulos han sido escritos por expertos de todo el mundo, tanto por investigadores y profesores de larga trayectoria como por nuevos investigadores. La obra ofrece una revisión detallada del impacto de las ideas socioculturales en la enseñanza y aprendizaje de español. Es el primer libro que se publica en español con este enfoque. En sus páginas se documenta la transformación que el enfoque sociocultural está produciendo en la enseñanza-aprendizaje de segundas lenguas, en su investigación y evaluación, y en la formación docente. La obra concibe el aprendizaje y el desarrollo como actividades socioculturales e interpersonales, y destaca el objetivo de la evaluación y de la investigación como herramientas de intervención dinámica para el aprendizaje y crecimiento y, finalmente, cómo un enfoque sociocultural ilumina la importancia de la mediación en los procesos de aprendizaje y desarrollo de la persona. El volumen tiene las siguientes características: Incluye una entrevista con James P. Lantolf, uno de los investigadores más prominentes de la teoría sociocultural aplicada a las segundas lenguas Un uso consistente de la terminología de la teoría sociocultural en español a lo largo de toda la obra Cada capítulo tiene una estructura homogénea, lo cual facilita su consulta No reproduce la literatura existente en inglés, sino que desarrolla propuestas teóricas y de investigación propias y novedosas Incluye un glosario, disponible en línea, de términos relevantes en la teoría sociocultural con breves definiciones Diseñado y pensado para aquellos sin conocimientos previos de la teoría, Teoría sociocultural y español LE/L2 ofrece explicaciones claras y accesibles sobre la TSC acompañadas de ejemplos concretos y aplicaciones prácticas para la clase de lenguas. Es un recurso esencial para cualquiera que enseñe español LE/L2, así como para quienes investiguen su adquisición.
    Keywords: feedback interactivo,regulación,autonomía,tutorías,expresión escrita,expresión oral,interactive feedback,regulation,autonomy,tutoring,writing,speaking ; thema EDItEUR::C Language and Linguistics::CJ Language teaching and learning
    Language: Spanish
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  • 170
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 171
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 172
    facet.materialart.
    Unknown
    Taylor & Francis | Routledge
    Publication Date: 2024-04-05
    Description: Teoría sociocultural y español LE/L2 introduces the key concepts of sociocultural theory (SCT) as they apply to the teaching and acquisition of Spanish as a second and foreign language. Contributions from leading experts from across the globe, both well-established and emerging scholars, offer an in-depth view of how a sociocultural approach can impact the teaching and learning of Spanish. The first book on this subject to be written in Spanish, this unique volume examines the transformation that sociocultural ideas are producing and conceives learning and development as sociocultural and interpersonal activities. It highlights the objective of evaluation and research as dynamic intervention tools for learning and growth, the active role learners must play, and how a sociocultural approach illuminates the importance of mediation in the learning and development processes of the individual. Key features include: An interview with James P. Lantolf, one of the most prominent researchers in SCT applied to second languages A consistent use of sociocultural theory terminology in Spanish throughout A homogeneous chapter structure which makes it easy to consult Its own newly developed theoretical and research proposals An online glossary of relevant terms in sociocultural theory with brief definitions Designed for those with no prior knowledge of the subject area, Teoría sociocultural y español LE/L2 provides straightforward and accessible explanations of SCT accompanied by specific and practical applications for the language classroom. It is an essential resource for anyone teaching or studying to teach Spanish, as well as researchers in Spanish second language acquisition.
    Description: Teoría sociocultural y español LE/L2 es una introducción académica a conceptos clave de la teoría sociocultural aplicada a la enseñanza y el aprendizaje de español como segunda lengua y lengua extranjera. Los capítulos han sido escritos por expertos de todo el mundo, tanto por investigadores y profesores de larga trayectoria como por nuevos investigadores. La obra ofrece una revisión detallada del impacto de las ideas socioculturales en la enseñanza y aprendizaje de español. Es el primer libro que se publica en español con este enfoque. En sus páginas se documenta la transformación que el enfoque sociocultural está produciendo en la enseñanza-aprendizaje de segundas lenguas, en su investigación y evaluación, y en la formación docente. La obra concibe el aprendizaje y el desarrollo como actividades socioculturales e interpersonales, y destaca el objetivo de la evaluación y de la investigación como herramientas de intervención dinámica para el aprendizaje y crecimiento y, finalmente, cómo un enfoque sociocultural ilumina la importancia de la mediación en los procesos de aprendizaje y desarrollo de la persona. El volumen tiene las siguientes características: Incluye una entrevista con James P. Lantolf, uno de los investigadores más prominentes de la teoría sociocultural aplicada a las segundas lenguas Un uso consistente de la terminología de la teoría sociocultural en español a lo largo de toda la obra Cada capítulo tiene una estructura homogénea, lo cual facilita su consulta No reproduce la literatura existente en inglés, sino que desarrolla propuestas teóricas y de investigación propias y novedosas Incluye un glosario, disponible en línea, de términos relevantes en la teoría sociocultural con breves definiciones Diseñado y pensado para aquellos sin conocimientos previos de la teoría, Teoría sociocultural y español LE/L2 ofrece explicaciones claras y accesibles sobre la TSC acompañadas de ejemplos concretos y aplicaciones prácticas para la clase de lenguas. Es un recurso esencial para cualquiera que enseñe español LE/L2, así como para quienes investiguen su adquisición.
    Keywords: Sociocultural theory,SCT,Spanish linguistics,Spanish as a second language,Spanish as a foreign language,Spanish language pedagogy,Second language acquisition ; thema EDItEUR::C Language and Linguistics::CJ Language teaching and learning
    Language: Spanish
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  • 173
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 174
    facet.materialart.
    Unknown
    Instituto de Investigación y Capacitación Profesional del Pacífico - IDICAP PACÍFICO
    Publication Date: 2024-03-29
    Description: "Redes Sociales y Ortografía: Un Estudio con Universitarios" es una obra cautivadora que arroja luz sobre la intersección entre la comunicación digital y las habilidades ortográficas en el ámbito universitario. Escrito con agudeza y respaldado por una investigación meticulosa, este libro ofrece una exploración profunda de un tema contemporáneo de gran relevancia. Los autores inician el viaje llevándonos a través de la evolución tecnológica que ha impulsado al hombre a crear diversos medios de comunicación digitalizados. Este contexto establece el escenario para la investigación, que tiene como objetivo principal determinar la correlación entre el uso de redes sociales y las habilidades ortográficas de estudiantes universitarios. El enfoque metodológico, basado en un diseño transversal correlacional y no experimental, demuestra un cuidadoso equilibrio entre la amplitud del estudio y la precisión de los resultados. La población y muestra del estudio, compuesta por estudiantes de práctica del IX y X semestre, añade relevancia a los hallazgos, proporcionando una visión específica del entorno universitario. La investigación utiliza dos técnicas de recolección de datos: encuestas y evaluaciones. Los instrumentos, un cuestionario para la variable de redes sociales y un examen para la variable de ortografía, ofrecen una comprensión integral de la relación entre estas dos dimensiones. El uso del software estadístico SPSS y la prueba de hipótesis mediante el coeficiente de Spearman añaden robustez a los resultados presentados. Los resultados revelan una correlación negativa entre el uso de redes sociales y las habilidades ortográficas, desafiando preconcepciones comunes sobre la influencia positiva de la comunicación digital en la escritura. Sin embargo, el libro va más allá de esta correlación general, explorando las dimensiones específicas de la ortografía y revelando matices en la relación. La prosa clara y accesible facilita la comprensión de los hallazgos, haciendo que la obra sea accesible tanto para académicos como para lectores interesados en la evolución de la comunicación en la era digital. Además, la obra invita a la reflexión sobre cómo equilibrar la participación en redes sociales con el mantenimiento de las habilidades lingüísticas esenciales. En resumen, "Redes Sociales y Ortografía: Un Estudio con Universitarios" es una contribución valiosa al entendimiento de la influencia de las redes sociales en las habilidades escritas. Una lectura imprescindible para aquellos interesados en la intersección dinámica entre la tecnología y la expresión escrita en la educación superior.
    Description: Published
    Keywords: educación ; redes sociales ; ortografía ; educación superior ; ciberlenguaje ; bic Book Industry Communication::J Society & social sciences::JN Education ; thema EDItEUR::J Society and Social Sciences::JN Education
    Language: Spanish
    Format: application/pdf
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  • 175
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 176
    Publication Date: 2024-04-04
    Description: The book "Basic Principles of Biochemistry for Agroecology" is a work that seeks to provide students of this discipline with a solid foundation in the fundamentals of biochemistry. Written by a team of research professors, it is presented as a didactic resource for those students who seek to understand the relationship between chemistry, biochemistry and agriculture, beginning with the conceptual definition of biochemistry. As the text progresses, it delves into the concepts of plant cell structures, their characteristics and functions, as well as describing proteins, lipids, carbohydrates and nucleic acids. In addition, it addresses topics important to agroecology, such as photosynthesis and the function of nutrients in plants. The focus on these topics allows agroecology students to understand how the principles of biochemistry are relevant to the study of agriculture and food production. It also includes a variety of learning aids, such as charts, tables, diagrams and examples. These resources help students visualize and understand difficult concepts in biochemistry and apply them to real-world situations. One of the most outstanding features of this document is its accessible and easy-to-understand language. The authors have avoided excessive use of technical terminology and have explained the concepts clearly and concisely. This makes it suitable for students of various levels and academic backgrounds. In conclusion, it is valuable and essential bibliographic material for any student who wishes to understand the basic principles of biochemistry and its application in the field of agroecology. With clear writing, useful supporting resources, and a focus on topics relevant to agriculture, it represents an excellent tool for learning and understanding biochemistry and its relationship to food production.
    Description: Published
    Description: El libro "Principios Básicos de Bioquímica para Agroecología" es una obra que busca proporcionar a los estudiantes de esta disciplina una base sólida en los fundamentos de la bioquímica, escrita por un equipo de docentes investigadores, se presenta como un recurso didáctico para aquellos estudiantes que buscan comprender la relación entre la química, la bioquímica y la agricultura, iniciando con la definición conceptual de bioquímica. A medida que avanza el texto, se profundiza en los conceptos de estructuras de la célula vegetal, sus características y funciones, así como también se describen las proteínas, lípidos, carbohidratos y ácidos nucleicos. Además, aborda temas importantes para la agroecología, como la fotosíntesis y la función de los nutrientes en las plantas. El enfoque en estos temas permite a los estudiantes de agroecología entender cómo los principios de la bioquímica son relevantes para el estudio de la agricultura y la producción de alimentos. Así también incluye una variedad de recursos de apoyo para el aprendizaje, como cuadros, tablas, diagramas y ejemplos. Estos recursos ayudan a los estudiantes a visualizar y comprender los conceptos difíciles de la bioquímica, y a aplicarlos a situaciones del mundo real. Una de las características más destacadas de este documento es su lenguaje accesible y fácil de entender. Los autores han evitado el uso excesivo de terminología técnica y han explicado los conceptos de manera clara y concisa. Esto hace que sea adecuado para estudiantes de diversos niveles y antecedentes académicos. En conclusión, es material bibliográfico valioso y esencial para cualquier estudiante que desee comprender los principios básicos de la bioquímica y su aplicación en el campo de la agroecología. Con una escritura clara, recursos de apoyo útiles y un enfoque en temas relevantes para la agricultura, representa una excelente herramienta para el aprendizaje y la comprensión de la bioquímica y su relación con la producción de alimentos.
    Keywords: Bioquímica ; Agroecología ; Fotosíntesis ; Biomoléculas ; Biotecnología ; thema EDItEUR::P Mathematics and Science ; thema EDItEUR::R Earth Sciences, Geography, Environment, Planning
    Language: Spanish
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  • 177
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    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Like a language, food is a witness to the tradition and to the identity of a human group, reflecting self-representation and social interaction. Assyrians developed a particular consciousness of commensality as a vehicle for cultural messages. This book investigates institutional banquets and ritualized meals in the Neo-Assyrian period. Through a philological analysis on commensality, integrated with historical and iconographic data, it offers a new perspective on the Mesopotamian society of the first millennium BCE.
    Language: Italian
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  • 178
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 179
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 180
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    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Nel volume sono riportati i risultati principali ottenuti dal gruppo di ricerca dell’Università Ca’ Foscari Venezia nel progetto Uni4justice finanziato dal Ministero della Giustizia, al quale hanno partecipato diverse università dell’area “nord est”, oltre a tutte le Corti. Obiettivo generale del progetto è stato quello di sostenere e di implementare, con iniziative di studio e formazione, l’innovazione introdotta con l’istituzione degli addetti all’Ufficio per il Processo (AUPP) negli uffici giudiziari italiani, con l’esplicito sotto-obiettivo di elaborare una riflessione più ampia sullo stato della giustizia italiana, utile a indirizzare interventi futuri. Il contesto è quello del sostegno alle fondamentali riforme collegate al PNRR, richieste dai referenti europei e necessarie per il Paese; tra queste, in particolare, la riduzione dei “tempi della giustizia” e, legato a ciò, il decongestionamento del carico di lavoro, anche per il tramite dello smaltimento dei (troppi) arretrati.
    Keywords: adoption,Criteria for quantifying damages,(Non Political) Crime,Qualitative research,Difficulties,Italian legal system,c,Backlog,Employment of UPP officers,Lenght of proceedings,Bank’s governance,Case-weighting system,Added value,Chairman of the bank,Directors’ liability,Judicial indicators,Good practices,Data-driven approach,Judicial backlog,judicial statistics,Reasonable royalty,Applied research,Board of directors,IT,Punitive damages,Policy evaluation,Uni4Justice,UPP officers,New calculation methods,General manager,International adoption,Judicial system,Foreign adoption,Seriousness,337 ter c,Exclusion,Refugee,Evaluation,Law n,Uni4justice,Pivots,Policy implementation,Increase of efficiency,Child support,Survey,Civil la,184/1983,Compensation of damages,Immigration,Industrial property rights,Recognition
    Language: Italian
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  • 181
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    FrancoAngeli
    Publication Date: 2024-04-07
    Description: This essay focuses on light and theories of combustion in the late 18th century. But it does so “on the nitrogen side”: that is, on the side of those inert three-quarters of air that do not contribute to respiration and, therefore, do not trigger the light-emitting response of phosphorus in experiments. In analyzing the variety of opinions broadly (and imprecisely) ascribable to the “Lavoisierian-Phlogistonist” dispute, this book sheds special light on the non-Lavoisierian German context where Johann Friedrich August Göttling performed his tests on phosphorus and nitrogen – and, subsequently, on Lazzaro Spallanzani’s crucial role in the debate. The book pays attention to theories, but it also deals with experimental practice. Therefore, it tells a story of procedures and instruments: in fact, it was especially on this tricky field that the understanding of the phosphorus-nitrogen relationship was achieved. In reading these pages, we shall meet the great heroes of early chemistry as well as the “artisans of innovation” who gave substantial contributions to the advancement of their discipline: a rich fresco that gives us a clear idea of the complexity of the methodological debate at the turn of the century, and of how widespread scientific activity was at that time.
    Keywords: History of chemistry; nitrogen; theories of combustion; Johann Friedrich August Göttling; Lazzaro Spallanzani ; thema EDItEUR::P Mathematics and Science::PN Chemistry ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDX History of science
    Language: Italian
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  • 182
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 183
    Publication Date: 2024-02-15
    Description: The research that resulted in this book aimed to characterize the use of media in three elementary and secondary educational institutions in the cities of Cartago (Valle del Cauca), La Union (Nariño), Dosquebradas (Pereira), and Cartagena (Bolivar) through the construction of a knowledge map that would promote the exchange and articulated management of experiences and developments. The methodology used, integrated different ways of approaching the reality of educational dynamics and actors that generate educational-communicative and social processes to strengthen their training practices. In this line, each experience is consolidated in what are called Media Biographies, product of the experiences, events, times, and efforts each actor has deposited in these processes and that are articulated from different voices; the actors, the researcher when conducted the field work, and later the authors of this document. The research also illustrates a crucial period for educational history at the global level; the health emergency of COVID-19, which was integrated into the dynamics and expanded the ranges of analysis and personal and professional reflection, insofar two experiences were developed in this period, and managed to collect the emotions, the complexity, but also the dynamics to overcome the difficulties. The results show a map that presents different evolving coordinates of routes already established to qualify future inquiry exercises that become beacons on which educational institutions, teachers, and students can replicate, retake, or streamline these experiences and from there, contribute to the quality of education in the country.
    Description: Published
    Description: La investigación que dio como resultado este libro, tuvo como objetivo caracterizar el uso de medios de comunicación en tres instituciones educativas de básica y media en las ciudades de Cartago (Valle del Cauca), La Unión (Nariño), Dosquebradas (Pereira) y Cartagena (Bolívar), mediante la construcción de un mapa de conocimiento que fomentara el intercambio y la gestión articulada de experiencias y desarrollos. La metodología empleada, integró diversos modos de acercarse a la realidad de la dinámica educativa y de actores que generan procesos educomunicativos y sociales con el fin de fortalecer sus prácticas formativas. En esa línea, cada experiencia se consolida en lo que se denominan Biografías Mediáticas, producto de las experiencias, los eventos, los tiempos y los esfuerzos que cada actor ha depositado en estos procesos y que se articulan desde distintas voces, los actores, el investigador cuando desarrolló su trabajo de campo y posteriormente los autores de este documento. La investigación permite también ilustrar un periodo de tiempo crucial para la historia educativa a nivel global, que fue la emergencia sanitaria del COVID-19, lo cual fue integrado a la dinámica y que amplió los rangos de análisis y de reflexión personal y profesional, en tanto, dos experiencias se desarrollaron en este periodo y lograron recoger las emociones, la complejidad, pero también la dinámica para superar las dificultades. Los resultados dan cuenta de un mapa que presenta coordenadas diversas, evolutivas, de rutas ya definidas para cualificar futuros ejercicios de indagación que se convierten en faros sobre los cuales instituciones educativas, docentes y estudiantes pueden replicar, retomar o dinamizar estas experiencias y desde allí, contribuir a la calidad educativa en el país.
    Keywords: Educomunicación ; comunicación ; Instituciones Educativas ; TIC ; Medios de comunicación ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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  • 184
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 185
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    Bielefeld University Press | Bielefeld University Press
    Publication Date: 2024-04-11
    Description: Colombia ha enfrentado una historia de violencia y desigualdad, con líderes asesinados, masacres y abusos perpetrados por grupos paramilitares, guerrillas y fuerzas estatales. Un ejemplo reciente son las manifestaciones del paro nacional a finales de abril de 2021, surgidas por el aumento de impuestos de productos esenciales y que fueron marcadas por la brutal represión policial. La violencia y despojo de tierras han sido experiencias cotidianas en la vida de muchos colombianos, particularmente en las zonas rurales y empobrecidas. En este libro, Eduardo Restrepo argumenta que la desigualdad y violencia en Colombia están arraigadas en un orden moral jerarquizado que produce existencias »dispensables«, marcadas por el desprecio y la indiferencia. Aunque el análisis se centra en ese país, sugiere que esta dinámica también puede ser relevante en otros países de América Latina. Restrepo aboga por la importancia de un compromiso ético-político en la elaboración de narrativas más comprensivas sobre los problemas sociales y las luchas por el cambio.
    Keywords: Desigualdad Social ; Racismo ; Clasismo ; Violencia ; Afrocolombianos ; Pacífico Colombiano ; Rassismus ; Soziale Ungleichheit ; Gewalt ; Lateinamerika ; Bielefeld University Press ; Racism ; Social Inequality ; Violence ; Latin America ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFQ Social mobility ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies::JBSL1 Ethnic groups and multicultural studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFK Violence and abuse in society
    Language: Spanish
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  • 186
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Publication Date: 2024-04-16
    Description: The Faculty of Philosophy and Letters in Madrid commissioned Marcelino Menéndez Pelayo and Nicolás Salmerón to write a report on the royal decrees that reduced university staffing levels, given by virtue of the authorisations granted by the Budget Law of 30 June 1892. The text of the opinion is reproduced together with some extracts from a well-known book by the professor from the Central University (Historia de los heterodoxos españoles) which help to understand the context of the message. It thus serves to document the extent of an opinion, which is not confined to a single group - the Krausist group - but is shared by other sectors that conceive of the university as something more than an administrative office. The key ideas are: the immobility of the teaching staff; an ideal of family life geared towards scientific research; the demand for autonomy - freedom of action - for the university body; the conception of the university as the representative of national culture; the promotion of scientific and not only professional faculties; the intervention of the university in the choice of its staff; the elimination of course exams... In short, it rejected "the trampling importation of the French centralist regime" and called for emancipation from excessive official tutelage.
    Description: Published
    Description: La Facultad de Filosofía y Letras de Madrid comisionó a Marcelino Menéndez Pelayo y a Nicolás Salmerón para redactar un informe sobre los reales decretos que reducían las plantillas de las universidades, dados en virtud de las autorizaciones concedidas por la Ley de Presupuestos de 30 de junio de 1892. Se reproduce el texto del dictamen junto a unos fragmentos de un conocido libro del profesor de la Central (Historia de los heterodoxos españoles) que ayudan a comprender el contexto del mensaje. Sirve así para documentar la extensión de una opinión, que no se circunscribe a un solo grupo –el krausista– sino que es compartida por otros sectores que conciben la universidad como algo más que una oficina administrativa. Las ideas clave son: la inamovilidad profesoral; un ideal de vida familiar encaminada a la indagación científica; la exigencia de autonomía –libertad de acción– para el cuerpo universitario; la concepción de la universidad como representante de la cultura nacional; el fomento de las facultades científicas y no solo profesionales; la intervención de la universidad en la elección de su personal; la eliminación de los exámenes de curso... En definitiva, se rechaza “la atropellada importación del régimen centralista francés” y se reclama la emancipación de la excesiva tutela oficial.
    Keywords: Course exams ; Faculty election ; National culture ; University autonomy ; Professor immobility ; Exámenes de curso ; Elección profesorado ; Cultura nacional ; Autonomía universitaria ; Inmovilidad profesoral ; bic Book Industry Communication::L Law ; bic Book Industry Communication::H Humanities::HB History ; bic Book Industry Communication::J Society & social sciences::JN Education::JNM Higher & further education, tertiary education
    Language: Spanish
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  • 187
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    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Da qualche anno è in vita un progetto di ricerca dell’Università degli Studi di Bari, che ha all’attivo ormai diversi contributi, sulla ricezione della letteratura spagnola nell’Italia del Novecento. Se il primo obiettivo è stato quello di avere un quadro esaustivo delle traduzioni di letteratura spagnola in volume, non meno significativo appare il lavoro di recensione degli articoli pubblicati nelle riviste di cultura. Relativamente alle riviste della prima metà del secolo abbiamo strumenti che supportano la ricerca e studi che offrono delle prime conclusioni, mentre molto meno chiaro è il quadro del secondo Novecento di cui si offre in questo volume una prima esplorazione, in vista di uno spoglio sistematico, e di una disamina puntuale dei contenuti.
    Keywords: Spanish Civil War,Stage reception,Culture,Realidad magazine,Sipario,Nueva Ola,Literary transfer,Spanish Communist Party (PCE),Semprún,Francoist censorship,Stereotypes,Reviews,Claudín,20th century,Europa Letteraria,Cultural magazines,Italian reception of Spanish theatre,Expansion of reception,Literature,Role of criticism,Literature reception,Hispanic literatures,Role of poetry,Italian broadcasts,Paragone Letteratura,Italian press,Spain,Literary journals,1950-1975,Post-francoism,Spanish literature,Jesús López Pacheco,Spanish theatre
    Language: Italian
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  • 188
    Publication Date: 2024-03-24
    Description: This book arose from the Latin American Network for the study and intervention in happiness and well-being consolidated at the end of the year 2020. The beginning of this happy work team was given from the concerns of a group of researchers from the National Open and Distance University, belonging to the Emotional Development and Education Psychology Group who were interested in the analysis and study of different problems related to quality of life and well-being. From these concerns, the event called International Colloquium: Happiness and Human Well-being was born, whose first edition was held in 2016 and has subsequently been held biannually (2018 and 2020), already completing three versions, in which different researchers and lecturers on the subject participated. and the particular approaches proposed for each edition.
    Description: Este libro surgió desde la Red latinoamericana de estudio e intervención en felicidad y bienestar consolidada a finales del año 2020. El inicio de este feliz equipo de trabajo se dio a partir de las inquietudes de un grupo de investigadores de la Universidad Nacional Abierta y a Distancia, pertenecientes al Grupo Psicología Desarrollo Emocional y Educación que se interesaron en el análisis y estudio de diferentes problemas relacionados con la calidad de vida y el bienestar. De estas inquietudes nació el evento denominado Coloquio Internacional: Felicidad y Bienestar Humano, cuya primera edición se realizó en 2016 y posteriormente se ha realizado bianualmente (2018 y 2020), cumpliendo ya tres versiones, en las cuales participaron diferentes investigadores y conferencistas sobre el tema y los enfoques particulares propuestos para cada edición.
    Keywords: bienestar psicológico ; ansiedad ; depresión ; psicología positiva ; logoterapia ; fortalezas de carácter ; thema EDItEUR::C Language and Linguistics
    Language: Spanish
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  • 189
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    Center of Latin American Studies, University of Kansas
    Publication Date: 2024-04-03
    Description: Justicia Social: Reivindicaciones del arte de creación colectiva es una compilación de artículos críticos en homenaje a Patricia Ariza, exministra de Cultura de Colombia. Este libro relata la historia de la resistencia artística y política en Colombia, resaltando el papel fundamental de Patricia Ariza como poeta, actriz, dramaturga, escritora y feminista. Ariza ha encabezado las reivindicaciones de las mujeres y las víctimas del conflicto armado en el país. Como integrante del movimiento Nadaísta y sobreviviente al genocidio de la Unión Patriótica (UP), es una mujer libertaria que desafía los protocolos establecidos, una poeta comprometida con el destino de su nación.
    Keywords: Literary Criticism / Caribbean & Latin American ; bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism
    Language: Spanish
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  • 190
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 191
    facet.materialart.
    Unknown
    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-01-29
    Description: La educación de nuestros días está inmersa en un conflicto de complejas dimensiones y reproduce las desigualdades en la distribución de bienes y saberes a nivel internacional. Es posible afirmar que la educación vive una suerte de modernización sin modernidad, que se manifiesta por contar con infraestructuras de alto nivel formal y tecnológico, bajo condiciones de desigualdad y de opresión individual y social. Dicho escenario, que alcanza su mayor expresión en las naciones más pobres del planeta, se expresa tambien de una manera inocultable en prácticamente todos los países - incluyendo naturalmente los de América Latina y el sur de Europa-.Por sus alcances globales, la modernización es un factor que enlaza -real o virtualmente- a grupos y a individuos más allá de las fronteras geográficas. En tal sentido, el eje configurado por la modernización y la educación pone en contacto a determinados segmentos sociales que, de manera independiente a sus orígenes culturales y regionales, llegan a encontrar grandes afinidades entre sí merced a sus condición e intereses socioecónomicos. En la educación de principios del siglo XXI, los grandes avances y los indicadores exitosos siguen teniendo como contraparte la ignorancia y la desigual distribución social y regional del conocimiento.
    Keywords: Educación ; Universidad ; Education ; University ; bic Book Industry Communication::J Society & social sciences::JN Education::JNM Higher & further education, tertiary education
    Language: Spanish
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  • 192
    facet.materialart.
    Unknown
    Viella editrice | Viella
    Publication Date: 2024-04-10
    Description: Published
    Description: Tra la fine del XVI e l’inizio del XVII secolo il «fontanaro e ingegniero de acqua» Giovanni Antonio Nigrone compose un manoscritto in cui raccolse la sua esperienza professionale maturata lavorando tra Napoli, Firenze e Roma. L’opera, composita e variegata, contiene un ricco catalogo di disegni di fontane e un’ampia rassegna di strumenti meccanici per lo sfruttamento dell’acqua, accanto ad argomentazioni teoriche sui più importanti temi della cultura del tempo, dalla fisica naturale all’astrologia, passando per la storia. Conservato per secoli nel convento napoletano di S. Efrem Nuovo e divenuto poi patrimonio del Regno d’Italia alla metà del XIX secolo, il testo di Nigrone viene pubblicato qui per la prima volta, insieme ad un apparato critico di note e schede e a un saggio introduttivo che aiutano a contestualizzarlo nel tempo in cui fu concepito.
    Keywords: bic Book Industry Communication::H Humanities
    Language: Italian
    Format: application/pdf
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  • 193
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Caratteristiche, metodologie e motivi della valutazione dell'insegnamento delle lingue straniere a scuola.
    Language: Italian
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  • 194
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 195
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 196
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 197
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 198
    Publication Date: 2024-04-07
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 199
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Questa ricerca, condotta su un campione di 353 studenti del primo anno dei corsi di laurea in lingue occidentali e di mediazione linguistica e culturale dell’Università di Venezia, indaga come gli studenti valutino la loro formazione linguistica ricevuta nella scuola superiore.
    Language: Italian
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  • 200
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: The present volume collects most of the contributions to the plenary sessions held at the 24th International Congress of Byzantine Studies, and incisively reflects the ever increasing broadening of the very concept of ‘Byzantine Studies’. Indeed, a particularly salient characteristic of the papers presented here is their strong focus on interdisciplinarity and their breadth of scope, both in terms of methodology and content. The cross-pollination between different fields of Byzantine Studies is also a major point of the volume. Archaeology and art history have pride of place; it is especially in archaeological papers that one can grasp the vital importance of the interaction with the so-called hard sciences and with new technologies for contemporary research. This relevance of science and technology for archaeology, however, also applies to, and have significant repercussions in, historical studies, where – for example – the study of climate change or the application of specific software to network studies are producing a major renewal of knowledge. In more traditional subject fields, like literary, political, and intellectual history, the contributions to the present volume offer some important reflections on the connection between Byzantium and other cultures and peoples through the intermediary of texts, stories, diplomacy, trade, and war.
    Keywords: Anatolia,Remote sensing,Epigrams,Interdisciplines,Water jar,Builder,Conflicts,Caucasus,Iconography,weaponry,Robert and Mildred Bliss,Byzantine Studies,Late Antiquity,Byzantine literature,Royall Tyler,Edgar,English Mandate,Silks,History of sciences,Triumphal columns,Sociology,Placemaking,Cities,interaction,Arabic,Academic practices,Textiles,Adaptations,Byzantine archaeology,William the Conqueror,Geocommunication,Metalwork,Portable art,elite,Dynasties,Ottomans,Persian,Anthropology,Normans,History of climate and society,Byzantine history,Ceramic finds,Description of cities,Epigraphy,Theories of exchange,Law history,Production,Research methodology (in Byzantine legal studies),History of Byzantine law,Material culture networks,writing,Health,Global history,Knowledge production,Constantinople,Urban archaeology,Writing,Geography,Borderland/Frontier,Viking,Spatial analysis,Interdisciplinarity,Healthscape,Power relations,Sociometry,French Mandate,Environmental history,Survival of cities,Turks,Urban rescue excavations,remote sensing,Byzantium,Anglo-Danish,Metaphrasis,Regressive engineering,Weaponry,Orestes,Transitional period,Asia,History of religions,Interactions with other cultures,Sigillographie,Head loading,Eastern Roman Empire,Foundation stories,Epigraphie,Inscriptions,Analysis,Sigillography,Gold,Reception,Residential architecture,Iconographie,Harald Hardrada,Roman administration,Literature,American University Museums,Byzantine age,Catalogue,Network analysis,Commerce,Sacred spaces,Amorium,Texts,Sacred landscapes,Progress,Education,Imperial Roman period,basileus,laudes,Consilience,Island,Byzantine identity,Alans,Imperial Roman Period,Late antiquity,builder,Tales,mercenaries,Byzantine trade,LiDAR,Translations,Early Medieval Mediterranean,Prosopographie,Adrianople,Database,Laudes,Gifts,Hybridity,Turkish,Mediterranean,diplomacy,Theory,Byzantine Constantinople,Architectural heritage,Tradition,Byzantine-Islamic relations,American university museums,Byzantine studies,Economic and non-economic exchange,Byzantine,dynasties,Cultural history,Concepts,Vocabulary,island,Byzantine legal studies,Red slip,Hadrian,Edward the Confessor,tales,Prosopography,Interaction,Italy,Iceland,quarries,Basileus,Foundation Stories,Production site,Isauria,Edirne,Studies,Stratagems,borderland/frontier,French mandate,Ceramic,Sasanian empire,Distribution patterns,Globular amphora,English mandate,Mercenaries,Eastern Christianity,Diplomacy,Cnut,Historical geography,Ragnvald,Crafts,stratagems,Constantinople, ecclesiastical architecture,Byzantine art,Methodology,texts,Culture of the collection,Embroidery,Constantinople, monasteries,Byzantine law,Bases de données,consilience,Asia Minor,Tabula Imperii Byzantini (TIB),Climate history,Syriac studies,Trade hub,Quarries,Monasteries,Italian museums and churches,Balkans,Ecclesiastical architecture,Space,gold,Elite,Byzantine-awareness,Chronicles,Roman infrastructure,Plunder,Philology,Tribute,Complexity theory,Digital humanities,Conservation policies
    Language: English , Italian , French
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