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  • thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general  (10)
  • M31
  • M14
  • ddc:300
  • Polish  (11)
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  • 1
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-27
    Description: The monograph by Grzegorz Grochowski documents insightful reflection on the current state of the field of the genre order of discourse, especially literary taxonomies. These orders are seen from the perspective of various methodological orders of the last few decades, developed in the area of postmodern literary studies. The conclusions emerging from these are examined from the angle of analytical utility of selected solutions. The study is successful at depicting the current state of the debates on the theory of literature and the dynamics of phenomena observed in the field of contemporary literature. It combines an in-depth theoretical analysis with sophisticated interpretations of the texts. Therefore, it skilfully transports theoretical discussions on to a concrete level. (excerpt from a review by Prof. Teresa Dobrzyńska) The fascinating book by Grzegorz Grochowski on the postmodern literary games is also a game the researcher plays with traditional genology and the aim of creating categories other than genre and text for this literary play: those of description and understanding. Discourse analysis leads theory of literature out of the narrow backwater of literary theories. It also demonstrates that literature has a meaning not only against the backdrop of language and genological norm, that its dynamics require a return into the chaos of social life (rejected by structuralism). (excerpt of a review by Prof. Zofia Mitosek)
    Keywords: theory of literature literary genology ; genre ; Polish literature ; discourse analysis ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 2
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-26
    Description: The book addresses the problem of the influence of copyright law on modern modes of functioning and understanding of literature. This problem is situated in a context of Law and Literature studies and in particular within the cultural studies of copyright, which are summarised in chapter one. The history of copyright law and related literary discussions is recapitulated in chapter two. In the next chapters, the analysis is focused on literary discussions in which copyright law is a directly posed problem, or it is indicated only as context. Particular attention is paid to: philological genealogical research (and texts by Wacław Borowy and John Livingstone Lowes); discussion surrounding T.S. Eliot’s poem ‘The Waste Land’; the debate provoked by Karol Irzykowski’s article ‘Plagiatowy charakter przełomów literackich w Polsce’ [‘The Plagiarising Character of Literary Breakthroughs in Poland’]; analysis of copyright law in the writings of Jacques Derrida and in the novel Muza dalekich podróży [The Muse of Long-Distance Travels] by Teodor Parnicki; finally, anthologies Future of Copyright published at the beginning of the twenty-first century in Poland. In the last chapter, the analysed problems are situated in the context of the debate on the commodification of literature in capitalist societies.
    Keywords: law and literature ; copyright law ; modern literature ; plagiarism ; literary property ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 3
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-26
    Description: Culture as a Verb is a book on what I call new humanities of a wide and vastly varied orientation, direction, turns, and simply interests, interconnecting in opposition to the principles of contemporary theory of humanistic cognition. For, if contemporary knowledge is presented as bodiless, impersonal, static, external and neutral (unengaged), then the new humanities inquiries are led on the basis of different principles: embodied knowledge, personalised (participating), actively-acting (intervening cognitively), penetrating the research field and situated (engaged). This is a very significant change . . . With it, we go from a culture of disinterested observation, founded on the myth of the contemplative view of the whole external world, to a real culture of participative action, reconciled with perspectivity and the fragmentary nature of cognitive actions of a subject, who forges a path to reality, from within and by their own actions.
    Keywords: culture ; new humanities ; literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 4
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-26
    Description: This book is the first monograph concerned with a feminist reading of Polish contemporary poetry to utilise tools of affective methodologies. It seeks to establish the extent to which affects contribute to the process of collective forms of existence. The book’s main thesis assumes affects to be the triggers of action, particularly of critically modifying established narratives about emotive histories of societies which include the allotment of the capacity to feel in order to coercively classify the actors and actresses of collective life. Poetry, as a very particular instance of those various affective machineries, becomes yet another version of collective memory. Poetical representations, acting in synergy with transformations of the contemporary subject, operate on three levels: firstly, by reproducing normative images of womanhood in its relations with surroundings, secondly, by disturbing the said images through an, often critical, reformulating of them, or thirdly, by becoming postulated variants of those transformations. The semantic dominants one can find in recent women’s poetry that, at the same time, constitute a portion of the broader symbolic feminine capital being a unified construct edifying the social discourses, pertain to the category of disease/illness, seeing, trauma and shame, the affective work, love, migration, and community.
    Keywords: social machinery ; affect ; women’s poetry ; literary studies ; women’s emancipation ; emotions ; Polish contemporary poetry ; feminism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 5
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-26
    Description: The author identifies selected aspects of the history of attention and exposes the peculiar relation between philosophy and literature against this background. The task of describing the world, not finished by phenomenology, is taken up by attentive poetry: it can complete the project of portraying the visible world, while keeping the rules of perceptive faith, but also being mindful of the constraints of language at the same time. After breaking contact between word and object, the poet becomes the one who brings the spirit of mankind closer to the world. In the context of twentieth-century dilemmas and projections, attention turns out to be not only a simple consequence of a certain aesthetic choice, but instead, choosing attention gains a crucial importance, rendering it a tool of re-vindicating the lost reality. Attentive poetry, that is such poetry, which does not allow itself to get carried away with language in whichever direction, but tames its anarchy, and does not accept a finished world, rejecting the temptation of relying on easy knowledge, is complemented by attentive reflection in this study: a reflection which is not prone to putting too much faith in the exclusivity of its own accomplishments. (excerpt from a review by Prof. Piotr Śliwiński)
    Keywords: attention ; philosophy ; literature ; poetry ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 6
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-27
    Description: In Part I, Ryszard Nycz formulates an opinion on the topical specifics of the humanities’ studies; the opinion is rooted in the traditions of the discipline (literary studies), the ability of its influential orientation (intertextual poetics), as well as the writings of T. W. Adorno, one of the most astute philosophers and researchers of modern culture. In Part II, the author drafts a modified formula for carrying out the theory of literature, the aim of which is to avoid not merely its marginalisation, but its breaking-up (and the assigning of it to anthropology and/or cultural studies in particular). In Part III, the author endeavours to delineate the tasks of literary criticism, exposed to challenges generated by the changes in the function and status of national literature, models of identity, and in the relationships between the global and local dimension of contemporary culture. In Part IV, case studies are used to critically test the traditional view of the solely-applied character of interpretation against theory. The last part, ‘Literature: A Reading of a Letter’, acts as a summary. In it, the author depicts a concept of literature precisely as poetics of experience, as well as drafting a sketch of the theory of its understanding. As part of this theory, in the entirety of the practices and procedures of getting to know it, the author distinguishes three separate (in some aspects) tasks: spontaneous understanding, intellectually rigorous interpretation, and the experience of reading.
    Keywords: poetics ; experience ; modernity ; theory of literature ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 7
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-26
    Description: In her book, Katarzyna Liszka provides the reader with a clearly outlined map of the main sides of the debate on the ‘division of labour of memory’ after the Holocaust, examines the arguments, which are used in this dispute, together with an analysis of ethical implications, which, according to the author, have a fundamental significance for the majority of Jewish thinkers taking a stance in this debate. This angle, with the focus on the plural ‘ethics of memory’ in the beginning of the work, allows the author to connect various idioms of philosophy, theology and sociology of the twentieth century, as complementary elements of reflection framed as a way of remembering. In this perspective, the subsequent notional mediations, corrections of approaches taken by Hannah Arendt, Avishai Margalit, or Zygmunt Bauman, become an indirect proof of the crystallisation, not only of the aforementioned community of memory work, but also of the transformation of ethical and legal categories related to the issue of the community of universal ethics, which the author writes about in the conclusion of her work, with reference to the reflections of Natan Sznaider and Daniel Levi. (excerpt from a review by Dr hab. Tomasz Majewski)
    Keywords: collective memory ; ethics ; the Holocaust ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 8
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-27
    Description: This volume comprises texts created on the basis of three-fold meetings: the first kind were constituted by lectures led by invited guests, representing various fields and areas of research, which, in some necessary simplification, can be divided into historiography (Ewa Domańska), philosophy (Agata Bielik-Robson), literary and memory studies (Michael Rothberg), and philosophy of literature (Michał Paweł Markowski). The lectures were accompanied by workshops, whose leaders present their texts in the second part of the work, and the third part is made up of notes from panel talks. As per the nature of these types of sessions, they present themselves as highly intense (various meetings from morning until evening), as well as showing the unavoidable variety in outlooks, which is one of the major advantages of such events. Another advantage is a slightly more ‘personalist’ encounter, not so much with text, but with the figure of an author, and thus also with the personality of a researcher. What became the idea bringing all these activities together was memory, understood and treated in very different ways. The variety of starting points and views on the forms and places of the functioning of memory then transformed itself into an abundance of experiences of the ‘originators’ and the richness of feelings (also of those imprinting themselves in memory) of the ‘receivers’.
    Keywords: memory ; memory studies ; historiography ; philosophy ; literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 9
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-27
    Description: Alongside Bentham the guardian of the weak and the subordinate, sensitive to other’s suffering and deeply engaged in the fight for a better future and a more just legal system, there also exists a Bentham the unmitigated demiurge, with uncontrollable ambitions, incessantly creating soulless and authoritarian worlds of control and discipline. There is much that would suggest the English philosopher was pushed towards authoritarianism by the striving to provide a sense of security to the landed classes, and by fear of phenomena such as panic and social unrest. At the same time, as work on specific projects progressed, the noble impulses which often underpin them became weak, and they were replaced, under the influence of perfectionist fears and passions, by the thirst for complete control and total discipline. (excerpt from the book)
    Keywords: Jeremy Bentham ; control ; power ; philosophy ; panopticism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 10
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-27
    Description: We will be following the departure of cinema ‘towards virtuality’ (towards new ways of creating, understanding and existence of cinema in the times of transformations of media technology) primarily from the perspective of selected artistic practices of three artists: Peter Greenaway (who often repeats the argument about the ‘death’ of traditional cinema and the birth of new ways of depiction), Lynn Hershman Leeson (American artist of the ‘wider cinema’) and Mike Figgis, who reflected on various types of cinematic image and the cinema of the digital age in his autothematic films. The authors will also discuss cinema in the wider context of cultural reflection. Questions on the ‘virtualisation’ of culture will require an attempt at defining the notion of ‘virtuality’, and a tracing of its journey through different levels of cultural discourses, as well as linking it back to the analysed works. Towards Virtuality… is a book about cinema (its creators, works and characters), steeped in technological, philosophical, scientific and, more generally, cultural transformations of modernity.
    Keywords: contemporary cinema ; virtuality ; contemporary art ; Peter Greenaway ; Lynn Hershman Leeson ; Mike Figgis ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 11
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    Wuppertal : Wuppertal Institut für Klima, Umwelt, Energie
    Publication Date: 2014-08-15
    Keywords: ddc:300
    Repository Name: Wuppertal Institut für Klima, Umwelt, Energie
    Language: Polish
    Type: contributiontoperiodical , doc-type:contributionToPeriodical
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