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  • Firenze University Press  (2)
  • UCL Press  (2)
  • Department of Eagles  (1)
  • Japanese  (5)
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  • 1
    Publication Date: 2022-08-06
    Keywords: エスノグラフィー・スマートフォン・高齢化・ニューテクノロジー・人類学・メディア研究・高齢者・文化研究・ポピュラーカルチャー ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology::JHMC Social & cultural anthropology, ethnography ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies::JFCA Popular culture ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies::JFCD Material culture ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology
    Language: Japanese
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  • 2
    facet.materialart.
    Unknown
    punctum books | Department of Eagles
    Publication Date: 2024-03-23
    Description: Broken Narrative provides an extensive reflection on history, politics, and contemporary art, revolving around the cornerstones of the artistic practice of Albanian artist Armando Lulaj. The core of the book is formed by and extended interview of Lulaj by Italian artist and writer Marco Mazzi. This inquiry starts in the year 1997, a year of social and political upheaval in Albania, of anarchy, controversies and emigration, of toxic seeds of neoliberalism sprouting in an already wounded country, and continues to the present day, where politics, hidden behind art forms, has practically destroyed (again) every different and possible future of the country. This book also sketches out a connection between the recent Albanian political context and contemporary art by considering the realities of Albania as essential for an understanding of the dynamics of international power in contemporary art and architecture, and the role of politics therein. Broken Narrative comes in a bilingual English–Japanese edition, in part as homage to the subtle esthetics of Japanese poetry, which has inspired many of the Lulaj’s works, while equally evoking the subversive films of the Red Army, active in Japan at the turn of the 1960s and ’70s. Broken Narrative contains a double preface in English by Albanian scholar Jonida Gashi and in Japanese by photographer Osamu Kanemura.
    Keywords: Albania;esthetics;political art;post-communism;public space;resistance;state capture ; thema EDItEUR::1 Place qualifiers::1D Europe::1DX Southeast Europe::1DXA Albania ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::6 Style qualifiers::6C Styles (C)::6CK Conceptualism ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs
    Language: English , Italian , Japanese
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  • 3
    Publication Date: 2022-06-02
    Description: After the 'March 15 incident' on Japanese Communist Party members in 1928, many activists converted in prison, and "conversion period" (tenkō jidai) appeared. The converted people (tenkōsha) then wrote notes in which they described the ideological and spiritual changes that occurred during their imprisonment. The change was prompted by the teachings of Buddhism, mainly Jōdo Shinshū, and the presence of chaplains (kyōkaishi) who mediated the teachings. The tenkōsha abandoned their faith in Marxism, returned to Japanese traditional familism, became devoted to the Emperor of Japan, and some started to practice agricultural fundamentalism. In this article, I will focus on a person named Kobayashi Morito (1902 -1984), who wrote about his own experience of conversion in Until He Left the Communist Party (1932) and also edited the notes of other conversion people and published them as Notes of a Converter (1933) and Thought and Life of the Converted(1935), and will analyze the stories of conversion experiences of various tenkōsha, reexamining how they accepted conversion, and at the same time focus on the contradictions and conflicts that occurred there.
    Keywords: conversion ; Marxism ; agriculture-based national ideology ; Kobayashi Morito
    Language: Japanese
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  • 4
    Publication Date: 2024-03-29
    Description: スマートフォンはいつも文字通り私たちの鼻先にあり、スマートフォンとは何かという疑問を持つことはなかなかありません。しかし、私たちは本当にスマートフォンを理解しているのでしょうか?より深く理解を掘り下げるために、11人の人類学者が16ヶ月間それぞれアフリカ、アジア、ヨーロッパ、南アメリカの各地域で暮らし、高齢者へのスマートフォンの普及について調査しました。この調査によって、スマートフォンは若者だけでなく、すべての世代が利用するテクノロジーであることが明らかになりました。 『グローバル・スマートフォン』は、独自の観点をそのグローバルな比較研究から提示します。スマートフォンは常に身近にあり、「絶え間なき機会主義(Perpetual Opportunism)」を満たすデバイスであるだけでなく、今や私たちの生活の場そのものにさえなっています。本著は、スマートフォンが単なる「アプリデバイス」以上のものであることを示し、人々が口にするスマートフォンへの意見と、実際にはどのようにスマートフォンを使用しているのか、その違いを探ります。 マートフォンは、私たち使用者が変容させることができるその程度において、未だかつてなく自由度の高いデバイスです。この自由さにより、スマートフォンには使用者個人の価値観が急速に反映されます。この価値観を理解するためには、各地域における民族的・文化的差異を考慮する必要があります。例えば、アル=クドゥス(エルサレム)、ブラジル、そしてイタリアなど、各地域がたどる高齢化の軌跡の多様性に加えて、中国と日本のビジュアル・コミュニケーション、カメルーンとウガンダのモバイルマネー、チリとアイルランドの保健情報へのアクセスの仕方など、これらの差異を考察して初めて、スマートフォンとは何か、そしてスマートフォンがもたらす生活の変容を理解することができるのです。
    Keywords: Anthropology ; Communication Studies ; Cultural Studies ; Public Policy & Administration ; Sociology ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology::JHMC Social & cultural anthropology, ethnography ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies::JFCA Popular culture ; bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPQ Central government::JPQB Central government policies ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies::JBCC1 Popular culture ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPQ Central / national / federal government::JPQB Central / national / federal government policies ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology
    Language: Japanese
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  • 5
    Publication Date: 2022-06-02
    Description: The turtle (kame) is of great importance in East Asian culture and it is seen as a supernatural creature. In Japanese literature, we can find examples of the turtle in works dating back to the Nara period, such as Tangokuni fudoki and Nihonshoki. Just like the crane, the turtle is a symbol of longevity. However, from the Kamakura period a new and unique interpretation of the turtle as the “singing/crying turtle” makes its appearance. Of this topos, known as kame naku, we can find only very few examples in literature until the Meiji era and the most known are the waka anthologies Shinsen waka rokujō and Fuboku wakashō, and Kyokutei Bakin’s kigo collection Haikai saijiki shiorigusa. However, from the beginning of the modern age, kame naku has been used by many poets as a kigo connected to spring and its frequency has hugely increased. After the war, it began to appear not only in poetry but also in novels and essays. The best known examples of this being Mishima Yukio’s short novel Chūsei, Uchida Hyakken’s essay Kame naku ya, Kawakami Hiromi’s work Oboreru. Using kame naku as a keyword, in this paper we will analyze the attitudes and approaches of modern and contemporary poets and novelists toward the topos.
    Keywords: season word (kigo) ; fantastic ; turtle ; modern and contemporary Japanese literature
    Language: Japanese
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