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  • 101
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 102
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il volume esamina lo stato dell’arte sull’educazione letteraria e sulla didattica della letteratura in Italia e collega i principali approcci, metodi e obiettivi dell’insegnamento letterario all’educazione linguistica, all’educazione interculturale e alla comunicazione interculturale. In particolare, sono presentati un modello di competenza comunicativa letteraria e interculturale e un metodo ermeneutico e relazionale, finalizzati ad apportare dei benefici anche all’acquisizione linguistica e allo sviluppo della consapevolezza interculturale. L’obiettivo del volume è quello di offrire delle risorse contenutistiche e metodologiche per l’insegnamento della letteratura italiana e straniera.
    Keywords: Literary education,Teaching of literature,Intercultural communication,Upper secondary school,Language education
    Language: Italian
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  • 103
    Publication Date: 2024-03-29
    Description: The word orphan, derived from the root “yütm” meaning “to be alone, to be left alone”, expresses the uniqueness of the object. Being an orphan can be understood as a child being unprotected in terms of meeting his/her basic needs and observing his/her rights. Although the duty of protection and support is traditionally attributed to the father, it would be more appropriate to understand the concept of an orphan as a child who has lost material and spiritual support that would protect him from dangers even if his parents are alive. The fact that the term orphan is used in daily language in our civilization to evoke this situation also confirms the meaning. Our Holy Qur’an emphasizes the importance of protecting the rights of certain social groups to strengthen justice and solidarity in society. In the process of building a just and peaceful world, the poor, stranded travelers, close relatives, neighbors, and the needy can be immediately listed among these groups whose rights should be respected first and foremost. Among these groups, orphans are another group that is particularly emphasized. Orphanhood is not only associated with not being wealthy. Since orphanhood is used for children who are not capable of protecting and defending their rights, it is also a concept directly related to children’s rights. Therefore, treating the phenomenon of orphanhood within child rights will significantly contribute to understanding rights and freedom. A system of thought based on the protection of all children in this situation and the institutionalization of social solidarity in light of this can initiate a process that will bring about a perspective and institutionalization that can be extended to all rights. For all these reasons, it is of great importance that the Symposium on Orphans and Abandoned Children, which deals with the phenomenon of orphanhood from a scientific point of view and brings together academics, experts, and practitioners from different disciplines related to the subject, was organized on the World Children’s Day and that the academic papers here have been published as a book.
    Description: Published
    Description: “Yalnız olmak, tek başına kalmak” anlamındaki “yütm” kökünden türeyen yetîm kelimesi nesnenin tekliğini ifade eder. Çocuğun yetim kalması ise aslî ihtiyaçlarının karşılanması, himaye edilmesi ve haklarının korunması bakımından sahipsiz kalması olarak anlaşılabilir. Geleneksel olarak himaye etme ve destek olma vazifesi babaya nispet edilse de, yetim kavramını bir çocuğun ebeveynleri sağ olsa da onu tehlikelerden koruyacak her türlü desteği yitirmiş olması olarak anlamak daha yerinde olacaktır. Medeniyet iklimimizde günlük dilde yetim ifadesinin bu durumu çağrıştıracak şekilde kullanılması da anlamı teyit etmektedir. Yüce kitabımız Kur’an-ı Kerim toplumda adaletin ve dayanışmanın güçlenmesi için bazı sosyal grupların haklarının gözetilmesinin önemine vurgu yapmaktadır. Adil ve barış içinde bir dünyanın inşa sürecinde hakları en başta gözetilmesi gereken bu gruplar içinde, yoksullar, yolda kalmışlar, yakın akrabalar, komşular, muhtaçlar hemen sıralanabilir. İşte bu gruplar arasında özellikle vurgulanan bir diğer grup yetimlerdir. Yetimlik sadece varsıl olmamakla ilişkilendirilemez. Yetimlik, haklarını koruyabilecek ve savunabilecek yeterlikte olmayan çocuklar için kullanıldığından doğrudan çocuk hakları ile ilgili bir kavram olarak da karşımıza çıkmaktadır. Dolayısıyla yetimlik olgusunu çocuk hakları içinde değerlendirmek, hak ve özgürlükler anlayışına da önemli katkılar yapabilecek bir yaklaşımı beraberinde getirecektir. Böyle durumda olan tüm çocukları korumayı esas alan bir düşünce sistemi ve bunun ışığında sosyal dayanışmanın kurumsal hale getirilmesi, tüm haklara teşmil edilebilecek bir bakış açısını ve kurumsallaşmayı beraberinde getirecek süreci başlatabilir. Tüm bu nedenlerle yetimlik olgusunu bilimsel bir bakış ile ele alan, konu ile ilgili farklı disiplinlerden akademisyenleri, uzmanları ve uygulayıcıları bir araya getiren Yetim ve Kimsesiz Çocuklar Sempozyumu’nun Dünya Çocuk Hakları Gününde düzenlenmiş olması ve buradaki tebliğlerin kitaplaşmış olması çok büyük önem arz etmektedir.
    Keywords: bic Book Industry Communication::J Society & social sciences::JK Social services & welfare, criminology::JKS Social welfare & social services::JKSN Social work ; thema EDItEUR::J Society and Social Sciences::JK Social services and welfare, criminology::JKS Social welfare and social services::JKSN Social work
    Language: Turkish
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  • 104
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 105
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 106
    Publication Date: 2024-03-23
    Description: Published
    Keywords: thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
    Language: Turkish
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  • 107
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 108
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: This volume gathers some original studies conducted by graduates of the Department of Linguistics and Comparative Cultural Studies at Ca’ Foscari University of Venice, who have contributed to the research in linguistics through the description of the linguistic competence of individuals whose access to language is compromised, and whose ability to verbally express themselves is limited or completely hindered. Thanks to their contributions, targeted linguistic strategies have also been developed to promote the enhancement of language and communication skills in some of these individuals. The first article provides some observations on the methods and tools available for assessing and improving linguistic competence in contexts of deafness and communication disabilities. Three articles focus on describing the linguistic competence of different groups of deaf or hard-of-hearing adults, assessing some linguistic properties (clitic pronouns and interrogative sentences) in Italian, and narrative abilities in Italian and Italian sign language. One contribution focuses on the case of a deaf girl of foreign origin with extremely poor linguistic competence in Italian. Teaching activities have been proposed using various multimedia and multimodal tools to enhance her language skills in Italian and her communicative abilities. The final contribution, following a similar approach, describes the communication methods based on the use of signs proposed to a girl with a phonological and articulatory disorder to allow her to interact with the people around her.
    Keywords: Genetic illness,Italian sign language,Hearing impairment,Deaf people,Language assessment,Teaching activities,Wh-questions,Syntactic training,Written Italian,Linguistic disorders,Narrative skills,Italian,Deaf participants,Cochlear implant,Interrogative sentence,Explicit teaching,Italian Sign Language,Case study,Syntactic skills,Elicited production,Augmentative and Alternative Communication,Comprehension test,Communication,Assessment,Adults,Deaf child,Phonological and articulatory disorder,Homesigns,Passive sentences,Communication difficulties,Deafness,Deaf signers,Narrative abilities,Storytelling,Production,Deaf adults,Clitic pronouns,Linguistic training
    Language: Italian
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  • 109
    facet.materialart.
    Unknown
    Peter Lang International Academic Publishers
    Publication Date: 2024-04-15
    Description: Martin Zimmermann sprengt Grenzen: Grenzen der Genres – Tanz, Theater, Installation, Zirkuskünste und Clown. Aber auch die Grenzen zwischen Körper, Objekten und Raum, zwischen Wirklichkeit und Traum. Mit Analysen wie auch Zeugnissen von Weggefährt*innen schaut der vorliegende Band auf sein transdisziplinäres Œuvre. Martin Zimmermann se joue des frontières : celles qui séparent les genres – danse, théâtre, installations scéniques, arts du cirque et clown – mais aussi celles qui délimitent les corps, les objets et l’espace, ou encore la réalité et le rêve. Grâce à des analyses et à des témoignages de compagnons de route, le présent ouvrage permet de plonger dans son œuvre transdisciplinaire. Martin Zimmermann abbatte i confini fra le varie discipline – danza, teatro, installazioni sceniche, arti circensi e clown – ma anche i confini tra corpi, oggetti e spazio, tra realtà e sogno. Tramite analisi e testimonianze di compagni di viaggio, il presente volume consente di immergersi nella sua opera transdisciplinare. Martin Zimmermann shatters boundaries: not only between genres – dance, theatre, installation, circus arts and clowning – but also between bodies, objects and space, and between real and dream worlds. This edition contains analyses of his transdisciplinary oeuvre as well as tributes from colleagues he has worked with along the way.
    Keywords: 2021 ; Andreas ; Anne ; Circus arts ; Dance ; Departement ; Eidgenössisches ; Fournier ; Gilardi ; Inneren ; Klaeui ; Martin ; MIMOS ; Paola ; Schmidt ; Theater ; Yvonne ; Zimmermann ; thema EDItEUR::A The Arts::AT Performing arts ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKN Installation art ; thema EDItEUR::A The Arts::AT Performing arts::ATQ Dance
    Language: English , French , German , Italian
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  • 110
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: All’interno della millenaria storia della Crimea, questo volume prende in considerazione l’arco temporale del dominio imperiale russo sulla regione, vale a dire dalla conquista del 1783 sino alla Rivoluzione del 1917. L’accento principale è posto sul tema della dimensione multietnica e multiculturale della penisola, che in questo periodo costituiva un vero e proprio mosaico di popolazioni. L’idea centrale del volume è che alla storia politica e culturale della Crimea in epoca imperiale occorra accostarsi superando sia il tradizionale russocentrismo, sia uno studio troppo parziale delle singole comunità e culture, quasi non interagissero le une con le altre e non si trovassero inserite in un contesto più ampio al quale dovevano tutte corrispondere, sia pure con modalità proprie.
    Keywords: Venetian Sources,Bazmavep,Ukraine,Karaites,Crimean Italians,Tatars,Agriculture and tourism,Christianization of Kievan Rus’,Orientalism,‘Moscovia’,Italian influences,Old Russian historical syntax and morphology,Ayvazovskij,Russian empire,Crimea and Russian Culture,Crimea in Russian Literature,Abraham Firkovitch (1787-1874),Crimean war,Colonization,Paradise,Russian Empire,Modernisation,Keywords???,Mediaeval hagiography and chronicles,Russian landscape,Language policy,Manuscripts,Crimea,Russia,Identity,Black Sea,Haykazean Institute,Migration,Italian landscape,Osip Mandel’shtam,Crimean Tatar,Cartography,Vladmir’s conquest of Cherson (Byzantine theme in ,Xalipean College,Qipchaq Turkic languages,Crimean Tatars,Dove of Masis,Seraja Šapšal (1873-1961),Ottoman empire
    Language: Italian
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  • 111
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Sotto un titolo senza dubbio attraente e provocatorio, questo libro raccoglie alcuni saggi e articoli essenziali per capire la condizione femminile nel momento in cui questa è posta in discussione, chiamata in causa, mossa dall’impulso alla fuga, da quel difficile spostamento della volontà che rivela chiaramente un potere in movimento, un’energia nomade che le donne, nel corso della storia, hanno sempre saputo praticare.Bajo un título atractivo y provocador, este libro hace algo más que compilar enjundiosos ensayos y artículos en torno a la condición femenina cuando se halla interpelada, convocada, lanzada por la fuga, por ese arduo desplazamiento de la voluntad que deja ver a las claras un poder en movimiento, una energía nómade que las mujeres han sabido practicar a lo largo de la historia.
    Keywords: Gender,Violeta Parra,Writing variants,Contemporary novel in Slovenian,Fiction,Saints,Italian settlement,War,Fuga,Luminarias de Janucá,Musical performance,Female characters in Luminarias de Janucá,Giulian-Dalmatian exodus,Death imagery,History,Maja Haderlap,Argentine Literature,Argentine,Maria Teresa Andruetto,Chilean folk and popular music,Jewish identity,Body,Narrative,Nahḍa,Contemporary literature,E-literature,Aracoeli,Integration,Witness,Travelers,Italian literature,Fugue,Sight,Lives,Patagonia,Feminism,Banisadr,Poetry,Autobiografy,Female art,Italian Racist Laws,Zenoveva,Carson,Escape,Mexican literature,Argentine literature,Jibrān Khalīl Jibrān,Mayy Ziyāda,Pacifism,Women’s poetry,Imagination,Cortázar,Mobility,Motherhood,Proust,The Slovenians of Carinthia,Women bodies,Elsa Morante,First World War,Novel,Arabic language and literature,Exile,Frontier,Chilean literature,Hybrid identity,Margaret Sackville,Migrations,Cansinos Assens,Memory,XX century,Autofiction,Female character,Glantz,Singular women,Henriette Sauret,Latin American context,Trauma,Philosephardic campaign,Journey
    Language: Italian , Spanish
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  • 112
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Questa ricerca si svolge su un crinale: su un versante si focalizza su come è la realtà, sull’altro su come dovrebbe essere; da un lato la ricerca sulla situazione europea e dall’altro su quella italiana; su un versante la riflessione su cosa significa «sapere una lingua» e sull’altro come mettere in moto un meccanismo che avvicini la realtà delle università italiane a quanto indicato dalla riflessione da un lato i risultati della ricerca internazionale, dall’altro la constatazione di come stanno le cose in Italia.
    Language: Italian
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  • 113
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 114
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 115
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 116
    facet.materialart.
    Unknown
    Editora da Universidade do Estado de Minas Gerais | Editora UEMG
    Publication Date: 2024-03-12
    Description: O livro promove uma reflexão sobre a perspectiva psicológica diante da pandemia da covid-19. Os autores fizeram uma análise sobre as mortes e lutos possíveis e impossíveis, com uma abordagem focada na saúde psíquica frente ao trauma da nova doença. Além disso, buscaram desenvolver uma pesquisa que envolvesse luto, angústia e morte com os sujeitos afetados pela situação: sejam profissionais de saúde, sejam usuários de redes sociais. Outra temática presente na obra é o cenário político do país e sua relação com a necropolítica.
    Keywords: Psychology: emotions ; bic Book Industry Communication::J Society & social sciences::JM Psychology::JMQ Psychology: emotions
    Language: Portuguese
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  • 117
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 118
    facet.materialart.
    Unknown
    Firenze University Press
    Publication Date: 2024-04-03
    Description: The essay aims at reconstructing the history of the University of Florence, from the fall of fascism on July 25th 1943 to the post-World War II period. At the center of this path lies Piero Calamandrei's Rettorato, which began in the summer of 1943 and immediately interrupted by events related to September 8th and the armistice with the Allied powers. As dean of the university, in the aftermath of the Liberation of Florence in August 1944, Calamandrei marked a significant turning point. It was a turning point that not only promptly revived teaching and research functions; but it was also able to provide for the reinstatement of teachers expelled as a result of the racial legislation and for opposition to fascism, along with the beginning of the removals of teachers most involved with the dictatorship. At the same time, in the context of a city deeply involved in the Liberation, the new constitutional order of the Republic began to be drawn; a constitutional project to which Florentine professors - such as Piero Calamandrei and Giorgio La Pira - would offer an outstanding contribution.
    Keywords: Florence ; World War II ; History of Università degli studi di Firenze ; Fall of Fascism ; Assemblea Costituente ; Piero Calamandrei ; thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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  • 119
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 120
    facet.materialart.
    Unknown
    FedOA - Federico II University Press
    Publication Date: 2024-03-23
    Description: The volume provides an overview of the results obtained in the Final Synthesis Laboratory in Modern Restoration, conducted by professors Gianluigi de Martino and Marella Santangelo within the Master's Degree Course in Architectural Design at the University of Naples "Federico II". Through work on the city of Pontinia, the laboratory selected and investigated the heritage of modern architecture produced during the “Fascist Ventennio”, proposing restoration projects capable of combining historical memory with an innovative vision. The aim was to envision an alternative future for the city, capable of responding to contemporary urban transformation needs through various design experiments. The volume is divided into four sections, each dedicated to different aspects of the restoration and design process, offering in-depth readings and practical insights. Through contributions from both professors and students, the concepts of conservation and innovation in urban heritage are explored, with particular attention to the relationship between the original fabric of the founding city and its contemporary evolution. The volume concludes with a photographic review of the exhibition held at the Museum of the Pontine Marshes in June 2022, providing a comprehensive view of the laboratory's outcomes and their integration into the local community.
    Description: Published
    Description: Il volume offre una panoramica dei risultati ottenuti nel Laboratorio di Sintesi Finale in Restauro del Moderno, condotto dai professori Gianluigi de Martino e Marella Santangelo nel contesto del Corso di Laurea magistrale in Architettura Progettazione Architettonica presso l'Università degli Studi di Napoli "Federico II". Attraverso il lavoro sulla città di Pontinia, il laboratorio ha selezionato e indagato il patrimonio dell’architettura moderna prodotta durante il “Ventennio fascista”, proponendo progetti di restauro capaci di coniugare la memoria storica con una visione innovativa. Lo scopo è stato quello di prefigurare un futuro alternativo per la città, capace di rispondere alle esigenze contemporanee di trasformazione urbana, attraverso diverse sperimentazioni progettuali. Il volume si articola in quattro sezioni, ciascuna dedicata a diversi aspetti del processo di restauro e progettazione, offrendo letture approfondite e spunti pratici. Attraverso contributi dei docenti e degli studenti, vengono esplorati i concetti di conservazione e innovazione del patrimonio urbano, con particolare attenzione al rapporto tra il tessuto originario della città di fondazione e la sua evoluzione contemporanea. Il volume si conclude con una rassegna fotografica della mostra tenutasi presso il Museo dell’Agro Pontino nel giugno 2022, offrendo un'ampia visione degli esiti del laboratorio e della loro integrazione nella comunità locale.
    Keywords: Architecture, Pontinia, foundation city, restoration, modern architecture ; thema EDItEUR::A The Arts::AM Architecture
    Language: Italian
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  • 121
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 122
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 123
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il volume miscellaneo che qui si presenta è stato pensato da amici e colleghi non solo come omaggio a Paolo Mastandrea, ma anche e soprattutto come illustrazione delle innumerevoli prospettive aperte dai suoi studi: l’indagine dei meccanismi dell’intertestualità nel mondo antico; l’analisi filologica di tradizioni controverse; i numerosi problemi storico-letterari offerti dai testi della Tarda Antichità latina; l’esame della ricezione umanistica e rinascimentale dell’eredità classica. Non si è naturalmente trascurato il contributo cruciale portato dallo studioso alla teorizzazione e allo sviluppo, fin dagli anni Novanta, di strumenti informatici di ricerca testuale, la cosiddetta ‘galassia Musisque Deoque’, di cui si tiene conto in molti dei lavori presenti nel volume.
    Keywords: Vergilian tradition,Formulas,Fortuna Catulli,Declamationes,Dramaturgy,FAIR principles,Neo-Latin elegy,Nicolò d’Arco,Orality,Auienus,Misplacements,Manuscript tradition,De magistratibus,Roman consulate,Scholar exercise,Laudatio puellae,Intertextuality,Lucretius,‘Doge’ of Venice,Latin philology,Tacitus (Emperor),Christian Afterlife,12,Pliny the Elder,Hexameter,Roman aristocracy,Laocoon,Griphus,Examinatio,Latin historiography,Pupienus,Catabasis,Tibullus,Venice Ducal palace,Christian literature,Book circulation,Epic poetry,Latin Language,Fables,Conjectures,Things,Republicanism,Bacchus,Musisque Deoque,Alcimus Avitus,Late Latin poetry,Latin poetry,Catullus,Propertian intertextuality,Sallust,Inscriptions,Book of Daniel,Corippus,Book 3,Fortleben of Classics,Florentine Renaissance,Ausonius,Epigrammata Bobiensia,Metellus,Animus,Peleus,Virgil,Metamorphoses,Variatio,Principate,Machiavelli,Classical literature,Ancient roman epic,Symposius,Experimentalism,Hymn,Princeps,Late Latin literature,Late antiquity,Textual criticism,Hymnodic formulas,Tales,Epistulae,Propertius,Roman Empire,Servius auctus,Seneca,Macrobe,Sidonius,Portraits,am,Historia Augusta,Claudian,Italian Reinassance,Religious identity,Fortuna,Religion,Balbinus,Zodiac dish,Cicero,Digital Humanities,Roman Republic,Aeneid,Critical edition,Ovid,Characters,Medea,Style,Epos,Phaedrus,Classical philology,Optatianus Porfyrius,Book circulation,Aratus,Farewell from elegiac poetry,Monologue,3,Martial,Lucan,Open data,Cerberus,John Lydus,Rusticitas,Neo-Latin poetry,Objects,Carmen 9,Remigius of Reims,Saturnalia,Narratology,Vergil,Eratosthenes of Cyrene,Roman Senate,Bucolics,Carmina minora,Maximinus,Philology,Clinamen,Diomedes,Visuality,Sidonius Apollinaris
    Language: English , Italian , French
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  • 124
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-04-01
    Description: Che cosa fu il tiranno e che cos’è la tirannide? Come restituire problematicità speculativa a queste due nozioni usurate da indeterminatezza e discredito? I saggi della prima parte di questo volume indagano il senso della tirannide attraverso la ripresa di otto figure decisive: la coppia archetipica Giobbe-Edipo, il momento-Machiavelli, l’Illuminismo francese, Weber, Heidegger, Voegelin, Hayek e Aron. La seconda parte ricostruisce, a partire da testi inediti, lo scenario del classico dibattito che vide protagonisti Strauss e Kojève. Ad integrazione di tali indagini viene proposta la traduzione di due saggi di Strauss e Fessard, ed una bibliografia aggiornata.
    Keywords: thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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  • 125
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-04-01
    Description: Sul finire dello scorso secolo Eric J. Hobsbawm, sollecitato circa il motivo del suo essere così filo-italiano, rispose che era difficile non esserlo. A partire dai primi anni Cinquanta era entrato in contatto con il mondo culturale e politico italiano, instaurandovi duraturi rapporti professionali, di amicizia e di affinità politica. Il volume, giovandosi di fonti archivistiche inedite e sviluppando il genere biografico attraverso un approccio di ‘microstoria translocale’, mette a fuoco l’affinità elettiva che legò lo storico inglese all’Italia, ricostruendone le reti di relazioni, esaminando gli esiti che queste interazioni provocarono nella sua identità comunista così come nella sua produzione storiografica, analizzando infine la fortuna italiana delle sue opere.
    Keywords: Biography,Italy,Marxism,Eric Hobsbawm,Communism ; thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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  • 126
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 127
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 128
    Publication Date: 2024-04-04
    Description: According to a well-established Italian university tradition, the verification of learning of a subject belonging to the cultural area of the 'STEM disciplines' involves passing a written test and an oral test. While the latter is intended as verification of the acquisition of both the conceptual foundations and the theoretical formalism of the discipline, the written test is intended to verify problem solving skills according to the "knowing means knowing how to do" paradigm, of whose formative validity the authors of this manual are convinced supporters. Usually there are many very good textbooks that cover the theoretical part, while there are chronically few textbooks that propose problems at the right level of complexity, also offering detailed and commented solutions. This is particularly true for those disciplines corresponding to the last year of the three-year cycle of a Bachelor's degree. In order to at least partially fill this gap, a textbook is proposed here that brings together a rich and varied series of problems (with solutions and comments) in the physics of atoms, molecules and crystalline solids. These topics, which constitute an indispensable body of knowledge in modern physics, represent the core of the discipline 'Structure of Matter', as defined by the Italian university taxonomy.
    Description: Published
    Description: Secondo una consolidata tradizione universitaria italiana, la verifica dell’apprendimento di una materia appartenente all’area culturale delle “discipline STEM” prevede il superamento di una prova scritta e di una prova orale. Mentre quest’ultima è intesa come verifica di acquisizione tanto dei fondamenti concettuali quanto del formalismo teorico della disciplina, la prova scritta intende verificare le capacità di problem solving secondo il paradigma “sapere significa saper fare”, della cui validità formativa gli Autori di questo manuale sono convinti sostenitori. Usualmente esistono molti validissimi manuali che coprono la parte teorica, mentre è cronicamente scarso il numero di manuali che propongano problemi al giusto livello di complessità, offrendone anche la dettagliata e commentata soluzione. Questo è particolarmente vero per quelle discipline che corrispondono all’ultimo anno del ciclo triennale di una laurea di primo livello. Al fine di colmare almeno parzialmente questa lacuna, qui viene proposto un manuale che raccoglie una ricca e variegata serie di problemi (con soluzioni e commenti) di fisica degli atomi, delle molecole e dei solidi cristallini. Questi argomenti, che costituiscono un irrinunciabile corpus di conoscenze in fisica moderna, rappresentano il cuore della disciplina “Struttura della Materia”, come definita dalla tassonomia universitaria italiana.
    Keywords: physics ; thema EDItEUR::P Mathematics and Science::PH Physics
    Language: Italian
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  • 129
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 130
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Un sacrificio umano, empio, abnorme, grava sul tessuto drammaturgico di Ifigenia in Aulide: la figlia del re deve essere immolata per propiziare la spedizione contro Troia. Personaggi instabili e di levatura morale modesta, pronti a repentini cambiamenti di idea, cercano vanamente di opporsi all’orrore del sacrificio, finché la protagonista, per un illusorio ideale patriottico, sceglie di andare volontariamente verso la morte eroica sull’altare. A chiusura di una tragedia testualmente labile, l’esodo spurio, in cui l’empietà dell’atto è trascesa dall’esito numinoso, avvolge di mistero la morte di Ifigenia. Smarrito il senso della politica, rimane la favola bella, con effetti patetici e quadri di raffinato gusto pittorico. La tormentata vicenda critico-testuale del dramma viene ripercorsa in questa prima edizione critica italiana, che sceglie una linea di equilibrio nella costituzione del testo.
    Keywords: Italian Translation,Iphigenia in Aulis,Textual Criticism,Human Sacrifice,Euripides,First Italian Critical Edition,Interpretation,Greek Tragedy
    Language: Italian
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  • 131
    facet.materialart.
    Unknown
    Archaeopress Publishing Ltd
    Publication Date: 2024-04-04
    Description: Picta Nilotica Romana presents an in-depth analysis of Roman paintings with a Nilotic theme. The first part of the study introduces the classical texts on Egypt and provides an overview of landscape depiction in Roman art. After an outline of methodology, an iconographic-archaeological catalogue of the 74 paintings is developed, founded on specific scientific criteria, with a classification into three categories according to iconographic composition. The corpus is followed by an analysis of the archaeological contexts in which these paintings are found, an analysis of Nilotic iconographies and a definition of the 'Nilotic landscape'. The volume is also completed by an iconographic apparatus and several maps showing geographical and chronological spread.
    Keywords: Social Science ; Archaeology ; thema EDItEUR::N History and Archaeology::NK Archaeology
    Language: Italian
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  • 132
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 133
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 134
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 135
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 136
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Un viaggio nel Giappone del Medioevo per comprendere la condizione femminile in un’epoca di grandi trasformazioni. Attraverso la produzione letteraria della monaca Abutsu (1225 ca.-1283 ca.) e la sua personale esperienza di vita come dama di corte, moglie, madre, vedova e religiosa si ricostruisce un ritratto realistico della donna giapponese nel Medioevo evidenziando alcuni problemi che hanno caratterizzato la storia femminile non solo in Giappone, ma anche in altri paesi del mondo: ricerca di risorse finanziarie, riconoscimento di diritti giuridici, necessità di essere iscritte non solo nella vita riproduttiva ma anche in quella intellettuale.
    Keywords: Marriage institution,Abutsu no fumi,Medieval Japan,Fujiwara no Tameie,Utatane,Nun Abutsu,Inheritance patterns,Women’s history,Izayoi nikki
    Language: Italian
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  • 137
    facet.materialart.
    Unknown
    FedOA - Federico II University Press
    Publication Date: 2024-04-04
    Description: The rich calendar of initiatives organized by SISFA throughout 2021 to celebrate the first forty years of activity of the Italian community of Historians of Physics and Astronomy concluded with a Workshop, the Proceedings of which are presented here. In 1981, our community embarked on the common path that led to the foundation of the current Society in 1999. Already during our XLI National Congress held in Arezzo in September 2021, a special session commemorated the important anniversary. In that context, it was decided to organize a Workshop on December 15 and 16, 2021, to discuss and reflect more deeply on what happened in the past forty years. The organization was entrusted to members Fabio Bevilacqua, Ivana Gambaro, Pasquale Tucci and President Salvatore Esposito. The Proceedings of the two days are collected in these pages.
    Description: Published
    Description: Il ricco calendario di iniziative organizzate dalla SISFA, svoltesi nel corso del 2021, per festeggiare i primi quarant’anni di attività della comunità degli storici italiani della Fisica e dell’Astronomia si concluse con un Workshop di cui qui presentiamo gli Atti. Infatti la nostra comunità nel 1981 intraprese il comune cammino che condusse alla fondazione dell’attuale Società nel 1999. Già nel corso del nostro XLI Congresso nazionale, tenutosi ad Arezzo nel settembre 2021, una speciale sessione ricordò l’importante anniversario. In quella sede si decise di organizzare un Workshop il 15 e il 16 dicembre 2021 per discutere e ragionare più a fondo su quanto avvenuto nei trascorsi quarant’anni. L’organizzazione fu affidata ai soci Fabio Bevilacqua, Ivana Gambaro, Pasquale Tucci e al Presidente Salvatore Esposito. In queste pagine sono raccolti gli Atti delle due giornate.
    Keywords: Physics, Astronomy, History of Physics, History of Astronomy, Italian Society for the History of Physics and Astronomy (SISFA) ; thema EDItEUR::P Mathematics and Science::PH Physics
    Language: Italian
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  • 138
    facet.materialart.
    Unknown
    FrancoAngeli
    Publication Date: 2024-04-14
    Description: The growing number of children and adolescents with a migrant background in Italy has radically changed the composition of the country’s primary and secondary school populations. However, only recently have some of these students have begun entering university. This lag can be explained by the fact that a history of migration brings with it multiple economic, social and educational disadvantages and weaknesses. The book More than is required. Tales of university students with a migrant background is a collection of biographies of young people who, having exceeded society’s common expectations —and therefore having done “more than is required"—have achieved exceptional scholastic results, leading them to wish to continue their studies at university. Their stories of family and school, relationships with peers, and their ambitions, successes and struggles reveal the critical challenges they face, and offer some ways current educational policies can be improved.
    Keywords: Young people, Education, University, Immigrants, Migratory background, Academic success ; thema EDItEUR::Y Children’s, Teenage and Educational::YX Children’s / Teenage: Personal and social topics::YXZ Children’s / Teenage: Social issues / topics::YXZG Children’s / Teenage social topics: Environment, sustainability and green issues ; thema EDItEUR::J Society and Social Sciences::JN Education::JNM Higher education, tertiary education
    Language: Italian
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  • 139
    Publication Date: 2024-04-04
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 140
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 141
    facet.materialart.
    Unknown
    Milano University Press | Milano University Press
    Publication Date: 2024-04-04
    Description: Is it possible to have mathematics experience in the school courtyard garden? Can we observe plants "with different eyes" and identify the connections between mathematical sciences and plant biology? This booklet contains and comments on three interdisciplinary activities that secondary school mathematics and science teachers can conduct in their classrooms, using the group laboratory work method. The proposed activities concern two apparently distant fields: geometry and botany, and are linked to the laboratory kit "Symmetry: mathematics in the garden" (http://specchi.mat.unimi.it/matematica/matematica_in_giardino.html). This work intends to provide teachers, and not only them, with an unusual classification tool based on symmetry and also with a look at topics that are little known to most people and not usually covered in the school curricula, such as floral diagrams and phyllotaxis.
    Description: Published
    Description: È pensabile fare esperienza di matematica nel cortile-giardino della scuola? Possiamo osservare le piante “con altri occhi” ed arrivare a individuare i collegamenti tra le scienze matematiche e la biologia vegetale? Questo libretto contiene e commenta tre attività interdisciplinari che i docenti di matematica e scienze della scuola secondaria di primo grado possono condurre in classe, utilizzando il metodo di lavoro del laboratorio a gruppi. Le attività proposte riguardano due campi apparentemente distanti: la geometria e la botanica, e sono legate al kit di laboratorio “Simmetria: matematica in giardino” (http://specchi.mat.unimi.it/matematica/matematica_in_giardino.html). Con questo manuale si intende fornire agli insegnanti, e non solo a loro, uno strumento di classificazione inusuale basato sulla simmetria e anche uno sguardo ad argomenti poco conosciuti ai più e non abitualmente trattati nel ciclo scolastico come i diagrammi fiorali e la fillotassi.
    Keywords: Laboratory ; Simmetry ; Phyllotaxis ; thema EDItEUR::P Mathematics and Science
    Language: Italian
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  • 142
    facet.materialart.
    Unknown
    Editora UNESP | Editora UNESP
    Publication Date: 2024-04-03
    Description: A autora se debruça sobre uma questão clássica no campo da literatura, que é o sentido e o papel da linguagem em obras escritas em outra língua, que não a materna, exercício de proposital errância de identidade que atraiu escritores do porte de Samuel Beckett, Paul Celan, Elias Canetti, Franz Kafka, Eugène Ionesco, Vladimir Nabokov,Guillaume Apollinaire e Joseph Conrad, apenas para citar alguns. No trabalho, são analisados dois textos que, para a pesquisadora, problematizam bastante bem a definição do que é essa língua não-materna na escrita literária: “Amour Bilingue” (1983/1992), do marroquino Abdelkebir Khatibi, e “Le monolinguisme de l’autre” (1996), do judeu argelino e francês por adoção Jacques Derrida. Este último foi traduzido para o árabe justamente por Khatibi, com quem ele dialogava incessantemente. Para a pesquisadora, os dois autores têm em comum mais do que a proveniência magrebina e o fato de escreverem em uma língua distinta da de seus países de origem. A afinidade entre eles se manifestaria ainda mais no trabalho refinado do pensamento – rigorosamente dentro de uma tradição que poderia ser chamada de francesa -, no cultivo do amor pela língua e pela literatura e também no conflito de identidades colocado por esta maneira radical de se estar no mundo, balizas para uma profícua discussão sobre o pertencimento e sobre a língua.
    Keywords: Translation and interpretation ; bic Book Industry Communication::C Language::CF linguistics::CFP Translation & interpretation
    Language: Portuguese
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  • 143
    facet.materialart.
    Unknown
    Editora da Universidade do Estado de Minas Gerais | Editora da Universidade do Estado de Minas Gerais
    Publication Date: 2024-01-09
    Description: A obra investiga as relações mútuas entre alguns dos denominados “novos movimentos sociais” e a educação, seja ela formal ou informal. A partir de uma análise das dinâmicas sociais contemporâneas, o livro tece reflexões que enfocam coletivos populares e revolucionários, como o Movimento dos Trabalhadores Rurais Sem Terra (MST), o movimento negro e o LGBTQIA+, e os de vertente conservadora, como o Escola sem Partido e o neopentecostalismo. Dessa forma, os autores realizam um entrelaçamento entre movimentos sociais e processos educacionais, apresentando diferentes olhares e aprendizagens sobre essa interação.
    Keywords: Educational strategies and policy ; bic Book Industry Communication::J Society & social sciences::JN Education::JNF Educational strategies & policy
    Language: Portuguese
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  • 144
    Publication Date: 2024-02-22
    Description: Nell’Era dei regimi totalitari il rapporto tra Italia e Giappone, pesantemente influenzato dall’ingombrante presenza tedesca, fu reciprocamente ambiguo: il nippofilo Mussolini diffidava, in realtà, dell’alleato orientale, e l’armistizio dell’8 settembre 1943 confermò tragicamente, alla fine, i costanti dubbi nipponici su un’Italia dove, successivamente (luglio 1945), il Governo democratico presieduto da Parri si sarebbe spinto a dichiarar guerra all’ex alleato, poco prima della conferenza di Potsdam. Per tentar di risollevare le sorti politico-diplomatiche dell’Italia sconfitta, Parri e i suoi, non senza affanni, presero la decisione di schierarsi contro il Giappone: l’inattesa resa giapponese vanificò la spericolata scelta, che sarebbe tuttavia ingeneroso banalizzare. Nel nuovo contesto della Guerra Fredda, ripristinare normali relazioni tra i due paesi, pur dopo una guerra non combattuta, si rivelò assai difficoltoso, dagli inizi (1951-52) e per un lungo ventennio di sfibranti trattative.
    Keywords: Italy: September 8, 1943,Italian diplomats interned in Japan (1943-45),Italy’s declaration of war on Japan (July 15, 194,Potsdam Conference and Italy (1945),Tripartite Pact (1940-45),Italian-Japanese relations (1934-45),End of the state of war between Italy and Japan (,World War II
    Language: Italian
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  • 145
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 146
    Publication Date: 2024-04-03
    Description: The anatomical-functional structure with which human beings are equipped today has its roots in our evolutionary history: knowing the latter helps us understand why our body looks like this and functions in this way. Every living being, including Homo sapiens, is the result of a progressive stratification of forms that have adapted to environmental pressures which have shaped their morphology from deep time until today. Our masticatory apparatus (evolutionarily very recent) began to develop with the advent of mammals around 250 million years ago, structuring itself with a unique morphology and function, closely linked to the upright posture typical of the Homo genus and to globular encephalisation, a characterizing peculiarity Homo sapiens.
    Keywords: Dentistry ; Paleoanthropology ; Gnathology ; Evolution ; Posture
    Language: Italian
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  • 147
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il volume prende in esame le cause e le forme della nuova emigrazione (interna e internazionale) nell'Italia di oggi.
    Language: Italian
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  • 148
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 149
    facet.materialart.
    Unknown
    Milano University Press | Milano University Press
    Publication Date: 2024-03-05
    Description: Health is a Constitutional right. So, why is talking about private consumption in healthcare relevant? Does thinking there could be room for further private initiative make sense in a quasi-market? If so, given the issue of constitutionally guaranteed rights, what scope is there and for what needs? These are the questions explored and to which this textbook seeks answers by filling a gap in the management and health policy literature. Rigorously analyzing the trend of private health consumption in the Italian health sector, the implications for the NHS, and proposing conceptual and operational frameworks for those interested in developing entrepreneurial activity in healthcare or consolidating their management skills in the field.
    Description: Published
    Description: La salute è un diritto garantito dalla Costituzione. Perché, quindi, parlare di consumi privati in sanità? Ha senso pensare che, in un quasi mercato, possa trovare spazio ulteriore iniziativa privata? Se sì, dato il tema del diritto costituzionalmente garantito, quali spazi di operatività ci sono e per quali bisogni? Queste le domande che sono approfondite ed a cui questo testo cerca di dare risposta, per colmare una lacuna nella letteratura di management e politica sanitaria. Analizzando con rigore l’andamento dei consumi sanitari privati nel settore della salute italiano, le implicazioni per l’SSN e proponendo quadri concettuali ed operativi per chi è interessato a sviluppare l’attività imprenditoriale in sanità o consolidare le proprie competenze gestionali in materia.
    Keywords: Private Healthcare Consumption ; Out of pocket ; Accredited Healthcare Management ; Health Sector ; Management of Private Facilities ; Healthcare Consumerism ; bic Book Industry Communication::M Medicine::MB Medicine: general issues::MBP Health systems & services::MBPM Medical administration & management
    Language: Italian
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  • 150
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: In questa indagine si vuole far emergere la percezione personale rispetto allo studio del francese da parte degli studenti della scuola secondaria di primo grado. La Scuola italiana prevede l’insegnamento obbligatorio dell’inglese dalla prima classe della scuola primaria alla quinta classe della scuola secondaria di secondo grado e ciò genera una percezione da parte degli studenti (e, vista l’età del campione focalizzato, anche delle famiglie) dell’inglese come lingua utile, indispensabile – per- cezione confermata dai mass media – collocando le altre lingue straniere in una posizione secondaria. La conseguenza di questo ruolo di secondo piano è spesso una scarsa motivazione allo studio delle altre lingue, viste come meno utili e interessanti.
    Language: Italian
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  • 151
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    Kriterium
    Publication Date: 2024-03-30
    Description: Social reportages are written by reporters who fight for the weak and expose injustices. So it is said in the profession, in handbooks and among the genre’s supporters. But what is hidden behind the ideal? And what does the commitment look like when it is converted into text? This book highlights reportages by some of the 20th century’s most celebrated Swedish reporters and examines the ways in which their texts convey a commitment to the reader. The narratologically based analyses are performed against a background of changing ideas about a reporter’s role in society. It turns out that the commitment is often time-related and can be counteracted by generalizing values about the depicted people. Here, the difference between empathy and compassion becomes crucial. The selected reporters represent Swedish social reportage at central turning points within the tradition. Ester Blenda Nordström and Gustaf Hellström have been chosen for the 1910s, Ivar Lo-Johansson for the years around 1930, Barbro Alving for the 1950s, Jan Guillou for the 1970s and Maciej Zaremba and Karen Söderberg for the 1990s and 2000s.
    Keywords: Karen Söderberg; Maciej Zaremba; Jan Guillou; Barbro Alving; Ivar Lo-Johansson; Gustaf Hellström; Ester Blenda Nordström; Svenska 1900-talsreportrar; Sociala reportage ; thema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries::KNTP Publishing industry and journalism::KNTP2 News media and journalism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNP Reportage, journalism or collected columns ; thema EDItEUR::J Society and Social Sciences
    Language: Swedish
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  • 152
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 153
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    Editora UFFS | Editora UFFS
    Publication Date: 2024-04-03
    Description: Este livro aborda algo caro à ciência geográfica: o trabalho de campo. Trata-se de uma prática amplamente difundida no fazer dos geógrafos e das geógrafas e uma estratégia de ensino, pesquisa e extensão com tradição e repercussão, cuja característica possibilita produzir conhecimentos com base na aproximação direta do (a) pesquisador (a), estudante e extensionista com o mundo. Esta publicação pretende contribuir com o debate a partir da confluência de, pelo menos, dois objetivos: documentar práticas e oferecer reflexões teóricas. “Trabalho de Campo: contribuições do curso de Geografia-Licenciatura da UFFS ao ensino e à pesquisa”, estruturado em 14 capítulo, visa homenagear os dez anos de criação dos cursos de Geografia da Universidade Federal da Fronteira Sul (UFFS). Portanto, é um modo de demarcar a simbólica passagem dos 10 anos de Geografia na Fronteira Sul. Também é um registro da memória do curso, enfatizando uma dimensão importante do modo de “fazer” Geografia da UFFS. Os textos, escritos por docentes e discentes egressos(as), documentam e rememoram a construção do curso por meio das contribuições das práticas de campo.
    Keywords: Geography ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RG Geography
    Language: Portuguese
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  • 154
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 155
    facet.materialart.
    Unknown
    Kriterium
    Publication Date: 2024-03-23
    Description: This book highlights the diverse roles of the humanities in the history of the Swedish welfare society. This society has often been seen as dominated by an instrumental view of knowledge that rewarded the social sciences, natural sciences and technology, but the contributions in this book show the significant role that the humanities played in the Swedish welfare state. Various forms of humanistic knowledge and knowledge actors were part of large networks and left a clear mark on the public sphere and society at large. A narrative of the marginalization and crisis of the humanities in the postwar period must therefore be problematized. This edited volume brings together some twenty scholars from a number of humanities disciplines (history, history of ideas, media history, literary studies, archaeology, education, etc.). Much of the current research on the history of the humanities conducted in Sweden today is brought together here and put in relation to international discussions in fields such as history of humanities, history of knowledge, etc. The book is a sibling to the monograph Humanister i offentligheten, which was published in 2022.
    Keywords: The humanities; Public sphere; History of knowledge; Knowledge; History ; thema EDItEUR::A The Arts::AK Design, Industrial and commercial arts, illustration::AKH Book design and Bookbinding ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::A The Arts::AM Architecture::AMX History of architecture ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDX History of science ; thema EDItEUR::N History and Archaeology::NH History::NHA History: theory and methods ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500
    Language: Swedish
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  • 156
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 157
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 158
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 159
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    Editora da Universidade Federal da Fronteira Sul | Editora da Universidade Federal da Fronteira Sul
    Publication Date: 2024-01-09
    Description: “Pesquisas no Ensino de Ciências: reflexões sobre currículo e formação de professores” sinaliza o compromisso dos pesquisadores e das pesquisadoras – mestrandos(as) e professores(as) permanentes e colaboradores do Programa de Pós-Graduação em Ensino de Ciências (PPGEC) – com a construção coletiva de conhecimentos na área de Ensino de Ciências. Organizado em duas seções – 1) Políticas educacionais e currículo e 2) Formação de professores e práticas pedagógicas –, o livro tem quatorze capítulos, que envolvem a participação de vinte e oito autores e autoras, todos(as) envolvidos com a segunda turma de Mestrado do PPGEC. Os textos que o constituem são resultados de pesquisas na área do Ensino de Ciências vinculadas ao curso de extensão Ciclos Formativos para o Ensino de Ciências e Matemática, realizado desde 2010 na UFFS Campus Cerro Largo (RS), com encontros que sistematizam processos de formação e têm como público professores em formação inicial e continuada, e aos seguintes grupos: Grupo de Estudos e Pesquisa no Ensino de Ciências (GEPECIEM); Grupo de Pesquisa em Educação em Ciências Naturais (GPECieN); Grupo de Investigações em Ciência, Educação e Tecnologia (GICET); Grupo de Pesquisa em Filosofia, Literatura e Artes na Educação (GPHILIA); Grupo de Estudos e Pesquisa em Políticas Educacionais e Práticas Pedagógicas (GEPPEPP) da UFFS. Trata-se do quarto volume da Coleção Ensino de Ciências, organizada pelos pesquisadores Roque Ismael da Costa Güllich, Rosangela Inês Matos Uhmann e Rosemar Ayres dos Santos.
    Keywords: Teacher training ; bic Book Industry Communication::J Society & social sciences::JN Education::JNM Higher & further education, tertiary education::JNMT Teacher training
    Language: Portuguese
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  • 160
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    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Like a language, food is a witness to the tradition and to the identity of a human group, reflecting self-representation and social interaction. Assyrians developed a particular consciousness of commensality as a vehicle for cultural messages. This book investigates institutional banquets and ritualized meals in the Neo-Assyrian period. Through a philological analysis on commensality, integrated with historical and iconographic data, it offers a new perspective on the Mesopotamian society of the first millennium BCE.
    Language: Italian
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  • 161
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 162
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 163
    facet.materialart.
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    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Nel volume sono riportati i risultati principali ottenuti dal gruppo di ricerca dell’Università Ca’ Foscari Venezia nel progetto Uni4justice finanziato dal Ministero della Giustizia, al quale hanno partecipato diverse università dell’area “nord est”, oltre a tutte le Corti. Obiettivo generale del progetto è stato quello di sostenere e di implementare, con iniziative di studio e formazione, l’innovazione introdotta con l’istituzione degli addetti all’Ufficio per il Processo (AUPP) negli uffici giudiziari italiani, con l’esplicito sotto-obiettivo di elaborare una riflessione più ampia sullo stato della giustizia italiana, utile a indirizzare interventi futuri. Il contesto è quello del sostegno alle fondamentali riforme collegate al PNRR, richieste dai referenti europei e necessarie per il Paese; tra queste, in particolare, la riduzione dei “tempi della giustizia” e, legato a ciò, il decongestionamento del carico di lavoro, anche per il tramite dello smaltimento dei (troppi) arretrati.
    Keywords: adoption,Criteria for quantifying damages,(Non Political) Crime,Qualitative research,Difficulties,Italian legal system,c,Backlog,Employment of UPP officers,Lenght of proceedings,Bank’s governance,Case-weighting system,Added value,Chairman of the bank,Directors’ liability,Judicial indicators,Good practices,Data-driven approach,Judicial backlog,judicial statistics,Reasonable royalty,Applied research,Board of directors,IT,Punitive damages,Policy evaluation,Uni4Justice,UPP officers,New calculation methods,General manager,International adoption,Judicial system,Foreign adoption,Seriousness,337 ter c,Exclusion,Refugee,Evaluation,Law n,Uni4justice,Pivots,Policy implementation,Increase of efficiency,Child support,Survey,Civil la,184/1983,Compensation of damages,Immigration,Industrial property rights,Recognition
    Language: Italian
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  • 164
    Publication Date: 2024-02-16
    Description: The primary objective of this work is to facilitate the advancement and dissemination of knowledge about the emerging area of corporate social responsibility communication. Corporate social responsibility encompasses the policies and practices an organisation adopts to address the needs of its different stakeholders, and its adoption has been rising in recent decades. Thus, there’s a pressing need to conduct in-depth research on this specific theme within the realm of organisational communication. In this context, we present a theoretical framework and a model aimed at comprehensively addressing corporate social responsibility communication.
    Description: Published
    Description: Esta obra tem como objetivo principal contribuir para o aprofundamento e a partilha do conhecimento sobre a área emergente da comunicação da responsabilidade social. A responsabilidade social é um conjunto de políticas e práticas que uma organização adota voluntariamente tendo em vista o cumprimento harmonioso das necessidades dos seus diversos stakeholders, e a sua adoção por parte das organizações tem sido crescente nas últimas décadas. Assim, torna-se premente o estudo específico da responsabilidade social pela ótica da comunicação organizacional. Com este livro, apresentamos um enquadramento desta temática, assim como um modelo de comunicação para a responsabilidade social.
    Keywords: responsabilidade social ; comunicação da responsabilidade social ; comunicação organizacional ; comunicação estratégica ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general
    Language: Portuguese
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  • 165
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    FrancoAngeli
    Publication Date: 2024-04-07
    Description: This essay focuses on light and theories of combustion in the late 18th century. But it does so “on the nitrogen side”: that is, on the side of those inert three-quarters of air that do not contribute to respiration and, therefore, do not trigger the light-emitting response of phosphorus in experiments. In analyzing the variety of opinions broadly (and imprecisely) ascribable to the “Lavoisierian-Phlogistonist” dispute, this book sheds special light on the non-Lavoisierian German context where Johann Friedrich August Göttling performed his tests on phosphorus and nitrogen – and, subsequently, on Lazzaro Spallanzani’s crucial role in the debate. The book pays attention to theories, but it also deals with experimental practice. Therefore, it tells a story of procedures and instruments: in fact, it was especially on this tricky field that the understanding of the phosphorus-nitrogen relationship was achieved. In reading these pages, we shall meet the great heroes of early chemistry as well as the “artisans of innovation” who gave substantial contributions to the advancement of their discipline: a rich fresco that gives us a clear idea of the complexity of the methodological debate at the turn of the century, and of how widespread scientific activity was at that time.
    Keywords: History of chemistry; nitrogen; theories of combustion; Johann Friedrich August Göttling; Lazzaro Spallanzani ; thema EDItEUR::P Mathematics and Science::PN Chemistry ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDX History of science
    Language: Italian
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  • 166
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 167
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 168
    facet.materialart.
    Unknown
    Editora da Universidade Federal da Fronteira Sul | Editora UFFS
    Publication Date: 2024-03-12
    Description: Esta é uma obra que oportuniza o compartilhar de experiências, de reflexões e de investigações sobre a Saúde na Escola, reconhecendo a diversidade de saberes que circulam nesse espaço. Nas últimas décadas, a Educação em Saúde realizada na escola deixou de ser apenas um campo de práticas, passando a constituir-se como um campo de estudos e pesquisas, envolvendo diversas áreas do conhecimento. A Escola é um espaço privilegiado para trabalhar propostas educativas que visem a transformação das condições de vida e o exercício da cidadania dos sujeitos, numa perspectiva de promoção da saúde. A pesquisa em Educação em Saúde destaca-se no campo da Educação Científica, tendo em vista os vínculos da saúde com a área das Ciências Naturais. Esta obra, constituída de vinte e seis capítulos, busca dialogar com as diferentes perspectivas oriundas destes campo de pesquisa, estudos e prática. Trata-se do primeiro volume da Coleção Ensino de Ciências, organizada pelos pesquisadores Roque Ismael da Costa Güllich, Rosangela Inês Matos Uhmann e Rosemar Ayres dos Santos.
    Keywords: Education ; bic Book Industry Communication::J Society & social sciences::JN Education
    Language: Portuguese
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  • 169
    facet.materialart.
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    Kriterium
    Publication Date: 2024-04-11
    Description: In the book Anti-Racisms and Anti-Racists. Realistic utopias, tensions and everyday experiences, 24 researchers explore how resistance to various forms of racism is pursued and embodied among groups of people who dream beyond racism in a variety of ways, often contradictory, rarely successful, but always stubborn and forward-looking. The anthology illustrates the breadth of anti-racism, but also analyses its problems and weaknesses. Inspired by anti-, post- and decolonial traditions, among others, together with social movement perspectives, the anthology challenges a static and essentialising approach found in research and policy that tends to emphasise the stability and immutability of inequality, even in the case of racism. In addition to a variety of concrete analyses and descriptions of historical and contemporary activism, the various authors also show the possibilities of anti-racism and can thus provide some hope, in these dark times, for those who want a society without racism. Academic co-ordinator is Mattias Gardell, Uppsala universitet.
    Keywords: Social justice; Ethnicity & Indigeneity; Migrants & refugees; Racism; Antiracist; Antiracism ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology
    Language: Swedish
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  • 170
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Da qualche anno è in vita un progetto di ricerca dell’Università degli Studi di Bari, che ha all’attivo ormai diversi contributi, sulla ricezione della letteratura spagnola nell’Italia del Novecento. Se il primo obiettivo è stato quello di avere un quadro esaustivo delle traduzioni di letteratura spagnola in volume, non meno significativo appare il lavoro di recensione degli articoli pubblicati nelle riviste di cultura. Relativamente alle riviste della prima metà del secolo abbiamo strumenti che supportano la ricerca e studi che offrono delle prime conclusioni, mentre molto meno chiaro è il quadro del secondo Novecento di cui si offre in questo volume una prima esplorazione, in vista di uno spoglio sistematico, e di una disamina puntuale dei contenuti.
    Keywords: Spanish Civil War,Stage reception,Culture,Realidad magazine,Sipario,Nueva Ola,Literary transfer,Spanish Communist Party (PCE),Semprún,Francoist censorship,Stereotypes,Reviews,Claudín,20th century,Europa Letteraria,Cultural magazines,Italian reception of Spanish theatre,Expansion of reception,Literature,Role of criticism,Literature reception,Hispanic literatures,Role of poetry,Italian broadcasts,Paragone Letteratura,Italian press,Spain,Literary journals,1950-1975,Post-francoism,Spanish literature,Jesús López Pacheco,Spanish theatre
    Language: Italian
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  • 171
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 172
    facet.materialart.
    Unknown
    Viella editrice | Viella
    Publication Date: 2024-04-10
    Description: Published
    Description: Tra la fine del XVI e l’inizio del XVII secolo il «fontanaro e ingegniero de acqua» Giovanni Antonio Nigrone compose un manoscritto in cui raccolse la sua esperienza professionale maturata lavorando tra Napoli, Firenze e Roma. L’opera, composita e variegata, contiene un ricco catalogo di disegni di fontane e un’ampia rassegna di strumenti meccanici per lo sfruttamento dell’acqua, accanto ad argomentazioni teoriche sui più importanti temi della cultura del tempo, dalla fisica naturale all’astrologia, passando per la storia. Conservato per secoli nel convento napoletano di S. Efrem Nuovo e divenuto poi patrimonio del Regno d’Italia alla metà del XIX secolo, il testo di Nigrone viene pubblicato qui per la prima volta, insieme ad un apparato critico di note e schede e a un saggio introduttivo che aiutano a contestualizzarlo nel tempo in cui fu concepito.
    Keywords: bic Book Industry Communication::H Humanities
    Language: Italian
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  • 173
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Caratteristiche, metodologie e motivi della valutazione dell'insegnamento delle lingue straniere a scuola.
    Language: Italian
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  • 174
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 175
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 176
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 177
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 178
    Publication Date: 2024-04-07
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 179
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Questa ricerca, condotta su un campione di 353 studenti del primo anno dei corsi di laurea in lingue occidentali e di mediazione linguistica e culturale dell’Università di Venezia, indaga come gli studenti valutino la loro formazione linguistica ricevuta nella scuola superiore.
    Language: Italian
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  • 180
    facet.materialart.
    Unknown
    Editora da Universidade Federal da Fronteira Sul | Editora UFFS
    Publication Date: 2024-03-12
    Description: Esta obra, que reúne 11 capítulos escritos por 30 autores e coautores do Brasil, do Chile, da Colômbia, de Cuba, do México e do Uruguai, busca dar voz às iniciativas preocupadas com o impacto das ações humanas na saúde e no bem-estar das pessoas. Objetiva apresentar abordagens teóricas e práticas de educação em saúde nas diferentes etapas do ciclo de desenvolvimento em distintos cenários da atenção à saúde das famílias latino-americanas. Apresenta estudos que envolvem os seguintes temas: práticas educativas e de cuidados com a saúde dos indivíduos e famílias em diferentes cenários; formação de médicos e enfermeiros em saúde familiar e comunitária; bioética para o cuidado a saúde; referenciais teóricos/práticos e de pesquisa para avaliação da saúde da família. Atenção à saúde das famílias latino-americanas: abordagens teóricas e práticas na educação é fruto da união de experiências de profissionais da saúde, cujo movimento levou à criação da Rede Latino-americana de Enfermagem de Família liderada pela Universidade Federal de Pelotas do Brasil, Universidade de La República, do Uruguai e a Fundação Growing Up, da Colômbia. Essa rede reúne mais de 130 profissionais com o propósito de promover avanços na área de enfermagem de família, dar visibilidade e difundir conhecimentos teóricos, práticos e de pesquisa voltado à saúde das famílias.
    Keywords: Public health and preventive medicine ; bic Book Industry Communication::M Medicine::MB Medicine: general issues::MBN Public health & preventive medicine
    Language: Portuguese
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  • 181
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: The present volume collects most of the contributions to the plenary sessions held at the 24th International Congress of Byzantine Studies, and incisively reflects the ever increasing broadening of the very concept of ‘Byzantine Studies’. Indeed, a particularly salient characteristic of the papers presented here is their strong focus on interdisciplinarity and their breadth of scope, both in terms of methodology and content. The cross-pollination between different fields of Byzantine Studies is also a major point of the volume. Archaeology and art history have pride of place; it is especially in archaeological papers that one can grasp the vital importance of the interaction with the so-called hard sciences and with new technologies for contemporary research. This relevance of science and technology for archaeology, however, also applies to, and have significant repercussions in, historical studies, where – for example – the study of climate change or the application of specific software to network studies are producing a major renewal of knowledge. In more traditional subject fields, like literary, political, and intellectual history, the contributions to the present volume offer some important reflections on the connection between Byzantium and other cultures and peoples through the intermediary of texts, stories, diplomacy, trade, and war.
    Keywords: Anatolia,Remote sensing,Epigrams,Interdisciplines,Water jar,Builder,Conflicts,Caucasus,Iconography,weaponry,Robert and Mildred Bliss,Byzantine Studies,Late Antiquity,Byzantine literature,Royall Tyler,Edgar,English Mandate,Silks,History of sciences,Triumphal columns,Sociology,Placemaking,Cities,interaction,Arabic,Academic practices,Textiles,Adaptations,Byzantine archaeology,William the Conqueror,Geocommunication,Metalwork,Portable art,elite,Dynasties,Ottomans,Persian,Anthropology,Normans,History of climate and society,Byzantine history,Ceramic finds,Description of cities,Epigraphy,Theories of exchange,Law history,Production,Research methodology (in Byzantine legal studies),History of Byzantine law,Material culture networks,writing,Health,Global history,Knowledge production,Constantinople,Urban archaeology,Writing,Geography,Borderland/Frontier,Viking,Spatial analysis,Interdisciplinarity,Healthscape,Power relations,Sociometry,French Mandate,Environmental history,Survival of cities,Turks,Urban rescue excavations,remote sensing,Byzantium,Anglo-Danish,Metaphrasis,Regressive engineering,Weaponry,Orestes,Transitional period,Asia,History of religions,Interactions with other cultures,Sigillographie,Head loading,Eastern Roman Empire,Foundation stories,Epigraphie,Inscriptions,Analysis,Sigillography,Gold,Reception,Residential architecture,Iconographie,Harald Hardrada,Roman administration,Literature,American University Museums,Byzantine age,Catalogue,Network analysis,Commerce,Sacred spaces,Amorium,Texts,Sacred landscapes,Progress,Education,Imperial Roman period,basileus,laudes,Consilience,Island,Byzantine identity,Alans,Imperial Roman Period,Late antiquity,builder,Tales,mercenaries,Byzantine trade,LiDAR,Translations,Early Medieval Mediterranean,Prosopographie,Adrianople,Database,Laudes,Gifts,Hybridity,Turkish,Mediterranean,diplomacy,Theory,Byzantine Constantinople,Architectural heritage,Tradition,Byzantine-Islamic relations,American university museums,Byzantine studies,Economic and non-economic exchange,Byzantine,dynasties,Cultural history,Concepts,Vocabulary,island,Byzantine legal studies,Red slip,Hadrian,Edward the Confessor,tales,Prosopography,Interaction,Italy,Iceland,quarries,Basileus,Foundation Stories,Production site,Isauria,Edirne,Studies,Stratagems,borderland/frontier,French mandate,Ceramic,Sasanian empire,Distribution patterns,Globular amphora,English mandate,Mercenaries,Eastern Christianity,Diplomacy,Cnut,Historical geography,Ragnvald,Crafts,stratagems,Constantinople, ecclesiastical architecture,Byzantine art,Methodology,texts,Culture of the collection,Embroidery,Constantinople, monasteries,Byzantine law,Bases de données,consilience,Asia Minor,Tabula Imperii Byzantini (TIB),Climate history,Syriac studies,Trade hub,Quarries,Monasteries,Italian museums and churches,Balkans,Ecclesiastical architecture,Space,gold,Elite,Byzantine-awareness,Chronicles,Roman infrastructure,Plunder,Philology,Tribute,Complexity theory,Digital humanities,Conservation policies
    Language: English , Italian , French
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  • 182
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-04-01
    Description: Con la conquista dei primi territori coloniali sul finire dell’Ottocento, la retorica imperiale prese a circolare non solo fra le calli veneziane ma anche tra i banchi di Ca’ Foscari. Il discorso pubblico così come quello scientifico-accademico, interagendo con il bagaglio storico-culturale dell’ex Dominante, contribuirono a ridefinire lo spazio urbano e quello universitario, lasciando tracce ancora oggi visibili. Proprio a partire da queste ultime, si tenterà di descrivere le vicende e individuare gli interpreti di una pagina di storia locale ancora poco conosciuta.
    Keywords: University,Venice,Balkans,Cultural history,Fascism,Racism,Imperialism,Africa,Colonialism,Myth ; thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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  • 183
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il volume intende rappresentare le principali linee di ricerca sviluppate in ambito accademico italiano da studiosi nazionali e internazionali sulle aree caucasica e centroasiatica. In questa prospettiva, il volume presenta una serie di saggi che traggono spunto da interventi effettuati nell’ambito dei principali appuntamenti annuali incentrati sull’area: l’edizione del 2021 del Convegno annuale dell’Associazione per lo Studio in Italia dell’Asia centrale e del Caucaso (ASIAC) e la XV Giornata di Studi Armeni e Caucasici. Per sua natura, il volume ospita dunque contributi di differente matrice disciplinare, che spaziano da studi di carattere storico e filologico fino a studi di taglio linguistico, letterario e politologico.
    Keywords: Armenian Kingdom of Cilicia,Language,Vision of St,Herodotean Scythia,Cattle-raid,Analytical Alphabet,Oral tradition,Divorce,Marriage,Dispositif (apparatus) of security,Central Asia,Greeks,Caucasus,Constructivism,Baron de Baye,Armenian repatriation,Foucault,Court records,Homeland,Quantitative methods,Syrdon,Disciplinary mechanism,Foreign policy,Soviet Armenia,Lebanon,Kingdom of Cyprus,Multivectorism,Pontus,Scythians,Romanized Script,Abkhaz Language,Armeno-Latin Relations in the 14th Century,The geo-chromatic designation,Fændyr,Weak States,The Arabic-Islamic geographical tradition,United Nations,Nikolai Marr,Cultural transfer,The Black Sea,Uzbekistan,Abkhaz Alphabet,Ottoman Aleppo,Self-reliance,Photography,The descriptive geography,Yevgeny Polivanov,Document analysis,Codicology,Structural topic model,Ideas,Narts,Securitization,Nersēs,Diaspora,Collections,The Christian geographical tradition,Linz, Oberösterreichische Landesbibliothek, MS 447
    Language: English , Italian
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  • 184
    facet.materialart.
    Unknown
    Fundação Editora da UNESP | Fundação Editora da UNESP
    Publication Date: 2024-03-24
    Description: Em Diálogos apócrifos, estão reunidos textos selecionados da produção da autora, Maria do Rosário Longo Mortatti, durante sua atuação profissional: entre 1976 e 1991, como professora de língua portuguesa e literatura na rede pública oficial de ensino paulista e em escolas particulares da cidade de Campinas/SP; e, a partir de 1991, como docente universitária vinculada à Unesp (Universidade Estadual Paulista). São textos de palestras, entrevistas, notas e artigos de opinião ou divulgação científica, escritos entre 1986 e 2014, que permaneceram inéditos ou foram publicados em veículos de circulação restrita ou atualmente fora de circulação. Todos estão relacionados com a temática “educação e ensino de língua e literatura”, na qual estão circunscritos os temas de estudos e pesquisas que a autora veio desenvolvendo ao longo das últimas quatro décadas. Os textos estão organizados em ordem cronológica de sua produção e circulação, propiciando maior visibilidade da perspectiva interdisciplinar, no que se refere à relação tanto dos temas entre si quanto com as demandas que motivaram sua abordagem, em cada momento histórico. Essa ordenação cronológica propicia ainda que o leitor relacione informações e opiniões sobre os assuntos abordados com o momento histórico a que se referem, evitando, assim, anacronismos.
    Keywords: Literacy ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFC Literacy
    Language: Portuguese
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  • 185
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 186
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 187
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: La questione dell’anima rappresenta il cuore pulsante del pensiero di Seneca in quanto essa costituisce il punto di partenza imprescindibile per l’indagine di numerosi altri aspetti della filosofia dello stesso autore. Nel corso della sua opera, il filosofo tratteggia una nozione di anima la cui ricchezza filosofica è efficacemente restituita da un prospettico gioco di luci e ombre adatto a farci apprezzare a pieno la ‘tridimensionalità’ di un concetto che ci sembra quasi di poter afferrare con la mano. Si delinea, agli occhi del lettore, un quadro complesso, filosoficamente pregnante, una concezione di anima profondamente in linea con i principi della scuola stoica e, allo stesso tempo, intimamente senecana.
    Keywords: Stoicism,Ethics,Seneca,Psychology,Soul
    Language: Italian
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  • 188
    facet.materialart.
    Unknown
    FedOA - Federico II University Press
    Publication Date: 2024-03-23
    Description: The book collects the outcomes of the teaching experience carried out during the first semester of the 2021/22 academic year within the four Architectural and Urban Design and Interior Architecture Studio of the second year of Master’s Degree in Architecture 5UE at the Department of Architecture of the University of Naples “Federico II”. The theoretical and applied experience focused on the design of a new kindergarten in Via Manzoni, in the Posillipo district of Naples. The proposals developed by the students aimed to renew the idea of school: a school-city that becomes a reference point not only for those who experience it daily, but for the entire community and the neighbourhood in which it is located. The school is understood as a complex architecture, whose organizational structure engages with the features of the urban and landscape morphology, incorporating, replicating, and renewing principles and settlement features. The design experiments thus integrate the three scales of the project: the scale of interior spaces’ design, relating to formal and informal education, also taking into account pedagogical aspects; the scale of the architectural building, also in relation to dimensional and spatial relationships with the Fatebenefratelli Hospital and the former Swiss School, designed by Dolf Schnebli; the urban and landscape scale, relating to the integration into the Posillipo neighbourhood, between the urban axis of Via Manzoni and the rural road of Via del Marzano. The book also includes texts from teachers, designers, and scholars who were invited to provide theoretical-methodological contributions and participate in collective reviews within the Design Studios.
    Description: Published
    Description: La pubblicazione raccoglie gli esiti dell’esperienza didattica svolta durante il primo semestre dell’a.a. 2021/22 all’interno dei quattro Laboratori in Composizione architettonica e urbana e Architettura degli interni 2 del Corso di Laurea Magistrale a ciclo unico in Architettura 5UE del Dipartimento di Architettura dell’Università degli Studi di Napoli “Federico II”. L’esperienza didattico-laboratoriale si è concentrata sul progetto di una nuova scuola dell’infanzia a via Manzoni, nel quartiere Posillipo a Napoli. Le proposte elaborate dagli studenti hanno provato a rinnovare il concetto di scuola: una scuola-città che diventa punto di riferimento non solo per coloro che quotidianamente ne fanno esperienza, ma anche per il quartiere nella quale essa si inserisce. La scuola è intesa come un’architettura complessa, la cui struttura organizzativa si confronta con i caratteri della morfologia urbana e paesaggistica assumendone, replicandone e rinnovandone principi e caratteri insediativi. Le sperimentazioni progettuali integrano, così, le tre scale del progetto: la scala dell’architettura degli interni, relativa allo spazio della formazione formale e informale, tenendo conto anche di contenuti di carattere pedagogico; la scala dell’edificio, anche in relazione ai rapporti dimensionali e spaziali con l’Ospedale Fatebenefratelli e con la ex Scuola Svizzera progettata da Dolf Schnebli; la scala urbana e paesaggistica relativa all’inserimento nel quartiere di Posillipo, tra l’asse urbano di via Manzoni e la strada rurale di via del Marzano. Il volume raccoglie anche gli scritti di docenti, progettisti e studiosi che sono stati invitati a dare un contributo teorico-metodologico e a partecipare alle revisioni collettive nell’ambito dei laboratori.
    Keywords: Urban Architecture, School, Project, Landscape, Community ; thema EDItEUR::A The Arts::AM Architecture
    Language: Italian
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  • 189
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 190
    facet.materialart.
    Unknown
    UMinho Editora | UMinho Editora
    Publication Date: 2024-03-26
    Description: Published
    Description: Figura cimeira da criação literária e nome incontornável nas áreas da poesia, do romance e da dramaturgia, Almeida Garrett ocupa também um lugar proeminente e dos mais determinantes na história das ideias em Portugal e na cultura portuguesa, bem como na história da arquitetura dos destinos pátrios no século XIX. Reconhecida e abundantemente celebrada a sua grandeza no vetor da estética literária, a penumbra tem e continua em parte a envolver o segundo vetor. Todavia, ele é extremamente importante e consequencial. O génio, versatilidade e convicções deste militante da liberdade concederam a esta dimensão abundantes espaços próprios enquanto ensaísta, tribuno, jornalista, legislador ou panfletário, mas ela atravessa também a generalidade da sua obra literária. Os estudos contidos no presente livro tentam clarear algumas sombras dessa penumbra, chamando temas mais pertinentes e estruturantes do ideário deste autor das Viagens na minha terra, de Frei Luís de Sousa, da Lírica de João Mínimo ou de Portugal na balança da Europa. É neste intuito que percorre as problemáticas da modernidade, da política, da educação, da religião e do género.
    Keywords: Almeida Garret ; Estudos literários ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Portuguese
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  • 191
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 192
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Manthos Ioannou è stato un protagonista della guerra di Morea (1714-18), quando i turchi ottomani riuscirono a riprendere il dominio del Peloponneso, conquistato dai veneziani sul finire del Seicento. La tragica esperienza vissuta dalla popolazione di lingua greca è stata trasformata in una cronaca in versi, che divenne un best-long seller a Venezia dalla metà del Settecento fino al tardo Ottocento. Questo libro ripropone la lettura del poema di Manthos Ioannou, con l'intento di presentare una fonte diretta, poco nota alla storiografia italiana, e di approfondire lo studio dell’opera nel suo contesto storico e letterario.
    Keywords: Venetian Republic,Peloponnese,Modern Greek,Morea,War
    Language: Italian
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  • 193
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 194
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Questo libro si propone di tracciare le configurazioni ideologiche dell’immaginario letterario sull’emigrazione italo-argentina. Attraverso testi di vario genere, in particolare romanzi, scritti e pubblicati in entrambi i paesi, si evidenziano i diversi atteggiamenti politici e ideologici che hanno accompagnato nel tempo il fenomeno migratorio, come mai accaduto in nessun altro paese. | Este libro pretende rastrear las configuraciones ideológicas del imaginario literario sobre la emigración ítalo-argentina. A través de textos de diversa índole, en particular novelas, escritos y publicados en ambos países, se ponen de relieve las distintas actitudes políticas e ideológicas que han acompañado a lo largo de tiempo el fenómeno migratorio, como nunca antes en ningún otro país.
    Keywords: Adventure,Emigration,Italy,Immigration,Identity,Literature,Argentina
    Language: Italian , Spanish
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  • 195
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 196
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Questo volume esamina criticamente le grandi questioni sociali del nostro tempo: prima tra tutte la grande crisi del capitalismo globale scoppiata nel 2008, e poi le trasformazioni dello stato, la crescita strutturale delle disuguaglianze, l’attecchimento dell’ideologia neo-liberista, gli effetti sociali della rivoluzione digitale, la precarizzazione del lavoro, la condizione delle donne al lavoro. L’analisi di questi temi è fatta a partire dalla critica tagliente delle politiche del neo-liberismo operata da Luciano Gallino, il più importante sociologo italiano del dopoguerra.
    Keywords: Polarization,Automation,Neo-liberalism,State,Digitalization,Interventionist state,Job insecurity,Welfare state,Power,Casualization of labour,Labour process,Working women,Internships,Inequalities,Social classes,Globalization,Precariousness,Employment,Ideology,Individualism,Financial capital,Double crisis,Unpaid labour,Platform economy,Democracy,Luciano Gallino,Care work,Class struggle,Financial capitalism,Flexibility
    Language: English , Italian , French
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  • 197
    Publication Date: 2024-04-04
    Description: In those Slavic languages where the vocative inflectional case endings are used inconsistently, a statistically increased occurrence of vocative’s endings can be observed with nouns having a diminutive or hypocoristic semantics. Assuming that is the ‘affective charge’ of some specific nouns which enhances the probability of vocative case forms, the present paper has two aims: 1. to verify empirically in three Slavic languages (Serbian, Polish, Bulgarian) whether the vocative case is better preserved with nouns having a derogatory semantics (insults and bad words), 2. to establish which are the rules governing their use.
    Keywords: Vocative case ; Nominative case ; Slavic languages (Serbian ; Polish ; Bulgarian) ; Derogatory words ; Competing inflectional case endings ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 198
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il presente volume intende fornire al lettore gli strumenti teorici di base per affrontare la progettazione di e-learning per la lingua giapponese. La monografia, tramite la disamina del caso di studio JaLea, prende in considerazione aspetti degli artefatti digitali raramente indagati nella letteratura sui software per l’apprendimento, ma fondamentali per aumentare la motivazione del discente, ovvero: il sistema, l’interfaccia, la navigazione e la grafica. In particolare, viene introdotto un quadro di riferimento per l’analisi delle strategie di esperienza utente e sostenibilità, adattabili anche a differenti esigenze di progettazione di applicativi per lo studio delle lingue straniere.
    Keywords: Digital humanities,Instructional design,Language teaching,User experience,Japanese language,E-learning
    Language: Italian
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  • 199
    facet.materialart.
    Unknown
    Editora da Universidade do Estado de Minas Gerais | Editora da Universidade do Estado de Minas Gerais
    Publication Date: 2024-01-09
    Description: O livro busca investigar os nexos entre a questão agrária e o desenvolvimento econômico-social brasileiro das últimas décadas, de modo a entender como ela vem sendo modificada pelas transformações do padrão de acumulação de capital no país ao mesmo tempo em que condiciona a expansão capitalista brasileira. Contextualizando a situação do campo no Brasil na história recente do país, o autor expõe a emergência de contradições existentes no centro da questão agrária, que impactam o mundo do trabalho e o meio ambiente.
    Keywords: Agriculture, agribusiness and food production industries ; bic Book Industry Communication::K Economics, finance, business & management::KN Industry & industrial studies::KNA Primary industries::KNAC Agriculture & related industries
    Language: Portuguese
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  • 200
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Nel secondo volume della collana «Diaspore. Quaderni di ricerca» situazioni di viaggio e di migrazione vengono analizzate tenendo conto della diretta incidenza dell’intreccio delle due dimensioni essenziali di spazio e tempo, considerando quanto queste possano influire sulla persona e sulla sua percezione, intellettuale ed emotiva, e quanto quindi possano determinare la successiva esperienza di scrittura. Il risultato, in molti casi, è la compresenza non solo di più culture o più influssi letterari, ma addirittura di più scritture. I contributi del volume interpretano la connaturata predisposizione alla pluridimensionalità della scrittura e la diversa stratificazione delle esperienze che il viaggio, forzato o meno, di sopravvivenza o di indagine, consente.
    Language: Italian
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