ALBERT

All Library Books, journals and Electronic Records Telegrafenberg

Ihre E-Mail wurde erfolgreich gesendet. Bitte prüfen Sie Ihren Maileingang.

Leider ist ein Fehler beim E-Mail-Versand aufgetreten. Bitte versuchen Sie es erneut.

Vorgang fortführen?

Exportieren
Filter
  • Cultural Studies
  • Dogen;enlightenment;Japanese literature;Zen Buddhism
  • Japan
  • Japanisch  (3)
  • Französisch  (2)
  • en
  • 1
    Publikationsdatum: 2024-04-07
    Beschreibung: This chapter takes a hanging scroll by Shiba Kōkan (1747–1818) as a starting point to explore the emotional response of individuals and communities from distant cultures and places in the face of disasters, in particular earthquakes and fires. Images of disasters, and how they were dealt with, travelled through time and space, begging the question as to what role transcultural entanglements played in these responses.
    Schlagwort(e): Shiba Kōkan ; Japan ; Emotions ; Paintings ; Edo ; thema EDItEUR::N History and Archaeology::NH History
    Sprache: Französisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Publikationsdatum: 2024-03-29
    Beschreibung: スマートフォンはいつも文字通り私たちの鼻先にあり、スマートフォンとは何かという疑問を持つことはなかなかありません。しかし、私たちは本当にスマートフォンを理解しているのでしょうか?より深く理解を掘り下げるために、11人の人類学者が16ヶ月間それぞれアフリカ、アジア、ヨーロッパ、南アメリカの各地域で暮らし、高齢者へのスマートフォンの普及について調査しました。この調査によって、スマートフォンは若者だけでなく、すべての世代が利用するテクノロジーであることが明らかになりました。 『グローバル・スマートフォン』は、独自の観点をそのグローバルな比較研究から提示します。スマートフォンは常に身近にあり、「絶え間なき機会主義(Perpetual Opportunism)」を満たすデバイスであるだけでなく、今や私たちの生活の場そのものにさえなっています。本著は、スマートフォンが単なる「アプリデバイス」以上のものであることを示し、人々が口にするスマートフォンへの意見と、実際にはどのようにスマートフォンを使用しているのか、その違いを探ります。 マートフォンは、私たち使用者が変容させることができるその程度において、未だかつてなく自由度の高いデバイスです。この自由さにより、スマートフォンには使用者個人の価値観が急速に反映されます。この価値観を理解するためには、各地域における民族的・文化的差異を考慮する必要があります。例えば、アル=クドゥス(エルサレム)、ブラジル、そしてイタリアなど、各地域がたどる高齢化の軌跡の多様性に加えて、中国と日本のビジュアル・コミュニケーション、カメルーンとウガンダのモバイルマネー、チリとアイルランドの保健情報へのアクセスの仕方など、これらの差異を考察して初めて、スマートフォンとは何か、そしてスマートフォンがもたらす生活の変容を理解することができるのです。
    Schlagwort(e): Anthropology ; Communication Studies ; Cultural Studies ; Public Policy & Administration ; Sociology ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology::JHMC Social & cultural anthropology, ethnography ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies::JFCA Popular culture ; bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPQ Central government::JPQB Central government policies ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies::JBCC1 Popular culture ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPQ Central / national / federal government::JPQB Central / national / federal government policies ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology
    Sprache: Japanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    facet.materialart.
    Unbekannt
    punctum books
    Publikationsdatum: 2024-03-23
    Beschreibung: "In the thirteenth century Dogen brought Zen to Japan. His tradition flourishes there still today and now has taken root across the world. Abruptly Dogen presents some of his pith writings—startling, shifting, funny, spilling out in every direction. They come from all seventy-five chapters of his masterwork, the Eye of Real Dharma (Shōbōgenzō 正法眼藏), and roam through mountains, magic, everyday life, meditation, the nature of mind, and how the Buddha is always speaking from inside our heads. An excerpt from chapter 1, “A Case of Here We Are”: Human wisdom is like a moon roosting in water. No stain on the moon, nor does the water rip. However wide and grand the light, it still finds lodging in a puddle. The full moon, the spilling sky, all roosting in a single dewdrop on a single blade of grass. A man of wisdom is uncut, the way a moon doesn’t pierce water. Wisdom in a man is unobstructed, the way the sky’s full moon is unobstructed in a dewdrop. No doubt about it, the drop’s as deep as the moon is high. How long does this go on? How deep is the water, how high the moon?"
    Schlagwort(e): Dogen;enlightenment;Japanese literature;Zen Buddhism ; thema EDItEUR::2 Language qualifiers::2G East and Southeast Asian languages::2GJ Japanese ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRF Buddhism::QRFB Buddhism: branches and groups::QRFB2 Mahayana Buddhism::QRFB23 Zen Buddhism
    Sprache: Englisch , Japanisch
    Format: image/jpeg
    Format: image/jpeg
    Format: image/jpeg
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    facet.materialart.
    Unbekannt
    punctum books
    Publikationsdatum: 2024-03-23
    Beschreibung: Beta Exercise: The Theory and Practice of Osamu Kanemura is the first bilingual (Japanese-English) book to provide an overview of the theoretical work of Japanese photographer and video artist Osamu Kanemura, a unique voice in the world of contemporary photography. The opening essay “Life Is a Gift” comments on the transformation of human life into an exchangeable commodity and the abstraction it entails. “Essay 01” develops Kanemura’s idea of photographic “technique” in an era when such techniques have become accessible to all, radically undermining the importance of human subjectivity in the process of capturing the photographic image: “We can say that modern technology constitutes photographic technique.” Instead, Kanemura argues, extra-technical elements such as concept and vision will have to compensate for the expression of individuality that technique is no longer able to convey. Taking cues from Kiyoshi Kurosawa and Karlheinz Stockhausen, the essay “Dead-Stick Landing” develops Kanemura’s theory of the moving image as mechanical system, solely governed by an “on-off switch.” “Essay 02” develops these ideas into a consideration of cinematic time and the experience of boredom in cinema as the result of a truthful “loyalty” expressed to machines, and not to stories. The essays are accompanied by an extensive two-part interview with Italian photographer Marco Mazzi, touching upon topics ranging from the technical aspects of his equipment, the concept of non-editing, and the destruction of the frame to the similarity between Mao’s dialectics and the camera, the presence of the human figure as trace, and the politics of photographing Tokyo.
    Schlagwort(e): photography ; media studies ; Osamu Kanemura ; Japan ; aesthetics ; thema EDItEUR::A The Arts::AJ Photography and photographs::AJC Photographs: collections::AJCD Individual photographers
    Sprache: Englisch , Japanisch
    Format: image/jpeg
    Format: image/jpeg
    Format: image/jpeg
    Format: image/jpeg
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 5
    facet.materialart.
    Unbekannt
    Éditions de la Maison des sciences de l’homme
    Publikationsdatum: 2024-03-23
    Beschreibung: Tout tableau est un fragment. Mais qui, du cadre ou du mur, construit le lieu de la peinture ? Que s’est-il passé lorsque cette énigme occidentale fut confrontée à l’époque moderne à une autre représentation du monde ? Si l’Europe des Lumières est souvent caractérisée par les chinoiseries et l’ornement rocaille, c’est un nouveau regard sur l’Extrême-Orient qui est analysé ici, celui qui lie l’histoire du tableau à une idée de l’espace transmise par les décors des objets venus d’Asie. Dans quelle mesure la présence réelle ou fantasmée de l’Orient a-t-elle modifié le rapport de la peinture au support qui la donne à voir ? Tel est l’objet de ce livre qui présente le changement de paradigme dans la construction du goût suscité par les notions orientales de paysage, de lointain et de vide, pour que le sort de la peinture se transforme. D’où vient la place particulière qu’elle acquiert au xviiie siècle ? De quelle façon fut bouleversée son exposition pour qu’elle devienne le tableau que nous connaissons aujourd’hui ?
    Schlagwort(e): NX1-820 ; Kunstgeschichte ; Kunstbeziehungen ; Japan ; Asien ; 17. Jahrhundert ; Malerei ; Kunst ; Frankreich ; Deutschland ; China ; 18. Jahrhundert ; Europa ; thema EDItEUR::A The Arts
    Sprache: Französisch
    Format: image/png
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
Schließen ⊗
Diese Webseite nutzt Cookies und das Analyse-Tool Matomo. Weitere Informationen finden Sie hier...