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  • thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
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  • 1
    facet.materialart.
    Unknown
    Firenze University Press
    Publication Date: 2024-04-02
    Description: Consciously repressed by the current dominating culture, in Italy and Europe in the late mediaeval and early modern age death was addressed with greater confidence and awareness, and sometimes even with serenity. The modes of dying and of conceiving death – and the varied and rich religious and civil rituals that accompanied it – reflected the values and the choices of rich and poor, of kings and peasants, merchants and soldiers, nobles and churchmen, men and women. Several decades after the major studies that opened the road to these strands of research in Italy too (Ariès, Tenenti), this book offers a series of penetrating and suggestive explorations of a fascinating and complex theme which no reader can consider extraneous.
    Keywords: Morte ; Ritualità religiosa ; Storia ; Medioevo ; Italia ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 2
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 3
    facet.materialart.
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 4
    facet.materialart.
    Unknown
    Firenze University Press
    Publication Date: 2024-03-24
    Description: Ancient linguistic reflection in India was able to combine the analysis of Sanskrit with the awareness that the language through which this analysis is conducted (Sanskrit) is different from the object it examines. Although this language-tool finds its dimension in the artificial Sanskrit of the sütras - the aphorisms of Påñini's grammar - metalinguistic discourse is not restricted to specialized discourse: common speech abounds in metalinguistic notations. The present work focuses on the testimonies of the grammatical school of Pâininian origin, by trying to retrace the course by which metalanguage left the field of naive linguistics to become an object of the school.
    Keywords: Lingua sanscrita ; Linguistica ; Cultura indiana ; India ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs
    Language: Italian
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  • 5
    facet.materialart.
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    Firenze University Press
    Publication Date: 2024-04-02
    Description: The exhibition: “La Fisica ad Arcetri. Dalla nascita della Regia Università alle leggi raziali” was organized by the Department of Physics and Astronomy of the University of Florence and by the Florence Section of the Italian National Institute of Nuclear Physics, in collaboration with the Historical Archive of the Municipality of Florence, the Physical Science and Natural Mathematics Library of the University of Florence, the Science and Technology Foundation, and the “Galileo” Museum of Florence. It was held from May to September 2016 in the Exhibition Hall of the Municipal Historical Archive in via dell'Oriuolo, Florence. The time covered by the exhibition ranges from the birth of the Royal University of Florence (1924) to the enactment of racial laws in Italy by Benito Mussolini’s government (1938). The exhibited material comes from the Municipality's Historical Archive, the Garbasso Archive, the Della Corte Fund, the Department of Physics and Astronomy, the Science and Technology Foundation and from private collections. The catalogue is published as the third volume of the series of publications associated with the magazine «Il Colle di Galileo».
    Keywords: thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDN Scientific equipment, experiments and techniques ; thema EDItEUR::P Mathematics and Science::PH Physics ; thema EDItEUR::P Mathematics and Science::PH Physics::PHK Electricity, electromagnetism and magnetism ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TJ Electronics and communications engineering::TJF Electronics engineering
    Language: Italian
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  • 6
    Publication Date: 2024-04-03
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 7
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 8
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    De Gruyter | De Gruyter
    Publication Date: 2024-03-27
    Description: Gottfried Kellers Welten erscheint als dritter Band der Serie „Gottfried Kellers Moderne“. Kellers Jahrhundert ist das der Industrialisierung, des Imperialismus und des Kolonialismus. Ob Martin Salander, der sein Vermögen in kolonialen Abenteuern erwirbt, Don Correa, der erst in Portugal und dann in Angola auf Brautschau geht, oder der Grüne Heinrich, der den Imaginationsraum Asien eröffnet: Kellers Texte vermessen die Grenzen zwischen ,Eigenem‘ und ,Fremdem‘, lokalisieren das Andere und zirkulieren ihre Figuren genauso wie Waren, Werte und Worte. Der Band leistet einen Beitrag zur internationalen Keller-Forschung, zur Erforschung des Poetischen Realismus und der klassischen Moderne. Er adressiert vor allem Forschende und Studierende, die neue Wege zu Autor und Werk suchen. ; Gottfried Kellers Welten erscheint als dritter Band der Serie „Gottfried Kellers Moderne“. Kellers Jahrhundert ist das der Industrialisierung, des Imperialismus und des Kolonialismus. Ob Martin Salander, der sein Vermögen in kolonialen Abenteuern erwirbt, Don Correa, der erst in Portugal und dann in Angola auf Brautschau geht, oder der Grüne Heinrich, der den Imaginationsraum Asien eröffnet: Kellers Texte vermessen die Grenzen zwischen ,Eigenem‘ und ,Fremdem‘, lokalisieren das Andere und zirkulieren ihre Figuren genauso wie Waren, Werte und Worte. Der Band leistet einen Beitrag zur internationalen Keller-Forschung, zur Erforschung des Poetischen Realismus und der klassischen Moderne. Er adressiert vor allem Forschende und Studierende, die neue Wege zu Autor und Werk suchen.
    Keywords: Literaturtheorie ; Wissenspoetologie ; Diskursanalyse ; Ideengeschichte ; Literarische Praxeologie ; Discourse analysis ; intellectual history ; literary praxeology ; literary theory ; poetology of knowledge ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000 ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSK Literary studies: fiction, novelists and prose writers ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTR National liberation and independence
    Language: German
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  • 9
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    De Gruyter | De Gruyter Oldenbourg
    Publication Date: 2024-04-02
    Description: The topic of this book is the interplay between the economic order and economic development in Germany's various economic systems since 1945 the social market economy of the old Federal Republic of Germany the state socialist planned economy of the German Democratic Republic and the social market economy in unified Germany.
    Keywords: Economic order ; international relations ; social security ; economic development ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTW Cold wars and proxy conflicts ; thema EDItEUR::K Economics, Finance, Business and Management::KC Economics::KCZ Economic history
    Language: German
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  • 10
    Publication Date: 2024-04-06
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 11
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 12
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 13
    facet.materialart.
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    De Gruyter | De Gruyter Oldenbourg
    Publication Date: 2024-04-02
    Description: The publication aims to establish minimum standards for small museum collections of Germany’s coal mining heritage, including the acquisition and documentation of objects. It focuses on photographic techniques, database creation, and the presentation of objects online. The guide is rounded out with a list of financial assistance options for small museums and an extensive bibliography.
    Keywords: Coal mining ; coal mining heritage ; museum standards ; small museum collections ; thema EDItEUR::N History and Archaeology::NH History::NHA History: theory and methods ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTK Industrialisation and industrial history ; thema EDItEUR::K Economics, Finance, Business and Management::KC Economics::KCZ Economic history
    Language: German
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  • 14
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    Universitätsverlag Göttingen
    Publication Date: 2024-04-02
    Keywords: Mission ; Missionary Movement ; Göttingen Region ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: German
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  • 15
    facet.materialart.
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    Firenze University Press
    Publication Date: 2024-04-03
    Description: The present study analyzes the historical framework of contemporary Ethiopia. Particular attention is given to the economic and political events from the regime change in 1991 to the death of TPLF leader Meles Zenawi in 2012. In line with the Braudelian historical analysis three aspects will be taken into consideration: the Ethiopian Empire under Haile Selassie’s rule, the Ethiopian Revolution of 1974, with the rise to power of the Soviet-aligned Derg, and the ensuing civil war with the Maoist guerillas of the TPLF. In addition, the TPLF regime will be examined according to its three underlying concepts – revolutionary democracy, ethnic federalism, and developmental state – and defining theories – neo-patrimonialism, vanguard capitalism, and political marketplace.
    Keywords: Ethiopia ; History and Politics of Contemporary Africa ; Marxism ; Post-Insurgent States ; Developmental State ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTV Institutions and learned societies: general ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPH Political structure and processes
    Language: Italian
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  • 16
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 17
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    De Gruyter | De Gruyter Oldenbourg
    Publication Date: 2024-04-02
    Description: It is difficult to imagine food today without flavorings, whether natural, synthetic, or artificial. But at the same time, they are substances that society is viewing increasingly critically and whose chemical and industrial roots are under scrutiny. A History with Taste tells the story of flavor production and regulation, discussing the potential naturalization of synthetic flavorings.
    Keywords: Germany ; twentieth century ; flavorings ; chemical industry ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::P Mathematics and Science::PN Chemistry
    Language: German
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  • 18
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    Firenze University Press
    Publication Date: 2024-04-02
    Description: The fifteenth century is the century of hospital reforms, started in numerous Italian cities in order to overcome the inadequacies of traditional charitable practices of the Middle Ages and to face the social and health emergencies of that period with the help of different tools. Vicenza also participated in the reform process, restructuring the organisation of its care network, especially thanks to the intervention of the urban patriciate, which ruled the government of the major hospitals according to "managerial" criteria. In the fifteenth century the search for the bonum commune (common good) thus found expression in a new and rational way of understanding, financing and dispensing charity, conversing with public and private actors of the urban scene: a new but not so revolutionary way, in which ancient and recent feelings converged, such as Christian pietas, civic religiosity and protection of the social class’ status quo.
    Keywords: thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 19
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 20
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 21
    Publication Date: 2024-04-02
    Description: Natural disasters are a challenge for human societies. The young German nation that reacted in the face of the 100-year Rhine flood (1882/83) can be characterized by the key elements of science, technology, economy, administration, and national consciousness. Given this framework the main actors used the disaster to expand their influence (e.g. scientific research) and to establish solidly relations. In sum, dealing with a natural disaster like the Rhine flood can only be understood in the opposing terms of risk and opportunity.
    Description: Katastrophen stellen eine Herausforderung für gesellschaftliches Handeln dar. Der Autor zeigt, auf welche Weise die politischen und wissenschaftlichen Strukturen des Deutschen Kaiserreiches dieser Herausforderung begegneten und sich im Sinne des Fortschrittsdenkens zu Nutze machten. Es wird deutlich, dass Naturkatastrophen wie das Jahrhunderthochwasser am Rhein für den jungen Nationalstaat nicht nur ein bedrohliches Risiko darstellten, sondern auch eine Chance für gesellschaftlichen Wandel. So stärkten sie das Zusammengehörigkeitsgefühl und lieferten einen Anlass für regionale Entwicklungshilfeprogramme sowie wissenschaftliche Forschung.
    Keywords: Flood ; 1882 ; River Rhein ; Century ; Environmental History ; Germany ; Hochwasser ; Koblenz ; Neuwied ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics ; thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RN The environment ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TV Agriculture and farming::TVB Agricultural science
    Language: German
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  • 22
    Publication Date: 2024-04-04
    Description: The Edition of the Minutes of the Cabinet Meetings of the first government of Leopold Figl is an important contribution to the history of the early years of Austria’s Second Republic and its political components after World War II. Vol. 13 encompasses meetings No. 132 of November 9, 1948 to No. 138 of December 21, 1948 as well as the accompanying minutes of the Wirtschaftliches Ministerkomitee. The discussions cover matters of foreign, domestic and economic policy, reconstruction and relations between the Austrian government and the four great powers. Particularly prominent are the pervasive problem of securing basic levels of nutrition for the Austrian population, the ongoing State Treaty negotiations and measures to carry out the European Recovery Program.
    Description: Die Edition der Ministerratsprotokolle der Zweiten Republik, Kabinett Leopold Figl I, stellt einen wichtigen Beitrag zur Erforschung der frühen Jahre der Zweiten Republik und seiner politischen Organe nach dem Zweiten Weltkrieg dar. Band 13 umfasst die Protokolle Nr. 132 vom 9. November 1948 bis Nr. 138 vom 21. Dezember 1948 sowie die in diesen Zeitraum fallenden Protokolle des Wirtschaftlichen Ministerkomitees. Die Protokolle tangieren Angelegenheiten der Außen-, Innen- und Wirtschaftspolitik, des Wiederaufbaus und des Verhältnisses zu den vier Besatzungsmächten; Schwerpunkte liegen auf der Ernährung der österreichischen Bevölkerung, den Staatsvertragsverhandlungen sowie der Durchführung des Marshallplanes.
    Keywords: Edition;Republik Österreich;Ministerratsprotokolle;Innenpolitik;Außenpolitik;Wirtschaftspolitik;Kabinett Leopold Figl;Die Protokolle des Ministerrates der Zweiten Republik Österreich;Gertrude Enderle-Burcel;Rudolf Jerabek;Wolfgang Mueller;Helmut Wohnout;Neuere Geschichte ; thema EDItEUR::J Society and Social Sciences::JP Politics and government ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: German
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  • 23
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    De Gruyter Oldenburg
    Publication Date: 2024-04-02
    Description: The book surveys the history of the Crimea from ancient times to the present, reflecting both the latest research and the author’s own recent findings. In the context of recent developments in the Crimea and what most legal experts regard as Russia’s illegal annexation of the Crimean Peninsula, the study examines the historical background for today’s conflict.
    Description: Die Ende Februar 2014 beginnende sog. Krim-Krise machte nicht zuletzt der deutschsprachigen Öffentlichkeit deutlich, dass die Halbinsel Krim noch eine terra incognita für sie ist, über deren Vergangenheit selbst historisch Interessierte nur wenig wissen. Tatsächlich ist die 1783 annektierte Krim für die überwiegende Zahl der Russen ein hoch emotionalisierter, unveräußerlicher Teil Russlands. Die international renommierte Expertin Kerstin S. Jobst erzählt die Geschichte der Krim in ihrer Komplexität, in der Russen lange Zeit keine Rolle spielten, dafür aber griechische Kolonisten, eurasische Reitervölker, Krimtataren und andere das Schicksal der Halbinsel gestalteten.
    Keywords: Black Sea; Russian Crimea; annexation of the Crimea; myth of the Crimea ; ÖFOS 2012, Audience research ; ÖFOS 2012, Regional history ; Schwarzes Meer; Russische Krim; Annexion der Krim; Mythos der Krim ; ÖFOS 2012, Publikumsforschung ; ÖFOS 2012, Regionalgeschichte ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTQ Colonialism and imperialism ; thema EDItEUR::1 Place qualifiers::1D Europe::1DT Eastern Europe::1DTA Russia ; thema EDItEUR::1 Place qualifiers::1D Europe::1DT Eastern Europe::1DTN Ukraine
    Language: German
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  • 24
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    Firenze University Press
    Publication Date: 2024-04-02
    Description: Botanist, zoologist, explorer and anthropologist: between the second half of the nineteenth century and the early decades of the twentieth, Odoardo Beccari was all this and more. His fame continues to be linked primarily with the scientific expeditions to south-east Asia, and Borneo in particular, and his work on Palms, as well as his skill as a draughtsman and photographer. The material conserved in his personal archive is of fundamental importance for a reconstruction, not only of the his scientific career but also of his private life. This inventory finally provides us with the key to find our way around a very significant body of documents ranging from correspondence, notes and preparatory materials to manuscript drafts, travel journals, map sketches, drawings and photographs.
    Keywords: Botanica ; Scienze naturali ; Storia della scienza ; Odoardo Beccari ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics ; thema EDItEUR::M Medicine and Nursing::MB Medicine: general issues::MBX History of medicine
    Language: Italian
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  • 25
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    Max Planck Institute for Legal History and Legal Theory
    Publication Date: 2024-04-02
    Description: "The spatiotemporal conjunction is a fundamental aspect of the juridical reflection on the historicity of law. Despite the fact that it seems to represent an issue directly connected with the question of where legal history is heading today, it still has not been the object of a focused inquiry. Against this background, the book’s proposal consists in rethinking key confluences related to this problem in order to provide coordinates for a collective understanding and dialogue. The aim of this volume, however, is not to offer abstract methodological considerations, but rather to rely both on concrete studies, out of which a reflection on this conjunction emerges, as well as on the reconstruction of certain research lines featuring a spatiotemporal component. This analytical approach makes a contribution by providing some suggestions for the employment of space and time as coordinates for legal history. Indeed, contrary to those historiographical attitudes reflecting a monistic conception of space and time (as well as a Eurocentric approach), the book emphasises the need for a delocalized global perspective. In general terms, the essays collected in this book intend to take into account the multiplicity of the spatiotemporal confines, the flexibility of those instruments that serve to create chronologies and scenarios, as well as certain processes of adaptation of law to different times and into different spaces. The spatiotemporal dynamism enables historians not only to detect new perspectives and dimensions in foregone themes, but also to achieve new and compelling interpretations of legal history. As far as the relationship between space and law is concerned, the book analyses experiences in which space operates as a determining factor of law, e.g. in terms of a field of action for law. Moreover, it outlines the attempted scales of spatiality in order to develop legal historical research. With reference to the connection between time and law, the volume sketches the possibility of considering the factor of time, not just as a descriptive tool, but as an ascriptive moment (quasi an inner feature) of a legal problem, thus making it possible to appreciate the synchronic aspects of the ‘juridical experience’. As a whole, the volume aims to present spatiotemporality as a challenge for legal history. Indeed, reassessing the value of the spatiotemporal coordinates for legal history implies thinking through both the thematic and methodological boundaries of the discipline."
    Keywords: Sicily ; Colonial Law ; Legal History ; Carl Schmitt ; Global History ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::L Law::LA Jurisprudence and general issues::LAZ Legal history
    Language: Italian , English , Spanish
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  • 26
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    transcript Verlag | transcript Verlag
    Publication Date: 2024-04-02
    Description: Das 21. Jahrhundert beginnt mit zahlreichen Krisen: politische Unterdrückung, nationale Spaltungen, Klimakrise und Corona-Pandemie. Damit wächst auch das revolutionäre Potenzial, die Welt zu verändern. Frank Jacob diskutiert, welche Rolle Revolutionen in diesem Jahrhundert spielen können, wie sie ablaufen und was es zu beachten gilt, um eine moralische Korrumpierung revolutionärer Prozesse zu verhindern. Neben einem analytischen Zehn-Stufen-Modell stellt er grundlegende Aspekte vor, die über Erfolg und Misserfolg von Revolutionen entscheiden, und reflektiert diese mit besonderem Blick auf die Gegenwart.
    Keywords: Revolution ; Revolutionstheorie ; Krise ; Moral ; Demokratischer Sozialismus ; Marxismus ; Gegenwart ; 21. Jahrhundert ; Gesellschaft ; Weltpolitik ; Zivilgesellschaft ; Soziale Ungleichheit ; Globalgeschichte ; Sozialgeschichte ; Geschichte des 20. Jahrhunderts ; Zeitdiagnosen ; Revolution Theory ; Crisis ; Ethics ; Democratic Socialism ; Marxism ; Contemporary ; 21st Century ; Society ; World Politics ; Civil Society ; Social Inequality ; Global History ; Social History ; History of the 20th Century ; Time Diagnoses ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
    Language: German
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  • 27
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 28
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    Wallstein Verlag | Wallstein Verlag
    Publication Date: 2024-04-07
    Description: "Die Geschichte des sexuellen Schutzalters: Sie zeigt die Vulnerabilität von Kindern in einer generationen- und geschlechterhierarchischen Gesellschaft. Wann endet das sexuelle Schutzalter? Bis zu welchem Alter sollen Kinder vor sexuellen Handlungen Erwachsener geschützt werden? Diese höchst umstrittenen Fragen avancierten in der zweiten Hälfte des 20. Jahrhunderts mehrfach zum Politikum. Die Geschichte des sexuellen Schutzalters zeichnet Sonja Matter anhand österreichischer Strafprozesse wie auch nationaler und internationaler Gesetzesreformen und Kinderrechtsdebatten nach. Die sexuellen Rechte der Kinder standen meist nicht im Mittelpunkt, vielmehr dominierten die Interessen und Gesellschaftsvisionen der Erwachsenen. Nach der nationalsozialistischen Herrschaft galt der Kampf gegen sexuelle Gewalt an Kindern als Möglichkeit, eine »sittliche« Gesellschaft herzustellen. Im Zuge einer sexuellen Liberalisierung stand dagegen das Interesse im Zentrum, die Sexualität von Kindern zu »befreien«, um eine liberalere Gesellschaft zu verwirklichen. Erst die autonome Frauenbewegung der 1980er Jahre verknüpfte die Problematik der sexuellen Gewalt an Kindern dezidiert mit einer Herrschaftskritik. Die Auseinandersetzungen waren von der Frage begleitet, wann Kindheit endet und in welchem Verhältnis Gewalt und Begehren stehen."
    Keywords: History ; Modern ; 20th Century ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: German
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  • 29
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    Mohr Siebeck GmbH & Co. KG
    Publication Date: 2024-04-02
    Description: Revolution, Krieg und Nation: Dass dieser Dreiklang den Übergang von der alteuropäischen Gesellschaft zu den modernen Staatsnationen des 19. und 20. Jahrhunderts begleitete, gehört zu den Grundüberzeugungen der Geschichtswissenschaft vom "langen" 19. Jahrhundert. Im "Age of Revolutions" gaben die Ideen von Freiheit und Gleichheit mit ihrer systemerschütternden Kraft einem ganzen Zeitalter ihren Namen. Aber gilt der Zusammenhang von Krieg, Revolution und Nationalismus auch an den Rändern Europas und über Europa hinaus? Wie steht es um den asiatischen Teil der Sowjetunion, um Mexiko, die Türkei? Angelehnt an die grundlegenden Forschungen Dieter Langewiesches hinterfragen zehn Experten eine der wirkmächtigsten Meistererzählungen der Geschichtswissenschaft. Dabei gehen sie weit über den traditionellen mitteleuropäischen Forschungsrahmen hinaus und untersuchen Beispiele revolutionärer Erhebungen in Süd- und Osteuropa ebenso wie die Entwicklungen auf dem amerikanischen Kontinent. Zwei Zeiträume stehen im Mittelpunkt: Die Jahrzehnte um 1800 als dem klassischen Revolutionszeitalter und die Jahre um den ersten Weltkrieg, in dessen Umfeld erneut territoriale und politische Ordnungen in Frage gestellt und neu gestaltet wurden.
    Keywords: History ; Europe ; World ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: German
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  • 30
    Publication Date: 2024-04-02
    Description: Published
    Description: Das 18. Jahrhundert war ein Jahrhundert des weltumspannenden politischen, ökonomischen und sozialen Wandels, der alte Herrschaftssysteme herausforderte und neuen politischen und gesellschaftlichen Kräften in zwei Revolutionen zum Durchbruch verhalf. Die vorliegende Untersuchung thematisiert diesen Prozess am Beispiel der transatlantischen Beziehungen zwischen den Niederlanden und den nach Selbstständigkeit strebenden Kolonien in Amerika zwischen 1776 und 1782. Den amerikanischen Kolonisten ging es um zweierlei: einerseits um die völkerrechtliche Anerkennung ihres Abfalls vom englischen Königreich und andererseits um die finanzielle Unterstützung der amerikanischen Revolutionäre durch die anderen europäischen Staaten. Hierbei spielten die Republik der Vereinigten Niederlande diplomatisch und die Amsterdamer Finanzhäuser ökonomisch eine viel zu lang unterschätzte Rolle. In einer Nahbetrachtung der diplomatischen und finanztechnischen Aktionen der beteiligten Diplomaten, Politiker und Kaufleute und ihrer jeweiligen Einschätzungen wird die Komplexität des historischen Prozesses erkennbar und ein weiterführender Beitrag zur transatlantischen Niederlandeforschung geleistet.
    Keywords: John Adams ; Prinz Wilhelm V. von Oranien ; Republik der Vereinigten Niederlande ; Vereinigte Staaten von Amerika ; transatlantische Beziehungen ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::J Society and Social Sciences::JP Politics and government
    Language: German
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  • 31
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    Firenze University Press
    Publication Date: 2024-04-02
    Description: This volume presents the recovery, cataloging, and valorization project of the collection donated by the Holy Roman Emperor Joseph II (1741-1790) to the Mineralogical Cabinet of the Collegio Nazareno in Rome in 1785. This donation represents, so far, the only geo-mineralogical collection belonging to Joseph II with certainty. The specimen cataloging records, drawn according to the ICCD national catalographic standards for the mineralogical (BNM) and petrographic (BNPE) heritage, are freely available on the Catalogo Generale dei Beni Culturali website. The collection is open to visitors in its permanent exhibition at the Istituto San Giuseppe Calasanzio in Rome. This volume has been realized within the project PANN20.00605 “Dono imperiale. La collezione mineralogica dell’Imperatore Giuseppe II al Collegio Nazareno di Roma” thanks to the financial support of the Italian Ministry of University and Research, Annual Grant – Legge 6/2000 – D.D. 1524 of 21/01/2019.
    Keywords: Joseph II ; Collegio Nazareno ; mineralogical collection ; cataloging ; museum ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics
    Language: Italian
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  • 32
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 33
    facet.materialart.
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    Firenze University Press
    Publication Date: 2024-04-02
    Description: Let's try to imagine a world where scientific illiteracy is the exception rather than the rule. That is a world of subjects who are, in the vast majority, informed and aware of the main ongoing scientific debates, and who are capable of critically and independently thinking about them. A world in which everyone could dispose of the resources to develop a thoughtful opinion on cloning techniques, genetically modified organisms, new anti-cancer therapies or even on the origin of life on Earth and the final destiny of the universe. If this world were possible, what would it look like? The scepticism about the feasibility of such a scenario is justified, however it is equally undeniable that during the twentieth century there have been such profound transformations in the relationship between science and public opinion as to make the question at least legitimate and worthy of an answer.
    Keywords: Scienza ; Biotecnologie ; Società ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics
    Language: Italian
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  • 34
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 35
    Publication Date: 2024-04-02
    Description: The researches accounted in the volume, being reported by historians who had different vocations, illustrate various aspects of medieval and modern history (laws, economy, society, church and civil institutions, architecture, art, urban planning); they are focused on single town realities and limited geographical-political areas. Among these, particular attention ought to be given to the city of Siena and its territory, which constitute one of the centres of interest for the illustrious scholar to whom is dedicated the series of four volumes, which the present also belongs to.
    Keywords: thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 36
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 37
    facet.materialart.
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    Firenze University Press
    Publication Date: 2024-04-02
    Description: The contributions collected in this volume are the result of the seminars organized by the Laboratory of Modern History during its ten-year activity (from 2003 to 2013) within the Department of Historical and Geographical Studies (now called SAGAS Department) of the University of Florence. Thanks to the participation of Italian and international colleagues, as well as young scholars, this annual cycle of seminars, entitled Temi e problemi della storia moderna (“Themes and problems of Modern History”), aims at encouraging the scientific community to discuss and reflect critically on topics of great historical importance. The theme of otherness is central in the Modern Age as well as in in the contemporary world, and it has been the subject of several seminars. The essays reconstruct significant moments and aspects of the relationships with “the other” in modern Europe: political models and cultural paradigms, cities of refuge and institutes of conversion, attitudes showing integration and/or exclusion of the Jews, Muslims, heretics and foreigners have been analysed in the volume according to the Laboratory’s 'pluralistic spirit’.
    Keywords: thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 38
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 39
    Publication Date: 2024-03-26
    Description: Which relationship should, must, or can creation in language (fiction) have to creation outside of language (reality)? How do theoretical notions of literary art change when reality drastically changes? This volume investigates these questions in relation to the literature and social history of Japan from 1850 to 1890.
    Keywords: Literary studies ; history ; Japanese studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: German
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  • 40
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    Campus Verlag
    Publication Date: 2024-04-02
    Description: »Der Markt« gilt gemeinhin als zeitloser und effektiver Mechanismus zum Tausch von Gütern und zur Bildung von Preisen. Dieser Band, der die Ergebnisse des von der DFG geförderten Netzwerks »Das Versprechen der Märkte« bündelt, problematisiert diese Annahme und zeigt, dass Märkte das Ergebnis historischer Praxis sind: Sie entstehen und existieren durch das Marktgeschehen selbst, das weit über die Markttransaktion hinausreicht und durch die jeweilige Gesellschaft geprägt ist. Die Beiträge machen marktbezogene Praktiken von der Frühen Neuzeit bis zum beginnenden 19. Jahrhundert sichtbar und verknüpfen sie transregional vergleichend miteinander. Ausgangspunkte der Sondierungen sind so unterschiedliche Aspekte wie die Gestaltung und Bemessung von Waren, Werbung als Medium, die Begrenzung von Gewinnen oder der Zugang zu Märkten. https://creativecommons.org/licenses/by-sa/4.0
    Keywords: Geschichte ; Marketing ; Geld ; Wirtschaft ; Werbung ; Wirtschaftsgeschichte ; Frühe Neuzeit ; Sozialgeschichte ; Markt ; Gewinn ; Alltagsgeschichte ; Märkte ; Praxeologie ; Preisbildung ; ökonomische Praktiken ; Marktkultur ; Waren ; Marktgeschichte ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: German
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  • 41
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    Firenze University Press
    Publication Date: 2024-03-24
    Description: This work outlines the phenomenon of conversions to Catholicism which took place in Florence between the 17th and 18th century, and starts by reconstructing the history of the House of Catechumens. In the second half of the 17th century, thanks to a noblewoman from Florence’s bequest, the Institute offered hospitality to "infidels" of all origins, and the number of conversions increased considerably. Such liberality ended up causing a serious economic crisis, which the Lorraine Grand Dukes tried to solve in the 18th century by restricting the field of action to Tuscan subjects only. However, there was no lack of abuse and interference by clergymen, especially towards Jews.
    Keywords: thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity
    Language: Italian
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  • 42
    facet.materialart.
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    Firenze University Press
    Publication Date: 2024-04-02
    Description: 1938 in Italy is marked by the introduction of the racial laws which ejected Jews from schools and universities, preceding similar measures in Germany. The aim of the author is to illustrate the debates in parliament around the Day of Memory and on holocaust denial before dealing with the events of 1938, in order to underline their contemporary significance and to interpret them as linked and not separable. After showing the progress that has been made in terms of historical research and the difficulties that the political world has experienced in taking this work into account, the volume examines the losses in qualitative terms in Italian university teaching and the huge difficulties encountered by professors who had lost their posts and struggled to return to their former positions. The case of Florence is studied closely within the framework of the transformations to university institutions which took place during the Fascist period. The indifference or the silence of the intellectuals, including Gentile, is underlined.
    Keywords: Day of Remembrance ; racist laws ; Fascist period ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 43
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 44
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    De Gruyter | De Gruyter
    Publication Date: 2024-04-02
    Description: 1971 was a critical year for India and Pakistan and also for West and East Germany. The Third India–Pakistan War led to the independence of Bangladesh, at the same time that the German–German policy of détente sought to surmount the East–West conflict. The global Cold War influenced both regional conflicts and linked them to each other. However, at their points of intersection, they were also bounded by the influence of the great powers.
    Keywords: Cold War ; Bangladesh Liberation War ; Détente ; Diplomatic History ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHG Middle Eastern history ; thema EDItEUR::N History and Archaeology::NH History::NHW Military history
    Language: German
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  • 45
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 46
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    Wallstein Verlag | Wallstein Verlag
    Publication Date: 2024-04-08
    Description: Fotografien sind Gesten des Zeigens. Wie der Finger, der in eine Richtung gestreckt wird, lenken Fotografien Blicke, als sagten sie: Schau mal! Das NS-Regime nutzte fotoillustrierte Zeitschriften als wirkungsvolles Propagandainstrument, das Unterhaltung und ideologische Beeinflussung geschickt miteinander verband. Ein Großteil der Fotos stammte von Mitgliedern der Propagandakompanien. Neben Frontberichten wurden Beiträge aus Politik, Literatur, Musik, Radio und Film, aber auch Leser*innenbriefe, Privatfotos, Benimm- und Beziehungsratschläge veröffentlicht. Zeitschriften konnten gesammelt, ausgetauscht und zwischen Front und Heimat verschickt werden. Sie waren somit das ideale Medium für die Verknüpfung einer weiblich markierten Heimat und einer männlich visualisierten Kriegsfront – und damit auch der zu etablierenden Volksgemeinschaft. Der methodische Zugang der fotografischen Geste erschließt einen neuen Blick auf die Fotoproduktion als wesentlichem Bestandteil der nationalsozialistischen Öffentlichkeit.
    Keywords: History ; Europe ; History ; Modern ; 20th Century ; History ; Europe ; Germany ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: German
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  • 47
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 48
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    Campus Verlag
    Publication Date: 2024-04-02
    Description: Bergexpeditionen auf Himalaya-Gipfel wurden von reinen Frauenteams erstmals in den 1950er Jahren unternommen. Bergsteigerinnen eröffnete sich damit eine Möglichkeit, in die Männerbastion des Höhenbergsteigens vorzudringen. Martina Gugglberger verwendet diese Frauenexpeditionen als Linse, um Handlungsspielräume, Geschlechterverhältnisse, Netzwerke und biographische Hintergründe von Protagonistinnen im Höhenbergsteigen von 1955 bis 2014 zu untersuchen. Ihr Blick in die Geschichte des »Frauenalpinismus« verdeutlicht die lange Tradition von Ausgrenzung und Abwertung weiblicher Aktivitäten im Bergsport. Gleichzeitig veranschaulicht das Buch entlang politischer, sozialer und ethnischer Aspekte der Frauenexpeditionen, wie sich die realen und symbolischen »Grenzen im Aufstieg« für Bergsteigerinnen ein Stück weit verschoben. https://creativecommons.org/licenses/by-nc-nd/4.0
    Keywords: Frauen ; Geschlechtergeschichte ; Expedition ; Sportgeschichte ; Bergsteigen ; Gender History ; Alpinismus ; Nepal ; Himalaya ; Höhenbergsteigen ; Bergsteiger ; Pionierinnen ; Bergsteigerinnen ; Geschlechterideale ; Bergsport ; Achttausender ; Höhenbergsport ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: German
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  • 49
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 50
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    Firenze University Press
    Publication Date: 2024-03-23
    Description: Drawing on different disciplinary and historiographic traditions, the volume offers a series of summaries and thematic insights, functional to contextualising the peculiar case of the episcopate of Bobbio, founded in 1014 in the Piacenza Apennines as a development of the famous monastery of San Colombano. The considerable documentary source available thanks to the recent reorganization of the diocesan archives, which made it possible to illustrate the cathedral library as well, required an overall presentation and specific attention to the constitutive acts of the new institution. The deepening of the historical context, within which the subsequent diocesan story unfolds, was conducted in relationship with the monastery and with a selection of the nearby cities. The analysis of the settlement dynamics of the Bobbian center and of the structural developments of the church and of the episcopal complex are counterpointed by both in-depth analyses aimed at the organization of the territory, captured in its civil, religious, welfare articulations, and treatments of cultural and liturgical components that animate this Church.
    Keywords: thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500::3KL c 1000 CE to c 1500::3KLY 15th century, c 1400 to c 1499 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MD 16th century, c 1500 to c 1599 ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 51
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 52
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    Universitätsverlag Kiel | Kiel University Publishing
    Publication Date: 2024-04-04
    Description: On the occasion of the 150th anniversary of the Department of History at Kiel University, this volume presents 15 contributions that trace the scholarly impetus originating from the circle of Kiel historians for German-language historical research. The contributions do not only historicise the research itself but also provide an insight into the respective circumstances that influenced the search for knowledge, academia, backgrounds, networks and the impacts of research. Furthermore they discuss the political, social and sometimes precarious economic conditions at the institute. The essays are divided into four sections: firstly, the methods and disciplines at the department are addressed, followed by a focus on different regions. Thirdly, research areas that are specific to Kiel are presented and fourthly, forms and steps of the institutionalisation in the academic administration will be considered. In this manner the rich spectrum of the topics treated in Kiel then and now as well as the gathered competencies in their institutional and personnel contexts and developments are illustrated.
    Description: Published
    Description: Anlässlich des 150-jährigen Bestehens des Historischen Seminars der Christian-Albrechts-Universität zu Kiel versammelt der Band 15 Beiträge, die den Impulsen nachgehen, die aus dem Kreis der Kieler Historiker und Historikerinnen für die deutschsprachige Geschichtswissenschaft ausgingen. Sie historisieren das Forschen selbst und geben Einblick in die jeweiligen Umstände der Erkenntnissuche, den akademischen Betrieb, die Hintergründe, Netzwerke und Wirkungen von Forschung, aber auch die politischen oder bisweilen prekären wirtschaftlichen Verhältnisse am Historischen Seminar. Die Beiträge gliedern sich in vier Sektionen, wobei die Artikel zuerst den Methoden und Disziplinen am Historischen Seminar gewidmet sind, daraufhin die regionalspezifischen Schwerpunkte behandelt werden, drittens besondere Kieler Fragestellungen sowie viertens Formen und Stufen der Institutionalisierung in akademischer Verwaltung im Fokus stehen. Auf diese Weise wird das reiche Spektrum der in Kiel einst und jetzt behandelten Themen und der versammelten Kompetenz in ihren institutionellen wie personellen Kontexten und Entwicklungen veranschaulicht.
    Keywords: Historisches Seminar der CAU Kiel ; Forschung ; Jubiläumschrift ; Institutionengeschichte ; Wissenschaftsgeschichte ; Department of History at Kiel University ; Research ; Anniversary Publication ; Institutional History ; History of Science ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDX History of science ; thema EDItEUR::N History and Archaeology::NH History::NHA History: theory and methods ; thema EDItEUR::J Society and Social Sciences::JN Education::JNM Higher education, tertiary education ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: German
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  • 53
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 54
    facet.materialart.
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    Universitätsverlag Göttingen
    Publication Date: 2024-04-02
    Description: The kings of the III. Dynasty of Ur (2112-2004 BC) were always married with several women at a time, of which only one woman took the position of a queen. Among the large number of economic documents of that period, which give a detailed insight into the state economy and administration, more than 1,000 articles relating to transactions of the royal consorts can be assigned. All women of the rulers of Ur were active in business and administration, they were involved in the cult on several occasions and involved in the complex structures of court life. This work investigates in the sources in which functions and activities the royal women were involved and by which degree the posts of a Queen of Ur were different from that of a concubine. In four discurses the situation of the royal women of the Ur III period is compared with the women of the ruling houses in Ebla and the Early Dynastic Akkade (Akkadezeit).
    Description: The kings of the III. Dynasty of Ur (2112-2004 BC) were always married with several women at a time, of which only one woman took the position of a queen. Among the large number of economic documents of that period, which give a detailed insight into the state economy and administration, more than 1,000 articles relating to transactions of the royal consorts can be assigned. All women of the rulers of Ur were active in business and administration, they were involved in the cult on several occasions and involved in the complex structures of court life. This work investigates in the sources in which functions and activities the royal women were involved and by which degree the posts of a Queen of Ur were different from that of a concubine. In four discurses the situation of the royal women of the Ur III period is compared with the women of the ruling houses in Ebla and the Early Dynastic Akkade (Akkadezeit).
    Keywords: Ancient Orient ; Sumerians ; Mesopotami ; Abi-simti ; Dagan ; Ebla ; Inanna ; Nippur ; Ritus ; Šulgi ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRR Other religions and spiritual beliefs
    Language: German
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  • 55
    Publication Date: 2024-04-02
    Description: The bibliography proposed takes into account the historiographical works on Middle Ages (VI-XV centuries) of the years 1950-2010: these are years particularly significant for the development and consolidation of studies relating to Italian (and more generally European) agricultural history. In order to facilitate the consultation, the work is organized into chapters and thematic sections, preceded by a brief explanatory note which gives an account of the criteria used to identify the listed works. The Introduction presents thoughts on the salient moments of the historiographical history at the heart of the contemporary discussion.
    Keywords: thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 56
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    Firenze University Press
    Publication Date: 2024-03-24
    Description: Twenty years ago a unique figure in the history of our country returned dramatically to the world of the "drowned", one of the spectral "saved" who had found the strength to testify the dramas of the twentieth century: Primo Levi. On the twentieth anniversary of his death, Firenze University Press has decided to revive his lesson with a tribute that is not intended as a celebration, but rather as a pause for refection in which we can listen again to the words of this great writer, dissected and scrutinised the world over, generating germs of memory hopefully as universal as the mathematical and geometrical signs and the chemical formulas he so loved. Voci dal mondo per Primo Levi. In memoria, per la memoria edited by Luigi Dei, a lecturer in physical chemistry at the University of Florence, consists of fifteen short essays contributed by a polyhedric group of writers from various parts of the world and of different educational and professional backgrounds. Review: La Rassegna Mensile di Israel Interview with Ustation.it
    Keywords: Letteratura ; Letteratura italiana ; Storia contemporanea ; Primo Levi ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 57
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 58
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    Firenze University Press
    Publication Date: 2024-04-02
    Description: The book analyses the history of the Jesuat congregation, highlighting the elements of connection and comparison with the social contexts, then describing the origin and the most ancient events of the female branch of the congregation, and the memory of the meeting between the "founder" of the Jesuats and the "foundress" of the Gesuate. The iconographic memory of the initiator of the congregation, Giovani Colombini, the collection of the lauds of the Jesuat Bianco da Siena, and the fortune of the 15th-century Life of Giovanni Colombini, written by Feo Belcari, are also investigated. Then the research reconstructs the constellation of groups, religious experiments and bearers of ideas and devotions that were linked to the Jesuats and, in particular, to the convents of Milan, Siena, Lucca, Venice and Rome and the sanctuaries managed by the congregation. The congregational sociability is analysed along its lines: the practice of work as pharmacists and the cultivation of spiritual friendships with prominent people such as the Countess of Guastalla, Lodovica Torelli. Finally, the erudite use of Colombini's Epistolario as a language text is studied. The volume closes with a documentary appendix on the Jesuat convent of Chiusi.
    Keywords: Jesuats ; religious studies ; medieval and modern history ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity
    Language: Italian
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  • 59
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 60
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 61
    facet.materialart.
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    Firenze University Press
    Publication Date: 2024-04-02
    Description: In a perspective of local history that combines problem analysis with a reconstruction accessible even to non-specialists, this book addresses the economy, society and institutions of a rural community of the Tuscan Apennines. The community of Raggiolo is portrayed over a long span of time ranging from the late centuries of the Middle Ages up to the end of the eighteenth century. We are thus offered a picture of the Casentino mountains which reveals - in the centuries-old intertwining of mountain economy, social equality, sharing of the management of the local administration and the goods belonging to the collectivity - one of the main reasons for the resistance to change which was to mark the end of the ancien regime.
    Description: In una prospettiva di storia locale che intreccia l'analisi problematica alla ricostruzione accessibile anche ai non specialisti, il volume studia economia, società, istituzioni di una comunità rurale dell'Appennino toscano. La comunità di Raggiolo viene colta in una lunga durata che dai secoli finali del Medioevo si protrae fino alla fine del Settecento. In tal modo viene offerto un quadro della montagna casentinese che coglie nel secolare intreccio fra economia montana, eguaglianza sociale, condivisione della gestione dell'ammistrazione locale e dei beni appartenenti alla collettività, uno dei principali motivi della resistenza al cambiamento che segnerà la fine dell'antico regime.
    Keywords: medieval communities ; middle ages ; comuni medievali ; toscana ; medioevo ; tuscany ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSC Rural communities
    Language: Italian
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  • 62
    facet.materialart.
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    Firenze University Press
    Publication Date: 2024-03-23
    Description: The volume reconstructs the role of the "art objects" in the renewal of identity (social, political and cultural) of the Mannelli family, among the oldest families of the Florentine patriciate. During the 17th Century the main exponents adopted a lifestyle inspired by the Medici court, gradually dismantling, but at different times, the dress of the merchant. The analysis of the main town and countryside residences and of the displaying of the objects of art, conducted on a documentary basis and with the “display of art” critical tools, returns the fundamental stages of the renewal process and, together with numerous autonomous episodes of unpublished patronage and collecting, the emergence of common narrative strategies of historical and political identity through art objects.
    Keywords: thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500::3KL c 1000 CE to c 1500::3KLY 15th century, c 1400 to c 1499 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MD 16th century, c 1500 to c 1599 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MG 17th century, c 1600 to c 1699 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3ML 18th century, c 1700 to c 1799 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899 ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 63
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 64
    facet.materialart.
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    Berliner Wissenschafts-Verlag | Berliner Wissenschafts-Verlag
    Publication Date: 2024-04-04
    Description: Die Geschichte Brandenburgs war nach 1945 von einschneidenden Umbrüchen geprägt, deren Auswirkungen bis heute spürbar sind. Der Befreiung von der NS-Herrschaft durch die Rote Armee folgte unter den Bedingungen der sowjetischen Besatzungsherrschaft ein umfassender Wandel der politischen, wirtschaftlichen, gesellschaftlichen und kulturellen Verhältnisse. Dieser langwierige und überaus schwierige Prozess machte aus Brandenburg in den Jahren von 1945 bis 1952 ein „Land zwischen den Zeiten“. Der Band gibt einen umfassenden Überblick über die wechselvolle Entwicklung Brandenburgs zwischen 1945 und 1952, die keineswegs geradlinig in die SED-Diktatur führte. Sieben Beiträge beleuchten die politischen Rahmenbedingungen ebenso wie die Wirtschaft, Gesellschaft und Kultur sowie das weite Feld der staatlichen Repression. Der Band führt die bisherigen Forschungen zusammen und bietet darüber hinaus neue Perspektiven.
    Keywords: History ; Social History ; History ; Modern ; 21st Century ; History ; Europe ; Germany ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHD European history
    Language: German
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  • 65
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    UNICApress | UNICApress
    Publication Date: 2024-04-04
    Description: This volume contains the Proceedings of the Conference held on Oct. 7-8, 2022, at the Department of Humanities, Languages and Cultural Heritage of the University of Cagliari, as a conclusion of a two-year Research Project. The idea of dedicating a Research Project to artistic-craft production arose from years of fieldwork in both archaeological and art-historical disciplines, which have increasingly highlighted how much the long tradition of craftsmanship of which Sardinia is proud, which is expressed in artifacts made of ceramics, glass, metal, stone, wood and fabric, even at first glance reveals a transmission of technical and artistic 'knowledge' that is kept alive through the centuries.
    Description: Published
    Description: Il volume contiene gli Atti del Convegno tenuto nei giorni 7-8 ottobre 2022, presso il Dipartimento di Lettere, Lingue e Beni culturali dell'Università di Cagliari, a conclusione dello svolgimento del Progetto biennale di ricerca omonimo. L’idea di dedicare alla produzione artistico-artigianale un Progetto di ricerca è scaturita da anni di lavoro sul campo sia nel settore delle discipline archeologiche sia storico-artistiche, che hanno evidenziato sempre più quanto la lunga tradizione artigianale di cui la Sardegna va fiera, che si esprime in manufatti in ceramica, vetro, metallo, pietra, legno e tessuto, anche solo ad un primo sguardo riveli una trasmissione di ‘saperi’ tecnici e artistici che si mantiene viva attraverso i secoli.
    Keywords: Sardinian craftsmanship ; University of Cagliari ; thema EDItEUR::N History and Archaeology::NK Archaeology ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 66
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 67
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    Hamburg University Press
    Publication Date: 2024-04-02
    Description: The German Chancery - since 1806 the Schleswig-Holstein Chancery, from 1816 on the Schleswig-Holstein-Lauenburg Chancery - developed from the early 16th century, and acquired fixed institutional forms in the 17th century. Its territorial jurisdiction initially extended to the royal portions, from 1773 to the entire Duchies of Schleswig and Holstein, and from 1816 additionally to the Duchy of Lauenburg. From 1667 to 1773, the counties of Oldenburg and Delmenhorst were also part of the Chancellery's portfolio. As the highest and most important royal authority for the duchies with its seat in Copenhagen, the Chancellery had a comprehensive area of competence. It was responsible for the entire internal administration of the country, unless individual tasks were assigned to special administrative authorities, such as the Chamber of Pensions. In addition, the Chancellery was also responsible for the foreign affairs of the Danish kingdom until the Department of Foreign Affairs was established for this purpose in 1770. The records of the German Chancellery are of outstanding importance for research on both Schleswig-Holstein and Danish history. This special value of the Chancery Archives is the reason why they are divided between the Reich Archives in Copenhagen and the Schleswig-Holstein State Archives: Copenhagen holds the bulk of the older records before 1730, while the Landesarchiv holds the bulk of the records from 1730 onwards.The written records of the German Chancellery in the Landesarchiv presented in this finding aid are among the most important holdings from the period from the 16th to the mid-19th century that the Landesarchiv has available for research.
    Keywords: Schleswig-Holstein ; Danmark ; Duchy of Schleswig ; Duchy of Holstein ; Duchy of Lauenburg ; 17th century ; 18th century ; 19th century ; State history ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: German
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  • 68
    Publication Date: 2024-04-02
    Description: In historical sciences and in local history research, seal images of the bishops and archbishops of the dioceses in the Salzburg metropolis are repeatedly included. The photographic documentation of examples of all hitherto known seal typars documents for this first time the complete inventory of seals as an integral part of European cultural heritage. Drawings for numerous seals further facilitate access to these resources.
    Description: In historischen Wissenschaften und in der Ortsgeschichtsforschung werden immer wieder Siegelabbildungen der Bischöfe und Erzbischöfe der Diözesen in der Salzburger Metropole einbezogen. Mit der photographischen Dokumentation eines Beispiels aller bisher bekannten Siegeltypare wird erstmals der erhaltene Siegelbestand als kulturelles Erbe Europas dokumentiert. Zeichnungen für zahlreiche Siegel erleichtern den Zugang zu diesen Quellen.
    Keywords: archbishops, bishops, seals, Salzburg Metropolis ; ÖFOS 2012, Linguistics and Literature ; ÖFOS 2012, Austrian history ; ÖFOS 2012, Historical auxiliary sciences ; Erzbischöfe, Bischöfe, Siegel, Salzburger Metropole ; ÖFOS 2012, Sprach- und Literaturwissenschaften ; ÖFOS 2012, Österreichische Geschichte ; ÖFOS 2012, Historische Hilfswissenschaften ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general::QRAX History of religion
    Language: German
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  • 69
    facet.materialart.
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    Firenze University Press
    Publication Date: 2024-04-02
    Description: This work reconstructs the main national events in the time span between Silvio Berlusconi's arrival on the political scene in 1994 and the start of his second government in 2001. The aim of the volume is to answer some of the main questions which have characterized the public debate in Italy over the past twenty years. Did the transition from the First to the Second Republic really take place? What role did the leader of the party “Forza Italia” play in this process? Does the new political system represent an anomaly compared to Italy’s recent history? Answering these questions will make a clear reading of current political affairs easier.
    Keywords: thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPA Political science and theory
    Language: Italian
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  • 70
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    Universitätsverlag Göttingen
    Publication Date: 2024-04-02
    Description: The magic way of thinking and acting belongs to the conspicuous characteristics of the old oriental culture. Threats to mankind, especially diseases, are induced by demons. But these diseases can be avert with the help of the god Enki (Ea) and his son Asalluhi (Marduk). The present collection of 21 spells is a profile through the ritual practice of the cleaning of ill people. The texts are based primarily on manuscripts from the library of Assurbanipal in Ninive (7th century b.c.) . But the some spells are from earlier transcriptions of the 2nd century b.c. A lot of the material in this book is published for the first time. So, this book contributes for the reconstruction of religious literature of the Old Orient.
    Description: Magisches Denken und Handeln gehört zu den augenfälligsten Charakteristika der altorientalischen Kultur: Bedrohungen des Menschen, insbesondere durch Krankheiten, werden durch das Auftreten und Agieren von Dämonen verursacht. Diese können aber mit Hilfe des Gottes Enki (Ea) und seines Sohnes Asalluhi (Marduk) abgewehrt werden. Die hier rekonstruierte Sammlung von 21 sumerischen und sumerisch-akkadischen Beschwörungen bildet einen Querschnitt durch die Ritualpraktiken zur Reinigung und Heilung von Kranken, die diesem Götterkreis zuzuordnen ist. Die Textherstellung basiert im wesentlichen auf Manuskripten aus der Bibliothek Assurbanipals in Ninive (7. Jahrhundert v. Chr.), die Beschwörungen gehen jedoch zum Teil auf frühere Niederschriften aus dem 2. Jahrtausend v. Chr. zurück. Die Ausgabe enthält in beträchtlichem Umfang erstmals publiziertes Material und leistet so einen Beitrag zur Rekonstruktion der religiösen Literatur des Alten Orients.
    Keywords: KCB 651 ; KBA 651 ; Ancient Orientalism ; Akkadische Sprache ; Enki ; Eridu ; Gin ; Kur ; Marduk ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRR Other religions and spiritual beliefs
    Language: German
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  • 71
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    Wallstein Verlag | Wallstein Verlag
    Publication Date: 2024-04-02
    Description: "Geistliche auf grenzüberschreitender Mission: Die geistliche Elite Zürichs als außenpolitischer Akteur in diplomatie- und konfessionsgeschichtlicher Perspektive. Im Zürich des 17. Jahrhunderts genoss die reformierte Stadtgeistlichkeit weitreichende politische Mitspracherechte. Insbesondere während Phasen der Annäherung zwischen Zürich und protestantischen Mächten nahmen etliche Mitglieder der geistlichen Elite Einfluss auf die außenpolitischen Geschäfte: Sie nutzten ihre theologischen Kontakte in ganz Europa als Informationsnetzwerke, leisteten handfeste Unterstützung für fremde Diplomaten in der Eidgenossenschaft, wirkten mittels Predigten und Petitionen auf die Meinungsbildung in Zürich ein und standen ihrer Obrigkeit – dem Zürcher Rat – als Gesandte, Berater, Übersetzer und Informanten zur Seite. Sarah Rindlisbacher Thomi widmet sich dieser bisher wenig beachteten Verflechtung von Religion und Außenpolitik. Sie macht anhand von sechs Detailstudien das diplomatische Agieren von einzelnen Stadtgeistlichen sichtbar, das stets in Zeiten des intensiven Austauschs zwischen Zürich und fremden Mächten fiel, darunter protestantische Reichsfürsten, die Niederlande, England und Schweden. In einer Kombination von diplomatie-, kultur- und kirchengeschichtlichen Ansätzen beleuchtet die Studie Praktiken, Argumentationen und Logiken des grenzüberschreitenden Austauschs im konfessionellen Zeitalter."
    Keywords: History ; Europe ; History ; Modern ; 17th Century ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: German
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  • 72
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 73
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 74
    facet.materialart.
    Unknown
    Wallstein Verlag | Wallstein Verlag
    Publication Date: 2024-04-02
    Description: Wie bestritten Handwerkerfamilien ihren wirtschaftlichen Alltag? Der Schlüssel zum Verständnis liegt in ihrer beruflichen und räumlichen Mobilität Unser Verständnis von Arbeit ist einem starken Wandel unterworfen. Zunehmend werden mit Job Sharing, Homeoffice und Teilzeitarbeit flexiblere Arbeitsmodelle gefordert und erprobt. Zugleich nimmt weltweit die Zahl der sogenannten working poor zu - Personen, die mit nur einer Erwerbsarbeit nicht genug verdienen, um ihren Lebensunterhalt zu bestreiten. Die vormoderne Arbeitswelt war der unseren in mancher Hinsicht ähnlich. Oft gingen Ehepartnerinnen und -partner verschiedenen Erwerbsarbeiten nach, waren in mehreren Berufen tätig. Frauen und Männer, Töchter und Söhne trugen zum Familieneinkommen bei. Frauen waren Meisterinnen, Lohnarbeiterinnen, Unternehmerinnen. Nicht nur beruflich, auch räumlich waren Handwerkerinnen und Handwerker überaus mobil. Der mikrohistorische Fokus auf eine offene Familienwirtschaft ermöglicht es, diese flexiblen handwerklichen Ökonomien zu erfassen. Der Beitrag von Nicole Stadelmanns Buch zur deutschsprachigen Handwerksforschung liegt in der Zusammenführung der zünftigen und außerzünftigen Produktion. Indem dabei die Arbeit der Frauen in der Produktionssphäre sichtbar wird, leistet die Studie auch wichtige Erkenntnisse zur Frauen- und Geschlechtergeschichte.
    Keywords: History ; Modern ; Business & Economics ; Economic History ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::K Economics, Finance, Business and Management::KC Economics::KCZ Economic history
    Language: German
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  • 75
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 76
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 77
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 78
    facet.materialart.
    Unknown
    Berliner Wissenschafts-Verlag | Berliner Wissenschafts-Verlag
    Publication Date: 2024-04-04
    Description: Die Bodenreform in der SBZ löste eine nie dagewesene Siedlungsbewegung aus. Eine solche hatte es in Deutschland noch nie gegeben; es wird sie nie wieder geben. Aus Gutsländereien mussten 5-ha-Höfe geschnitten, den Neubauern Haus und Hof gebaut und alles in eine sinnvolle Ordnung des ländlichen Raumes gebracht werden. Wolfgang Blöß behandelt mit der Siedlungsplanung die Schnittstelle zwischen Landaufteilung und Neubauern-Bauprogramm und stellt diese in den historischen Kontext. Er arbeitet den Aufbau der dafür erforderlichen Verwaltungsorganisation im Spannungsverhältnis zwischen Zentrale und Gliedern der SBZ sowie zwischen deutschen und Besatzungsbehörden ebenso heraus wie Diskussion und Erlass der erforderlichen Richtlinien und Weisungen. Diese wurden vom Umgang mit den Gutsanlagen und der Konzeption des geschlossenen Dorfes bestimmt. Im Fokus steht auch die Arbeit der Planer und Architekten, die sich schwierigsten Bedingungen und einem unerbittlichen Zeitdruck zu stellen hatten. Ihr Arbeitsergebnis, den Dorfbebauungsplan, stellt Blöß vor und führt die in diesem Zusammenhang sicht- und erlebbare, von Widersprüchen geprägte soziale Lage im Dorf vor Augen. Dieses Buch enthält sind 19 s/w Tab, 12 s/w Abb. und 11 farb. Abb.
    Keywords: History ; Social History ; History ; Modern ; 21st Century ; History ; Europe ; Germany ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHD European history
    Language: German
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  • 79
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 80
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 81
    facet.materialart.
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    Firenze University Press
    Publication Date: 2024-04-02
    Description: Yet another book on witches and witchcraft? Although numerous, studies on this phenomenon that had such a profound influence on the political, social and religious history of the late Middle Ages and the early modern age in Europe can never be enough. At this time the political regimes were actively involved in the witch hunts, not least the Catholic church which was intensely engaged in developing instruments of control aimed at governing and curbing dissent. The book is broken down into thematic sections – rules, treatises and trials, transmission /possession – which reflect the multiplicity of the scientific proposals that have emerged in recent years, and also represent a conscious preliminary orientation of possible readings. At centre stage of the witchcraft show are the witches and their judges, from the theologians and philosophers to the exorcists. As well as addressing actual events, the book also explores the nature of the beliefs and the way in which they were transmitted in the various social strata, and the phenomenon of diabolical possession which conveyed the message of the presence of the devil in the world.
    Keywords: Stregoneria ; Esorcismo ; Inquisizione ; Storia religiosa ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity
    Language: Italian
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  • 82
    Publication Date: 2024-03-23
    Description: The purpose of this book is to explore the transformations in the functioning of power in the countryside of the kingdom of Italy over the fifty years at the turn of the 1100s, and more particularly the process of affirmation and crystallization of the rural lordship. The investigation develops through the reconstruction not only of the structures of power over men and space, and of the related social morphologies, but also of the political communication system at the local level. The outbreak of the civil wars connected with the “struggle for the Investitures", after 1080, translates into a clear reconfiguration of the socio-political matrix, transforming both the practices of local power, and the instruments of political communication and the related documentation. The Italian case offers in this sense a new perspective on the great and still open historiographic problem, of the "feudal revolution" in the European context.
    Keywords: thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500::3KL c 1000 CE to c 1500::3KLY 15th century, c 1400 to c 1499 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MD 16th century, c 1500 to c 1599 ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 83
    facet.materialart.
    Unknown
    Firenze University Press
    Publication Date: 2024-03-24
    Description: Other Orientalisms analyses various forms of knowledge about India through the circulation of people, ideas, knowledge, images and objects between Florence and Bombay. In the second half of the nineteenth century Florence became an important centre for studies on India, manifested in the organisation of exhibitions, museums, journals and international conferences. Inspired by the relationship between two Indianists – the Italian Angelo De Gubernatis, a teacher of Sanskrit in Florence and the Goan José Gerson da Cunha, a physician and historian in Bombay – this book discloses an India that emerged from different places, peopled by a multiplicity of voices. The institutional, intellectual and museum experience of Florentine orientalism, albeit peripheral, further enhances the debate on knowledge and colonial power that has engaged social and human sciences in recent decades.
    Keywords: thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 84
    facet.materialart.
    Unknown
    Firenze University Press
    Publication Date: 2024-04-02
    Description: In a time, ours, in which historiography prefers to measure itself with witchcraft as a judicial phenomenon, or with the men who personally led the persecution, or even with the demonological treatises that greatly influenced witch hunters, this book focuses instead on the victims. Women accused of witchcraft are the protagonists of the trials initiated between the late Middle Ages and the early modern age: that was the time when the great witch hunt was unleashed in Europe. The profiles of the alleged witches, even if drawn by their judges, emerge from these pages in all their changeability and drama: women that are reluctant to plead guilty to unspoken crimes, marked by stubborn silence, surrendered to the full confession of every wickedness extorted by torture.
    Keywords: thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity
    Language: Italian
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  • 85
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 86
    facet.materialart.
    Unknown
    Berliner Wissenschafts-Verlag | Berliner Wissenschafts-Verlag
    Publication Date: 2024-04-04
    Description: Lange Zeit blieb Arnswalde im Zweiten Weltkrieg von militärischen Auseinandersetzungen verschont. Erst Anfang Februar 1945 belagerten sowjetische Truppen die Stadt. Tausende Bewohner konnten nicht mehr rechtzeitig fliehen und wurden in Arnswalde eingeschlossen. Zwei Wochen lang bangten sie um ihr Leben; bis die deutsche Wehrmacht sie schließlich vom Feind unbemerkt aus der Stadt schleusen konnte. In dieser Quellenedition kommen neben Autoritätspersonen vor allem einfache Bürger zu Wort; die eindrucksvoll von ihrer Flucht aus der eingeschlossenen Stadt berichten; von ihrer Rückkehr in die Heimat; ihrer späteren Vertreibung und von den Schwierigkeiten beim Neuanfang westlich der Oder in einer Gesellschaft; die sie nicht wollte. „Man bleibt eben immer ‚der Flüchtling‘; etwas bemitleidet; geduldet; manchem allein schon durch seinen Anblick lästig; da er nur zu sehr an die Vergänglichkeit irdischen Besitzes erinnert“; schrieb der Arnswalder Lehrer Werner Riepe 1946 an seine Lebensgefährtin. Seine Einschätzung scheint angesichts heutiger politischer und gesellschaftlicher Entwicklungen immer noch erschreckend aktuell zu sein.
    Keywords: History ; Social History ; History ; Modern ; 21st Century ; History ; Europe ; Germany ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHD European history
    Language: German
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  • 87
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 88
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 89
    facet.materialart.
    Unknown
    Firenze University Press
    Publication Date: 2024-04-02
    Description: This is the second of two volumes examining some “original features” of late medieval Italy compared to the european reality of the time (the first volume of this collection was edited by Francesco Salvestrini). On this subject, two conferences have been held, whose proceedings have been published. The first conference, held in October 2000, tried to offer an account, in an introductory section, of the long-term environmental frameworks within which the path of Italian society is inscribed: the rural landscape and the framework of urban settlements, without forgetting, in one and in the another case, the legacy of the Roman world. The second conference, on the other hand - held in the autumn of 2002 - aimed to consider aspects of the history of culture and political ideologies, mentality, religious life, but also the history of techniques.
    Keywords: Storia ; Medioevo ; Comuni medievali ; Basso Medioevo ; Atti di convegno ; Italia ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
    Format: image/jpeg
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  • 90
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 91
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 92
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 93
    facet.materialart.
    Unknown
    Berliner Wissenschafts-Verlag | Berliner Wissenschafts-Verlag
    Publication Date: 2024-04-04
    Description: Das 1939 herausgegebene zweibändige ‚Deutsche Städtebuch. Handbuch städtischer Geschichte‘ wurde bald zu einem Standardwerk für die lokale Stadtgeschichte, die vergleichende Städteforschung oder die Lehre an Universitäten und Schulen, zumal es in den letzten Jahrzehnten wesentlich erweitert für einzelne Bundesländer neu bearbeitet wurde. Das Städtebuch strukturiert alle Artikel nach einer einheitlichen Gliederung, die in 20 übergeordneten Punkten die wichtigsten Fakten zur Stadt bietet; unter anderem wird über Namen, Ursprung, geografische Lage, Rechtswesen, Wirtschaft, Verwaltung, Herrschaftsverhältnisse, Finanzen, Religion und Bildungswesen informiert. Das ‚Städtebuch Historisches Ostbrandenburg‘ ergänzt das 2000 veröffentlichte ‚Städtebuch Brandenburg und Berlin‘ um die Städte östlich von Oder und Neiße, die 1939 zur Provinz Brandenburg gehörten. Die Artikel enthalten reiche Angaben zu allen Bereichen des städtischen Lebens und berücksichtigen auch umfassend die polnische Entwicklung von 1945 bis zur Gegenwart.
    Keywords: History ; Social History ; History ; Modern ; 21st Century ; History ; Europe ; Germany ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHD European history
    Language: German
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  • 94
    facet.materialart.
    Unknown
    Firenze University Press
    Publication Date: 2024-04-02
    Description: The feast represents the quintessence of time, distinguished from time in general by a potent intensity. The dynamics of secularisation have attenuated and blurred the boundaries between sacred and profane, to the point that we ask ourselves if it is still legitimate to distinguish between a religious and a profane feast, or whether it is not more proficuous to seek within the feast the sacred dimension of time. Modernity does not lead to the eclipse of the sacred, but rather to its transformation. This book addresses such issues, putting itself forward as a working tool for further study.
    Keywords: Sociologia ; Ritualità religiosa ; Religioni ; Società ; Atti di convegno ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology
    Language: Italian
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  • 95
    facet.materialart.
    Unknown
    Firenze University Press
    Publication Date: 2024-04-02
    Description: What was the Roman Inquisition? How did inquisitors operate in the Italian society of the 16th and 17th century? In an attempt to answer these questions, the author analyses the inquisitors’ familia , the Court of Faith's large group of assistants. In the light of rich unpublished records, this research is the first to reconstruct the events around the Holy Office’s “staff”, which consisted of vicars, notaries, lawyers, consultants, policemen, bodyguards and many others. The publication deals with the issues related to these officers, their geographic distribution and the brotherhoods used for their classification. Following this, the analysis shifts to the privileges enjoyed by the members of these “families”, and the often heinous abuses they committed, demonstrating how the Inquisition became an element of social and moral disorder whenever its authority was questioned.
    Keywords: thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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  • 96
    facet.materialart.
    Unknown
    Berliner Wissenschafts-Verlag | Berliner Wissenschafts-Verlag
    Publication Date: 2024-04-04
    Description: Was wäre Brandenburg ohne seine vielen Einwanderer? Ohne die Hugenotten, ohne die Böhmen – und die Schweizer!? Die Zuwanderung von Schweizer Kolonisten nach Brandenburg hat die Migrationsforschung bisher nur marginal wahrgenommen. Der „Große Kurfürst“ Friedrich Wilhelm hatte sich, nachdem es in der Schweiz Ende des 17. Jahrhunderts zu enormen sozialen Spannungen gekommen war, 1683 an den Bürgermeister und den Rat der Stadt Bern gewandt: Er bat um Überlassung von „Zehen oder Zwantzig Familien“, „welche der Wirthschafft und Viehzucht wohl erfahren seyn“. Die Folgenbewältigung des 30-jährigen Krieges, der die Kurmark vielerorts entvölkert hatte, war für ihn oberstes Staatsziel. Unter den nachgeborenen Schweizer Söhnen fanden sich viele Einwanderwillige, sodass eine Auswahl unter ihnen nötig wurde, „denn es ginge um die Ehre der Schweizerischen Nation.“ Auch heute noch kann man den Stolz dieser kleinen Einwanderungsgruppe in Nattwerder erleben. Dietmar Bleyl untersucht ihr Schicksal sowohl unter dem wirtschaftlichen Aspekt (bis ins 19. Jahrhundert) als auch unter dem konfessionellen Aspekt (bis 1949) und schließt damit eine Lücke in der bisherigen Forschung.
    Keywords: History ; Social History ; History ; Modern ; 21st Century ; History ; Europe ; Germany ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::N History and Archaeology::NH History::NHD European history
    Language: German
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  • 97
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 98
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 99
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 100
    facet.materialart.
    Unknown
    Firenze University Press
    Publication Date: 2024-04-02
    Description: During the Modern Age centuries, thousands of individuals were captured by pirates in the Mediterranean Sea and were enslaved in the land of the 'unfaithful: after being taken as prisoners, they were sold, forced to hard labour and rowing in the galleys or destined for redemption. Institutions, city judges and religious orders were involved in the redemption of Christians in the land of Islam, including the Mercedarians. This book reconstructs the history and activity of this Order and other protagonists of that activity in Italy and the Iberian Peninsula. After studying the books of redemption accounts sent to North Africa between the late 16th century and the early 18th century, the author shows how even religious men followed the orders of political power, and how that charitable activity ended up surrendering to economic and national interests.
    Keywords: thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
    Format: image/jpeg
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