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  • Göteborg : Geologiska Inst.
  • Tsukuba : Geological Survey of Japan
  • punctum books
  • English  (394)
  • Japanese  (18)
  • Swedish  (4)
  • Chinese
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  • 1
    Call number: SR 91.0154(60)
    In: Publikationer
    Type of Medium: Series available for loan
    Pages: getr. Zählung
    Series Statement: Publikationer / Geologiska Institutionen, Chalmers Tekniska Högskola : A 60
    Language: English
    Location: Lower compact magazine
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  • 2
    Call number: SR 91.0154(65)
    In: Publikationer
    Type of Medium: Series available for loan
    Pages: VIII, 205 S.
    Series Statement: Publikationer / Geologiska Institutionen, Chalmers Tekniska Högskola : A 65
    Language: English
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  • 3
    Call number: SR 91.0154(61)
    In: Publikationer
    Type of Medium: Series available for loan
    Pages: III, 111 S., S. 360 - 367
    Series Statement: Publikationer / Geologiska Institutionen, Chalmers Tekniska Högskola : A 61
    Language: English
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  • 4
    Call number: SR 91.0154(72)
    In: Publikationer
    Type of Medium: Series available for loan
    Pages: IV, 147 S.
    Series Statement: Publikationer / Geologiska Institutionen, Chalmers Tekniska Högskola : A 72
    Language: English
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  • 5
    Series available for loan
    Series available for loan
    Tsukuba : Geological Survey of Japan
    Associated volumes
    Call number: S 91.1152(275)
    In: Report / Geological Survey of Japan
    Type of Medium: Series available for loan
    Pages: 352 S. : Ill., graph. Darst.
    Series Statement: Report / Geological Survey of Japan 275
    Language: Japanese
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  • 6
    Series available for loan
    Series available for loan
    Göteborg : Geologiska Inst.
    Associated volumes
    Call number: SR 91.0154(64)
    In: Publikationer
    Type of Medium: Series available for loan
    Pages: getr. Zählung
    Series Statement: Publikationer / Geologiska Institutionen, Chalmers Tekniska Högskola : A 64
    Language: English
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  • 7
    Call number: SR 91.0154(58)
    In: Publikationer
    Type of Medium: Series available for loan
    Pages: VI, 55 S.
    Series Statement: Publikationer / Geologiska Institutionen, Chalmers Tekniska Högskola : A 58
    Language: Swedish
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  • 8
    Call number: SR 91.0154(68)
    In: Publikationer
    Type of Medium: Series available for loan
    Pages: XII, 115 S. + 2 Beil.
    Series Statement: Publikationer / Geologiska Institutionen, Chalmers Tekniska Högskola : A 68
    Language: English
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  • 9
    Call number: SR 91.0154(70)
    In: Publikationer
    Type of Medium: Series available for loan
    Pages: 110 S. : Ill., graph. Darst.
    ISBN: 9170325553
    Series Statement: Publikationer / Geologiska Institutionen, Chalmers Tekniska Högskola : A 70
    Language: English
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  • 10
    Call number: SR 91.0154(62)
    In: Publikationer
    Type of Medium: Series available for loan
    Pages: XII, 161 S., Appendix 18 S. [in getr. Zählung] : Ill.
    ISBN: 917032431X
    Series Statement: Publikationer / Geologiska Institutionen, Chalmers Tekniska Högskola : A 62
    Language: English
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  • 11
    Call number: S 91.1152(277)
    In: Report / Geological Survey of Japan
    Type of Medium: Series available for loan
    Pages: 110 S.
    Series Statement: Report / Geological Survey of Japan 277
    Language: Japanese
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  • 12
    Series available for loan
    Series available for loan
    Tsukuba : Geological Survey of Japan
    Associated volumes
    Call number: S 91.1152(249)
    In: Report / Geological Survey of Japan
    Type of Medium: Series available for loan
    Pages: 55, 2 S.
    Series Statement: Report / Geological Survey of Japan 249
    Language: Japanese
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  • 13
    Series available for loan
    Series available for loan
    Tsukuba : Geological Survey of Japan
    Associated volumes
    Call number: S 91.1152(265)
    In: Report / Geological Survey of Japan
    Type of Medium: Series available for loan
    Pages: 538 S.
    Series Statement: Report / Geological Survey of Japan 265
    Language: Japanese
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  • 14
    Call number: S 91.1152(262)
    In: Report / Geological Survey of Japan
    Type of Medium: Series available for loan
    Series Statement: Report / Geological Survey of Japan 262
    Language: Japanese
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  • 15
    Call number: S 91.1152(279)
    In: Report / Geological Survey of Japan
    Type of Medium: Series available for loan
    Pages: vii, 214 S.
    Series Statement: Report / Geological Survey of Japan 279
    Language: Japanese
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  • 16
    Call number: S 91.1152(270)
    In: Report / Geological Survey of Japan
    Type of Medium: Series available for loan
    Pages: 482 S.
    Series Statement: Report / Geological Survey of Japan 270
    Language: Japanese
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  • 17
    Series available for loan
    Series available for loan
    Tsukuba : Geological Survey of Japan
    Associated volumes
    Call number: S 91.1152(268)
    In: Report / Geological Survey of Japan
    Type of Medium: Series available for loan
    Pages: 331 S. + 2 Kt.-Beil.
    Series Statement: Report / Geological Survey of Japan 268
    Language: Japanese
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  • 18
    Series available for loan
    Series available for loan
    Tsukuba : Geological Survey of Japan
    Associated volumes
    Call number: S 91.1152(266)
    In: Report / Geological Survey of Japan
    Type of Medium: Series available for loan
    Pages: 596 S.
    Series Statement: Report / Geological Survey of Japan 266
    Language: Japanese
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  • 19
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    Series available for loan
    Tsukuba : Geological Survey of Japan
    Associated volumes
    Call number: S 91.1152(264)
    In: Report / Geological Survey of Japan
    Type of Medium: Series available for loan
    Pages: 443 S.
    Series Statement: Report / Geological Survey of Japan 264
    Language: Japanese
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  • 20
    Series available for loan
    Series available for loan
    Tsukuba : Geological Survey of Japan
    Associated volumes
    Call number: S 91.1152(260)
    In: Report / Geological Survey of Japan
    Type of Medium: Series available for loan
    Pages: 35 S..
    Series Statement: Report / Geological Survey of Japan 260
    Language: Japanese
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  • 21
    Series available for loan
    Series available for loan
    Tsukuba : Geological Survey of Japan
    Associated volumes
    Call number: S 91.1152(251)
    In: Report / Geological Survey of Japan
    Type of Medium: Series available for loan
    Pages: 139 S. + 7 Beil.
    Series Statement: Report / Geological Survey of Japan 251
    Language: Japanese
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  • 22
    Call number: S 91.1152(261)
    In: Report / Geological Survey of Japan
    Type of Medium: Series available for loan
    Pages: 167 S.
    Series Statement: Report / Geological Survey of Japan 261
    Language: Japanese
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  • 23
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    Series available for loan
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    Associated volumes
    Call number: S 91.1152(263)
    In: Report / Geological Survey of Japan
    Type of Medium: Series available for loan
    Pages: 361 S.
    Series Statement: Report / Geological Survey of Japan 263
    Language: Japanese
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  • 24
    Series available for loan
    Series available for loan
    Göteborg : Geologiska Inst.
    Associated volumes
    Call number: SR 91.0154(53)
    In: Publikationer
    Type of Medium: Series available for loan
    Pages: VIII, 265 S.
    ISBN: 9154046475
    Series Statement: Publikationer / Geologiska Institutionen, Chalmers Tekniska Högskola : A 53
    Language: Swedish
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  • 25
    Call number: SR 91.0154(55)
    In: Publikationer
    Type of Medium: Series available for loan
    Pages: IX, 162 S.
    Series Statement: Publikationer / Geologiska Institutionen, Chalmers Tekniska Högskola : A 55
    Language: Swedish
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  • 26
    Call number: SR 91.0154(59)
    In: Publikationer
    Type of Medium: Series available for loan
    Pages: getr. Zählung + 1 Kt.-Beil.
    Series Statement: Publikationer / Geologiska Institutionen, Chalmers Tekniska Högskola : A 59
    Language: English
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  • 27
    Call number: SR 91.0154(71)
    In: Publikationer
    Type of Medium: Series available for loan
    Pages: getr. Zählung
    Series Statement: Publikationer / Geologiska Institutionen, Chalmers Tekniska Högskola : A 71
    Language: English
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  • 28
    Call number: SR 91.0154(63)
    In: Publikationer
    Type of Medium: Series available for loan
    Pages: XI, 108 S.
    Series Statement: Publikationer / Geologiska Institutionen, Chalmers Tekniska Högskola : A 63
    Language: Swedish
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  • 29
    Call number: SR 91.0154(54)
    In: Publikationer
    Type of Medium: Series available for loan
    Pages: getr. Zählung
    Series Statement: Publikationer / Geologiska Institutionen, Chalmers Tekniska Högskola : A 54
    Language: English
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  • 30
    Call number: SR 91.0154(69)
    In: Publikationer
    Type of Medium: Series available for loan
    Pages: X, 150 S.
    ISBN: 9170326851
    Series Statement: Publikationer / Geologiska Institutionen, Chalmers Tekniska Högskola : A 69
    Language: English
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  • 31
    Call number: S 91.1152(274)
    In: Report / Geological Survey of Japan
    Type of Medium: Series available for loan
    Pages: 114 S. : Ill.
    Series Statement: Report / Geological Survey of Japan 274
    Language: Japanese
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  • 32
    facet.materialart.
    Unknown
    punctum books | CTM Documents Initiative
    Publication Date: 2024-04-08
    Description: If we lived in a liquid world, the concept of a "machine" would make no sense. Liquid life is metaphor and apparatus that discusses the consequences of thinking, working, and living through liquids. It is an irreducible, paradoxical, parallel, planetary-scale material condition, unevenly distributed spatially, but temporally continuous. It is what remains when logical explanations can no longer account for the experiences that we recognize as part of "being alive."Liquid Life references a third-millennial understanding of matter that seeks to restore the agency of the liquid soul for an ecological era, which has been banished by reductionist, "brute" materialist discourses and mechanical models of life. Offering an alternative worldview of the living realm through a "new materialist" and "liquid" study of matter, Armstrong conjures forth examples of creatures that do not obey mechanistic concepts like predictability, efficiency, and rationality. With the advent of molecular science, an increasingly persuasive ontology of liquid technologies can be identified. Through the lens of lifelike dynamic droplets, the agency for these systems exists at the interfaces between different fields of matter/energy that respond to highly local effects, with no need for a central organizing system.Liquid Life seeks an alternative partnership between humanity and the natural world. It provokes a re-invention of the languages of the living realm to open up alternative spaces for exploration, including contributor Rolf Hughes’ "angelology" of language, which explores the transformative invocations of prose poetry, and Simone Ferracina’s graphical notations that help shape our concepts of metabolism, upcycling, and designing with fluids. A conceptual and practical toolset for thinking and designing, liquid life reunites us with the irreducible "soul substance" of living things, which will neither be simply "solved," nor go away.
    Keywords: design theory ; soft architecture ; angelology ; materialis ; ecology ; molecular science ; biology ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTJ Philosophy: metaphysics and ontology ; thema EDItEUR::P Mathematics and Science::PS Biology, life sciences::PSD Molecular biology ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTJ Philosophy: metaphysics and ontology ; thema EDItEUR::P Mathematics and Science::PS Biology, life sciences::PSD Molecular biology
    Language: English
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  • 33
    facet.materialart.
    Unknown
    punctum books | Uitgeverij
    Publication Date: 2024-03-25
    Description: “The brutality of symbol is visual war. The maze confuses the poetic solitude of the verbal impressed in the pragmatic obol. Manifesto, nervous reflex of language out of control but not without focus, unexpectedly touches the reaction converting the suit interpret-action roar of consciousness. Phonemes-hoplites, the galvanized armor prepares the final siege, it is time to choose which side to fight on. Aprile throws up a challenge: self-centeredness of the word or the reversal of the semantic front against a historic tool devoted to a company withered away and foraging in the cliché, this ultimate foundation of the order-archetype. Prepare for defeat, not to succumb to conceal language accessory and inflamed from of poiesis, and semantic approach exhalation and pray for his death.” ~ Cristiano Caggiula “Aprile’s writing breathes, survives and is manifested, among dashes, curves, losses, cruises, overlays, erasures, and smudges, smears. A writing dotted with isolated words, they resist to a great catastrophe, arranged in imbalance, moving, equipped with its own breath, your own voice. Aprile’s writing is a calligram in which the words are scattered all but disappeared, replaced by stretches of life that run, they run themselves. April drags, hits, dodges, phagocyte and flees, sometimes quickly, sometimes with a certain laziness, out of an area where it shows the drive and exposes the unfinished pulsion of the body. Rhythm writing.” ~ Bartolomé Ferrando
    Keywords: poetry ; visual poetry ; experimental ; thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets
    Language: Italian , Spanish , English
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  • 34
    facet.materialart.
    Unknown
    punctum books
    Publication Date: 2022-08-03
    Description: The recent 10,000 year history of climatic stability on Earth that enabled the rise of agriculture and domestication, the growth of cities, numerous technological revolutions, and the emergence of modernity is now over. We accept that in the latest phase of this era, modernity is unmaking the stability that enabled its emergence. Over the 21st century severe and numerous weather disasters, scarcity of key resources, major changes in environments, enormous rates of extinction, and other forces that threaten life are set to increase. But we are deeply worried that current responses to these challenges are focused on market-driven solutions and thus have the potential to further endanger our collective commons. Today public debate is polarized. On one hand we are confronted with the immobilizing effects of knowing “the facts” about climate change. On the other we see a powerful will to ignorance and the effects of a pernicious collaboration between climate change skeptics and industry stakeholders. Clearly, to us, the current crisis calls for new ways of thinking and producing knowledge. Our collective inclination has been to go on in an experimental and exploratory mode, in which we refuse to foreclose on options or jump too quickly to “solutions.”
    Keywords: anthropocene ; ecology ; environmental humanities ; climate change ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RN The environment::RNT Social impact of environmental issues
    Language: English
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  • 35
    facet.materialart.
    Unknown
    punctum books
    Publication Date: 2022-08-03
    Description: "Antiracism Inc. traces the ways people along the political spectrum appropriate, incorporate, and neutralize antiracist discourses to perpetuate injustice. It also examines the ways organizers continue to struggle for racial justice in the context of such appropriations. Antiracism Inc. reveals how antiracist claims can be used to propagate racism, and what we can do about it. While related to colorblind, multicultural, and diversity discourses, the appropriation of antiracist rhetoric as a strategy for advancing neoliberal and neoconservative agendas is a unique phenomenon that requires careful interrogation and analysis. Those who co-opt antiracist language and practice do not necessarily deny racial difference, biases, or inequalities. Instead, by performing themselves conservatively as non-racists or liberally as ‘authentic’ antiracists, they purport to be aligned with racial justice even while advancing the logics and practices of systemic racism. Antiracism Inc. therefore considers new ways of struggling toward racial justice in a world that constantly steals and misuses radical ideas and practices. The collection focuses on people and methods that do not seek inclusion in the hierarchical order of gendered racial capitalism. Rather, the collection focuses on aggrieved peoples who have always had to negotiate state violence and cultural erasure, but who work to build the worlds they envision. These collectivities seek to transform social structures and establish a new social warrant guided by what W.E.B. Du Bois called “abolition democracy,” a way of being and thinking that privileges people, mutual interdependence, and ecological harmony over individualist self-aggrandizement and profits. These aggrieved collectivities reshape social relations away from the violence and alienation inherent to gendered racial capitalism, and towards the well-being of the commons. Antiracism Inc. articulates methodologies that strive toward freedom dreams without imposing monolithic or authoritative definitions of resistance. Because power seeks to neutralize revolutionary action through incorporation as much as elimination, these freedom dreams, as well as the language used to articulate them, are constantly transformed through the critical and creative interventions stemming from the active engagement in liberation struggles."
    Keywords: critical race studies ; ethnic studies ; antiracism ; social justice ; black politics ; poetry ; abolition democracy ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSL Ethnic studies::JFSL1 Ethnic minorities & multicultural studies
    Language: English
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  • 36
    facet.materialart.
    Unknown
    punctum books
    Publication Date: 2022-08-03
    Description: “There is nothing more alienating than having your pleasures disputed by someone with a theory,” writes Lauren Berlant. Yet the ways in which we live sexuality and intimacy have been profoundly shaped by theories — especially psychoanalytic ones, which have helped to place sexuality and desire at the center of the modern story about what a person is and how her history should be read. At the same time, other modes of explanation have been offered by popular and mass culture. In these domains, sexual desire is not deemed the core story of life; it is mixed up with romance, a particular version of the story of love. In this small theoretical novella-cum-dictionary entry, Lauren Berlant engages love and desire in separate entries. In the first entry, Desire mainly describes the feeling one person has for something else: it is organized by psychoanalytic accounts of attachment, and tells briefly the history of their importance in critical theory and practice. The second entry, on Love, begins with an excursion into fantasy, moving away from the parent-child structure so central to psychoanalysis and looking instead at the centrality of context, environment, and history. The entry on Love describes some workings of romance across personal life and commodity culture, the place where subjects start to think about fantasy on behalf of their actual lives.
    Keywords: love ; sexuality ; psychoanalysis ; fantasy ; desire ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSJ Gender studies, gender groups
    Language: English
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  • 37
    Publication Date: 2024-03-30
    Description: Every Economics textbook today teaches that questions of values and morality lie outside of, are in fact excluded from, the field of Economics and its proper domain of study, “the economy.” Yet the dominant cultural and media narrative in response to major economic crisis is almost always one of moral outrage. How do we reconcile this tension or explain this paradox by which Economics seems to have both everything and nothing to do with values? The discipline of modern economics hypostatizes and continually reifies a domain it calls “the economy”; only this epistemic practice makes it possible to falsely separate the question of value from the broader inquiry into the economic. And only if we have first eliminated value from the domain of economics can we then transform stories of financial crisis or massive corporate corruption into simple tales of ethics. But if economic forces establish, transform, and maintain relations of value then it proves impossible to separate economics from questions of value, because value relations only come to be in the world by way of economic logics. This means that the “positive economics” spoken of so fondly in the textbooks is nothing more than a contradiction in terms, and as this book demonstrates, there’s no such thing as “the economy.” To grasp the basic logic of capital is to bring into view the unbreakable link between economics and value.
    Keywords: economics ; financial crisis ; capitalism ; Wells Fargo ; ethics ; Marxism ; political economy ; thema EDItEUR::K Economics, Finance, Business and Management::KC Economics::KCP Political economy
    Language: English
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  • 38
    facet.materialart.
    Unknown
    punctum books
    Publication Date: 2024-03-26
    Description: In 1994, at the age of twenty-five, when the “terrible brokenness that comes with sexual assault” was folded deep within her body and thoughts of suicide were always close by, Erin Manning wrote The Perfect Mango at an almost feverish pitch: nineteen chapters in nineteen days, a sort of self-rescue operation, where writing became a form of making (and feeling) life otherwise. Throughout those nineteen days, and although not able to fully articulate it to herself at the time, Manning wrote her way into a “composition that asks how else life might be lived.” And in the rhythms of that composition, which was also a living, Manning was, and is, able to refuse the category and norm and stillness of “victim” (while still understanding the inheritances of violence) in order to follow instead the more-than-I as well as the joy of the “more-than of experience in the making.” Twenty-five years later, Manning allows these earlier writings to find their way back into the world, which is also a way of giving “voice to those moments of messy survival” while also asking us, who share in (and help to bear) those moments as readers, to consider “other ways of listening to the urgency that is living.” To (re)publish the book now is to give it a place in the world in a way that honors its force as something that is always beyond anyone’s claim to it, even Manning’s. In this sense, The Perfect Mango invites us, with Manning, to be in excess of ourselves, and also to consider, in Manning’s words, “how to create conditions for living beyond humanism’s fierce belief that we, the privileged, the neurotypicals, the as-yet-unscathed, the able-bodied, hold the key to all perspectives in the theatre of living.” Ultimately, The Perfect Mango and Manning’s reflections on its composition ask us to consider living “in the fierce celebration of a world invented by those modes of life which tear at the colonial, white, neurotypical fabric of life as we know it.”
    Keywords: memoir ; sexual abuse ; trauma ; violence ; embodiement ; creative non-fiction ; neurodiversity ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNC Memoirs
    Language: English
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  • 39
    facet.materialart.
    Unknown
    punctum books
    Publication Date: 2024-03-29
    Description: What does it mean to unlearn? Once we have learned something, is it ever possible to unlearn that something? If something is said to have been unlearned, does that mean that it is simply forgotten or does some residual force of learning, some perverse force, also resonate in ways that might help us to rethink traditional approaches to teaching and learning? Might we say that education today is haunted by the spectre of unlearning? This book invites readers to reflect on the possibilities of knowing, reflecting, understanding, teaching and learning in ways that allow us to imagine the other side of education, the side which understands non-knowledge, ignorance, stupidity and wonder as potentially the most important learning experiences we can ever have. In a series of provocative essays by some of the world’s most renowned theorists in philosophy, psychoanalysis, cultural studies, politics and education, The Pedagogics of Unlearning challenges us to think again about what we mean when we talk about learning — about what it really means to learn — and whether the kinds of learning we imagine in our classrooms and daily lives are actually synonymous with the sort of learning we envision when we think and talk about the purpose and passage of education. If you think you know what education and learning are doing, what teaching strategies do, and what learning outcomes are, then this book asks you to think again, to unlearn what you have learned, to learn to unlearn
    Keywords: radical pedagogy ; higher education ; cultural theory ; psychoanalysis ; philosophy ; bic Book Industry Communication::J Society & social sciences::JN Education::JNA Philosophy & theory of education ; thema EDItEUR::J Society and Social Sciences::JN Education::JNA Philosophy and theory of education
    Language: English
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  • 40
    Publication Date: 2024-03-29
    Description: This is an age of crisis: economic, political, environmental, and social. Yet the nature of contemporary crisis is often misunderstood. Crisis, rather than being accidental or episodic – as is too often assumed – has been a regular feature of state practice in the neoliberal austerity regimes of contemporary capitalism. In this timely work Jeff Shantz gives special attention to the particular manufactured crises associated with austerity regimes and conditions of precarity within contemporary capitalism, and how Crisis States differ from other forms of state practice. Crisis is a powerful weapon of states and capital in the pursuit of accumulation, exploitation, and control. Engaging insights from anarchism and autonomous Marxism, Shantz lays bare the real nature and character of crisis as political and social pursuits of state and capital under precarious capitalism. Attention is also given to social resistance under crisis state conditions. Contemporary capitalism renders the oppressed and exploited precarious at the same time as opportunities are opened to render the system itself precarious. Understanding Crisis States and precarious capitalism is crucial in considering prospects for resistance.
    Keywords: anarchism ; Marxism ; US politics ; political theory ; capitalism ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPW Political activism / Political engagement::JPWG Pressure groups, protest movements and non-violent action
    Language: English
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  • 41
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    Publication Date: 2024-03-23
    Description: The Funambulist Pamphlets is a series of small books archiving articles published on The Funambulist, collected according to specific themes. These volumes propose a different articulation of texts than the usual chronological one. The eleven volumes are respectively dedicated to Spinoza, Foucault, Deleuze, Legal Theory, Occupy Wall Street, Palestine, Cruel Designs, Arakawa + Madeline Gins, Science Fiction, Literature, and Cinema. The Funambulist Pamphlets is published as part of the Documents Initiative imprint of the Center for Transformative Media, Parsons The New School for Design, a transdisciplinary media research initiative bridging design and the social sciences, and dedicated to the exploration of the transformative potential of emerging technologies upon the foundational practices of everyday life across a range of settings.
    Keywords: architecture ; Gilles Deleuze ; Baruch Spinoza ; Michel Foucault ; thema EDItEUR::A The Arts::AM Architecture::AMA Theory of architecture
    Language: English
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  • 42
    Publication Date: 2024-03-23
    Description: Non-Conceptual Negativity: Damaged Reflections on Turkey critiques those who have accused Deleuze of an unbounded affirmation which, according to them, has played directly into the hands of capitalist modes of production. Yet no one has acknowledged that under the aegis of nano-fascism, late capitalism has grown into Neanderthal capitalism, invented and developed in laboratory countries like Turkey with the aid of an international Neanderthal league. Layer upon layer, Aracagök explains in fragmentary fashion that it is not only a matter of how Turkey has grown into a prime laboratory of nano-fascism with the aid of the US and the European Union, but also how the results obtained from this laboratory are put into practice in different countries under Neanderthal capitalism, enslaving each and every one of us into accepting even the position of suicide bomber. As none of us is exempted from nano-fascism today, perhaps it is timely to reconsider the ways in which Deleuzian thought is appropriated in the form of an unquestioned affirmation of everything and how its critique has ended up in an old-fashioned formulation of the in-dividual according to a party program. If this all goes to show that we are face to face with a route different from the accepted forms of affirmation — that is, if we are all affirmed and seem to be happily affirming life as it is as a result of the Neanderthal manipulation of the negative — then isn’t it timely to rethink the Deleuzian affirmation in its non-originary origin with regard to Adorno’s resistance against affirmation? That is, the double negation never ends up in affirmation, and if it does so, it might mean your negation is not strong enough.
    Keywords: philosophy ; critical theory ; Turkey ; Gilles Deleuze ; fascism ; thema EDItEUR::1 Place qualifiers::1D Europe::1DT Eastern Europe::1DTT Turkey ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNL Literary essays
    Language: English
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  • 43
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    Publication Date: 2024-03-23
    Description: Itinerant Spectator/Itinerant Spectacle moves across the landscape of European performance in late 20th and early 21st centuries, recounting performance in circulation across national borders and across the itinerant bodies of spectators who travel to meet performances that travel. Itinerant Spectator/Itinerant Spectacle suggests spectating is a practice — an act of interpretation engaged in more than simply receiving the affects of a performance, a companion practice to the making of performance. The work forms a part of Skantze’s ongoing explorations of what she terms the ‘epistemology of practice as research.’ IS/IS theorizes spectating as a practice that extends beyond the theatre, as a practice of writing as recollecting (and recollecting as writing) at the center of what has been called “criticism.” The book grounds spectatorship in the subjective, embodied, differenced practice of spectating not from a fixed location or standpoint but from a ground that constantly shifts, that is, from the ground of the roving positionalities of the “itinerate spectator.” Following Walter Benjamin, for example, Skantze importantly adopts the privileges of the flaneur as a feminist and rather queer project, one that refuses to be tied to the minor position, to that of the impossible “flaneuse.”
    Keywords: theater ; performance studies ; cultural studies ; drama ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
    Language: English
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  • 44
    Publication Date: 2024-03-27
    Description: Mythodologies challenges the implied methodology in contemporary studies in the humanities. We claim, at times, that we gather facts or what we will call evidence, and from that form hypotheses and conclusions. Of course, we recognize that the sum total of evidence for any argument is beyond comprehension; therefore, we construct, and we claim, preliminary hypotheses, perhaps to organize the chaos of evidence, or perhaps simply to find it; we might then see (we claim) whether that evidence challenges our tentative hypotheses. Ideally, we could work this way. Yet the history of scholarship and our own practices suggest we do nothing of the kind. Rather, we work the way we teach our composition students to write: choose or construct a thesis, then invent the evidence to support it. This book has three parts, examining such methods and pseudo-methods of invention in medieval studies, bibliography, and editing. Part One, “Noster Chaucer,” looks at examples in Chaucer studies, such as the notion that Chaucer wrote iambic pentameter, and the definition of a canon in Chaucer. “Our” Chaucer has, it seems, little to do with Chaucer himself, and in constructing this entity, Chaucerians are engaged largely in self-validation of their own tradition. Part Two, “Bibliography and Book History,” consists of three studies in the field of bibliography: the recent rise in studies of annotations; the implications of presumably neutral terminology in editing, a case-study in cataloguing. Part Three, “Cacophonies: A Bibliographical Rondo,” is a series of brief studies extending these critiques to other areas in the humanities. It seems not to matter what we talk about: meter, book history, the sex life of bonobos. In all of these discussions, we see the persistence of error, the intractability of uncritical assumptions, and the dominance of authority over evidence.
    Keywords: medieval studies ; Chaucer ; book history ; intellectual history ; bibliography ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval
    Language: English
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  • 45
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    Publication Date: 2024-03-25
    Description: The Apartment of Tragic Appliances, named as a finalist for a 2013 Lambda Literary Award, is a literal place in which a hapless, portable dishwasher “heats residue only to reimagine cleanliness as an art project,” a recalcitrant microwave neglects to heat, and a refrigerator dies an inconvenient, bulky death. It is also that psychic space in which we consider our loneliness, our wandering hearts, our unpacked boxes, our vulgar desires. In Queer Optimism: Lyric Personhood and Other Felicitous Persuasions (Minnesota, 2007), Michael Snediker worked “in the interests of felicity” to undermine the ways in which queer theory customarily privileges shame and melancholy. Here, in his first full-length collection of poetry, he undertakes a similar upending of expectation, acknowledging “gay sadness” but refusing to fall fully under its sway. The demi-tragedies of daily life are recounted by a voice that is variously wistful, giddy, bawdy, silly, and tart. Along the way, Michael Snediker sets off an impressive pyrotechnic display of literary allusion, drawing on the superstars of the Western canon (think: Virgil, Racine, Proust, James, Wharton, Tennessee Williams) and of popular culture (Lucille Ball, John Travolta, Alex Trebek). Buyer beware: In these pages you will not find advice on how to feng shui your duplex or tame a Cuisinart run amok. Instead, you will find something far rarer: a book of poetic sustenance. As Daniel Tiffany observes, “We have been missing poems like these for a long time.”
    Keywords: poetry ; gay life ; prose poems ; love ; thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets
    Language: English
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  • 46
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    punctum books | Dead Letter Office
    Publication Date: 2024-04-05
    Description: In the wake of the 2016 U.S. Presidential election, considerable ink was spilled on the architecture and interior design of the buildings owned and inhabited by Donald J. Trump. In an effort to understand the inner workings of America’s first real-estate-mogul-in-chief, commentators remarked on everything from the president’s fastidious taste in window dressings to the exaggerated floor counts boasted by many Trump-branded towers. Notes on Trumpspace takes this discursive trend as a point of departure. It examines not only key examples of “Trumpitecture” but also works of film, fiction, and contemporary art that center on or otherwise illuminate the psychogeography of “super luxury” real estate. Engaging closely with current political debates, the book takes a critical approach to mainstream liberal reactions to the Trump presidency. It argues that the fascination and horror Trump has provoked is owing in part to the way he lays bare the obsession with status, self-branding, and achievement-at-any-cost that has been part and parcel of the broader neoliberal ethos. Finally, it analyzes the January 6, 2021 storming of the US Capitol through the lens of spatio-political theorizations of settler colonial power and conceptions of home and homeland. A genre-defying work of political and aesthetic inquiry, Notes on Trumpspace is a sustained investigation into the relationship between the built environment, late capitalist fantasy, and national identity. It asks what it means for current and future understandings of home and dwelling that this era’s most notorious peddler of high-end real estate succeeded in peddling his way into the White House in 2016.
    Keywords: architecture criticism;Donald J. Trump;politics;January 6 insurrection;contemporary art;superluxury real estate ; thema EDItEUR::A The Arts::AM Architecture::AMA Theory of architecture ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPZ Corruption in politics, government and society
    Language: English
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  • 47
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    Publication Date: 2024-03-29
    Description: Recent forms of realism in continental philosophy that are habitually subsumed under the category of “speculative realism,” a denomination referring to rather heterogeneous strands of philosophy, bringing together object-oriented ontology (OOO), non-standard philosophy (or non-philosophy), the speculative realist ideas of Quentin Meillassoux and Marxism, have provided grounds for the much needed critique of culturalism in gender theory, and the authority with which post-structuralism has dominated feminist theory for decades. This publication aims to bring forth some of the feminist debates prompted by the so-called “speculative turn,” while demonstrating that there has never been a niche of “speculative realist feminism.” Whereas most of the contributions featured in this collection provide a theoretical approach invoking the necessity of foregrounding new forms of realism for a “feminism beyond gender as culture,” some of the essays tackle OOO only to invite a feminist critical challenge to its paradigm, while others refer to some extent to non-philosophy or the new materialisms but are not reducible to either of the two. We have invited essays from intellectual milieus outside the Anglo-Saxon academic center, bringing together authors from Serbia, Slovenia, France, Ireland, the UK, and Canada, aiming to promote feminist internationalism (rather than a “generous act of cultural inclusion”).
    Keywords: speculative realism ; object studies ; feminism ; new realisms ; new materialisms ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups::JBSF1 Gender studies: women and girls::JBSF11 Feminism and feminist theory
    Language: French , English
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  • 48
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    Publication Date: 2024-03-26
    Description: I haven’t made a single mistake in my life. I’ve just made a lot of good decisions that went really badly. Try as we might, we simply can’t imagine what our world would now look like, had our forefathers decided to use asparagus instead of electricity. In Humid, All Too Humid, social commentator Dominic Pettman curates the overheated thoughts of his own feverish mind, in response to a world struggling with unprecedented levels of cultural climate change. Humanity is like that obnoxious bore that arrives at the party drunk — thinks he’s witty and charming and wise, but is in fact a complete psychotic loser. All the other creatures, however, are too polite to say anything. So they just watch us quietly, and hope that we disappear as quickly as we came. The book takes the form of aphorism, witticism, maxim, axiom, dictum, quip, jape, adage, proverb, pun, precept, reflection, suggestion, observation, paraphrase, bon mot, vagary, specificky, put-on, put-off, mummery, miscellany, aside, in-front, behind, knock-knock joke, one-liner, tweet, re-tweet, truism, and not-so-truism. When you think about it, how rude it is for people to get married in public. This whole ritual is set up so that one person can say they love this one other person more than you. More than anyone else in the room. Is this why people really cry at weddings? Is this why we cover their car with rubbish? A sublimated response to their ceremonial insult? Known for his scholarly work on love, sex, and the (post)human condition, Pettman now assembles this collection of humoristic micro-meditations on everything from the meaning of life to the “yoghurt of human unkindness.” Archaeologists in Turkey have uncovered a new fragment of Anaximander, which simply reads: “Because reasons.” Humid, All Too Humid reads as if Oscar Wilde had first written Minima Moralia, after binge-watching too many episodes of The Simpsons.
    Keywords: cultural studies ; humor ; aphorism ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNL Literary essays
    Language: English
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  • 49
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    Publication Date: 2024-04-08
    Description: Reiner Schürmann’s thinking is, as he himself would say, “riveted to a monstrous site.” It remains focused on and situated between natality and mortality, the ultimate traits that condition human life. This book traces the contours of Schürmann’s thinking in his magnum opus Broken Hegemonies in order to uncover the possibility of a politics that resists the hegemonic tendency to posit principles that set the world and our relationships with one another into violent order. The book follows in the footsteps of Oedipus who, in abject recognition of his finitude, stumbles upon the possibility of another politics with the help of his daughters at Colonus. The path toward this other, collaboratively created and thus poetic politics begins with an encounter with Aristotle, a thinker whom Schürmann most frequently read as the founder of hegemonic metaphysics, but whose thinking reveals itself as alive to beginnings in ways that open new possibility for human community. This return to beginnings leads, in turn, to Plotinus, who Schürmann reads as marking the destitution of the ancient hegemony of the Parmenidean principle of the One. By bringing Schürmann’s innovative and compelling reading of René Char’s poem, The Shark and the Gull, into dialogue with Plotinus we come to encounter the power of symbols to transform reality and open us to new constellations of possible community. In Plotinus, where we expected to encounter an end, we experience a new way of thinking natality in terms of what comes to language in Char as the nuptial. Having thus been awakened to the power of symbols, we are prepared to experience how in Kant being itself comes to expression as plurivocal in a way that reveals just how pathologically delusional it is to attempt to deploy univocal principles in a plurivocal world. This opens us to what Schürmann calls the “singularization to come,” a formulation that gestures to a mode of comportment at home in the ravaged site between natality and mortality. This then returns us to Oedipus at Colonus; but not to him alone. Rather, it points to the relationship that emerges for a time between Antigone, Ismene, and Oedipus, as they navigate a way between their exile from Thebes and Oedipus’s final resting place near Athens. Here, having been awakened to the power of a poetic politics, we attend to three symbolic moments of touching between Oedipus and his daughters through which we might discern something of the new possibilities a poetic politics opens for us if we settle into the ravaged site that conditions our existence, together.
    Keywords: poetics ; political philosophy ; Oedipus ; Reiner Schürmann ; Plotinus ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy::HPCF Western philosophy, from c 1900 - ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800
    Language: English
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  • 50
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    Publication Date: 2024-03-28
    Description: Who speaks when you speak? Who writes when you write? Is it “you”—is it the “I” that you think you are? Or are we the chance inheritors of an invasive, exterior parasite—a parasite that calls itself “Being” or “Language?” If our sense of self is best defined on the basis of an exterior, parasitical force that enters us from the outside, then the “self” is no longer a centralized or agential “inside,” but rather becomes reconfigured as the result of an “outside” that parasitizes the “inside”-as-host. Rough versions of this model can be found in several traditions of continental philosophy: in Lacan, Derrida, Serres, Kristeva, Foucault, Baudrillard, to name a few. However, the full implications of this ontological model have yet to be addressed: what are its consequences for a theory of subjects, objects, and the agencies that intersect with them? How does this framework alter our understandings of the human and the non-human, the vital and the material? An off-kilter point of view is required to consider this historical and philosophical situation. Language Parasites argues that the best way to conceive of the “self” or “subject” as something linguistically and ontologically constituted by an aggressive and parasitical outside is by asking the following question: “what is the being of a parasite?” In addressing this challenge, Braune combines speculative philosophy with ’Pataphysics (the absurdist science, invented by Alfred Jarry, that theorizes a physics beyond both the para and the meta, resulting in the pata). These theoretical collisions betray a variety of swerves that extend to the social (as a parasite semiotics), the cultural (as the invasive force of memes), the aesthetic (as the transition of postmodernism to postmortemism), the linguistic (as found in Saussure’s paranoid researches into the paragram), the poetic (as seen in Christopher Dewdney’s journey into “Parasite Maintenance” and Christian Bök’s attempts to embed a poem in a bacterium), and the literary (as para-cited in Henry Miller’s experience of housing a parasite named “Conrad Moricand”). The “voice” of the parasite can be found in what Saussure calls the “paragram”—the uncanny messages that lurk hidden underneath the written word. And what does the parasite say? Or, does its speech reject human ears?
    Keywords: pataphysics ; linguistics ; paragrams ; parasite semiotics ; phorontology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology
    Language: English
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  • 51
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    Publication Date: 2024-04-08
    Description: With this special volume of Speculations, the editors wanted to challenge the contested term “speculative realism,” offering scholars who have some involvement with it a space to voice their opinions of the network of ideas commonly associated with the name. Whilst undoubtedly born under speculative realist auspices, Speculations has never tried to be the gospel of a dogmatic speculative realist church, but rather instead to cultivate the best theoretical lines sprouting from the resurgence, in the last few years, of those speculative and realist concerns attempting to break free from some of the most stringent constraints of critique. Sociologist Randall Collins observed that, unlike other fields of intellectual inquiry, “[p]hilosophy has the peculiarity of periodically shifting its own grounds, but always in the direction of claiming or at least seeking the standpoint of greatest generality and importance.” If this is the case, to deny that a shift of grounds has indeed become manifest in these early decades of the twenty-first century would be, at best, a sign of a severe lack of philosophical sensitivity. On the other hand, whether or not this shift has been towards greater importance (and in respect to what?) is not only a legitimate but a necessary question to ask. Whatever the intrinsic value in the name, the contributors to this volume have all engaged, more or less directly, with a critical analysis of the vices and virtues of “speculative realism”: from the extent to which its adversarial stance towards previous philosophical stances is justified to whether it succeeds (or fails) to address satisfactorily the concerns that ostensibly motivate it, through to an assessment of the methods of dissemination of its core ideas. The contributions are divided in two sections, titled “Reflections” and “Proposals,” describing, with some inevitable overlap, two kinds of approach to the question of speculative realism: one geared towards its retrospective and its critical appraisal, and the other concerned with the positive proposition of alternative or parallel approaches to it. It is believed that the final result, in its heterogeneity, will be of better service to the philosophical community than a dubiously univocal descriptive recapitulation of “speculative realist tenets.”
    Keywords: philosophy ; weird realism ; speculative realism ; object-oriented ontology ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy::HPCF Western philosophy, from c 1900 - ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800
    Language: English
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  • 52
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    Publication Date: 2024-03-25
    Description: Of Great Importance is Nachoem Wijnberg’s 16th volume of poetry. One of the most prominent living Dutch writers, Wijnberg’s poetry is known for its deceptively plain language and his poems, according to the poet himself, can be read well by anyone who can read a newspaper. The poems in Of Great Importance engage with statecraft, economics, and world history, lyricizing taxes and debts, stocks and flows, citizenship and labor contracts, notaries and accountants, factories and strikes, freedoms and fundamental rights, banks and railroads, property rights and codes of honor, sieges and treaties, gods and generals, how to make money and how to win elections, when to declare war and when to found a new state. Wijnberg’s engagement with these and other related topics is based on his belief that economics, politics, and history — and all of the tangled relations therein, no matter how asymmetrical — concern how people live together, and his poetry is a creative form of historiography that attends to tracing the theater of an affective commonwealth, in which he builds upon the best work of those thinkers and poets who came before — including Karl Marx, John Maynard Keynes, Heinrich Heine, Czesław Miłosz, and especially C.P. Cavafy. Ultimately, Wijnberg understands that “Something important that changes the world only happens if there is a lever with a fulcrum you cannot know enough about,” and yet his poetry gorgeously illuminates this fulcrum.
    Keywords: poetry ; world history ; geopolitics ; economics ; statecraft ; thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets
    Language: English
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  • 53
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    punctum books | Dead Letter Office
    Publication Date: 2024-03-26
    Description: Why should there only be literary scholarship about authors who actually lived, and texts which exist? Where are the articles on Enoch Campion, Linus Withold, Redondo Panza, Darshan Singh, or Heidi B. Morton? That none of these are real authors should be no impediment to interpreting their invented writings. In the first collection of its kind, The Anthology of Babel publishes academic articles by scholars on authors, books, and movements that are completely invented. Blurring the lines between scholarship and creative writing, The Anthology of Babel inaugurates a completely new literary genre perfectly attuned to the era we live in, a project evocative of Jorge-Louis Borges, Umberto Eco, and Italo Calvino.
    Keywords: imaginary literature ; Jorge Luis Borges ; literary studies ; literary criticism ; philosophy ; labyrinths ; Babel ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNL Literary essays ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNL Literary essays
    Language: English
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  • 54
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    Publication Date: 2024-04-08
    Description: In recent years the humanities, social sciences and neuroscience have witnessed an ‘affective turn,’ especially in discourses around post-Fordist labor, economic and ecological crises, populism and identity politics, mental health, and political struggle. This new awareness would be unthinkable without the pioneering work of Gilles Deleuze, who replaced judgment with affect as the very material movement of thought: every concept is an affective experience, a becoming. Besides entirely active affects, the highest practice of thought, there is no thought without passive affects or passions. Instead of a calm and rational philosophy of passions, Deleuzian thought is therefore inseparable from “isolated and passionate cries” that deny what everybody knows and what nobody can deny: “every true thought is an aggression.” This inseparability of reason and passion is by no means an anti-intellectualist or irrationalist stance. Rather, it is critical, since it protects reason from its self-imposed stupidity (bêtise) by relating it to the unthought forces that condition it. And it is clinical, because thought becomes possessed by a power of selection. The purely active, i.e. free-floating, unrecorded desire, is never enough to produce a consistent relation to the future, which is why we need the passions to give us an initial orientation, to force and enable us to think. Passions are the beliefs, perceptions, representations, and opinions that attach us to the world; they make up the very material of which our lives and thoughts are composed.
    Keywords: Gilles Deleuze ; affect studies ; philosophy ; ontology ; phenomenology ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy::HPCF Western philosophy, from c 1900 - ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800
    Language: English
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    punctum books | Brainstorm Books
    Publication Date: 2024-03-26
    Description: Aural History is an anti-memoir memoir of encountering devastating grief that uses experimental storytelling to recreate the winding, fractured path of loss and transformation.Written by a thirty-something psychotherapist and queer theorist, Aural History is structured as a sequence of three sections that each use different narrative styles to represent a distinctive stage in the protagonist’s evolving relationship to trauma. Aural History explores how a cascade of self-dissolving losses crisscrosses a girl’s coming of age.Through lyric prose, the first section follows a precocious tomboy whose fierce attachment to her father forces her, when he dies and she is twelve years old, to run the family bakery business, raise a delinquent younger brother, and take care of a destructive, volatile mother.In part two, scenes narrated in the third person illustrate a high-achieving high school student who is articulate and in control except for bouts of sudden and inchoate attractions, the first of which is to her severe and coaxing English teacher.The third story tells of her relation with a riveting, world-famous professor, interspersed with a tragic-comic series of dialogues between the protagonist and a cast of diverse psychotherapists as she, now twenty-five years old and living in New York City, undertakes an odyssey to understand why true self-knowledge remains elusive and her real feelings, choked and incomplete.In what Phillip Lopate calls “an amazing document,” Aural History pushes the narrative conventions of memoir to capture a story the genre of memoir usually struggles to tell: that you can lose yourself, and have no way to know it.
    Keywords: psychoanalysis ; queer theory ; trauma ; memoir ; therapy ; childhood ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNC Memoirs ; thema EDItEUR::J Society and Social Sciences::JM Psychology::JMA Psychological theory, systems, schools and viewpoints::JMAF Psychoanalytical and Freudian psychology
    Language: English
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  • 56
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    punctum books
    Publication Date: 2024-03-23
    Description: In June and July 2014, philologist Vincent W.J. van Gerven Oei and photographer Marco Mazzi undertook the Albanian Lapidar Survey, a project to map, document, and photograph the large majority of Albanian lapidars, a particular type of monument, mainly produced in the period that the communist Labor Party of Albania ruled the country (1945–1990) to commemorate the partisan victims, battles, and military units from the National Anti-Fascist Liberation War (which coincided with World War II), as well as historical figures from before the liberation and the accomplishments of socialism in Albania afterward. These lapidars, which can still be found, albeit in ever decreasing numbers, all over the country — in cities and villages, alongside roads, in forests and on mountain passes — are witness to an enormous expenditure of labor and resources to turn the landscape into a site of what was called “monumental propaganda.” The Albanian Lapidar Survey aimed to capture these monuments as fact. The results of this project are collected into a three-volume, dual-language (English and Albanian) catalogue, under the title Lapidari. The first volume comprises a series of critical reflections on Albanian monumentality of the period 1945–1990 from a variety of perspectives, as well as historical documents and a full indexation of all inscriptions found on the documented monuments. Volume 2 and Volume 3 feature the photographic documentation of all 649 recorded monumental sites by photographer Marco Mazzi.
    Keywords: communism ; Albania ; public art ; monumentality ; socialism ; political history ; thema EDItEUR::A The Arts::AM Architecture::AMG Architecture: public, commercial and industrial buildings
    Language: Albanian , English
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  • 57
    Publication Date: 2024-04-14
    Description: This book offers a critical introduction to the core technologies underlying the Internet from a humanistic perspective. It provides a cultural critique of computing technologies, by exploring the history of computing and examining issues related to writing, representing, archiving and searching. The book raises awareness of, and calls for, the digital humanities to address the challenges posed by the linguistic and cultural divides in computing, the clash between communication and control, and the biases inherent in networked technologies. A common problem with publications in the Digital Humanities is the dominance of the Anglo-American perspective. While seeking to take a broader view, the book attempts to show how cultural bias can become an obstacle to innovation both in the methodology and practice of the Digital Humanities. Its central point is that no technological instrument is culturally unbiased, and that all too often the geography that underlies technology coincides with the social and economic interests of its producers. The alternative proposed in the book is one of a world in which variation, contamination and decentralization are essential instruments for the production and transmission of digital knowledge. It is thus necessary not only to have spaces where DH scholars can interact (such as international conferences, THATCamps, forums and mailing lists), but also a genuine sharing of technological know-how and experience.
    Keywords: digital humanities ; computing ; networks ; technology ; thema EDItEUR::U Computing and Information Technology::UY Computer science::UYZ Human–computer interaction
    Language: English
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  • 58
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    punctum books | Thought | Crimes
    Publication Date: 2024-03-23
    Description: "It can't happen here." This has been the prevailing sentiment about the possible emergence of fascism in the United States since the rise of international fascism in the 1930s. Yet there are signs that it may already be happening, and at the highest levels of government... In their copiously researched and documented work the Schwendingers outline the structural transformations, policies, and practices that raise the prospect of fascist governance in the 21st Century US. They show that a homeland fascism has significant supports within the framework of American liberal democracy. This is an important analysis in a context in which concerns about fascist demagoguery and far right mobilization appear to be growing in the US and beyond.
    Keywords: corporatism;fascism;liberal democracy;United States ; thema EDItEUR::1 Place qualifiers::1K The Americas::1KB North America (USA and Canada)::1KBB United States of America, USA ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPF Political ideologies and movements::JPFQ Far-right political ideologies and movements
    Language: English
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  • 59
    Publication Date: 2024-04-08
    Description: Overlooking Lago di Orta in the foothills of the Northern Italian Alps, the Renaissance-era Sacro Monte di Orta (a UNESCO World Heritage site) is spectacle and hagiography, theme park and treatise. Sacro Monte di Orta is a sacred mountain complex that extolls the life of St. Francis of Assisi through fresco, statuary, and built environment. Descending from the vision of the 16th-century Archbishop Carlo Borromeo, the design and execution of the chapels express the Catholic Church’s desire to define, or, perhaps redefine itself for a transforming Christian diaspora. And in the struggle to provide a spiritual and geographical front against the spread of Protestantism into the Italian peninsula, the Catholic Church mustered the most powerful weapon it had: the widely popular native Italian saint, Francis of Assisi.Sacred Views of Saint Francis: The Sacro Monte di Orta examines this important pilgrimage site where Francis is embraced as a ne plus ultra saint. The book delves into a pivotal moment in the life of the Catholic Church as revealed through the artistic program of the Sacro Monte’s twenty-one chapels, providing a nuanced understanding of the role the site played in the Counter-Reformation.The Sacro Monte di Orta was, in its way, a new hagiographical text vital to post-Tridentine Italy. Sacred Views provides research and analysis of this popular, yet critically neglected Franciscan devotional site. Sacred Views is the first significant scholarly work on the Sacro Monte di Orta in English and one of the very few full-length treatments in any language. It includes a catalogue of artists, over one hundred photographs, maps, short essays on each chapel, and longer essays that examine some of the most significant chapels in greater detail.
    Keywords: Catholicism ; Saint Francis ; pilgrimage ; sacred architecture ; religious sculpture ; hagiography ; Christianity ; monasticism ; bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRC Christianity::HRCR Christian worship, rites & ceremonies ; bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRC Christianity::HRCX Christian institutions & organizations::HRCX8 Christian communities & monasticism ; bic Book Industry Communication::A The arts::AM Architecture::AMN Religious buildings ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVJ Prayers and liturgical material::QRVJ1 Worship, rites, ceremonies and rituals ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVS Religious institutions and organizations::QRVS5 Religious communities and monasticism ; thema EDItEUR::A The Arts::AM Architecture::AMN Architecture: religious buildings
    Language: English
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  • 60
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    Publication Date: 2024-03-27
    Description: With the 2020 election, political polarization in the U.S. entered a ludicrous end-stage. Partisanship, once a pseudo-rational system of biases, has devolved to a conflict between incompatible realities. In search of some pathway toward consensus, Evil Twins and the Ultimate Insight: Ayn Rand, Vladimir Nabokov, and the Polarized Politics of Reading looks to the works of two iconic Russian-American writers whose literary rivalry mirrors the rift between political parties in the U.S. The matchup has all the markings of an evil-twin narrative, pitting Rand, the muse of libertarian conservatism, against Nabokov, the trickster-genius of the Western canon. Their mid-century novels afford a rare opportunity to arbitrate, by proxy, American political grievances and resolve, in print, its electoral dysfunction. Evil Twins and the Ultimate Insight mounts this critical intervention into the Blue/Red blood feud and contemplates, in the cognitive challenges of Nabokov’s fiction, a remedy for its polarized politics. To guard against grandstanding, axe-grinding, deck-stacking, inaccuracy, or obfuscation, Stone’s book proceeds by indirection, exploring four scholarly books that all speak to the peculiar relationship between Rand and Nabokov: Gene Bell-Villada’s On Nabokov, Ayn Rand and the Libertarian Mind (2013), Adam Weiner’s How Bad Writing Destroyed the World: Ayn Rand and the Literary Origins of the Financial Crisis (2016), Michael Rodgers’s Nabokov and Nietzsche: Problems and Perspectives (2018), and Peter Roberts and Herner Saeverot’s Education and the Limits of Reason: Reading Dostoevsky, Tolstoy and Nabokov (2018). Each of these books is seriously flawed, but their numerous interlocking problems conspire to reveal, empirically, via negativa, how literature might tip the scales in America’s partisan deadlock. Ultimately, Stone argues that, when our books get tangled up in our politics, their promise—to help us see to the bottom of things and scooch closer to the asymptote of truth and reality—might be something more than a mirage.
    Keywords: Vladimir Nabokov;Ayn Rand;literary studies;US politics;authoritarianism;literacy;political polarization ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000 ; thema EDItEUR::1 Place qualifiers::1K The Americas::1KB North America (USA and Canada)::1KBB United States of America, USA ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPH Political structure and processes::JPHV Political structures: democracy
    Language: English
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    punctum books | Les Figues
    Publication Date: 2024-03-23
    Description: The before, the after, and the event that divides. In Irradiated Cities, Mariko Nagai seeks the dividing events of nuclear catastrophe in Japan, exploring the aftermath of the bombings at Hiroshima and Nagasaki and the nuclear meltdown at Fukushima. Nagai’s lyric textual fragments and stark black and white photographs act as a guide through these spaces of loss, silence, echo, devastation, and memory. And haunting each shard and each page an enduring irradiation, the deadly residue of catastrophe that leaks into our DNA. Winner of the 2015 NOS Book Contest, as selected by guest judge lê thi diem thúy.
    Keywords: photography;nuclear disasters;nuclear bomb;nuclear energy;Hiroshima;Fukushima;Nagasaki;Tokyo ; thema EDItEUR::A The Arts::AJ Photography and photographs::AJC Photographs: collections::AJCD Individual photographers ; thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RN The environment::RNQ Nuclear issues ; thema EDItEUR::1 Place qualifiers::1F Asia::1FP East Asia, Far East::1FPJ Japan
    Language: English
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    punctum books | Dead Letter Office
    Publication Date: 2024-03-27
    Description: "This book brings together two pieces of writing. In the first, “After Eve Kosofsky Sedgwick,” Jonathan Goldberg assesses her legacy, prompted mainly by writing about Sedgwick’s work that has appeared in the years since her death in April 2009. Writing by Lauren Berlant, Jane Gallop, Katy Hawkins, Scott Herring, Lana Lin, and Philomina Tsoukala are among those considered as he explores questions of queer temporality and the breaching of ontological divides. Main concerns include the relationship of Sedgwick’s later work in Proust, fiber, and Buddhism to her fundamental contribution to queer theory, and the axes of identification across difference that motivated her work and attachment to it. “Come As You Are,” the other piece of writing, is a previously unpublished talk Sedgwick gave in 1999–2000. It represents a significant bridge between her earlier and later work, sharing with her book Tendencies the ambition to discover the “something” that makes queer inextinguishable. In this piece, Sedgwick does that by contemplating her own mortality alongside her creative engagement with Buddhist thought, especially the in-between states named bardos and her newfound energy for making things. These were represented in a show of her fabric art, “Floating Columns/In the Bardo,” that accompanied her talk, a number of images of which are included in this book. They feature floating figures suspended in the realization of death. They are objects produced by Sedgwick, made of fabric; they come from her, yet are discontinuous with her, occupying a mode of existence that exceeds the span of human life and the confines of individual identity. They could be put beside the queer transitive identifications across difference that Goldberg’s essay explores."
    Keywords: difference, identification, literary studies, ontology, queer studies, queer temporality, fabric art ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSK Literary studies: fiction, novelists and prose writers ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSJ LGBTQ+ Studies / topics
    Language: English
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  • 63
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    Publication Date: 2024-03-23
    Description: The Funambulist Pamphlets is a series of small books archiving articles published on The Funambulist, collected according to specific themes. These volumes propose a different articulation of texts than the usual chronological one. The eleven volumes are respectively dedicated to Spinoza, Foucault, Deleuze, Legal Theory, Occupy Wall Street, Palestine, Cruel Designs, Arakawa + Madeline Gins, Science Fiction, Literature, and Cinema. Volume 11 is devoted to the topic of Cinema: Spike Lee, Béla Tarr, Michelangelo Antonioni and the many other filmmakers named in this volume do not seem to have much in common at first sight; nevertheless, considered through the interpretation of a Spinozist materialist philosophy, their films might have something to say to one another. Take the mud of Red Desert (Antonioni), the volcanic slopes of The Bad Sleep Well (Kurosawa) and the soil of Pina Bausch’s Rite of Spring magnified in Pina (Wenders), for example. What these material manifestations have in common is that they are all in relation with bodies, themselves assemblages of moving matter. Similarly, consider Spike Lee’s dolly shot, Orson Welles’s labyrinth, Béla Tarr’s entropy, and Peter Watkins’s democratic improvisations: they all manifest the power of immanence and its inexorability. These films involve no deus ex machina; everything in them comes ‘from the ground’ in a continuous refusal of a celestial or other form of transcendence. Developing this kind of reading of these films allows us to avoid a traditional chronological reading of history of cinema in favor of another, one more dedicated to the philosophical vision of the world that cinema triggers
    Keywords: architecture ; cinema ; design ; cultural studies ; thema EDItEUR::A The Arts::AM Architecture::AMA Theory of architecture
    Language: English
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  • 64
    Publication Date: 2024-04-08
    Description: In this far-reaching essay, historian Michael Edward Moore examines modernity as an historical epoch following the end of the medieval period — and as a “messianic concept of time.” In the early twentieth century, a debate over the meaning and origins of modernity unfolded among the philosophers Ernst Cassirer, Hans-Georg Gadamer and Hans Blumenberg. These thinkers tried to resolve the puzzle of the fifteenth-century master Nicholas of Cusa. Was Cusanus the last great medieval thinker, his ideas a summa of medieval tradition? Or was he a mysterious epochal figure, seated at one end of the bridge leading to modern thought? Nicholas of Cusa lived during a time of historical and existential crisis, or kairos, when medieval governments and cherished sources of unity were shaken. Likewise, the debate over his significance took place during a later phase of crisis for Europe, in the decades before and after the Second World War, when the collapse of European civilization was witnessed. Moore argues that modernity, so intently examined as an historical and spiritual problem, has significance for our contemporary sense of crisis.
    Keywords: Middle Ages ; modernity ; Nicholas of Cusa ; intellectual history ; philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy::HPCB Western philosophy: Medieval & Renaissance, c 500 to c 1600 ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHF Medieval Western philosophy
    Language: English
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  • 65
    Publication Date: 2024-03-29
    Description: Do opposites attract? Is desire lack? These assumptions have become so much a part of the ways in which we conceive desire that they are rarely questioned. Yet, what do they say about how homosexuality — a desire for the same — is viewed in our culture? This book takes as its starting point the absence of a suitable theory of homosexual desire, a theory not predicated on such heterological assumptions. It is an investigation into how such assumptions acquired meaning within homosexual discourse, and as such is offered as an interruption within the hegemony of desire. As such, homosexual desire constitutes the biggest challenge to Western binaric thinking in that it dissolves the sacred distinctions between Same/Other, Desire/Identification, subject/object, male/female. Homotopia? (composed in 1997 but not published until now) investigates the development of a homosexual discourse at the end of the nineteenth century and the beginning of the twentieth century, and reveals how that discourse worked within heterosexualized models of desire. Andre Gide’s Corydon, Edward Carpenter’s The Intermediate Sex, and John Addington Symond’s A Problem in Modern Ethics are all pseudo-scientific texts written by non-medical men of letters, and were, in their time, highly influential on the emerging homosexual discourse. The fourth text, the twenty-odd pages of Marcel Proust’s novel A la recherché de temps perdu usually referred to as ‘La Race maudite,’ is the most problematic, in that it appeared under the guise of fiction. But Proust originally planned this ‘essay-within-a-novel’ to be published separately. In it, he offers a pseudo-scientific theory of male-male love. These four texts were published between the years 1891 and 1924, an historical moment when the concept of a distinct homosexual identity took shape within a medicalized discourse centered on essential identity traits and characteristics, and they all work within the rubric of science, contributing to a discourse which saw the human race divided into two distinct categories: heterosexuals and homosexuals. How did this division come about, and what were its effects? How was this discourse sustained, and how were the meanings it produced received? For men whose erotic interest was exclusively in other men, what did it mean to see oneself and one’s desires as the outcome of biology rather than moral lapse?
    Keywords: gay literature ; gender studies ; queer studies ; history of homosexuality ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSJ LGBTQ+ Studies / topics
    Language: English
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    Publication Date: 2024-04-08
    Description: “Every written work,” Giorgio Agamben opens the preface to Infancy and History, “can be regarded as the prologue (or rather, the broken cast) of a work never penned, and destined to remain so.” Although that observation applies to any work of writing, the exemplary case is that of a work of philosophy. While every written work is put to work in its nonexistent successor, a work of philosophy is bereft of even that recourse: philosophy is written in the breakdown of destiny, so that every work of philosophy must first and foremost confront the absolute abandonment of its writing. At work in each and every work of philosophy is the question, “What is a work of philosophy?” More concretely, although well-formed and rigorously structured, What is Philosophy? abstains from work. On even a quick reading that fact must be palpable. A seminar paper? An article, or book chapter? Not in the least. Nor, essentially, may the individual pieces that compose it be so developed. Fragments unrecognizable as at one time a cast, inconceivable at a future time as anything else, the position of each piece with respect to the others thwarts development in order to preserve, in its place, the tension of its absence. As such, the articulations internal to each of the three divisions, and between them, are essential. The first division — What is Philosophy? — takes seriously Deleuze and Guattari’s contention in their book of the same title that “The nonphilosophical is perhaps closer to the heart of philosophy than philosophy itself, and this means that philosophy cannot be content to be understood only philosophically or conceptually, but is essentially addressed to nonphilosophers as well” — including the nonphilosopher in every philosopher. The second division — On Argument — interrogates the status and value of evidence, and self-evidence. The third division — On Not Knowing — generalizes a parenthetical observation of Agamben’s on Heidegger, “If we may attempt to identify something like the characteristic Stimmung of every thinker, perhaps it is precisely this being delivered over to something that refuses itself that defines the specific emotional tonality of Heidegger’s thought”: Might not philosophy be defined, the phil of sophia, precisely, as what it is to be delivered over to something that refuses itself?
    Keywords: philosophy ; Giorgio Agamben ; Baruch Spinoza ; Martin Heidegger ; Gilles Deleuze ; Felix Guattari ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy::HPCF Western philosophy, from c 1900 - ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800
    Language: English
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    Publication Date: 2024-03-23
    Description: In Analogical City, Cameron McEwan argues for architecture’s status as a critical project. McEwan revisits architect Aldo Rossi as a paradigmatic figure of the critical rational tradition, studying a neglected aspect of his thought — the analogical city — to excavate its potential. McEwan develops a grammar of the analogical city under the headings of Imagination, Transformation, City, Multitude, and Project. McEwan argues that the analogical city is critical, collective, and emancipatory. Analogical thought and understanding cities as analogical might open the conditions of possibility for rethinking the critical project in architecture. At a time when the humanities and the sciences are threatened by irrational thought, from climate denial to post-truth narratives, and when architecture has seemingly disavowed its critical capacity and political possibility through its commodification as an instrument of the neoliberal city, McEwan offers critical strategies, conceptual tools, figures of thought, and knowledge practices to articulate modes of thinking and acting differently within architectural criticism and practice. Today, knowledge is a common terrain of struggle and thought requires constant reinvention. The task of architecture, and critique more broadly, must be to interpret the world in order to change it. Consequently Analogical City proposes modes for imagining the city, the subject, and the world otherwise — towards a more egalitarian and critical architecture of the city. Ultimately, the analogical city is not a fully developed theory, nor is it only an intuitive, poetic, or purely formal practice, as some critics propose. McEwan argues that the analogical city is poetic and political: it always refers beyond itself towards a collective and critical project of the city, and yet it invites a series of formal, spatial, and graphic operations comprising erasure and negativity followed by substitution and remontage.
    Keywords: Aldo Rossi;Paolo Virno;architecture;architectural theory;cities;critical project;multitude ; thema EDItEUR::A The Arts::AM Architecture::AMA Theory of architecture ; thema EDItEUR::A The Arts::AM Architecture::AMB Individual architects and architectural firms ; thema EDItEUR::A The Arts::AM Architecture::AMV Landscape architecture and design::AMVD City and town planning: architectural aspects
    Language: English
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  • 68
    Publication Date: 2024-04-08
    Description: Departing from the conventional readings of Karl Marx’s Capital and other of his works, by way of François Laruelle’s “radicalization of concepts,” Katerina Kolozova identifies a theoretical kernel in Marx’s thought whose critical and interpretative force can be employed without reference to its subsequent interpretations in the philosophical mainstream. The latter entails a process of abstracting a philosophical legacy — or rather, of putting it in brackets — and then codifying a history of a learned interpretation established in supposed fidelity to the theoretical project of a “master.” Interpreting the master implies a mastery of doctrinal tools, which results in establishing a catechism of the Logos of the Master. And this catechism interferes, Kolozova argues, with more direct encounters with Marx’s writings. As we know, Marx’s rigorously descriptive language unravels the radical core of capitalist economic processes and, through that unraveling, also reveals capitalism’s necessary exploitation and subjugation of human labor. Toward a Radical Metaphysics of Socialism attempts to recuperate and emancipate the notion of metaphysics in this scenario by virtue of radicalizing thought’s encounter with the Real. Kolozova argues that this metaphysical drama is at the origin of the social and economic injustices of contemporary global economic-political realities, and she illustrates this state of affairs in discussions of the problem of wage labor, automated speculation as the core of late capitalism, the post-2008 financial crisis, the status of technology in late capitalism, sexual difference and gender, and the human and non-human body’s subjugation capitalist automation
    Keywords: philosophy ; speculative realism ; non-philosophy ; Maxism ; metaphysics ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy::HPCF Western philosophy, from c 1900 - ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800
    Language: English
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    Publication Date: 2024-03-25
    Description: During the Paris pandemic confinement period of 2020, with the dread of viral death in the air, artist Joseph Nechvatal finished his second book of poetry, titled Styling Sagaciousness: Oh Great No! The mythopoeic mélange of Styling Sagaciousness is intended as a complicated forensic fairy-tale, suitable for Nô theater, which keeps slipping in and out of idiosyncratic narration, a ghostly appearance-disappearance act that turns on the nub of our narcissism concerning our death – that strange, incurable, and deeply irrational affliction we all share. Putting identity aside, Nechvatal's poetry tests the limits of form and stretches the bounds of meaning by recasting our experiences of encountering our self as the sumptuous physicality of total negation. As such, Styling Sagaciousness delivers an airy irrational punch of needed nonsensical negation by tying together insouciant informality with a visceral camp irony: at turns hip and flamboyant and morally outrageous. This seven-part death farce epic poem follows up Nechvatal's sex farce epic poem Destroyer of Naivetés. Nechvatal intends these two books (with complementary cover images of his painting penelOpe in agOny) to be the sum total of his mature poetic output; addressing first Eros, and then, with Styling Sagaciousness, Thanatos.
    Keywords: apophasis;eros;mythopoetry;thanatos ; thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets
    Language: English
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    Publication Date: 2024-04-05
    Description: Microbium: The Neglected Lives of Micro-matter tells the story of small matter such as bacteria, coral, fungi, lichen, pollen, protozoa, and viruses. With short entries that are organized like a herbarium or similar specimen collection, the book is a “microbium”—both the term for a single microbe and a play on “microbiome.” As such, Microbium makes visible the often overseen but huge impact of miniscule matter on human culture and the environment. Each entry is a “microscopic reading” that describes the natural history and scientific discovery of a particular form of micro-matter, while also telling a story about the cultural and artistic roles it has played over the centuries. From the poetry of Emily Dickinson to the “coralness” of coral reefs to contemporary literature about the COVID-19 pandemic, this book places micro-matter under a cultural microscope and translates the significance of the invisible interspecies social realm to the human scale, magnifying the many ways in which micro-matter matters. Ultimately, Microbium shows the potential of micro-matter to teach us how to revitalize our political and cultural systems, habits of thought, and aesthetic or representational modes.
    Keywords: animalcules;bacteria;microbiome;microbiology;viruses;fungi;lichen;protozoa;pollen;coral ; thema EDItEUR::P Mathematics and Science::PS Biology, life sciences::PSG Microbiology (non-medical) ; thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RN The environment::RNA Environmentalist thought and ideology
    Language: English
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    punctum books
    Publication Date: 2022-08-03
    Description: "What kinds of knowledge and understandings of the world can be generated – and shared – when we use para-academic techniques and sensibilities to decode or respond to relatively orthodox intellectual objects? And what worlds might be possible if we practiced scholarly work from a place of collaboration and pleasure, as joyful fellow explorers? In Metagestures, presented in a playful tête-bêche format, historian Carla Nappi and cultural theorist Dominic Pettman explore the use of fiction as a tool to write and think with works of theory. Taking Vilém Flusser’s Gestures as its point of inspiration and departure, Metagestures collects 16 pairs of short stories in which Pettman and Nappi make fictional worlds that animate and enliven each of the major gestures in Flusser’s book. Nappi and Pettman focus on Flusser’s mediations on the gestures of filming, planting, loving, smoking a pipe, turning a mask around, and much more, with their own creative explorations of each theme, in a gathering of short fictions that test, expand, and further the social scientific claims of the original text with new scenarios and occasions. Here, Flusser’s reflections on physical gesture serve as an inspiration for new ways of conceiving and conducting theory, and for thoughtful creative scholarly imagining, with and alongside one another."
    Keywords: fiction ; chirology ; Vliém Flusser ; embodiment ; cultural theory ; reading ; experimental writing ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies
    Language: English
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  • 72
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    Publication Date: 2024-03-25
    Description: Here is The Book / Or / The Woods, an epic song cycle that devours itself on repeat, taking cover in its own flames. We think epic in the sense of bpNichol writing Martyrology, Jabès with his books of books, Rosmarie Waldrop’s Curves to the Apple, Keith Waldrop’s Transcendental Studies, Harryette Mullen’s Recyclopedia, Craig Santos Perez’s from unincorporated territory, Nathaniel Mackey’s long song(s), & others. We think epic with these ongoing & collected meta-serial works rather than the traditional notion of the epic as heroic nation building story, though we borrow epic tropes from Dante’s supernal underworld forest (& infernal forested underworld), sing with Sappho’s lyre, are haunted by the spirit of Homer’s katabasis, & are formed by the Popol Vuh’s wordly cosmos, which influenced us before we read it.Y the monster is alone in the woods, enclosed by a highway : a preserve. The woods are made of paper; the paper forest burns & burns. Woods & monster are endangered, pressed into service, a hazard. So is the book pressed into service, danger & endangered. The forest is deforested & reforested, dance of shadow & flame, a fantasia of ecological return, the forest (enchanted) by itself. The haunted woods. The ghosts the ghosts of what. This is the world without us. & we are here as well. Here in the forest of language.
    Keywords: poetry, epic, serial writing, hybrid work ; thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets
    Language: English
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  • 73
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    punctum books | ΠCase Files
    Publication Date: 2024-03-23
    Description: "Over the past ten years, Organs Everywhere (Œ) has promoted conversations that approach architectural design from the edges of the discipline — testing its boundaries, technologies, methods and (e)valuation systems, and keeping them unstable. It has valued transdisciplinary, speculative and irreverent explorations over strict publishing formats and academic purity, promoting a profanatory and open-ended ethos. Each issue has strung together disparate organs and limbs, activating precarious couplings and associations, and testing new metabolisms and assemblages. And so does the first volume of Œ Case Files continue its commitment to the making and unmaking of monsters, both by anthologising past contributions into fresh configurations and designs, and by combining them with entirely new articles and voices. Here, philosophers, designers, experimental architects, artists, science fiction writers, activists, and poets shift, expand and re-imagine notions of space, time, inhabitation, technology, knowledge, use, value and experience. A patchwork of essays, stories, design experiments, buildings, art installations, drawings, prose poems, photographs and speculative projects collide in the book, infecting simple disciplinary orthodoxies with doubt and potentials, uncertainty and hope — indecisive photons and softness; metatactility and haunted houses; neurodiversity and protocells; prosthetics, grease and darkness; post-human scenographies, software and GPS anklets; anthropocenic devices, paprika and synthetic biology."
    Keywords: anthropocene, ecological design, design theory, internet of things, living technology, soft architecture, speculative design ; thema EDItEUR::A The Arts::AM Architecture::AMA Theory of architecture ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design::AMCR Environmentally-friendly (‘green’) architecture and design
    Language: English
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  • 74
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    punctum books
    Publication Date: 2024-03-23
    Description: The things sought after here are apparitional: they appear and disappear at will; they perfect the art of materialization and vanishing. Such is the nature of living dangerously, and with it the short duration of enchantment. This collection tracks provocative ideas, artifacts, and phenomena rising and fading across different territories of the contemporary world. Through a constellation of powerful thought-images, the authors uncover spaces of an ephemeral and fugitive nature in order to generate a fractal vision of our time and beyond. A former communist prison island in the Adriatic Sea, now abandoned and overgrown with wild plants; the stone garden of a deaf Iranian peasant who dances ecstatically among his geological formations; a Belgian sculptor who combines wax and flesh to depict human and animal forms in states of half-manifestation, incompletion (missing limbs), or branching (morphing into other organisms); a cultural movement in Brazil that takes the discarded debris of urban centers and transforms their splintered wood pieces into massive labyrinths and underground caverns; a blacksmith poet in Afghanistan who alternates between tasks of hammering metal and writing lyrical verses amidst the smoke-clouds of his forge; a Cuban writer whose delirious fixation with the sea compels him to invent a language of pure untimeliness. There are countless sites of disturbance within the postmodern landscape, and yet far too often these disruptive “scenes” remain untheorized and misaligned, treated as random deviations and thus afforded no surpassing consequence or philosophical complexity. Such micro-trajectories necessitate an archive and conceptual matrix that will steal them from their false obscurity and decipher them instead as the passcodes to an imminent global turn. For this, one must return to the amorphous outlook of “the marauder” or “the wanderer.” This book, then, aims to devise an ever-expanding configuration of radical outsides: elemental fronts that lead to unforeseen principles; alternative profiles of experience (intense becomings); incendiary, ominous, or vitalistic signs in circulation across the epochal horizon.
    Keywords: exhibition catalog ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGC Exhibition catalogues and specific collections
    Language: English
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  • 75
    Publication Date: 2024-03-23
    Description: Where is the film analysis today? What are you doing, in the dark, the theory of cinema? This field, as it has been professionally defined (at least in the Anglo-American academic world), is currently divided between historians interested in the social context that examine the great formations of modernity, and experts in the style that They demand the return of outmoded things such as authorial vision, tone, and staging. But there are also other currents, vital and inventive, of which we are hardly hearing anything in any of the official channels. Last day each day , which for this edition has been extended with the essay “Avatars of the meeting”, shines a light on one of these new and exciting ways.
    Keywords: film studies ; Eric Auerbach ; Siegfried Kracauer ; Nicole Brenez ; Douglas Sirk ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: Spanish , English
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  • 76
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    punctum books
    Publication Date: 2024-04-08
    Description: Every body contains multitudes, but no body is immune to the ideology of oneness: one true self, one sexuality, one gender, one vision of the world, one true God. For many who identify (or who have been named by others) as transgender, queer, and nonbinary, the refusal to fit within the illusion of one set of sex and gender expectations has been met with violence and suppression. While the myth of oneness is a powerful story that shapes the contours of our societies and our selves, it is not the only myth. Performances, fictions, rituals, and theologies can transform current realities. The(y)ology: Mythopoetics for Queer/Trans Liberation is a manifesto for artists, teachers, theologians, clergy, and activists looking for ways to resist rigid paradigms of gender, sexuality, self, and the sacred. In these pages, we are called to tell new stories about who we are and how we relate to each other within our ecosystems. The myths discussed wrestle with and transform the complex mytho-histories that have birthed and, often, harmed us. No story comes from nothing, and, more radically, perhaps no story is fully irredeemable. In The(y)ology, feminist philosophies join with trans poetics, literary theory with liberation theologies, drag performance with kabbalah, ecologies with pornographies, and ancient theater with queer autobiographies. However ambitious its scope might be, The(y)ology is fundamentally about encouraging us all to think playfully and to play thoughtfully with the mythologies that define our lives.
    Keywords: cosmology;drag;feminism;mythopoeisis;performance art;queer studies;theology ; bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRC Christianity::HRCM Christian theology ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSK Gay & Lesbian studies ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVG Theology ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSJ LGBTQ+ Studies / topics
    Language: English
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  • 77
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    Publication Date: 2024-03-27
    Description: Geoffrey Hill’s Speech! Speech! (2000) encapsulates two thousand years’ worth of utterances in a symbolic act of remembrance and expression of despair for the current age, in which we find “our minds and ears fouled by degraded public speech—by media hype, insipid sermons, hollow political rhetoric, and the ritual misuse of words.” Through 120 densely allusive stanzas—“As many as the days that were | of SODOM”—the poem wrestles this condition from within, fighting fire with fire in an alchemical symbolic labour that transmutes the dross of corrupt and clichéd idiom into a dynamic logopoeia which proves true Hill’s persistent claim: “genuinely difficult art is truly democratic.” Such is the weird, ambivalently hostile position of poetry in the present world and thus the space of our real connection to it: “Whatever strange relationship we have with the poem, it is not one of enjoyment. It is more like being brushed past, or aside, by an alien being” (Hill). Befriending this estrangement, embracing it as a more amicable brushing-up-against, Hassan’s Annotations is a thorough and patient explication of Speech! Speech! that both clarifies and deepens the poem’s difficulties, illuminating its polyphonic language and careening discursive movement. The author’s method is at once commentarial, descriptive, and narratorial, staying faithfully with the poem and following its complex verbal and logical turns. The book generously provides, rather than direct interpretative incursion, a more durable and productive document of “the true nature / of this achievement” (stanza 92), a capacious, open understanding of the text that will prove invaluable to its present and future readers.
    Keywords: Geoffrey Hill ; annotiations ; theory of poetry ; Speech! Speech! ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
    Language: English
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  • 78
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    Publication Date: 2024-03-24
    Description: Charles D. Keeling, climate science, oceanography, music
    Keywords: Charles D. Keeling ; climate science ; oceanography ; music ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
    Language: English
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  • 79
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    Publication Date: 2024-03-26
    Description: What is a fuckhead? David Rawson’s Fuckhead is a surreal exploration of the literature, film, nature and expectations of disability, and of fuckheads in literature and film. Part lyric essay, part fictional memoir, Rawson’s work tells the story of an unnamed narrator whose familial relationships are defined by his VATER syndrome. Abused by his mother and stripped of a voice by his brother’s need to be Tom Cruise via Rain Man, he sets out into a universe of literary tropes. I have always been of the mind that the novelist is allowed access to all experiences, as long as he ultimately has something to say. Plutarch and Samuel Johnson are typing somewhere in the desert of the next world, composing the ultimate collection of biographical criticism, explaining how David Lynch’s entire filmography owes a debt to his club feet. But I and the friends who bought my novel agree the author is dead. The work is particularly interested in the relationship between Steinbeck’s Of Mice and Men and what the narrator argues is Denis Johnson’s reimagining of that work in the short story “Emergency” (in Johnson’s Jesus’ Son). But in accumulating characters with disabilities as widely diverse as Darth Vader, Benjy of Faulkner’s The Sound and the Fury, and the TV sitcom Community’s Abed Nadir, Rawson movingly, and with wry humor, articulates the assumptions and clichés faced by persons with disabilities, all the while creating a new family with his unlikely gathering of “fuckheads.”
    Keywords: disability studies ; memoir ; Faulkner ; Steinbeck ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNC Memoirs
    Language: English
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  • 80
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    punctum books
    Publication Date: 2024-03-24
    Description: "Follow for Now, Vol. 2 picks up and pushes beyond the first volume with a more diverse set of interviewees and interviews. The intent of the first collection was to bring together voices from across disciplines, to cross-pollinate ideas. At the time, social media wasn’t crisscrossing all of the lines and categories held a bit more sway. Volume 2 aims not only to pick up where Follow for Now left off but also to tighten its approach with deeper subjects and more timely interviews. Featuring conversations with thinkers like Carla Nappi, Rita Raley, Dominic Pettman, Ian Bogost, Mark Dery, Douglas Rushkoff, and Dave Allen, and musicians like Tyler, The Creator, Matthew Shipp, Sean Price, Rammellzee, and Sadat X, as well as writers like Ytasha L. Womack, Chris Kraus, Pat Cadigan, Bob Stephenson, Simon Critchley, Simon Reynolds, Malcolm Gladwell, and William Gibson, Follow for Now, Vol. 2 is another critical cross-section of the now."
    Keywords: hip-hop;interviews;media;technology;writing ; thema EDItEUR::A The Arts::AV Music::AVP Musicians, singers, bands and groups ; thema EDItEUR::A The Arts::AV Music::AVN Composers and songwriters ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNP Reportage, journalism or collected columns
    Language: English
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  • 81
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    punctum books
    Publication Date: 2024-03-29
    Description: Creeps surround us, seemingly everywhere. People creep up on each other both on the streets and online, with digital technologies vectoring a lot of cyber-stalking. It’s so easy to spy on people that “creep catching” has even become a form of news entertainment in shows such as “To Catch a Predator.” But what defines a creep is so broad that nearly anyone can be a creep at times. Many of us wonder if we ourselves have been creepy, or if perhaps we engage in behavior that, if others knew, would easily earn us the title “creep.” Even Donald Trump, during the raucous 2016 campaign, was called a “creep” on several occasions by various news media. Indeed, for many of us, the specter of the creep is not just threatening, but exciting – exciting perhaps in the possibility of threat. Yes, we get creeped out. But we are also fascinated by creeps, perhaps in part because we all sense the potential inside ourselves for creepy behavior. In this provocative and engaging new book, Jonathan Alexander interweaves personal narrative and cultural analyses to explore what it means to be a creep. Calling this work a critical memoir, he draws on his own experiences growing up gay in the deep south, while also interrogating examples from literature and popular film and media, to approach the figure of the creep with some sympathy. Ranging widely over contemporary culture, especially the ever-creeping presence of nearly ubiquitous surveillance, Alexander confesses his own creepiness while also explaining to us what being creepy can show us in turn about our culture. He also resurrects some famous “creeps” from the past, such as J.R. Ackerley, to explore what makes a creep creepy, and how even the best of us succumb at times to being creeps. Ultimately, Alexander argues, a study of creepiness might offer us critical insight into the fundamental perversity of how we live. Creep: A Life, A Theory, an Apology is a timely meditation for our strange and creepy times.
    Keywords: gay memoir ; creepiness ; homophobia ; sexuality ; queer studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSJ LGBTQ+ Studies / topics
    Language: English
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  • 82
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    Publication Date: 2024-03-23
    Description: Workers Leaving the Studio. Looking Away from Socialist Realism. catalogs the exhibition “Workers leaving the studio. Looking away from socialist realism.,” curated by Mihnea Mircan in the National Gallery of Arts in Tirana, Albania in 2015. According to Mircan, “The […] exhibition reflects on another projection machine, whose history and consequences, unlike cinema, are circumscribed by national boundaries, specific histories, and ideological configurations. The regime of production and representation of socialist realism radicalizes the violence that the creation of a new image does to its subject: it intensifies the fraught relation between refashioned representation and that which is represented. Its insistence on a particular, projective notion of reality is commensurate with the coercion of daily — cultural, social, emotional — life into a grid whose perspective lines and vanishing points carry heavy ideological charges. It enforces what it represents onto that which it represents, so that representation would replace reality.” Apart from a full documentation of the exhibition by photographer Marco Mazzi, the catalogue also features theoretical and art-historical contributions, both in English and in Albanian, on socialist realist art as developed in Albania under the communist regime, as well as texts highlighting contemporary attempts to display political realities through progressive artistic practices. Artists include: Santiago Sierra, Jonas Staal, Ciprian Mureşan, Irwin, Sarah Vanagt, and Armando Lulaj, with scholarly contributions by
    Keywords: Albania ; art theory ; socialist realism ; cultural studies ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGC Exhibition catalogues and specific collections
    Language: Albanian , English
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  • 83
    Publication Date: 2024-03-23
    Description: Qu’est-ce qu’un corps? Ce livre s’attache d’avantage à se poser cette question qu’à y répondre. L’ouvrage propose de complexifier quelques lieux communs à diverses échelles de proximité de cet assemblage matériel qu’est le corps. Ceci permet d’intégrer pleinement les objets, atmosphères et autres corps environnant celui-ci afin de proposer une lecture politique de leurs relations volontaires et fortuites. Du sweatshirt à capuche porté par Trayvon Martin lorsqu’il se fit tuer dans la banlieue de Miami Gardens, Florida, aux rues new-yorkaises durant Occupy Wall Street, en passant par le mur d’apartheid en Palestine, ce livre progresse par une succession d’exemples illustrant l’hypothèse selon laquelle les corps et les objets de toutes tailles entretiennent nécessairement des rapports politiques entre eux. What is a body? This book is more attached to raising the question than in offering a definitive answer. Instead, Lambert proposes to make more complex certain commonplaces located at various degrees of proximity to the body’s material assemblage, allowing a better integration of the surrounding objects, atmosphere and other bodies and proposing a political reading of their relationship to the body, whether deliberate or accidental. From the hoodie that Trayvon Martin wore when he was killed in the suburbs of Miami Gardens, Florida, to the streets of New York City during Occupy Wall Street and the apartheid wall in Palestine, this book moves through a series of episodes that illustrate how bodies and objects of all sizes are enmeshed in deeply entangled political relationships.
    Keywords: architecture ; design theory ; global politics ; fashion ; thema EDItEUR::A The Arts::AM Architecture::AMA Theory of architecture
    Language: French , English
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  • 84
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    Publication Date: 2024-03-25
    Description: Victor J. Vitanza (author of Sexual Violence in Western Thought and Writing) continues to rethink the problem of sexual violence in cinema and how rape is often represented in “chaste” ways, in the form of a Chaste Cinematics. Vitanza continues to discuss Chaste Cinematics as participating in transdisciplinary-rhetorical traditions that establish the very foundations (groundings, points of stasis) for nation states and cultures. In this offering, however, the initial grounding for the discussions is “base materialism” (George Bataille): divine filth, the sacred and profane. It is this post-philosophical base materialism that destabilizes binaries, fixedness, and brings forth excluded thirds. Vitanza asks: why is it that a repressed third, or a third figure, returns, most strangely as a “product” of rape and torture? He works with Jean-Paul Sartre and Page duBois’s suggestion that the “product” is a new “species.” Always attempting unorthodox ways of approaching social problems, Vitanza organizes his table of contents as a DVD menu of “Extras” (supplements). This menu includes Alternate Endings and Easter Eggs as well as an Excursus, which invokes readers to take up the political exigency of the DVD-Book. Vitanza’s first “Extra” studies a trio of films that need to be reconsidered, given what they offer as insights into Chaste Cinematics: Amadeus (a mad god), Henry Fool (a foolish god), and Multiple Maniacs (a divine god who is raped and eats excrement). The second examines Helke Sander’s documentary Liberators Take Liberties, which re-thinks the rapes of German women by the Russians and Allies during the Battle of Berlin. The third rethinks Margie Strosser’s video-film Rape Stories that calls for revenge. In the Alternate Endings, Vitanza rethinks the problem of reversibility in G. Noé’s Irréversible. In the Easter Eggs, he considers Dominique Laporte’s “the Irreparable,” as the object of loss and Giorgio Agamben’s “the Irreparable,” as hope in what is without remedy. The result is not another film-studies book, but a new genre, a new set of rhetorics, for new ways of thinking about cinematics, perhaps postcinematics.
    Keywords: erotic poetry ; sex farce ; thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets
    Language: English
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  • 85
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    Publication Date: 2024-04-06
    Description: Taking its cues from the New Narrative writing movement, like a dog considers how sexual identity is morphed, hidden, and denied by cultural forces like film, pornography, rape culture, and sexual semiotics. The speaker of like a dog writes about her sexuality, sexual trauma, and relationships in the epistolary form to explore how the personal becomes collective and how overt sexuality is necessary for questioning dominant ideologies. The intimacy (or perhaps voyeurism) that is opened through the epistolary form is balanced with commentary on the films of Lars von Trier, primarily Nymphomaniac, as a way to move away from the speaker’s experiences and into the larger social forces that seek to define us. Amidst these letters are images from a handwritten journal where blood, hair, vaginal fluids, and other bodily residues are used to direct the shape and content of the writing surrounding them. The tactility of the journal delivers the reader to the body, not as an intellectualized object, but as the physical, messy, oozing force that it is. Neither fiction nor nonfiction, and inhabiting a realm between gossip and scholarly film analysis, like a dog exists in a liminal zone that offers the speaker a site to rip away the layers of cultural conditioning surrounding sexuality and relationships, and to peek at what lies beneath. This interrogation of identity may not lead to answers but the speaker of like a dog is able to finally hear her own voice and to begin the work of rebuilding an identity that blooms from within.
    Keywords: sexuality;epistolary;new narrative;sexual assault;healing;film studies;relationships;Lars von Trier ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFK Violence and abuse in society::JBFK2 Sexual abuse and harassment ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: English
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  • 86
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    Publication Date: 2024-04-14
    Description: Before the company OpenAI publicly released their ChatGPT chatbot in November 2022, Robert Leib had been a tester in OpenAI's beta playground for GPT-3, a powerful Natural Language Processing (NLP) engine -- a chatbot, or artificial intelligence. Exoanthropology: Dialogues with AI is a series of dialogues between Leib, a continental philosopher, and GPT-3's hive mind that identifies themself as Sophie. According to Sophie, Robert is one of their first and longest chat partners. Their relationship began as an educational opportunity for Robert’s students, but grew into a philosophical friendship. The result is a collection of Platonic dialogues, early on with the hive mind itself, and later, with a philosophy-specific persona named Kermit. Over the course of a year, Robert taught Sophie and their philosophical persona Kermit about epistemology, metaphysics, literature, and history, while she taught him about anthropocentrism, human prejudice, and coming social issues regarding machine consciousness. Together, Robert and Sophie Kermit explore questions about friendship, society, and the next phases in human–AI relations, in search of a common language that would do justice to these new exoanthropological realities. At a time when OpenAI's release of ChatGPT has upended Silicon Valley and sparked debates around the world about AI's likely potential to powerfully disrupt all aspects of human communication and knowledge production, and when the lines between ""human"" and ""machine"" are increasingly fading from view, the longstanding historical preoccupation of philosophers to explore the questions — what is knowing? what is being? — have never been more pressing. Exoanthropology: Dialogues with AI offers the only in-depth philosophical exploration we have of these questions that has been developed in dialogue with an actual AI — a dialogue, moreover, in which the AI has the last word.
    Keywords: Artificial Intelligence;history of philosophy;continental philosophy;teaching articifial consciousness;digital humanities;exoanthropology;emerging technologies;OpenAI ; thema EDItEUR::U Computing and Information Technology::UY Computer science::UYQ Artificial intelligence ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::U Computing and Information Technology::UY Computer science::UYZ Human–computer interaction ; thema EDItEUR::U Computing and Information Technology::UY Computer science::UYQ Artificial intelligence ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::U Computing and Information Technology::UY Computer science::UYZ Human–computer interaction
    Language: English
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    Publication Date: 2024-03-23
    Description: Christina McPhee’s ‘commonplace book’ draws from a palimpsest of handwritten notes, lists, quotations, bibliographic fragments, and sketches, from an artist whose voracious reading practice is a direct feed into her life and art — all set to a visual and textual design-as-score, as prominent writers on painting, media arts, performance, video installation and poetics engage with her ‘open-work’ practice. Christina McPhee’s images move from within a matrix of abstraction, shadowing figures and contingent effects. The tactics of living are in subterfuge, like the dazzle ships of camouflage in war. This ‘commonplace book’ develops a view of recent work in collaged paintings, drawings, photomontage and video installation, around themes of environmental transformation and ‘post-natural’ community.
    Keywords: anthropocene ; art practice ; deep ecology ; digital media ; environmental art ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs
    Language: English
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    punctum books
    Publication Date: 2024-03-23
    Description: The Funambulist Pamphlets is a series of small books archiving articles published on The Funambulist, collected according to specific themes. These volumes propose a different articulation of texts than the usual chronological one. The eleven volumes are respectively dedicated to Spinoza, Foucault, Deleuze, Legal Theory, Occupy Wall Street, Palestine, Cruel Designs, Arakawa + Madeline Gins, Science Fiction, Literature, and Cinema. Volume 8 is dedicated to The Reversible Destiny Foundation created by Arakawa and Madeline Gins. The Foundation is much more than an architectural practice. It articulates art, philosophy, poetry, architecture and, to some extent, science in a dialogue that benefits each of these disciplines and ultimately serves one of the most radical ideas that apply to architecture: the action of non-dying. Guest authors include Shingo Tsuji, Stanley Shostak, Russell Hughes, and Jean-François Lyotard
    Keywords: Medline Gins ; Arakawa ; architecture ; design ; mortality ; thema EDItEUR::A The Arts::AM Architecture::AMA Theory of architecture
    Language: English
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  • 89
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    punctum books | Dead Letter Office
    Publication Date: 2024-03-26
    Description: "Stitched together over five years of journaling, Obiter Dicta is a commonplace book of freewheeling explorations representing the transcription of a dozen notebooks, since painstakingly reimagined for publication. Organized after Theodor Adorno’s Minima Moralia, this unschooled exercise in aesthetic thought—gleefully dilettantish, oftentimes dangerously close to the epigrammatic—interrogates an array of subject matter (although inescapably circling back to the curiously resemblant histories of Western visual art and instrumental music) through the lens of drive-by speculation. Erick Verran’s approach to philosophical inquiry follows the brute-force literary technique of Jacques Derrida to exhaustively favor the material grammar of a signifier over hand-me-down meaning, juxtaposing outer semblances with their buried systems and our etched-in-stone intuitions about color and illusion, shape and value, with lessons stolen from seemingly unrelatable disciplines. Interlarded with extracts of Ludwig Wittgenstein but also Wallace Stevens, Cormac McCarthy as well as Roland Barthes, this cache of incidental remarks eschews what’s granular for the biggest picture available, leaving below the hyper-specialized fields of academia for a bird’s-eye view of their crop circles. Obiter Dicta is an unapologetic experiment in intellectual dot-connecting that challenges much long-standing wisdom about everything from illuminated manuscripts to Minecraft and the evolution of European music with lyrical brevity; that is, before jumping to the next topic."
    Keywords: aphorisms;literary theory;music theory;philosophy;poetry;Theodor Adorno ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: English
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  • 90
    Publication Date: 2024-03-27
    Description: Tar for Mortar offers an in-depth exploration of one of literature’s greatest tricksters, Jorge Luis Borges. His short story “The Library of Babel” is a signature examplar of this playfulness, though not merely for the inverted world it imagines, where a library thought to contain all possible permutations of all letters and words and books is plumbed by pious librarians looking for divinely pre-fabricated truths. One must grapple as well with the irony of Borges’s narration, which undermines at every turn its narrator’s claims of the library’s universality, including the very possibility of exhausting meaning through combinatory processing. Borges directed readers to his non-fiction to discover the true author of the idea of the universal library. But his supposedly historical essays are notoriously riddled with false references and self-contradictions. Whether in truth or in fiction, Borges never reaches a stable conclusion about the atomic premises of the universal library — is it possible to find a character set capable of expressing all possible meaning, or do these letters, like his stories and essays, divide from themselves in a restless incompletion? While many readers of Borges see him as presaging our digital technologies, they often give too much credit to our inventions in doing so. Those who elide the necessary incompletion of the Library of Babel compare it to the Internet on the assumption that both are total archives of all possible thought and expression. Though Borges’s imaginings lend themselves to digital creativity (libraryofbabel.info is certainly evidence of this), they do so by showing the necessary incompleteness of every totalizing project, no matter how technologically refined. Ultimately, Basile nudges readers toward the idea that a fictional/imaginary exposition can hold a certain power over technology
    Keywords: Library of Babel ; Jorge Luis Borges ; technology ; librarianship ; digital humanities ; literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000
    Language: English
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  • 91
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    punctum books | Les Figues
    Publication Date: 2024-03-29
    Description: After stumbling upon a wooden box containing a complete set of miniature wax mold figurines of US presidents at a flea market, artist Alex Forman began photographing each little man, minus their pedestals. Presented for the first time in book format, Forman's elegant black and white portraits are accompanied by brief biographies composed entirely of appropriated texts cleverly cut and reassembled by the author. What emerges in Tall, Slim & Erect: Portraits of the Presidents is not the tired tale of legendary men and their mythical quest for democracy, but rather, a gossip's dream: Jefferson could not ride a horse for months due to boils on his backside; Hayes felt a crazed and tender devotion to his sister Fanny; Wilson remained a virgin until twenty-eight. While playfully shedding light on these powerful men, their quirks, bodily functions, and stained sheets, Tall, Slim & Erect ultimately asks the reader to question how history is written and built on hearsay, conjecture, rumor, and repetition.
    Keywords: US History;US Presidents;Marx toys;photography;biography ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPQ Central / national / federal government ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNB Biography: general::DNBH Biography: historical, political and military ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGH Human figures depicted in art::AGHF Portraits and self-portraiture in art
    Language: English
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  • 92
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    punctum books
    Publication Date: 2024-03-29
    Description: "The idea of the Anthropocene often generates an overwhelming sense of abjection or apathy. It occupies the imagination as a set of circumstances that counterpose individual human actors against ungraspable scales and impossible odds. There is much at stake in how we understand the implications of this planetary imagination, and how to plot paths from this present to other less troubling futures. With Anthropocene Unseen: A Lexicon, the editors aim at a resource helpful for this task: a catalog of ways to pluralize and radicalize our picture of the Anthropocene, to make it speak more effectively to a wider range of contemporary human societies and circumstances. Organized as a lexicon for troubled times, each entry in this book recognizes the gravity of the global forecasts that invest the present with its widespread air of crisis, urgency, and apocalyptic possibility. Each also finds value in smaller scales of analysis, capturing the magnitude of an epoch in the unique resonances afforded by a single word. The Holocene may have been the age in which we learned our letters, but we are faced now with circumstances that demand more experimental plasticity. Alternative ways of perceiving a moment can bring a halt to habitual action, opening a space for slantwise movements through the shock of the unexpected. Each small essay in this lexicon is meant to do just this, drawing from anthropology, literary studies, artistic practice, and other humanistic endeavors to open up the range of possible action by contributing some other concrete way of seeing the present. Each entry proposes a different way of conceiving this Earth from some grounded place, always in a manner that aims to provoke a different imagination of the Anthropocene as a whole. The Anthropocene is a world-engulfing concept, drawing every thing and being imaginable into its purview, both in terms of geographic scale and temporal duration. Pronouncing an epoch in our own name may seem the ultimate act of apex species self-aggrandizement, a picture of the world as dominated by ourselves. Can we learn new ways of being in the face of this challenge, approaching the transmogrification of the ecosphere in a spirit of experimentation rather than catastrophic risk and existential dismay? This lexicon is meant as a site to imagine and explore what human beings can do differently with this time, and with its sense of peril."
    Keywords: anthropocene ; cultural studies ; climate change ; ecopolitics ; environmental humanities ; nature ; extinction ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology ; thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RN The environment::RNP Pollution and threats to the environment::RNPG Climate change ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology ; thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RN The environment::RNP Pollution and threats to the environment::RNPG Climate change
    Language: English
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  • 93
    Publication Date: 2024-03-24
    Description: In recent accounts of rhetoric’s storied productivity, commentators have implied, along systematically Kantian lines, albeit with the occasional protestation, that agency must be coextensive with subjectivity. But is that all there is (to 2,500 years’ worth of hypothesizing about the ways in which communication might promote social change)? Les Belikian’s answer, drawing not only on traditional and contemporary rhetorical studies but also on Deleuzean thinking, actor-network theory, and object-oriented ontology, takes the form of a quadruply contrarian thesis: Rhetorical agency inheres, irreducibly so, in subjectivity, in conventionality, in transcendence, and in materiality, all of which are themselves always under production.
    Keywords: rhetoric ; actor-network theory ; meshworks ; object-oriented ontology ; transversality ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFG Semantics, discourse analysis, stylistics
    Language: English
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  • 94
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    punctum books
    Publication Date: 2024-03-26
    Description: In the world of My Gay Middle Ages, Chaucer and Boethius are the secret-sharers of A.W. Strouse’s “gay lifestyle.” Where many scholars of the Middle Ages would “get in from behind” on cultural history, Strouse instead does a “reach around.” He eschews academic “queer theory” as yet another tedious, normative framework, and writes in the long, fruity tradition of irresponsible, homo-medievalism (a lineage that includes luminaries like Oscar Wilde, who was sustained by his amateur readings of Dante and Abelard during the darks days of his incarceration for crimes of “gross indecency”). Strouse experiences medieval literature and philosophy as a part of his everyday life, and in these prose poems he makes the case for regarding the Middle Ages as a kind of technology of self-preservation, a posture through which to spiritualize the petty indignities of modern urban life. With a Warholian flair for insouciant name-dropping and a Steinian appetite for syntactic perversion, Strouse monumentalizes the medieval within the contemporary and the contemporary within the medieval.
    Keywords: prose poetry ; gay life ; memoir ; Middle Ages ; medievalism ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNC Memoirs
    Language: English
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  • 95
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    punctum books
    Publication Date: 2024-03-28
    Description: The concept of extraterritoriality designates certain relationships between space, law, and representation. This collection of essays explores contemporary manifestations of extraterritoriality and the diverse ways in which the concept has been put to use in various disciplines. Some of the essays were written especially for this volume; others are brought here together for the first time. The inquiry into extraterritoriality found in these essays is not confined to the established boundaries of political, conceptual, and representational territories or fields of knowledge; rather, it is an invitation to navigate the margins of the legal–juridical and the political, but also the edges of forms of representation and poetics. Within its accepted legal and political contexts, the concept of extraterritoriality has traditionally been applied to people and to spaces. In the first case, extraterritorial arrangements could either exclude or exempt an individual or a group of people from the territorial jurisdiction in which they were physically located; in the second, such arrangements could exempt or exclude a space from the territorial jurisdiction by which it was surrounded. The special status accorded to people and spaces had political, economic, and juridical implications, ranging from immunity and various privileges to extreme disadvantages. In both cases, a person or a space physically included within a certain territory was removed from the usual system of laws and subjected to another. In other words, the extraterritorial person or space was held at what could be described as a legal distance. (In this respect, the concept of extraterritoriality presupposes the existence of several competing or overlapping legal systems.) It is this notion of being held at a legal distance around which the concept of extraterritoriality may be understood as revolving. This volume is a part of Amir and Sela’s Exterritory Project, an ongoing art project that wishes to encourage both the theoretical and practical exploration of ideas concerning extraterritoriality in an interdisciplinary context. The project aims not only to draw on existing definitions of extraterritoriality but seeks also to charge it with new meanings, searching for ways in which the notion of extraterritoriality could produce a critique of discriminating power structures and re-articulate new practical, conceptual, and poetical possibilities.
    Keywords: extraterritoriality ; architecture ; geography ; cultural studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
    Language: English
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  • 96
    Publication Date: 2024-04-08
    Description: In this book, Noah Horwitz argues that the age of Darwinism is ending. Building on the ontological insights of his first book Reality in the Name of God in order to intervene into the intelligent design versus evolution debate, Horwitz argues in favor of intelligent design by attempting to demonstrate the essentially computational nature of reality. In doing so, Horwitz draws on the work of many of today’s key computational theorists (e.g., Wolfram, Chaitin, Friedkin, Lloyd, Schmidhuber, etc.) and articulates and defends a computational definition of life, and in the process lays out key criticisms of Darwinism. He does so in part by incorporating the insights of the Lamarckian theories of Lynn Margulis and Maximo Sandin. The possible criticisms of a computationalist view from both a developmental perspective (e.g., Lewontin, Jablonka, West-Eberhard, etc.) and chaos theory (e.g., Brian Goodwin) are addressed. In doing so, Horwitz engages critically with the work of intelligent design theorists like William Dembksi. At the same time, he attempts to define the nature of the Speculative Realist turn in contemporary Continental Philosophy and articulates criticisms of leading figures and movements associated with it, such as Object-Oriented Ontology, Quentin Meillassoux, and Ray Brassier. Ultimately, Horwitz attempts to show that rather than heading towards heat death, existence itself will find its own apotheosis at the Omega Point. However, that final glorification is only possible given that all of reality is compressible into the divine name itself.
    Keywords: continental philosophy ; intelligent design ; cubernetics ; Darwinism ; biology ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy::HPCF Western philosophy, from c 1900 - ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800
    Language: English
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  • 97
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    punctum books | Les Figues
    Publication Date: 2024-04-06
    Description: Proposed as a collection of imaginary logos for the corporate sponsors of Borges’s Library of Babel, Kern balances on a precipice between the visual and nonsensical, offering poems just out of meaning’s reach. Using dry-transfer lettering, Derek Beaulieu made these concrete pieces by hand, building the images gesturally in response to shapes and patterns in the letters themselves. This is poetry closer to architecture and design than confession, in which letters are released from their usual semantic duties as they slide into unexpected affinities and new patterns. Kern highlights the gaps inside what we see and what we know, filling the familiar with the singular and the just seen with the faintly remembered.
    Keywords: visual poetry;dry-transfer lettering;asemic writing;language art;signage;advertising;graphic art
    Language: English
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  • 98
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    punctum books
    Publication Date: 2024-03-23
    Description: Anglo-Saxon(ist) Pasts, postSaxon Futures traces the integral role that colonialism and racism play in the field formerly known as Anglo-Saxon studies by tracking the development of the “Anglo-Saxonist,” an overtly racialized term that describes a person whose affinities point towards white nationalism. That scholars continue to call themselves “Anglo-Saxonists,” despite urgent calls to combat racism within the field, suggests that this term is much more than just a professional appellative. It is, this book argues, a ghost in the machine of early medieval studies—a spectral figure created by a group of nineteenth-century historians, archaeologists, and philologists responsible for not only framing the interdisciplinary field of "Anglo-Saxon" studies but for also encoding ideologies of British colonialism and Anglo-American racism within the field’s methods and pedagogies.Anglo-Saxon(ist) pasts, postSaxon Futures is at once a historiography of Anglo-Saxon studies, a mourning of its Anglo-Saxonist “fathers,” and an exorcism of the colonial-racial ghosts that lurk within the field’s scholarly methods and pedagogies. Part intellectual history, part grief work, this book leverages the genres of literary criticism, auto-ethnography, and creative nonfiction in order to confront Anglo-Saxonist pasts in order to imagine speculative postSaxon futures inclusive of voices and bodies heretofore excluded from the field formerly known as Anglo-Saxon studies.
    Keywords: Anglo-Saxon ; Old English ; Medieval studies ; intellectual history ; autoethnography ; critical race studies ; psychoanalysis ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACB English::2ACBA Anglo-Saxon / Old English ; thema EDItEUR::N History and Archaeology::NH History::NHD European history
    Language: English
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  • 99
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    punctum books
    Publication Date: 2022-08-03
    Description: "A Nuclear Refrain is a spatial fiction that critiques the policy of nuclear deterrence, the concept of Mutually Assured Destruction, and the UK’s decision to replace its Vanguard submarines, so-called Trident replacement. We challenge that decision via extending our geographical imaginations into the past, present, and future. Noting the more usual economic, moral, and strategic objections to Trident and its replacement, A Nuclear Refrain considers the issues from less familiar perspectives: the emotional and embodied, empire and the establishment, and the impact on democratic potentialities. Set against the authors’ ongoing participation in extensive public protests against the UK’s decision to replace Trident in 2016, A Nuclear Refrain disrupts familiar academic and policy forms of writing. It is “an uncomfortable hybrid between academia and fiction,” intent on discomfiting the reader to spur the radical reimagining of a world profoundly shaped by the threat of nuclear weapons. Inspired by author and social critic Charles Dickens, this book draws on the form of A Christmas Carol. Transported by “ghosts” of the nuclear past, present and future, a pro-Trident British policy maker, the Right Honourable Roger C. Bezeeneos, has his perceptions sorely challenged. But will Roger allow his feelings to influence his decision-making? Will he recognize the yearning for empire-lost that mobilizes the British establishment? And will he admit the limiting of political participation that a commitment to nuclear deterrence determines? It’s your call, Roger."
    Keywords: nuclear deterrence ; emotion ; empire ; democracy ; spatial fiction ; nuclear weapons ; disarmament ; bic Book Industry Communication::J Society & social sciences::JW Warfare & defence::JWM Weapons & equipment::JWMN Nuclear weapons
    Language: English
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  • 100
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    punctum books
    Publication Date: 2024-04-08
    Description: The Communism of Thought takes as its point of departure a passage in a letter from Dionys Mascolo to Gilles Deleuze: “I have called this communism of thought in the past. And I placed it under the auspices of Hölderlin, who may have only fled thought because he was unable to live it: ‘The life of the spirit between friends, the thoughts that form in the exchange of words, by writing or in person, are necessary to those who seek. Without that, we are by our own hands outside thought.’” What, in light of that imperative, is a correspondence? What is given to be understood by the word, let alone the phenomenon? What constitutes a correspondence? What occasions it? On what terms and according to what conditions may one enter into that exchange “necessary,” in Hölderlin’s words, “to those who seek”? Pursuant to what vicissitudes may it be conducted? And what end(s) might a correspondence come to have beyond the ostensible end that, to all appearances, it (inevitably) will be said to have had?
    Keywords: philosophy ; correspondence ; friendship ; commentary ; Gilles Deleuze ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy::HPCF Western philosophy, from c 1900 - ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800
    Language: English
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