ALBERT

All Library Books, journals and Electronic Records Telegrafenberg

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • ddc:600
  • thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
  • Italian  (9)
  • Japanese  (8)
  • Norwegian  (6)
Collection
Keywords
Language
  • 1
    Publication Date: 2024-05-12
    Description: Music plays an important role in many religions and in a variety of religious contexts. Music and Religion: Texts on Music in Religion and Religion in Music takes a look at the intersections between music and religion. We experience religion in music, and in religion we encounter musical expression. Although music and religion are unquestionably mutually pervasive, we can also come across gaps between them: Is it possible to move beyond a musical experience toward a religious one without having to hop over this gap? And is there any direct route from religion into music as an acoustic phenomenon? Without a religious interpretation of the music remaining? There is a wealth of research about music and religion, but little on how they meet. That is what this anthology seeks to remedy. Music and Religion will be relevant for anyone with an interest in encounters between these two phenomena. It will be especially relevant for students in performing, composing and scientific music education, as well as theology and religious studies. The anthology has been edited by Henrik Holm (associate professor in education at Oslo Metropolitan University and professor in philosophy at Rudolf Steiner University College) and Øivind Varkøy (professor in music education and music sciences at the Norwegian Academy of Music and professor II in music at Oslo Metropolitan University).
    Description: Musikk spiller en stor rolle i ulike religioner og ulike religiøse sammenhenger. Musikk og religion: Tekster om musikk i religion og religion i musikk setter søkelyset på møtepunkter mellom musikk og religion. Mennesker erfarer religion i musikken, og i religionen møter mennesket i musikalske uttrykk. Selv om musikk og religion utvilsomt gjennomtrenger hverandre, kan vi også støte på gap mellom dem: Er det mulig å overskride en musikalsk erfaring henimot det religiøse uten å måtte hoppe over dette gapet? Og finnes det en vei fra religionen direkte inn i musikken som klangfenomen? Forblir det ikke bare en religiøs fortolkning av musikk? Det finnes mye forskning på musikk og religion, men lite om hvordan de møtes. Denne antologien forsøker å gjøre noe med dette. Musikk og religion retter seg mot alle med interesse for møter mellom disse to livsfenomener. Den vil være særlig aktuell for studenter innenfor utøvende, skapende og vitenskapelige musikkutdanninger, teologi og religionsvitenskap. Boken er redigert av Henrik Holm (førsteamanuensis i pedagogikk, OsloMet, og professor i filosofi, Steinerhøyskolen), og Øivind Varkøy (professor i musikkpedagogikk og musikkvitenskap, Norges musikkhøgskole, og professor II i musikk, OsloMet).
    Keywords: music, aesthetic experiences of religious music, religious expressions of music in the presence and the past, theology, musikk, religion, estetiske erfaringer av religiøs musikk, religiøse musikkuttrykk i nåtid og fortid, teologi ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLK Sacred and religious music ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVK Spirituality and religious experience ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRJ Judaism ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVJ Prayers and liturgical material::QRVJ1 Worship, rites, ceremonies and rituals ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general::QRAB Philosophy of religion
    Language: English , Norwegian , Swedish
    Format: image/jpeg
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 2
    facet.materialart.
    Unknown
    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-03-24
    Description: This book is in commemoration of the composer, educator, conductor and social worker Magnar Åm’s 70th birthday. Right from the start of work as a composer, music as a form of recognition has been central, along with an impulse to disrupt boundaries between established forms and conventions. This has also been a guiding principle behind the contributions to this anthology, where the goal has not only been to honor one individual, but to be a source of new insight. Music and literature are about the creation and dissemination of meaning. In this sense, it is paradoxical to talk about silence as a hallmark of certain art forms. But anyone who reads or listens actively knows that there is more to be gained from art than what lies in the immediate and explicit expression. The voice (in a broad sense) finds its complimentary opposite in silence. The first part of the anthology provides a brief theoretical background for interdisciplinary research into music and literature. The contributions that follow do not view artworks simply as finished products, but as parts of a living practice in which the composer, author, music, text, performer and audience all meet. In the next part, we are drawn into the workshops of composers and musicians who reflect on the music of Magnar Åm, as well as their own in light of this. In the final part, we cross the border between art and other forms of experience, with eudaimonia as a unifying concept: How should one live a complete and meaningful life? This book has been written by researchers in a variety of fields such as literature, music, natural science and outdoor life, as well as practicing artists: composers, musicians and writers. Between research and art, through scientific articles and professional essays, a conversation arises that engenders recognition across fixed boundaries.
    Description: Denne boka er eit festskrift i høve 70-årsdagen til komponisten, pedagogen, dirigenten og samfunnsmennesket Magnar Åm. Heilt frå starten av komposisjonsarbeidet hans har musikken som erkjenningsform stått sentralt, men også trongen til å bryte grensene mellom etablerte former og konvensjonar. Dette har fungert som leietrådar også for bidraga til denne antologien. Målet har ikkje berre vore å lage eit heidersskrift til éin person, men å vere ei kjelde til ny innsikt. Musikk og litteratur handlar om skaping og formidling av meining. Slik sett er det paradoksalt å snakke om stille som eit sentralt kjenneteikn ved desse kunstartane. Men alle som les og lyttar aktivt, veit at det er meir å hente i kunsten enn det som ligg i det umiddelbare og eksplisitte uttrykket. Stemma (i vid tyding) har stilla som si komplementære motsetning. Første hovuddel av antologien gir ein kortfatta teoretisk bakgrunn for ei tverrvitskapleg forsking på musikk og litteratur. Bidraga som følgjer ser ikkje på kunstverka berre som ferdige produkt, men som delar av ein levande praksis, i møtet mellom komponist, forfattar, musikk, tekst, utøvar og mottakar. I neste del blir vi tekne med inn i verkstaden til komponistar og musikarar som kommenterer musikken til Magnar Åm, men også sin eigen i dette lyset. I siste del kryssar vi grensa mellom kunsten og andre erfaringsformer, med eudaimonia som samlande omgrep: Korleis kan ein kan leve eit fullstendig og meiningsfullt liv? Boka er skriven av forskarar frå ulike fagfelt som litteratur, musikk, naturvitskap, friluftsliv, men også av utøvande kunstnarar: komponistar, musikarar og forfattarar. I møtet mellom forsking og kunst, gjennom vitskaplege artiklar og faglege essay, oppstår det ein samtale som skaper erkjenning på tvers av fastlåste grenser.
    Keywords: Music, literature, voice, silence, meaning, Samtidskomponister, musikk, litteratur, stillhet, stemme ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Norwegian
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 3
    facet.materialart.
    Unknown
    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-03-24
    Description: "To pursue the philosophy of music is to contemplate music’s nature, essence, purpose, value, and function in our lives. While the aesthetics of music looks at music’s content, quality, meaning and importance, music philosophy often goes one step further. Ideas about something one perhaps believes is ‘purely aesthetical’ will of course always require consideration in relation to ideas about humanity, the world, politics and religion. In this sense, music aesthetics and music philosophy are two sides of the same coin. This is reflected in the texts presented in this collection, which provides a broad view of the current state of ideas about music in Norway. The authors, from PhD fellows to emeriti, represent different higher educational music institutions in Norway as well as different fields within music and philosophy. Their texts are on topics ranging from musical experience, music and language, meaning and interpretation of music, music and view of life, and others. The anthology’s editors Øivind Varkøy and Henrik Holm are, respectively, professor of music education and director of the PhD program at the Norwegian Academy of Music and adjunct professor of music at Oslo Metropolitan University, and professor of philosophy and head of research at Rudolf Steiner University College in Oslo."
    Description: "Å bedrive musikkfilosofi er å tenke omkring musikkens natur, vesen, hensikt, verdi, og funksjon i menneskelivet. Mens musikkestetikken arbeider med spørsmål om musikkens innhold, kvalitet, mening og betydning, går musikkfilosofien ofte ett skritt lenger. Tenkning om noe man muligens innbiller seg er «rent estetisk», vil nemlig alltid måtte vurderes i relasjon til forestillinger om mennesket, verden, politikk og religion. Slik sett blir musikkestetikk og musikkfilosofi to sider av samme sak. Dette avspeiles i denne samlingen av tekster – som gir et bredt bilde av norsk musikktenkning anno 2020. Forfatterne er tilknyttet forskjellige høyere musikkutdanningsinstitusjoner i Norge som alt fra ph.d.-stipendiater til fast ansatte og emeriti, og de representerer ulike musikalske og filosofiske fagfelt. Her finnes tekster om musikalsk erfaring, musikk og språk, musikalsk mening og tolkning, musikk og livsanskuelse m.m. Redaktørene Øivind Varkøy og Henrik Holm er henholdsvis professor i musikkpedagogikk og leder av ph.d.-programmet ved Norges musikkhøgskole, samt professor II i musikk ved OsloMet - Storbyuniversitetet, og professor i filosofi og forskningsleder ved Steinerhøyskolen i Oslo."
    Keywords: Philosophy of music, music and language, music and interpretation, musical experience, musical time, sound, time, musical ethics, Musikkfilosofi, musikk og språk, musikalsk tolkning, musikalsk erfaring, musikalsk tid, klang, tid, musikalsk etikk ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
    Language: Norwegian
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 4
    facet.materialart.
    Unknown
    Firenze University Press
    Publication Date: 2024-03-24
    Description: Skrjabin, an eccentric figure in the music scene of the beginning of the century, has often aroused both the most heated enthusiasm and the most ferocious criticisms. However, in recent decades, important researches have been carried out in Italy and abroad, leading to a more balanced view of the man and his work. The contributions which are included in this volume come largely from the conference Svetozvuk, il ‘Suono-Luce’ (Cherubini Conservatory of Florence, 2015), and intend to bring a significant element to the studies on Skrjabin by addressing different and complementary themes. The resulting multifaceted kaleidoscope highlights the key role of Skrjabin in the 20th century, not only as a precursor of multimedia, but most importantly as the creator of a highly original language which would influence entire generations of musicians from different backgrounds.
    Keywords: thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
    Language: Italian
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 5
    facet.materialart.
    Unknown
    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-03-24
    Description: This anthology deals with co-singing (Norwegian: samsang) in different life stages and various settings in a Scandinavian context. Co-singing forms an essential part of our shared cultural heritage. Co-singing involves all forms of singing-activities in which people coexist, and characterizes in various ways human companionship throughout the course of life, from cradle to grave. From a critical analytical perspective, the research in this anthology sheds light on several themes related to the importance and value of co-singing practice in terms of sensemaking and experiencing coherence in life. This involves musical, physical, psychological, emotional, cognitive, ethical, cultural, and social factors. The research project examines for instance the position of singing activities in Norwegian kindergartens and schools, co-singing and health-related topics, co-singing from a gender perspective, co-singing from a multicultural perspective, co-singing activities in light of motivation and coping, and also low-threshold, flexible daily life singing activities for persons with dementia and their relatives. Choir singing in various life stages, from childhood to age of retirement, are also explored in several chapters. With its broadly arranged and pluralistic approach, this anthology provides a multi-faceted contribution to the development of knowledge in the research field of music associated with the power and legitimacy of co-singing at the individual, group, and societal levels. The contributing authors have their practical and scientific experience from higher music education within the fields of music pedagogy, music performance, music therapy, music and health, and also from other types of cultural and musical practices.
    Description: Denne antologien omhandler samsang i ulike livsfaser og sammenhenger i en skandinavisk kontekst. Samsang utgjør en vesentlig del av vår felles kulturarv. Samsang, som innebærer alle former for sang der mennesker synger sammen, karakteriserer på ulike måter menneskelig samvær gjennom hele livsløpet, fra vugge til grav. Med et kritisk analytisk blikk belyser forskningsarbeidene i antologien varierte tematikker omkring samsangpraksisens betydning og verdi for meningsskaping og opplevelse av sammenheng i livet knyttet til musikalske, fysiske, psykiske, emosjonelle, kognitive, etiske, kulturelle og sosiale faktorer. Undersøkelsene innbefatter blant annet sangens stilling i norske barnehager og skoler, samsang og helserelaterte temaer, samsang i et kjønnsperspektiv, samsang i et flerkulturelt perspektiv, samsangaktiviteter i lys av mestring og motivasjon, samt hverdagslige samsangaktiviteter for personer med demens og deres pårørende. Korsang i ulike livsfaser, fra oppvekstår til pensjonsalder, tematiseres også i flere kapitler. Med sin bredt anlagte og pluralistiske tilnærming, gir antologien et mangesidig bidrag til kunnskapsutviklingen på det musikkpedagogiske området knyttet til samsangens kraft og legitimitet både på individ-, gruppe- og samfunnsnivå. Forfatterne har erfaring som praktikere og forskere fra høyere utdanning innen musikkpedagogikk, utøvende musikk, musikkterapi, musikk og helse og musikalske praksiser i det frie kunst- og kulturfeltet.
    Keywords: Co-singing, life course, music, health, choir singing, kindergarden, school, Samsang, livsløp, musikk, helse, korsang, barnehage, skole ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLC Choral music ; thema EDItEUR::J Society and Social Sciences::JN Education::JNL Schools and pre-schools::JNLA Pre-school and kindergarten
    Language: English , Norwegian
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 6
    facet.materialart.
    Unknown
    Firenze University Press
    Publication Date: 2024-03-24
    Description: Among the channels of human expression, perhaps the richest of all is music, through which people can express their emotions – in a continuum ranging from joy to grief, from excitement to depression – in a manner that is socially and culturally accessible and acceptable. This book addresses the aspects involved in both producing and listening to music from the point of view of cognitive science. Arguments that might appear hard for non-specialists to understand are addressed in a clear and accessible language. An enthralling itinerary through the various aspects of the human relationship with music that underscores how the long path from the first sounds that man has produced and identified in nature through to the most modern compositions are the result of a process of rationalisation gravitating around the multiform relationship between man, the environment and musical creation.
    Description: Fra i canali d'espressione dell'uomo il più ricco è forse la musica, che permette di esprimere le proprie emozioni – in un continuum che va dalla gioia al dolore, dalla esaltazione alla depressione – in modi socialmente e culturalmente accessibili e accettabili. Il volume affronta, dal punto di vista della scienza cognitiva, gli aspetti coinvolti sia nel produrre che ascoltare musica. Questi argomenti, che possono sembrare di non facile comprensione ai non specialisti, sono affrontati con un linguaggio chiaro e accessibile. Viene così costruito un appassionante percorso su alcuni aspetti del rapporto dell'uomo con la musica, che evidenzia come il lungo cammino dai primi suoni che l'uomo ha prodotto e individuato nella natura sino alle composizioni più moderne sia il risultato di un processo di razionalizzazione che ha visto al centro il multiforme rapporto fra uomo, ambiente e creazione musicale.
    Keywords: antropologia ; music ; anthropology ; musica ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::J Society and Social Sciences::JM Psychology::JMA Psychological theory, systems, schools and viewpoints::JMAQ Cognitivism, cognitive theory
    Language: Italian
    Format: image/jpeg
    Format: image/jpeg
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 7
    facet.materialart.
    Unknown
    Peter Lang International Academic Publishing Group
    Publication Date: 2024-03-24
    Description: Der vorliegende Band Schweizer Jahrbuch für Musikwissenschaft empfängt (in Übereinstimmung mit der aktuellen redaktionellen Linie der Zeitschrift) Arbeiten von aktiven schweizerischen und ausländischen Forschern. So wird eine Vielschichtigkeit, nicht nur linguistisch, sondern auch kulturell und methodologisch garantiert, die die wunderbare Vielfalt der Schweizerischen Eidgenossenschaft reflektiert. Im Jahrbuch Nr. 37 berühren die Essays Themen mit antropologisch-kulturellen Ansätzen zur Archivforschung, die vom Mittelalter bis ins 20. Jahrhundert und von der Sakralmusik zur Instrumentalmusik reichen. Sie legen den Schwerpunkt vor allem auf die symbolischen Mechanismen der Parodie in der gesungenen Liturgie (Therese Bruggisser-Lanker), auf die kompositorischen Gründe der Nichtvollendung der 7. Sinfonie von Schubert (Yusuke Takamatsu) und auf die ästhetische Autonomie der Kunst in Krisenzeiten dank den Vergleichen von verschiedenen künstlerischen Erfahrungen in der Mitte des 19. Jahrhunderts (Klaus Heinrich Kohrs). Die Briefe des berühmten Komponisten aus der französischen Schweiz, Gustave Doret, an wichtige französische Musiker (Delphine Vincent) sind in der neuen Dokumentenserie publiziert.
    Keywords: Annales ; Annuario ; Folge ; Gesellschaft ; Jahrbuch ; Luca ; Musicologia ; Musicologie ; Musikforschende ; Musikwissenschaft ; Neue ; Nouvelle ; Nuova ; Rédaction ; Redaktion ; Redazione ; Schweiz ; Schweizer ; Série ; Suisses ; Svizzero ; Zoppelli ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics
    Language: French , German , Italian
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 8
    Publication Date: 2024-03-24
    Description: Edoardo Cavallini (Florence, 1911-1968) was one of the most original and interesting personalities of the Italian music scene, but also one of the most overlooked. He was a prolific composer and a respected theorist, as well as a pioneer of modern microtonal (or, as he liked to call it, multicolour) music. The rich archive the Maestro left behind, which is currently kept at the Luigi Cherubini Conservatory of Florence, makes it possible to deepen the knowledge of his life and to restore his work, while at the same time granting him a posthumous, yet absolutely deserved recognition. This volume is intended as a navigation tool to be used among the documentary materials of his very rich archive, spacing from personal to official correspondence and passing through unpublished, handwritten notes.
    Keywords: thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
    Language: Italian
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 9
    facet.materialart.
    Unknown
    Firenze University Press
    Publication Date: 2024-03-24
    Description: Discovering Laura Coen Luzzatto means getting to the core of the musical history of the Italian 20th century, the backstage of the complex dodecaphonic crossing made by Luigi Dallapiccola; it means shedding light on the woman who illuminated the composer's path amidst the dramas of the century. Laura met Luigi in Florence in 1931, and devoted herself to him and his art since then. They married in 1938, and she became Laura Dallapiccola. She was an atheist, born in Trieste in a Jewish family, whereas he was Istrian-born and a doubtful Catholic. They both arrived in Florence following Dante’s myth, and immediately connected thanks to Laura's degree dissertation (which is deservingly brought to light in this volume by the University of Florence, where she discussed it in 1932) and to their shared belief that both their birthplaces, despite being borderlands, were of Italian nationality. From that moment onwards, thanks to her, the composer's story opened to European culture, to Joyce, Proust, Mann and, again thanks to her, the Dallapiccola dodecaphony becomes rooted in the vocal style of the Italian culture, thus differentiating itself from the Viennese dodecaphony. Laura, then, to better discover Luigi Dallapiccola and to look at the 20th century with new eyes.
    Keywords: thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
    Language: Italian
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
  • 10
    facet.materialart.
    Unknown
    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Publication Date: 2024-03-24
    Description: Among all artists in Norway, musicians are the majority, and this book is all about them. Musicians work in many different fields, across a broad spectrum of professional roles, and they express themselves in many different genres. You experience them at clubs and on concert stages nationally and internationally. You find them at the podium leading a philharmonic and in the orchestra pit when musicals, plays, dance, and opera are on the program. You encounter them as teachers in music schools, elementary schools, and high schools. You meet them as musical directors and motivators behind choirs, marching bands, and folk music groups. You meet them in our churches and as driving forces in big cities and remote towns, in school gymnasiums and community house auditoriums. The twelve chapters focus attention on musicians’ actual jobs and daily work life. The book describes transformations and trends within the music industry and society in general that have an impact on musicians’ professional development and wellbeing. The book’s four parts look at changes in the musician’s role, professionalization, digitalization, and cultural-political and societal developments that all influence working conditions in the music industry, resulting in differing circumstances for different types of musicians.
    Description: Musikerne er den største gruppen av kunstnere i Norge, og denne boka handler om dem. Musikere arbeider på mange ulike arenaer, inntar et bredt spekter av yrkesroller og uttrykker seg i mange forskjellige sjangre. Du opplever dem på klubb- og konsertscener nasjonalt og internasjonalt. Du finner dem på podiet i de store orkestrene og i orkestergrava når musikal, teater, dans og opera står på programmet. Du møter dem som lærere i kulturskolen, grunnskolen og på videregående. Du møter dem som musikalske ledere og drivkrefter i kor, korps og spellemannslag. Du møter dem i de mange kirkene våre og som ildsjeler i bygd og by, gymsaler og grendehus. Gjennom tolv kapitler rettes oppmerksomheten mot musikernes konkrete arbeidsoppgaver og arbeidshverdag. Boka beskriver endringer og tendenser i musikkbransjen og i samfunnet som er viktige for hvordan musikere kan, vil og får utfolde seg. Bokas fire deler ser på endringer i musikerrollen, profesjonalisering, digitalisering og kulturpolitiske og samfunnsmessige utviklingstrekk som alle påvirker arbeidsforholdene i bransjen, og gir ulike vilkår for ulike typer musikere.
    Keywords: Music industry, higher music education, professionalization, digitalization, creative industries, cultural entrepreneurship; Musikkbransjen, høyere musikkutdanning, profesjonalisering, digitalisering, kreativ næring, kulturelt entreprenørskap ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries::KNTF Music industry
    Language: Norwegian
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...