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  • 1
    Electronic Resource
    Electronic Resource
    Cambridge : Cambridge University Press
    The @China quarterly 103 (1985), S. 462-488 
    ISSN: 0305-7410
    Source: Cambridge Journals Digital Archives
    Topics: Linguistics and Literary Studies , History , Political Science , Sociology , Economics
    Notes: The early 1960s marked a period of intellectual and literary ferment in Taiwan. The East-West Controversy, which had its roots in the debate that took place in the middle of the last century regarding the continued validity of the Chinese tradition in the face of western military and economic superiority and in the controversy regarding westernization as the road to modernization in the 1930s, had broken out afresh. Creative writers, musicians and painters were experimenting with new forms and new techniques. As early as 1954 the writers of modern Chinese poetry had started the search for a more contemporary expression of their art form; and modern poetry societies, each with its own philosophy on how modernization should take place, had come into being. Writers of fiction who up till then had been almost exclusively concerned with the Sino-Japanese War; the mainland before the communist takeover in 1949, or the various aspects of the struggle against communism, were moving away from this kind of “propaganda-motivated writing” towards the production of “pure literature.” However, there were few modern Chinese creative writers of stature on whom either the poet or fiction writer could model himself. This was because of the ban imposed by the government in Taiwan on the works of writers prior to 1949 due to the association of many of them with communism or with ideologies unacceptable to the authorities. This meant that they had to seek for inspiration in the works of western writers which could be found in translation or in pirated versions of the original texts in the major cities of Taiwan. The traditionalists viewed this growing trend with alarm as did those writers who were closely associated with the Kuomintang. The latter had formed themselves during the early 1950s into three writers' associations, the China Association of Literature and Art, the Chinese Youth Writers' Association, and the Taiwan Women Writers' Association.
    Type of Medium: Electronic Resource
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  • 2
    Electronic Resource
    Electronic Resource
    Cambridge : Cambridge University Press
    The @China quarterly 99 (1984), S. 644-645 
    ISSN: 0305-7410
    Source: Cambridge Journals Digital Archives
    Topics: Linguistics and Literary Studies , History , Political Science , Sociology , Economics
    Type of Medium: Electronic Resource
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  • 3
    Electronic Resource
    Electronic Resource
    Cambridge : Cambridge University Press
    The @China quarterly 92 (1982), S. 663-686 
    ISSN: 0305-7410
    Source: Cambridge Journals Digital Archives
    Topics: Linguistics and Literary Studies , History , Political Science , Sociology , Economics
    Notes: When Chiang Kai-shek and his government retreated to the island of Taiwan after the loss of mainland China to the Communists in 1949, they submitted themselves to a high degree of soul-searching in order to determine the reasons for their defeat. One conclusion drawn from their reflections was that factional conflicts within the Guomindang, lack of discipline, and a decline in morale were as responsible, if not more responsible, for their overthrow than any superior military strength which the Communists might have come to possess. They judged also that they had lost the initiative in the political and psychological battle by countering the Communists' “unlimited war with limited war,” and by having too negative an attitude towards literature. During this evaluation of past performance the Guomindang felt no need to apologize for the imposition of censorship and oppressive publishing restrictions, nor for its suppression of those Left-wing writers who, since the expulsion of Communists from the Guomindang Government in 1927, had made a point of discrediting the Guomindang in the eyes of the people. These were considered to be necessary measures in the fight against Communism. What they did regret was not having used literature as the Communists had, thereby losing the battle for the minds of the people.
    Type of Medium: Electronic Resource
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