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  • 1
    Keywords: Tsunami ; Indian Ocean
    Description / Table of Contents: This is the first volume of a collection of essays focusing on progress in tsunami science since the great tsunami of 26 December. A magnitude Mw 9.1 earthquake (third strongest ever instrumentally recorded) generated a global tsunami that killed about 230,000 people along the coasts of 14 countries in the Indian Ocean and propagated as far as the North Pacific and North Atlantic. Since then, various countries from around the globe contributed major funding to tsunami research and mitigation, enabling the installation of hundreds of new high-precision instruments, the development of new technology and the establishment of more modern communication systems. As a result, incredible progress has been achieved in tsunami research and operation during the ten years after the 2004 Indian Ocean tsunami. The papers presented in this first of two special volumes of Pure and Applied Geophysics reflect the state of tsunami science during this time. Eight papers are related to case studies highlighting regional hazards around the globe, while five papers record progress in tsunami warning systems. Benchmark studies that describe the accuracy of numerical models for tsunami impact, as well as a variety of inundation and generation studies, are presented by 7 additional papers.
    Pages: Online-Ressource (VI, 390 Seiten)
    ISBN: 9783034809115
    Language: English
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  • 2
    Keywords: Tsunami ; Indian Ocean
    Description / Table of Contents: Ten years ago, on December 26, 2004, one of the world’s most destructive natural disasters occurred. A magnitude Mw 9.1 earthquake (third strongest ever instrumentally recorded) generated a global tsunami that killed about 230,000 people along the coasts of 14 countries in the Indian Ocean and propagated as far as the North Pacific and North Atlantic Oceans. Since then, various countries from around the globe contributed major funding to tsunami research and mitigation, enabling the installation of hundreds of new high-precision instruments, the development of new technology and the establishment of more modern communication systems. As a result, incredible progress has been achieved in tsunami research and operation during the ten years after the 2004 Indian Ocean tsunami. The papers presented in this second of two special volumes of Pure and Applied Geophysics reflect the state of tsunami science during this time, including two papers devoted to global observations. Five papers provide new findings specifically in the Indian Ocean. Eight papers cover Pacific Ocean studies, focusing mainly on the 2011 Tohoku earthquake and tsunami. Remaining papers in the volume describe studies in the Atlantic and Mediterranean and general tsunami source studies. The volume is of interest to scientists and practitioners involved in all aspects of tsunamis from earthquake source processes to transoceanic wave propagation and coastal impacts. Postgraduate students in geophysics, oceanography and coastal engineering – as well as students in the broader geosciences, civil and environmental engineering – will also find the book to be a valuable resource, as it combines recent case studies with advances in tsunami science and natural hazards mitigation.
    Pages: Online-Ressource (VI, 406 Seiten)
    ISBN: 9783034809597
    Language: English
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  • 3
    Unknown
    Basel, Boston, Berlin : Birkhäuser
    Keywords: Tsunami ; Pacific Ocean
    Description / Table of Contents: The 2011 Tohoku earthquake generated a catastrophic tsunami that killed nearly 20,000 people along the coast of Japan and caused the nuclear disaster at the Fukushima Daiichi Nuclear Power Plant. The tsunami propagated throughout the Pacific Ocean and also affected many other countries, including Russia, the USA, New Zealand, French Polynesia and Chile, demonstrating once again the terrible threat that tsunami waves pose for Pacific countries and the need for basin-wide international scientific collaboration. Following a brief introduction, this volume presents 21 scientific papers, including 12 on aspects of the 2011 Tohoku event. A first group of papers provides detailed field survey results from the coasts of Japan and Russia and examines the wave dynamics on the basis of these surveys, the source mechanism of the earthquake, and the far-field impacts of the Tohoku tsunami. The second group reports on the 2012 tsunamis in El Salvador, the Philippines, off the east coast of Honshu and the landmark Haida Gwaii event off the west coast of British Columbia, Canada, while the papers in a third set discuss a number of remaining challenging questions in tsunami science and warning. The volume will be of interest to scientists and practitioners involved in all aspects of tsunamis from earthquake source processes to transoceanic wave propagation and coastal impacts. Postgraduate students in geophysics, oceanography and coastal engineering – as well as those in the broader geosciences, civil and environmental engineering – will also find the book a valuable resource, as it combines recent case studies with the latest advances in tsunami science and natural hazards mitigation.
    Pages: Online-Ressource (VI, 366 Seiten)
    ISBN: 9783034808644
    Language: English
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  • 4
    Publication Date: 2022-02-11
    Description: The Praelude "You Need a Big God" tries to approach the thematic field of religion and popular music using a variety of music video clips to highlight the manifold interactions and interrelations between popular music and religion. Aspects like the production, distribution and consumption of music that in one or another way deals with religion, religiosity or spirituality are highly significant to understand how both cultural symbol systems affect and are affected by the other.
    Keywords: BL1-2790 ; M1-5000 ; N1-9211
    Language: English
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  • 5
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    Schüren Verlag | Religion and Popular Music
    Publication Date: 2022-02-11
    Description: This Postlude or Epilogue works as a summary of the issues insights and opens a new perspective at the end.
    Keywords: BL1-2790 ; M1-5000 ; N1-9211
    Language: English
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  • 6
    Publication Date: 2022-01-31
    Description: In science fiction films, we explore remote universes and use yet unknown technologies – the world as we know it is left behind. But although the technical devices in these films are impressive and the science advances in huge steps, the protagonists still search for a superior entity, for the main creator, for a god, for a lost paradise… The human quest for knowledge and for the unknown does not end, and the questions remain the same: What is humankind in relation to the undiscovered universe? Are we, in the near future, able to unravel all the mysteries that have always been tantalizing scientists and religious seekers? What ethical challenges might this progress bring? Will we become gods, “creating” humans by writing genetic codes using synthetic biology? The Interactions between science fiction and religion are manyfold and amazing …
    Keywords: BL1-2790 ; N1-9211
    Language: English
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  • 7
    Publication Date: 2022-01-31
    Description: Inspired by a workshop held at the University of Zurich in November 2014, we inaugurate the Journal for Religion, Film and Media (JRFM) with a special issue dedicated to methodology. The field of media and religion is characterised by a multitude of approaches to both religion and media. The choice of communication paradigms and analytical procedures to be used in an investigation of the intertwined relationship of religion and media depends on the sources, the questions we seek to answer and the cultural context. This issue of JRFM presents a range of methodological procedures by highlighting three selected communication models: the first part considers a model that defines communication as an overlap of spaces that mediates meaning-making processes; the second part looks at the employment of a gender lens for investigation of the relationship between media and religion; the final part analyses the interaction between media and religion in the context of various contemporary art productions. While these models have been drawn from a broad range of possible topics, those selected share a common concern: they involve reflection on methodological steps used to analyse interactions always characterised by non-linear and multi-causal relations. Each of the three main sections contains a key article and two responses, with the methodological questions addressed by invited contributors commented upon, discussed critically and developed further by members of the mentioned research groups.
    Keywords: BL1-2790 ; N1-9211
    Language: English
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  • 8
    Publication Date: 2022-01-31
    Description: How can we screen trauma? This question might lead the perception of documentary films about atrocities in the 20th and 21st centuries, like S21 THE KHMER ROUGE KILLING MACHINE (Rithy Panh, CAMB/FR 2003) about Cambodia, THE LOOK OF SILENCE (Joshua Oppenheimer, ID/DK 2014) about Indonesia or DAS RADIKAL BÖSE (Stefan Ruzowitzky, AT 2013) about Nazi-Europe. A concern that may emerge as we watch films on atrocities is whether these artistic representations perhaps guide the public away from what “really happened”. There certainly is a huge gap between, on the one hand, the immediate experience of the event that lies behind the interpretative screening and, on the other hand, watching the director’s material while neither being a part nor ever having been part of the event. Yet often filmic representations are not intended to show what happened; instead they present case studies to be explored in the present. Often the films contain an inherent critique of genocidal violence and present humanistic perspectives on obedience. Mostly, these films underline the humanity of the victims, seeking to give names, faces and biographies so that they are much more than just numbers. What appears on the screen therefore challenges the audience with a moral question: what would you do?
    Keywords: BL1-2790 ; N1-9211
    Language: English
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  • 9
    Publication Date: 2022-01-31
    Description: The interactions between popular music and religion are manyfold and highly complex. Popular music as an important part of popular culture is a means of communication. Music can transmit not only emotions and a sense of community but also religious knowledge, knowledge that leaves diverse traces in different times and places. In the end, whether we extract religious meaning from popular music and what that meaning is depend on our background and on our capacity to contextualise symbols, motives and narratives – and also on the media used to convey these references. By analysing Florence + The Machines song “Big God” and its music video we will address some of the questions that arise while working in the field of popular music and religion.
    Keywords: BL1-2790 ; N1-9211
    Language: English
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