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  • 1
    facet.materialart.
    Unbekannt
    Firenze University Press
    Publikationsdatum: 2024-04-06
    Beschreibung: Conclusions
    Schlagwort(e): Modernism ; Demoiselles d'Avignon ; Modernist Criticism ; New History of Art ; Global History of Art ; thema EDItEUR::A The Arts
    Sprache: Englisch
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  • 2
    facet.materialart.
    Unbekannt
    Firenze University Press
    Publikationsdatum: 2024-04-03
    Beschreibung: Steinberg marked a gamechanger in the understanding of Les Demoiselles d'Avignon. The arguments with which Steinberg fought the limits of the formalist critics appear to have become unchallengeable from the 1960s on, the moment that Art History began to undergo a colossal transformation. Steinberg opened the doors wide to new critical focus on Modern Art. Among the doors he opened, were the biographical and psychological considerations about Les Demoiselles. This chapter presents a brief summary of the psychobiographic and contextualist interpretations of the work, including one of the most important by William Rubin who saw Les Demoiselles as a reflection of Picasso's psychosexual problems and presented unpublished documentation that would be of vital importance for future criticism and historiography.
    Schlagwort(e): Modernism ; Demoiselles d'Avignon ; William Rubin ; Art nègre ; Art & Psychoanalysis ; thema EDItEUR::A The Arts
    Sprache: Englisch
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  • 3
    facet.materialart.
    Unbekannt
    Firenze University Press
    Publikationsdatum: 2024-03-23
    Beschreibung: In the 1960s and 1970s this formalist version seen in the previous chapter began to show signs of fatigue. Some critics and art historians began to show interest in the personages on stage in Les Demoiselles. Early on John Nash linked the damsel squatting at lower right of the canvas with the myth of Medusa. Leo Steinberg immediately formulated a series of questions that constituted a direct attack against the formalist version. Why should we examine a painting that presented five naked prostitutes, all gazing fixedly at the viewer, merely from the formalist perspective? The time had come to take into account the content of the painting and consequently all of modern art which had been restricted by the prevailing formalism. This chapter tells how the formalist arguments were refuted and cleared the way for the iconological studies that placed the powerful sexual content in the foreground. The person mainly responsible for this was Leo Steinberg who sparked off an authentic revolution on the way to deal with this work and Modernism as a whole.
    Schlagwort(e): Modernism ; Demoislles d'Avignon ; John Nash ; Leo Steinberg ; thema EDItEUR::A The Arts
    Sprache: Englisch
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  • 4
    facet.materialart.
    Unbekannt
    Firenze University Press
    Publikationsdatum: 2024-03-23
    Beschreibung: The first solid interpretation of the damsels to make a mark was delivered from formalist criteria. Thus, as far as was possible the content of the work was disregarded, studying only in great detail all its pictorial or purely plastic values that proclaimed the great avant-guard revolution: the substitution of the Renaissance visual order with the modern visual order. From this point of view the Demoiselles appear as the seed of one of the most relevant avant-guard movements —Cubism. This chapter deals with the origin and how the formalist version shaped the painting —and Modern Art itself (from the 1920s until approximately the 1960s).
    Schlagwort(e): Modernism ; Demoislles d'Avignon ; Alfred H. Barr ; MoMA ; Daniel-Henry Kahnweiler ; thema EDItEUR::A The Arts
    Sprache: Englisch
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  • 5
    Publikationsdatum: 2024-03-23
    Beschreibung: In his thesis on Les Demoiselles d'Avignon, Steinberg postulated the fundamental role of the spectator (object of the appealing gazes of the five young nudes in the painting) as the catalyst of the meanings in the painting. From then on new critical perspectives would speculate about this subject, targeted by the personages in the painting, who bears so much responsibility in articulating the interpretation of the scene. Doubts were raised about the universal character of the gaze, the universal character of the receptor of the work of art and of Modern Art. From the end of the 20th century and activated by the most recent methodological approaches such as feminism and post-colonialism, new critical voices provoked the breaching of the dominating gaze. This chapter broaches the interpretations of this paradigmatic work of Modern Art made by feminist and post-colonial and subaltern theories, questioning the very proposals of Modernism. Feminism shows how gender conditioning affects the reception of a work of art. And allied with this, post-colonialism and subaltern theory begin to seriously question the way historiography has considered, or not, the relevance of Art négre in the avant-guard eclosion.
    Schlagwort(e): Modernism ; Demoiselles d'Avignon ; Postcolonialism ; Feminism ; Global History of Art ; thema EDItEUR::A The Arts
    Sprache: Englisch
    Format: image/jpeg
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  • 6
    facet.materialart.
    Unbekannt
    Firenze University Press
    Publikationsdatum: 2024-04-11
    Beschreibung: The book meticulously analyses the history of the critical reception of avantguard art through the interpretations received by one of its greatest emblems, Les Demoiselles d'Avignon by Picasso, 1907. Since Les Demoiselles has been considered over this century the true paradigm of Modern Art, this book is, fundamentally, a sort of synthesis of the discourses about Modernism from formalism, iconology, Leo Steinberg's 'Other Criteria’, sociological, the biographical and psychoanalytical theses, cultural and historicist and lastly, the impact of post-structuralism and the feminist, post-colonialist and transnational interpretations. The final chapter deals with the artistic versions of Les Demoiselles d'Avignon made by artists. It is an essay on the different versions and identities of Modern Art and Modernism that have been produced throughout the last century.
    Schlagwort(e): Les Demoiselles d’Avignon ; Modernism ; Avantguard Art ; Modernist Criticism ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999
    Sprache: Englisch
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  • 7
    Publikationsdatum: 2024-05-09
    Beschreibung: Another way of showing interpretations of Picasso's Demoiselles is to heed the replicas, copies, pictorial or artistic versions made by contemporary artists. This chapter presents the artistic versions of the work done by artists at the end of the 20th and start of the 21st century. It begins the pop replicas by Caulfield or Equipo Crónico and the appropriationists like Richard Prince or Mark Bidlo. And continuing with those done by feminist or Afroamerican artists like Faith Ringgold or the queer versions of Rafael Agredano. Finally it deals with the geographical and culturally situated critical proposals of Francis Alÿs or Rogelio López Cuenca/Elo Vega.
    Schlagwort(e): Demoiselles d'Avignon ; Postcolonialism ; Feminism ; thema EDItEUR::A The Arts
    Sprache: Englisch
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  • 8
    facet.materialart.
    Unbekannt
    Firenze University Press
    Publikationsdatum: 2024-03-23
    Beschreibung: “Bodies of tow and paraffin” is the phrase used by Georges Braque, pioneer with Picasso of Cubism, to describe the alarm that he felt at his first sight of Les Demoiselles d'Avignon when he paid Picasso a visit as he was painting it in the Bateau Lavoir in 1907. This sums up well the reactions the work produced among the friends of the Spanish painter who first saw it. This chapter summarises these first reactions of horror, disgust and disappointment felt among Picasso's friends and acquaintances. It also provides a host of comments and quotes made by Picasso himself, remarkable for their contradictions and high dosages of irony.
    Schlagwort(e): Modernism ; Demoiselles d'Avignon ; Braque ; Derain Kahnweiler ; thema EDItEUR::A The Arts
    Sprache: Englisch
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