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  • 1
    Publication Date: 2024-03-27
    Description: Published
    Description: Los gobiernos de España y Estados Unidos en 1957,tras largas gestiones que habían comenzado en 1935,a través del Metropolitan Art Museum de Nueva York y el Museo del Prado,suscribieron un convenio para llevar a cabo un intercambio del ábside de San Martín de Fuentidueña por una serie de pinturas de la iglesia de San Baudelio de Berlanga (Soria),seis de los veintitrés existentes en su poder. A partir de este ejemplo de intercambio cultural,como uno de los ejes de la exposición en el Instituto Cervantes de Nueva York,se estudia el fenómeno del elginismo del patrimonio español y se abre el debate sobre el estado actual sobre la conservación y emplazamiento de dicho fragmento arquitectónico en Nueva York y los restos de la iglesia de Fuentidueña (Segovia).
    Keywords: thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies
    Language: Spanish
    Format: image/jpeg
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  • 2
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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