Publication Date:
2024-05-12
Description:
The work deals with the iconography of the atom from the euphoria about nuclear technology of the 1950s to the anti-nuclear movement of the 1970s in the Federal Republic of Germany. Using the life and work of the German architect and graphic designer Rolf Lederbogen as an example, the socio-political dimension of nuclear technology in communication and visualisation of the narrative "Atoms for Peace" is put in context with the history of technical thinking in architecture and design.
Keywords:
Technikästhetik; „friedliches Atom“; Strategien des Sichtbarmachens; Atombilder; Nachkriegsmoderne; atomic culture; „Atoms for Peace“; strategies of visualisation; nuclear images; post-war modernism
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thema EDItEUR::A The Arts::AM Architecture
Language:
German
Format:
image/jpeg
Format:
image/jpeg