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  • English, Old (ca. 450-1100)
  • 1
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    Publication Date: 2024-03-24
    Description: Many modern Beowulf translations, while excellent in their own ways, suffer from what Kathleen Biddick might call “melancholy” for an oral and aural way of poetic making. By and large, they tend to preserve certain familiar features of Anglo-Saxon verse as it has been constructed by editors, philologists, and translators: the emphasis on caesura and alliteration, with diction and syntax smoothed out for readability. The problem with, and the paradox of this desired outcome, especially as it concerns Anglo-Saxon poetry, is that we are left with a document that translates an entire organizing principle based on oral transmission (and perhaps composition) into a visual, textual realm of writing and reading. The sense of loss or nostalgia for the old form seems a necessary and ever-present shadow over modern Beowulfs. What happens, however, when a contemporary poet, quite simply, doesn’t bother with any such nostalgia? When the entire organizational apparatus of the poem—instead of being uneasily approximated in modern verse form—is itself translated into a modern organizing principle, i.e., the visual text? This is the approach that poet Thomas Meyer takes; as he writes, [I]nstead of the text’s orality, perhaps perversely I went for the visual. Deciding to use page layout (recto/ verso) as a unit. Every translation I’d read felt impenetrable to me with its block after block of nearly uniform lines. Among other quirky decisions made in order to open up the text, the project wound up being a kind of typological specimen book for long American poems extant circa 1965. Having variously the “look” of Pound’s Cantos, Williams’ Paterson, or Olson or Zukofsky, occasionally late Eliot, even David Jones
    Keywords: Beowulf ; Old English poetry ; modern translation ; avant-garde poetry ; thema EDItEUR::D Biography, Literature and Literary studies::DB Ancient, classical and medieval texts
    Language: English, Old (ca. 450-1100) , English
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  • 2
    Publication Date: 2020-10-13
    Description: For a better understanding of the sustainability of geothermal resources, we want to quantify subsurface masschanges caused by production and injection of fluids at the Theistareykir geothermal field in Northeast Iceland.For this purpose, we installed three superconducting gravity meters (iGrav006, iGrav015 and iGrav032) and twospring gravity meters (gPhone061 and gPhone128) in vicinity to the new geothermal power plant that started op-eration in October 2017.Prior to the Iceland installation, all gravity meters were setup at the gravimetric observatory J9 in Strasbourg forsimultaneous side-by-side measurements. The obtained data were used for instrumental calibration, comparisonof noise levels and tidal analysis. In Theistareykir, three of our measuring sites are set up close to the geother-mal production and injection wells. The fourth site is located outside the geothermal field, to provide referencemeasurements that are unaffected by the activities of the power plant. At each site additional physical parameters,which influence the local gravity signal, are measured. This includes the continuous monitoring of GPS-positions,rainfall, soil moisture and snow thickness. Moreover, snow weight and snow water equivalent are measured at thesite close to the production wells.Here, we present the results of the unique intercomparison of three superconducting gravity meters and twogPhones at Strasbourg and the initial time series obtained at the geothermal site in Iceland. A preliminary in-terpretation of the gravity variations with regard to the geothermal activities and the hydro-metrological dynamicsis given.
    Language: English, Old (ca. 450-1100)
    Type: info:eu-repo/semantics/conferenceObject
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