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  • thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism  (6)
  • Swedish  (4)
  • Finnish  (2)
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  • 1
    Publication Date: 2024-03-26
    Description: "Same-sex love was forbidden by law until 1944, and in culture it continued to be taboo, but it has always existed there. The prohibition created tensions which art and literature could play with. Narratives about forbidden love show this through well-known authors such as Agnes von Krusenstjerna, Maria Sandel, Karin Boye and Frida Stéenhoff, and less well-known ones like Gertrud Almqvist, Margareta Suber, Lydia Wahlström and the pseudonym Elsa Gille. The book investigates literary narratives about women’s love for women and the ideas about the forbidden contained in them. What strategies did the authors use to get round the ban on the mention of the topic? Are there any utopian visions of how everything could be arranged in a different and better way? And how does the literature relate to other theories about same-sex love? Berättelser om det förbjudna: Begär mellan kvinnor i svensk litteratur 1900–1935 (“Stories of the Forbidden: Desire between Women in Swedish Literature 1900–1935”) is a free-standing continuation of Kärlekshistoria: Begär mellan kvinnor i 1800-talets litteratur (“Love Story: Desire between Women in Nineteenth-century Literature”, 2008). Together the books span over 100 years of Swedish literary history, making them the most comprehensive study available in the field in Sweden and Scandinavia. Eva Borgström is associate professor of comparative literature and lecturer at the Department of Literature, History of Ideas, and Religion at the University of Gothenburg. She has formerly worked at the National Secretariat for Gender Research and the Department of Gender Studies.
    Description: Samkönad kärlek var fram till 1944 förbjuden enligt lag och i kulturen var den tabuerad längre än så, men den har ändå alltid funnits där. Förbudet skapade spänningar som konsten och litteraturen kunde spela med. Berättelser om det förbjudna visar detta genom välkända författare som Agnes von Krusenstjerna, Maria Sandel, Karin Boye och Frida Stéenhoff, liksom mindre kända som Gertrud Almqvist, Margareta Suber, Lydia Wahlström och pseudonymen Elsa Gille. Boken undersöker skönlitterära berättelser om kvinnors kärlek till kvinnor och de föreställningar om det förbjudna som finns i dem. Vilka strategier använde författarna för att komma runt yttrandeförbudet? Finns det några utopier om hur allt skulle kunna ordnas på ett annat och bättre sätt? Och hur förhåller sig litteraturen till andra teorier i tiden om samkönad kärlek? Berättelser om det förbjudna. Begär mellan kvinnor i svensk litteratur 1900–1935 är en fristående fortsättning på Kärlekshistoria. Begär mellan kvinnor i 1800-talets litteratur (2008). Tillsammans spänner böckerna över 100 år av svensk litteraturhistoria och utgör därmed den hittills mest omfattande studie på området som finns i Sverige och Norden. Eva Borgström är docent i litteraturvetenskap och lektor vid Institutionen för litteratur, idéhistoria och religion vid Göteborgs universitet. Tidigare har hon bland annat arbetat på Nationella sekretariatet för genusforskning och Institutionen för genusvetenskap. "
    Keywords: women's rights ; karin boye ; swedish literature ; maria sandel ; frida stéenhof ; agnes von krusenstjerna ; sexology ; lesbian studies ; gertrud almqvist ; margareta suber ; lydia wahlström ; elsa gille ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups
    Language: Swedish
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  • 2
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    Finnish Literature Society / SKS
    Publication Date: 2024-03-25
    Description: "When Aleksis Kivi’s (1834–1872) Finnish tragedy Karkurit (‘The Escapees’) was originally published in 1867 it was considered better than his two former plays, the Kalevalaic tragedy Kullervo (1864) and the comedy Nummisuutarit (‘Heath Cobblers’, 1864). Soon these encouraging views, however, turned completely opposite. Dismissing attitudes towards Kivi’s play were dominant until the 1960s when new theatre productions made its artistic merits worthy of consideration again. The critical edition of Karkurit gives a new and more versatile image of Aleksis Kivi as a playwright and helps to understand his tragedy in the light of the changing artistic ideals of different periods and generations. The edition contains a scholarly edited and richly annotated text of the tragedy’s first edition. Expert introductions by leading authorities illuminate the multidimensional dramaturgy of the play and reflect its relation to the European drama traditions and the socio-historical context of 19th-century Finland. In addition, the introductory articles analyse Kivi’s pioneering blank verse dialogues and discuss how Karkurit was published and performed from the 19th century up to the present day. The appendices include, among others, versatile text-critical apparatuses, an overview of the first Swedish dramatization of the tragedy (1872) and an earlier version of the play, an excerpt that was originally published in a magazine one year prior to the first edition of the drama. Edith – Critical Editions of Finnish Literature Edith editions are based on scholarly analysis of manuscripts, first editions and other historical sources. They reflect and clarify Finnish literary culture for scholars, teachers and other readers interested in literature. "
    Description: "Aleksis Kiven (1834 1872) viisinäytöksistä murhenäytelmää Karkurit (1867) pidettiin sen ilmestymisen aikoihin onnistuneempana kuin kirjailijan edeltäviä näytelmiä Nummisuutarit ja Kullervo. Myöhemmin arviot näytelmästä muuttuivat jyrkän päinvastaisiksi ja teosta kutsuttiin muun muassa literääriseksi aivokummitukseksi . Vasta 1960- ja 1970-lukujen onnistuneet teatteritoteutukset avasivat näytelmän ansioita uudelleen. Näytelmätekstin ja kommentaarien lisäksi Karkurien kriittinen editio tarjoaa uutta tietoa näytelmän monitasoisesta dramaturgiasta sekä teoksen julkaisu- ja teatterihistoriasta. Lisäksi editiossa valaistaan näytelmän suhteita eurooppalaiseen draamaperinteeseen, taustoitetaan sääty-yhteiskunnan murrosta 1800-luvun Suomessa sekä analysoidaan Kiven tapoja käyttää silosäemittaa näytelmässään. Editioon sisältyy Kirjallisessa Kuukauslehdessä 1866 julkaistu Karkurien katkelma sekä katsaukset teoksen ensimmäisiin ruotsin- ja suomenkielisiin näyttämösovituksiin."
    Keywords: critical editions ; plays ; literary research ; dramaturgy ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DD Plays, playscripts ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSG Literary studies: plays and playwrights
    Language: Finnish
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  • 3
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    Tampere University Press
    Publication Date: 2024-04-07
    Description: This collection of critical essays concentrates on the renowned Finnish collage novel Aperitiff ‒ avoin kaupunki (Aperitiff, Open City) by Kari Aronpuro in its three editions (1965, 1978, 2015). The essays provide a theoretically wide-ranging and up-to-date introduction to Aperitiff but also to collage and the collage novel more generally. Aperitiff is approached from the viewpoints of source materials; information, media technologies, and conceptualism; facsimiles as images of writing; methodological and thematic humour and comedy; Situationist reading strategies; realist and neorealist cinema; and Aperitiff‘s relation to the contemporary Finnish experimental novel, especially to Neuromaani by Jaakko Yli-Juonikas. The collection also reprints Aronpuro’s early essay on the reception of Aperitiff, and extracts from the typescript of the novel’s second edition.
    Description: Tämä artikkelikokoelma on laajin Kari Aronpuron Aperitiff – avoin kaupunki -romaanin kolmea versiota (1965, 1978, 2015) käsittelevä teos. Kokoelma tarjoaa teoreettisesti monipuolisen ja otteeltaan tuoreen johdatuksen paitsi Aperitiffiin myös yleisemmin kollaasiromaanin edelleen ajankohtaiseen lajiin ja kollaasin käsitteeseen. Antologian kirjoittajien valitsemat näkökulmat kertovat Aperitiffin moniaineksisuudesta, moniulotteisuudesta ja monitulkintaisuudesta. Artikkeleissa inventoidaan ja kartoitetaan Aperitiffin laajoja aineistoja sekä konkreettisten lainausten että laajemman intertekstuaalisuuden näkökulmista. Aperitiffia käsitellään myös informaation ja mediateknologioiden kautta. Samalla romaani kytketään suuntaukseen, joka on ollut keskeinen Kari Aronpurolle 2000-luvulla: kirjalliseen konseptualismiin, käsitteelliseen tai ”epäluovaan” kirjoittamiseen. Artikkeleissa keskitytään lisäksi tekstikollaasille oleelliseen menetelmään, tekotapaan tai tyyppiin: faksimileen. Samalla puretaan sanan ja kuvan käsiteparia analysoimalla kirjoituksen itsensä kuvallisuutta, tyypittelemällä tekstikollaaseja faksimilen näkökulmasta sekä ottamalla huomioon kirjan sivun teknologiaa. Aiheena on myös Aperitiffin huumori ja komiikka metodisten ja temaattisten tekijöiden yhteisvaikutuksena. Kollaasit, tekstilainaukset ja -luettelot sekä teoksen ontologialla leikittely ovat romaanin omalaatuisen huumorin rakennusaineita. Aperitiffia luetaan niin ikään urbaanin suunnistamisen ja harhailun näkökulmasta, erityisesti hyödyntämällä Kansainvälisiltä Situationisteilta peräisin olevia käsitteitä. Aperitiffia lähestytään myös kuvallisuuden, erityisesti elokuvallisuuden kautta ja tarkastellaan sen yhteyksiä realismin ja neorealismin traditioihin sekä ”todellisuuden” esittämiseen liittyviin diskursseihin. Aperitiffin pitkittäisvaikutuksia suomalaisessa kirjallisuudessa tutkitaan Jaakko Yli-Juonikkaan Neuromaani-romaanin (2012) kautta, teosten julkaisuajankohtia ja rakennusperiaatteita vertaillen. Tämän luennan valossa moniaineksisten avantgarde-romaanien poetiikka näyttäytyy edelleen erittäin elin- ja ilmaisuvoimaisena. Antologian liitteenä on myös arkistoharvinaisuuksia: pienoisessee, jossa Aronpuro ruotii tuoreeltaan (marraskuussa 1965) romaaninsa vastaanottoa ja kommentoi omaa teostaan, sekä otteita toisen painoksen (1978) lisämateriaalien käsikirjoitusliuskoista.
    Keywords: media ; experimental literature ; collage novel ; aperitiff ‒ avoin kaupunki ; aronpuro ; book object ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Finnish
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  • 4
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    Stockholm University Press | Stockholm University Press
    Publication Date: 2024-04-04
    Description: The flow of literature from Sweden to France is unlike anything else. Canonized authors such as August Strindberg and Selma Lagerlöf have been surprisingly successful in translating into French. The same applies to later high-prestige literature by Torgny Lindgren and P O Enquist. French publishers were also among the first to discover the Swedish detective story writers. The rights to Stieg Larsson's Millennium trilogy were bought by a French publisher before the novels began to be published in Swedish. Children's literature, on the other hand, perhaps Sweden's foremost contribution to world literature, had a late breakthrough in the French book market. This also applies to Astrid Lindgren, the incomparably most successful of all authors translated from Swedish. Why did Swedish fiction receive this particular reception in France? This book describes how Swedish literature has been translated into French, with a special focus on the period after 1945. During this period, the number of editions of Swedish fiction in French has increased tenfold. Which translators, publishers and other actors have contributed to this development? How have they reasoned and acted to promote the interests of Swedish literature? What types of literature and authorship have been particularly successful? These questions are answered on the basis of comprehensive statistics based on the latest bibliographic lists. The book also discusses the theoretical conditions for this type of study. The leading researchers in world literature research - Pascale Casanova, David Damrosch and Franco Moretti - are related to a literary sociological study of the book's communities.
    Keywords: Literature on export ; Litteraturexport ; Översättning ; French book market ; Fransk bokmarknad ; Swedish fiction ; Svensk skönlitteratur ; Translation ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDK Science funding and policy ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDM Scientific research ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFP Translation and interpretation ; thema EDItEUR::Y Children’s, Teenage and Educational::YP Educational material::YPC Educational: Language, literature and literacy::YPCK Educational: Modern (non-native or second) languages::YPCK9 Educational: Modern (non-native or second) languages: Literature studies
    Language: Swedish
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  • 5
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    Stockholm University Press
    Publication Date: 2024-04-01
    Description: This book is about the historical sciences' way of producing knowledge by contextualizing. It is aimed primarily at students and researchers in the humanities disciplines who work with historical perspectives. The book's ambition is to bring the reader into the actual making and show how contextualisation is an important element in historical studies at all levels. The book thus hopes to stimulate increased reflection and discussion about how we proceed when we interpret, create or reinterpret historical, cultural and social contexts. The book firstly provides an introduction to what contextualization can be and do when we encounter the past in the form of texts, images or artifacts. From the very first day at the university, students in historical disciplines end up in such meetings. Therefore, the first four chapters of the book are primarily aimed at students in the introductory semesters. What does it really mean to analyze, synthesize, contextualize or criticize - and how do the ways of working with the past relate to each other? And further, what historical times are we working with: do we read source material from our own horizons or from those of the historical actors? Is the source material part of a long story or a short one? And who decides the answer to such questions? Secondly, the book provides an in-depth discussion of the role of contextualisation when we create new historical knowledge. The book's later chapters ask questions about how contextualisation relates to historical theory and method, and sheds light on the activity of creating, arguing for, and reconsidering the contexts that give meaning and significance to historical source material. The most central lesson the book wants to convey is that contextualization is an ongoing activity. Human horizons of understanding are constantly moving in step with contemporary knowledge interests. There will always be new ways of understanding historical expressions, and that is one reason why historical studies form an important part of society's common knowledge base.
    Keywords: Pedagogy; Historical writing; Historical theory and method; Contextualization ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDX History of science
    Language: Swedish
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  • 6
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    Kriterium
    Publication Date: 2024-03-24
    Description: Esaias Tegnér (1782–1846) was for a long time considered not only Sweden’s foremost poet but also a national symbol, an author who defined the characteristics of Swedish culture. Tegnér’s status as the national poet has long since dwindled, and along with it, the attention paid to his work by literary scholars. This volume sets out to prove that the last of these developments should not necessarily flow from the first. Writing in a situation when Tegnér’s presence in Swedish culture is much less marked, six younger scholars approach the poems of Tegnér from the angle of their individual research interests to offer fresh readings of one of the most studied oeuvres in Swedish literature. The articles in the first part treat Tegnér’s relation to 18th century forms of public poetry, his erotic poems and the question of manuscript culture. In the second part, the central patterns of his poetry in the context of romantic metaphysics are reexamined, as well as his metrical art, in the light of cognitive and semiotic theories. The third part concerns aspects of the Tegnér tradition in Swedish culture: his role as a character in fictional and biographical representations, and the use of his work as raw material by 20th and 21h century poets. Together, the articles demonstrate the lasting interest of Tegnér’s works and the need to revisit them from new angles.
    Keywords: Tegnér ; Swedish romanticism ; Swedish poetry ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetry ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Swedish
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