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  • 1
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    Unknown
    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2023-09-11
    Description: Through an intelligent and sharp description of the Irvine School of Critical Theory, Ewa Bobrowska’s book significantly expands the knowledge about post-structuralist critical thinking that has dominated the Western humanities in the last quarter of a century. While the achievements of Derrida, Lyotard, Iser, as well as Jameson, Joseph Hillis Miller, Greenblatt, and Dominick LaCapra are well known in Polish critical thought, the interdisciplinary project called the Irvine School has not yet been systematically and competently described. . . . The unusual dispositions of the author, who is an English philologist, philosopher, art historian, and an active artist, allow her to carry out all dimensions of the analysis, including critical discourse, philosophical reasoning, and an intellectual examination of a work of art. Ewa Bobrowska’s book can be read in several ways: as a guide to contemporary (mainly American) art that requires participation, and as a guide to contemporary (mainly postmodern) philosophy while visualising some, even very abstract, statements. These two diverse fields of contemporary art discourse and philosophy meet in this work and illuminate each other, giving the reader an extraordinary opportunity to understand the contemporary world of images and ideas. What is particularly worth emphasising is the part of the work that refers to ethical threads: it shows a little-known part of contemporary philosophy and, at the same time, the author’s extraordinary sensitivity. (excerpt from a review by Prof. Grażyna Borkowska)
    Keywords: critical theory ; contemporary art ; University of California ; Irvine ; irony ; the sublime ; Jacques Derrida ; Jean-François Lyotard ; J. Hillis Miller ; David Carroll ; bic Book Industry Communication::G Reference, information & interdisciplinary subjects::GT Interdisciplinary studies::GTG General studies
    Language: Polish
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  • 2
    facet.materialart.
    Unknown
    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-27
    Description: We will be following the departure of cinema ‘towards virtuality’ (towards new ways of creating, understanding and existence of cinema in the times of transformations of media technology) primarily from the perspective of selected artistic practices of three artists: Peter Greenaway (who often repeats the argument about the ‘death’ of traditional cinema and the birth of new ways of depiction), Lynn Hershman Leeson (American artist of the ‘wider cinema’) and Mike Figgis, who reflected on various types of cinematic image and the cinema of the digital age in his autothematic films. The authors will also discuss cinema in the wider context of cultural reflection. Questions on the ‘virtualisation’ of culture will require an attempt at defining the notion of ‘virtuality’, and a tracing of its journey through different levels of cultural discourses, as well as linking it back to the analysed works. Towards Virtuality… is a book about cinema (its creators, works and characters), steeped in technological, philosophical, scientific and, more generally, cultural transformations of modernity.
    Keywords: contemporary cinema ; virtuality ; contemporary art ; Peter Greenaway ; Lynn Hershman Leeson ; Mike Figgis ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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