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  • 1
    facet.materialart.
    Unbekannt
    Kriterium
    Publikationsdatum: 2024-04-07
    Beschreibung: "This study focuses on two Swedish politicians, Nils Flyg and Sven Olov Lindholm. During the interwar era, they were both leaders of various Swedish political parties; in the case of Flyg the Swedish Communist Party, and later on the Socialist Party; in the case of Lindholm the National Socialist Worker’s Party (later renamed Swedish Socialist Unity). Both men were, in other words, influential politicians located at the outer edges of the ideological landscape. During the span of their lifetimes, however, Flyg as well as Lindholm made remarkable ideological transitions. From the end of the thirties and onwards, the former communist leader Flyg successively embraced German Nazism. Lindholm on the other hand stepped down from his leadership after the war, and became a left-wing political activist who did not hesitate to identify himself as a communist. Superficially, this is strikingly symmetric: The communist leader becomes a Nazi, and the Nazi leader becomes a communist. The aim of the study is to analyze the ideological links and tensions between Nazism and communism using these parallel biographies as a point of entrance. Inspired by political theorist Michael Freeden and his conceptual approach, and using a variety of sources, two core clusters of political concepts are identified and compared. It is shown that there are great similarities between Flyg and Lindholm when it comes to the role of anti-capitalism, anti-imperialism and the aspiration to idealize the Soviet Union or Germany as model states for workers. There are also, however, a number of differences, especially when it comes to views on modernity and materialism. In the final chapter, Flyg and Lindholm are compared to other European renegades. Here, the ambition is to identify common traits in the conversions. It is argued that the ideological antagonisms, the anti-positions, are crucial to this kind of generic renegadism."
    Schlagwort(e): Renegade ; Nazism ; Communism ; Sven Olov Lindholm ; Nils Flyg ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPF Political ideologies and movements::JPFC Far-left political ideologies and movements ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPF Political ideologies and movements::JPFQ Far-right political ideologies and movements
    Sprache: Schwedisch
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    Standort Signatur Erwartet Verfügbarkeit
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  • 2
    facet.materialart.
    Unbekannt
    punctum books | 3Ecologies Book
    Publikationsdatum: 2024-04-07
    Beschreibung: "In 1994, at the age of twenty five years old, when the terrible “shattering that comes with the sexual assault ”doubled deep into her body and thoughts of suicide were always around, Erin Manning wrote The Perfect Manga on a almost feverish state: nineteen chapters in nineteen days, a kind self-rescue operation where writing has become a way of make (and feel) life in another way. Over these nineteen days, and although not able to fully articulate to herself at the time, Manning was written inside “a composition that asks what otherwise life could be lived. ” And in the rhythms of this composition, which was also a life, Manning was and is able to decline the category and norm and immobility of the “victim” (while still understanding the inheritances violence) in order to follow the more-than-myself as well as the joy of “more than experience” Twenty-five years Manning later allows these earlier writings to find their way around the world, which is a way of giving “voice to these confused survival times ”while also asking us to we share (and help support) such moments as readers, that we consider “other ways of listening to the urgency of living”. Republishing the book now is giving it a place in the world in a way that honor your strength as something that is always beyond the claim of anyone, even from Manning. In this sense, The Perfect Manga invites us, with Manning, to be in excess of ourselves, and also to consider, in Manning's words, “as create conditions for living beyond the fierce belief of humanism that we, the privileged, the neurotypical, the still unscathed, the capable bodies, is that we hold the key to all perspectives in the theater of life ”. Finally, Manning Perfect Manga and Manning's reflections on its composition ask us to consider “living in the fierce celebration of a world invented by these ways of life that tear the white, neurotypical colonial fabric of life as the We know.""
    Beschreibung: "Em 1994, aos vinte e cinco anos de idade, quando o terrível “despedaçamento que vem com a agressão sexual” dobrou-se profundamente em seu corpo e pensamentos de suicídio estavam sempre por perto, Erin Manning escreveu A Manga Perfeita num estado quase febril: dezenove capítulos em dezenove dias, uma espécie de operação de auto-resgate, onde a escrita tornou-se uma maneira de fazer (e sentir) a vida de outra forma. Ao longo desses dezenove dias, e embora não capaz de articular completamente para si mesma na época, Manning escreveu-se para dentro “de uma composição que pergunta de que outra forma a vida poderia ser vivida”. E nos ritmos dessa composição, que era também uma vida, Manning foi e é capaz de recusar a categoria e norma e imobilidade da “vítima” (enquanto ainda compreende as heranças da violência) a fim de seguir em vez disso o mais-que-eu assim como a alegria do “mais-que da experiência no fazer” Vinte e cinco anos depois, Manning permite que esses escritos anteriores encontrem seu caminho de volta ao mundo, o que é uma maneira de dar “voz a esses momentos de sobrevivência confusos” enquanto também pede a nós, que compartilhamos (e ajudamos a suportar) tais momentos enquanto leitores, que consideremos “outras formas de escutar a urgência que é viver”. Republicar o livro agora é dar-lhe um lugar no mundo de uma maneira que honre sua força como algo que está sempre além da reivindicação de qualquer um, mesmo de Manning. Nesse sentido, A Manga Perfeita nos convida, com Manning, a estar em excesso de nós mesmos, e também a considerarmos, nas palavras de Manning, “como criar condições para viver além da crença feroz do humanismo de que nós, os privilegiados, os neurotípicos, os ainda incólumes, os corpos-capazes, é que guardamos a chave para todas as perspectivas no teatro da vida”. Por fim, A Manga Perfeita e as reflexões de Manning a respeito de sua composição pedem que consideremos “viver na feroz celebração de um mundo inventado por esses modos de vida que rasgam o tecido colonial, branco, neurotípico da vida como a conhecemos.”"
    Schlagwort(e): memoir ; sexual abuse ; trauma ; violence ; embodiment ; creative non-fiction ; neurodiversity ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNC Memoirs
    Sprache: Portugiesisch
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    Standort Signatur Erwartet Verfügbarkeit
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