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  • 1
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    Chapter Парадоксальность как специфика художественного творчества Ф.М. Достоевского: приемы, стилемы, воздействие (2023)
    Firenze University Press
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    Publication Date: 2024-03-24
    Description: Paradoxality as a Specific Feature of Dostoevsky’s Literary Works. Techniques, Stylistics, Mechanisms of Action. All works by Dostoevsky reveal the presence of paradox. These paradoxes act according to mechanisms that depend either on the fictional (polyphonic) or nonfictional (monologic) text “dominant.” Taking as a starting point (a) the arguments of G.S. Morson, according to whom paradoxes “seem to carry the quintessence of ‘Dostoevskyism’, particularly of his brand of humor,” (b) the analysis of Dostoevsky’s paradoxical humor; and (c) the three main categories of paradoxes (“empty or rhetorical”, “negative”, “positive”), we argue that Dostoevsky applies a fourth type of paradox, one that affects neither the premise nor the ending of the paradoxical structure, but their intrinsic logical interconnection. This article analyses a repertoire of paradoxical techniques used by Dostoevsky, focusing on the destabilizing humoristic function they enact.
    Keywords: Dostoevsky ; paradox ; skeptical humor ; Grand Inquisitor ; polyphony ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 2
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    Chapter Юмор и ирония как средства борьбы с атеизмом в дискурсе Ф.М. Достоевского (2023)
    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
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    Publication Date: 2024-03-24
    Description: Humor and Irony as a Means of Combating Atheism in the Discourse of F.M. Dostoevsky . The question of the God’s existence troubled Dostoevsky throughout his life. He created a very convincing portrait of the atheist of his time. He did not consider unbelievers immoral, but only “infected with recklessness”, and when speaking of his atheist acquaintances, often admitted that they were good people. Dostoevsky created the image of an atheist as an intelligent person, who is guided not by the heart, but by the mind and who often evokes sympathy for his questing, his thinking, and his suffering (like Versilov or Ivan Karamazov). If we carefully consider the “atheistic” characters of Dostoevsky, however, we will see that atheism is a phenomenon associated with something both bad and funny. Through humorous details, Dostoevsky imperceptibly creates an image of the “atheist” as a comical and frivolous person.
    Keywords: Dostoevsky ; atheism ; humor ; irony ; unbelievers ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 3
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    Chapter «Мы смеялись, словно от щекотки по сердцу». Мутная исповедь у Достоевского (2023)
    Firenze University Press
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    Publication Date: 2024-03-24
    Description: “We laughed like from a tickle on the heart.” Dostoevsky’s Muddy Confession. When considering laughter in Dostoevsky, one immediately thinks of the long “tirade” in The Adolescent, which proposes a kind of physiology of laughter, and its unpredictable effects on the perception of those who witness it. Laughter and caustic humor color even the most intimate confessions and can serve to partially mask the difficult action of revealing oneself before others. Modernity itself is the era of self-exhibition, of a sort of widespread confession. And yet, the laughter of modernity has lost the essence of joy. Joy is a function of that almost impossible sincerity that unveils the essence of man. The grimace of the fool, who shamelessly denudes himself before others in confession, becomes a sign of the isolation of the modern self and the end of the utopia of sincerity pursued by Rousseau.
    Keywords: confession ; Dostoevsky ; laughter ; modernity ; sincerity ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 4
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    Chapter О некоторых особенностях словоупотребления в поэтическом словаре Достоевского. В связи с книгой М.Л. Уральского и Г. Мондри Достоевский и евреи (Санкт-Петербург: Алетейя, 2021) (2023)
    Firenze University Press
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    Publication Date: 2024-03-24
    Description: On Features of Word Usage in Dostoevsky’s Poetic Dictionary in Connection with M.L. Uralskij and G. Mondry’s Dostoevsky and the Jews (St. Petersburg: Aletheia, 2021) . This article addresses the question of Dostoevsky’s alleged anti-Semitism with particular attention to Uralskij and Mondry’s book devoted to this topic, in which conclusions about the author’s chauvinism and xenophobia are based on his use of the word ‘Jew’ (zhid). For almost the entirety of the 19th century, however, such word usage was not a marker of anti-Semitism. Throughout his life, Dostoevsky communicated with many representatives of the Jewish people without differentitating them in any particular way from representatives of other nationalities. In the writer’s poetic dictionary, the word ‘Jew’ sometimes denotes a person who acquires unscrupulously, examples of which Dostoevsky found in all nationalities of the world, including the Russian.
    Keywords: Dostoevsky ; Jewish question ; national character ; denial of anti-Semitism ; Russian word zhid ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 5
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    Chapter Предисловие (2023)
    Firenze University Press
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    Publication Date: 2024-03-24
    Description: Foreword. Dostoevsky: Paradox, Humor, Deconstruction. A foreword to the present book and to each of the 15 articles that are part of it. While the analysis of humor, paradox, and deliberate deconstruction has generally occupied a marginal position in the study of Dostoevsky’s universe, it seems impossible to understand his poetics without pointed attention to these categories. The present book aims to fill the existing gap by focusing on the nature of ambivalent humor, paradoxicality, and methods of “de-automatizing” consciousness through deconstruction. It is precisely the dialogical and paradoxical nature of Dostoevsky’s artistic method that enables such different and sometimes contradictory readings.
    Keywords: Dostoevsky ; Paradox ; Humor ; Deconstruction ; Dostoevsky Studies ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 6
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    Chapter Ascetism and Incontinence and Dostoevsky’s Gift of Tears (2023)
    Firenze University Press
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    Publication Date: 2024-03-24
    Description: In Dostoevsky’s binary poetics, an opposition can be drawn between two fundamental stances – asceticism and incontinence. Ascetics adhere to an ethos of self-restraint in response to the desires of the flesh. Incontinents act spontaneously to gratify their desires. The current study draws an analogy between the behavior pattern of Dostoevsky’s self-denying intellectual heroes and that of exiled castrate (skoptsy) communities. Dostoevsky’s ascetics represent a cerebral mindset attracted to visions of social utopia; their intellectualizing detaches them from the life of the body and thus weirdly parallels the strictures of the skoptsy. An encounter between an ascetic and a prostitute serves as a central plot moment in works such as Crime and Punishment and Notes from Underground.
    Keywords: Dostoevsky ; ascetism ; sectarianism ; castrates ; drunkenness ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 7
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    Ф.М. Достоевский: Юмор, парадоксальность, демонтаж (2023)
    Firenze University Press
    Details
    Publication Date: 2024-03-24
    Description: While the analysis of humor, paradox, and deliberate deconstruction has generally occupied a marginal position in the study of Dostoevsky’s universe, it seems impossible to understand his poetics without pointed attention to these categories. The present book aims to fill the existing gap by focusing on the nature of ambivalent humor, paradoxicality, and methods of ‘de-automatizing’ consciousness through deconstruction, arguing that these are central elements in Dostoevsky’s creative arsenal. It is precisely the dialogical and paradoxical nature of his artistic method that enables such different and sometimes contradictory readings. Dostoevsky, who proclaimed «the excitement of compassion» as the secret of humor (in the ‘funny’ there is always sadness and even despair), more generally exposes in his writing the structural duality of all phenomena.
    Keywords: Dostoevsky ; Paradox ; Humor ; Deconstruction ; Comparative Studies ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 8
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    Chapter Ономастика и Парадокс: Достоевский и крушение онтологической целостности персонажа (2023)
    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
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    Publication Date: 2024-03-24
    Description: Onomastics and Paradox: Dostoevsky and the Collapse of the Ontological Integrity of Character. Onomastics plays a key role in Dostoevsky’s poetics: the names of most of his characters are essential to their portraits, even though these names rarely signify unambiguously. Moreover, a number of his characters are nameless and a semantic tension arises from this absence: the impossibility of “branding” the hero with a name prevents us from identifying his or her features through verbal onomastic symbolism. The portrait of such characters necessarily remains somewhat murky. It is no coincidence that the “nameless heroes” are the most paradoxical and enigmatic characters of Dostoevsky’s creative world. By denying them names, Dostoevsky seeks to destroy the inner integrity of these heroes, their identity, in order that a living, independent, and contradictory personality emerges in them.
    Keywords: Dostoevsky ; Onomastics and Ontology ; Characters’ names ; Nameless heroes ; Hermeneutics of the name ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 9
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    Chapter Парадокс женского сексуального желания в Преступлении и наказании: к вопросу о женской груди (2023)
    Firenze University Press
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    Publication Date: 2024-03-24
    Description: The Paradox of Female Sexual Desire in Crime and Punishment: On the Question of the Female Breast . This article examines references to the female breast found in Dostoevsky’s novel Crime and Punishment to reveal the contradictory role of female sexuality in his literary world. Despite feminist inclinations and a personal familiarity with “emancipated love,” he had particular difficulty with issues of women’s sexual desire and female corporeality, associating them with danger. He actively suppressed the bodies and desire of physically attractive women in his work. In Crime and Punishment, for ex., both Sonia and Dunia attract male desire, but do not express their own. References to the female breast in his work reveal this deep ambivalence about the female body: now alluring, now menacing, now subject to torture, the breast can also be symbolically maternal or disease-ridden.
    Keywords: Dostoevsky ; breast ; sexuality ; desire ; maternity ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 10
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    Chapter Парадоксальность Кроткой (2023)
    Firenze University Press
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    Publication Date: 2024-03-24
    Description: A Gentle Creature’s Paradox. The aim of this article is to analyze a smile as a mimetic, nonverbal facial expression. Although a smile most often displays joy and pleasure, it sometimes expresses emotions such as sadness, cruelty, anger, etc. This analysis aims to focus on the paradoxical “mistrustful, silent, and evil smile” of A Gentle Creature. Her smile marks the beginning of her life with the Pawnbroker and it is her companion until the end of her life. The paradox of smile illuminates other paradoxes such as that of communication (verbal/nonverbal, communication/its negation), of death (suicide and the icon, destruction/resurrection, silence/birth of words), of the Pawnbroker’s story (author-narrator, narrative/story, fantastic/realistic, contradictions in the story), and of the event (real event/event in the narrator’s mind).
    Keywords: smile ; Dostoevsky ; А Gentle Creature ; story ; paradox ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 11
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    Chapter О славянизмах в Братьях Карамазовых (2023)
    Firenze University Press
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    Publication Date: 2024-03-24
    Description: About Slavonicisms in The Brothers Karamazov. This work draws attention to the function of Slavonicisms in The Brothers Karamazov. In the last dialogue between Kolja Krasotkin and Alesha Karamazov, Kolja’s lines about postmortality or immortality are stylistically limited to the framework of the middle-lower register of Russian and thus exclude any metaphysical component. Alesha’s response, in contrast, is constructed in a Slavonic idiolect that belongs simultaneously to the conventional and to the mythopoetic. Another case of this appeal to the Slavonic register may be found in the dispute between Ivan and the devil regarding the recognition or denial of the incarnation of evil in the world. Claiming incarnation, Satan tries to demonstrate the equivalence of demonic and human nature. The primary instrument deployed in this argument is a Slavonicism, claimed by Satan, but which does not belong to him.
    Keywords: Dostoevsky ; The Brothers Karamazov ; Slavonicisms ; paradox ; dialogue with the Devil ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 12
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    Chapter Диалектика Достоевского: имя Отца и спасительная сила детской жизни (2023)
    Firenze University Press
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    Publication Date: 2024-03-24
    Description: Dostoevsky’s Dialectic: The Name of the Father and the Saving Power of Childhood. The artistic experience of Dostoevsky’s novels combines two rather heterogeneous hermeneutic strategies – the analysis of the unconscious and of existential utopia. In the first case, Dostoevsky problematizes the completeness of the symbolic order of culture as such through the thematization of the figure and name of the Father. From the perspective of the second strategy, Dostoevsky creates his own utopia of a symbolic order, with the eternal substance of people’s life capable of infinite renewal in the child’s soul in the role of the great Other. His novels reveal what can be called the creative core of culture. The murder of Fyodor Karamazov is an archetypal event, a sacrifice of the Body of the Father for the sake of the NAME of the dead Father, it initiates a paradigmatic process in the Symbolic.
    Keywords: Dostoevsky ; Lacan ; Body of the Father ; Father’s Name ; childhood ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 13
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    Chapter Деконструкция в романах Достоевского: замыслы, планы, подготовительные материалы, основной текст (2023)
    Firenze University Press
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    Publication Date: 2024-03-24
    Description: Deconstruction in Dostoevsky’s Novels: Ideas, Plans, Preparatory Materials, Main Text . This article examines the role of deconstruction in Dostoevsky’s novels as a technique for bringing the ideological and psychological components of images into collision. These images are imbued with complex paradoxical meaning, revealing anthropological and philosophical issues in the writer’s work. Crime and Punishment advances the theme of a need for crime in order to achieve the moral rebirth of the hero. Moving forward on this path, the novel dismantles both inner and outer limits in the space of the hero. In The Idiot, Dostoevsky links passionate and antagonistic motifs to the Christian idea, thereby deconstructing boththe entire ethical concept of Myškin and the narrative associated with it. In The Adolescent the main character is subjected to destructive motivational interventions.
    Keywords: Dostoevsky ; deconstruction ; dismantling ; paradoxicity ; Christian idea ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 14
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    Chapter «И скрипка, и контрабас»: фигура парадокса и поэтика недоумения в художественном мышлении Пиранделло и Достоевского (2023)
    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
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    Publication Date: 2024-03-24
    Description: “Both violin and contrabass”: The Figure of Paradox and the Poetics of Bewilderment in the Artistic Thinking of Pirandello and Dostoevsky. Pirandello and Dostoevsky are deeply linked at thematic, ideological and textual levels. In 1908, Pirandello published the treatise Humorism, in which he elaborated an original theory of humor and substantiated a worldview that is quite close to the type of artistic consciousness inherent in Dostoevsky’s work, and is genetically related to it. The poetics of paradox, in which every mental and sensual experience is tested by its “opposite”, encourages the reader to “hang” between two seemingly mutually exclusive principles while opening up the possibility of a new, more complex understanding of reality and of the Other. This article presents aspects of Pirandello’s theory of humor in a new light, revealing their potential for application to the analysis of Dostoevsky’s work.
    Keywords: Dostoevsky ; Pirandello ; humorism ; reflection ; paradox ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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