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  • 1
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 5
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 6
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 7
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 8
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 9
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 10
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 11
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 12
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 13
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 14
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 15
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 16
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 17
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 18
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 19
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 20
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 21
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 22
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 23
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 24
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 25
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 26
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 27
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 28
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 29
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 30
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 31
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 32
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 33
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 34
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 35
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 36
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 37
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 38
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 39
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 40
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 41
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 42
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 43
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 44
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 45
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 46
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 47
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 48
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 49
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 50
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 51
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 52
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 53
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 54
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 55
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 56
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 57
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 58
    facet.materialart.
    Unbekannt
    FrancoAngeli | Transizioni = Transitions
    Publikationsdatum: 2024-03-23
    Beschreibung: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Schlagwort(e): Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Sprache: Italienisch , Englisch , Spanisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 59
    facet.materialart.
    Unbekannt
    Universidad Santiago de Cali | Problemas del campo curricular en América Latina
    Publikationsdatum: 2022-06-03
    Beschreibung: Published
    Beschreibung: El currículo constituye una dimensión importante en la propuesta de formación universitaria. Su estructura depende de las configuraciones que legitiman el conocimiento apropiado para la transmisión de saberes en el escenario educativo. La literatura sobre el concepto es extensa en cuanto a los enfoques y formulaciones técnicas (Taba, 1979; Tanner y Tanner, 1980; Tyler, 1949).
    Schlagwort(e): Currículo ; Planificación curricular ; Educación superior ; Métodos de enseñanza ; Pedagogía ; bic Book Industry Communication::J Society & social sciences::JN Education::JNF Educational strategies & policy
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 60
    facet.materialart.
    Unbekannt
    Universidad Santiago de Cali | Maqroll y el imperio de la literatura Vol. 2
    Publikationsdatum: 2024-03-26
    Beschreibung: Published
    Beschreibung: El análisis semiótico de la diégesis o historia relatada y la actorialización o distribución de los actores del discurso en Ilona llega con la lluvia permite dilucidar la desesperanza como el hilo conductor de la novela, el cual es develado por el relato que hacen los personajes de sus recuerdos. En mi lectura, daré cuenta del componente argumental como universo diégetico donde se desarrolla la trama, así como el componente actoral, donde se localizan los actores Maqroll, Ilona y Larissa, y las acciones que estos realizan y que los afectan. La actorialización definirá, además, cómo estos actores se relacionan con las isotopías semánticas de la nostalgia como sentimiento siempre presente de lo gozado en un pasado feliz, la muerte como experiencia propia y la conciencia de la propia destrucción como correlato necesario de la vida.
    Schlagwort(e): Crítica ; Interpretación ; Ensayos colombianos ; Literatura ; Diálogos ; Poesía ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Sprache: Spanisch
    Format: application/pdf
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  • 61
    Publikationsdatum: 2024-04-11
    Beschreibung: The validation of the Chemical Oxygen Demand (COD) and Biochemical Oxygen Demand (BOD) was carried out. In the first, a potassium acid phthalate standard and a spectrophotometric detection method were used, and for the second, the reading of samples was implemented by membrane electrode, a standard glutamic acid-glucose solution and incubation for 5 days at 20 ± 1ºC. Parameters were determined as linearity, precision, accuracy, sensitivity, limit of detection and quantification. It was demonstrated through experimental design and statistical procedures that methods can be used with sensitivity and confidence. Detection and quantification limits of 46.2 and 100 mg/L for COD and 2.78 and 4.71 mg / L for BOD were reached. In both tests a coefficient of variation for repeatability and reproducibility between 0.001 - 0.055% and 0.001 - 0.022% was evidenced; in accuracy, error and recovery percentages were obtained between 0.04 - 3.39% and 95.0 and 103% respectively.
    Beschreibung: Published
    Beschreibung: Se realizó la validación de la Demanda Química de Oxígeno (DQO) y Demanda Bioquímica de Oxígeno (DBO). En la primera se utilizó estándar de ftalato ácido de potasio y un método de detección espectrofotométrico y para la segunda, se implementó la lectura de muestras por electrodo de membrana, una solución estándar de glucosa-ácido glutámico e incubación por cinco días a 20±1ºC. Se determinaron parámetros como linealidad, precisión, exactitud, sensibilidad, límite de detección y cuantificación. Se demostró mediante el diseño experimental y los procedimientos estadísticos que se pueden emplear los métodos con sensibilidad y confianza. Se alcanzaron límites de detección y cuantificación de 46.2 y 100 mg/L para DQO y 2.78 y 4.71 mg/L para DBO. En ambas pruebas se evidenció un coeficiente de variación para repetibilidad y reproducibilidad entre el 0.001 - 0.055% y 0.001 – 0.022%; en la exactitud se obtuvieron porcentajes de error y recuperación entre el 0.04 – 3.39% y 95.0 y 103% respectivamente.
    Schlagwort(e): Agua residual ; Biodegradabilidad ; Calidad de agua ; Método de validación ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TQ Environmental science, engineering and technology::TQS Sanitary and municipal engineering::TQSR Waste treatment and disposal
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 62
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    Universidad Santiago de Cali | Diálogo entre las humanidades
    Publikationsdatum: 2024-04-01
    Beschreibung: Published
    Beschreibung: Los avances de las llamadas ciencias duras, las ingenierías y las ciencias básicas son un hecho, al punto que son los motores de mayor fuerza en los avances científicos en las últimas décadas. También es un hecho que el sentido de utilidad del conocimiento, el papel de la innovación de las ciencias ha cobrado fuerza y valor situando a las Humanidades en niveles cada vez más distantes aparentemente, de los centros de toda de decisiones en los problemas de nuestro tiempo (Acevedo y Prada Dussán, 2017). En la actualidad la atención del pensamiento está centrado en “en un ‘enfoque orientado al mercado’, que favorece las ciencias biológicas, médicas y tecnológicas, y ha ayudado a reforzar una jerarquía disciplinaria en la que (…) [las] artes y Humanidades han luchado por llamar la atención” Hazelkorn (2015, p. 1).
    Schlagwort(e): Humanidades ; Estética ; Historia ; Diálogos ; Educación y Ética ; Comunicación Social y Publicidad ; Filosofía ; thema EDItEUR::N History and Archaeology::NH History
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 63
    Publikationsdatum: 2022-06-08
    Beschreibung: Published
    Beschreibung: La inspiración del presente libro surge de los procesos investigativos que cada autor presenta en diferentes escenarios: pedagógico, semiótico, hermenéutico, y enfoques sobre la alfabetización tecnológica: étnicos y normativos del cine. Es un producto de los métodos didácticos, del saber pedagógico que encuentra su espacio en el ámbito de lo educativo, sirviendo como una herramienta pedagógica para uso de maestros, estudiantes y comunidad en general, que se ocupa de un entramado gnoseológico complejo para indagar sobre el estudio de las ciencias sociales y humanas
    Schlagwort(e): Cine ; Enseñanza ; Cine en la educación ; Afrocolombianos ; Cultura popular ; bic Book Industry Communication::J Society & social sciences::JN Education
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 64
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    Universidad Santiago de Cali | Escritura en la universidad: redactar y enseñar textos académicos
    Publikationsdatum: 2024-03-24
    Beschreibung: Published
    Beschreibung: ¿Qué es una reseña? Dentro del grupo de textos académicos, nos encontramos con la reseña. Este tipo de escrito es usual escucharlo cuando necesitamos conocer de manera general y rápida sobre un libro, un evento, una película o una obra de teatro. La reseña es un texto breve de carácter expositivo y en algunos casos, argumentativo. Su propósito es describir e informar y, en ciertos casos, analizar y emitir un juicio crítico o de valor, juicio que puede ser a favor o en contra, todo ello de una manera breve.
    Schlagwort(e): Tipologías textuales ; Lectura y escritura ; Comunicación y expresión ; Redacción y producción ; Escritura académica ; Comunidad discursiva ; thema EDItEUR::C Language and Linguistics::CB Language: reference and general::CBW Writing and editing guides
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 65
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    Universidad Santiago de Cali | Encuentros sociales en el Trabajo Social
    Publikationsdatum: 2022-07-19
    Beschreibung: Published
    Beschreibung: El propósito de este escrito es reflexionar desde el Trabajo Social, acerca de lo que significa la ciudad como territorio para pueblos y comunidades afros, indígenas y campesinas, así como los retos que implica avizorarlo en perspectiva intercultural y decolonial. Para su elaboración, se retomó la experiencia en el relacionamiento de académicos y particularmente trabajadores sociales, con personas de organizaciones étnico-campesina, en procesos conjuntos de investigación, prácticas profesionales y acciones sociales compartidas en Medellín, una ciudad moderna, capitalista y conservadora. Así mismo, pensadores sociales críticos latinoamericanos que aportan a las temáticas planteadas en el texto.
    Schlagwort(e): bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 66
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    Universidad Santiago de Cali | Leches concentradas azucaradas
    Publikationsdatum: 2024-04-05
    Beschreibung: Published
    Beschreibung: La leche condensada es un producto lácteo que representa una de las formas más útiles y prácticas de conservar la leche de los mamíferos, principalmente de la leche de vaca. Es un alimento conservado por la eliminación parcial del agua presente en la leche por medio del proceso de evaporación. Existen diferentes tipos de este producto, como la leche evaporada y la leche azucarada, entre otros, que en esencia es la leche concentrada, con mayor contenido de sólidos lácteos o menor contenido del agua original. Y es común o del manejo público en general, que la leche condensada se refiera a la leche concentrada azucarada.
    Schlagwort(e): Procesamiento de leche ; Leche concentrada ; Leche evaporada ; Leche condensada ; Productos lácteos ; Industria lechera ; thema EDItEUR::P Mathematics and Science::PN Chemistry::PNN Organic chemistry
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 67
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    Universidad Santiago de Cali | Reimaginar el futuro pospandemia
    Publikationsdatum: 2022-06-07
    Beschreibung: Published
    Schlagwort(e): Futuro ; Crisis ; Incertidumbre ; Pilares ontológicos ; Sociedad ; Amor ; Trabajo ; Salud ; Educación ; Lazo social ; Aproximaciones ; Humanidad ; bic Book Industry Communication::M Medicine::MB Medicine: general issues::MBN Public health & preventive medicine::MBNS Epidemiology & medical statistics
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 68
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    Universidad Santiago de Cali | Avances en el estudio de marcadores moleculares en el diagnóstico y pronóstico de sepsis bacteriana en la ciudad de Cali
    Publikationsdatum: 2024-04-05
    Beschreibung: Published
    Beschreibung: La prevalencia de sepsis en Colombia es del 12% y la mortalidad del 33,6%. Como predictores de respuesta inflamatoria se ha em-pleado la PCR, y como marcador de hipoxia tisular, el ácido lácti-co con resultados variables. En este estudio se evaluó los niveles de IL-6 como biomarcador inflamatorio de sepsis bacteriana y choque séptico en pacientes que se encuentran en la Unidad de Cuidados Intensivos de la Clínica Versalles de la ciudad de Cali.
    Schlagwort(e): Marcadores moleculares ; Diagnóstico y pronóstico ; Sepsisbateriana ; Choque séptico ; Poliformismo ; Sepsis abdominal ; Hospital ; Paciente ; Cali ; Colombia ; thema EDItEUR::P Mathematics and Science::PS Biology, life sciences::PSB Biochemistry
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 69
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    Universidad Santiago de Cali | Proyección e Innovación Social Vol. 2
    Publikationsdatum: 2022-10-13
    Beschreibung: Published
    Beschreibung: Dentro del proceso de formación en valores, la compasión permite el reconocimiento del otro como un ser que sufre, movilizando actitudes positivas de ayuda y acompañamiento. Este es uno de los valores menos explorados en los niños, por lo tanto, con el fin de contribuir al proyecto liderado por el grupo Unidos por la Compasión, se vincula el Programa de Psicología de la Universidad Santiago de Cali a través de su Semillero Salud y Cognición, con la intención de participar activamente desde la construcción e implementación de una herramienta lúdica denominada “Aprendiendo con Kokua el amigo compasivo”, para la sensibilización de los niños de preescolar frente a los comportamientos compasivos; así mismo, se busca involucrar a los docentes y cuidadores, quienes cumplen una función fundamental como agentes socializadores en las primeras etapas del desarrollo.
    Schlagwort(e): Compasión ; Primera infancia ; Valores ; Psicología ; bic Book Industry Communication::K Economics, finance, business & management::KJ Business & management::KJD Business innovation
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 70
    Publikationsdatum: 2024-03-29
    Beschreibung: Published
    Beschreibung: Si lo titulado anteriormente debiera ubicarse dentro de lo que la metodología tradicional considera como un ‘Resumen’, a continuación va entonces lo que en clave podría referirse sobre las ‘Palabras Clave’: brotes porque es lo que surge de las tierras, enacción quizá en el mejor sentido inglés de ‘to enact’, y rizomas en razón de los nacientes tejidos. Anotando al respecto que, si bien Deleuze (2005) acuñó el término en Francia en medio de sus referentes biológicos, es aquí en nuestra denominada Latinoamérica donde los rizomas los hemos ‘platanizado’. Porque aquí los hemos vivenciado y encontrado, hurgando con los dedos entre la tierra. A veces árida y en espera de las gotas de lluvia.
    Schlagwort(e): Mediación ; Realidad ; Comunidad ; Sustentable ; Afrocolombianos ; Identificación ; Recuperación ; Región Pacífico ; Valores Ancestrales ; Cognición ; Desarrollo humano ; Conocer ; Educarse ; Hermenéutica ; Sensorialidad ; Expresión ; Lenguajes ; Diversidad cultural ; Cartografía social ; Mapa parlante ; bic Book Industry Communication::J Society & social sciences::JN Education ; thema EDItEUR::J Society and Social Sciences::JN Education
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 71
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    Universidad Santiago de Cali | Narraciones y experiencias literarias en el Valle del Cauca
    Publikationsdatum: 2024-04-14
    Beschreibung: Published
    Beschreibung: En este capítulo se exploran algunas percepciones literarias vistas desde los cuatro elementos naturales relacionados con la historia cultural de la escritura femenina, las representaciones de ese universo simbólico en la voz de la autora vallecaucana, Vera Carvajal y su obra Érase una Mujer.
    Schlagwort(e): Producción artísitica ; Literatura vallecaucana contemporánea ; Voces femeninas ; Escritoras vallecaucanas ; Universo femenino ; Historia cultural ; Crítica literaria ; Obra literaria ; thema EDItEUR::X Graphic novels, Comic books, Manga, Cartoons::XQ Graphic novel / Comic book / Manga: genres::XQA Graphic novel / Comic book / Manga: Memoirs, true stories and non-fiction
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 72
    Publikationsdatum: 2024-03-29
    Beschreibung: In this article, the experience of approaching the characterization of afro-descendant, indigenous and functional diversity early childhood, attended by twenty (20) institutions of initial education in Santiago de Cali, is presented. In this action-participation research, the voices of families, teachers, support staff, boys and girls on differential attention and attention to diversity are recognized, through the implementation of participant observations, workshops with teachers and educational agents, family referents and semi-structured interviews with the children benefiting from the centers responsible for initial education in the city. Additionally, a documentary analysis of the Operational Plans for Comprehensive Care (POAI) was made. By way of problematization and contribution to the discussion about inclusion in childhood educational contexts, research results are raised, as well as some issues to work for the strengthening of initial education with a differential approach, where it is considered vital for child development, address as a transversal axis the theme of identity and respect for diversity.
    Beschreibung: Published
    Beschreibung: En este artículo, se plantea la experiencia de acercamiento a la caracterización de la primera infancia afrodescendiente, indígena y con diversidad funcional, atendida en 20 instituciones de Educación Inicial de Santiago de Cali. En esta investigación tipo acción-participación, se reconocen las voces de las familias, maestras, personal de apoyo, niños y niñas, sobre atención diferencial y atención a la diversidad, mediante la implementación de observaciones participantes, talleres con maestras, maestros y agentes educativos, referentes familiares y entrevistas semiestructuradas con los niños y las niñas beneficiarios de los centros encargados de la Educación Inicial en la ciudad. Adicionalmente, se hizo un análisis documental de los Planes Operativos para la Atención Integral (POAI). A modo de problematización y aporte a la discusión sobre la inclusión en contextos educativos de infancia, se plantean los resultados de investigación, así como algunos temas a trabajar para el fortalecimiento de la Educación Inicial con enfoque diferencial, donde se considera vital para el desarrollo infantil, abordar como eje transversal la temática de la identidad y el respeto a la diversidad.
    Schlagwort(e): Educación Inicial ; Enfoque diferencial ; Primera infancia ; Afrocolombianos ; Diversidad funcional ; Indígenas ; bic Book Industry Communication::J Society & social sciences::JN Education::JNF Educational strategies & policy ; thema EDItEUR::J Society and Social Sciences::JN Education::JNF Educational strategies and policy
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 73
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    Universidad Santiago de Cali | Narraciones y experiencias literarias en el Valle del Cauca
    Publikationsdatum: 2024-04-14
    Beschreibung: Published
    Beschreibung: Como investigadora, Carmiña ha realizado una permanente labor por develar el aporte de las mujeres en la literatura lo cual lo ha logrado en obras como “La mujer protagonista en la narrativa colombiana”, 1992 “Guerra y paz en Colombia. Las mujeres escriben, premio Casa de las Américas, en el 2004 y “la Narrativa femenina en Colombia” en el 2006. Parte de su creación y de la vida que da a las mujeres es el libro Escritoras latinoamericanas: Razón y locura. Él está conformado por dos ensayos: el primero es una presentación general de algunas pensadoras latinoamericanas. El segundo es un recorrido por la narrativa femenina en Colombia y otros países, particularmente la narrativa focalizada en La locura. Como ella lo dice, “este libro es producto de sus investigaciones permanentes alrededor de la expresión y discursividad femenina en América latina y en Colombia” (Navia, 2012, p. 10).
    Schlagwort(e): Producción artísitica ; Literatura vallecaucana contemporánea ; Voces femeninas ; Escritoras vallecaucanas ; Universo femenino ; Historia cultural ; Crítica literaria ; Obra literaria ; thema EDItEUR::X Graphic novels, Comic books, Manga, Cartoons::XQ Graphic novel / Comic book / Manga: genres::XQA Graphic novel / Comic book / Manga: Memoirs, true stories and non-fiction
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 74
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    Universidad Santiago de Cali | Antología del pensamiento Social en Colombia
    Publikationsdatum: 2022-06-13
    Beschreibung: Published
    Beschreibung: DOGMA. Llamaremos así a toda convicción que haya llegado a ser para quien la posee -o la padece una referencia de su propia identidad; algo que por lo tanto no puede ser perdido -por ejemplo superado- sin que se abra inmediatamente la cuestión esencial de la angustia: ¿Quién soy yo ahora que no pienso así, ahora que no creo en esto? Tal vez convenga dejar de lado momentáneamente el carácter mismo de esta convicción, su grado de elaboración y coherencia, las condiciones de su formación, para destacar solamente ese rasgo decisivo: que ha llegado a ser un referente de identidad. Esto nos permite indicar, para comenzar, que en un sentido fundamental todos somos dogma-ticos, que no es posible tomar una alegre distancia sobre el dogmatismo, sin hacernos toda clase de ilusiones sobre la economía de nuestro pensamiento. Dogmático fue ya nuestro ingreso en el mundo: una palabra incuestionable designó, valoró y configuró la imagen primera de la realidad y de nosotros mismos; la palabra de un ser supremo objeto de todo, de la identificación, de la necesidad, del amor, del deseo, de la demanda, de la hostilidad. Cuando más tarde, los monstruos sagrados de la infancia se diferencian y relativizan y, finalmente, ya no puede negarse del todo que son en cierto modo, señores comunes y corrientes, la nostalgia de una palabra fundadora sigue operando y puede buscarse y encontrarse en el mundo alguien a quien adjudicársela; o, lo que es más peligroso, tratar de negar que estamos privados de ella por medio de una autonomización maníaca e intentar producirla nosotros mismos. Y por desgracia no siempre sin éxito, puesto que hay muchos que la buscan.
    Schlagwort(e): Filosofía de la sociología ; Filosofía del pensamiento ; Pensamiento social ; bic Book Industry Communication::J Society & social sciences::JM Psychology::JMA Psychological theory & schools of thought
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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    Universidad Santiago de Cali | Resiliencia Urbana. Una mirada académica desde el Pacífico.
    Publikationsdatum: 2022-09-05
    Beschreibung: Published
    Beschreibung: Con el pasar del tiempo la historia nos ha demostrado que la forma de avanzar y evolucionar como seres humanos ha sido el conocimiento, el cual se ha trasmitido de diferentes formas tales como, jeroglíficos en paredes, papiros, libros, etc. Y todos estos expresados o almacenados en espacios dedicados netamente para ellos. En nuestro pacifico la forma de transmitir el conocimiento de generación en generación ha sido por medio del habla, entendiendo que nuestro lugar donde se ha transmitido y conservado todos estos saberes ha sido la calle como espacio de conservación del mismo, situación que nos lleva a pensar en un espacio el cual permita conservar y preservar todos los saberes ancestrales de nuestra cultura afro descendiente.
    Schlagwort(e): Urbanismo ; Desarrollo urbano ; Gestión ambiental urbana ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSG Urban communities
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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    Universidad Santiago de Cali | Caliwood y Metz
    Publikationsdatum: 2024-03-24
    Beschreibung: Published
    Beschreibung: Varias son las vetas desde donde se han abordado la expresión “lenguaje cinematográfico”. No obstante, como introducción para después abordar tal expresión con mayor profundidad desde lo que nos interesa, podemos destacar dos. La primera tiene relación con el deslumbramiento y asombro que el cine mudo, a principios del siglo XX, ocasionaba en algunos artistas y estetas, así como las posibilidades que éstos últimos veían en aquel. El cine, como una nueva forma de expresión, surgió y fue aceptado por las mayorías y por algunas minorías. Esto implicaba necesariamente una innovadora manera de abordar y vivir la experiencia estética, hasta ese momento anclada y validada socialmente en la cultura élite, cuyo medio de expresión más sobresaliente era el lenguaje verbal y escrito.
    Schlagwort(e): Cine colombiano ; Semiótica ; Cine ; Historia ; Crítica ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFN Film: styles and genres
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 77
    Publikationsdatum: 2022-10-25
    Beschreibung: Published
    Beschreibung: Este libro debe servir de apoyo a la investigación que deseamos consolidar en nuestros estudiantes. Por esto mostramos, diferentes miradas de investigadores de dedicación exclusiva que vienen reflexionando sobre las posibilidades del análisis de contenido en los medios de comunicación más cerca de lo cuantitativo que parte de la tradición del empirismo sociológico norteamericano, el análisis de los discursos desde la filosofía y una postura crítica a los estudios críticos europeos y finalmente, a ver la importancia de los enfoques desde la teoría de la Agenda Setting y el Framing mostrando la riqueza de estos modelos para la investigación de los procesos comunicativos.
    Schlagwort(e): Procesamiento de datos ; Investigación de medios ; Cuestiones éticas ; Minería de opinión ; Análisis del discurso ; Campo periodístico ; bic Book Industry Communication::G Reference, information & interdisciplinary subjects::GT Interdisciplinary studies::GTC Communication studies
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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    Universidad Santiago de Cali | Antología del pensamiento Social en Colombia
    Publikationsdatum: 2022-06-13
    Beschreibung: Published
    Beschreibung: Entre los estudiosos de la historia colonial y aún de la republicana es común que la sola mención de la palabra resguardo se asocie con las tierras comunales de cultivo asignadas a las comunidades indígenas de la Nueva Granada durante el período colonial. El concepto de resguardo es incluso atípico dentro de la terminología colonial que se utilizó en el resto de Hispanoamérica, aunque no la asignación de tierras a las comunidades indígenas sometidas. En México, por ejemplo, existió este ordenamiento con el nombre de fundo legal. Esta era el área que rodeaba el caserío indígena, pertenecía a los barrios del respectivo pueblo y se dividía en parcelas individuales, que no eran de propiedad del comunero al que quedaban asignadas, pero que podían continuar en posesión de sus descendientes.
    Schlagwort(e): Filosofía de la sociología ; Filosofía del pensamiento ; Pensamiento social ; bic Book Industry Communication::J Society & social sciences::JM Psychology::JMA Psychological theory & schools of thought
    Sprache: Spanisch
    Format: application/octet-stream
    Standort Signatur Erwartet Verfügbarkeit
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  • 79
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    Universidad Santiago de Cali | 100 años de frases publicitarias
    Publikationsdatum: 2022-06-01
    Beschreibung: ¿De qué manera el discurso publicitario de los anuncios de revista, desde sus elementos gráficos y conceptuales del diseño publicitario en Colombia en el siglo XX, se enriquece con los aportes culturales y sociales? Esta es la pregunta problema que da inicio a la investigación del publicista y redactor publicitario, docente universitario e investigador, Diego Fernando Guzmán Amaya.
    Beschreibung: Published
    Schlagwort(e): Publicidad ; Historia Publicidad en las revistas ; Medios de comunicación de masas ; Análisis del discurso ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies::JFDV Advertising & society
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 80
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    Universidad Santiago de Cali | Ciudad y rebeldía
    Publikationsdatum: 2024-03-26
    Beschreibung: Published
    Beschreibung: En nuestro artículo proponemos una lectura comparada de dos novelas emblemáticas sobre la salsa como destino, como amor fati, como entrega, deriva, muerte y resurrección del cuerpo, de la carne hecha tambor. La rumba es magnificencia o no es. Nos internamos para ello en Los reyes del mambo tocan canciones de amor (1990) del cubano-norteamericano, Óscar Hijuelos y en Que viva la música (1977) de Andrés Caicedo.
    Schlagwort(e): Andrés Caicedo ; Movimientos literarios ; Paisajes socioculturales ; Diferentes realidades ; Paisajes urbanos ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 81
    Publikationsdatum: 2024-03-24
    Beschreibung: Published
    Beschreibung: ¿Cómo exponer mis ideas por escrito? ¿Qué tipo de texto debo escoger? ¿Cómo estructurar mis ideas según el tipo de texto a escribir? Estas y otras preguntas son comunes en la cotidianidad académica, pues la escritura es un reto comunicativo constante en la vida de los estudiantes universitarios. A su vez, los docentes también deben enfrentarse constantemente a los desafíos que implica enseñar y evaluar a partir del texto escrito. Los capítulos consignados en Escritura en la universidad: redactar y enseñar textos académicos no solo buscan indagar en las diferentes tipologías textuales académicas, sino que son una guía para que tanto estudiantes como docentes puedan mejorar su rol dentro del proceso de enseñanza- aprendizaje. Por un lado, el estudiante podrá reconocer los diferentes tipos de texto (reseña, texto argumentativo, relatoría, entre otros), su estructura y estrategias para plasmar sus ideas correctamente; por otro lado, el docente encontrará diversas posibilidades para que la escritura sea una herramienta para la enseñanza de los contenidos disciplinares.
    Schlagwort(e): Tipologías textuales ; Lectura y escritura ; Comunicación y expresión ; Redacción y producción ; Escritura académica ; Comunidad discursiva ; Didáctico ; thema EDItEUR::C Language and Linguistics::CB Language: reference and general::CBW Writing and editing guides
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 82
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    Universidad Santiago de Cali | Sujeto e identidades
    Publikationsdatum: 2024-04-04
    Beschreibung: Published
    Beschreibung: Este texto es un acercamiento al lenguaje en la historia cultural en una reflexión de los espacios poéticos femeninos en la escritura y su configuración en los cuatro elementos naturales. Por eso, está organizado de tal forma, que el lector pueda percibir los cuatro elementos naturales alrededor de los diálogos epistemológicos en la escritura femenina. Así, En primer lugar, se presenta el agua como la posibilidad del fluir en relación con la ensoñación y los espacios poéticos. En segundo lugar, se encuentra el aire, con sus movimientos aéreos, para presentar la necesidad de pensar en la necesidad de reconocer un giro lingüístico en la poética y en el concepto de objetivación en las ciencias y en especial la mirada propuesta por Haraway (1995) en el feminismo científico.
    Schlagwort(e): Estudios Culturales ; Paradigma decolonial ; El mestizaje y la nación ; Proceso cultural latinoamericano ; Sistemas culturales ; Artísticos y literarios ; Conflicto cultural ; Identidades subalternas ; Estudios culturales latinoamericanos ; Estudios subalternos y poscoloniales ; Formación histórica latinoamericana ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
    Sprache: Spanisch
    Format: application/octet-stream
    Standort Signatur Erwartet Verfügbarkeit
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  • 83
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    Universidad Santiago de Cali | Centros de escritura universitarios: una estrategia para la permanencia estudiantil
    Publikationsdatum: 2024-04-14
    Beschreibung: Published
    Beschreibung: Este apartado del libro se centra en las experiencias significativas que se han tenido en el servicio de psicología del área de salud de Bienestar Universitario de la Universidad Santiago de Cali (USC); es un acompañamiento que se le da a la comunidad santiaguina, en especial a los estudiantes, en aras de prevenir la deserción de los estudiantes, fortalecer su proceso de formación académica y fortalecer su salud mental.
    Schlagwort(e): Centros de escritura ; Universidad ; Permanencia estudiantil ; Apoyo académico ; Lectura y oralidad ; Aprendizaje ; Educación inclusiva ; Lenguaje ; Salud ; Matemáticas ; Experiencias y retos ; Cali ; Cartagena ; Barranquilla ; thema EDItEUR::Y Children’s, Teenage and Educational::YP Educational material::YPC Educational: Language, literature and literacy::YPCA Educational: First / native language::YPCA2 Educational: First / native language: Reading and writing skills ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACB English
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 84
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    Universidad Santiago de Cali
    Publikationsdatum: 2022-04-18
    Beschreibung: Published
    Beschreibung: Históricamente, educación es fundamento y apropiación cultural del mundo, como también, tiempo vivido en el porvenir de la naturaleza humana. Con ella, se forman y se diferencian las relaciones interpersonales y las condiciones en las que es expresado el lenguaje en comunidad. Desde esta perspectiva, se puede considerar el concepto de educación concebido etimológicamente por los griegos bajo el vocablo phyo derivado de verbo physis que significa llegar a ser, producir engendrar o hacer crecer. Asimismo, bajo este rótulo, se hace evidente la afinidad establecida entre physis y paideia, devenidas educación y saber, y en tanto, saber es condición que se hace humanidad y educación, institución se vuelve pedagogía en torno al fundamento del ser que, en sí misma, se puede implementar como criterio para el deber ser. En estas relaciones, se expone además el logos como dispositivo de pensamiento en el sistema educativo, con el que, también se puede determinar el discurso que se halla vinculado tanto al fundamento intersubjetivo como a la forma de representación en los adolescentes que, con frecuencia, se hace impronta lingüística capaz de ocasionar formas de representación y percepción simbólica, las cuales constituyen mediante el propio discurso el sistema de significación que le confieren a través de su propio comportamiento las diferentes actividades y escenarios de la realidad
    Schlagwort(e): Violencia ; Historias de vida ; Inclusión ; Adolescencia ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFE Violence in society
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 85
    Publikationsdatum: 2024-04-05
    Beschreibung: Tuberculosis is a chronic infectious disease, caused by Mycobacterium tuberculosis, a bacterium identified by Robert Koch in 1882 and that after a little more than a century, is recognized as the leading cause of death due to an infectious disease. TB usually affects the lungs, but it can also affect other organs. Because its transmission is from person to person by inhalation of droplet-containing-bacteria suspended in the air, this disease is a public health concern. Daily, health workers are exposed to numerous hazards, including close contact with infectious patients and their potentially contaminated environment. It is estimated that about 1,000 health workers contract HIV,for reasons of their work and it is presumed that cases of tuberculosis, exceeds this number. Among the factors that explain the risk of infection with the consequent development of active TB are: the number of patients with TB treated, the function or occupation, the workplace, the delay in the diagnosis of patients and most importantly the lack of biosafety policies and measures in work environments, which facilitates direct exposure. We present here a current review of the status of occupational TB in the city of Cali during 2015 to 2017. This work was supported by the city’s municipal health secretariat and the TB program. We emphasize the importance of continuing the evaluation of this disease in vulnerable populations such as health workers and evaluate the preventive measures suggested by international agencies (Pan American Health Organization and Center for Disease Control) to mitigate the impact of TB in the city.
    Beschreibung: Published
    Beschreibung: La tuberculosis es una enfermedad infecciosa crónica, producida por Mycobacterium tuberculosis, una bacteria identificada por Robert Koch en 1882 y que posterior a un poco más de un siglo, es reconocida como la causa líder de muertes debidas a una enfermedad infecciosa. Por lo general, tiene afectación pulmonar, pero también puede afectar otros órganos. Debido a que su transmisión es de persona a persona por inhalación de partículas contaminados con el microorganismo que están suspendidos en el ambiente, esta enfermedad en un problema de salud pública. A diario, los trabajadores de la salud se encuentran expuestos a numerosos peligros, siendo los contaminantes biológicos uno de los principales riesgos. A nivel mundial, se estima que cerca de 1.000 trabajadores de la salud contraen VIH en el mundo y se presume que los casos de tuberculosis ocupacional supera esta cifra. Entre los factores que explican el riesgo de infección con el consecuente desarrollo de TB activa se destacan: la cantidad de pacientes con TB atendidos, la función u ocupación, el sitio de trabajo, el retraso en el diagnóstico de los pacientes y lo más importante la falta de políticas y medidas de bioseguridad en los entornos laborales, que facilita la exposición sea directa. Presentamos aquí una revisión actual del estado de la TB ocupacional en la ciudad de Cali entre 2015 y 2017. Este trabajo fue apoyado por la Secretaría Municipal de Salud de la ciudad y el programa de TB. Resaltamos la importancia de continuar la evaluación de esta enfermedad en población vulnerable como son los trabajadores de la salud y evaluar las medidas preventivas sugeridas por instancias internacionales (Organización Panamericana de la Salud y el Center for Disease Control) para mitigar el impacto de la TB en la ciudad.
    Schlagwort(e): Tuberculosis ; Personal de salud ; Enfermedad laboral ; Salud ocupacional ; Riesgo biológico ; thema EDItEUR::P Mathematics and Science::PS Biology, life sciences::PSB Biochemistry
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 86
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    Universidad Santiago de Cali | Lenguajeando mediación pedagógica
    Publikationsdatum: 2022-06-24
    Beschreibung: Getting to know us today has other nuances very different from yesteryear times; to know something or to know a anyplace somewhere we used to use books, stories, print paper versions or grandmother ́s stories to shape distant spaces, places or things that we did not fully understand, we came to assume many things; today technology does not open a door to the world instead it opens a great gate show even more things, more stories and culture that in a life-time we ́ve could had not know. The issues is how to mediate knowledge and new ways of communicating in a globalized world that points out to individuality, how to make that an advantage to improve it and endow it with a holistic and complex view for the harmony of living beings that inhabit this planet for now.
    Beschreibung: Published
    Beschreibung: Conocernos hoy tiene otros matices muy distintos a tiempos de antaño; para saber de algo o algún lugar recurríamos a libros, a relatos, a versiones impresas en papel o a los cuentos de la abuela para dar forma a espacios lejanos, a lugares o cosas que no comprendíamos del todo, llegábamos a suponer muchas cosas; hoy la tecnología no abre una puerta al mundo sino un gran portón a todas sus anchas para mostrar aún más cosas, más historias y culturas que en una vida no podríamos conocer. El tema es cómo mediar el conocimiento y las nuevas formas de comunicarnos en un mundo globalizado y que apunta a la individualidad, como hacer de eso un plus para mejorar y dotarlo de una visión holística y compleja para la armonía de los seres vivos que habitamos este planeta por ahora.
    Schlagwort(e): Holismo ; Inmersión ; Mediación ; Realidad ; Virtualidad ; bic Book Industry Communication::J Society & social sciences::JN Education
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 87
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    Universidad Santiago de Cali | Subjetividad y Cultura : ¿Reflexiones prontas o tardías sobre la investigación en psicoanálisis?
    Publikationsdatum: 2024-03-29
    Beschreibung: Published
    Beschreibung: En los últimos años en Colombia, las instituciones educativas han emprendido una ardua carrera para implementar en su interior los sistemas de gestión de calidad. Lograr la Certificación de Calidad y mantenerla, es uno de los principales objetivos educativos en nuestra sociedad. La presente ponencia propone indagar por los impactos que tienen los principios de los sistemas de gestión de Calidad en la subjetividad de los niños y adolescentes en las instituciones educativas. Se trata de una crítica desde una perspectiva psicoanalítica, que cuestiona los efectos de poner al ser humano en el lugar del producto, del objeto de una empresa. Esta ponencia plantea que los sistemas de gestión de calidad corresponden al discurso capitalista actual, que son implementados en los colegios con el fin de garantizar la sostenibilidad de la institución, desconociendo que sus ideales están en contra de la constitución de la subjetividad del ser humano. Planteo que el discurso capitalista ha puesto en auge una fascinación generalizada por el discurso psiquiátrico en los colegios, se trata de una manera de taponar al sujeto, y niega la posibilidad de que la educación se constituya en un escenario simbólico donde el sujeto pueda emerger. Ya desde 1930 Freud nos ponía al tanto
    Schlagwort(e): Psicoanálisis ; Psicología ; Cultura ; bic Book Industry Communication::J Society & social sciences::JM Psychology::JMA Psychological theory & schools of thought ; thema EDItEUR::J Society and Social Sciences::JM Psychology::JMA Psychological theory, systems, schools and viewpoints
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 88
    Publikationsdatum: 2024-04-14
    Beschreibung: Published
    Beschreibung: Narraciones y experiencias literarias en el Valle del Cauca es un libro pensado por los profesores de la Facultad de Educación de la Universidad Santiago de Cali. Desde el Club Literario Clepsidra fundado por Gladys Zamudio Tobar en el año 2014, libramos distintas “luchas” para aportar nuestro granito de arena al panorama literario vallecaucano, nacional e internacional. De ahí, la organización de eventos científicos como el Coloquio Internacional de Literatura Comparada en el marco del Año Cruzado Francia-Colombia 2017, además de talleres, mesas redondas y otras actividades culturales realizadas en alianza con el Festival Internacional de Poesía de Cali y la Feria Internacional del Libro de Cali. Nuestro objetivo principal, con publicaciones como Ciudad y rebeldía. Vida y obra de Andrés Caicedo, Maqroll, El imperio de la literatura. Ensayos sobre la vida y obra de Álvaro Mutis (Tomos 1 y 2) y la presente compilación, es difundir capítulos –resultado de investigación en literatura– con el fin de reconocer la producción artística e intelectual que ha trascendido los horizontes del territorio geográfico y se ha extrapolado hacia las profunidades del pensamiento humano.
    Schlagwort(e): Producción artísitica ; Literatura vallecaucana contemporánea ; Voces femeninas ; Escritoras vallecaucanas ; Universo femenino ; Historia cultural ; Crítica literaria ; Obra literaria ; thema EDItEUR::X Graphic novels, Comic books, Manga, Cartoons::XQ Graphic novel / Comic book / Manga: genres::XQA Graphic novel / Comic book / Manga: Memoirs, true stories and non-fiction
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 89
    Publikationsdatum: 2024-03-30
    Beschreibung: Published
    Beschreibung: El objetivo de la incorporación de los derechos de participación en la Constitución ecuatoriana del 2008 era la necesidad de establecer una mayor relación entre Estado y sociedad, es decir que el ciudadano sea parte en la toma de decisiones sobre los asuntos de interés público. Específicamente en ese sentido Boaventura de Sousa, plantea que la democracia participativa viene a ser complementaria de la representativa (Santos, 2004). Esto con la finalidad de intentar superar la crisis que sufría el modelo representativo liberal (Santos, 2004). Así, el constituyente ecuatoriano instituyo nuevos derechos, garantías e instituciones con ese propósito. No obstante, a nueve años de esa promesa constituyente, existen muchas críticas, y detractores de esta. En este trabajo, me propongo revisar algunas de estas objeciones, desde una perspectiva analítica y critica.
    Schlagwort(e): Consejo Europeo ; Neoconstitucionalismo ; Policía ; Audiencias provinciales de Cataluña ; Derechos de participación en Ecuador ; Delitos políticos ; Grupos armados ilegales
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 90
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    Universidad Santiago de Cali | Maqroll y el imperio de la literatura Vol. 2
    Publikationsdatum: 2024-03-27
    Beschreibung: Published
    Beschreibung: Hay una vertiente en la historia del pensamiento occidental formada por aquellos que a partir de la ilustración empezaron a lanzar argumentos, e incluso improperios, contra el mundo moderno. Principalmente desde los siglos XVIII y XIX, varios pensadores elaboraron doctrinas basadas en formas intuitivas, vitalistas y naturalistas con un carácter anti o contra racionalista, que en alguna medida eran próximas al mito en la manera de acercarse al conocimiento.
    Schlagwort(e): Crítica ; Interpretación ; Ensayos colombianos ; Literatura ; Diálogos ; Poesía ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 91
    Publikationsdatum: 2022-06-03
    Beschreibung: Published
    Beschreibung: El estudio de los imaginarios sociales ha tenido un crecimiento metodologías y disciplinas desde los que ha sido abordado son tan ricos y variados que abarcarlos en una sola publicación resulta imposible. Existen, sin embargo, algunos trabajos que han buscado realizar un estado del arte sobre el tema, por lo que nos es posible dedicar unas palabras a ello. Aunque el tema ha sido abordado desde diferentes corrientes teóricas, quizá la que más impacto ha tenido en la tradición de habla hispano-portuguesa es la de la escuela francesa, y especialmente la obra de Cornelius Castoriadis. En su libro La institución imaginaria de la sociedad, Castoriadis presenta de manera más completa su concepto de imaginario social, dividiendo éste en dos partes. La primera, proveniente de los artículos que había publicado anteriormente en la revista Socialismo o Barbarie, representa una dura crítica al marxismo y a lo que él llama la lógica-ontológica heredada, mientras que la segunda es donde Castoriadis presenta de manera más detallada su concepto de imaginario social utilizando elementos como lo histórico-social, legein y teukhein y los magmas de significaciones (Castoriadis, 2013). Dichos conceptos aparecen de una u otra manera en la mayor parte de los estudios sobre imaginarios que se tienen en la región.
    Schlagwort(e): Imaginarios ; Sociales ; Identidades ; Especialidades Urbanas ; Diversidad ; Comunidad ; México ; Historia ; Transformación ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 92
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    Universidad Santiago de Cali | Control de riesgos ocupacionales en prácticas formativas en salud
    Publikationsdatum: 2022-06-09
    Beschreibung: Published
    Beschreibung: El profesional en Instrumentación Quirúrgica, adquiere una formación científica, tecnológica, investigativa, humanística y social, fundamentada en las ciencias básicas generales, ciencias biomédicas, especialidades médico quirúrgicas, ciencias administrativas y sociales, centradas en la transmisión de conocimientos básicos a la aplicación concreta en el entrenamiento quirúrgico tanto dentro del quirófano, como fuera de él, en las centrales de esterilización, consultorios especializados y en la industria y el comercio de dispositivos médico-quirúrgicos. (Colegio Colombiano de Instrumentación Quirúrgica, 2014), como se describe en el Cuadro 30.
    Schlagwort(e): Riesgos laborales ; Administración de riesgos ; Valoración ; Salud ocupacional ; bic Book Industry Communication::M Medicine::MB Medicine: general issues::MBN Public health & preventive medicine
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 93
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    Universidad Santiago de Cali | Estudio Comparativo entre Lenguajes Textuales y Lenguajes Visuales Caso: PiCO y GraPiCO
    Publikationsdatum: 2024-04-14
    Beschreibung: Published
    Beschreibung: Este es un proyecto interdisciplinario e interinstitucional entre la Ingeniería de Sistemas y la Comunicación Social, la Universidad de San Buenaventura de Cali USBC (por parte de los Ingenieros) y la Universidad Autónoma de Occidente UAO (por parte de los Comunicadores); el proyecto en cuestión se gestó con el fin de dar apoyo al Laboratorio de Investigación para el Desarrollo de la Ingeniería de Software (LIDIS), de la USBC, en un trabajo posdoctoral consistente en el estudio comparativo entre el Cálculo textual: PiCO y el Cálculo visual: GraPiCO, los cuales hacen parte del programa E_GraPiCO. Este apoyo fue necesario para conocer bajo qué condiciones es más adecuado un lenguaje que otro y qué mejoras requieren. El objetivo desde la comunicación durante el proceso fue socializar los conceptos técnicos básicos propios de estos dos lenguajes de programación (PiCO Y GraPiCO) por medio de material comunicativo audiovisual que, a su vez, serviría como una herramienta didáctica mediadora entre los exponentes del proyecto y el auditorio.
    Schlagwort(e): Ingeniería de sistemas ; PiCo y GraPiCO ; Lenguajes de programación ; Estudio comparativo ; thema EDItEUR::U Computing and Information Technology::UM Computer programming / software engineering::UMA Programming techniques
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 94
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    Universidad Santiago de Cali | Antología del pensamiento Social en Colombia
    Publikationsdatum: 2022-06-13
    Beschreibung: Published
    Beschreibung: Los hombres cambian menos de ideas que las ideas de disfraz. En el decurso de los siglos las mismas voces dialogan. (p 15). El hombre inteligente no vive nunca en ambientes mediocres. un ambiente mediocre es aquel donde no hay hombres inteligentes. (p 16).Quienes gimen sobre la estrechez del medio en que viven pretenden que los acontecimientos, los vecinos, los paisajes les den la sensibilidad y la inteligencia que la naturaleza les negó. (p 16).Después de definir al hombre tenemos que modificar inmediatamente nuestra definición, porque la conciencia de esa definición lo transforma. (p 17).La verdad se pervierte cuando olvida el concreto proceso en que nace. (p 18). Una muchedumbre homogénea no reclama libertad. La sociedad jerarquizada no es meramente la única donde el hombre puede ser libre. Libre, sino también la única donde le urge serlo. (p 18)
    Schlagwort(e): Filosofía de la sociología ; Filosofía del pensamiento ; Pensamiento social ; bic Book Industry Communication::J Society & social sciences::JM Psychology::JMA Psychological theory & schools of thought
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 95
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    Universidad Santiago de Cali | Problemas del campo curricular en América Latina
    Publikationsdatum: 2024-03-29
    Beschreibung: Published
    Beschreibung: El análisis de las reformas curriculares que, en las últimas décadas, han intervenido el campo de las ciencias sociales en la educación superior latinoamericana implica la comprensión inicial de las transformaciones que ha vivido la universidad misma en la región, en sus aspectos cuantitativos y cualitativos.
    Schlagwort(e): Currículo ; Planificación curricular ; Educación superior ; Métodos de enseñanza ; Pedagogía ; bic Book Industry Communication::J Society & social sciences::JN Education::JNF Educational strategies & policy ; thema EDItEUR::J Society and Social Sciences::JN Education::JNF Educational strategies and policy
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 96
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    Universidad Santiago de Cali | Discapacidad y TIC
    Publikationsdatum: 2022-06-09
    Beschreibung: Published
    Beschreibung: La prestación de servicios de rehabilitación a través de las Tecnologías de la Información y Comunicación (TIC) o Tele-rehabilitación, se constituye en una estrategia de articulación entre la rehabilitación institucional y las modalidades de atención extramural que se ofrecen a la población con discapacidad, en áreas geográficas con problemas de oferta y acceso a servicios de rehabilitación. El departamento del Amazonas ubicado al sur de Colombia, es la región geográfica con mayor extensión territorial y una considerable dispersión poblacional, características que determinan limitaciones en el acceso a servicios de salud y altos costos de la atención que se transfieren a la población usuaria, situación que se hace más compleja con las particularidades sociales y culturales de la región, y las necesidades de atención de los grupos étnicos y la población con discapacidad.
    Schlagwort(e): Personas con discapacidades ; Comunicación ; Alfabetización mediática ; Dispositivos de autoayuda ; personas con discapacidades ; Interculturalidad ; Lengua de señas ; bic Book Industry Communication::J Society & social sciences::JN Education::JNF Educational strategies & policy::JNFN Inclusive education / mainstreaming
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 97
    facet.materialart.
    Unbekannt
    Universidad Santiago de Cali | Maqroll y el imperio de la literatura Vol. 2
    Publikationsdatum: 2024-03-27
    Beschreibung: Published
    Beschreibung: Maqroll el Gaviero, ese entre pensador y negociante que sube por el río Xurandó hacia la enigmática Factoría, es un hombre para quien la lógica de los acontecimientos está en crisis. O, simplemente, no existe. Quizás ni siquiera ha existido jamás. La racionalidad de la historia, su sentido, tal vez signifiquen para él apenas un invento más del hombre por sentirse acompañado de algo en medio del sordo sonido del cosmos, o bajo las ramas derretidas de los árboles.
    Schlagwort(e): Crítica ; Interpretación ; Ensayos colombianos ; Literatura ; Diálogos ; Poesía ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 98
    Publikationsdatum: 2022-08-23
    Beschreibung: Published
    Beschreibung: Cali se caracteriza por ser la segunda ciudad en América Latina con mayor población afrodescendiente; ello como resultado, en gran parte, de los procesos migratorios provenientes de municipios como Tumaco, Barbacoas, Buenaventura, y el sur de Chocó. Los factores encadenados a tales fenómenos de desplazamiento han sido principalmente los conflictos socio-políticos que ha vivido nuestro país. Adicionalmente, el imaginario de una ciudad que ofrece oportunidades de empleo, educación y mejores condiciones de vida, también son aspectos que han influenciado la migración hacia la urbe, expectativas que se han enfrentado a la desesperanza de una ciudad no preparada para atender a los nuevos habitantes.
    Schlagwort(e): Sociología ; Desarrollo social ; Innovación social ; Investigación social ; bic Book Industry Communication::K Economics, finance, business & management::KJ Business & management::KJD Business innovation
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 99
    facet.materialart.
    Unbekannt
    Universidad Santiago de Cali | Escritura en la universidad: redactar y enseñar textos académicos
    Publikationsdatum: 2024-03-24
    Beschreibung: Published
    Beschreibung: “Para la próxima clase me deben traer un ensayo del texto leído, por favor, cumplir con todos los criterios que tiene este tipo de texto”. Estas palabras las escuchamos cotidianamente, a veces con ensayos, otras veces con una reseña, un informe, una síntesis y otros textos que en la vida universitaria son la práctica y aplicabilidad del conocimiento. Pero una parte que no queda tan explícita o en la cual realizamos ciertos supuestos, es saber si el estudiante sabe cómo desarrollar un determinado tipo de texto. Cuando hablamos de los criterios de escritura, estos a veces se desvanecen en su claridad de acuerdo a la noción que tenga cada docente de esa tipología, lo cual a veces genera confusión en los estudiantes cuando estos criterios varían de un profesor a otro. Otra de las dificultades es que ciertas tipologías textuales tienen unas líneas muy delgadas que las dividen una de otra, por lo que puede pasar que iniciamos escribiendo un texto expositivo y terminemos en un ensayo o viceversa, o nos piden una síntesis y el resultado es un resumen.
    Schlagwort(e): Tipologías textuales ; Lectura y escritura ; Comunicación y expresión ; Redacción y producción ; Escritura académica ; Comunidad discursiva ; Didáctico ; thema EDItEUR::C Language and Linguistics::CB Language: reference and general::CBW Writing and editing guides
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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  • 100
    Publikationsdatum: 2024-04-01
    Beschreibung: Published
    Beschreibung: A continuación, se presentan los resultados del estudio denominado Función Motora Manual de niños, niñas y adolescentes con Parálisis Cerebral en el ámbito deportivo en la Ciudad de Cali en el año 2016, de acuerdo a los objetivos planteados.
    Schlagwort(e): Tratamiento ; Trastornos psicomotores ; Parálisis cerebral ; thema EDItEUR::M Medicine and Nursing::MQ Nursing and ancillary services::MQV Rehabilitation::MQVB Rehabilitation: brain and spinal injuries
    Sprache: Spanisch
    Format: application/pdf
    Standort Signatur Erwartet Verfügbarkeit
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