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  • Books  (7)
  • Italy  (4)
  • Middle Ages  (4)
  • thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics
  • Pôle Production Imprimé, Université Bordeaux Montaigne  (7)
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  • Books  (7)
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  • 1
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    Ausonius Éditions | Pôle Production Imprimé, Université Bordeaux Montaigne
    Publication Date: 2024-04-02
    Description: While recent work has renewed our knowledge of execution sites and the internal layout of confinement places in the Middle Ages, the distribution of prison spaces and territories, and in particular the socio-spatial dynamics and logics of their location, have yet to be analyzed. These prison spaces are the subject of this book, written by historians, archaeologists and literary scholars. By prison space, we mean the space produced by one or more places of incarceration: the interior spaces of a prison in all their complexity and the exterior space, whether that of arrests, judicial executions or the immediate vicinity of the gaol. The fourteen essays deal with prison space at different scale (buildings, neighborhood, city or region) and use a wide variety of sources: judicial documents, urban regulations, prison rules, accounts, iconography, archaeological datas, literary texts, etc.
    Keywords: space ; prison ; enlargement ; arrest ; prison tower ; city ; Middle Ages ; castle ; monastery ; ecclesiastical justice ; royal justice ; municipal justice ; representation ; dungeon ; jail ; oubliettes ; reclusion ; incarceration ; prisoner ; jurisdiction ; materiality ; archaeology ; iconography ; literature ; accounting ; ransom ; sentence ; captive ; war ; Aurillac ; Perigueux ; Dijon ; Tournai ; Paris ; Caen ; Aragon ; Zaragoza ; Huesca ; Teruel ; Italy ; Iberian Peninsula ; Burgundy ; Savoy ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::J Society and Social Sciences::JK Social services and welfare, criminology::JKV Crime and criminology
    Language: French , English
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  • 2
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    Ausonius Éditions | Pôle Production Imprimé, Université Bordeaux Montaigne
    Publication Date: 2024-03-23
    Description: Between c. 1350 and 1550, English sculptors carved thousands of panels depicting religious scenes from alabaster quarries around Nottingham. Exported throughout Europe, these polychrome reliefs were originally usually assembled to form altarpieces. Their coloured epidermis, an integral part of these works that can be termed three-dimensional paintings, has now often disappeared. A multidisciplinary team (art historian, archaeologist, artist and specialist in ancient polychromy, 3D engineers and optodigital researcher) has analysed and reconstructed the polychromy of several of these English panels preserved in the Bordeaux region. The physico-chemical analyses made it possible to determine the nature of the materials used and to recreate the paints used by the alabastermen. These data were used to produce an alabaster facsimile as well as two 3D models with their digital polychromy. As the polychromy of English alabaster works is highly standardised, these examples can be considered as representative of the appearance that the vast majority of the panels must have showed. The study thus allows us to address broader themes, such as the aesthetic and symbolic qualities of the colours used by the alabastermen, or the way in which these were perceived by the medieval viewer.
    Keywords: Polychromy ; reconstruction ; sculpture ; Middle Ages ; alabaster ; England ; Christian devotion ; digital restoration ; physico-chemical analyses ; micro-photography ; experimental archaeology ; 3D digitization ; photogrammetry ; optical measurements ; facsimile ; physical copy ; painting techniques ; pigments ; gilding ; symbolism of colours ; medieval vision ; perception criteria ; aesthetic principles ; patrons ; Bordeaux ; Libourne ; Paris ; Rabastens ; Saint-Nicolas-du-Bosc ; Nottingham ; London ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::N History and Archaeology::NH History
    Language: French
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  • 3
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    Ausonius éditions | Pôle Production Imprimé, Université Bordeaux Montaigne
    Publication Date: 2024-03-23
    Description: Between c. 1350 and 1550, English sculptors carved thousands of panels depicting religious scenes from alabaster quarries around Nottingham. Exported throughout Europe, these polychrome reliefs were originally usually assembled to form altarpieces. Their coloured epidermis, an integral part of these works that can be termed three-dimensional paintings, has now often disappeared. A multidisciplinary team (art historian, archaeologist, artist and specialist in ancient polychromy, 3D engineers and optodigital researcher) has analysed and reconstructed the polychromy of several of these English panels preserved in the Bordeaux region. The physico-chemical analyses made it possible to determine the nature of the materials used and to recreate the paints used by the alabastermen. These data were used to produce an alabaster facsimile as well as two 3D models with their digital polychromy. As the polychromy of English alabaster works is highly standardised, these examples can be considered as representative of the appearance that the vast majority of the panels must have showed. The study thus allows us to address broader themes, such as the aesthetic and symbolic qualities of the colours used by the alabastermen, or the way in which these were perceived by the medieval viewer.
    Keywords: Polychromy ; reconstruction ; sculpture ; Middle Ages ; alabaster ; England ; Christian devotion ; digital restoration ; physico-chemical analyses ; micro-photography ; experimental archaeology ; 3D digitization ; photogrammetry ; optical measurements ; facsimile ; physical copy ; painting techniques ; pigments ; gilding ; symbolism of colours ; medieval vision ; perception criteria ; aesthetic principles ; patrons ; Bordeaux ; Libourne ; Paris ; Rabastens ; Saint-Nicolas-du-Bosc ; Nottingham ; London ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::N History and Archaeology::NH History
    Language: English
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  • 4
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    Presses universitaires de Pau et des Pays de l'Adour | Presses Universitaires de Pau et des Pays de l'Adour | Pôle Production Imprimé, Université Bordeaux Montaigne
    Publication Date: 2024-03-26
    Description: Spain, first quarter of the 17th century: four men meet during a trip between Madrid and Barcelona where they have to leave for Italy to try their luck. To fight against the hardship of their journey and to avoid boredom, they decide to converse. There follows an exchange of more than 200 pages about their destination, their respective personal journeys, and the society of the time, interspersed with stories of a more playful nature. This is the plot of El Pasajero, advertencias utilísimas a la vida humana, a work cited by many specialists of the Golden Age, who all praise its literary qualities and to which no in-depth literary study has been devoted. How can such a paradox be explained? El Pasajero offers a kaleidoscope of the society of the time, hence the sociological orientation of most of the studies carried out on this text. The bad press of its author, known for his unattractive temperament and for his opposition to Cervantes, may also have contributed to it in a more tangential way. Last but not least, the textual, literary and ideological richness of El Pasajero may have hindered certain analytical ambitions. Figueroa’s text is of a deeply hybrid nature, characterized by a perpetual oscillation between Italian inspiration, decameronian accents, transtextual borrowings and Hispanic folklore substratum. He plays on the porosity of the borders between reality and fiction to elaborate a text in which all the elements seem to be in dialogue and between which the reader passes as if on the stones of a ford. In the end, El Pasajero is a true laboratory of literary experimentation, where deep-rooted literary traditions and more innovative writing proposals emerge. This perpetual dialogue is decisive in the work: beyond the first obvious dialogue between the characters, the text proposes others in filigree, between literary forms and genres. They function as so many structuring elements within this work, which is conceived as a place of passage where literary experimentation and societal reflections are mixed. El Pasajero can sometimes leave the reader perplexed, it’s a fact. Nevertheless, it is one of those texts that fascinate and that have not yet revealed all their secrets. One thing is certain: El Pasajero does not leave the reader indifferent and deserves to be studied in depth. This is what this book proposes to do…
    Keywords: literature ; Spanish Golden Age ; Genre hybridity ; history of ideas ; cultural exchanges ; travel ; Cervantes ; Italy ; passage ; writing ; tradition ; folklore ; society ; 17th century ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: French , Spanish
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  • 5
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    Presses universitaires de Bordeaux | Pôle Production Imprimé, Université Bordeaux Montaigne
    Publication Date: 2024-04-01
    Description: The plurality of languages is a reality that has left its mark on many societies, and which is expressed particularly strongly when different cultures come into contact. Situations of bilingualism or multilingualism are very common in the ancient worlds, provoked in particular by the Greek movements throughout the Mediterranean – in Egypt, Italy, France, Spain – and later by the spread of Latin throughout the provinces of the Roman Empire. This volume brings together articles prepared following a research program of the MSH of Montpellier and a congress held in November 2015. From the Eastern Mediterranean to the West, those papers discuss Egyptian, Phoenician, Greek, Gaulish, Iberian and Latin languages and scripts. The political and economic situations of the different regions studied here – Egypt, Greece, Africa, Italy, Gaul, Spain – are very distinct, and the numerous examples presented show how, through the prisms of multilingualism and onomastics, we can perceive and define the mutual influences of communities in contact.
    Keywords: script ; language ; multilinguism ; bilinguism ; Antiquity ; Mediterranean ; Greeks ; Romans ; Phenicians ; Celts ; Egyptians ; Gauls ; Iberians ; late Iron Age ; Spain ; Italy ; Greece ; Africa ; interpreter ; learning ; diglossia ; translation ; epigraphy ; papyrology ; dedications epitaphs ; onomastic ; hieroglyph ; demotic ; Gallo-Greek ; Phoenician ; Greek ; Etruscan ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFF Historical and comparative linguistics ; thema EDItEUR::N History and Archaeology::NK Archaeology
    Language: French , English
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  • 6
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    Ausonius Éditions | Pôle Production Imprimé, Université Bordeaux Montaigne
    Publication Date: 2024-04-02
    Description: This collection brings together thirty-three articles by Jean Andreau, all of which have already been published elsewhere, in journals or collective works. The oldest date from the 1970s and the most recent from the 2010s. Some of them deal with the work of the great Russian historian of the ancient economy, Michel I. Rostovtzeff. The others deal with some of the major aspects of the economic and social life of the ancient Roman world: currency and markets; the economic and financial policy of the Empire; the economic interests of the elites; the milieu of the former slaves, the freedmen, who played a major role in manufacturing and trade; and finally, social relations and social mobility.
    Keywords: Free ; North Africa ; agriculture ; amphora ; bank ; Campania ; ceramics ; trade ; financial crisis ; currency crisis ; denier ; Egypt ; livestock ; Emperor ; slave ; Finley Moses I. ; Gaul ; oil ; Italy ; Latin ; macellum ; market ; metals ; mines ; currency ; Nundinae ; papyrus ; peregrine ; loan at interest ; price ; publicain ; Rom ; Rostovtzeff Michel I. ; senate ; tablet ; auction ; wine ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::K Economics, Finance, Business and Management::KC Economics::KCZ Economic history
    Language: French , English
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  • 7
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    Ausonius Éditions | Pôle Production Imprimé, Université Bordeaux Montaigne
    Publication Date: 2024-04-04
    Description: In 1983, with a view to developing the site, an archaeological study began, largely centred on the site of the former canonical cloister of Saint-Nazaire d’Autun, mentioned in documents as early as the 9th century, and taking into account both the buried remains and the remarkably preserved elevations. At the same time, the remains of the old cathedral were being analysed, as opportunities arose. The various interventions revealed the importance of this site, which gradually faded into the urban landscape in favour of the Cathedral of Saint Lazarus, erected at the beginning of the 12th century, while at the same time helping to renew our knowledge of the episcopal and canonical groups.
    Keywords: Archaeology ; Middle Ages ; Church ; Cathedral ; Burgundy ; Canonical ; Episcopal ; Excavations ; Wood ; Framework ; Cloister ; galleries ; architecture ; restructuring ; courtyard ; gallery ; well ; Gothic ; 15th century ; Chapel ; 18th century ; 16th century ; Court ; Canon ; Bishop ; Urban landscape ; thema EDItEUR::N History and Archaeology::NK Archaeology::NKL Landscape archaeology ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: French
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