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  • bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies  (11)
  • 04. Solid Earth::04.01. Earth Interior::04.01.02. Geological and geophysical evidences of deep processes
  • Biological pump
  • Calving
  • University of California Press  (13)
  • American Association for the Advancement of Science
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  • 1
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    University of California Press | University of California Press
    Publication Date: 2024-04-08
    Description: Sounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site of divine manifestation, becomes refracted in media practices that have become integral parts of religious traditions. At the core of Eisenlohr’s concern is the interplay of voice, media, affect, and listeners’ religious experiences. Sounding Islam sheds new light on a key dimension of religion, the sonic incitement of sensations that are often difficult to translate into language.
    Keywords: voice ; anthropology of media ; sound studies ; atmospheres ; Islam ; Mauritius ; India ; Indian Ocean ; media ; sound reproduction ; Muslims ; bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRA Religion: general ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology
    Language: English
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  • 2
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    University of California Press | University of California Press
    Publication Date: 2024-01-13
    Description: Motion pictures are made, not mass produced, requiring a remarkable collection of skills, self-discipline, and sociality—all of which are sources of enormous pride among Hollywood’s craft and creative workers. The interviews collected here showcase the pleasures that attract people to careers in film and television. They also reflect critically on changes in the workplace brought about by corporate conglomeration and globalization. Rather than offer publicity-friendly anecdotes by marquee celebrities, Voices of Labor presents off-screen observations about the everyday realities of Global Hollywood. Ranging across job categories—from showrunner to make-up artist to location manager—this collection features voices of labor from Los Angeles, Atlanta, Prague, and Vancouver. Together they show how abstract concepts like conglomeration, financialization, and globalization are crucial tools for understanding contemporary Hollywood and for reflecting more generally on changes and challenges in the screen media workplace and our culture at large. “Essential reading for anyone interested in how Hollywood actually works.” -RAMON LOBATO, author of Shadow Economies of Cinema “Michael Curtin and Kevin Sanson craft a powerful elegy for organized labor, demonstrating how critical theory is sung to the everyday rhythms of the workplace.” -VICKI MAYER, author of Almost Hollywood, Nearly New Orleans: The Lure of the Local Film Economy “A star-studded cast with diverse talents, backgrounds, and perspectives tells a varied but consistent tale of the importance of organized labor and the challenges it faces when pitted against the forces of media consolidation and globalization, all set in that magical company town known as Hollywood.” -PATRIC M. VERRONE, writer and producer, former president, Writers Guild of America, West MICHAEL CURTIN is Duncan and Suzanne Mellichamp Professor of Film and Media Studies and director of the Global Dynamics Initiative at University of California, Santa Barbara. KEVIN SANSON is a senior lecturer in the Creative Industries Faculty at Queensland University of Technology and managing editor of Media Industries.
    Keywords: Social Science ; Media Studies ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies
    Language: English
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  • 3
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    University of California Press
    Publication Date: 2023-03-07
    Description: In The Celluloid Specimen, Benjamín Schultz‑Figueroa examines rarely seen behaviorist films of animal experiments from the 1930s and 1940s. These laboratory recordings—including Robert Yerkes’s work with North American primate colonies, Yale University’s rat‑based simulations of human society, and B. F. Skinner’s promotions for pigeon‑guided missiles—have long been considered passive records of scientific research. In Schultz‑Figueroa’s incisive analysis, however, they are revealed to be rich historical, political, and aesthetic texts that played a crucial role in American scientific and cultural history—and remain foundational to contemporary conceptions of species, race, identity, and society. “Essential reading for anyone in behavioral science and media studies.” — LISA CARTWRIGHT, University of California, San Diego “Remarkable and urgently needed. Benjamín Schultz‑Figueroa disinters an extraordinary lost archive that sheds new light on race, eugenics, species, the science of sex, and biopolitics. A resonant— and stunningly clear—intervention.” — DONOVAN SCHAEFER, author of Wild Experiment: Feeling Science and Secularism after Darwin “A fertile, sprawling, kaleidoscopic work. No book outlines the multiple functions of the scientific moving image as thoroughly. A brilliant and essential addition to animal studies, cinema and media studies, and the history of science.” — SCOTT CURTIS, author of The Shape of Spectatorship: Art, Science, and Early Cinema in Germany “Seriously speculative, meticulously researched, and boldly interdisciplinary, The Celluloid Specimen cross‑pollinates nontheatrical film studies and critical animal studies with stunning acumen and gripping analysis.” — YIMAN WANG, University of California, Santa Cruz
    Keywords: animal experiments; behavioral science; media studies ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies
    Language: English
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  • 4
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    University of California Press | University of California Press
    Publication Date: 2023-02-02
    Description: High-Tech Trash analyzes creative strategies in glitch, noise, and error to chart the development of an aesthetic paradigm rooted in failure. Carolyn L. Kane explores how technologically influenced creative practices, primarily from the second half of the twentieth and first quarter of the twenty-first centuries, critically offset a broader culture of pervasive risk and discontent. In so doing, she questions how we continue onward, striving to do better and acquire more, despite inevitable disappointment. High-Tech Trash speaks to a paradox in contemporary society in which failure is disavowed yet necessary for technological innovation.  “Leonard Cohen sang ‘There’s a crack in everything…that’s how the light gets in.’ Here, Carolyn Kane teaches us how to see that light, one crack at a time.” FRED TURNER, author of The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties  “Kane profiles art practices and media discourses that exploit and celebrate, rather than filter or suppress, all kinds of errors and noises. A welcome intervention in a number of discursive fields.” PETER KRAPP, author of Noise Channels: Glitch and Error in Digital Culture  “An original work of scholarship that addresses some of the most pervasive phenomena and foundational questions in the contemporary media environment.” ROBERT HARIMAN, coauthor of The Public Image: Photography and Civic Spectatorship  CAROLYN L. KANE is Associate Professor of Communication at Ryerson University and author of Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code.
    Keywords: Social Science ; Media Studies ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies
    Language: English
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  • 5
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    University of California Press | University of California Press
    Publication Date: 2023-02-02
    Description: Early in the twenty-first century, Louisiana, one of the poorest states in the United States, redirected millions in tax dollars from the public coffers in an effort to become the top location site globally for the production of Hollywood films and television series. Why would lawmakers support such a policy? Why would citizens accept the policy’s uncomfortable effects on their economy and culture? Almost Hollywood, Nearly New Orleans addresses these questions through a study of the local and everyday experiences of the film economy in New Orleans, Louisiana—a city that has twice taken the mantle of becoming a movie production capital. From the silent era to today’s Hollywood South, Vicki Mayer explains that the aura of a film economy is inseparable from a prevailing sense of home, even as it changes that place irrevocably. “A scathing critique of the economic realities and broken promises of Hollywood South, told in rich ethnographic detail and passionately argued through Vicki Mayer’s deep connection to New Orleans. This is a vital book.” -NITIN GOVIL, author of Orienting Hollywood: A Century of Film Culture between Los Angeles and Bombay “Mayer guides readers through the numbers and arguments behind Louisiana’s costly love affair with the film industry and raises important questions over whether the state’s citizens are getting their money’s worth.” -STEPHANIE GRACE, columnist, The New Orleans Advocate “A visionary in the study of cultural labor, economy, and geography, Mayer is that rare writer who combines exquisite storytelling with rigorous scholarship. This is an essential contribution to film and media studies, and an urgent history lesson for policy makers.” -MELISSA GREGG, author of Work’s Intimacy VICKI MAYER is Professor of Communication at Tulane University. She is coeditor of the journal Television & New Media and author or editor of several books and journal articles about media production, creative industries, and cultural work.
    Keywords: Social Science ; Media Studies ; Social Science ; Sociology ; Urban ; Performing Arts ; Film ; General ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSG Urban communities ; bic Book Industry Communication::A The arts::AP Film, TV & radio
    Language: English
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  • 6
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    University of California Press | University of California Press
    Publication Date: 2023-02-02
    Description: Precarious Creativity examines the seismic changes confronting media workers in an age of globalization and corporate conglomeration. This pathbreaking anthology peeks behind the hype and supposed glamor of screen media industries to reveal the intensifying pressures and challenges workers face. The authors take on crucial issues and provide insightful case studies of workplace dynamics regarding creativity, collaboration, exploitation, and cultural difference. Furthermore, they investigate working conditions and organizing efforts on all six continents, offering comprehensive analysis of contemporary screen media labor in places such as Lagos, Prague, Hollywood, and Hyderabad, across a range of job categories that includes visual effects, production services, and adult entertainment. With contributions from John Caldwell, Vicki Mayer, Herman Gray, Tejaswini Ganti, and others, this collection offers timely critiques of media globalization and broader debates about labor, creativity, and precarity. “Every case study is an eye-opener, and no other book comes close in assessing the plight of creative workers in the era of global conglomerate Hollywood.” -THOMAS SCHATZ, University of Texas at Austin “A corrective to previous, U.S.-centric attempts to understand the global media economy by offering a bracing look at the dark underbelly of life for most media workers today.” -DENISE MANN, University of California, Los Angeles “A balanced and comprehensive portrayal of the reshaping of the contours of work and industry organization under the twin circumstances of digital disruption and a globalizing media system.” -TOM O’REGAN, The University of Queensland MICHAEL CURTIN is a professor of Film and Media Studies at University of California, Santa Barbara. KEVIN SANSON is a Lecturer in Entertainment Industries at Queensland University of Technology in Australia.
    Keywords: Social Science ; Media Studies ; Law ; Labor & Employment ; Political Science ; Globalization ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies ; bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions::LNH Employment & labour law ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFS Globalization
    Language: English
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  • 7
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    University of California Press | University of California Press
    Publication Date: 2023-02-02
    Description: In the climate of isolationism, nativism, democratic expansion of civic rights, and consumerism that America experienced after the First World War, Italian-born movie star Rudolph Valentino and Italy’s dictator, Benito Mussolini, became surprisingly appealing emblems of authoritarian male power. Drawing on extensive research in the United States and Italy, Bertellini’s work shows how the political and erotic popularity of Valentino, the Divo, and Mussolini, the Duce, was not just the result of spontaneous popular enthusiasm. Instead, Bertellini argues, it also depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. As such, the fame of the Divo and the Duce reveals both the converging publicity work undertaken in Hollywood and Washington since the Great War and the extent to which their foreignness was put to work in managing postwar anxieties about democratic governance. Beyond the democratic celebrations of the Jazz Age, this promotion of charismatic masculinity, while short-lived, inaugurated the now-familiar convergence of popular celebrity and political authority.
    Keywords: Social Science ; Media Studies ; History ; General ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies ; bic Book Industry Communication::H Humanities
    Language: English
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  • 8
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    University of California Press | University of California Press
    Publication Date: 2023-02-02
    Description: For the first half of the twentieth century, no American industry boasted a more motley and prolific trade press than the movie business—a cutthroat landscape that set the stage for battle by ink. In 1930, Martin Quigley, publisher of Exhibitors Herald, conspired with Hollywood studios to eliminate all competing trade papers, yet this attempt and each one thereafter collapsed. Exploring the communities of exhibitors and creative workers that constituted key subscribers, Ink-Stained Hollywood tells the story of how a heterogeneous trade press triumphed by appealing to the foundational aspects of industry culture—taste, vanity, partisanship, and exclusivity. In captivating detail, Eric Hoyt chronicles the histories of well-known trade papers (Variety, Motion Picture Herald) alongside important yet forgotten publications (Film Spectator, Film Mercury, and Camera!), and challenges the canon of film periodicals, offering new interpretative frameworks for understanding print journalism’s relationship with the motion picture industry and its continued impact on creative industries today.
    Keywords: Social Science ; Media Studies ; History ; United States ; 20th Century ; Performing Arts ; Film ; History & Criticism ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies ; bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJK History of the Americas ; bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism
    Language: English
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  • 9
    Publication Date: 2022-05-27
    Description: © The Author(s), 2021. This article is distributed under the terms of the Creative Commons Attribution License. The definitive version was published in Roca-Marti, M., Benitez-Nelson, C. R., Umhau, B. P., Wyatt, A. M., Clevenger, S. J., Pike, S., Horner, T. J., Estapa, M. L., Resplandy, L., & Buesseler, K. O. Concentrations, ratios, and sinking fluxes of major bioelements at Ocean Station Papa. Elementa: Science of the Anthropocene, 9(1), (2021): 00166, https://doi.org/10.1525/elementa.2020.00166.
    Description: Fluxes of major bioelements associated with sinking particles were quantified in late summer 2018 as part of the EXport Processes in the Ocean from RemoTe Sensing (EXPORTS) field campaign near Ocean Station Papa in the subarctic northeast Pacific. The thorium-234 method was used in conjunction with size-fractionated (1–5, 5–51, and 〉51 μm) concentrations of particulate nitrogen (PN), total particulate phosphorus (TPP), biogenic silica (bSi), and particulate inorganic carbon (PIC) collected using large volume filtration via in situ pumps. We build upon recent work quantifying POC fluxes during EXPORTS. Similar remineralization length scales were observed for both POC and PN across all particle size classes from depths of 50–500 m. Unlike bSi and PIC, the soft tissue–associated POC, PN, and TPP fluxes strongly attenuated from 50 m to the base of the euphotic zone (approximately 120 m). Cruise-average thorium-234-derived fluxes (mmol m–2 d–1) at 120 m were 1.7 ± 0.6 for POC, 0.22 ± 0.07 for PN, 0.019 ± 0.007 for TPP, 0.69 ± 0.26 for bSi, and 0.055 ± 0.022 for PIC. These bioelement fluxes were similar to previous observations at this site, with the exception of PIC, which was 1 to 2 orders of magnitude lower. Transfer efficiencies within the upper twilight zone (flux 220 m/flux 120 m) were highest for PIC (84%) and bSi (79%), followed by POC (61%), PN (58%), and TPP (49%). These differences indicate preferential remineralization of TPP relative to POC or PN and larger losses of soft tissue relative to biominerals in sinking particles below the euphotic zone. Comprehensive characterization of the particulate bioelement fluxes obtained here will support future efforts linking phytoplankton community composition and food-web dynamics to the composition, magnitude, and attenuation of material that sinks to deeper waters.
    Description: The authors would like to acknowledge support from the National Aeronautics and Space Administration as part of the EXport Processes in the Ocean from RemoTe Sensing program awards 80NSSC17K0555 and 80NSSC17K0662. They also acknowledge the funding from the Woods Hole Oceanographic Institution’s Ocean Twilight Zone study for MRM and KOB, the National Science Foundation Graduate Research Fellowship Program for AMW, and the Ocean Frontier Institute for MRM.
    Keywords: Biological pump ; Bioelements ; Particulate fluxes ; Transfer efficiency ; Size-fractionated particles ; EXPORTS
    Repository Name: Woods Hole Open Access Server
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  • 10
    Publication Date: 2022-05-27
    Description: © The Author(s), 2021. This article is distributed under the terms of the Creative Commons Attribution License. The definitive version was published in Siegel, D. A., Cetinic, I., Graff, J. R., Lee, C. M., Nelson, N., Perry, M. J., Ramos, I. S., Steinberg, D. K., Buesseler, K., Hamme, R., Fassbender, A. J., Nicholson, D., Omand, M. M., Robert, M., Thompson, A., Amaral, V., Behrenfeld, M., Benitez-Nelson, C., Bisson, K., Boss, E., Boyd, P. W., Brzezinski, M., Buck, K., Burd, A., Burns, S., Caprara, S., Carlson, C., Cassar, N., Close, H. H., D’Asaro, E., Durkin, C., Erickson, Z., Estapa, M. L., Fields, E., Fox, J., Freeman, S., Gifford, S., Gong, W., Gray, D., Guidi, L., Haëntjens, N., Halsey, K., Huot, Y., Hansell, D., Jenkins, B., Karp-Boss, L., Kramer, S., Lam, P., Lee, J-M., Maas, A., Marchal, O., Marchetti, A., McDonnell, A., McNair, H., Menden-Deuer, S., Morison, F., Niebergall, A. K., Passow, U., Popp, B., Potvin, G., Resplandy, L., Roca-Martí, M., Roesler, C., Rynearson, T., Traylor, S., Santoro, A., Seraphin, K. D., Sosik, H. M., Stamieszkin, K., Stephens, B., Tang, W., Van Mooy, B., Xiong, Y., Zhang, X. An operational overview of the EXport Processes in the Ocean from RemoTe Sensing (EXPORTS) Northeast Pacific field deployment. Elementa: Science of the Anthropocene, 9(1), (2021): 1, https://doi.org/10.1525/elementa.2020.00107.
    Description: The goal of the EXport Processes in the Ocean from RemoTe Sensing (EXPORTS) field campaign is to develop a predictive understanding of the export, fate, and carbon cycle impacts of global ocean net primary production. To accomplish this goal, observations of export flux pathways, plankton community composition, food web processes, and optical, physical, and biogeochemical (BGC) properties are needed over a range of ecosystem states. Here we introduce the first EXPORTS field deployment to Ocean Station Papa in the Northeast Pacific Ocean during summer of 2018, providing context for other papers in this special collection. The experiment was conducted with two ships: a Process Ship, focused on ecological rates, BGC fluxes, temporal changes in food web, and BGC and optical properties, that followed an instrumented Lagrangian float; and a Survey Ship that sampled BGC and optical properties in spatial patterns around the Process Ship. An array of autonomous underwater assets provided measurements over a range of spatial and temporal scales, and partnering programs and remote sensing observations provided additional observational context. The oceanographic setting was typical of late-summer conditions at Ocean Station Papa: a shallow mixed layer, strong vertical and weak horizontal gradients in hydrographic properties, sluggish sub-inertial currents, elevated macronutrient concentrations and low phytoplankton abundances. Although nutrient concentrations were consistent with previous observations, mixed layer chlorophyll was lower than typically observed, resulting in a deeper euphotic zone. Analyses of surface layer temperature and salinity found three distinct surface water types, allowing for diagnosis of whether observed changes were spatial or temporal. The 2018 EXPORTS field deployment is among the most comprehensive biological pump studies ever conducted. A second deployment to the North Atlantic Ocean occurred in spring 2021, which will be followed by focused work on data synthesis and modeling using the entire EXPORTS data set.
    Description: DAS, NN, KB, EF, SK, AB, AM, UP: NASA 80NSSC17K0692. MJB, EB, JG, LG, KH, LKB, JF, NH: NASA 80NSSC17K0568. KB, CBN, LR, MRM: NASA 80NSSC17K0555. CC, DH, BS: NASA 80NSSC18K0437. HC: NSF 1830016. BP, KDS: NSF 1829425. ME, KB, CD, MO: NASA 80NSSC17K0662. AF: NSF 1756932. BJ, KB, MB, SB, SC: NSF 1756442. PH, OM, JML: NSF 1829614. CL, ED, DN, MO, MJP, AT, ZN, ST: NASA 80NSSC17K0663. AM, NC, SG, WT, AN, WG: NASA 80NSSC17K0552. SMD, TR, HM, FM: NASA 80NSSC17K0716. CR, HS: NASA 80NSSC17K0700. AS, PB: NASA 80NSSC18K1431. DS, AM, KS NASA 80NSSC17K0654. BVM: NSF 1756254. XZ, DG, LG, YH: NASA 80NSSC17K0656 and 80NSSC20K0350.
    Keywords: Biological pump ; NASA field campaign ; NPP fates ; Carbon cycle ; Organic carbon export ; Export pathways
    Repository Name: Woods Hole Open Access Server
    Type: Article
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