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  • Nature Publishing Group  (46,045)
  • Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
  • 2020-2024  (5)
  • 1970-1974  (19,444)
  • 1965-1969  (26,601)
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  • 1
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    Chapter Юмор и ирония как средства борьбы с атеизмом в дискурсе Ф.М. Достоевского (2023)
    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
    Details
    Publication Date: 2024-03-24
    Description: Humor and Irony as a Means of Combating Atheism in the Discourse of F.M. Dostoevsky . The question of the God’s existence troubled Dostoevsky throughout his life. He created a very convincing portrait of the atheist of his time. He did not consider unbelievers immoral, but only “infected with recklessness”, and when speaking of his atheist acquaintances, often admitted that they were good people. Dostoevsky created the image of an atheist as an intelligent person, who is guided not by the heart, but by the mind and who often evokes sympathy for his questing, his thinking, and his suffering (like Versilov or Ivan Karamazov). If we carefully consider the “atheistic” characters of Dostoevsky, however, we will see that atheism is a phenomenon associated with something both bad and funny. Through humorous details, Dostoevsky imperceptibly creates an image of the “atheist” as a comical and frivolous person.
    Keywords: Dostoevsky ; atheism ; humor ; irony ; unbelievers ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 2
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    Chapter Ономастика и Парадокс: Достоевский и крушение онтологической целостности персонажа (2023)
    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
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    Publication Date: 2024-03-24
    Description: Onomastics and Paradox: Dostoevsky and the Collapse of the Ontological Integrity of Character. Onomastics plays a key role in Dostoevsky’s poetics: the names of most of his characters are essential to their portraits, even though these names rarely signify unambiguously. Moreover, a number of his characters are nameless and a semantic tension arises from this absence: the impossibility of “branding” the hero with a name prevents us from identifying his or her features through verbal onomastic symbolism. The portrait of such characters necessarily remains somewhat murky. It is no coincidence that the “nameless heroes” are the most paradoxical and enigmatic characters of Dostoevsky’s creative world. By denying them names, Dostoevsky seeks to destroy the inner integrity of these heroes, their identity, in order that a living, independent, and contradictory personality emerges in them.
    Keywords: Dostoevsky ; Onomastics and Ontology ; Characters’ names ; Nameless heroes ; Hermeneutics of the name ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 3
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    Chapter Деконструктивные практики XIX века (от натуральной школы до Л.Н. Толстого) и Ф.М. Достоевский (2023)
    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
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    Publication Date: 2024-03-24
    Description: Deconstruction in the 19th Century (from the Natural School to Leo Tolstoy) and Fyodor Dostoevsky. The modern understanding of deconstruction arose from post-structuralism and implies distrust of semblance, the outward appearance of any ideology or structure, together with the search for a hidden interior. Dostoevsky renounces one-dimensionality and shows its deconstructing nature. He considers it a prejudice to believe that disclosing the hidden and forbidden has more “truth” in it, as is evident from his dispute with Tolstoy, who uses the principle of exposing the ignoble background of a supposedly noble national ideology to criticize the “defenders of the Slavic brothers” in Anna Karenina. Dostoevsky refuses to recognize the results of deconstruction (the denial of the declared) as the last and only version of the truth about reality. His approach can be defined as the “deconstruction of deconstruction.”
    Keywords: deconstruction ; Dostoevsky and the Natural School ; Dostoevsky and Leo Tolstoy ; specificity of Dostoevsky’s realism ; artistic model of truth ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 4
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    Chapter «И скрипка, и контрабас»: фигура парадокса и поэтика недоумения в художественном мышлении Пиранделло и Достоевского (2023)
    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
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    Publication Date: 2024-03-24
    Description: “Both violin and contrabass”: The Figure of Paradox and the Poetics of Bewilderment in the Artistic Thinking of Pirandello and Dostoevsky. Pirandello and Dostoevsky are deeply linked at thematic, ideological and textual levels. In 1908, Pirandello published the treatise Humorism, in which he elaborated an original theory of humor and substantiated a worldview that is quite close to the type of artistic consciousness inherent in Dostoevsky’s work, and is genetically related to it. The poetics of paradox, in which every mental and sensual experience is tested by its “opposite”, encourages the reader to “hang” between two seemingly mutually exclusive principles while opening up the possibility of a new, more complex understanding of reality and of the Other. This article presents aspects of Pirandello’s theory of humor in a new light, revealing their potential for application to the analysis of Dostoevsky’s work.
    Keywords: Dostoevsky ; Pirandello ; humorism ; reflection ; paradox ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 5
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    Chapter От молчания-оружия к молчанию-диалогу (и обратно?). Парадоксальный путь Раскольникова в Преступлении и наказании (2023)
    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
    Details
    Publication Date: 2024-03-24
    Description: From Silence-Weapon to Silence-Dialogue (and Back?). Raskol’nikov’s Paradoxical Path in Crime and Punishment. The article explores the phenomenon of silence in Crime and Punishment as an expression of the reverse logic of Dostoevsky’s world. Silence in Dostoevsky escapes any attempt at a univocal interpretation, as the use of molchanie and tishina in his novels suggests. It is an emblem of the mistery of human existence because it concerns the character’s oscillation between the closure in himself and the opening to the other, between the need to express himself and the awareness of never being able to do it properly. Two levels of the functioning of silence are taken into account: as a stylistic technique used by Dostoevsky to enhance the dramatic effect of some scenes and convey the subtlest nuances of the character’s mood; and as a metaphor for Raskol’nikov’s dramatic existential journey from self-affirmation to the affirmation of the other’s being.
    Keywords: Dostoevsky ; Crime and Punishment ; silence ; drama ; paradox ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: English
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  • 6
    Electronic Resource
    Electronic Resource
    Electrical Machines (1972)
    [s.l.] : Nature Publishing Group
    Nature 236 (1972), S. 184-184 
    Details
    ISSN: 1476-4687
    Source: Nature Archives 1869 - 2009
    Topics: Biology , Chemistry and Pharmacology , Medicine , Natural Sciences in General , Physics
    Notes: [Auszug] PROFESSOR LAITHWAITE is a superb popularizer and is incapable of writing a dull book; this is no exception. Linear Electric Motors is a short book (101 pages), which deals with a wide range of topics. It is thought-provoking, but I am forced to ask, who Professor Laithwaite had in mind when he ...
    Type of Medium: Electronic Resource
    URL: http://dx.doi.org/10.1038/236184b0
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  • 7
    Electronic Resource
    Electronic Resource
    Announcements (1972)
    [s.l.] : Nature Publishing Group
    Nature 236 (1972), S. 187-187 
    Details
    ISSN: 1476-4687
    Source: Nature Archives 1869 - 2009
    Topics: Biology , Chemistry and Pharmacology , Medicine , Natural Sciences in General , Physics
    Notes: [Auszug] University News Dr Graham Wood has been appointed professor of corrosion science in the University of Manchester Institute of Science and Technology. Professor C. A. Coulson has been appointed first professor of theoretical chemistry in the University of Oxford. Dr D. T. Elmore has been ...
    Type of Medium: Electronic Resource
    URL: http://dx.doi.org/10.1038/236187a0
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  • 8
    Electronic Resource
    Electronic Resource
    Erratum (1972)
    [s.l.] : Nature Publishing Group
    Nature 236 (1972), S. 187-187 
    Details
    ISSN: 1476-4687
    Source: Nature Archives 1869 - 2009
    Topics: Biology , Chemistry and Pharmacology , Medicine , Natural Sciences in General , Physics
    Notes: [Auszug] IN the article "A New Approach to Pattern Recognition" by N. Jar dine {Nature, 234, 526; 1971), the second sentence of the third paragraph should read as follows: "It is assumed that each of a set of classes, i,. . ., " = £!, has an a priori probability of occurrence P(f) and is specified by ...
    Type of Medium: Electronic Resource
    URL: http://dx.doi.org/10.1038/236187b0
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  • 9
    Electronic Resource
    Electronic Resource
    Women at the Top (1972)
    [s.l.] : Nature Publishing Group
    Nature 236 (1972), S. 89-89 
    Details
    ISSN: 1476-4687
    Source: Nature Archives 1869 - 2009
    Topics: Biology , Chemistry and Pharmacology , Medicine , Natural Sciences in General , Physics
    Notes: [Auszug] IN spite of growing agreement that women can be extremely successful in highly responsible professional positions, there is pathetically little evidence of efforts to stem the complex forces which favour the progress of their male counterparts. A study by the research organization, Political and ...
    Type of Medium: Electronic Resource
    URL: http://dx.doi.org/10.1038/236089a0
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  • 10
    Electronic Resource
    Electronic Resource
    Chemistry in Africa (1972)
    [s.l.] : Nature Publishing Group
    Nature 236 (1972), S. 92-92 
    Details
    ISSN: 1476-4687
    Source: Nature Archives 1869 - 2009
    Topics: Biology , Chemistry and Pharmacology , Medicine , Natural Sciences in General , Physics
    Notes: [Auszug] "CHEMISTRY is chemistry is chemistry," as Gertrude Stein might have said, had she been thinking of the supposedly supranational nature of science. But is science really so autonomous an activity as to be in essence the same in all countries of the world? It would be convenient if there were such a ...
    Type of Medium: Electronic Resource
    URL: http://dx.doi.org/10.1038/236092a0
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