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  • History  (12)
  • thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism  (11)
  • Chemistry
  • H1-99
  • Humans
  • Purdue University Press  (22)
  • 2020-2024  (22)
  • 2023  (22)
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  • 2020-2024  (22)
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  • 1
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    Women’s Tanci Fiction in Late Imperial and Early Twentieth-Century China (2023)
    Purdue University Press
    Details
    Publication Date: 2024-03-26
    Description: In Women's Tanci Fiction in Late Imperial and Early Modern China, Li Guo presents the first book-length study in English of women's tanci fiction, the distinctive Chinese form of narrative written in rhymed lines during the late imperial to early modern period (related to, but different from, the orally performed version also called tanci). She explores the tradition through a comparative analysis of five seminal texts. Guo argues that Chinese women writers of the period position the personal within the diegesis in order to reconfigure their moral commitments and personal desires. By fashioning a “feminine” representation of subjectivity, tanci writers found a habitable space of self-expression in the male-dominated literary tradition. Through her discussion of the emergence, evolution, and impact of women's tanci, Guo shows how historical forces acting on the formation of the genre serve as the background for an investigation of cross-dressing, self-portraiture, and authorial self-representation. Further, Guo approaches anew the concept of “woman-oriented perspective” and argues that this perspective conceptualizes a narrative framework in which the heroine(s) are endowed with mobility to exercise their talent and power as social beings as men's equals. Such a woman-oriented perspective redefines normalized gender roles with an eye to exposing women's potentialities to transform historical and social customs in order to engender a world with better prospects for women. “This work will be a significant contribution to scholarship. Chinese women’s tanci novels in late imperial Qing and early twentieth-century China are numerous in collections; however, their scholarly studies are still insufficient. This book covers some understudied tanci texts and sheds new insights in the studied area. It also brings in association study with other Chinese writing genres during the late Qing period, as well as comparative perspective within the world culture when possible.” Qingyun Wu, California State University, Los Angeles
    Keywords: Literature: history & criticism ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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  • 2
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    Neorrealismo y cine en Cuba (2023)
    Purdue University Press
    Details
    Publication Date: 2024-03-23
    Description: Neorrealismo y cine en Cuba: Historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 examina la historia estética y las relaciones entre la producción cinematográfica cubana y el neorrealismo italiano. El recorrido histórico comienza en 1951, antes del triunfo de la Revolución, y termina en 1962, año que marca la ruptura entre los cineastas cubanos y la estética neorrealista italiana. Las colaboraciones principales sucedieron entre los directores de cine Tomás Gutiérrez Alea y Julio García Espinosa y el cineasta neorrealista italiano Cesare Zavattini. Las circunstancias que llevaron al fin de las relaciones entre Zavattini y los cineastas cubanos están conectadas a la película El joven rebelde, dirigida por García Espinosa y estrenada por primera vez en 1961. La ruptura se dio por divergencias creativas e ideológicas sobre la manera en que se quería retratar al protagonista del largometraje. Este detalle, que aparentemente puede parecer de menor importancia, tuvo repercusiones importantes que llevaron a un distanciamiento de García Espinosa, de Gutiérrez Alea, así como del resto de los cineastas cubanos que estaban trabajando en el Instituto Cubano del Arte e Industria Cinematográficos (ICAIC) a partir de 1959, para buscar sus propias estrategias creativas con el fin de moldear una producción cinematográfica nacional. Sin embargo, cabe señalar que los cineastas cubanos no habrían encontrado la gramática necesaria para reescribir su cine revolucionario sin las colaboraciones y sobre todo sin la ruptura con Zavattini. Este nuevo lenguaje cinematográfico no habría podido existir sin las varias pausas y distancias que caracterizaron la relación cubana con el neorrealismo. En otras palabras, el intercambio fragmentado entre García Espinosa, Gutiérrez Alea y Zavattini creó nuevos espacios dentro de los cuales los cubanos pudieron encontrar oportunidades creativas para expresar su propia visión cinematográfica. Neorrealismo y cine en Cuba: Historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 [Neorealism and Cinema in Cuba: History and Discourse on the First Polemic of the Revolution, 1951-1962] examines the aesthetic history and relations between Cuban film production and Italian Neorealism. The historical framework begins in 1951 before the triumph of the Cuban Revolution and ends in 1962, a year that marks a rupture between Cuban filmmakers and the Italian neorealist aesthetic. The main collaborations happened between Cuban directors Tomás Gutiérrez Alea and Julio García Espinosa and Italian neorealist filmmaker Cesare Zavattini. The circumstances that led to the end of the relationship between Zavattini and the Cuban filmmakers are connected to the film El joven rebelde [The Young Rebel], directed by García Espinosa and screened for the first time in 1961. The rupture centered on creative and ideological differences regarding the way in which the protagonist was to be portrayed in the movie. This seemingly minor disagreement had considerably larger repercussions, the end result of which was that García Espinosa and Gutiérrez Alea, as well as the rest of the Cuban filmmakers who worked within the Instituto Cubano del Arte e Industria Cinematográficos (ICAIC) after 1959, were driven to find their own creative strategies to craft a national film production. However, the Cuban filmmakers would not have found the necessary grammar to rewrite their own revolutionary cinema without the rupture with Zavattini. This new cinematographic language could not have existed without the various pauses and the distances that characterized the Cuban relationship with Neorealism. In other words, the fragmentary interchange between García Espinosa, Gutierrez Alea, and Zavattini created new spaces in which the Cubans could find creative opportunities to express their own cinematic vision.
    Keywords: Art & Art History ; Latin American Studies ; Film Studies ; Communication Studies ; History ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::A The Arts::AB The arts: general topics ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: Spanish
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  • 3
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    Gender, Discourse, and Desire in Twentieth-Century Brazilian Women's Literature (2023)
    Purdue University Press
    Details
    Publication Date: 2024-03-26
    Description: This study by Cristina Ferreira-Pinto explores the poetic and narrative strategies twentieth-century Brazilian women writers use to achieve new forms of representation of the female body, sexuality, and desire. Female writers discussed include: Gilka Machado, Lygia Fagundes Telles, Marcia Denser, and Marina Colasanti. While creating new forms, these writers are also deconstructing cultural myths of femininity and female behavior. In order to understand these myths, the book also presents new readings of some male-authored canonical novels by Jose de Alencar, Machado de Assis, Manuel Antonio de Almeida, and Aluisio Azevedo.
    Keywords: Literature: history & criticism ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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  • 4
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    Refuge Must Be Given (2023)
    Purdue University Press
    Details
    Publication Date: 2024-03-26
    Description: Refuge Must Be Given details the evolution of Eleanor Roosevelt from someone who harbored negative impressions of Jews to become a leading Gentile champion of Israel in the United States. The book explores, for the first time, Roosevelt's partnership with the Quaker leader Clarence Pickett in seeking to admit more refugees into the United States, and her relationship with Undersecretary of State Sumner Welles, who was sympathetic to the victims of Nazi persecution yet defended a visa process that failed both Jewish and non-Jewish refugees. After the war, as a member of the American delegation to the United Nations, Eleanor Roosevelt slowly came to the conclusion that the partition of Palestine was the only solution both for the Jews in the displaced persons camps in Europe, and for the conflict between the Arabs and the Jews. When Israel became a state, she became deeply involved in supporting the work of Youth Aliyah and Hadassah, its American sponsor, in bringing Jewish refugee children to Israel and training them to become productive citizens. Her devotion to Israel reflected some of her deepest beliefs about education, citizenship, and community building. Her excitement about Israel's accomplishments and her cultural biases, however, blinded her to the impact of Israel's founding on the Arabs. Visiting the new nation four times and advocating on Israel's behalf created a warm bond not only between her and the people of Israel, but between her and the American Jewish community.
    Keywords: Political Science ; History ; Jewish Studies ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNB Biography: general::DNBH Biography: historical, political and military ; thema EDItEUR::J Society and Social Sciences::JP Politics and government ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
    Language: English
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  • 5
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    The Nazis, the Vatican, and the Jews of Rome (2023)
    Purdue University Press | Purdue University Press
    Details
    Publication Date: 2024-04-06
    Description: "On October 16, 1943, the Jews of Rome were targeted for arrest and deportation. The Nazis, the Vatican, and the Jews of Rome examines why?and more importantly how?it could have been avoided, featuring new evidence and insight into the Vatican?s involvement. At the time, Rome was within reach of the Allies, but the overwhelming force of the Wehrmacht, Gestapo, and SS in Rome precluded direct confrontation. Moral condemnations would not have worked, nor would direct confrontation by the Italians, Jewish leadership, or even the Vatican. Gallo underscores the necessity of determining what courses of actions most likely would have spared Italian Jews from the gas chambers. Examining the historical context and avoiding normative or counterfactual assertions, this book draws upon archival sources ranging from diaries to intelligence intercepts in English, Italian, and German. With antisemitism on the rise today and the last remaining witnesses passing away, it is essential to understand what happened in 1943. The Nazis, the Vatican, and the Jews of Rome grapples with this particular, awful episode within the larger, horrifying story of the Holocaust. Despite the inadequacy of memory, we must continue to attempt to make sense of the inexplicable. "
    Keywords: History ; Holocaust ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTZ Genocide and ethnic cleansing::NHTZ1 The Holocaust ; thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWR Specific wars and campaigns::NHWR7 Second World War ; thema EDItEUR::1 Place qualifiers::1D Europe ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPB Early 20th century c 1900 to c 1950::3MPBL c 1940 to c 1949
    Language: English
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  • 6
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    Las ciudades del deseo (2023)
    Purdue University Press
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    Publication Date: 2024-03-26
    Description: Las ciudades del deseo explores the representations of gender, sexuality, and urban space in contemporary narratives from Cuba, the Dominican Republic, and Puerto Rico. By examining a corpus of novels published since 2000, this book shows how the changes in urban landscape create a new image of the city that destroys traditional gender roles and produces different discourses on sexuality. At moments of crisis in political agendas that took place between 1990 and 2000, queer subjects became spokespeople outlining new national projects on each island, while claiming space in the national imaginary. The nation is no longer built on blood ties, patriarchal norms, or biological procreation, but rather starts incorporating previously excluded racial identities and sexual practices. By juxtaposing the narratives of the three countries and putting into dialogue the topics of nationality, sexuality, urban space, and sex tourism, Las ciudades del deseo breaks away from a tradition that tends to study them separately. The book contributes new perspectives on an emerging culture of resistance to heteronormative dynamics and power structures that is developing simultaneously in Cuba, Puerto Rico, and the Dominican Republic. It sheds light on larger connections between literature and LGBTQ activism in the Spanish-speaking Caribbean.Las ciudades del deseo explora las representaciones del género, la sexualidad y el espacio urbano en la narrativa contemporánea de Cuba, la República Dominicana y Puerto Rico. Aportando un análisis de varias novelas publicadas después de 2000, el libro muestra cómo los cambios del paisaje urbano crean una imagen nueva de la ciudad que destruye roles de género tradicionales y produce múltiples discursos de sexualidad. Durante la crisis de las agendas políticas que sucede en 1990–2000 los sujetos queer esbozan nuevos proyectos nacionales en cada isla. La familia como metáfora de la nación deja de basarse en los lazos de sangre, normas patriarcales y procreación biológica. En cambio, empieza a incorporar identidades raciales y prácticas sexuales. Yuxtaponiendo las narrativas de los tres países y poniendo en diálogos los temas de la nación, la sexualidad, el espacio urbano y el turismo sexual, Las ciudades del deseo rompe con una tradición que tiende a explorarlos por separado. El libro contribuye a una perspectiva nueva de la emergente cultura de resistencia contra las dinámicas heteronormativas y estructuras de poder que se está desarrollando simultáneamente en los tres países y establece conexiones extensas entre la literatura y el activismo LGBTQ en el Caribe hispano.
    Keywords: Literature: history & criticism ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Spanish
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  • 7
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    A Knight at the Opera (2023)
    Purdue University Press
    Details
    Publication Date: 2024-04-08
    Description: A Knight at the Opera examines the remarkable and unknown role that the medieval legend (and Wagner opera) Tannhäuser played in Jewish cultural life in the nineteenth and early twentieth centuries. The book analyzes how three of the greatest Jewish thinkers of that era, Heinrich Heine, Theodor Herzl, and I. L. Peretz, used this central myth of Germany to strengthen Jewish culture and to attack anti-Semitism. In the original medieval myth, a Christian knight lives in sin with the seductive pagan goddess Venus in the Venusberg. He escapes her clutches and makes his way to Rome to seek absolution from the Pope. The Pope does not pardon Tannhäuser and he returns to the Venusberg. During the course of A Knight at the Opera, readers will see how Tannhäuser evolves from a medieval knight, to Heine's German scoundrel in early modern Europe, to Wagner's idealized German male, and finally to Peretz's pious Jewish scholar in the Land of Israel. Venus herself also undergoes major changes from a pagan goddess, to a lusty housewife, to an overbearing Jewish mother. The book also discusses how the founder of Zionism, Theodor Herzl, was so inspired by Wagner's opera that he wrote The Jewish State while attending performances of it, and he even had the Second Zionist Congress open to the music of Tannhäuser's overture. A Knight at the Opera uses Tannhäuser as a way to examine the changing relationship between Jews and the broader world during the advent of the modern era, and to question if any art, even that of a prominent anti-Semite, should be considered taboo.
    Keywords: Religion ; Jewish Studies ; Language & Literature ; History ; bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRJ Judaism ; bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism ; bic Book Industry Communication::H Humanities::HB History::HBT History: specific events & topics::HBTB Social & cultural history ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRJ Judaism ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
    Language: English
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  • 8
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    Center Stage (2023)
    Purdue University Press
    Details
    Publication Date: 2024-04-02
    Description: Grand palaces of culture, opera theaters marked the center of European cities like the cathedrals of the Middle Ages. As opera cast its spell, almost every European city and society aspired to have its own opera house, and dozens of new theaters were constructed in the course of the "long" nineteenth century. At the time of the French Revolution in 1789, only a few, mostly royal, opera theaters, existed in Europe. However, by the turn of the nineteenth and twentieth centuries nearly every large town possessed a theater in which operas were performed, especially in Central Europe, the region upon which this book concentrates. This volume, a revised and extended version of two well-reviewed books published in German and Czech, explores the social and political background to this "opera mania" in nineteenth century Central Europe. After tracing the major trends in the opera history of the period, including the emergence of national genres of opera and its various social functions and cultural meanings, the author contrasts the histories of the major houses in Dresden (a court theater), Lemberg (a theater built and sponsored by aristocrats), and Prague (a civic institution). Beyond the operatic institutions and their key stage productions, composers such as Carl Maria von Weber, Richard Wagner, Bedřich Smetana, Stanisław Moniuszko, Antonín Dvořák, and Richard Strauss are put in their social and political contexts. The concluding chapter, bringing together the different leitmotifs of social and cultural history explored in the rest of the book, explains the specificities of opera life in Central Europe within a wider European and global framework.
    Keywords: History ; European Studies ; Slavic Studies ; Performing Arts ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: English
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  • 9
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    A Summer of Mass Murder (2023)
    Purdue University Press | Purdue University Press
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    Publication Date: 2024-04-04
    Description: Most accounts of the Holocaust focus on trainloads of prisoners speeding toward Auschwitz, with its chimneys belching smoke and flames, in the summer of 1944. This book provides a hitherto untold chapter of the Holocaust by exploring a prequel to the gas chambers: the face-to-face mass murder of Jews in Galicia by bullets. The summer of 1941 ushered in a chain of events that had no precedent in the rapidly unfolding history of World War II and the Holocaust. In six weeks, more than twenty thousand Hungarian Jews were forcefully deported to Galicia and summarily executed. In exploring the fate of these Hungarian Jews and their local coreligionists, A Summer of Mass Murder transcends conventional history by introducing a multitude of layers of politics, culture, and, above all, psychology?for both the victims and the executioners. The narrative presents an uncharted territory in Holocaust scholarship with extensive archival research, interviews, and corresponding literature across countries and languages, incorporating many previously unexplored documents and testimonies. Eisen reflects upon the voices of the victims, the images of the perpetrators, whose motivation for murder remains inexplicable. In addition, the author incorporates the long-forgotten testimonies of bystander contemporaries, who unwittingly became part of the unfolding nightmare and recorded the horror in simple words. This book also serves as a personal journey of discovery. Among the twenty thousand people killed was the tale of two brothers, the author?s uncles. In retracing their final fate and how they were swept up in the looming genocide, A Summer of Mass Murder also gives voice to their story.
    Keywords: History ; Holocaust ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTZ Genocide and ethnic cleansing::NHTZ1 The Holocaust ; thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWR Specific wars and campaigns::NHWR7 Second World War ; thema EDItEUR::1 Place qualifiers::1D Europe ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPB Early 20th century c 1900 to c 1950::3MPBL c 1940 to c 1949
    Language: English
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  • 10
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    "Cap" Cornish, Indiana Pilot (2023)
    Purdue University Press
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    Publication Date: 2024-03-26
    Description: Clarence "Cap" Cornish was an Indiana pilot whose life spanned all but five years of the Century of Flight. Born in Canada in 1898, Cornish grew up in Fort Wayne, Indiana. He began flying at the age of nineteen, piloting a "Jenny" aircraft during World War I, and continued to fly for the next seventy-eight years. In 1995, at the age of ninety-seven, he was recognized by Guinness World Records as the world's oldest actively flying pilot. The mid-1920s to the mid-1950s were Cornish's most active years in aviation. During that period, sod runways gave way to asphalt and concrete; navigation evolved from the iron rail compass to radar; runways that once had been outlined at night with cans of oil topped off with flaming gasoline now shimmered with multicolored electric lights; instead of being crammed next to mailbags in open-air cockpits, passengers sat comfortably in streamlined, pressurized cabins. In the early phase of that era, Cornish performed aerobatics and won air races. He went on to run a full-service flying business, served as chief pilot for the Fort Wayne News-Sentinel, managed the city's municipal airport, helped monitor and maintain safe skies above the continental United States during World War II, and directed Indiana's first Aeronautics Commission. Dedicating his life to flight and its many ramifications, Cornish helped guide the sensible development of aviation as it grew from infancy to maturity. Through his many personal experiences, the story of flight nationally is played out.
    Keywords: Transportation Studies ; History of Science & Technology ; History ; American Studies ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNB Biography: general ; thema EDItEUR::W Lifestyle, Hobbies and Leisure::WG Transport: general interest::WGM Aircraft and aviation ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
    Language: English
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  • 11
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    Arteletra (2023)
    Purdue University Press
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    Publication Date: 2024-03-26
    Description: ArteletrA analyzes the Sixties in Latin America in order to revisit the core claim of literary and cultural studies to political relevancy in the contemporary world: the task of making visible the invisible. Though visibility can secure rights for the disenfranchised, it also risks subjecting them to the biopolitical and capitalist arrangements of space. What is at stake in this book is a series of aesthetic and ethical tools for engaging in politics-defined here as the potential to disagree-without first passing through visibility. These tools cohere around a practice Bartles calls "the politics of going unnoticed," which he derives from an archive of three noteworthy, though under-appreciated, authors who wrote during the Sixties: Calvert Casey (1924-69), Juan Filloy (1894-2000), and Armonía Somers (1914-94). For the first time ever, Casey, Filloy, and Somers are put in dialogue with one another to further demonstrate the unique contributions of Latin American writers to contemporary debates about the crossroads of literatures and politics. What unites them is their shared investment in stories about those who go unnoticed. As a practice, going unnoticed creates space and opportunities for queer, rural, and female subjects, among others, to step back from unjust institutions. As a political discourse, going unnoticed deactivates the binary structures of biopolitics (e.g., visible/invisible, pure/filthy, friend/enemy) that divide humans from one another in the service of power and economic inequality. Though the politics of going unnoticed was ignored during the Sixties for its apparent individualism, these three writers work through alternatives to the politics of visibility that has animated political discourse on the left for the last half-century. More than a self-interested critique, going unnoticed opens new possibilities for engaging in the messy business of politics while imagining and creating better communities.
    Keywords: Language & Literature ; Latin American Studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory
    Language: English
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    Don Quixote and Catholicism (2023)
    Purdue University Press
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    Publication Date: 2024-03-26
    Description: Four hundred years since its publication, Miguel de Cervantes's Don Quixote continues to inspire and to challenge its readers. The universal and timeless appeal of the novel, however, has distanced its hero from its author and its author from his own life and the time in which he lived. The discussion of the novel's Catholic identity, therefore, is based on a reading that returns Cervantes's hero to Cervantes's text and Cervantes to the events that most shaped his life. The authors and texts McGrath cites, as well as his arguments and interpretations, are mediated by his religious sensibility. Consequently, he proposes that his study represents one way of interpreting Don Quixote and acts as a complement to other approaches. It is McGrath's assertion that the religiosity and spirituality of Cervantes's masterpiece illustrate that Don Quixote is inseparable from the teachings of Catholic orthodoxy. Furthermore, he argues that Cervantes's spirituality is as diverse as early modern Catholicism. McGrath does not believe that the novel is primarily a religious or even a serious text, and he considers his arguments through the lens of Cervantine irony, satire, and multiperspectivism. As a Roman Catholic who is a Hispanist, McGrath proposes to reclaim Cervantes's Catholicity from the interpretive tradition that ascribes a predominantly Erasmian reading of the novel. When the totality of biographical and sociohistorical events and influences that shaped Cervantes's religiosity are considered, the result is a new appreciation of the novel's moral didactic and spiritual orientation.
    Keywords: Language & Literature ; European Studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: English
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  • 13
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    Fantasies of Gender and the Witch in Feminist Theory and Literature (2023)
    Purdue University Press
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    Publication Date: 2024-03-26
    Description: In her book Fantasies of Gender and the Witch in Feminist Theory and Literature, Justyna Sempruch analyses contemporary representations of the "witch" as a locus for the cultural negotiation of genders. Sempruch revisits some of the most prominent traits in past and current perceptions in feminist scholarship of exclusion and difference.
    Keywords: Literature: history & criticism ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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    Jews and Gender (2023)
    Purdue University Press
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    Publication Date: 2023-10-05
    Description: Jews and Gender features sixteen authors exploring the history and culture of the intersection of Judaism and gender from the biblical world to today. Topics include subversive readings of biblical texts; reappraisal of rabbinic theory and practice; women in mysticism, Chasidism, and Yiddish literature; and women in contemporary culture and politics. Accessible and comprehensive, this volume will appeal to the general reader in addition to engaging with contemporary academic scholarship.
    Keywords: Religion ; Gender Studies ; Jewish Studies ; History ; Feminist & Women's Studies ; bic Book Industry Communication::H Humanities::HR Religion & beliefs::HRL Aspects of religion (non-Christian)::HRLM Religious life & practice::HRLM7 Religious aspects of sexuality, gender & relationships ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSR Religious groups: social & cultural aspects ; bic Book Industry Communication::H Humanities::HB History::HBT History: specific events & topics::HBTB Social & cultural history
    Language: English
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    Croatian Radical Separatism and Diaspora Terrorism During the Cold War (2023)
    Purdue University Press
    Details
    Publication Date: 2024-03-29
    Description: Croatian Radical Separatism and Diaspora Terrorism During the Cold War examines one of the most active but least remembered groups of terrorists of the Cold War: radical anti-Yugoslav Croatian separatists. Operating in countries as widely dispersed as Sweden, Australia, Argentina, West Germany, and the United States, Croatian extremists were responsible for scores of bombings, numerous attempted and successful assassinations, two guerilla incursions into socialist Yugoslavia, and two airplane hijackings during the height of the Cold War. In Australia alone, Croatian separatists carried out no less than sixty-five significant acts of violence in one ten-year period. Diaspora Croats developed one of the most far-reaching terrorist networks of the Cold War and, in total, committed on average one act of terror every five weeks worldwide between 1962 and 1980. Tokić focuses on the social and political factors that radicalized certain segments of the Croatian diaspora population during the Cold War and the conditions that led them to embrace terrorism as an acceptable form of political expression. At its core, this book is concerned with the discourses and practices of radicalization-the ways in which both individuals and groups who engage in terrorism construct a particular image of the world to justify their actions. Drawing on exhaustive evidence from seventeen archives in ten countries on three continents-including diplomatic communiqués, political pamphlets and manifestos, manuals on bomb-making, transcripts of police interrogations of terror suspects, and personal letters among terrorists-Tokić tells the comprehensive story of one of the Cold War's most compelling global political movements.
    Keywords: Security Studies ; International Relations ; Political Science ; European Studies ; History ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPW Political activism / Political engagement::JPWL Terrorism, armed struggle ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPF Political ideologies and movements ; thema EDItEUR::J Society and Social Sciences::JP Politics and government ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: English
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    Richard Owen (2023)
    Purdue University Press
    Details
    Publication Date: 2024-03-26
    Description: Richard Dale Owen was born in 1810 in Scotland to a wealthy textile manufacturer and philanthropist. The youngest of eight children, Richard grew up at the family estate of Braxfield House, where he received his early education from private tutors. He would later go on to study chemistry, physics, and natural sciences, among other subjects, traveling between Scotland and Switzerland for his schooling.Owen arrived in the United States in 1828 to teach in New Haven, Indiana, where his father was running an experimental utopian community of happiness, enlightenment, and prosperity. He would later go on to be Indiana’s second state geologist before enlisting in the army during both the Mexican-American War and the American Civil War. Colonel Owen took command of 4,000 Confederate prisoners at Camp Morton in Indianapolis, where he established new daily routines and rules for supervision of the prisoners. Under Owen’s command, prisoners were allowed to read books and form glee clubs, theatrical groups, and sports teams. He also created a camp bakery staffed by prisoners that proved to be a substantial cost savings, allowing for above-average rations for the prisoners under his watch.After his military service came to an end, Owen continued to serve as a state geologist as well as becoming a professor at Indiana University, teaching chemistry, language, and natural philosophy. After failing to help secure IU as Indiana’s land-grant school, Owen was recruited to help establish Purdue University, west of Lafayette. The board of trustees selected him to serve as the University’s first president on August 13, 1872. However, Owen and the trustees disagreed on many early initiatives, including his focus on agriculture and push for more comfortable living arrangements for students.After less than two years serving as president, where he never drew a salary, Owen resigned his position and returned to teaching at Indiana University, until hearing problems caused him to retire in 1879. He spent his remaining years in New Harmony, where he conducted research and published several scientific papers until his tragic death caused by an accidental poisoning at the hand of a local pharmacist.
    Keywords: Education ; History ; American Studies ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNB Biography: general ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
    Language: English
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    Cartografías cosmopolitas (2023)
    Purdue University Press
    Details
    Publication Date: 2024-03-26
    Description: Tradición literaria y cartografías cosmopolitas: la poesía de León de Greiff is an in-depth study of the literary production of the mid-20th century Colombian writer León de Greiff. This book analyses his poetic works as a complex manifestation of literary cosmopolitanism and a challenging elaboration of cultural cartographies. The study of these elements offers a novel approach to an unexplored aspect of De Greiff’s poetry. Through a careful reading of De Greiff’s seemingly disorganized assimilation of French, Spanish, English, Middle Eastern, East Asian, and Northern European literary traditions, Ramírez Rojas understands his literature as a capricious self-fashioning of a poetic genealogy. This practice challenges the classical notion of tradition and displays an alternative practice of self-creation of a literary lineage that goes beyond the borders of national affiliation, linguistic proximity, and historical continuity. This book proposes to read León de Greiff’s poems as cultural maps that reveal both a desire of connectivity with the world and a need for reorganizing the imaginary library of world literature. Ramírez Rojas contends that the haphazard collection, accumulation, and rearrangement of elements derived from various cultural sources challenges the logics of local versus global affiliations. Similarly, as León de Greiff builds a worldwide network of connections from a self-assumed position of eccentricity, his works dispute the binary division of cultural centers and peripheries, revendicating marginality as a productive condition. The study of this alternative cosmopolitanism brings de Greiff’s writings into current debates about Latin American’s cultural positionality within the frame of cosmopolitanism and world literature.Tradición literaria y cartografías cosmopolitas: la poesía de León de Greiff es un estudio de la producción poética de este escritor colombiano de mediados del siglo XX. En este libro se estudian sus textos como complejas manifestaciones de un cosmopolitismo literario y como arriesgadaa elaboraciones de cartografías poéticas. El análisis de estos elementos ofrece una nueva perspectiva de acercamiento a una temática todavía inexplorada en la obra de León de Greiff. Por medio de una cuidadosa lectura de su aparentemente caprichosa asimilación de fuentes francesas, españolas, inglesas, de medio y lejano oriente, así como también de sus fuentes escandinavas, Ramírez Rojas propone comprender la literatura greiffiana como una tarea de elaboración de una genealogía poética propia. Esta práctica cuestiona las nociones clásicas de tradición y pone en marcha un ejercicio alternativo de autoconstrucción de un linaje literario que no está limitado por fronteras nacionales, proximidad lingüística ni continuidad histórica. Este estudio plantea la posibilidad de leer los poemas de León de Greiff como mapas culturales que revelan tanto un deseo de conectividad con el mundo como una necesidad de reorganizar la biblioteca imaginaria de la literatura mundial. Ramírez Rojas propone que la azarosa acumulación y reestructuración de elementos derivados de distintas cuentes culturales pone en cuestión las lógicas de afiliación global vs. afiliación local. De igual forma, dado que de Greiff construye una red de conexiones a partir una posición de auto-asumida excentricidad, sus trabajos poéticos disputan las divisiones binarias entre centros y periferias culturales, reivindicando la marginalidad como una condición productiva. El estudio de esta manifestación de cosmopolitismo alternativo inscribe su poesía en los debates actuales sobre el posicionamiento cultural de Latinoamérica dentro del espacio cosmopolita y los círculos de la literatura mundial.
    Keywords: Language & Literature ; Latin American Studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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    Galápagos (2023)
    Purdue University Press
    Details
    Publication Date: 2024-03-26
    Description: Este libro intenta mostrar la representación textual de las islas Galápagos desde su descubrimiento hasta nuestros días. El argumento principal sugiere que la descripción de este espacio crucial para la modernidad, dada la retórica de los escritores de viajes y ficción, transforma el área insular para concebir formas alternativas del proyecto de construcción nacional en América Latina. Como resultado de las empresas coloniales, excursiones científicas, crónicas periodísticas o expediciones, la escritura de viaje de las Galápagos condiciona la formación del estado y su imaginario nacional. Esto ocurre por el capital simbólico que posee archipiélago y por el deseo de los intelectuales latinoamericanos de pertenecer a un territorio cosmopolita. El espacio insular funciona como un significante vacío donde los viajeros pueden comunicar su propio significado al narrar las experiencias de sus viajes. Este fenómeno crea una división conceptual y política entre la identidad de las islas y la nación ecuatoriana. Dichas ambigüedades narrativas crearon una ruptura que condujo a variaciones fundamentales en la forma en que los habitantes locales y entidades extranjeras interpretan las Galápagos hoy en día, ya que su literatura refleja una tensión particular de cara a las tendencias migratorias en las islas, así como los intereses globales que prevalecen en la apropiación del espacio. This book, written in Spanish, takes a literary and cultural studies model to explain the textual representation of the Galápagos Islands since their discovery until present day. The main argument suggests that the depiction of this crucial space for modernity in Western thought, given the rhetoric of travel and fiction writers, transforms the insular area with the intention of conceiving disparate forms of political displacement. Specifically, these depictions show several conflicts that arose from the seeking of identity in Ecuador during the nation-building project that took place at the time. As a result of colonial enterprises (scientific excursions, exile, tourism, journalistic pieces, expeditions, etc.), travel writings of the Galápagos condition the formation of the state and its national imagery because of the extreme symbolic capital of the archipelago and the desire of Latin American intellectuals to belong to a cosmopolitan territory.
    Keywords: Language & Literature ; Latin American Studies ; Sustainability ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::W Lifestyle, Hobbies and Leisure::WT Travel and holiday
    Language: Spanish
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    The Ripple Effect (2023)
    Purdue University Press
    Details
    Publication Date: 2024-03-26
    Description: In The Ripple Effect: Gender and Race in Brazilian Culture and Literature, Barbosa adopts a comparative, multilayered, and interdisciplinary line of research to examine social values and cultural mores from the first decades of the twentieth century to the present. By analyzing the historical, cultural, religious, and interactive space of Brazil’s national identity, The Ripple Effect surveys expressive cultures and literary manifestations. It uses the martial art-dance-ritual capoeira as a lynchpin to disclose historical ambiguities and the negotiation of cultural and literary boundaries within the context of the ideological construct of a mestizo nation. The book also examines laws governing gender in Brazil and discusses honor killings and other types of violence against women. The Ripple Effect appraises the contributions that some iconic female figures have made to the development of Brazil’s distinctive cultural and literary production. Drawing on more than fifteen years of field, archival, and scholarly research, this work offers new interpretative venues, and broadens the critical focus and the methodological scope of previous scholarship. It reveals how literature and other arts can be used to document cultural norms, catalog life experiences, and analyze complex constructions of social values, ideas, and belief systems.
    Keywords: Language & Literature ; Latin American Studies ; Gender Studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000 ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups
    Language: English
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    On Many Routes (2023)
    Purdue University Press
    Details
    Publication Date: 2024-04-02
    Description: On Many Routes is about the history of human migration. With a focus on the Habsburg Empire, this innovative work presents an integrated and creative study of spatial mobilities: from short to long term, and intranational and inter-European to transatlantic. Migration was not just relegated to city folk, but likewise was the reality for rural dwellers, and we gain a better understanding of how sending and receiving states and shipping companies worked together to regulate migration and shape populations. Bringing historical census data, governmental statistics, and ship manifests into conversation with centuries-old migration patterns of servants, agricultural workers, seasonal laborers, peddlers, and artisans-both male and female-this research argues that Central Europeans have long been mobile, that this mobility has been driven by diverse motivations, and that post-1850 transatlantic migration was an obvious extension of earlier spatial mobility patterns. Demonstrating the complexity of human mobility via an exploration of the links between overseas, continental, and internal migrations, On Many Routes shows that migrations to the United States, to the nearest coalfield, and to the urban capitals are embedded within complicated patterns of movement. There is no good reason to study internal apart from transnational moves, and combining these fields brings ample possibility to make migration research more relevant for the much broader field of social and economic history. This work poses an invaluable resource to the understudied area of Habsburg Empire migration studies, which it relocates within its wider European context and provides a major methodological contribution to the history of human migration more broadly. The ubiquity and functionality of human movement sheds light on the relationship between human nature and society, and challenges simplistic notions of human mobility then and now.
    Keywords: History ; European Studies ; Sociology ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBA Social theory ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFH Migration, immigration and emigration ; thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PB Relating to peoples: ethnic groups, indigenous peoples, cultures and other groupings of people::5PBC Relating to migrant groups / diaspora communities or peoples
    Language: English
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    Writing Gender in Early Modern Chinese Women's Tanci Fiction (2023)
    Purdue University Press
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    Publication Date: 2024-03-26
    Description: Women’s tanci, or “plucking rhymes,” are chantefable narratives written by upper-class educated women from seventeenth-century to early twentieth-century China. Writing Gender in Early Modern Chinese Women’s Tanci Fiction offers a timely study on early modern Chinese women’s representations of gender, nation, and political activism in their tanci works before and after the Taiping Rebellion (1850 to 1864), as well as their depictions of warfare and social unrest. Women tanci authors’ redefinition of female exemplarity within the Confucian orthodox discourses of virtue, talent, chastity, and political integrity could be bourgeoning expressions of female exceptionalism and could have foreshadowed protofeminist ideals of heroism. They establish a realistic tenor in affirming feminine domestic authority, and open up spaces for discussions of “womanly becoming,” female exceptionalism, and shifting family power structures. The vernacular mode underlying these texts yields productive possibilities of gendered self-representations, bodily valences, and dynamic performances of sexual roles. The result is a vernacular discursive frame that enables women’s appropriation and refashioning of orthodox moral values as means of self-affirmation and self-realization. Validations of women’s political activism and loyalism to the nation attest to tanci as a premium vehicle for disseminating progressive social incentives to popular audiences. Women’s tanci marks early modern writers’ endeavors to carve out a space of feminine becoming, a discursive arena of feminine appropriation, reinvention, and boundary-crossings. In this light, women’s tanci portrays gendered mobility through depictions of a heroine’s voyages or social ascent, and entails a forward-moving historical progression toward a more autonomous and vested model of feminine subjectivity.
    Keywords: Literature: history & criticism ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: English
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    Combating the Hydra (2023)
    Purdue University Press
    Details
    Publication Date: 2024-04-02
    Description: Combating the Hydra explores structural as well as occasion-specific state violence committed by the early modern Habsburg Empire. The book depicts and analyzes attacks on marginalized people "maladjusted" of all sorts, women "of ill repute," "heretic" Protestants, and "Gypsies." Previously uncharted archival records reveal the use of arbitrary imprisonment, coerced labor, and deportation. The case studies presented provide insights into the origins of modern state power from varied techniques of population control, but are also an investigation of resistance against oppression, persecution, and life-threatening assaults. The spectrum of fights against debasement is a touching attestation of the humanity of the outcasts; they range from mental and emotional perseverance to counterviolence. A conversation with the eminent historian Carlo Ginzburg concludes the collection by asking about the importance of memorizing horrors of the past.
    Keywords: History ; Military Studies ; Security Studies ; European Studies ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::N History and Archaeology::NH History::NHA History: theory and methods::NHAH Historiography
    Language: English
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