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  • thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema  (15)
  • Chemical Engineering
  • United States
  • University of California Press  (25)
  • American Association for the Advancement of Science (AAAS)
  • 2020-2024  (25)
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  • 1
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    Political Moods (2023)
    University of California Press
    Details
    Publication Date: 2024-03-23
    Description: Melodrama films dominated the North and South Korean industries in the period between liberation from Japanese colonial rule in 1945 and the hardening of dictatorship in the 1970s. The films of each industry are often read as direct reflections of Cold War and Korean War political ideologies and national historical experiences, and therefore as aesthetically and politically opposed. However, Political Moods develops a comparative analysis across the Cold War divide, analyzing how films in both North and South Korea convey political and moral ideas through the sentimentality of the melodramatic mode. Travis Workman reveals that the melancholic moods of film melodrama express the somatic and social conflicts between political ideologies and excesses of affect, meaning, and historical references. These moods dramatize the tension between the language of Cold War politics and the negative affects that connect cinema to what it cannot fully represent. The result is a new way of historicizing the cinema of the two Koreas in relation to colonialism, postcolonialism, war, and nation building. “Deftly employing melodrama not so much as a genre as a domain of affect, Travis Workman provides a pathbreaking new framework for understanding post‑1945 Korean film. An important and highly original work.” — MICHAEL K. BOURDAGHS, University of Chicago “In this bracing reading of melodramatic form in Korean films, Workman raises a bold question that haunts Korean studies: how to develop a comparative understanding of the vastly different scenarios in the films of North and South? His answer drives our attention to the subject of mood. A stupendous contribution to the scholarship on Korean cinema, Cold War culture, and melodrama studies.” — JINSOO AN, author of Parameters of Disavowal: Colonial Representation in South Korean Cinema
    Keywords: Motion pictures; Korea; 20th century; Melodrama; Korean ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
    Language: English
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  • 2
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    World Socialist Cinema (2023)
    University of California Press
    Details
    Publication Date: 2024-03-23
    Description: A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In this capacious transnational film history, renowned scholar Masha Salazkina proposes a groundbreaking new framework for understanding the cinematic cultures of twentieth-century socialism. Taking as a point of departure the vast body of work screened at the Tashkent International Festival of Cinemas of Asia, Africa, and Latin America in the 1960s and 1970s, World Socialist Cinema maps the circulation of films between the Soviet Bloc and the countries of the Global South in the mid- to late twentieth century, illustrating the distribution networks, festival circuits, and informal channels that facilitated this international network of artistic and intellectual exchange. Building on decades of meticulous archival work, this long-anticipated film history unsettles familiar stories to provide an alternative to Eurocentric, national, and regional narratives, rooted outside of the capitalist West.
    Keywords: Film Studies ; Communication Studies ; Latin American Studies ; African Studies ; Asian Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
    Language: English
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  • 3
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    Maverick Movies (2023)
    University of California Press
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    Publication Date: 2024-03-23
    Description: Maverick Movies tells the improbable story of New Line Cinema, a company that cut a remarkable path through the American film industry and movie culture. Founded in 1967 as an art film distributor, New Line made a small fortune running John Waters’s Pink Flamingos at midnight screenings in the 1970s and found reliable returns with the Nightmare on Elm Street franchise in the 1980s. By 2001, the company competed with the major Hollywood studios and reached global box office success with the Lord of the Rings franchise. Blurring boundaries between high and low culture, between independent film and Hollywood, and between the margins and the mainstream, New Line Cinema epitomizes Hollywood’s shift in focus from the mass audience fostered by the classic studios to the multitude of niche audiences sought today. “At long last, a top film scholar takes a deep dive into New Line Cinema’s remarkable and most unlikely history. Mining a wealth of primary sources and trade press accounts, and with access to New Line’s renegade founder Bob Shaye himself, Daniel Herbert deftly recounts the company’s rags-to-riches saga and firmly situates New Line as one of the most important Hollywood studios in the past half century.” — THOMAS SCHATZ, author of The Genius of the System: Hollywood Filmmaking in the Studio Era “Exhibiting the same archival dexterity he brought to Videoland, Herbert reconsiders how New Line’s eclecticism both predicted and reflected broader changes in US film culture of the late twentieth century. This book will revitalize the field of distribution studies.” — CAETLIN BENSON-ALLOTT, author of The Stuff of Spectatorship: Material Cultures of Film and Television “Focusing on New Line Cinema, an indie outfit rooted in 1960s college-campus film culture that in the 1990s briefly became the tail that wagged the dog at the WB, Herbert crafts a compelling road map of the volatile movie industry of postclassical Hollywood.” — JON LEWIS, author of Road Trip to Nowhere: Hollywood Encounters the Counterculture
    Keywords: Motion picture studios; history; 20th century; 21st century ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::N History and Archaeology::NH History
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  • 4
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    Celluloid Democracy (2023)
    University of California Press
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    Publication Date: 2024-03-23
    Description: The first book to offer a history of film activism in post-1945 South Korea, Celluloid Democracy tells the story of the Korean filmmakers, distributors, and exhibitors who reshaped cinema in radically empowering ways through decades of authoritarian rule. Employing tactics that ranged from representing the dispossessed on the screen to redistributing state-controlled resources through bootlegging, these film workers explored ideas and practices that simultaneously challenged repressive rule and pushed the limits of the cinematic medium. Drawing on archival research, film analysis, and interviews, Hieyoon Kim shows how Korean film workers during the Cold War reclaimed cinema as an ecology in which democratic discourses and practices could flourish. “Celluloid Democracy is brilliant; the scholarship is admirable. Hieyoon Kim has written an extraordinarily captivating account of the film workers, educators, intellectuals, and radical film activists in Cold War South Korea who dreamed of a better world and struggled to achieve democracy through cinema until the end of military rule in 1987. This remarkably readable and well-researched study deserves a wide audience.” — SANGJOON LEE, author of Cinema and the Cultural Cold War: US Diplomacy and the Origins of the Asian Cinema Network “A fascinating and polished piece of scholarship. I don’t know of any other book quite like this one. Moving away from the traditional focus on auteurs and film texts, Kim masterfully draws our attention to the critical yet often forgotten figures working on the margins of the postwar film scene, filling in some substantial gaps in our understanding of this period.” — CHRISTINA KLEIN, author of Cold War Cosmopolitanism: Period Style in 1950s Korean Cinema
    Keywords: cinema; politics; cold war; South Korea ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
    Language: English
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  • 5
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    Sirens of Modernity (2022)
    University of California Press
    Details
    Publication Date: 2024-03-23
    Description: By the 1960s, Hindi-language films from Bombay were in high demand, not only for domestic and diasporic audiences, but for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Confounding critics who saw the films as noisy and nonsensical, Bombay films attracted worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of 1960s Hindi cinema, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases—flops, remakes, low-budget comedies, and prestige productions—this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay. “Samhita Sunya’s rich and provocative book offers a needed corrective to contemporary debates on transnational cinema, translation and co-production, and cinephilia by approaching them from a new geographic and historical vantage point. A terrific contribution to a growing body of film studies scholarship that is redefining the field as we know it.” Masha Salazkina, author of In Excess: Sergei Eisenstein’s Mexico “This elegantly written book remaps the atlas of world cinema. Its refreshingly non-Eurocentric perspective, innovative methods for tracing the intersection of material and affective histories of circulation, and transregional scope make it a valuable addition to film studies, South Asian studies, and inquiries into the global 1960s.” Manishita Dass, author of Outside the Lettered City: Cinema, Modernity, and the Public Sphere in Late Colonial India
    Keywords: cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
    Language: English
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  • 6
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    At the Edges of Sleep (2022)
    University of California Press
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    Publication Date: 2024-03-23
    Description: At the Edges of Sleep considers sleep in film and moving image art as both a subject matter to explore onscreen and a state to induce in the audience. Far from negating action or meaning, sleep extends into new territories as it designates ways of existing in the world, in relation to people, places, and the past. Defined positively, sleep also expands our understanding of reception beyond the binary of concentration and distraction. These possibilities converge in the work of Thai filmmaker and artist Apichatpong Weerasethakul, who has explored the subject of sleep systematically throughout his career. In examining Apichatpong’s work, Jean Ma brings together an array of interlocutors—from Freud to Proust, George Méliès to Tsai Ming-liang, Weegee to Warhol—to rethink moving images through the lens of sleep. Ma exposes an affinity between cinema, spectatorship, and sleep that dates to the earliest years of filmmaking, and sheds light upon the shifting cultural valences of sleep in the present moment. “Moving with ease across historical contextualization, theoretical inquiry, and the close reading of films and other cultural objects, Jean Ma takes on urgent contemporary debates pertaining to corporeality, slowness, attention, and cinematic relocation. A true pleasure to read.” — ERIKA BALSOM, author of After Uniqueness: A History of Film and Video Art in Circulation “Intellectually ambitious, erudite across a number of fields, poetically written yet lucid, and both historically informed and deeply attuned to our own moment.” — KAREN REDROBE, author of Crash: Cinema and the Politics of Speed and Stasis “Downright groundbreaking in its far-ranging and far-reaching insights.” — DANA POLAN, Cinema Studies, New York University
    Keywords: sleep; film; dreams in motion pictures; art ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
    Language: English
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  • 7
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    Ink-Stained Hollywood (2022)
    University of California Press | University of California Press
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    Publication Date: 2023-02-02
    Description: For the first half of the twentieth century, no American industry boasted a more motley and prolific trade press than the movie business—a cutthroat landscape that set the stage for battle by ink. In 1930, Martin Quigley, publisher of Exhibitors Herald, conspired with Hollywood studios to eliminate all competing trade papers, yet this attempt and each one thereafter collapsed. Exploring the communities of exhibitors and creative workers that constituted key subscribers, Ink-Stained Hollywood tells the story of how a heterogeneous trade press triumphed by appealing to the foundational aspects of industry culture—taste, vanity, partisanship, and exclusivity. In captivating detail, Eric Hoyt chronicles the histories of well-known trade papers (Variety, Motion Picture Herald) alongside important yet forgotten publications (Film Spectator, Film Mercury, and Camera!), and challenges the canon of film periodicals, offering new interpretative frameworks for understanding print journalism’s relationship with the motion picture industry and its continued impact on creative industries today.
    Keywords: Social Science ; Media Studies ; History ; United States ; 20th Century ; Performing Arts ; Film ; History & Criticism ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies ; bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJK History of the Americas ; bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism
    Language: English
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  • 8
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    Citizen Outsider (2021)
    University of California Press
    Details
    Publication Date: 2024-03-28
    Description: While portrayals of immigrants and their descendants in France and throughout Europe often center on burning cars and radical Islam, Citizen Outsider: Children of North African Immigrants in France paints a different picture. Through fieldwork and interviews in Paris and its banlieues, Jean Beaman examines middle-class and upwardly mobile children of maghrébin, or North African immigrants. By showing how these individuals are denied cultural citizenship because of their North African origin, she puts to rest the notion of a French exceptionalism regarding cultural difference, race, and ethnicity and further centers race and ethnicity as crucial for understanding marginalization in French society.
    Keywords: islam ; race and ethnicity ; france ; north african ; second generation ; international migration ; cultural citizenship ; postcolonial ; racial project ; children of immigrants ; Banlieue ; French people ; Middle class ; Paris ; Social exclusion ; United States ; thema EDItEUR::J Society and Social Sciences ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFH Migration, immigration and emigration ; thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PB Relating to peoples: ethnic groups, indigenous peoples, cultures and other groupings of people::5PBC Relating to migrant groups / diaspora communities or peoples
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  • 9
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    Almost Hollywood, Nearly New Orleans: The Lure of the Local Film Economy (2021)
    University of California Press | University of New Orleans Press
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    Publication Date: 2024-03-23
    Description: Early in the twenty-first century, Louisiana, one of the poorest states in the United States, redirected millions in tax dollars from the public coffers in an effort to become the top location site globally for the production of Hollywood films and television series. Why would lawmakers support such a policy? Why would citizens accept the policyâ s uncomfortable effects on their economy and culture? Almost Hollywood, Nearly New Orleans addresses these questions through a study of the local and everyday experiences of the film economy in New Orleans, Louisianaâ a city that has twice taken the mantle of becoming a movie production capital. From the silent era to todayâ s Hollywood South, Vicki Mayer explains that the aura of a film economy is inseparable from a prevailing sense of home, even as it changes that place irrevocably.
    Keywords: new orleans ; louisiana ; runaway film ; film industries ; hollywood south ; film economy ; creative economy ; tax incentives ; hollywood ; Treme (TV series) ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::N History and Archaeology::NH History
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  • 10
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    Frame by Frame (2021)
    University of California Press
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    Publication Date: 2024-03-23
    Description: For most of the twentieth century, the making of animated cartoons was mechanized and standardized to allow for high-volume production: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called "cels") and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians, most of them anonymous. In order to understand how the industrial mode of production influenced the medium’s visual style, this book regards each frame of a given animated cartoon as a historical document in its own right. This new consideration of the materiality of the medium analyzes cartoons frame by frame to expose hitherto unseen qualities of the image. The book covers the different technologies of reproduction involved in this process, from photography to xerography, as well as the idiosyncrasies of the image—from abstract imagery to mistakes in reproduction—that can be seen only when the film is halted. What emerges is both a new methodology for thinking about animation, the idea of frame-by-frame analysis, and a highly original account of an art formed on the assembly line.
    Keywords: Aesthetics ; animation ; avant-garde ; cartoons ; labor ; photography ; technology ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
    Language: English
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  • 11
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    Parameters of Disavowal (Volume 1.0) (2021)
    University of California Press | University of California Press
    Details
    Publication Date: 2024-04-02
    Description: The colonial experience of the early twentieth century shaped Korea’s culture and identity, leaving a troubling past that was subtly reconstructed in South Korean postcolonial cinema. Relating postcolonial discourses to a reading of Manchurian action films, kisaeng and gangster films, and revenge horror films, Parameters of Disavowal shows how filmmakers reworked, recontextualized, and erased ideas and symbols of colonial power. In particular, Jinsoo An examines how South Korean films privileged certain sites, such as the kisaeng house and the Manchurian frontier, generating unique meanings that challenged the domination of the colonial power, and how horror films indirectly explored both the continuing trauma of colonial violence and lingering emotional ties to the colonial order. Espousing the ideology of nationalism while responding to a new Cold War order that positioned Japan and South Korea as political and economic allies, postcolonial cinema formulated distinctive ways of seeing and imagining the colonial past.
    Keywords: History ; General ; History ; Asia ; General ; Performing Arts ; Film ; General ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology::NH History::NHF Asian history ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
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  • 12
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    Cold War Cosmopolitanism (2021)
    University of California Press
    Details
    Publication Date: 2024-03-24
    Description: "Han Hyung-mo was a major figure within South Korea’s Golden Age cinema. The director of Madame Freedom (1956), the most famous film of the 1950s, Han made popular films that explored women’s relationship to modernity. He was also a master stylist who introduced technological innovations and fresh ideas about film form and genre into Korean cinema. This book offers a transnational cultural history of Han’s films, one that foregrounds questions of gender and style. Han’s films embody a period style that Klein calls “Cold War cosmopolitanism.” The waging of the Cold War enmeshed South Korea within a network of ties to the Free World. Fostered by political leaders like Syngman Rhee, American institutions such as the US military and the Asia Foundation, and ordinary Koreans, these networks created channels through which material resources, liberal ideas, and cultural texts flowed into and out of Korea. Han and other cultural producers tapped into these networks to create new forms of commercial culture that meshed local concerns with foreign trends. Combining extensive archival research and in-depth analyses of individual films, Cold War Cosmopolitanism offers a fresh, interdisciplinary perspective on the waging of the cultural Cold War in Asia."
    Keywords: Cultural Cold War ; Asia ; Korea ; Cosmopolitanism ; Period style ; 1950s ; Women ; Han Hyung-mo ; Golden Age ; Film ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::N History and Archaeology::NH History::NHF Asian history ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
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  • 13
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    Water and Los Angeles (2021)
    University of California Press | University of California Press
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    Publication Date: 2024-04-02
    Description: Los Angeles rose to significance in the first half of the twentieth century by way of its complex relationship to three rivers: the Los Angeles, the Owens, and the Colorado. The remarkable urban and suburban trajectory of southern California since then cannot be fully understood without reference to the ways in which each of these three river systems came to be connected to the future of the metropolitan region. This history of growth must be understood in full consideration of all three rivers and the challenges and opportunities they presented to those who would come to make Los Angeles a global power. Full of primary sources and original documents, Water and Los Angeles will be of interest to both students of Los Angeles and general readers interested in the origins of the city. “This is an invaluable new source book by two preeminent authorities on Los Angeles history.” -STEVEN P. ERIE, University of California, San Diego “Energized by a conviction of geography as destiny, this innovative docudrama of primary sources reveals the process whereby the Colorado River system propelled the urbanization of the American West. Water and Los Angeles constitutes a breakthrough fusion of environmental, engineering, urban, and political perspectives.” -KEVIN STARR, University of Southern California “This book offers an accessible, readable account of the importance of rivers to the development of modern Los Angeles.” -SARAH SCHRANK, Professor of History, California State University, Long Beach “Through a history of Los Angeles and the three rivers that helped to create it, this volume crosses several areas of scholarship to create an original and valuable contribution to research and teaching.” -NICOLAS G. ROSENTHAL, author of Reimagining Indian Country: Native American Migration and Identity in Twentieth-Century Los Angeles WILLIAM DEVERELL is Professor of History at the University of California and Director of the Huntington-USC Institute on California and the West. TOM SITTON is a curator emeritus of history from the Natural History Museum of Los Angeles County. Together, they are authors of California Progressive Revisited and Metropolis in the Making.
    Keywords: History ; United States ; General ; Nature ; General ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::W Lifestyle, Hobbies and Leisure::WN Nature and the natural world: general interest
    Language: English
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  • 14
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    The Dream Is Over: The Crisis of Clark Kerr’s California Idea of Higher Education (2021)
    University of California Press
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    Publication Date: 2022-04-29
    Description: The Dream Is Over tells the extraordinary story of the 1960 Master Plan for Higher Education in California, created by visionary University of California President Clark Kerr and his contemporaries. The Master Plan’s equality of opportunity policy brought college within reach of millions of American families for the first time and fashioned the world’s leading system of public research universities. The California idea became the leading model for higher education across the world and has had great influence in the rapid growth of universities in China and East Asia. Yet, remarkably, the political conditions supporting the California idea in California itself have evaporated. Universal access is faltering, public tuition is rising, the great research universities face new challenges, and educational participation in California, once the national leader, lags far behind. Can the social values embodied in Kerr’s vision be renewed?
    Keywords: equal opportunity ; clark kerr ; California ; China ; East Asia ; Higher education ; United States ; bic Book Industry Communication::J Society & social sciences::JN Education ; bic Book Industry Communication::J Society & social sciences::JN Education::JNA Philosophy & theory of education ; bic Book Industry Communication::J Society & social sciences::JN Education::JNB History of education
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  • 15
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    Discrimination at Work: Comparing European, French, and American Law (2021)
    University of California Press
    Details
    Publication Date: 2024-03-29
    Description: How do the United States and France differ in laws and attitudes concerning discrimination at work? Franco-American scholar Marie Mercat-Bruns interviews prominent legal scholars to demonstrate how these two post-industrial democracies have adopted divergent strategies. Whereas employers in the United States and France rarely discriminate openly, deep systemic discrimination exists in both countries, each with a unique history of dealing with difference. Powerful and incisive, the book examines hot-button issues such as racial and religious bias, sexual harassment, gender discrimination, and equality for LGBT individuals, highlighting comparisons that will further discussions on social equality and fundamental human rights across borders.
    Keywords: employment ; european law ; french law ; discrimination ; american law ; law and legislation ; labor ; Anti-discrimination law ; Disability ; Disparate impact ; France ; United States ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBL Sociology: work and labour ; thema EDItEUR::L Law::LA Jurisprudence and general issues::LAM Comparative law ; thema EDItEUR::L Law::LA Jurisprudence and general issues::LAQ Law and society, sociology of law ; thema EDItEUR::L Law::LB International law
    Language: English
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  • 16
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    Hokum! The Early Sound Slapstick Short and Depression-Era Mass Culture (2021)
    University of California Press
    Details
    Publication Date: 2024-03-23
    Description: Hokum!, the first book to take a comprehensive view of short-subject slapstick comedy in the early sound era, challenges the received wisdom that sound destroyed the slapstick tradition. Author Rob King explores the slapstick short’s Depression-era development against a backdrop of changes in film industry practice, comedic tastes, and moviegoing culture. Each chapter is grounded in case studies of comedians and comic teams, including the Three Stooges, Laurel and Hardy, and Robert Benchley. The book also examines how the past legacy of silent-era slapstick was subsequently reimagined as part of a nostalgic mythology of Hollywood’s youth.
    Keywords: slapstick ; short subjects ; sound ; american studies ; hokum ; mass culture ; depression-era culture ; comedy ; taste ; film studies ; Sound film ; thema EDItEUR::A The Arts ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies::JBCC1 Popular culture
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  • 17
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    Togo Mizrahi and the Making of Egyptian Cinema (2021)
    University of California Press | University of California Press
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    Publication Date: 2024-03-23
    Description: In this book, Deborah A. Starr recuperates the work of Togo Mizrahi, a pioneer of Egyptian cinema. Mizrahi, an Egyptian Jew with Italian nationality, established himself as a prolific director of popular comedies and musicals in the 1930s and 1940s. As a studio owner and producer, Mizrahi promoted the idea that developing a local cinema industry was a project of national importance. Togo Mizrahi and the Making of Egyptian Cinema integrates film analysis with film history to tease out the cultural and political implications of Mizrahi’s work. His movies, Starr argues, subvert dominant notions of race, gender, and nationality through their playful—and queer—use of masquerade and mistaken identity. Taken together, Mizrahi’s films offer a hopeful vision of a pluralist Egypt. By reevaluating Mizrahi’s contributions to Egyptian culture, Starr challenges readers to reconsider the debates over who is Egyptian and what constitutes national cinema.;“A captivating account of Egyptian film director Togo Mizrahi. Starr shows that Mizrahi’s distinct, often comical vision of Egypt captured a dramatic moment of social, political, and cultural transformation in which people of diverse backgrounds coexisted and struggled to achieve better lives.” JOEL GORDON, author of Revolutionary Melodrama: Popular Film and Civic Identity in Nasser’s Egypt;“A remarkable study of a remarkable career. Starr offers a comprehensive analysis of a life in filmmaking that adds nuance to our definition of Egyptian nationalism and enhances our appreciation of Alexandrian cinema. This is a book of recovery, reclamation, and celebration.” NANCY E. BERG, Professor of Hebrew and Comparative Literature, Washington University in St. Louis
    Keywords: Film Studies ; Jewish Studies ; Media Studies ; Middle Eastern Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSR Social groups: religious groups and communities ; thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PG Relating to religious groups::5PGJ Relating to Jewish people and groups ; thema EDItEUR::N History and Archaeology::NH History::NHG Middle Eastern history
    Language: English
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    Palestinian Chicago (2021)
    University of California Press | University of California Press
    Details
    Publication Date: 2023-02-02
    Description: Chicago is home to one of the largest, most politically active Palestinian immigrant communities in the United States. For decades, secular nationalism held sway as the dominant political ideology, but since the 1990s, its structures have weakened and Islamic institutions have gained strength. Drawing on extensive fieldwork and interview data, Palestinian Chicago charts the origins of these changes and the multiple effects they have had on identity across religious, political, class, gender, and generational lines. The perspectives that emerge through this rich ethnography challenge prevailing understandings of secularity and religion, offering critical insight into current debates about immigration and national belonging.
    Keywords: Social Science ; Ethnic Studies ; General ; History ; Middle East ; Israel & Palestine ; History ; United States ; State & Local ; General ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSL Ethnic studies ; bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJF Asian history::HBJF1 Middle Eastern history ; bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJK History of the Americas
    Language: English
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    Public Debt, Inequality, and Power: The Making of a Modern Debt State (2021)
    University of California Press
    Details
    Publication Date: 2024-03-29
    Description: Who are the dominant owners of US public debt? Is it widely held, or concentrated in the hands of a few? Does ownership of public debt give these bondholders power over our government? What do we make of the fact that foreign-owned debt has ballooned to nearly 50 percent today? Until now, we have not had any satisfactory answers to these questions. Public Debt, Inequality, and Power is the first comprehensive historical analysis of public debt ownership in the United States. It reveals that ownership of federal bonds has been increasingly concentrated in the hands of the 1 percent over the past three decades. Based on extensive and original research, Public Debt, Inequality, and Power will shock and enlighten.
    Keywords: economic history ; public debts ; government securities ; public finance ; National debt of the United States ; United States ; United States Treasury security ; thema EDItEUR::K Economics, Finance, Business and Management ; thema EDItEUR::K Economics, Finance, Business and Management::KC Economics ; thema EDItEUR::K Economics, Finance, Business and Management::KC Economics::KCZ Economic history
    Language: English
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    Precarious Creativity: Global Media, Local Labor (2021)
    University of California Press
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    Publication Date: 2024-03-23
    Description: Precarious Creativity examines the seismic changes confronting media workers in an age of globalization and corporate conglomeration. This pathbreaking anthology peeks behind the hype and supposed glamor of screen media industries to reveal the intensifying pressures and challenges workers face. The authors take on crucial issues and provide insightful case studies of workplace dynamics regarding creativity, collaboration, exploitation, and cultural difference. Furthermore, they investigate working conditions and organizing efforts on all six continents, offering comprehensive analysis of contemporary screen media labor in places such as Lagos, Prague, Hollywood, and Hyderabad, across a range of job categories that includes visual effects, production services, and adult entertainment. With contributions from John Caldwell, Vicki Mayer, Herman Gray, Tejaswini Ganti, and others, this collection offers timely critiques of media globalization and broader debates about labor, creativity, and precarity.
    Keywords: globalization ; mass media ; precarious employment ; labor ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTQ Globalization ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBL Sociology: work and labour
    Language: English
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    Taiwan and China (2021)
    University of California Press
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    Publication Date: 2024-04-02
    Description: China's relation to Taiwan has been in constant contention since the founding of the People's Republic of China in October 1949 and the creation of the defeated Kuomintang (KMT) exile regime on the island two months later. The islands autonomous sovereignty has continually been challenged, initially because of the KMT's insistence that it continue to represent not just Taiwan but all of China and later because Taiwan refused to cede sovereignty to the then-dominant power that had arisen on the other side of the Taiwan Strait. One thing that makes Taiwan so politically difficult and yet so intellectually fascinating is that it is not merely a security problem, but a ganglion of interrelated puzzles. The optimistic hope of the Ma Ying-jeou administration for a new era of peace and cooperation foundered on a landslide victory by the Democratic Progressive Party, which has made clear its intent to distance Taiwan from China's political embrace. The Taiwanese are now waiting with bated breath as the relationship tautens. Why did detente fail, and what chance does Taiwan have without it? Contributors to this volume focus on three aspects of the evolving quandary: nationalistic identity, social economy, and political strategy.
    Keywords: taishang ; taiwan strait ; 1992 consensus ; integration ; three links ; strategic ambiguity ; five no’s ; Beijing ; China ; Cross-Strait relations ; Kuomintang ; United States ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology::NH History::NHF Asian history
    Language: English
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    Migrating into Financial Markets: How Remittances Became a Development Tool (2021)
    University of California Press
    Details
    Publication Date: 2024-03-29
    Description: We understand very little about the billions of dollars that flow throughout the world from migrants back to their home countries. In this rigorous and illuminating work, Matt Bakker, an economic sociologist, examines how these migrant remittances—the resources of some of the world’s least affluent people—have come to be seen in recent years as a fundamental contributor to development in the migrant‑sending states of the global south. This book analyzes how the connection between remittances and development was forged through the concrete political and intellectual practices of policy entrepreneurs within a variety of institutional settings, from national government agencies and international development organizations to nongovernmental policy foundations and think tanks.
    Keywords: international policy ; economic development ; sustainable development ; emigrant remittances ; migration ; Directo a México ; Financial institution ; Mexico ; Neoliberalism ; North America ; United States ; thema EDItEUR::K Economics, Finance, Business and Management ; thema EDItEUR::K Economics, Finance, Business and Management::KC Economics::KCL International economics ; thema EDItEUR::K Economics, Finance, Business and Management::KC Economics::KCM Development economics and emerging economies ; thema EDItEUR::K Economics, Finance, Business and Management::KC Economics::KCS Economic systems and structures
    Language: English
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    The Saburo Hasegawa Reader (2021)
    University of California Press
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    Publication Date: 2024-03-23
    Description: Published on the occasion of the 2019 exhibition “Changing and Unchanging Things: Noguchi and Hasegawa in Postwar Japan,” The Saburo Hasegawa Reader encompasses a selection of writings by the Japanese artist, theorist, essayist, teacher, and curator Saburo Hasegawa (1908–1957), translated into English for the first time. Credited with introducing abstract art to Japan in the 1930s, Hasegawa also became influential as a lecturer on Japan and its aesthetic and philosophical traditions in New York and San Francisco before his premature death in 1957. A memorial volume, initiated by the Oakland Art Museum but left unpublished since the 1950s, as well as interviews from students at California College of Arts and Crafts, helps to establish Hasegawa as a thoughtful bridge between East and West and an engaging and thoughtful interpreter of classical and contemporary sources.
    Keywords: Saburo Hasegawa ; Isamu Noguchi ; Japan ; United States ; New York ; San Francisco ; abstract art ; transnationalism ; thema EDItEUR::A The Arts ; thema EDItEUR::N History and Archaeology::NH History::NHF Asian history
    Language: English
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    Parameters of Disavowal (2021)
    University of California Press
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    Publication Date: 2024-03-23
    Description: The colonial experience of the early twentieth century shaped Korea’s culture and identity, leaving a troubling past that was subtly reconstructed in South Korean postcolonial cinema. Relating postcolonial discourses to a reading of Manchurian action films, kisaeng and gangster films, and revenge horror films, Parameters of Disavowal shows how filmmakers reworked, recontextualized, and erased ideas and symbols of colonial power. In particular, Jinsoo An examines how South Korean films privileged certain sites, such as the kisaeng house and the Manchurian frontier, generating unique meanings that challenged the domination of the colonial power, and how horror films indirectly explored both the continuing trauma of colonial violence and lingering emotional ties to the colonial order. Espousing the ideology of nationalism while responding to a new Cold War order that positioned Japan and South Korea as political and economic allies, postcolonial cinema formulated distinctive ways of seeing and imagining the colonial past.
    Keywords: Korean cinema ; colonialism ; postcolonial culture ; film genre ; historical film ; space in film ; national identity ; Cold War ; Japan ; Kisaeng ; South Korea ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::N History and Archaeology::NH History::NHF Asian history ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
    Language: English
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    Where Truth Lies (2020)
    University of California Press
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    Publication Date: 2024-03-23
    Description: "This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms—social networking and crowdsourcing, video games and virtual environments, big data and data visualization—and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that ideological rifts inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that “truth” now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the “fake news” debates of 2016. “Looking at a unique and intriguing set of ‘hybrid media,’ Fallon convincingly makes a claim about a change in the form of new media, one linking politics, aesthetics, and technology.” ALEXANDRA JUHASZ, Brooklyn College, CUNY “Where Truth Lies does the difficult and much-needed work of unpacking how the documentary impulse is shifting in the digital age, both through the profound influence of digital aesthetics and computational thinking and through the ways traditional documentary is infusing digital expression.” JENNIFER MALKOWSKI, author of Dying in Full Detail: Mortality and Digital Documentary KRIS FALLON is Assistant Professor of Cinema and Digital Media at the University of California, Davis."
    Keywords: Film Studies ; Media Studies ; Politics ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::J Society and Social Sciences::JP Politics and government
    Language: English
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