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  • thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles  (195)
  • Philosophie  (131)
  • thema EDItEUR::Q Philosophy and Religion::QD Philosophy  (78)
  • 2020-2024  (384)
  • 2015-2019
  • 1995-1999
  • 2024  (384)
Collection
Language
Years
  • 2020-2024  (384)
  • 2015-2019
  • 1995-1999
Year
  • 1
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 2
    facet.materialart.
    Unknown
    Nomos Verlagsgesellschaft mbH & Co. KG | Karl Alber
    Publication Date: 2024-01-29
    Description: Published
    Description: Franz Rosenzweig ist bei uns - bedingt durch die nationalsozialistische Judenverfolgung - immer noch ein weitgehend Unbekannter. Dabei hatte er allein schon mit seinem zweibändigen Werk "Hegel und der Staat" (1920) wesentlich zur Neubelebung der gesellschafts- und geschichtsphilosophischen Diskussion beigetragen. Umwälzender ist jedoch der existenzphilosophische Neuansatz, den Rosenzweig mit seinem Hauptwerk "Der Stern der Erlösung" (1921) vorlegte. Es ist dies nicht nur eines der bedeutenden theologischen Werke des 20. Jahrhunderts, dessen Herausforderung - wenn auch verspätet - von den christlichen Kirchen heute mehr und mehr erkannt und aufgenommen wird, sondern das ihm zugrunde liegende Neue Denken ist auch in fundamentaltheologischer Hinsicht von einschneidender Bedeutung. An der kritischen Auseinandersetzung mit dem Deutschen Idealismus gereift, wirft Rosenzweig die grundlegenden Fragen nach der negativen Begrenztheit unseres Denkens, dem existentiellen Grund unseres Daseins, nach dessen Zeitlichkeit und Sprachlichkeit sowie nach dem Anderen und dem Wir der Gemeinschaft auf - Fragen, die auch heute noch die philosophische Gegenwartsdiskussion bestimmen. Den vorliegenden Studien geht es um eine einführende Vergegenwärtigung der Existenzphilosophie Rosenzweigs von unterschiedlichen Aspekten her. sie versuchen sich dem Neuen Denken Rosenzweigs vor allem vom Entstehungskontext aus den Gesprächen mit den Freunden - Hans Ehrenberg, Eugen Rosenstock, Martin Buber - zu nähern. ihr Ziel ist jedoch kein philosophiegeschichtliches, sondern die Vermittlung der existentiellen Fragen Rosenzweigs an uns.
    Keywords: Philosophie ; HP
    Language: German
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  • 3
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 4
    facet.materialart.
    Unknown
    MDPI - Multidisciplinary Digital Publishing Institute
    Publication Date: 2024-04-05
    Description: In 2015, the United Nations decided to establish the goal of achieving “zero hunger” in the world by 2030 through “outcome targets” such as eliminating hunger and improving access to food, ending all forms of malnutrition, promoting sustainable and resilient agriculture, and maintaining genetic diversity in food production. As a result of this decision, strategies are under way in different countries around the world in the form of political, academic, development, and non-governmental organization projects and programs. Five years later, these strategies have certainly generated results that need to be documented and analyzed so as to answer the following questions: what are the progress and success stories in terms of policies, innovations, technologies, and approaches to reach the zero hunger goal? What are the constraints and mitigation strategies? Are we really in a phase of transition towards the zero hunger goal? What new directions do we need to consider to achieve this goal, particularly in the context of the current COVID-19 pandemic, which affects all sectors of development around the world? This book volume will be published within MDPI’s new open access book series entitled “Transitioning to Sustainability”. It welcomes contributions of empirical research, position pieces, and presentations of important research programs or stakeholder initiatives that cover any of the four “outcome targets” of the zero hunger goal. The contributions may come from academics, students, and policy makers of any region in the world and may be related to specific disciplines or be inter and/or transdisciplinary. They may cover areas including but not limited to sustainable improvement of food production, implementing sustainable food and farming systems, improving access to food, limiting malnutrition, limiting food loss and food waste and, finally, global analyses of the challenges of reaching zero hunger in relation to other sustainable development goals as well as success stories on projects, programmes or government initiatives. Transitioning to Zero Hunger is part of MDPI's new Open Access book series Transitioning to Sustainability. With this series, MDPI pursues environmentally and socially relevant research which contributes to efforts toward a sustainable world. Transitioning to Sustainability aims to add to the conversation about regional and global sustainable development according to the 17 SDGs. Set to be published in 2020/2021, the book series is intended to reach beyond disciplinary, even academic boundaries.
    Keywords: Politics ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy
    Language: English
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  • 5
    Publication Date: 2024-04-03
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 6
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 7
    facet.materialart.
    Unknown
    transcript Verlag | transcript Verlag
    Publication Date: 2024-04-03
    Description: Menschenrechte - und mit ihnen die Menschenwürde - sind weltweit in den Verfassungen zahlreicher Staaten verankert. Und dennoch werden sie immer wieder relativiert, sodass ihre Um- und Durchsetzung selbst in der Demokratie - dessen Grundlage die Menschenrechte darstellen - nicht mehr sichergestellt werden kann. Wirken sich direktdemokratische Entscheide unter Umständen als menschenrechtlich problematisch aus? Wie sollen wir mit humanitären Interventionen umgehen? Wie kann der Begriff der Menschenwürde begründet werden - und wie lassen sich Menschenrechte global absichern? Die Beiträge des Bandes widmen sich diesen Fragen aus unterschiedlichen Perspektiven.
    Keywords: Menschenrechte ; Menschenwürde ; Humanitäre Interventionen ; Demokratie ; Ethik ; Politische Theorie ; Mensch ; Recht ; Sozialphilosophie ; Philosophie ; Human Rights ; Human Dignity ; Humanitarian Interventions ; Democracy ; Ethics ; Political Theory ; Human ; Law ; Social Philosophy ; Philosophy ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPV Political control and freedoms::JPVH Human rights, civil rights ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTQ Ethics and moral philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy
    Language: German
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  • 8
    facet.materialart.
    Unknown
    transcript Verlag | transcript Verlag
    Publication Date: 2024-04-11
    Description: Der Versuch, Friedrich Schillers Text Über die Ästhetische Erziehung des Menschen (1795) als ›Literatur‹ und nicht als ein theoretisch-poetologisches Dokument der Philosophie über die Kunst zu lesen, stellt die Plausibilität seiner konventionellen disziplinären Verortung in Frage. Denn der darin enthaltene programmatische Anspruch an die »ästhetische Kunst« und die »Dichtung« vollzieht sich zugleich und im selben Text anhand von literarischen Praktiken - wie der Performanz ›logischer Fehler‹. Mit dieser anderen Perspektive auf den vielfach gedeuteten Text erklärt und begründet Alexa Lucke die bis heute ungelösten Probleme seiner logischen Unstimmigkeiten, Widersprüche und Aporien.
    Keywords: Ästhetische Briefe ; Ästhetische Erziehung ; Friedrich Schiller ; Ästhetik ; Literatur ; Dichtung ; Literarische Praxis ; Kunst ; Philosophie ; 18. Jahrhundert ; Kulturgeschichte ; Germanistik ; Literaturtheorie ; Literaturwissenschaft ; Aestethic Letters ; Aesthetic Education ; Aesthetics ; Literature ; Poetry ; Art ; Philosophy ; 18th Century ; Cultural History ; German Literature ; Theory of Literature ; Literary Studies ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory
    Language: German
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  • 9
    Publication Date: 2024-04-06
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 10
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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