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  • Polish  (49)
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  • 1
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    Wydawnictwo Uniwersytetu Łódzkiego
    Publication Date: 2024-04-12
    Description: Książka stawia w centrum historie życia kobiet, które łączy aktywny stosunek do rzeczywistości oraz brak zgody na to, co zastają w swoich czasach i środowiskach, czyli odwaga w obalaniu schematów. To praca interdyscyplinarna. Autorki i autorzy tekstów składających się na książkę podejmują temat braku pokory kobiet, wybierając jako przykłady tego typu postawy - nie tak oczywistej dla kobiet z europejskiego kręgu kulturowego - bohaterki żyjące od XVII wieku do współczesności. Publikacja wpisuje się w nurt herstory, ukazując transformacje wyobrażeń na temat kobiecego losu i biografii. Artykuły ilustrują i analizują, jak owych przemian dokonywały bohaterki tekstów oraz z jaki mi konsekwencjami musiały się liczyć. W książce znajdziemy herstorie o sportsmenkach, badaczkach, kobietach interesu itd. Praca rozwija jeden z nurtów badawczych studiów gender, a mianowicie herstory, w tym dowodzi użyteczności kategorii gender i herstory. Ukazuje ich przydatność w refleksji naukowej wielu dziedzin z zakresu humanistyki i nauk społecznych.
    Keywords: aktywistki ; sufrażystki ; Piłsudska Aleksandra ; Rosenblattówny ; Orzeszkowa Eliza ; Konopnicka Maria ; Gojawiczyńska Pola ; Rubinstein Helena ; Dentière Marie ; Kozłowska Maria Franciszka
    Language: Polish
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  • 2
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    Wydawnictwo Uniwersytetu Łódzkiego
    Publication Date: 2024-04-12
    Description: Książka jest owocem pracy projektach z obszaru edukacji obywatelskiej, herstorii i polityki pamięci, poświęconych udziałowi kobiet w konfliktach zbrojnych oraz kwestii upamiętniania i politycznego wykorzystania ich symbolicznego potencjału. Herstoria to praca nad pamięcią mniejszościową, opowieściami, których się „nie opowiada”, to praca z wielością narracji, które przeglądają się w sobie. Dlatego myślenie herstoryczne jest elastyczne i dopuszcza także inne metody, również sztukę czy działania animacyjne, które pomagają wydobyć to, co przemilczane. Autorki starają się zmieścić w metodologicznych ramach refleksji hermeneutycznej, gdzie dopiero w dialogu ujawnia się milczenie i niemożność nadania formy temu, co było dotąd przemilczane. Odnoszą się do wypowiedzi wspomnieniowych, auto- i biograficznych, świadectw, tekstów politycznych, prawnych czy „świeckich hagiografii” tworzonych oddolnie. W polu ich zainteresowań mieszczą się także procesy społeczne i zbiorowa pamięć oraz formy mentalności społecznej. Odwołują się do zasobów antropologii politycznej zainteresowanej tożsamościami zbiorowymi, narracjami kulturowymi, znaczeniem i interpretacją symboli, budujących metafory i wyobrażenia, toposy. Przyświeca nam idea, że pamięć jest polityczna, a to, jak o niej myślimy, mówimy i ją tworzymy, jest zagadnieniem politycznym, objawiającym się w tekstach i praktykach kulturowych, których herstoria jest przykładem, a które stanowią mobilizujące uprawomocnienie zbiorowych wizji wspólnoty.
    Keywords: herstory ; politics of memory ; counter-memory ; feminism ; political anthropology
    Language: Polish
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  • 3
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    Wydawnictwo Uniwersytetu Łódzkiego
    Publication Date: 2024-04-12
    Description: Prezentowane w tomie rozważania ukazują czytelnikowi proces społecznej oraz mentalnej zmiany: kobiety wychodzące czasami z wielkim trudem, ale z niewątpliwymi sukcesami, od dotychczasowego zamknięcia w życiu prywatnym/rodzinie/domu ku sferze publicznej i politycznej, przekształcają strukturę i charakter przestrzeni, do której dążą. Autorki i autorzy poszczególnych tekstów, analizując sylwetki i dzieła polskich i zagranicznych badaczek, twórczyń i aktywistek żyjących współcześnie oraz postaci historycznych, wskazują na pewne prawidłowości łączące rozmaite kobiece działania. To aktywistki w odróżnieniu od aktywistów żądają czegoś nowego od polityki i od sfery publicznej; filozofki i teoretyczki są o wiele bardziej zanurzone w działania oddolne i codzienne niż filozofowie i teoretycy; opiekunki i „krzątaczki” nie mają swoich dosłownych męskich odpowiedników, choć „menedżerki domowe”·także pukają do bram tego, co publiczne i polityczne; artystki działające na polu sztuk plastycznych, teatru i literatury wnoszą w sferę publiczną twórczą refleksję na temat tego, co prywatne i cielesne – wynikające z doświadczeń kobiet.
    Keywords: feminizm ; gender ; kobieta ; macierzyństwo ; protest ; emancypacja ; aktywistka
    Language: Polish
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  • 4
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-27
    Description: The monograph by Grzegorz Grochowski documents insightful reflection on the current state of the field of the genre order of discourse, especially literary taxonomies. These orders are seen from the perspective of various methodological orders of the last few decades, developed in the area of postmodern literary studies. The conclusions emerging from these are examined from the angle of analytical utility of selected solutions. The study is successful at depicting the current state of the debates on the theory of literature and the dynamics of phenomena observed in the field of contemporary literature. It combines an in-depth theoretical analysis with sophisticated interpretations of the texts. Therefore, it skilfully transports theoretical discussions on to a concrete level. (excerpt from a review by Prof. Teresa Dobrzyńska) The fascinating book by Grzegorz Grochowski on the postmodern literary games is also a game the researcher plays with traditional genology and the aim of creating categories other than genre and text for this literary play: those of description and understanding. Discourse analysis leads theory of literature out of the narrow backwater of literary theories. It also demonstrates that literature has a meaning not only against the backdrop of language and genological norm, that its dynamics require a return into the chaos of social life (rejected by structuralism). (excerpt of a review by Prof. Zofia Mitosek)
    Keywords: theory of literature literary genology ; genre ; Polish literature ; discourse analysis ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 5
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2023-09-11
    Description: Through an intelligent and sharp description of the Irvine School of Critical Theory, Ewa Bobrowska’s book significantly expands the knowledge about post-structuralist critical thinking that has dominated the Western humanities in the last quarter of a century. While the achievements of Derrida, Lyotard, Iser, as well as Jameson, Joseph Hillis Miller, Greenblatt, and Dominick LaCapra are well known in Polish critical thought, the interdisciplinary project called the Irvine School has not yet been systematically and competently described. . . . The unusual dispositions of the author, who is an English philologist, philosopher, art historian, and an active artist, allow her to carry out all dimensions of the analysis, including critical discourse, philosophical reasoning, and an intellectual examination of a work of art. Ewa Bobrowska’s book can be read in several ways: as a guide to contemporary (mainly American) art that requires participation, and as a guide to contemporary (mainly postmodern) philosophy while visualising some, even very abstract, statements. These two diverse fields of contemporary art discourse and philosophy meet in this work and illuminate each other, giving the reader an extraordinary opportunity to understand the contemporary world of images and ideas. What is particularly worth emphasising is the part of the work that refers to ethical threads: it shows a little-known part of contemporary philosophy and, at the same time, the author’s extraordinary sensitivity. (excerpt from a review by Prof. Grażyna Borkowska)
    Keywords: critical theory ; contemporary art ; University of California ; Irvine ; irony ; the sublime ; Jacques Derrida ; Jean-François Lyotard ; J. Hillis Miller ; David Carroll ; bic Book Industry Communication::G Reference, information & interdisciplinary subjects::GT Interdisciplinary studies::GTG General studies
    Language: Polish
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  • 6
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-26
    Description: The book addresses the problem of the influence of copyright law on modern modes of functioning and understanding of literature. This problem is situated in a context of Law and Literature studies and in particular within the cultural studies of copyright, which are summarised in chapter one. The history of copyright law and related literary discussions is recapitulated in chapter two. In the next chapters, the analysis is focused on literary discussions in which copyright law is a directly posed problem, or it is indicated only as context. Particular attention is paid to: philological genealogical research (and texts by Wacław Borowy and John Livingstone Lowes); discussion surrounding T.S. Eliot’s poem ‘The Waste Land’; the debate provoked by Karol Irzykowski’s article ‘Plagiatowy charakter przełomów literackich w Polsce’ [‘The Plagiarising Character of Literary Breakthroughs in Poland’]; analysis of copyright law in the writings of Jacques Derrida and in the novel Muza dalekich podróży [The Muse of Long-Distance Travels] by Teodor Parnicki; finally, anthologies Future of Copyright published at the beginning of the twenty-first century in Poland. In the last chapter, the analysed problems are situated in the context of the debate on the commodification of literature in capitalist societies.
    Keywords: law and literature ; copyright law ; modern literature ; plagiarism ; literary property ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 7
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-26
    Description: Culture as a Verb is a book on what I call new humanities of a wide and vastly varied orientation, direction, turns, and simply interests, interconnecting in opposition to the principles of contemporary theory of humanistic cognition. For, if contemporary knowledge is presented as bodiless, impersonal, static, external and neutral (unengaged), then the new humanities inquiries are led on the basis of different principles: embodied knowledge, personalised (participating), actively-acting (intervening cognitively), penetrating the research field and situated (engaged). This is a very significant change . . . With it, we go from a culture of disinterested observation, founded on the myth of the contemplative view of the whole external world, to a real culture of participative action, reconciled with perspectivity and the fragmentary nature of cognitive actions of a subject, who forges a path to reality, from within and by their own actions.
    Keywords: culture ; new humanities ; literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 8
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-26
    Description: This book is the first monograph concerned with a feminist reading of Polish contemporary poetry to utilise tools of affective methodologies. It seeks to establish the extent to which affects contribute to the process of collective forms of existence. The book’s main thesis assumes affects to be the triggers of action, particularly of critically modifying established narratives about emotive histories of societies which include the allotment of the capacity to feel in order to coercively classify the actors and actresses of collective life. Poetry, as a very particular instance of those various affective machineries, becomes yet another version of collective memory. Poetical representations, acting in synergy with transformations of the contemporary subject, operate on three levels: firstly, by reproducing normative images of womanhood in its relations with surroundings, secondly, by disturbing the said images through an, often critical, reformulating of them, or thirdly, by becoming postulated variants of those transformations. The semantic dominants one can find in recent women’s poetry that, at the same time, constitute a portion of the broader symbolic feminine capital being a unified construct edifying the social discourses, pertain to the category of disease/illness, seeing, trauma and shame, the affective work, love, migration, and community.
    Keywords: social machinery ; affect ; women’s poetry ; literary studies ; women’s emancipation ; emotions ; Polish contemporary poetry ; feminism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 9
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-26
    Description: The author identifies selected aspects of the history of attention and exposes the peculiar relation between philosophy and literature against this background. The task of describing the world, not finished by phenomenology, is taken up by attentive poetry: it can complete the project of portraying the visible world, while keeping the rules of perceptive faith, but also being mindful of the constraints of language at the same time. After breaking contact between word and object, the poet becomes the one who brings the spirit of mankind closer to the world. In the context of twentieth-century dilemmas and projections, attention turns out to be not only a simple consequence of a certain aesthetic choice, but instead, choosing attention gains a crucial importance, rendering it a tool of re-vindicating the lost reality. Attentive poetry, that is such poetry, which does not allow itself to get carried away with language in whichever direction, but tames its anarchy, and does not accept a finished world, rejecting the temptation of relying on easy knowledge, is complemented by attentive reflection in this study: a reflection which is not prone to putting too much faith in the exclusivity of its own accomplishments. (excerpt from a review by Prof. Piotr Śliwiński)
    Keywords: attention ; philosophy ; literature ; poetry ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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  • 10
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publication Date: 2024-03-27
    Description: In Part I, Ryszard Nycz formulates an opinion on the topical specifics of the humanities’ studies; the opinion is rooted in the traditions of the discipline (literary studies), the ability of its influential orientation (intertextual poetics), as well as the writings of T. W. Adorno, one of the most astute philosophers and researchers of modern culture. In Part II, the author drafts a modified formula for carrying out the theory of literature, the aim of which is to avoid not merely its marginalisation, but its breaking-up (and the assigning of it to anthropology and/or cultural studies in particular). In Part III, the author endeavours to delineate the tasks of literary criticism, exposed to challenges generated by the changes in the function and status of national literature, models of identity, and in the relationships between the global and local dimension of contemporary culture. In Part IV, case studies are used to critically test the traditional view of the solely-applied character of interpretation against theory. The last part, ‘Literature: A Reading of a Letter’, acts as a summary. In it, the author depicts a concept of literature precisely as poetics of experience, as well as drafting a sketch of the theory of its understanding. As part of this theory, in the entirety of the practices and procedures of getting to know it, the author distinguishes three separate (in some aspects) tasks: spontaneous understanding, intellectually rigorous interpretation, and the experience of reading.
    Keywords: poetics ; experience ; modernity ; theory of literature ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: Polish
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