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  • Spanish  (4,252)
  • Italian  (3,400)
  • Russian  (1,092)
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  • 1
    Monograph available for loan
    Monograph available for loan
    Madrid : Secc
    Call number: PIK N 456-17-90913
    Type of Medium: Monograph available for loan
    Pages: 536 Seiten
    Series Statement: Ministerio de Transportes Turismo Y Comunicaciones : Publicación Serie A 114
    Parallel Title: 1,1=6; 2,1=13 von Publicaciones / D / Ministerio del Aire, Subsecretaria de Aviación Civil, Servicio Meteorológico Nacional
    Language: Spanish
    Location: A 18 - must be ordered
    Branch Library: PIK Library
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  • 2
    Monograph available for loan
    Monograph available for loan
    Leningrad : Gidrometeorolog. Izd.
    Call number: MOP 33767
    Type of Medium: Monograph available for loan
    Pages: 663 S.
    Language: Russian
    Note: In kyrill. Schr., russ.
    Location: MOP - must be ordered
    Branch Library: GFZ Library
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  • 3
    Call number: MOP 19538/1d-6d
    Type of Medium: Monograph available for loan
    Pages: 111 S.
    ISSN: 0486-2287
    Language: Russian
    Note: In kyrill. Schr.
    Location: MOP - must be ordered
    Branch Library: GFZ Library
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  • 4
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: En 1983 Pere Gimferrer publicó su primera novela, Fortuny. Según Octavio Paz, con este unicum literario, el poeta barcelonés reinventa el género novelesco 
con pinturas verbales que capturan fragmentos de un mundo artístico perdido. En este estudio se reconstruye por primera vez la génesis y la recepción de esta novela singular, teniendo en cuenta el (doble) impacto (y algunas polémicas) que causó en las letras hispánicas (catalana y castellana). Proponiendo un análisis narratológico, se desvelan las referencias literarias y cinematográficas del imaginario complejo de toda la producción gimferriana.
    Keywords: Intertextuality,Critical reception,Aestheticism,Belle Époque,Literature and cinema,Venice,Ekphrasis,Culturalism,Catalan contemporary novel,Orientalism,Gimferrer, Pere,Fortuny
    Language: Spanish
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  • 5
    facet.materialart.
    Unknown
    Logos Verlag Berlin | Logos Verlag Berlin
    Publication Date: 2024-03-24
    Description: Mito: relato explicativo, simbólico y dinámico, de uno o varios acontecimientos extraordinarios personales con referente trascendente, que carece en principio de testimonio histórico, se compone de una serie de elementos invariantes reducibles a temas y sometidos a crisis, que presenta un carácter conflictivo, emotivo, funcional, ritual y remite siempre a una cosmogonía o a una escatología absolutas, particulares o universales. Esta definición, general, fría e indeterminada, requiere un tiempo, un espacio, y sobre todo una conciencia que la viva. El mito no es un constructo mental ajeno a las vicisitudes socioculturales: lleva marcada en su piel y sus entrañas la huella de cada individuo y sociedad que lo vio nacer; pero también sabe adaptarse a las condiciones del nuevo tiempo que lo acoge. Mitos de hoy narra esa tensión del mito por mantenerse vivo en el terreno, aparentemente inhóspito, de un mundo desengañado. La Mitocrítica Cultural, aquí puesta en práctica, combina las herramientas tradicionales de la mitocrítica con factores no considerados sistemáticamente por la crítica precedente: la globalización, la inmanencia y el consumismo. Ofrece así una modesta contribución a la tarea de identificar, analizar y sintetizar la tipología de las manifestaciones del mito en la literatura, las artes y los medios de comunicación contemporáneos. Así será más fácil comprendernos a nosotros mismos en este mundo desconcertante. José Manuel Losada (Universidad Complutense), es fundador y editor de Amaltea. Revista de Mitocrítica, presidente de Asteria. Asociación Internacional de Mitocrítica y director de Acis. Grupo de Investigación de Mitocrítica.
    Keywords: Myth ; Mythology ; Literature ; Philosophy ; Religion ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000 ; thema EDItEUR::F Fiction and Related items::FN Fiction: Traditional stories, myths and fairy tales ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRR Other religions and spiritual beliefs::QRRT Indigenous, ethnic and folk religions and spiritual beliefs::QRRT1 Indigenous religions, spiritual beliefs and mythologies of the Americas
    Language: Spanish
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  • 6
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 7
    Publication Date: 2024-02-27
    Description: This research book deals with the fact that the moments of reading improve reading comprehension in the literal, inferential and critical levels of the students of the second grade "E" of the advanced cycle of the CEBA "Politécnico Regional del Centro"- Huancayo, it is of quantitative nature, applied type, pre-experimental design, with pre-test and post-test in a single group, non-probabilistic sample. A pre-test was applied to diagnose their text comprehension, then an experimental proposal based on Isabel Solé's reading moments strategy and a post-test to determine the effects. It was statistically demonstrated that the application of this strategy significantly improves reading comprehension at the literal, inferential and critical levels. This is based on the fact that in the pre-test most students achieved scores below 10 (vigesimal scale); but in the post-test most of them surpassed this average in these levels. The calculation showed that there are significant differences between the pre-test and post-test scores of 6.6 points p 〈 0.05.
    Description: Published
    Description: Este libro de investigación trata sobre que los momentos de la lectura mejoran la comprensión lectora en los niveles literal, inferencial y crítico de los estudiantes del segundo grado “E” del ciclo avanzado del CEBA “Politécnico Regional del Centro”- Huancayo, es de naturaleza cuantitativa, tipo aplicada, diseño pre experimental, con pre test y pos test en un solo grupo, muestra no probabilística. Se aplicó un pre test para diagnosticar su comprensión de textos, luego una propuesta experimental basada en la estrategia los momentos de la lectura de Isabel Solé y un post test para determinar los efectos. Se demostró estadísticamente que la aplicación de esta estrategia permite mejorar significativamente la comprensión lectora en el nivel literal, inferencial y crítico. Esto se fundamenta porque en el pre test la mayoría de estudiantes alcanzó calificaciones inferiores a 10 (escala vigesimal); pero, en el post test la mayoría superó este promedio en estos niveles. En el calculó se evidenció que existen diferencias significativas entre las puntuaciones del pre y post test de 6,6 puntos p 〈 0,05.
    Keywords: Lectura ; Nivel literal ; Inferencial ; Crítico ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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  • 8
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 9
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il volume, muovendo dall’analisi dello stile architettonico promosso in Deccan dalla dinastia dei Bahmani (1347-1527), intende offrire uno spaccato della complessità sociale, religiosa e culturale della regione. L’identificazione di modelli e vocabolari eletti consente di ridefinire ‘scontri’, ‘incontri’ e sincretismi tra le diverse identità presenti, consolidatesi e rimodellatesi nel tempo proprio attraverso un reciproco guardarsi. Lo scenario tratteggiato e la condivisione di spazi e riti rivelano l’inapplicabilità delle categorie che generalmente dominano gli studi sul subcontinente indiano anche in ambito storico-artistico, ridisegnando la geografia sacra della regione e i rapporti tra le comunità coinvolte.
    Language: Italian
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  • 10
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il presente volume consiste in una miscellanea di studi su vari temi del mondo classico offerta da amici, colleghi, ed ex-allievi, a Ettore Cingano, Professore Ordinario di Letteratura Greca presso l’Università Ca’ Foscari Venezia, in occasione del suo settantesimo compleanno. I contributi qui presentati coprono, con approcci metodologici variegati, una vasta area della cultura classica: dall’epica arcaica e la lirica arcaica e tardo-arcaica alla storia degli studi e alla ricezione antica e moderna della classicità, dalla poesia latina alla storia politica e del pensiero, dalla poesia ellenistica alla prosa imperiale, dalla linguistica alla metrica.
    Keywords: Evenius,Glaucus of Rhegium,Platon curapalates,Epigram,Latin Literature,Apollonios Malakos,Ass,Lyric poetry,Augustus,Poetry and religion,Herodotus,Poseidippus,Intertextuality,Didactic poetry,Hesiod,Theognis,Ancient reception,Early Greek hexameter poetry,Civil wars at Rome,Aphrodite,Metric-rhythmic variation,Corinna,Hecataeus of Miletus,Freud,Ancient readership,Hexameter,Pragmatics,Enunciation,Tragic irony,Delphic verse oracles,Magic,Alcibiades,Romance,Moirai,Oracular poetry,Epicleseis,Hellenistic,Anthropology,Homeric Hymns,Textual history,Alcman,Antigone,Hedylus,Lyric Poetry,Atalanta,Amphiaraus,Antinoupolis,Etymology,Codex,Aristophanes,Garland,Priapus,Aelian,Alexandrian scholarship,Narrative,Aeschines,Eschatology,Ritual,Dionysus,Cleopatra,Erotodidaxis,Etymologica,Epic,Programmatic,Local traditions,Pindar,Sexual meaning,Volcanism,Caesarion,Iphigenia,Dictys of Crete,Pythian Apollo,Eratosthenes’ Catasterismoi,PSI X 1174,Aspasia,Sacrifice,Ausonius,Second stasimon,Sublime,Greek Popes,Virgil,Human error,Hyginus’ Astronomica,Hesiodic Catalogue of Women,Prometheus Bound,Sicily,Socrates,Perioikoi,Pope John VII,Eumenides,Callimachus,Catalogue of Women,Poetic allusivity,Poetry,Verbal adjectives,Cyprus,Homeric hymn,Collection,Byzantine poetry,Asclepiades,Ps,μάχλος,Christian poetry,Ancient scholarship,Didymus,Dares the Phrygian,Epitaphs of animals,Ancient exegesis of comedy,Typhonomachy,Funerary epigram,Theban saga,Aristophanic scholia,Carmina Latina Epigraphica 1395,Odyssey,Text and image,Corinthian vases,Critical editions,Oxyrhynchus,Aeschylus,Curse,Plato,Commentary,Sophocles,Audience,Greek Poetry,Hermes,impersonation,Adespota,Aristocracy,Roman epic and politics,Greek Literature,Knowledge,Linguistics,Elegy,A personal anthology of modern Greek poems (from D,Frazer,Homeric model,Euphronius,Athenaeus,Venus,Boeotian dialect,Heraclides of Pontus,Carthage and Alexandria in the Aeneid,Metaphors,Antiatticist,Kitharōidia,Fragmentary poetry,Comparatives,Prose,Greek epigram,Byzantine Rome,Xenophon,Authorship,Ancient Rhetoric,Epiploke,Narratology,Aulōidia,Epithets,Longinus,Book,Tragedy,Second Sophistic,Papyrology,Trojan War,Mount Etna,Body doubles,Plutarch’s De musica,Reperformance,Inscribed Greek verse,Solon,Strabo,Rhodes,Ibycus,Heracles,Homer,Lexicography,The Greek West,Pyrwias,Folklore,Iliad,Melampous,Herodicus,Cyrene,Dancers,μαχλοσύνη,Late Latin epigrams,Parthenopaeus
    Language: English , Italian , French
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  • 11
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: L’Italia, l’altrove è una riflessione su come il cinema e la letteratura sulla migrazione ci invitano a ripensare gli spazi e i luoghi non come elementi stabili e immutabili, ma in termini di mobilità. Analizzando alcuni luoghi (la stazione Termini e i ponti nella letteratura sugli italiani americani), la costruzione di spazi nazionali in termini trans-nazionali (l’Italia e gli Stati Uniti d’America), e due modalità di attraversare lo spazio (camminare e guidare), questo intervento si propone di ripensare la cultura, l’identità nazionale, ma soprattutto quello spazio che consideriamo come «nostro» in maniera più inclusiva.
    Keywords: Representation,Place,Migration,Space,Mobility
    Language: Italian
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  • 12
    Publication Date: 2024-04-03
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 13
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 14
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Strategy-making takes place in webs of socio-material practices, where agency is mediated by artifacts and actors continuously reframe the way on which they give sense to their actions and objectives. Despite agency still depends on human actors, material artifacts can play a critical role in these ensembles of practices making strategizing always open to transformation. The practices associated with the strategy formation encompass conflicting people mental models, distributed knowledge and materiality for the development of a systematic, coherent and coordinated strategic process. The activities that qualify strategy-making are multifaceted and include a more or less deliberative and routinized individual decision-making and the conscious or unconscious exploration of emerging patterns. According to a cognitive approach to strategy-making, what strategists decide is largely influenced by their different perceptual filters, which are unique, as they were formed through the specific ways of engaging with the world, and by the construction of shared meanings. This consideration puts scholars to elaborate about the use of visual artifacts to frame strategic thinking and conceptualize a shared strategic orientation. The unfolding character of strategizing process stimulates to better understand the knowledge production process that explains the epistemic nature of the process itself. In particular, it has been demonstrated that the use of visual representations supports the knowledge production during the innovation processes as it facilitate the abstraction and the concretization of innovation practices. The potential benefits of using visual representations for fostering strategizing process have not yet been analysed extensively. Few case studies reflecting on the crucial role of visual representation in the strategy process and decisions in complex setting. This study aims to fill these gaps and explores how strategy maps shape the strategic practices within Ca’ Foscari University of Venice. The Italian University setting is a complex research field as it is a multivoiced domain and a rapidly changing one. A recent reform is stimulating a radical change in the management policies making the strategy processes a pluralistic and uncertain work.
    Language: Italian
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  • 15
    facet.materialart.
    Unknown
    Milano University Press | Milano University Press
    Publication Date: 2024-04-14
    Description: Markov chains represent a classical topic of probability theory that has a large number of applications in different areas, including mathematics, computer science, physics, biology, natural science, economics and several others. Typical examples of Markovian models concern for instance the analysis and interpretation of DNA sequences, voice recognition and the design of procedures for analysis and browsing of the web. In computer science and in particular in the algorithmic area Markov chains have been used to introduce the so-called Markov Chain Monte Carlo methods, which allow us to design probabilistic approximation algorithms for solving NP-hard problems. This work presents Markov chains and their algorithmic applications in a mathematical style, with a didactic spirit. It mainly has educational purposes, and it is specifically designed for teaching these topics in Italian university courses at a master level. 
    Description: Published
    Description: Le catene di Markov rappresentano un argomento di studio classico, di carattere matematico e probabilistico, che ha trovato un grande numero di applicazioni in varie discipline, dall’informatica alla matematica, dalla fisica alla biologia e alle scienze naturali, dalla sociologia all'economia e in molti altri contesti. Esempi tipici di modelli markoviani riguardano l'analisi e l’interpretazione di sequenze di DNA, il riconoscimento di segnali vocali, il disegno di procedure di esplorazione e analisi della rete web. In un ambito informatico e soprattutto algoritmico le catene di Markov hanno dato origine ai cosiddetti metodi Markov Chain Monte Carlo (MCMC), che consentono di definire algoritmi probabilistici di approssimazione per problemi difficili dal punto di vista computazionale. Questo testo presenta le catene di Markov e alcune loro applicazioni algoritmiche in uno stile matematico con un taglio principalmente didattico, rivolto in particolare agli studenti dei corsi di laurea magistrale a carattere scientifico delle università italiane. 
    Keywords: probabilistic algorithms ; finite Markov chains ; random generation ; Markov Chain Monte Carlo methods ; thema EDItEUR::U Computing and Information Technology
    Language: Italian
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  • 16
    Publication Date: 2024-04-06
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 17
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 18
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 19
    facet.materialart.
    Unknown
    Ariadna Ediciones
    Publication Date: 2024-04-16
    Description: Among so many possible conceptions of the human being – from the emphasis on the sacred in ancestral cultures, Socratic reason, the faith of Christian theology, Cartesian centrality, the finitude of Kant, the action of Fichte, the will of Schopenhauer or Nietzsche , Kierkegaard's singularity, the possibility and projection of Jaspers or Heidegger, Huizinga's homo ludens, Scheler's being a person, Gehlen's lack, and others – we understand it here as a search for meaning. And like any seeker, explorer or adventurer (in the manner of Ulysses) we long to conquer, to possess meaning, which, by the way, we never manage to conclude.
    Keywords: Philosophy, philosophical anthropology, construction of the self, transcendent meaning ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTJ Philosophy: metaphysics and ontology
    Language: Spanish
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  • 20
    facet.materialart.
    Unknown
    FedOA - Federico II University Press
    Publication Date: 2024-03-27
    Description: The Royal Mineralogical Museum of the University of Naples Federico II can be a MAB in essence, a place where archive, library and museum coexist; for decades it was led by an illustrious mineralogist, Professor Arcangelo Scacchi, geologist and volcanologist, who also assumed the position of Rector of the University for several terms.Through the documents drawn up by the director and the correspondence held with exponents of the academic and institutional world and carefully preserved, it is possible to reconstruct not only the more than two hundred year history of the museum, but also its rich bibliographic heritage. Above all, of this, of the interweaving of purchases of minerals and books, of the studies for conservation and the idea of​​forming a "specialized" library for the use of mineralogists and of the conspicuous documentation purchased by the mineralogist for the university library, the current University Library of Naples, deals with the sources used.The transcription of the unpublished archival documents preserved both in the archives of the Royal Mineralogical Museum of the University of Naples Federico II and in the State Archives of Naples constitutes the heart of the work; especially the numerous book catalogues can shed light on the relationships of the nineteenth-century academic world.Over the years, especially in recent decades, several studies have had the mineralogy museum as their object, but perhaps for the first time the emphasis is on the library.
    Description: Published
    Description: Il Real Museo Mineralogico dell’Università degli Studi di Napoli Federico II può essere un MAB in nuce, un luogo in cui coesistono archivio, biblioteca e museo; per decenni è stato condotto da un illustre mineralogista, il professore Arcangelo Scacchi, geologo e vulcanologo, che assurse anche alla carica di Rettore dell’Università per più mandati. Attraverso i documenti redatti dal direttore e alla corrispondenza intrattenuta con esponenti del mondo accademico e istituzionale e conservati con cura è possibile ricostruire non solo la storia più che bicentenaria del museo, ma anche il suo ricco patrimonio bibliografico. Soprattutto di questo, dell’intreccio di acquisti di minerali e di libri, degli studi per la conservazione e l’idea di formare una biblioteca “specializzata” ad uso dei mineralogisti e della cospicua documentazione comprata dal mineralogista per la biblioteca dell’università, l’attuale Biblioteca Universitaria di Napoli, trattano le fonti utilizzate. La trascrizione degli inediti documenti d’archivio conservati sia nell’archivio del Real Museo Mineralogico federiciano che nell’Archivio di Stato di Napoli costituisce il cuore del lavoro; soprattutto i numerosi cataloghi di libri possono illuminare sui rapporti del mondo accademico ottocentesco. Nel corso degli anni, soprattutto negli ultimi decenni, diversi studi hanno avuto come oggetto il museo di mineralogia, ma forse per la prima volta l’accento è posto sulla biblioteca.
    Keywords: Mineralogical Museum of Naples, Arcangelo Scacchi, Mineralogy, Scientific museums, University of Naples Federico II, Academic libraries, Documents ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies
    Language: Italian
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  • 21
    facet.materialart.
    Unknown
    Firenze University Press
    Publication Date: 2024-04-07
    Description: That error could be of interest to Freemasons and Illuminati as a topic becomes evident when one sees it in the context of concepts such as prejudice, ignorance, and gullibility. The perfection of the human being was understood as the detachment from prejudices – from errors –, as overcoming ignorance and as a fight against gullibility. In 1785 there was a discussion among the Illuminati of Gotha about how one should understand error. Prince August of Saxe-Gotha transfers Voltaire’s two types of imagination to two types of errors, using the distinction made by the physicist Charles Du Fay, who distinguished resin electricity (électricité résineuse) with its negative charge from glass electricity (électricité vitreuse) with its positive charge. So August suggests that there are positive and negative errors: the positive errors are attractive, they attract. In this case the cause of error lies on our side, on the side of the subjects: because of certain defects in the knower, facts are not correctly recognized. The negative errors, on the other hand, repel: there it is due to the nature of the representations of the facts themselves, which have pitfalls or are distorted by hallucinations, that we go wrong.
    Keywords: Illuminati ; electricity ; Gotha ; pedagogy ; truth
    Language: Italian
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  • 22
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 23
    Publication Date: 2024-01-30
    Description: In the first part, a summary of oil management from 1972 to the present is made, as well as a description of the oil policy applied by the governments, from the administration of Dr. Oswaldo Hurtado to the administration of Mr. Guillermo Lasso. The second part analyzes the legal environment in the context of natural resources, especially oil, within the framework of the Hydrocarbons Law and the Constitution of the Republic of Ecuador. And in the third, we analyze the production in the Sacha Field, awarded to ORNCEM through the specific services contract and according to its two amendment contracts. It concludes with some considerations that should be taken into account and that call for reflection when contracts are proposed and executed whose benefit is not the best for the country. On the other hand, forests are great "cleaners" of carbon dioxide; when they are destroyed, their absorption potential is annulled and, therefore, they contribute to global warming by increasing greenhouse gases, which is why deforestation must be counteracted.
    Description: Published
    Description: En la primera parte, se realiza un resumen del manejo del petróleo a partir de 1972 hasta la actualidad, así como también se describe la política petrolera aplicada por los gobiernos, desde la administración del doctor Oswaldo Hurtado hasta la administración del señor Guillermo Lasso. En la segunda, se analiza el entorno jurídico en el contexto de los recursos naturales especialmente del petróleo, en el marco de la Ley de Hidrocarburos y de la Constitución de la República del Ecuador. Y en la tercera, se analiza la producción en el Campo Sacha, adjudicada a ORNCEM mediante el contrato de servicios específicos y de acuerdo a sus dos contratos modificatorios. Se concluye con algunas consideraciones que se deben tomar en cuenta y que llaman a la reflexión cuando se proponen y ejecutan contratos cuyo beneficio no es el mejor para el país. Por otro lado, los bosques son grandes “limpiadores” de dióxido de carbono, al ser destruidos se anula su potencial de absorción y, por lo tanto, contribuyen al calentamiento global del planeta por el incremento de gases de efecto invernadero, razón por la cual, se debe contrarrestar la deforestación.
    Keywords: Política petrolera ; Campo Sacha ; Petroleo ; Política ; Gobierno ; bic Book Industry Communication::J Society & social sciences ; bic Book Industry Communication::K Economics, finance, business & management
    Language: Spanish
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  • 24
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il volume raccoglie una serie di contributi presentati nel convegno omonimo svoltosi presso il Dipartimento di Studi Umanistici dell’Università Ca’ Foscari nell’ottobre 2014; in essi si affronta il tema della rappresentazione dell’alterità negli scritti di autori e autrici del XIX e XX secolo. Il carattere poliedrico e sfaccettato della letteratura di viaggio assume in questa raccolta particolare pregnanza: i saggi, dal carattere marcatamente interdisciplinare, si incentrano infatti sia su testi attribuibili alla letteratura odeporica nell’accezione più tradizionale del termine, sia su opere che ricorrono alla nozione di viaggio in senso metaforico. Attraversa l’intera raccolta il tentativo di discutere e problematizzare il rapporto, talvolta controverso, con ciò che viene considerato l’altro da sé, a partire da una eterogeneità di voci e punti di vista.
    Keywords: Landscape,Celati,Tourist,Travel writing,Argentina,Atzeni,Italian women travellers,Visualization,Othering,Italian novel in 2000,Travel literature,Food,Female character,Zanzotto,African colonies,Journalism,Traveller,Travel Literature,Italian Postcolonial Literature,Identity,Travel,Narration,USSR,Travels and landscapes,Vittorio Sereni,Journey,Otherness,XXth century italian poetry,XXth century Italian poetry,Time,Languages
    Language: Italian
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  • 25
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: This volume, which collects the proceedings of the international study day Intersections. New Perspectives for Public Humanities, aims at shedding light on the often complicated and chaotic ‘texture’ of public humanities in order to foster a less marginal place for this field of study. The choice to focus the analysis on a selection of case studies that includes history, cultural heritage, archaeology, and literature leads to redesigning a profile whose main feature is to create bridges between specialised knowledge domains and large audiences and identifying methods and models that can make humanistic knowledge ‘actionable’ in our society.
    Keywords: Brain computer interface,History,Research,Public,Cultural heritage,Media art,Entertainment,Sustainability,Fascism,Discipline,Learning,Bolzano,Pandemic crisis,Diversity,Environmental humanities,Inclusion,De-fascistization,Public humanities,Contemporary literature,Public archaeology,Digital,Museology,Public history,20th century,Citizen science,Museum,Trieste,Teaching,Virtual heritage,Mental health,Museums,Women artists,Cultural landscape,Communities,Dissemination,University,Knowledge design,Landscape archaeology,Public History,Digital technologies,Public engagement,Venice,Digital humanities,Intersections,Architecture,Creative industries,Venice lagoon,Italy,Wellbeing,Women writers,Young people,Literary canons,Water management,Citizen-science,Collections,Cultural heritage management
    Language: English , Italian
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  • 26
    Publication Date: 2024-02-26
    Description: The present work starts from the problem when investigating how the same penalty for the crime of Fraudulent Embezzlement affects the principle of proportionality, so it is necessary to refer to Article 387 of the Penal Code, which reads as follows: The public official or servant who appropriates or uses, in any form, for himself or for another, funds or effects whose collection, administration or custody are entrusted to him by reason of his position, shall be punished with deprivation of liberty for not less than two nor more than eight years. It is an aggravating circumstance if the funds or effects were destined for welfare purposes or social support programs. In these cases, the prison sentence shall be not less than four nor more than ten years. According to the Plenary Agreement No. 4-2005/CJ-116, Plenary Jurisdiction of the Permanent and Transitory Criminal Chambers of the Supreme Court of Justice, the elements of the criminal offense of embezzlement are (i) the existence of a functional relationship, (ii) the collection, administration or custody, (iii) appropriation or use, (iv) the recipient: for himself or for a third party, (v) funds and effects. The result was that when punishing with the same penalty in the crime of Fraudulent Misappropriation in its modality of appropriation and use, despite the differences if we appreciate them from a patrimonial perspective or from the perspective of safeguarding the right of property of the public entity, in the modality of use there is an excess in the penalization, affecting the principle of proportionality, reason for which it should have a different treatment.
    Description: Published
    Description: El presente trabajo se inicia del problema cuando se investiga de qué manera al sancionar con una misma pena en el delito de Peculado Doloso afecta el principio de proporcionalidad, por lo que es necesario remitirnos al artículo 387 del Código Penal, cuyo tenor es como sigue: El funcionario o servidor público que se apropia o utiliza, en cualquier forma, para sí o para otro, caudales o efectos cuya percepción, administración o custodia le estén confiados por razón de su cargo, será reprimido con pena privativa de la libertad no menor de dos ni mayor de ocho años. Constituye circunstancia agravante si los caudales o efectos estuvieran destinados a fines asistenciales o a programas de apoyo social. En estos casos, la pena privativa de la libertad será no menor de cuatro ni mayor de diez años. Según lo establecido por el Acuerdo Plenario N.° 4-2005/CJ-116, Pleno jurisdiccional de las Salas Penales Permanentes y Transitoria de la Corte Suprema de Justicia, los elementos del tipo penal de peculado son (i) la existencia de una relación funcional, (ii) la percepción, administración o custodia, (iii) apropiación o utilización, (iv) el destinatario: para sí o para un tercero, (v) caudales y efectos. El resultado fue que al sancionar con una misma pena en el delito de Peculado Doloso en su modalidad de apropiación y utilización visten de igual contenido de ilicitud, pese a las diferencias si las apreciamos desde una perspectiva patrimonialista o de salvaguarda del derecho de propiedad del ente público, en la modalidad de utilizar existe un exceso en la penalización afectándose el principio de proporcionalidad, razón por la cual debe tener un tratamiento distinto.
    Keywords: Sanción penal ; Peculado doloso ; Proporcionalidad de la pena ; bic Book Industry Communication::L Law
    Language: Spanish
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  • 27
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il Dottorato di ricerca in Storia Antica e Archeologia, oggi confluito in quello in Scienze dell’Antichità in convenzione con Udine e Trieste, ha rappresentato, a Ca’ Foscari, un momento importante di crescita del settore antichistico con la formazione di un gruppo di giovani studiosi attivi e apprezzati in diversi settori, in Italia e all’estero. Questo volume riunisce i contributi di due seminari sviluppati dai dottorandi su temi comuni, uno relativo al ruolo delle élites, l’altro a quello del sacro, tra antichità e medioevo. È una testimonianza del lavoro svolto e curato dai dottorandi, un momento di formazione che ritrova oggi nel nuovo dottorato la sua tradizione.
    Keywords: Elite culture,Sanctuary,Élites,Altino,Sleeping Cupid,Pherse,Eurasian steppes,Funerary rituals,Corinthian, Corinthian,Etruscan mirror,Minoan Palace,Iconography,Bacchic child,Metus,Coeli,Medusa,Palazzo Pitti,Thesmophorion,Iron Age,Monumental build- ings,Kurgan,Dionysus,Social complexity,Mysteries,Religious Studies,Crete,Scythians,Status-symbol,Cristiano Grottanelli,Inscriptions,Malia,Gela,Sacrifice,Production and consumption,Elite groups,Greece,Protopalatial sites,Menerva,Religious beliefs,Roma,Early Helladic period,Deposits,Perseo,Antiquity,Prosopography,Epigraphy,Iconology,Kotylai,Instrumenta inscripta,Necropolis,Roman sculpture,Orientalia
    Language: English , Italian
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  • 28
    Publication Date: 2024-04-14
    Description: The book is a complete work that deals with different important aspects of computer science, from the architecture and organization of the computer to the construction of a gamer PC. The first chapter explains in detail the architecture and organization of computers, while the second chapter analyzes the different generations of computers and their evolution over time, up to artificial intelligence. The third chapter is dedicated to computer memory and how it works, while the fourth chapter explains the tools needed for PC maintenance and repair, from cloning hard disks to building multi-boot devices. Finally, the fifth chapter focuses on gamer PCs and offers a complete guide for gaming enthusiasts, providing a step-by-step procedure for building your own gamer PC. This book is valuable for both systems students and computer professionals, as it covers fundamental topics such as computer architecture and organization, history and evolution, computer design, memory, computer maintenance and repair tools, and how to build a higher-performance computer for gamer users. In short, this book offers useful and complete information on the evolution of the computer, from its beginnings to the present day, and provides practical tools and advice for its use and maintenance.
    Description: Published
    Description: El libro es una obra completa que aborda distintos aspectos importantes de la informática, desde la arquitectura y organización de la computadora hasta la construcción de una PC gamer. En el primer capítulo se explica de manera detallada la arquitectura y organización de los ordenadores, mientras que en el segundo se analizan las diferentes generaciones de ordenadores y su evolución a lo largo del tiempo, llegando hasta la inteligencia artificial. El tercer capítulo está dedicado a la memoria de la computadora y su funcionamiento, mientras que en el cuarto se explican las herramientas necesarias para el mantenimiento y la reparación de la PC, desde la clonación de discos duros hasta la construcción de dispositivos multi boot. Por último, el quinto capítulo se enfoca en las PC gamer's y ofrece una guía completa para los entusiastas de los juegos, brindando un procedimiento paso a paso para construir su propio PC gamer. Este libro es valioso tanto para estudiantes de sistemas como para profesionales de la computación, ya que cubre temas fundamentales como la arquitectura y organización de computadoras, historia y evolución, el diseño de computadoras, la memoria, las herramientas de mantenimiento y reparación de computadoras, y cómo armar una computadora de mayor rendimiento para usuarios jugadores. En resumen, esta obra ofrece información útil y completa sobre la evolución de la computadora, desde sus inicios hasta la actualidad, y brinda herramientas y consejos prácticos para su uso y mantenimiento
    Keywords: Computador ; PC ; Arquitectura ; PC Gamer ; Construcción ; thema EDItEUR::U Computing and Information Technology
    Language: Spanish
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  • 29
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 30
    Publication Date: 2024-02-05
    Description: In the southern border area, where Ecuador is located with neighboring Peru. There are two important cantons for its commercial passage, the canton Macará in the province of Loja, and the canton Huaquillas in the province of El Oro. Through the Coordination 7 of the Ministry of Public Health, thanks to the ProSalud Frontera Sur Project, the database of the Automated Daily Registry of Consultations and Outpatient Care was managed, which allowed us to clarify the problems at the public health level in these cantons. It can be observed throughout the text that women present a greater number of diseases compared to men, with the latter remaining stable over the three years for both Ecuadorians and foreigners.
    Description: Published
    Description: En la zona fronteriza sur, donde se localiza el Ecuador con el vecino país Perú. Se encuentran dos cantones importantes por su paso comercial, el cantón Macará de la provincia de Loja, y el cantón Huaquillas de la provincia de El Oro. En donde, por medio de la Coordinación 7 del Ministerio de Salud Pública se gestionó gracias al Proyecto ProSalud Frontera Sur, la base de datos Registro Diario Automatizado de Consultas y Atenciones Ambulatorias, que nos permitió clarificar la problemática a nivel de salud pública en estos cantones. Se puede observar a lo largo del texto que las mujeres presentan mayores cantidades de enfermedades frente a los hombres manteniéndose estables estos en los tres años y tanto para ecuatorianos como para extranjeros
    Keywords: bic Book Industry Communication::M Medicine
    Language: Spanish
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  • 31
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 32
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Italian Sign Language (LIS) has been studied and taught in universities for more than twenty years. Some university research projects result in dissertations, which often remain confined to university databases. This edited volume aims at giving prominence and visibility to particularly deserving theses developed in the Master’s Program in Language Sciences at Ca’ Foscari University of Venice. The selected contributions delve into some under-investigated linguistic phenomena in LIS and explore interlinguistic and intermodal contact phenomena between LIS and Italian.
    Keywords: Focus marking,Referential links,Idiomatic expressions,Bimodal bilingualism,Cross-linguistic influence,Italian Sign Language (LIS),Signers,Italian Sign Language,Reference tracking,Iconicity,Deaf Culture,Non-manual markers (NMMs),Idioms,Referential chains,Signs,Spoken Italian,Sign languages,Deaf signing children,Coverbal gestures,Multimodality,Mouthing
    Language: Italian
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  • 33
    Publication Date: 2024-01-30
    Description: The organizations demonstrate an adequate conduct based on their organizational culture, which facilitates decision making as well as contracting a good relationship internally and externally, and even being able to apply a good Corporate Social Responsibility (CSR) with society and its environment. This research aims to determine the impact that ethics and CSR have had in the search to contribute to the preservation of natural resources in Ecuador through social, economic and environmental improvements assumed by socially responsible entities. Therefore, it is based on a documentary and bibliographic methodology by using bibliographic sources, books, journals, scientific articles to have a base supported by the information collected to make a response to the main theme. The results show an increase in the level of interest of the population in issues that affect the environment and generate pollution, while the discussion shows that for Ecuadorian companies, concepts such as CSR are relatively new, causing organizations to overlook the creation of policies for the ethical care of natural resources. This leads to the conclusion that in Ecuador there is evidence of a growth in organizations focused on CSR because of the existence of many companies that do not apply practices to preserve sustainable development, due to the need to avoid expenses and prioritize their income over the environment.
    Description: Published
    Description: Las organizaciones demuestran una conducta adecuada basándose en su cultura organizacional, la cual les facilita la toma de decisiones como también contraer una buena relación internamente como externa, e incluso poder aplicar una buena Responsabilidad Social Empresarial (RSE) con la sociedad y su entorno. La presente investigación pretende determinar el impacto que ha tenido la ética y la RSE en la búsqueda para contribuir a preservar los recursos naturales en Ecuador mediante el mejoramiento social, económico y ambiental asumidos por las entidades socialmente responsables. Por ello, se basa en una metodología documental y bibliográfica al utilizar fuentes bibliográficas, libros, revistas, artículos científicos para tener una base respaldada de la información recopilada para efectuar una respuesta al tema principal. En los resultados se evidencia un incremento referente al nivel de interés de la población sobre temas que afectan al medio ambiente y generan contaminación, mientras se aprecia en la discusión que para las empresas ecuatorianas conceptos como RSE son relativamente nuevos, haciendo que las organizaciones pasen por alto la creación de políticas para el cuidado ético de los recursos naturales. Lo cual lleva a la conclusión de que en Ecuador se evidencia un crecimiento en los organismos centrados en la RSE a causa de la existencia de muchas empresas que no aplican prácticas para preservar el desarrollo sostenible, debido a la necesidad de evitar gastos y priorizar sus ingresos sobre el medio ambiente.
    Keywords: Responsabilidad social ; medio ambiente ; recursos naturales ; empresas ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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  • 34
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 35
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Quali altre parole vi aspettate che aggiunga? è una raccolta di saggi dedicata alla memoria di Alfredo Cadonna (1948-2020), filologo, traduttore e studioso delle religioni della Cina. Gli undici capitoli di questo volume, tutti a opera di suoi allievi, propongono la traduzione annotata di brani appartenenti a varie epoche e a differenti tradizioni religiose e cosmologiche, e rappresentativi di generi letterari e registri linguistici diversi. I testi qui raccolti includono scritti della Cina arcaica, brani di letteratura a tema religioso composti da funzionari letterati dell’Impero, varie tipologie di opere del Taoismo e del Buddhismo medievali e tardo imperiali ed esempi delle loro espressioni più moderne.
    Keywords: Awakening of Faith,Nortern Dipper,Poetry,Astronomy,Cosmology,Geography,Ge Hong,Spirits,Suchness,Chan,Min Yide,Neidan,Chinese religions,Shamanism,Nüdan,Zutang ji,Kan huatou,Guoyu,Longevity,China,Chinese Literature,Daoism,Critical phrase,Longmen Daoism,Wei Qumou (749-801),Daoist alchemy,Dhyāna pāramitā,Female alchemy,Heavenly Transcendent,Immortality,Caodong Chan,Qing dynasty,Baojing sanmei,Fengshui,Hanlongjing,Tiantai,Zhi,Enlightenment,Buddhist meditation,Self-cultivation,Yang Yunsong,Zhiyi (538-97),Tōzan Ryōkai,Tang Dynasty,Mythology,Tathāgatagarbha,Liu Yiming,Laiguo (1881-1953),Chan Buddhism,Beidou,Mind,Human nature,Alfredo Cadonna,Internal Alchemy,Buddhism
    Language: Italian
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  • 36
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Da molti anni le narrazioni sulla Shoah si diffondono sempre più. Esistono motivazioni etiche per questa crescente attenzione. Ma forse non sono le sole. Questo libro indaga le strutture narrative sottese a queste storie per verificare se rispondano alle esigenze dei lettori. Ne emerge un quadro preoccupante nel quale l’inaspettata liaison tra romance e Shoah rischia di trasformare la narrazione storica di un evento tragico – e tragico fino all’ineffabile – in un genere letterario prossimo all’intrattenimento. Il volume affronta questioni teoriche – la ricezione, il romance, il postmoderno – e casi specifici tratti dalla grande letteratura su questi temi – Primo Levi, Littell, Vollman, Cercas - per interrogarsi su cosa siano le narrazioni sulla Shoah oggi e cosa rischino di diventare, dopo l’ultimo testimone.
    Keywords: Narratology,Comparative Studies,Ethics,Postmemory,Romance,Contemporary Literature,Storytelling,Postmodernism,Holocaust
    Language: Italian
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  • 37
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 38
    facet.materialart.
    Unknown
    Editorial Univerdidad Mariana | Editorial Univerdidad Mariana
    Publication Date: 2024-01-09
    Description: Este trabajo se encaminó al estudio del estrés de tipo cotidiano en la etapa infantil, el cual está integrado por reacciones a nivel biológico y psicológico que son generadas por ciertas “demandas frustrantes e irritantes que se producen en la interacción diaria con el entorno” (Trianes, Blanca, Fernández-Baena, Escobar y Maldonado, 2014, p. 32), que no son susceptibles de control por parte del niño, y que alteran su equilibrio general. Hay que decir que, las consecuencias del estrés en los más pequeños son múltiples, en especial cuando el problema es crónico (Ruiz Lázaro, 2016) y que no son únicamente a largo plazo (en la adolescencia y la edad adulta), sino que repercuten en la salud y en el bienestar de los niños, casi de manera inmediata (Pérez-Padilla y Menéndez, 2016; Quijada, 2013; Orlandini, 2012).
    Keywords: Philosophy and theory of education ; bic Book Industry Communication::J Society & social sciences::JN Education::JNA Philosophy & theory of education
    Language: Spanish
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  • 39
    Publication Date: 2024-04-06
    Description: How the Steel Was Tempered in East Asia. Nikolai Ostrovsky’s novel How Steel Was Tempered (1932-34) tells the story of a young Ukrainian man named Pavel Korchagin who sacrifices his life and body to forge a steel-like spirit amid revolution, civil war, and postwar socialist construction. Although his physical injuries, which left him paralyzed and even blind, looks somehow grotesque, but his heroic self-sacrifice also had the power to inspire young readers. Regarded as an exemplary work of Soviet socialist realism, it was translated into many languages and read avidly at one time by left-wing readers in the West as well as in the Communist countries in the East. It was particularly influential in China, where it is so popular that even today it is invariably named as one of the favorite books of university students. This is in contrast to post-Soviet Russia today, in which the novel has lost the privileged position it once enjoyed and is no longer widely read. In China under the socialist regime, Ostrovsky’s novel was published in large numbers as suitable reading for young people and incorporated into school education. However, their active introduction in the public sphere alone does not explain their popularity. Chinese readers seem to have become deeply emotionally involved in the protagonist’s unsuccessful love affair with Tonya, a young girl whose bourgeois gestures and characterization must have been considered negative. As a result, the Soviet ideological novel has brought an unexpected meaning of European-style romantic love for Chinese readers. This presentation will trace the reception of Ostrovsky’s novel and the changes in the heroine Tonya’s image by comparing five adaptations: two Soviet films in 1942 and 1957, a Chinese lianhuanhua (serial picture book) in 1972, a Japanese manga in 1975, and a Chinese TV drama in 1999.
    Keywords: Socialist Realism ; Nikolai Ostrovsky ; adaptation ; China's reception ; Japan's reception ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Russian
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  • 40
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 41
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 42
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: L’approccio al Medioevo, lungo più di un millennio e tutt’altro che unitario e coerente, continua a oscillare tra le due contrapposte immagini che Illuminismo e Romanticismo ci hanno consegnato. Da un lato, il Medioevo del fanatismo religioso, delle superstizioni, dello scontro fra chiesa e stato; un Medioevo oscuro, barbaro, oppressivo. Dall’altro il Medioevo della sincera devozione religiosa, delle grandi espressioni artistiche, dell’affermazione della libertà dei popoli contro la tirannia dell’Impero romano; un Medioevo luminoso, raffinato, fantasioso. Per incontrare in modo meno stereotipato il Medioevo occorre aprirsi ai linguaggi del passato, che a un esame attento rivelano dimensioni inaspettate. Se proviamo ad ascoltare le voci che ci giungono da quel tempo lontano, riusciamo forse a comprendere meglio anche il senso di quello che le attuali operazioni di riuso del Medioevo – dei vari Medioevi – cercano di dirci, non solo riguardo a quel periodo storico in sé, ma anche su noi stessi, oggi.
    Language: Italian
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  • 43
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Come definire la letteratura della migrazione? Attraverso una serie di casi di studio che vanno dalla Turchia alla Cina, passando per l’Armenia e l’Iran, Orienti migranti: tra letteratura e traduzione analizza ‘zone di contatto’ a metà tra più lingue e paesi, allo scopo di delineare un modello di letteratura al contempo locale e globale e che considera il migrante un tropo ricorrente della contemporaneità. Il volume è così l’occasione per intraprendere un viaggio dell’immaginazione verso est, verso un altrove linguistico e letterario che – in fin dei conti – non è poi così lontano.
    Keywords: Family identity,Garod,Language,Armenian,Ethnic identity,Qing,Memory,Migration literature,William Saroyan,City,Cosmopolitan dimension,Qiu Xiaolong,Identity,Sinophone writing,Armenian-American cultural blend,Crime fiction,Migration
    Language: English , Italian
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  • 44
    facet.materialart.
    Unknown
    Milano University Press | Milano University Press
    Publication Date: 2024-01-18
    Description: The book collects contributions from computer scientists, jurists, philosophers, and sociologists capable of photographing the multidisciplinary approach required to understand NFTs completely and is divided into two sections. The first is dedicated to introducing the IT concepts necessary to understand the functioning of NFTs and to delve into the market dynamics from a legal perspective, starting from the economic sustainability and the techniques used to influence prices. Specific ones, such as the possibility of giving the NFTs as collateral or implementing their requisition, are added to these aspects. The second section examines the nature and use of artistic and fashion NFTs and their possible use in the Metaverse. The section opens with a philosophical reflection on the evolution of the very concept of a work of art and an artist in light of the development of NFTs. Then, it focuses on the legal and sociological aspects.
    Description: Published
    Description: Il volume raccoglie contributi di informatici, giuristi, filosofi e sociologi capaci di fotografare la multidisciplinarietà di approccio necessaria per una piena comprensione degli NFTs. La prima parte è dedicata ad un’introduzione ai concetti informatici necessari per comprendere il funzionamento degli NFTs e ad approfondire, in un’ottica giuridica, le dinamiche di mercato a partire dalla natura e sostenibilità economica delle piattaforme che li commercializzano, dalle tecniche utilizzate per influenzare i prezzi fino alla possibilità di dare gli NFTs in garanzia o attuarne il sequestro. La seconda esamina la natura e l’utilizzo degli NFTs artistici e della moda e la loro possibile fruizione nel Metaverso. La sezione si apre con una riflessione di natura filosofica sull’evoluzione del concetto di opera d’arte e di artista alla luce dello sviluppo degli NFTs per poi soffermarsi sugli aspetti giuridici e sociologici.
    Keywords: NFT ; Crypto Art ; Fashion ; Metaverse ; Gaming ; bic Book Industry Communication::L Law
    Language: Italian
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  • 45
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 46
    Publication Date: 2024-04-03
    Description: The paper aims to give some coordinates on the dialogue between the Athenaeum and a particular school-educational experience well rooted in Florence and recognised for its merits on an international scale, namely the Scuola-Città Pestalozzi. This is a very significant case to describe the relationship between the University and the school world because Scuola-Città was born and grew up in that laboratory of ideas nourished by the synergy between the cultural, political and pedagogical circles of the city, especially those close to liberal-socialism, and those similar to the University.
    Keywords: post-World War II ; Educational excellence ; liberal socialism ; reconstruction of Italy ; thema EDItEUR::J Society and Social Sciences::JN Education
    Language: Italian
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  • 47
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Los once trabajos de este segundo volumen de la colección VenPalabras ponen a disposición del investigador en lexicología y de los lingüistas e historiados del español un conjunto de estudios que, bien asentados en la mejor tradición filológica de nuestra lengua, proyectan la mirada hacia el futuro y ofrecen nuevas perspectivas de estudio. Los términos lexicalización, léxico y lexicografía organizan las tres partes del volumen.
    Keywords: Notarial records,Focus operator,Orthography,Grammaticalization,Golden Age,Diacronic studies,Diachrony,Epistemic marker,History of Spanish language,Colloquialization,Japonesismo,Grammaticography,Evidentiality,18th century,Confirmation,Diccionario de la lengua española,Japanese loanwords for food,Discourse marker,Historical morphosintaxis, History of Spanish, lex,Philosophical discourse,Preverb,Subjectivization,Lexicon,Italianisms,Latin,Vocabulary,Japanese loanwords for martial arts & sports,Chronological reconstruction,Lexicography,Spanish,Discursive traditions,Osservationi della lingua castigliana,Rejection,Certainty,Separation of words,Lo que es,Dictionaries,19th century,Semantics,Real Academia Española,Amalgamation of words,Pragmaticalization,Japanese loanwords for martial arts &amp ; sports,Lexicology,Spanish language,Diccionario de Autoridades,Tematizer values
    Language: Spanish
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  • 48
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 49
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-04-01
    Description: A inizio Novecento l’espansione del movimento socialista rappresentava un serio motivo d’allarme per la Chiesa cattolica, che in esso vedeva l’espressione e il veicolo di un processo di secolarizzazione interpretato come essenzialmente anticristiano. Questo volume investiga i caratteri dell’antisocialismo cattolico e le modalità concrete del suo manifestarsi, svolgendo un’analisi comparativa fra il caso dell’Italia e quello della Germania guglielmina.
    Keywords: Comparative history,Catholic antisocialism,German Catholicism,Italian Catholicism,Case study research,Secularisation ; thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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  • 50
    facet.materialart.
    Unknown
    Iberoamericana Vervuert
    Publication Date: 2024-04-04
    Description: This book brings together different perspectives on the representation of the Spanish Civil War in digital and analog games, considering them an important part of the cultural production inspired by this historical event. Games must be understood as powerful disseminators of historical stories due to their influence on the processes of memory and reification of the past. Therefore, it is essential to analyze the ideologies they transmit and the visions of the past they offer to players—just like literature, cinema and comics. In this sense, this work introduces the study of games about the Civil War and evaluates the recreational environments in which they appear. It aims to reflect on how games, as distinctive media, can enrich research on conflict and historical memory in general. The case studies of games set in the Spanish Civil War allow us to discover and discuss the visions about the historical moment that circulate in the world of games. The Spanish Civil War in games and recreational environments also offers an overview of methods and theories for the analysis of games as cultural artifacts.
    Keywords: digital games, analog games, cultural production, historical memory, case studies ; thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWR Specific wars and campaigns::NHWR3 Civil wars ; thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWL Modern warfare ; thema EDItEUR::1 Place qualifiers::1D Europe::1DS Southern Europe::1DSE Spain ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPB Early 20th century c 1900 to c 1950::3MPBG c 1919 to c 1939 (Inter-war period)::3MPBGJ c 1930 to c 1939
    Language: Spanish
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  • 51
    facet.materialart.
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    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il volume che qui vede la luce costituisce il secondo capitolo del progetto METra (Mapping Epic in Tragedy – Epica e tragedia greca: una mappatura) e contiene i contributi presentati durante il Seminario Internazionale METra 2, tenutosi a Verona nel giugno 2022. Proseguendo sulle direttrici di ricerca i cui esiti sono ora disponibili in METra 1 (Lexis Supplementi 11, 2022), questa seconda raccolta indaga ulteriori aspetti dell’eredità omerica ed epica in tragedia. Come nel volume precedente, i saggi propongono approcci disciplinari diversificati: dallo studio metrico, linguistico e stilistico all’intertestualità, dalla ricerca dell’allusione alla riflessione sull’eventuale persistenza, tra Grecia arcaica e classica, di sistemi culturali ed etico-religiosi, senza trascurare il dialogo con la modernità.
    Keywords: Persians,Aeschylus’ Libation Bearers,Parodos,Metaphor,Oratio recta,Tragic formularity,Aristocratic ideology,Epics,Funeral ideology,Modern epic,Dactylo-epitrites,Ancient Greek Thought,Anapaests,God’s will,Intertextuality,Dactyls,Gods,Homeric poems,Trojan Women,Dialogue,Ethics,Nikos Kazantzakis,Odyssey,War,τις-Rede,Aeschylus,Greek tragedy,Ajax,Epic lexicon,Tragedy and polis,Sophocles,Euripides,Funeral lament,Athena’s name,Epic language,Homer,Autocitation,Iliad,Performance,Reciprocity,Agency,Hecuba,Ulysses,Andromache,Helen,Lyric Poetry,Kunstsprache,Greek prayers,Drama,Funeral rite,Fragments,Attic tragedy
    Language: English , Italian
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  • 52
    facet.materialart.
    Unknown
    Firenze University Press | USiena Press
    Publication Date: 2024-04-06
    Description: Moby Dick Rehearsed is a magnificent experiment in the style of Orson Welles, whose talent explores in depth the texture of Melville's novel in an attempt to put it on stage. The analysis shows how the play - performed in New York in 1955 - sheds light on Welles's idea of the theater as a laboratory to experiment with the possibilities of this peculiar form of entertainment. The novel's inner violence and theatrical power become evident when Welles stages a rehearsal of Moby Dick by a company of actors used to act in Shakespeare's Hamlet in 1955. The well-known influence of Shakespeare on Melville's novel emerges from the play, which became a book published by Samuel French in 1965 in New York. Its Italian translation by Cristina Viti - Moby Dick. Prove per un dramma in due atti - provides the base for Elio De Capitani's mise en scene of the play in Milan in 2022, under the title of Moby-Dick alla prova.
    Keywords: Adaptation ; violence ; rehearsal ; experiment ; performance ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
    Language: Italian
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  • 53
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: ‘Volontà’ discende, etimologicamente, da voluntas. Ma nell’accezione di voluntas non è più avvertita la plurivocità terminologica presente nella lingua greca. Di conseguenza la teoria dell’azione ampiamente affrontata nel contesto del pensiero classico (si pensi, tra gli altri, alle Etiche aristoteliche) ne ha risentito, finendo per risolversi, in ambito romano, in un quadro concettuale semplificato. I saggi qui raccolti hanno consentito di mettere a fuoco un vero e proprio nuovo paradigma articolato. Al suo interno si colloca una rinnovata concezione di ‘volontà’: quella che si dispiega nella moderna interpretazione dell’‘atto volontario’ e del ‘volontarismo’ tout-court.
    Keywords: Cynicism,Boulesis,Weakness of assent (asthenês sunkatathesis),Stoic psychology,Choice,Fate,Passion,Masculinity,Lucan,Power,Seneca,Original sin,Sponte,Uoluntas,Strength,Virtus,Mens,Augustine,Fortuna,Tragedy,Events,Anger,Action,Cicero,βούλησις,Audacia,Voluntas,Stoicism,Odysseus,Desire,Heracles,Will,Prohairesis,De ira,Temeritas,Historia naturalis,Epibole,Heroes,Officium,Socrates,Velleitas,Impulse,Responsibility,Gods
    Language: English , Italian , French
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  • 54
    Publication Date: 2024-02-26
    Description: The objective of this research work was to evaluate the effectiveness of free games in the development of creative thinking in 5-year-old students of the Educational Institution Nº 329 of Huancavelica. The methodology of free games offers a dynamic and active education to students, which encourages the development of creative thinking in 5-year-old students, through a greater sense of security and self-confidence. This methodology was carried out in a motivating environment and free areas, focusing on dynamic and motivating participation, in order to strengthen their abilities and skills, seeking for them to develop autonomous learning. With the results obtained, it can be affirmed that free games directly favor the development of creative thinking in 5-year-old children, since Student's t-test with 53 degrees of freedom, for independent samples, with a significance of 5%, shows a value of 0.038, which is lower than the value proposed, accepting the alternative hypothesis as valid.
    Description: Published
    Description: Este trabajo de investigación tuvo como objetivo evaluar la eficacia de los juegos libres en el desarrollo del pensamiento creativo en los estudiantes de 5 años de la Institución Educativa Nº 329 de Huancavelica. La metodología de los juegos libres ofrece una educación dinámica y activa en los estudiantes, la cual incentiva el desarrollo del pensamiento creativo en los estudiantes de 5 años, a través de un mayor sentido de seguridad y confianza en sí mismos. Esta metodología se realizó en un ambiente motivador y áreas libres, centrándose en la participación dinámica y motivadora, con el fin de fortalecer sus capacidades y habilidades, buscando que ellos desarrollen un aprendizaje autónomo. Con los resultados obtenidos se puede afirmar que los juegos libres favorecen directamente en el desarrollo del pensamiento creativo en los niños de 5 años, toda vez que t de Student con 53 grados de libertad, para muestras independientes, con una significancia del 5%, muestra un valor de 0.038 el cual es inferior al valor planteado, aceptando la hipótesis alternativa como válida.
    Keywords: Pensamiento creativo ; Juegos ; Pensamiento ; Niños ; Educación ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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  • 55
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 56
    facet.materialart.
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    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: There is part of the children’s population who experiences, in the language- acquisition field, an unparalleled and unique phenomenon: they are youngsters who arrive in Italy through international adoption. When they arrive, they are effectively legal citizens. However, at first Italian appears to be a foreign language which, gradually, is going to become a second language and, eventually, is going to turn into a second mother tongue. This process is extremely fast but it is also painful even because, along the way, the biological mother tongue is notched and replaced by the new adopted language. Often, these youngsters display to have linguistic and communicative disorders caused, on the one hand, by the pre-adoptive conditions and, on the other hand, by the urgency to organize the new language. It is a peculiar and evocative process which entails the intersection of bonds, languages and cultural worlds which are normally distant and divergent. The choice of adoption – with its permanent traits – challenges the family, the siblings and the newcomer. Several studies have already deepened the psychological consequences which an adoption may imply, but little is known about the linguistic-communicative aspects. This publication aims to approach the linguistic and acquisitional data of the adoptive experience, in relation to the primary mother tongue and the new-secondary mother tongue. A field research, conducted in the province of Mantua, allowed us to hand out a questionnaire, to the adoptive parents, regarding the linguistic process which has affected their children once they have come in contact with our language. A reasoned vocabulary of the linguistic terms related to adoption supplies additional and operational information to teachers, educators and parents
    Language: Italian
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  • 57
    Publication Date: 2024-04-01
    Description: Feminicide has become a problem of general interest due to its high impact on the Colombian population; in this sense, this phenomenon was studied to characterize it in the departments of Huila and Tolima, which is why for the researchers it is essential to make this problem visible, pointing out the conditions framing violence against women from this macho culture that prevails in the region and country. The topic is of special interest since a review of press articles, epidemiological reports, local statements, and research on femicide in the two departments was carried out, seeking to make this phenomenon more visible to show the country’s reality so that it can be reported on. The results show that there is no research on the subject, which makes it possible to initiate a database with studies on femicide. Similarly, the National Institute of Legal Medicine and Forensic Sciences (2016) considers that the data described on homicide in 2015 and in previous years have decreased in magnitude over the years. The analysis of the variables realizes that the risk factors triggering the violent events that determine homicide have not been neutralized, reduced, or controlled, considering that public policy on security and citizen coexistence has been insufficient.
    Description: Published
    Description: El Feminicidio se ha convertido en un problema de interés general por su alta afectación a la población colombiana, en tal sentido se estudió este fenómeno para caracterizarlo en los departamentos del Huila y Tolima, es por esta razón que para las investigadoras resulta fundamental visibilizar esta problemática, señalando las condiciones que enmarcan la violencia contra la mujer desde esta cultura machista que impera en la región y en el país. El tema reviste especial interés toda vez que se realizó una revisión de artículos de prensa, informes epidemiológicos, pronunciamientos locales e investigaciones frente al feminicio en los dos departamentos, buscando visibilizar con mayor fuerza este fenómeno a fin de mostrar la realidad al país para que se informe sobre éste. Los resultados evidencian la no existencia de investigaciones al respecto, lo que permite iniciar una base de datos con estudios acerca del feminicidio. De igual forma, el Instituto Nacional de Medicina Legal (2016) considera que los datos descritos sobre el homicidio en el año 2015 y en años anteriores han disminuido en magnitud año tras año, el análisis de las variables da cuenta que los factores de riesgo que desencadenan los hechos violentos que determinan el homicidio no han sido neutralizados, reducidos o controlados, considerando que política pública de seguridad y convivencia ciudadana ha sido insuficiente.
    Keywords: Feminicidio ; investigación ; violencia de género ; protección a la mujer ; thema EDItEUR::N History and Archaeology::NH History
    Language: Spanish
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  • 58
    facet.materialart.
    Unknown
    Firenze University Press
    Publication Date: 2024-04-03
    Description: The essay concerns the Commitment of the University Professors within the most important local Political Institutions: the Municipality of Florence and the Tuscany Region. The chronological period examined in the first case goes from 1944 to 2019; in the first case goes from 1944 to 2019. For each election, within a brief historical-political framework, are indicated the Faculty Members who have held the position of Council members (Municipal or Regional), of Councillor or of Mayor, and the respective party to which they belong.
    Keywords: Tuscany Region ; Municipality of Florence ; Mayor ; Council member ; thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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  • 59
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 60
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Atti del IV Congresso della società di Didattica delle Lingue e Linguistica Educativa DILLE (Università Ca’ Foscari Venezia, 2-4 febbraio 2017). Il fenomeno dell’internazionalizzazione è sempre più presente in ogni sfera della vita economica, sociale e culturale del paese. In ambito educativo, l’internazionalizzazione è associata a nuove condizioni culturali e linguistiche, nuove esigenze e problemi, e i suoi effetti sono ad ampio raggio, dal momento che il fenomeno produce un impatto importante sull’educazione linguistica, sui programmi formativi per gli studenti, sulla formazione dei docenti, sull’erogazione di corsi. Dietro lo sfondo della crescente natura internazionale del sistema educativo, i contributi presentati al Congresso hanno esplorato le implicazioni per l’insegnamento/apprendimento delle lingue e per l’educazione linguistica in generale.
    Keywords: Language teaching,Multilingualism,Text meaning,Resilience,Italian as FL/SL,Discourse community,Internationalisation,Foreign university students,Language Policy,Second generation,Multiculturalism,Plurilingual communication,Academic vocabulary,CEFR,Academic Italian,Reading,Italian,Students’ perception,Interculturality,Higher Education,Italian language,Arabic,ICC,Reading skills,Linguistic and Intercultural Needs,Longitudinal studies,Authentic video,Ethnicization,Intercultural skills,Academic writing,ICT,Italian for academic purposes,Intercultural education,Italian as L2,Simplification,Study abroad,Non-formal learning,Plurilingualism,International classroom,Writing approach,Culture,Vocabulary acquisition,Lecturing styles,Listening comprehension,Multiethnic classroom,Teacher training,Language testing,Non-native speaker,Second Language,French/Spanish/German,English-Taught Programs,Key competences,Integration,Assessing initial preparation,International students,Migrant students,Italian dialects,Blogging,Competencies,Student perceptions,Proverbs,Malta,Content subject teacher,Museum learning,Oral intercomprehension didactic methods,Urban context,Literature,Mitigation,Teaching foreign languages,Self-assessment,Bilingualism,Placement test,Sociolinguistics,CLIL,Education,Higher education,Erasmus,L2 Italian,Minority language university students,Certificate in “Italian Language Teaching” DILS-PG,Academic language,EMI,Candidates,Language proficiency,Applied linguistics,Language for academic purposes,English-as-a-Foreign-Language,Bilingual education,Interlinguistic strategies,Intercomprehension among related languages,Cooperative language learning and teaching,Categorization analysis,Internationalization,Learner autonomy,Content and Language integrated learning,Literacy,Academic discourse,",Heritage language,Pragmatic competence,ICLHE,Testing academic language proficiency,Non-professional mediation,Young learners,Intercultural communicative competence assessment,Italian as a Second Language,Knowledge,Method,University students’ communicative skills,Linguistic repertoires,Teachers Training,Incidental learning,Rhetoric,Linguistic diversity,Teacher Training,Carinthia,Student mobility,Integrated curriculum,Austria,Team teaching,Intercultural communicative competence,Linguistic and cultural diversity,Language education,School,Language teacher profile,Heteroglossia,Italian L2,Scholarly interaction,Internationalization of research,Language awareness,Learners,Intercomprehension,English-medium instruction,European policies,Child language brokering,Interaction studies,Methodological innovation,Subtitles,ETP,Intercultural language education,Text,Alphabetization,Language Testing,Linguistic Landscape,International classes,Conversation analysis,Teachers training,Intercultural learning,Language competences,Romance languages teaching,Scaffolding,Intercultural communication,Skills,Immigrant languages
    Language: English , Italian
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  • 61
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 62
    facet.materialart.
    Unknown
    E-theca OnLineOpenAccess Edizioni
    Publication Date: 2024-03-23
    Description: Published
    Description: Quest’opera di Karsavin, di cui si presenta qui la prima traduzione e che viene riedita per la prima volta a Mosca dopo la sua pubblicazione a Berlino nel 1923, è senza dubbio la meno fortunata tra quelle dell’autore, a giudicare dal lungo silenzio che l’ha accompagnata. Ciò naturalmente suscita qualche interrogativo, dal momento che la maggior parte degli scritti di questo autore, non soltanto quelli pubblicati all’estero, ma anche quelli già pubblicati in patria prima dell’espulsione, sono stati riediti negli anni ’90 e alcuni di essi sono stati tradotti in italiano, in francese e in lituano. Il libro su Giordano Bruno non appartiene certo alle opere minori di Karsavin, e non soltanto per l’ampiezza, ma soprattutto per l’impostazione che lo colloca nel periodo della riflessione filosofica più matura dell’autore.
    Keywords: Lev Platonovič Karsavin ; Giordano Bruno ; Russian philosophy ; Russian literature ; thema EDItEUR::1 Place qualifiers::1D Europe::1DT Eastern Europe::1DTA Russia ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Italian
    Format: application/octet-stream
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  • 63
    facet.materialart.
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 64
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 65
    Publication Date: 2024-04-03
    Description: В монографии демонстрируется возможность изучать современный поэтический язык не только с точки зрения эстетической функции, но и креативной, воздействие которой предполагает создание новых форм и неожиданных сочетаний при передаче разнообразной текстовой информации. Для исследования выбран поуровневый метод описания. На иллюстративных примерах показывается, как креативность проявляет себя на разных уровнях организации текста: фонетико-орфографическом, словообразовательном, лексико-семантическом, грамматическом – и как уровни взаимодействуют друг с другом. На уровне же целого текста важными параметрами становятся субъектная организация и взаимодействие текста с другими текстами.
    Keywords: Fateeva ; Henrieke ; Natalia ; Stahl ; грамматика ; интертекстуальность ; креативная функция ; современная русская поэзия ; субъект ; Язык поэзии ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetry
    Language: Russian
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  • 66
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    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: This book investigates the transmission of Sumerian literature to Syria and Anatolia (i.e. the Western periphery) during the Late Bronze Age. Sumerian is the most ancient language so far documented and remained for about three millennia the language of culture in Mesopotamia for its association with scribal education. With the end of the Old Babylonian period, Sumerian literary and lexical texts were disseminated to regions outside Mesopotamia. The volume, however, is not limited to the documentation stemming from peripheral sites but also includes a comprehensive study of contemporary Mesopotamian sources, i.e. Middle Babylonian and Middle Assyrian. Sumerian literature is best known through the Old Babylonian texts, to which countless studies were dedicated, while the subsequent period is poorly known and has been neglected by scholars for the scarcity of sources. Nevertheless, the Late Bronze Age is extremely important for the Sumerian literature because the process of selection and modification of texts that ended up in the first millennium canonization started in this period. Therefore, this book aims at filling a gap in our comprehension of the history of Sumerian literature. The primary objective of this book is the identification of the tradition of texts discovered in the Western periphery in comparison with second and first millennium Mesopotamian sources. The subject has been approached from different perspectives, taking into account philological, cultural, and historical aspects.
    Language: Italian
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  • 67
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    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: A emergência nos últimos anos dos ‘estudos ibéricos’ torna necessária a reflexão sobre os desafios e potencialidades desta área. Este volume, com uma clara vontade de renovação metodológica, reúne contributos que exploram possibilidades de análise sobre o espaço ibérico e fenómenos associados, oferecendo um quadro plural de referentes teóricos e de perspetivas, em que os reptos colocados pelos casos basco, catalão e galego têm especial importância. No seu conjunto, a obra constitui uma valiosa ferramenta para ler a situação atual e para desenvolver um novo pensamento crítico sobre este objeto de estudo.
    Keywords: Vertical and horizontal historiography,Polyphony,Nation branding,Gender,Interliterariness,State,Culture,Canon formation,Digital cartography,Interdisciplinarity,Oral tradition,Hispanism,Galician Studies,Cinema and national image,GIS,Subjectivity,Violence,S,Canon,Cultural conflict,Literary systems,Pan-Hispanic folk balladry,Translation,Queer Studies,Political fantasy,Centre,Digital Humanities,Identity building,Catalan culture,Basque Studies,Globalisation,Iberian Studies,Island Studies,Literary Criticism,Cultural stereotypes,Periphery,Luso-Brazilian/Portuguese Studies,Centripetal and centrifugal movements,Sexuality,Literature,Contemporary Galician narrative,Modes of remembering,Imagology,World literature,Iberisms,Literary history,Academia,Commercial nationalism,Philology,Cultural memory,Local literatures,U,Cultural planning,Feminism,Literary geography,Catalan Studies,Nationalism,Postimperialism,Translation Studies,Comparative Literature,Epistemological reflexivity
    Language: Portuguese , Catalan , Spanish
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  • 68
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    Fondazione Università Ca' Foscari
    Publication Date: 2024-03-24
    Description: Il volume contiene l’edizione critica dell’anonimo volgarizzamento della Brevis introductio ad dictamen, uno dei più diffusi trattati di ars dictaminis del Trecento, opera del maestro bolognese Giovanni di Bonandrea. Il testo, conservato da un solo codice, il quattrocentesco Riccardiano 2323, stilisticamente è modesto, ma risulta assai interessante sotto l’aspetto linguistico, in quanto testimonia della ristretta circolazione del lessico dell’ars in volgare. L’edizione è accompagnata da un’introduzione, che esamina le modalità di traduzione e i problemi attributivi e di datazione, da un commento e da un glossario dei termini grammaticali, retorici e metrici.
    Keywords: Ars dictaminis,Medieval translation,Textual studies,Rhetoric,Giovanni di Bonandrea ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Italian
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  • 69
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    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Questo libro presenta uno studio sulle rappresentazioni di genere nel linguaggio dei telegiornali italiani con un approccio interdisciplinare che integra l'analisi linguistica con l'analisi dei media. La prima parte fornisce una panoramica del quadro teorico e di ricerca su “lingua e genere” e “media e genere”, con una breve presentazione dei modelli teorici internazionali e una rassegna commentata dello stato dell'arte a livello nazionale, che evidenzia convergenze e nozioni condivise nella prospettiva comune del “genere” nei due ambiti disciplinari. La seconda parte presenta un’analisi delle rappresentazioni femminili e maschili nei telegiornali italiani, che esplora sia le variazioni di genere nel discorso delle fonti delle notizie, sia la tematizzazione di donne e uomini nei contenuti delle notizie, basandosi su un corpus linguistico. I risultati mostrano un quadro complesso: il linguaggio giornalistico italiano diffonde ancora attivamente rappresentazioni asimmetriche e stereotipate, caratterizzandosi così come androcentrico e sessista, ma mostra anche segni di innovazione rispetto al passato. In particolare, i risultati mostrano che un linguaggio giornalistico più consapevole del genere veicola rappresentazioni più gender-fair.
    Keywords: Gender representations,Language,Sexism,Gender stereotypes,Corpus analysis,Television news
    Language: Italian
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  • 70
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    Ariadna Ediciones
    Publication Date: 2024-04-02
    Description: This book analyzes the theoretical and political positions of the Social Democratic Federation (SDF) against imperialism in the context of the Second Boer War, taking into consideration the following components: colonialism, in the sense of the SDF's assessment of the European colonial expansion and the reality of colonial peoples, in this case the situation of the Boer people and the native populations of South Africa; colonial politics, understood as the discussions of the government of the colonies, whether the possibility of establishing some type of imperial federation or the need to abandon them; imperialism itself, which included debates on the economic causes of the expansion of powers and its character as a generalized policy of bourgeois states or phase of capitalism; the imperialist war and national defense in the sense of the possibility of a war between the European powers and the need to defend Great Britain and its possessions and, the second Boer war itself, which implies taking into account the causes attributed to the conflict, the positions of the different party members (supporting or condemning the conflict) and the means to stop it.
    Keywords: Imperialism, colonialism, South Africa, white supremacy ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics
    Language: Spanish
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  • 71
    Publication Date: 2024-02-22
    Description: Il libro dei cammelli errabondi e di quelli che li radunano è composto da 175 domande di tema filologico, letterario, etico, filosofico, scientifico, di costume e dalle relative risposte. Ha la forma di un dialogo fra il letterato al-Tawḥīdī e il filosofo Miskawayh elaborato alla fine del X secolo nel clima creato dall’ambientazione della filosofia e della scienza greca nella cultura arabo islamica. Da questa opera, di cui viene presentata qui la prima traduzione integrale in una lingua europea, emerge il ritratto di un ambiente multiculturale, intellettualmente curioso e aperto, in cui è lecito per esempio, interrogarsi sul rapporto tra ragione e legge religiosa, o sul perché distruggere è più agevole che costruire, uccidere più semplice che far vivere. Se un senso ultimo si deve cercare nell’interrogare i testi, è proprio quello della conoscenza di un passato che aiuti ad aprirsi con coscienza critica al presente, perché «la gente osteggia ciò che non conosce».
    Language: Italian
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  • 72
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    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: […] la vita a Parigi non si descrive, puoi conoscerla solo vivendola […], le parole non servono ad alcunché quando si tratta di Parigi. Piuttosto: vai alle Piramidi – non credo tu ci sia mai stato – ed entra nella grande Piramide. Là ti sentirai mancare i sensi. Ti sentirai soffocare, e il tuo corpo si coprirà di sudore. Sentirai come se stessi portando il peso di quel mastodontico edificio addosso, e avrai la sensazione di esserne schiacciato. Poi esci dal profondo di quella piramide e incontra la luce e l’aria aperta. Sappi che la vita in Egitto è la vita dentro alla Piramide, mentre la vita a Parigi è la vita dopo che sei riemerso da laggiù.
    Keywords: Autobiographical writing,Modern Arabic novel,Ṭāhā Ḥusayn,Egyptian novel
    Language: Italian
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  • 73
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 74
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    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: L’esplorazione dell’arte armena iniziò nel diciannovesimo secolo grazie a storici dell’arte francesi, russi, tedeschi, finlandesi, austriaci e armeni e continuò nel ventesimo secolo prevalentemente con studiosi russi, armeni, ucraini, americani e italiani, che hanno portato all’attenzione del largo pubblico, non solo dei ricercatori, il patrimonio artistico di un territorio che supera i confini dell’attuale Armenia, e investe un’area definita Subcaucasia, termine con il quale si intende il territorio che dal Caucaso meridionale trapassa negli altopiani iranico e anatolico. L’interesse per l’arte armena, dai manoscritti miniati, ai khachkar, alle architetture, è cresciuto negli ultimi vent’anni conferendo a queste testimonianze una dimensione globale. Il volume illustra le caratteristiche, i temi e i metodi dei vari percorsi di ricerca emergenti dalle diverse tradizioni storiografiche tracciando così una mappa che aiuta ad orientarsi tra i fenomeni artistici e culturali di questo complesso territorio, fornendo diverse chiavi per comprenderli e ragionamenti utili per le future indagini scientifiche.
    Keywords: Research,Silverwork,Anatolia,Armenia,Armenian-Islamic ‘syncretism’,Bronze Age archaeology,Illustrated manuscripts,Seljuk and Ilkhanid architecture,Study trips,Armenian-Georgian architectural relationship,Armenian-Georgian cultural ties,Replica,Preservation,Armenian architecture,CSDCA Centro Studi e Documentazione sulla Cultura ,Caucasus,Icons,Armenian art,Repatriation movement,Cultural Ecology,Nakhchivan,Megalithic art,South Caucasus archaeology,Iran,Heritage,Monumentality,Milan Polytechnic University,Nikolay Brunov,Early Modern Armenian Studies,Cross-stones,Historiography,Historiograhy,Wall paintings,Textiles,Romania,CSDCA - Centro Studi e Documentazione Cultura Arme,History of art,Aleksej Nekrasov,Armenian history,Khachkar,Medieval architecture,Yovnatʽanean family,Varazdat Harutyunyan,Medieval art,Medieval Armenian art and Soviet Union,Photography,Adriano Alpago Novello,Armenian prehistory,Mikhail Babentchikov,Julfa,Dragon-stones,Architecture,Etchmiadzin cathedral,Middle Ages,Destruction,Alexey Lidov
    Language: English , Italian
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  • 75
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    De Gruyter | De Gruyter
    Publication Date: 2024-03-23
    Description: This study, based on extensive archival research, sheds light on the writings attributed to the sixteenth-century sculptor Baccio Bandinelli (Libro del disegno, Memoriale) and analyses them in their historical and artistic context, while offering a portrait of the erudite activity of Bandinelli's grandson, Baccio the Younger, within the broader framework of early modern genealogical culture in Florence. ; This study, based on extensive archival research, sheds light on the writings attributed to the sixteenth-century sculptor Baccio Bandinelli (Libro del disegno, Memoriale) and analyses them in their historical and artistic context, while offering a portrait of the erudite activity of Bandinelli's grandson, Baccio the Younger, within the broader framework of early modern genealogical culture in Florence. ; La monografia esplora, alla luce di un’articolata ricerca archivistica, alcune questioni riguardanti le scritture attribuite allo scultore Baccio Bandinelli (1493–1560), la fortuna coeva e postuma dell’artista, la trasmissione e la dispersione dell’archivio di famiglia. Il volume comprende un’edizione critica e commentata sia dei frammenti del Libro del disegno, trattato autografo e idiografo del Bandinelli, sia del Memoriale, apocrifo secentesco messo a punto sotto la supervisione del nipote dell’artista, l’erudito Baccio Bandinelli il Giovane (1579–1636). Se il Libro del disegno viene inquadrato nell’ambito della trattatistica d’arte rinascimentale, con particolare riguardo al rapporto dello scultore con Anton Francesco Doni e all’influenza delle due lezioni accademiche di Benedetto Varchi sulle arti, il Memoriale è riletto, anche grazie al ritrovamento di documenti inediti, alla luce della complessa operazione di riordino archivistico e interpolazione documentaria attuata da Baccio il Giovane, riconducibile a prassi scrittorie comuni tra gli eruditi fiorentini del primo Seicento.
    Keywords: Bandinelli, Baccio ; Memoriale ; Disegno ; Baccio Bandinelli ; 16th-Century Italian Literature ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MG 17th century, c 1600 to c 1699 ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3ML 18th century, c 1700 to c 1799 ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSK Literary studies: fiction, novelists and prose writers
    Language: Italian
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  • 76
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    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: El volumen recoge los trabajos de un grupo de hispanistas de universidades italianas y otro de italianistas de universidades españolas comprometidos con la investigación de la traducción literaria, tanto desde el punto de vista teórico como práctico, que centran su interés en el problema de la variación lingüística. En textos de distintas épocas, desde el Medioevo y el Renacimiento hasta el siglo XXI, se analizan distintos problemas de traducción que plantea el paso del español al italiano, del italiano al español e incluso del italiano al catalán, poniendo de relieve cómo el diálogo entre España e Italia sigue siendo un tema de gran actualidad.
    Keywords: Alas de fuego,Literary translation Spanish-Italian,Polyphony,Tabucchi,Laura Gallego,Fantasy,Multilingualism,Register,Spanish and peninsular varieties,〈p〉Translation,Fables,Linguistic variation,Ricard Permanyer,Colloquial language,Don Quixote,Spanish translation into Italian,Miguel de Cervantes,Young adult literature,Verbal games,Translation,Theatre,Polysystem,Sicilian dialect,Baricco,Reception of Italian Literature,Leopardi,Italian translation into Spanish,Literary Translation,Adaptation in verse,Camilleri,Canti,Literature,Italian translation into Catalan,Odo of Cheriton,Libro de los Gatos,Dialect,Moralisation,Translation strategies
    Language: Italian , Spanish
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  • 77
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    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il rapporto tra violenza domestica, stabilità sociale e famigliare è stato il leitmotiv che ha accompagnato i documenti ufficiali dell’iter legislativo culminato nel testo della legge contro la violenza domestica della Repubblica Popolare Cinese nel 2016. In Cina, il dibattito sul tema degli abusi sulle donne è stato avviato con la Fourth World Conference on Women tenutasi a Pechino nel 1995. Il volume si propone di riflettere sugli strumenti normativi, in particolare il divorzio e il sistema degli ordini di protezione, e sulle specificità di tali istituti nel limitare e prevenire gli abusi domestici, restituendone un’analisi socio-culturale, giuridica e linguistica.
    Keywords: Domestic violence,China,Divorce,Protection order,Law
    Language: Italian
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  • 78
    facet.materialart.
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    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: The Jesuit textual production from the sixteenth century leaves no doubt that the Japanese evangelising enterprise was publicised as the epitome of success. Francisco Cabral, third superior of the mission, who had initially shared this judgement, in time began fearing that the mission was, instead, doomed to failure. As he perceived the loosening of the internal ties of the Society of Jesus, and the salvation of the catechumens as more and more independent of that of the Jesuits, Cabral concluded that God had abandoned the mission. This study, using little-known manuscript sources, examines Cabral’s attitudes towards his confreres and the Japanese people, to illuminate how particular salvation mechanics could define early modern Catholic missions.
    Keywords: History of Catholicism in Japan,Early modern Catholicism,Catholic soteriology,Early modern Jesuit missions,Japanese Jesuit mission
    Language: English , Italian
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  • 79
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 80
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 81
    Publication Date: 2024-02-27
    Description: The rapid expansion of the agricultural frontier as a consequence of deforestation and anthropogenic changes worldwide is a matter of concern for the international scientific community. In addition, in the fight against climate change due to livestock farming, one of the main strategies for mitigating greenhouse gases is the use of sustainable alternatives if products with a high carbon footprint are used, while revaluing local resources. In the case of northern Ecuador, in spite of the limited soil fertility gradient, dairy and/or dual-purpose cattle raising represents one of the strongest links in the family economy. Therefore, it is necessary to investigate production alternatives that allow us to conserve natural resources given the fragility of these megadiverse ecosystems. This book shows that the use of conventional livestock systems degrades natural resources with significant losses in productivity, as well as low economic returns. Consequently, the implementation of silvopastoral systems as an easy-to-install technological alternative is undoubtedly the way to achieve more efficient and environmentally friendly livestock systems, while diversifying the economic income of the population.
    Description: Published
    Description: La rápida expansión de la frontera agrícola como consecuencia desmesurada de la deforestación y cambios antropogénicos a nivel mundial, es un tema de preocupación por la comunidad científica internacional. Además, frente a una lucha contra el cambio climático por efecto de la ganadería, una de las principales estrategias para la mitigación de gases de efecto invernadero, lo constituyen alternativas sostenibles si uso de productos con alta huella de carbono, revalorizando, además, los recursos locales. En el caso de la zona norte de Ecuador, a pesar de los limitados atributos respecto a gradiente de fertilidad de los suelos, la cría de ganado ya sea de leche y/o doble propósito representa uno de los eslabones más fuertes dentro de la economía de las familias. Por lo tanto, es menester investigar alternativas de producción que nos permitan conservar los recursos naturales dada la fragilidad de estos ecosistemas megadiversos. Mediante este libro se plasma que el uso de sistemas ganaderos convencionales, degradan los recursos naturales con mermas significativas de la productividad, así como bajo réditos económicos. En consecuencia, la implementación de sistemas silvopastoriles como alternativa tecnológica de fácil instalación, es sin duda el camino para alcanzar sistemas ganaderos más eficientes, amigables con el medio ambiente, diversificando además los ingresos económicos de la población.
    Keywords: Amazonia ; Emisión de gases de efecto invernadero ; Sistemas convencionales ; Sistemas silvopastoriles ; bic Book Industry Communication::R Earth sciences, geography, environment, planning
    Language: Spanish
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  • 82
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 83
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 84
    Publication Date: 2024-02-05
    Description: This article analyzes the advertising ethics handled by Ecuadorian companies, making a synthesis of the way in which the social responsibility of the entities or officials linked to their advertising practices is involved. This research is carried out due to the constant changes in advertising nowadays, with the objective of deepening how organizations in Ecuador disseminate advertising and how they direct them to interest groups showing social responsibility. For this, it is based on a methodology of bibliographic review being a qualitative research where data are collected to be evaluated from the general to the particular. Thus, the impact of advertising for product awareness and customer attraction that companies or enterprises currently use is observed from all business-commercial activities. In this sense, it is necessary to review the ethics in advertising, the approach to stakeholders, the management of social responsibility as well as its regulation within companies, in order to learn new advertising techniques and methods for companies to comply with responsibility to generate advertising strategies with an ethical approach.
    Description: Published
    Description: Este artículo analiza la ética publicitaria manejada por las empresas ecuatorianas, realizando una síntesis de la forma en que se involucra la responsabilidad social de las entidades o funcionarios vinculados con sus prácticas publicitarias. Esta investigación se lleva a efecto por los constantes cambios de la publicidad en nuestros días, con el objetivo de profundizar como las organizaciones en Ecuador difunden publicidad y como las direccionan a los grupos de interés mostrando una responsabilidad social. Para ello, se basa en una metodología de revisión bibliográfica siendo una investigación cualitativa donde se recogen datos para ser evaluados desde lo general a lo particular. Así se observa desde toda actividad empresarial-comercial el impacto de la publicidad para el conocimiento de productos y atracción de clientes que las empresas o emprendimientos utilizan actualmente. En este sentido se hace necesaria la revisión de la ética en la publicidad, el enfoque de los grupos de interés, el manejo de la responsabilidad social tanto como su regulación dentro de las empresas, con el fin de conocer nuevas técnicas publicitarias y métodos para que las empresas cumplan con responsabilidad para generar estrategias publicitarias con un enfoque ético.
    Keywords: Ética ; publicidad ; Responsabilidad social ; grupos de interés ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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  • 85
    facet.materialart.
    Unknown
    FedOA - Federico II University Press
    Publication Date: 2024-04-01
    Description: History Teaching in the university context is a completely unexplored field of research in Italy and for a large part also in those countries that can boast more solid traditions of studies in this research area. This is caused by the shared idea that the academic context is always a guarantee of a high quality of teaching. This work reverses this thesis and therefore aims to deeply investigate the teaching and learning of History to understand its effectiveness; in other words, this means understand whether and how the university can lead students to the development of Historical Thinking, i.e. the most important of the educational objectives concerning History. Through the comparison between Italy and Spain (one of the most advanced country in this research area), the use of a large variety of sources (including specific surveys) and a wide recognition of the Didactics of History as a discipline (with reference to its most important debate on Historical Thinking), the result is a first attempt to identify and analyze the original characteristics and critical issues of History in the higher education system which focuses on the most relevant disciplinary traditions, practices and teaching tools, and also on the complex relationship of academic History with school, publishing industry and digital.
    Description: Published
    Description: La didattica universitaria della Storia è un terreno di ricerca del tutto inesplorato in Italia, e per larga parte anche in quei Paesi che possono vantare tradizioni di studi ben più solide in questo settore, e ciò perché è comunemente accettata l'idea secondo cui l'ambito accademico sia sempre garanzia di un'alta qualità dell'insegnamento impartito. Rovesciando tale tesi, questo contributo si propone di indagare a fondo sull'insegnamento e l'apprendimento della Storia all'università allo scopo di comprenderne l'efficacia, ossia di verificare se effettivamente, e in che termini, quest'ultima sia in grado di condurre i discenti al raggiungimento del più importante degli obiettivi didattici concernenti la Storia, lo sviluppo del ragionamento storico. Avvalendosi della comparazione tra Italia e Spagna (uno dei contesti nazionali più all'avanguardia in questo ambito), dell'impiego di una grande molteplicità di fonti (tra cui figurano specifici questionari) e di un'ampia ricognizione della Didattica della Storia come disciplina e del suo dibattito di riferimento concernente le teorie della conoscenza storica, il risultato è un primo tentativo di individuazione e di analisi dei caratteri originali e delle criticità della Storia nel sistema d'istruzione superiore che focalizza l'attenzione sulle tradizioni disciplinari, le pratiche e gli strumenti didattici più rilevanti, senza però dimenticare il complesso rapporto della Storia accademica con la scuola, l'editoria e il digitale.
    Keywords: Didactics of History, University, Historical Thinking, Teaching, Learning ; thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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  • 86
    facet.materialart.
    Unknown
    Iberoamericana Vervuert
    Publication Date: 2024-03-27
    Description: This book addresses some of the most significant aspects of Miguel Delibes, such as his human dimension, the presence of nature in his works, the projection of the historical context and society in his narrative, or the connections between his literary portraits and the pictorial ones. Thanks to the variety of approaches inherent to research in different disciplines, each chapter takes on the challenge of completing the analyzes known to date in a certain area. The personal testimonies about the writer are followed by a study of differential lexicon, that is, of voices not included in academic dictionaries, but commonly used in certain contexts, specifically that of hunting; Along with this, a comparative analysis regarding the fauna and flora present in several novels from different periods. The semiotic method serves as a basis to delve into the social and family background implicit in one of his best-known stories, The Dethroned Prince, and in its corresponding film version, while the historiographic resources have made it possible to identify and explain real events of national and cultural significance. international reflected in both supports. Various instruments of artistic research are also brought together for the examination of the drawings and literary portraits of the Valladolid author.
    Keywords: Miguel Delibes, interdisciplinary criticism, national literary figure creation, 20th century ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000
    Language: Spanish
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  • 87
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il volume presenta i risultati di una rierca internazionale sul fenomeno dei lavoratori vulnerabili (under24 e over55)
    Language: Italian
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  • 88
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il volume fotografa lo stato attuale della politica linguistica italiana in relazione con quella europea, concentrandosi su alcuni argomenti di particolare interesse. È diviso in tre parti: la prima parte offre le coordinate generali sulla politica linguistica, la seconda parte si concentra su alcuni ‘percorsi’ che si stanno avviando in Italia e, per ultimo, nella terza parte, si affrontano alcune delle s de che sta affrontando la glottodidattica italiana in questo secondo decennio del XXI secolo.
    Keywords: Teaching variety-models,educational linguistics,EFL in italian schools,Mixed abilities classes,Special Educational Needs,linguistica educativa,Language education,Internationally adopted individuals,glottodidattica,Language Policy,Multilingual learning approach,Legislation,Language Education,Italian Education System,PAS,Introduzione, politica linguistica,TFA,World English,Communicative intercultural competence,Linguistic proficiency,Italian Language Acquisition,Intercomprehension,European language policies,Italian Schools Language Policy,Europe, Italy,Didactics of Culture,flipped training,Interlinguistic Intercultural mediation,Italian professional training,formazione insegnanti,European Language Teaching Associations,edulinguistica,Italy,Foreing language Teaching,Common European Framework,Early foreing language learning,Foreign Language Teaching
    Language: Italian
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  • 89
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Questo primo volume della serie Eurasiatica. Quaderni di Studi su Balcani, Anatolia, Iran, Caucaso e Asia Centrale riunisce diversi articoli dedicati al Caucaso e all’Asia Centrale. Sono regioni ampiamente distinte tra loro, ma unite al tempo stesso da numerosi vincoli storici, culturali, politici ed economici. E anche strettamente collegate alle aree circonvicine, in particolare all’Iran, alla Turchia e alla Russia. Il volume ha l’ambizione di rafforzare l’interesse scientifico verso delle regioni che oltre alla loro tradizionale importanza storico-culturale stanno assumendo una sempre più accentuata rilevanza politica ed economica.
    Language: Italian
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  • 90
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: I contributi raccolti nel presente volume delineano lo stato dell’arte delle ricerche di linguistica slava svolte recentemente nell’ambito della slavistica italiana. I saggi sono dedicati a temi di morfologia, sintassi, semantica, lessicologia, pragmatica, sociolinguistica e didattica delle lingue slave, in ottica contrastiva, sincronica o diacronica, secondo quadri teorici e approcci metodologici di scuole e tradizioni diverse. La grande varietà dei temi trattati dagli autori, non solo italiani, è la più viva testimonianza della vivacità e della ricchezza che oggi permeano lo studio delle lingue slave in Italia e non solo.
    Keywords: Current Relevance,Russian Heritage Speakers,Slovene,Deixis,Czech language,Transfer,Locational,Negative Concord,Verb,Discourse/pragmatic markers, ved', Russian-Italian,Spatial metaphor,Italian,Czech,Present gerund,Passive voice,Competing inflectional case endings,Pragmatics,Nominative case,Background knowledge,Russian Renarrative markers,Manuscripts,Indefinite article,Fixed expression,Contrastive interlanguage analysis,Verbal aspect,17th century,Aktionsart,Conjunction chot’,Supralexical prefixes,Russian,Macedonian,Semantic shift,Articles,Verbs of motion,Oblique case,Slovo,Variation,Morphosyntactic structure,Saturday Russian Schools,Phraseology,Language standardisation,Aspectual pairs,Metaphor,Meta-linguistic analysis,Bulgarian,Spatial prefixes,Dynamic modality,Italian verb ‘fare’,Negative polarity items,Zonal inclusion,Language Learning,Slovo, the prefix iz-/vy-,Female referent,Indefiniteness,Scalar semantics,Slovenian,Neologisms,Comitative,Imperfective general-factual (IGF),Resian,Ved',Derivation,Delimitatives,Areal distribution,Non-paradigmatic imperative forms,Subjunctive complements,Metonymy,Resumption,Russian as a foreign language,Linguistic gender,Word formation,Běžati,Verbal mood,Anglicism,L2 Russian,With-phrase,Alienable,Factual meaning,Location-possession,Polish,Derivational models,Heritage Languages,Nonce compounds,Semantics,Aspect,Dialects,Litoral dialect,Part-of-speech affiliation,Albanian,Natural gender,Contrastive Interlanguage Analysis,Syntactic idioms,Truthfulness,Vocabulary articles,Learner corpus,Grammaticalization,Romance languages,Syntactic environment,Corpus-based contrastive analysis,Evidentiality,Resultative constructions,Relative Introducers,Croatian,Morphosyntax,Ukrainian,Linguistic minorities,Verbal lexicon,Minimizers,Tense,Negative indefinites,Old-Russian language,Discourse/pragmatic markers,Bilingualism and Migration,Contrastive studies,Morphology,Slavic languages,Perfective,Language planning,Past gerund,Slavic aspect,Evaluation,Present participle,Secondary borrowing,Negation,Irrealis,Predicative possession,Syntax,Non-past,Actionality,Distance,Intensification,Internet linguistics,Support (light) verb constructions,Productivity,Gradual verbs,Russian-Italian contrastive analysis,Inalienable,Contemporary Russian,Corpus,Modal logic,Modality of strong obligation,Linguistic coding,Taboo words,Restrictive/non-restrictive,Vocative case,Emotion verbs,International recognition,The prefix iz-/vy-,Deadjectival verbs,Grammatical aspect,Clausal mood,Translation,Causation,Language Acquisition,Relative Clauses,Derogatory words,Intercomprehension,Slavonic,Mood and modality,Suffixation,Telicity,Parallel corpora,Prepositions,Analogy,Neologism,Causative verbs,Neosemy,Lexicography,Discontinuous past,Prefixes,Molise Slavic,Colloquial Slovenian,Iintensification,Early East Slavic language,Preposition,Semantic Roles,Numeral one,Mood and moality,Aorist,Perfect,Slavic languages (Serbian, Polish, Bulgarian),Etiquette formulas
    Language: Russian , English , Italian
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  • 91
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 92
    facet.materialart.
    Unknown
    punctum books
    Publication Date: 2024-04-03
    Description: Who wants to champion the figure of Don Giovanni in the time of Harvey Weinstein and #MeToo? Don Giovanni is a rapist, murderer, serial seducer, and liar. Can he ever be held up as a role model or seen as a figure to be enjoyed? This is the task that the eminent Italian historian and lifelong feminist, Luisa Passerini, sets for herself in In Defense of Don Giovanni. As she developed the long arc of her distinguished career, Don Giovanni surprisingly became not only her role model but also a secret object of research. Taking her method from oral history, Passerini creates a series of characters with whom she discusses the forms and incarnations of the myth of Don Giovanni across time, from its first appearance in early medieval Spain and Commedia dell’Arte to its many European variations and its transposition to the colonial and postcolonial world in the Middle East, the Americas, and Africa. Pivoting round Don Giovanni’s best known incarnation in Mozart’s opera, Passerini and her interlocutors meet in different locations from Venice and Bern to Paris and Turin. They discuss plays, films, and operas and talk about art, novels, and psychoanalytic interpretations of the myth while also sharing their own life stories, in which Don Giovanni often plays a part that is, by turns, destructive, mischievous, and full of the joy of life. From his early beginnings in the Iberian Peninsula to recent analysis of the sexuality of colonial conquest and postcolonial revenge and return, Don Giovanni shape-shifts between rapacious hypermasculinity, comic trickster, and morally vacuous loser whose annoyingly persistent nemesis Don Ottavio emerges as an alternative and ultimately better object of desire. As she tracks Don Giovanni’s image across the world and through the centuries, however, Passerini comes to see that it also plays another role, that of a mirror, in which women can see themselves emerge as individuals with their own life force.
    Keywords: Don Giovanni;opera;mythobiography;literary studies;autotheory;feminism;Paul Klee ; thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLF Opera ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups::JBSF1 Gender studies: women and girls::JBSF11 Feminism and feminist theory
    Language: English , Italian
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  • 93
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 94
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: This volume include essays originally delivered at the international workshop Italy, Europe, China: Economic, Political and Cultural Relations During the Cold War Years (1949-1971) held at the Department of Asian and African Studies of Ca’ Foscari University of Venice on 13th-14th February 2014 as well as invited research papers by two international outstanding scholars who have made valuable contributions to the study of China’s foreign policy and engagement in the ’50s and ’60s. The book illustrates recent trends in international research on China-Western Europe relations in the years of intense Cold War, complicating the long-held image of Mao-era China as sealed off from the outside world.
    Keywords: CCP,Ost-Ausschuss der Deutschen Wirtschaft,French foreign policy,Foreign experts,Devaluation,China’s Communist Youth League,Sino-Italian Relations,German business,Twentieth century,Foreign policy,Mao Zedong,Velio Spano,Chinese Communist Party,China,China-Italy relations,Review article,Federal Republic of Germany,Riots,People’s Republic of China,Cold war,Cold War,Cold War years,Mao era,East-West Trade,European residents,Word Federation of Democratic Youth,1949 China,Chinese scholars,Hong Kong,International economic relations,China National Import & Export Corporation,Chinese Committee for the Promotion of Internation,European students,United States,Bruno Bernini,ICP,Italy,Recognition,Sterling,China National Import &amp ; Export Corporation,PRC,COCOM
    Language: English , Italian
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  • 95
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 96
    Publication Date: 2024-03-30
    Description: The book presents an in-depth exploration of the relationship between food and human evolution. It begins by deciphering the dietary changes of early hominids and how these changes influenced their physical and cognitive development, from dentition to increased brain size. It then analyzes the cultural and socio-political influence on diet in ancient civilizations such as Egypt, Rome and China. It highlights food in pre-Columbian cultures, highlighting agricultural diversity, sustainable practices and the cosmic connection with the earth. It also addresses the Industrial Revolution and how it transformed food patterns, leading to health problems in modernity. It also discusses the "green revolution" and technologies to improve food production. And finally, it explains sustainability in food systems and innovations for the future, such as laboratory meat and insect-based nutrition. The book concludes by recognizing nutrition as a multidisciplinary science, which seeks to ensure health and quality of life. This work is the result of a collective effort of academics seeking to understand human nutrition from its origins to the present.
    Description: Published
    Description: El libro presenta una exploración profunda de la relación entre la alimentación y la evolución humana. Inicia descifrando los cambios dietéticos de los primeros homínidos y cómo estos cambios influenciaron su desarrollo físico y cognitivo, desde la dentición hasta el aumento del tamaño cerebral. Luego analiza la influencia cultural y sociopolítica en la dieta de antiguas civilizaciones como Egipto, Roma y China. Se destaca la alimentación en culturas precolombinas, resaltando la diversidad agrícola, sus prácticas sostenibles y la conexión cósmica con la tierra. Aborda también, la Revolución Industrial y cómo transformó los patrones alimentarios, llevando a problemas de salud en la modernidad. También se discute la "revolución verde" y las tecnologías para mejorar la producción alimentaria. Y finalmente se explica sobre la sostenibilidad en los sistemas alimentarios y las innovaciones para el futuro, como la carne de laboratorio y la nutrición basada en insectos. El libro concluye reconociendo la nutrición como una ciencia multidisciplinaria, que busca garantizar la salud y calidad de vida. Esta obra es el resultado de un esfuerzo colectivo de académicos que buscan entender la alimentación humana desde sus orígenes hasta el presente.
    Keywords: Evolución ; Culturas antiguas ; Revolución Industrial ; Sostenibilidad ; Nutrición ; thema EDItEUR::M Medicine and Nursing
    Language: Spanish
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  • 97
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación | Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación ; IdIHCS
    Publication Date: 2024-04-01
    Description: Published
    Description: Un país para los porteños propone un panorama renovado y plural sobre la experiencia del Estado de Buenos Aires al asumir libremente el ejercicio de su soberanía interior y exterior (1852-1861) en el proceso de construcción del Estado nacional argentino. El objetivo es facilitar una mayor comprensión de los intensos y complejos procesos acaecidos a mediados del siglo XIX que permiten señalar particularidades del Estado de Buenos Aires, sin dejar de considerar los enfrentamientos armados y demás interrelaciones con la Confederación Argentina y las agencias indígenas. Con esa finalidad, quince investigadores elaboraron síntesis argumentativas, estados de la cuestión e investigaciones específicas, desde sus respectivas especialidades, sobre: las provincias y la Confederación Argentina; la rebelión rural y federal de 1852; la condición estatal de Buenos Aires; la renovación política en las gobernaciones; los entramados jurídico-político-institucionales en la campaña; los procesos eleccionarios; las fuerzas armadas de Buenos Aires; las alternativas indígenas; la población, fiscalidad, economía y política de tierras; las mujeres de la Sociedad de Beneficencia; la prensa en la política; la cuestión religiosa; y las formas de construcción de una identidad porteña como comunidad imaginada.
    Keywords: thema EDItEUR::N History and Archaeology::NH History
    Language: Spanish
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  • 98
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 99
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    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Nel 1968 fu pubblicata la prima edizione completa della Bibbia cattolica in lingua cinese. Gli autori della traduzione erano i membri dello Studium Biblicum Franciscanum Sinense, l’istituto biblico fondato nel 1945 a Pechino dal francescano Padre Gabriele Allegra, che aveva inaugurato il progetto e scelto i suoi primi collaboratori. Questo volume approfondisce la formazione e il ruolo dei francescani cinesi coinvolti nella traduzione e delinea l’attività degli stessi nella successiva fondazione della Vicaria e della Provincia francescana cinese (1970, 1989). Viene presentata in dettaglio la figura di Padre Ludovico Liu Xutang, membro dello Studio Biblico e primo Vicario nel 1970. La traduzione del volumetto Huainian Liu Xutang shenfu consente di vedere concretizzati gli impegni di Padre Liu nelle attività bibliche dello Studio, nell’erezione della Provincia Reginae Sinarum e nella ripresa dei contatti con i cattolici della Cina continentale, e offre al lettore una raccolta di testimonianze dirette sulla vita del francescano.
    Keywords: Missions in China,Chinese Bible,Liu Xutang,Sigao Shengjing,Studium Biblicum Version,Gabriele Allegra,Catholicism in China,Chinese Franciscans
    Language: Italian
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  • 100
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: La conoscenza della grammatica dei versi, che ha toccato il suo più alto livello speculativo con la teoria di al-Halıl ibn Ahmad nell’VIII secolo, è il cuore segreto della poesia araba – mai finora sistematicamente scrutato – di cui nel corso dei secoli si sono nutrite le sfide e le dispute dei poeti e dei loro critici. A partire dalla lettura dei trattati di metrica medievali, viene qui offerto il quadro storico della disciplina versificatoria e la ricostruzione dei suoi fondamenti tecnici, cui segue l’analisi di ciascuno dei sedici metri e infine l’esame dei modi in cui si compone la rima.
    Language: Italian
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