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  • Spanish  (4,252)
  • Dutch  (343)
  • Swedish  (159)
Collection
Keywords
Publisher
Language
Years
  • 1
    Monograph available for loan
    Monograph available for loan
    Climatología aeronáutica de España (1948-)
    Madrid : Secc
    Details Availability
    Call number: PIK N 456-17-90913
    Type of Medium: Monograph available for loan
    Pages: 536 Seiten
    Series Statement: Ministerio de Transportes Turismo Y Comunicaciones : Publicación Serie A 114
    Parallel Title: 1,1=6; 2,1=13 von Publicaciones / D / Ministerio del Aire, Subsecretaria de Aviación Civil, Servicio Meteorológico Nacional
    Language: Spanish
    Location: A 18 - must be ordered
    Branch Library: PIK Library
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  • 2
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    La traducción de la variación lingüística en los textos literarios entre Italia y España (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: El volumen recoge los trabajos de un grupo de hispanistas de universidades italianas y otro de italianistas de universidades españolas comprometidos con la investigación de la traducción literaria, tanto desde el punto de vista teórico como práctico, que centran su interés en el problema de la variación lingüística. En textos de distintas épocas, desde el Medioevo y el Renacimiento hasta el siglo XXI, se analizan distintos problemas de traducción que plantea el paso del español al italiano, del italiano al español e incluso del italiano al catalán, poniendo de relieve cómo el diálogo entre España e Italia sigue siendo un tema de gran actualidad.
    Keywords: Alas de fuego,Literary translation Spanish-Italian,Polyphony,Tabucchi,Laura Gallego,Fantasy,Multilingualism,Register,Spanish and peninsular varieties,〈p〉Translation,Fables,Linguistic variation,Ricard Permanyer,Colloquial language,Don Quixote,Spanish translation into Italian,Miguel de Cervantes,Young adult literature,Verbal games,Translation,Theatre,Polysystem,Sicilian dialect,Baricco,Reception of Italian Literature,Leopardi,Italian translation into Spanish,Literary Translation,Adaptation in verse,Camilleri,Canti,Literature,Italian translation into Catalan,Odo of Cheriton,Libro de los Gatos,Dialect,Moralisation,Translation strategies
    Language: Italian , Spanish
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  • 3
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    Chapter Discusión taxonómica del campo de las Extended Realities (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 4
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    Chapter From Survey to Digital Reconstruction. Study of a Roman Fragment of an Ionic Volute (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 5
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    Pastos Tropicales de la Amazonia Ecuatoriana Tomo I: Avances científicos sobre sistemas silvopastoriles como estrategia de reconversión de la ganadería (2024)
    Editorial Grupo AEA
    Details
    Publication Date: 2024-02-27
    Description: The rapid expansion of the agricultural frontier as a consequence of deforestation and anthropogenic changes worldwide is a matter of concern for the international scientific community. In addition, in the fight against climate change due to livestock farming, one of the main strategies for mitigating greenhouse gases is the use of sustainable alternatives if products with a high carbon footprint are used, while revaluing local resources. In the case of northern Ecuador, in spite of the limited soil fertility gradient, dairy and/or dual-purpose cattle raising represents one of the strongest links in the family economy. Therefore, it is necessary to investigate production alternatives that allow us to conserve natural resources given the fragility of these megadiverse ecosystems. This book shows that the use of conventional livestock systems degrades natural resources with significant losses in productivity, as well as low economic returns. Consequently, the implementation of silvopastoral systems as an easy-to-install technological alternative is undoubtedly the way to achieve more efficient and environmentally friendly livestock systems, while diversifying the economic income of the population.
    Description: Published
    Description: La rápida expansión de la frontera agrícola como consecuencia desmesurada de la deforestación y cambios antropogénicos a nivel mundial, es un tema de preocupación por la comunidad científica internacional. Además, frente a una lucha contra el cambio climático por efecto de la ganadería, una de las principales estrategias para la mitigación de gases de efecto invernadero, lo constituyen alternativas sostenibles si uso de productos con alta huella de carbono, revalorizando, además, los recursos locales. En el caso de la zona norte de Ecuador, a pesar de los limitados atributos respecto a gradiente de fertilidad de los suelos, la cría de ganado ya sea de leche y/o doble propósito representa uno de los eslabones más fuertes dentro de la economía de las familias. Por lo tanto, es menester investigar alternativas de producción que nos permitan conservar los recursos naturales dada la fragilidad de estos ecosistemas megadiversos. Mediante este libro se plasma que el uso de sistemas ganaderos convencionales, degradan los recursos naturales con mermas significativas de la productividad, así como bajo réditos económicos. En consecuencia, la implementación de sistemas silvopastoriles como alternativa tecnológica de fácil instalación, es sin duda el camino para alcanzar sistemas ganaderos más eficientes, amigables con el medio ambiente, diversificando además los ingresos económicos de la población.
    Keywords: Amazonia ; Emisión de gases de efecto invernadero ; Sistemas convencionales ; Sistemas silvopastoriles ; bic Book Industry Communication::R Earth sciences, geography, environment, planning
    Language: Spanish
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  • 6
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    Chapter Matrice delle transizioni nell’ambito disciplinare del Disegno (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 7
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    Chapter De raderbaar van militair-arts Cornelis de Mooy (2024)
    Amsterdam University Press
    Details
    Publication Date: 2024-04-15
    Description: In 1869, Dutch military doctor Cornelis de Mooy invented the litter, ‘raderbaar’, a stretcher on wheels. It was a major improvement in several ways compared with the old brancards. It was comfortable for patients and only one hospital soldier was needed to move the wounded. Starting with the Aceh Wars (1873-1910), it became a huge medical success in the military as well as the civilian world. It was gradually replaced around the 1920s. The litter – and some other inventions he made – hugely reduced the wounded soldiers’ suffering and because of this De Mooy was praised by many as a great humanitarian, but in fact it was military efficiency that drove him. A better, swifter and less strenuous way of transporting the wounded was a means of improving military capabilities.
    Keywords: litter, Red Cross, war wounded, wounded transport, wounded care ; thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDN Netherlands ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACD Dutch ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues
    Language: Dutch
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  • 8
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    Chapter Processo di digitalizzazione in HBIM per la gestione ampliata del patrimonio culturale. La Lonja de Zaragoza (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 9
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    La ética publicitaria de las empresas ecuatorianas como responsabilidad social de los grupos de interés (2024)
    Editorial Grupo AEA | Resultados Científicos de la Investigación Multidisciplinaria desde la Perspectiva Ética
    Details
    Publication Date: 2024-02-05
    Description: This article analyzes the advertising ethics handled by Ecuadorian companies, making a synthesis of the way in which the social responsibility of the entities or officials linked to their advertising practices is involved. This research is carried out due to the constant changes in advertising nowadays, with the objective of deepening how organizations in Ecuador disseminate advertising and how they direct them to interest groups showing social responsibility. For this, it is based on a methodology of bibliographic review being a qualitative research where data are collected to be evaluated from the general to the particular. Thus, the impact of advertising for product awareness and customer attraction that companies or enterprises currently use is observed from all business-commercial activities. In this sense, it is necessary to review the ethics in advertising, the approach to stakeholders, the management of social responsibility as well as its regulation within companies, in order to learn new advertising techniques and methods for companies to comply with responsibility to generate advertising strategies with an ethical approach.
    Description: Published
    Description: Este artículo analiza la ética publicitaria manejada por las empresas ecuatorianas, realizando una síntesis de la forma en que se involucra la responsabilidad social de las entidades o funcionarios vinculados con sus prácticas publicitarias. Esta investigación se lleva a efecto por los constantes cambios de la publicidad en nuestros días, con el objetivo de profundizar como las organizaciones en Ecuador difunden publicidad y como las direccionan a los grupos de interés mostrando una responsabilidad social. Para ello, se basa en una metodología de revisión bibliográfica siendo una investigación cualitativa donde se recogen datos para ser evaluados desde lo general a lo particular. Así se observa desde toda actividad empresarial-comercial el impacto de la publicidad para el conocimiento de productos y atracción de clientes que las empresas o emprendimientos utilizan actualmente. En este sentido se hace necesaria la revisión de la ética en la publicidad, el enfoque de los grupos de interés, el manejo de la responsabilidad social tanto como su regulación dentro de las empresas, con el fin de conocer nuevas técnicas publicitarias y métodos para que las empresas cumplan con responsabilidad para generar estrategias publicitarias con un enfoque ético.
    Keywords: Ética ; publicidad ; Responsabilidad social ; grupos de interés ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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  • 10
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    Miguel Delibes (2024)
    Iberoamericana Vervuert
    Details
    Publication Date: 2024-03-27
    Description: This book addresses some of the most significant aspects of Miguel Delibes, such as his human dimension, the presence of nature in his works, the projection of the historical context and society in his narrative, or the connections between his literary portraits and the pictorial ones. Thanks to the variety of approaches inherent to research in different disciplines, each chapter takes on the challenge of completing the analyzes known to date in a certain area. The personal testimonies about the writer are followed by a study of differential lexicon, that is, of voices not included in academic dictionaries, but commonly used in certain contexts, specifically that of hunting; Along with this, a comparative analysis regarding the fauna and flora present in several novels from different periods. The semiotic method serves as a basis to delve into the social and family background implicit in one of his best-known stories, The Dethroned Prince, and in its corresponding film version, while the historiographic resources have made it possible to identify and explain real events of national and cultural significance. international reflected in both supports. Various instruments of artistic research are also brought together for the examination of the drawings and literary portraits of the Valladolid author.
    Keywords: Miguel Delibes, interdisciplinary criticism, national literary figure creation, 20th century ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000
    Language: Spanish
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  • 11
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    Chapter Silenzi e riflessioni nel villaggio di Shurdhah in Albania (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 12
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    Chapter La metamorfosi comunicativa con Il Mondo Illustrato Giornale Universale (1847-1861) (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 13
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    Chapter ‘Het is altijd een herinnering aan de watersnoodramp’ (2024)
    Amsterdam University Press
    Details
    Publication Date: 2024-04-15
    Description: This article contains the personal account of Sergeant Reinder van de Put of the national police force, based on his correspondence after he was sent to the area affected by the 1953 North Sea flood. It first focuses on the unique letters and photographs that Reinder sent home from where he was deployed in Nieuw-Helvoet. These documents provide an insight into the national police’s work there and his personal experiences. The article describes what the national police faced one month on from the disaster and also provides an insight into the impact of the disaster on Reinder and his colleagues in Doornspijk, who were very close with each other – not only in how they stood together in solidarity but also how they supported each other.
    Keywords: Dutch flood 1953, state police, Goeree-Overflakkee, Voorne-Putten ; thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDN Netherlands ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACD Dutch ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues
    Language: Dutch
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  • 14
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    Chapter De gemeentepolitie als zieken- en ongevallenvervoerder van 1924 tot 1979 (2024)
    Amsterdam University Press | Veilig = Safe
    Details
    Publication Date: 2024-03-07
    Description: Between 1924 and 1979, 50 municipal police forces in the Netherlands were involved in transporting injured people by motor vehicle. As well as genuine ambulances, they also used auxiliary ambulances or multi-purpose vehicles, i.e. cars fitted with a stretcher. This task fell under their duty to maintain public order and deal with road accidents, which was entrusted to the police. During the German occupation of the Netherlands between May 1940 and May 1945, the police continued its task of transporting wounded people. After the Second World War, several police forces purchased multi-purpose vehicles, especially in smaller towns. Their busiest period came in the 1950s and 60s as a wave of traffic accidents swept across the Netherlands. In 1979, the role of the police in transporting wounded people came to an end because ambulance care had professionalized and the police wanted to focus on traditional tasks.
    Keywords: police, ambulance care, police ambulance, police accident care ; bic Book Industry Communication::1 Geographical Qualifiers::1D Europe::1DD Western Continental Europe::1DDN Netherlands ; bic Book Industry Communication::2 Language qualifiers::2A Indo-European languages::2AC Germanic & Scandinavian languages::2ACD Dutch ; bic Book Industry Communication::H Humanities::HB History::HBT History: specific events & topics::HBTB Social & cultural history ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFU Public safety issues
    Language: Dutch
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  • 15
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    Chapter Disegno e intelligenza artificiale. Enunciati teorici e prassi sperimentale per una poiesi condivisa (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 16
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    Antropología Alimentaria (2024)
    Editorial Grupo AEA
    Details
    Publication Date: 2024-03-30
    Description: The book presents an in-depth exploration of the relationship between food and human evolution. It begins by deciphering the dietary changes of early hominids and how these changes influenced their physical and cognitive development, from dentition to increased brain size. It then analyzes the cultural and socio-political influence on diet in ancient civilizations such as Egypt, Rome and China. It highlights food in pre-Columbian cultures, highlighting agricultural diversity, sustainable practices and the cosmic connection with the earth. It also addresses the Industrial Revolution and how it transformed food patterns, leading to health problems in modernity. It also discusses the "green revolution" and technologies to improve food production. And finally, it explains sustainability in food systems and innovations for the future, such as laboratory meat and insect-based nutrition. The book concludes by recognizing nutrition as a multidisciplinary science, which seeks to ensure health and quality of life. This work is the result of a collective effort of academics seeking to understand human nutrition from its origins to the present.
    Description: Published
    Description: El libro presenta una exploración profunda de la relación entre la alimentación y la evolución humana. Inicia descifrando los cambios dietéticos de los primeros homínidos y cómo estos cambios influenciaron su desarrollo físico y cognitivo, desde la dentición hasta el aumento del tamaño cerebral. Luego analiza la influencia cultural y sociopolítica en la dieta de antiguas civilizaciones como Egipto, Roma y China. Se destaca la alimentación en culturas precolombinas, resaltando la diversidad agrícola, sus prácticas sostenibles y la conexión cósmica con la tierra. Aborda también, la Revolución Industrial y cómo transformó los patrones alimentarios, llevando a problemas de salud en la modernidad. También se discute la "revolución verde" y las tecnologías para mejorar la producción alimentaria. Y finalmente se explica sobre la sostenibilidad en los sistemas alimentarios y las innovaciones para el futuro, como la carne de laboratorio y la nutrición basada en insectos. El libro concluye reconociendo la nutrición como una ciencia multidisciplinaria, que busca garantizar la salud y calidad de vida. Esta obra es el resultado de un esfuerzo colectivo de académicos que buscan entender la alimentación humana desde sus orígenes hasta el presente.
    Keywords: Evolución ; Culturas antiguas ; Revolución Industrial ; Sostenibilidad ; Nutrición ; thema EDItEUR::M Medicine and Nursing
    Language: Spanish
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  • 17
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    Un país para los porteños: La experiencia del Estado de Buenos Aires (1852-1861) (2024)
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación | Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación ; IdIHCS
    Details
    Publication Date: 2024-04-01
    Description: Published
    Description: Un país para los porteños propone un panorama renovado y plural sobre la experiencia del Estado de Buenos Aires al asumir libremente el ejercicio de su soberanía interior y exterior (1852-1861) en el proceso de construcción del Estado nacional argentino. El objetivo es facilitar una mayor comprensión de los intensos y complejos procesos acaecidos a mediados del siglo XIX que permiten señalar particularidades del Estado de Buenos Aires, sin dejar de considerar los enfrentamientos armados y demás interrelaciones con la Confederación Argentina y las agencias indígenas. Con esa finalidad, quince investigadores elaboraron síntesis argumentativas, estados de la cuestión e investigaciones específicas, desde sus respectivas especialidades, sobre: las provincias y la Confederación Argentina; la rebelión rural y federal de 1852; la condición estatal de Buenos Aires; la renovación política en las gobernaciones; los entramados jurídico-político-institucionales en la campaña; los procesos eleccionarios; las fuerzas armadas de Buenos Aires; las alternativas indígenas; la población, fiscalidad, economía y política de tierras; las mujeres de la Sociedad de Beneficencia; la prensa en la política; la cuestión religiosa; y las formas de construcción de una identidad porteña como comunidad imaginada.
    Keywords: thema EDItEUR::N History and Archaeology::NH History
    Language: Spanish
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  • 18
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    Chapter Transizioni artistiche da preservare: street art tra realtà fisica e conservazione digitale (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 19
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    Anfractuosités de la fiction 2 (2024)
    EPURE, Éditions et presses universitaires de Reims
    Details
    Publication Date: 2024-04-07
    Description: The contributions in this volume, the second in the ""Saxifrages"" series, aim to study political fiction from the perspective of the politics of literature. The contributions explore the literary modalities of historical consciousness in relation to the political, social and poetic conditions of its writing, reception and dissemination. Our work examines the differential functions of the relationship between aesthetic practice and the conditions of its production, which are at the same time the conditions of its decoding, because it is possible to affirm that literature, whether in its most explicit or most elusive proposals of the political spectrum, always implements a different and distinct, even sometimes paradoxical, configuration of historical consciousness.
    Description: Les contributions de ce volume, le deuxième de la collection Saxifrages, se donnent pour objet d'étudier la fiction politique au regard de la politique de la littérature. Elles explorent les modalités littéraires de la conscience historique reliées aux conditions politiques, sociales et poétiques de son écriture, de sa réception, voire de sa diffusion. Elles étudient les fonctions différentielles de la relation entre la pratique esthétique et ses conditions de production qui sont en même temps les conditions de son déchiffrement, car il est possible d'affirmer que la littérature, que ce soit dans ses propositions les plus explicites ou les plus élusives du spectre politique, met toujours en oeuvre une configuration différente et distincte, même parfois paradoxale de la conscience historique. Comme chez les saxifrages, la force du politique surgit, simplement, pour briser le plus dur, fleurir et se multiplier dans l'interstice textuel où on ne l'attendait peut-être pas.
    Keywords: Spanish-language literature; Politics; Activism ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AD Romance, Italic and Rhaeto-Romanic languages::2ADS Spanish ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPW Political activism / Political engagement ; thema EDItEUR::1 Place qualifiers::1K The Americas::1KL Latin America – Mexico, Central America, South America::1KLS South America ; thema EDItEUR::1 Place qualifiers::1D Europe::1DS Southern Europe::1DSE Spain
    Language: French , Spanish
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  • 20
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    Competencias del Saber Ser, Pedagogía Franciscana y Capacidades Humanas. Experiencias generadas en comunidad de práctica (2024)
    Editorial Univerdidad Mariana | Editorial Univerdidad Mariana
    Details
    Publication Date: 2024-01-09
    Description: Este libro es una riqueza de sentido, en cuanto le da alma a un requisito de la educación que define las prácticas del docente en su quehacer y es: la formación por competencias. La competencia, entendida como el conocer, el ser y el saber hacer, tres elementos que, ejemplificados, denotan que un estudiante y futuro egresado logrará desempeñarse de manera óptima: un médico en una cirugía, un maestro en el aula, un abogado en un tribunal. Pero: ¿hay un desempeño óptimo del abogado que conoce la teoría y que además cuenta con la habilidad de ponerla en práctica, pero que actuó a favor de una persona culpable por dinero? La competencia sin el elemento Ser, podría llevar a un profesional a ser un hábil conocedor con poder, así como el concepto griego hyibris o Hybris, síndrome que denota narcisismo, una postura superior hacia los demás, con actitudes de arrogancia y despotismo.
    Keywords: bic Book Industry Communication::J Society & social sciences::JN Education
    Language: Spanish
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  • 21
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    Chapter Uncertainty in Hypothetical 3D Reconstructions: Technical, Visual and Cultural ‘Transitions’ (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 22
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    Guía de Biotecnología Ambiental (2024)
    Editorial Grupo AEA
    Details
    Publication Date: 2024-02-17
    Description: The chapter starts with a historical overview of the developments in environmental biotechnology and discusses several essential concepts. Several applications are mentioned, such as: biomarkers, biosensors, biofuels, bioremediation, biotransformation. In addition, the main biotechnological tools applied to environmental pollution monitoring and bioremediation processes are described, of which technical considerations, remediation and mitigation strategies are taken into account. One of the bioremediation tools is highlighted as phytoremediation, which includes: phytoextraction, rhizofiltration, phytostabilization, rhizodegradation, phytodegradation and phytovolitization. The most outstanding research and projects in the Latin American context are also presented. In addition, some biotechnological tools are presented to promote sustainable agriculture with the use of microorganisms as biological control, and the use of biofertilizers. Finally, applications for the mitigation of the environmental impact generated by oil activity are presented, such as CO2 injection techniques in subsurface reservoirs. Also mentioned are applications in the production of new sources of sustainable energy and biotechnological trends in the development of alternative biomaterials to leather and plastic, detailing the processing of mycelia for the textile industry. In conclusion, this guide serves as a support for students who are interested in learning about Environmental Biotechnology or who are taking this subject.
    Description: Published
    Description: El capítulo parte de un recorrido histórico sobre los acontecimientos de la Biotecnología Ambiental y se discuten varios conceptos esenciales. Se mencionan varias aplicaciones, tales como: biomarcadores, biosensores, biocombustibles, biorremediación, biotransformación. Además, se describe las principales herramientas biotecnológicas aplicadas al monitoreo de la contaminación ambiental y a procesos de biorremediación, de las cuales se toman en cuenta las consideraciones técnicas, las estrategias de recuperación y mitigación. Se destaca una de las herramientas de biorremediación como es la fitorremediación, que abarca: fitoextracción, rizofiltracción, fitoestabilización, rizodegradación, fitodegradación y fitovolitización. Asimismo, se proyectan las investigaciones y los proyectos más destacados en el contexto de América Latina. Además, se da a conocer algunas herramientas biotecnológicas para promover la agricultura sustentable con el uso de microorganismos como control biológico, y uso de biofertilizantes. Por último, se presentan aplicaciones para la mitigación del impacto ambiental generado por la actividad petrolera como las técnicas de inyección de CO2 en reservorios subsuperficiales. También se mencionan las aplicaciones en la producción de nuevas fuentes de energía sustentable y tendencias biotecnológicas en el desarrollo de biomateriales alternativas al cuero y al plástico, en el que se detalla el procesamiento de micelios para la industria textil. En conclusión, esta guía sirve de apoyo para los estudiantes que estén interesados en conocer la asignatura de Biotecnología Ambiental o que estén cursando dicha asignatura.
    Keywords: Biorremediación ; fitorremediación ; biofertilizantes ; América Latina ; energía sustentable ; bic Book Industry Communication::R Earth sciences, geography, environment, planning
    Language: Spanish
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  • 23
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    Chapter Conoscenza e trasmissione del patrimonio urbano romano: Piazza Montanara (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 24
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    Chapter Lygia Pape. A obra Tteia I na Bienal de Veneza e a transição sensível entre linhas e teias (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 25
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    La industria de la construcción de vivienda (2024)
    Editorial Univerdidad Mariana | Editorial Univerdidad Mariana
    Details
    Publication Date: 2024-04-11
    Description: El hecho de que la industria de la construcción en la ciudad de Pasto y, en general, en el departamento de Nariño, haya sido considerada poco estructurada en todos sus eslabones, ha llevado a que sea un sector con algunas desventajas, sobre todo en las Pequeñas y Medianas Empresas (PYME), siendo estas organizaciones, parte importante y representativa de la economía regional, con gran potencial dinamizador desde la generación de empleo y el crecimiento industrial. El libro relata la industria de la construcción de vivienda y da una mirada desde la administración y la contaduría; recoge las opiniones de los constructores y gerentes de las PYME de construcción en la ciudad de Pasto, específicamente sobre aspectos del proceso administrativo y de la dinámica de las áreas funcionales de una organización, incluyendo actividades de mercadeo, tecnología e innovación, además de dar una visión general de la situación financiera de las empresas y el retorno de las inversiones a sus accionistas; por último, recopila aspectos tributarios de índole nacional y local. Por lo tanto, es un tema de interés para conocer la dinámica de este sector.
    Keywords: Building construction and materials ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TN Civil engineering, surveying and building::TNK Building construction and materials
    Language: Spanish
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  • 26
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    Chapter Documentare e rappresentare bassorilievi e decorazioni per conoscere e valorizzare il patrimonio (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 27
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    Chapter Geometrie in movimento nelle architetture cinetiche (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 28
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    Percepciones sobre responsabilidad social universitaria en programas de contaduría (2024)
    Editorial Univerdidad Mariana | Editorial Univerdidad Mariana
    Details
    Publication Date: 2024-01-09
    Description: La responsabilidad social (RS) tiene sus orígenes en el contexto empresarial, apareciendo por primera vez en 1953, cuando Howard R. Bowen (1953) la definió como un comportamiento ético de la empresa ante la sociedad y las partes interesadas y, reconoció el espíritu del entorno legal y normativo en el ámbito empresarial. Desde el ámbito educativo, este concepto encuentra su referente en el funcionamiento de la universidad; las universidades, además de ser generadoras de conocimiento útil para la comunidad y el desarrollo socio empresarial, deben mantener vínculos con la sociedad, en un afán por desarrollar su quehacer docente e investigador e incrementar su influencia en los grupos de interés bajo el enfoque de stakeholders.
    Keywords: Higher and further education, tertiary education ; bic Book Industry Communication::J Society & social sciences::JN Education::JNM Higher & further education, tertiary education
    Language: Spanish
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  • 29
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    Chapter Un sistema de gestión de código abierto para el inventario del patrimonio de estilo Gótico Mediterráneo (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 30
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    Chapter Transition to Parametric Modelling in Heritage Documentation (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 31
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    Chapter Digital twin ed esperienza immersiva in VR: il caso studio dell’ex mattatoio di Testaccio, Roma (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 32
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    La ética y los sistemas de mercado frente al constante cambio laboral en la ciudad de Quito (2024)
    Editorial Grupo AEA | Resultados Científicos de la Investigación Multidisciplinaria desde la Perspectiva Ética
    Details
    Publication Date: 2024-02-05
    Description: The business world is made up of a market system where participants form a large network to exchange their products or services, however, due to the constant change in supply and demand, the various enterprises and companies must adopt to obtain funding, improve their practices, innovate in technological aspect and even launch new businesses, etc. The objective of the article is to analyze the way in which ethics is related to market systems, due to the change that exists in the working environment where all the actors, functions and issues of a sub-sector of products are interconnected. The bibliographic review methodology is applied based on registered publications of articles that include criteria of labor market, ethics and market systems to provide constructive elements on the way in which labor changes are evidenced in the city of Quito. The results are organized in two parts. first, a conceptual analysis of the actors and the usefulness of their theoretical engagement is considered; then emphasis is placed on defining the contributions of business ethics to this theory. In conclusion, it is evident that there must be a concept of ethics based on trust, cooperation between the company and its stakeholders, in addition to management responsibility in a market where there is a constant need for regulations, recognition and sanctions for those who violate laws, consumer fraud, shareholder fraud, accounting fraud, etc.
    Description: Published
    Description: El mundo de los negocios se encuentra conformado por un sistema de mercado donde los participantes conformar una gran red para intercambiar sus productos o servicios, sin embargo, debido al constante cambio de la oferta y demanda, los distintos emprendimientos tanto como las empresas deben adoptarse para obtener financiamiento, mejorar sus prácticas, innovar en aspecto tecnológico e incluso lanzar negocios nuevos, etc. El objetivo del artículo es analizar la forma en la que se relaciona la ética junto a los sistemas de mercado, debido al cambio que existe en el medio laboral donde se interconectan todos los actores, funciones y temas de un subsector de productos. Se aplica la metodología revisión bibliográfica en base a publicaciones registradas de los artículos que incluyen criterios de mercado laboral, ética y sistemas de mercado para proporcionar elementos constructivos sobre la forma en que se evidencian los cambios laborales en la ciudad de Quito. Los resultados se organizan en dos partes. primero, se considera un análisis conceptual de los actores y la utilidad de su compromiso teórico; luego se pone el acento en la definición de los aportes de la ética empresarial a esta teoría. Al concluir se evidencia que debe existir un concepto de ética basado en la confianza, cooperación entre la empresa y sus grupos de intereses, además de la responsabilidad de gestión en un mercado donde existe un constante es necesario se apliquen normativas, reconocimientos y sanciones para quienes infringen leyes, estafas al consumidor, defraudaciones a accionistas, engaños contables, etc.
    Keywords: Ética ; sistemas de mercado ; cambio laboral ; Quito ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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  • 33
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    Chapter L’incanto nella cultura di un intreccio femminile. Tra ornamento e rappresentazione (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Gestión del Cambio como Fundamento de la Dirección Estratégica (2024)
    Editorial Grupo AEA
    Details
    Publication Date: 2024-02-26
    Description: The book is a comprehensive work that examines the vital integration of strategic direction and change management. The first chapter argues that strategic change is a crucial component of strategic direction, highlighting the need to anticipate and adapt to fluctuations in the business environment. The second chapter presents strategic direction as a change model, highlighting the importance of aligning strategy with the company's vision and objectives to drive effective change. The final chapter discusses the essential competencies needed for strategic management, emphasizing skills such as leadership, informed decision making, and managing uncertainty. This work is an essential guide for those seeking to understand and effectively apply change management in a strategic framework.
    Description: Published
    Description: El libro es una obra completa que examina la integración vital de la dirección estratégica y la gestión del cambio. El primer capítulo argumenta que el cambio estratégico es un componente crucial de la dirección estratégica, destacando la necesidad de anticipar y adaptarse a las fluctuaciones en el entorno de negocio. El segundo capítulo presenta la dirección estratégica como un modelo de cambio, subrayando la importancia de alinear la estrategia con la visión y los objetivos de la empresa para impulsar el cambio efectivo. El capítulo final analiza las competencias esenciales necesarias para la dirección estratégica, enfatizando en habilidades como el liderazgo, la toma de decisiones informada y la gestión de la incertidumbre. Esta obra es una guía esencial para aquellos que buscan comprender y aplicar efectivamente la gestión del cambio en un marco estratégico.
    Keywords: Competencias Esenciales ; Dirección Estratégica ; Gestión del Cambio ; Liderazgo ; Toma de Decisiones ; bic Book Industry Communication::J Society & social sciences ; bic Book Industry Communication::K Economics, finance, business & management
    Language: Spanish
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  • 35
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    Obligaciones Tributarias y su Influencia en la Recaudación Fiscal de las Micro y Pequeñas Empresas (2024)
    Editorial Grupo AEA
    Details
    Publication Date: 2024-02-26
    Description: The purpose of the research entitled: "Tax obligations and their influence on the tax collection of micro and small enterprises" was to reflect the influence of tax obligations on tax collection, it also seeks to reduce informality, and expand the tax base by means of benefits granted to micro and small enterprises that are included in the tax regimes, with the purpose of increasing tax collection. The structure was developed on the basis of four chapters, CHAPTER I deals with the problem statement, formulation, objectives and justification, CHAPTER II covered the background of the study, theoretical bases on the research topic, conceptual bases, definition of terms, hypothesis, variables and the operationalization of variables, CHAPTER III contains the materials and methods used in this study and finally CHAPTER IV dealt with the discussion of results, analysis of the information and hypothesis testing. The final part of this study includes the conclusions, recommendations, bibliographical references and annexes.
    Description: Published
    Description: La investigación titulada: “Obligaciones tributarias y su influencia en la recaudación fiscal de las micro y pequeñas empresas” tuvo como propósito reflejar la influencia de las obligaciones tributarias en la recaudación fiscal, también busca reducir la informalidad, y ampliar la base tributaria mediante beneficios otorgados a las micro y pequeñas empresas que se acojan a los regímenes tributarios, con la finalidad de aumentar la recaudación fiscal. La estructura se desarrollado en base de cuatro capítulos, el CAPÍTULO I trata sobre el planteamiento del problema, la formulación, objetivos y justificación, CAPÍTULO II abarcó los antecedentes de estudio, bases teóricas sobre el tema de investigación, bases conceptuales, definición de términos, hipótesis, variables y la operacionalización de variables, el CAPÍTULO III contiene los materiales y métodos que se utilizó en el presente estudio finalmente el CAPÍTULO IV trató sobre la discusión de resultados, análisis de la información y la prueba de hipótesis. Como parte final del presente estudio comprende las conclusiones, recomendaciones, referencias bibliográficas y anexos.
    Keywords: Obligaciones tributarias ; recaudación fiscal ; SUNAT ; tributos ; bic Book Industry Communication::K Economics, finance, business & management
    Language: Spanish
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  • 36
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    Donne in fuga (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Sotto un titolo senza dubbio attraente e provocatorio, questo libro raccoglie alcuni saggi e articoli essenziali per capire la condizione femminile nel momento in cui questa è posta in discussione, chiamata in causa, mossa dall’impulso alla fuga, da quel difficile spostamento della volontà che rivela chiaramente un potere in movimento, un’energia nomade che le donne, nel corso della storia, hanno sempre saputo praticare.Bajo un título atractivo y provocador, este libro hace algo más que compilar enjundiosos ensayos y artículos en torno a la condición femenina cuando se halla interpelada, convocada, lanzada por la fuga, por ese arduo desplazamiento de la voluntad que deja ver a las claras un poder en movimiento, una energía nómade que las mujeres han sabido practicar a lo largo de la historia.
    Keywords: Gender,Violeta Parra,Writing variants,Contemporary novel in Slovenian,Fiction,Saints,Italian settlement,War,Fuga,Luminarias de Janucá,Musical performance,Female characters in Luminarias de Janucá,Giulian-Dalmatian exodus,Death imagery,History,Maja Haderlap,Argentine Literature,Argentine,Maria Teresa Andruetto,Chilean folk and popular music,Jewish identity,Body,Narrative,Nahḍa,Contemporary literature,E-literature,Aracoeli,Integration,Witness,Travelers,Italian literature,Fugue,Sight,Lives,Patagonia,Feminism,Banisadr,Poetry,Autobiografy,Female art,Italian Racist Laws,Zenoveva,Carson,Escape,Mexican literature,Argentine literature,Jibrān Khalīl Jibrān,Mayy Ziyāda,Pacifism,Women’s poetry,Imagination,Cortázar,Mobility,Motherhood,Proust,The Slovenians of Carinthia,Women bodies,Elsa Morante,First World War,Novel,Arabic language and literature,Exile,Frontier,Chilean literature,Hybrid identity,Margaret Sackville,Migrations,Cansinos Assens,Memory,XX century,Autofiction,Female character,Glantz,Singular women,Henriette Sauret,Latin American context,Trauma,Philosephardic campaign,Journey
    Language: Italian , Spanish
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  • 37
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    Chapter Verso la modellazione informativa per il progetto di restauro. Il Teatrino di Corte della Reggia di Portici (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 38
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    Chapter La digitalizzazione del patrimonio culturale: la collezione dei ‘lapidei’ del Museo delle Storie di Bergamo (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 39
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    Habilidades Perceptivas: Mejorando el Aprendizaje Remoto en Estudiantes de 5 años (2024)
    Editorial Grupo AEA
    Details
    Publication Date: 2024-02-26
    Description: The objective of this research was to determine the level of relationship between perceptual skills and the learning of mathematics of 5-year-old children from an educational institution in Huancavelica, in remote education. The design used was correlational and the sample consisted of 46 students of 5 years of age from an early education institution in Huancavelica. The instruments used were the checklist for each variable with 30 items. The results show that there is a statistically significant relationship between perceptual skills and the learning of mathematics in 5-year-old students of an educational institution in Huancavelica, in remote education. These quantitative results, with an r=0.75, represent a moderate positive correlation, according to the table of correlation indexes of Hernandez, Fernandez and Baptista (2018)
    Description: Published
    Description: La presente investigación tuvo como objetivo determinar el nivel de relación entre las habilidades perceptivas y el aprendizaje de la matemática de los niños y las niñas de 5 años de una Institución Educativa de Huancavelica, en la educación remota. El diseño empleado fue el correlacional y la muestra lo conformaron 46 estudiantes de 5 años de una institución de educación inicial de Huancavelica. Los instrumentos empleados fueron, la lista de cotejo para cada variable con 30 ítems. Los resultados evidencian que existe relación estadísticamente significativa entre las habilidades perceptivas y el aprendizaje de la matemática en los estudiantes de 5 años de una institución educativa de Huancavelica, en la educación remota. Estos resultados cuantitativos, con un r=0.75, representan una correlación positiva moderada, según el cuadro de índices de correlación de Hernández, Fernández y Baptista (2018)
    Keywords: Habilidades ; Percepciones ; Aprendizaje Remoto ; Educación ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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  • 40
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    Chapter Dai transatlantici alle navi da crociera: comunicazione visiva e corporate image tra analogico e digitale (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 41
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    Geketend voor Hollands Glorie (2024)
    Leiden University Press | LUP Academic
    Details
    Publication Date: 2024-04-04
    Description: Dit boek vertelt het verhaal van de Europese slavernijgeschiedenis vanuit een Zuid-Hollands perspectief. Van de zestiende tot de negentiende eeuw speelde de koloniale wereld een steeds belangrijkere rol in de economie van Holland. De provincie werd een draaischijf voor Europese goederen, kapitaal, arbeid en kennis. Vooraanstaande Zuid-Hollandse regenten als Johan de Witt spanden zich in voor de slavenhandel. In de negentiende eeuw zorgde raciaal denken bij Zuid-Hollandse politici zoals Jan Willem Gefken of James Loudon voor het in stand houden van de koloniale hiërarchie en het uitbuiten van koloniale onderdanen.
    Keywords: Colonialism;Dutch History;Slavery ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTS Slavery and abolition of slavery ; thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDN Netherlands ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTQ Colonialism and imperialism
    Language: Dutch
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  • 42
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    Chapter Documentare una rotta culturale tra procedure di rappresentazione e di materializzazione del paesaggio (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 43
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    Chapter ‘Een nobele persoonlijkheid op het gebied van het maatschappelijke hulpbetoon’ (2024)
    Amsterdam University Press | Veilig = Safe
    Details
    Publication Date: 2024-04-15
    Description: On 13 March 1908, the National Bureau for the Collection of Data on the Trade in Women and Girls was founded. The 47-year-old H.J.A. Simons de Ruyter was appointed National Police Commissioner. He proved to be the best person for the job owing to his passion for gathering and recording vital data, his knowledge of languages and his dedicated, helpful and generous personality. The Bureau and the police worked with women’s organisations to monitor activities and carry out checks at stations and ports where women and girls who could be exposed to a lewd lifestyle might be travelling. After legislation on morality was passed in 1911, the Bureau was given an additional task in 1914 to tackle trade in lewd publications. After the First World War erupted that year, there was not much more to do at the Bureau, which led Simons de Ruyter to support the immigration authorities in Amsterdam at his own request. This consisted mainly of finding accommodation, providing healthcare, food, clothing and financial assistance and helping to repatriate Belgian refugees.
    Keywords: trafficking women, First World War, Belgian refugees, commissioner of state police ; thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDN Netherlands ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACD Dutch ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues
    Language: Dutch
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  • 44
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    Vueltas a la historia desde la ficción. (2024)
    Editorial Universidad del Valle
    Details
    Publication Date: 2024-04-03
    Description: Germán Espinosa es uno de los narradores colombianos que más recurrió a pasados distantes como materia para su escritura; no obstante, son pocos los trabajos amplios y sistemáticos sobre las novelas históricas del escritor cartagenero. En el presente libro se busca reconocer de qué manera la construcción de la ficción y el discurso ficcional integran discursos históricos, en las novelas cuáles relaciones y de qué tipo se tejen con otros textos donde se ha cifrado el pasado, cuáles visiones del pasado y de la historia se pueden identificar en las ficciones. Dicho con otras palabras, el estudio se propone una caracterización de las narrativas —y de una posible poética— de la historia susceptibles de inferir del corpus. Para responder estas inquietudes se despliega un modelo de análisis. Mediante recursos metodológicos y referencias conceptuales reconocidos en la teoría de la literatura y en sus vínculos con otras disciplinas, se indaga sobre temáticas y aspectos narrativos; así, los temas, los personajes, los tiempos, los espacios, los conflictos, entre otros, van apareciendo sistemáticamente. Esta orientación no excluye la observación de otros componentes sustanciales como el lenguaje y, sobre todo, el vínculo de la ficción con otros textos por lo que respecta a su conexión con la historia. El estudio está organizado en siete capítulos. En el primero se recoge un sintético marco histórico-conceptual sobre la novela histórica como género literario. Entre los capítulos segundo y sexto se desarrollan los análisis de las cinco novelas, en un orden que encuentra su justificación en el trabajo: El signo del pez (1987), Los cortejos del diablo. Balada de tiempos de brujas (1970), La tejedora de coronas (1982), Sinfonía desde el Nuevo Mundo (1990) y Los ojos del basilisco (1992). En el último capítulo se presenta como síntesis una serie de proposiciones que se desprenden de la observación de las relaciones que la ficción sostiene con la historia.
    Keywords: Literary Criticism / Science Fiction & Fantasy ; bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism::DSK Literary studies: fiction, novelists & prose writers
    Language: Spanish
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  • 45
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    Chapter Tra metamorfosi e anamorfosi: gli spazi surreali nei dipinti di Rob Gonsalves (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 46
    facet.materialart.
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    Chapter Disegnare per rigenerare i nostri luoghi. Nuove relazioni fra comunità e spazi pubblici (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 47
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    Chapter HeterOffice. Concept progettuale per una postazione di lavoro flessibile nello spazio domestico (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 48
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    Chapter Il disegno della transizione. Proposta di una tassonomia della rappresentazione del movimento dell’architettura (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 49
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    Chapter Il transitare della memoria. Quando il tempo trasforma gli oggetti per un nuovo spazio (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 50
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    Biotecnología Ambiental, Aplicaciones y Tendencias (2024)
    Editorial Grupo AEA
    Details
    Publication Date: 2024-02-17
    Description: La Biotecnología Ambiental emplea el uso de organismos para la prevención, monitoreo y remediación de los ecosistemas, al mismo tiempo permite la generación de bioproductos y energía limpia. El libro consistió en tres capítulos, en el primero se establece los fundamentos de la Biotecnología Ambiental y sus aplicaciones en entornos terrestre, acuático y aéreo; además, se presentan herramientas aplicadas como los biosensores en el monitoreo ambiental, la fitorremediación en varios contextos de América Latina y el fortalecimiento de la agricultura sustentable. En el segundo capítulo se describe la importancia de un estudio bibliométrico y el enfoque para las diversas investigaciones, se detalla un manual de uso, que permite su replicabilidad en otros contextos. Además de presentar un caso de estudio aplicado al tema central de este libro, que sistematiza los temas más estudiados, las tendencias, revistas y países con mayores contribuciones. En el tercer capítulo se presentan varias prácticas de laboratorio y una sección de preguntas, que pueden ser empleadas en otras instituciones educativas o de manera autónoma. En conclusión, los capítulos son complementarios entre sí, facilitando la comprensión e interés del lector. El área de mayor relevancia corresponde a la biorremediación en suelos contaminados por hidrocarburos y metales pesados, los grupos más frecuentes en la revisión fueron hongos, cianobacterias y organismos genéticamente modificados. Finalmente, existe una oportunidad del uso y la potencial combinación de las técnicas basadas en metagenómica, ADN ambiental, inteligencia artificial para el desarrollo de las nuevas tendencias de la Biotecnología Ambiental
    Description: Published
    Description: La Biotecnología Ambiental emplea el uso de organismos para la prevención, monitoreo y remediación de los ecosistemas, al mismo tiempo permite la generación de bioproductos y energía limpia. El libro consistió en tres capítulos, en el primero se establece los fundamentos de la Biotecnología Ambiental y sus aplicaciones en entornos terrestre, acuático y aéreo; además, se presentan herramientas aplicadas como los biosensores en el monitoreo ambiental, la fitorremediación en varios contextos de América Latina y el fortalecimiento de la agricultura sustentable. En el segundo capítulo se describe la importancia de un estudio bibliométrico y el enfoque para las diversas investigaciones, se detalla un manual de uso, que permite su replicabilidad en otros contextos. Además de presentar un caso de estudio aplicado al tema central de este libro, que sistematiza los temas más estudiados, las tendencias, revistas y países con mayores contribuciones. En el tercer capítulo se presentan varias prácticas de laboratorio y una sección de preguntas, que pueden ser empleadas en otras instituciones educativas o de manera autónoma. En conclusión, los capítulos son complementarios entre sí, facilitando la comprensión e interés del lector. El área de mayor relevancia corresponde a la biorremediación en suelos contaminados por hidrocarburos y metales pesados, los grupos más frecuentes en la revisión fueron hongos, cianobacterias y organismos genéticamente modificados. Finalmente, existe una oportunidad del uso y la potencial combinación de las técnicas basadas en metagenómica, ADN ambiental, inteligencia artificial para el desarrollo de las nuevas tendencias de la Biotecnología Ambiental
    Keywords: Biotecnología Ambiental ; Aplicaciones ; Tendencias ; Guía ; Revisión Bibliométrica ; bic Book Industry Communication::R Earth sciences, geography, environment, planning
    Language: Spanish
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  • 51
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    Chapter Riflessioni sulla rappresentazione della tipologia architettonica. Transizioni tra epoche e arti (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 52
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    Chapter La ricostruzione virtuale del progetto ottocentesco di Giuseppe Martelli per Ponte Vecchio a Firenze (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 53
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    Chapter Laser scanner a confronto: problematiche e potenzialità nella restituzione grafica 2D di un bene storico (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 54
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    Chapter Transizioni espressive nell’archivio dei disegni di architettura della scuola romana (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 55
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    Chapter La carpenteria del legno. Alcune riflessioni sul rapporto tra modello e disegno (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 56
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    Chapter Apparati decorativi: l’Arco di Tito fra tracce originali, trasformazioni e interpretazioni temporali (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-04
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 57
    facet.materialart.
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    Chapter Exploring the Landscape of Virtual and Augmented Reality Laboratories in Top Universities Worldwide (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Separación, divorcio y relaciones familiares (2024)
    Ariadna Ediciones
    Details
    Publication Date: 2024-03-29
    Description: The book Separation, divorce and family relationships. A multidisciplinary analysis is the result of a collective work of academics and professionals, in which the processes of separation and divorce are addressed from a legal, sociocultural and psychosocial perspective, offering an interdisciplinary analysis of said process, its causes and the effects that They can manifest in family members, both in adult ex-spouses and in sons and daughters.
    Keywords: Family, divorce, children, family law ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBK Sociology: family and relationships
    Language: Spanish
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    Narratives of Violence (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Narratives of Violence is a contribution to the ethical turn in literary studies. In the current context of systemic political violence unleashed in the wake of 9/11 and the global advance of capitalism and neoliberalism, literature constitutes a particularly timely device to raise awareness about injustice, the abuse of power, and the violation of human rights. Literature may also be helpful in order to face social challenges such as peaceful coexistence with immigrants and displaced people, and the settling of refugees. This book is an invitation to read a selection of narratives of violence anchored in different geopolitical realities, and located in historical contexts ranging from the beginning of the 20th century to the present day. By adopting ethical criticism in order to tackle the dilemmas posed by these stories, we aim to contribute to the configuration of global imaginaries based on respect, recognition, and empathy, especially towards those who are most vulnerable. This collection offers critical readings of works of various genres, originally written in different languages. Authors discussed comprise Mrīrīda nʾait ʿAtiq (Morocco), Janina Hescheles (Poland), Eva Koch (Denmark), María Galindo (Bolivia) and Sonia Sánchez (Argentina), Najat El Hachmi (Morocco-Catalonia), Arundhati Roy (India), Leila Abdelrazaq (Palestine), and Yū Miri, Murata Sayaka, and Kawakami Mieko (Japan). The corpus includes biographical, autobiographical, testimonial, and fictional narratives, sometimes very close to documentary or life history. The works analysed in this collection portray experiences of violence and oppression caused by social, political, economic, and military conflicts. The novelty of this book lies in the challenge it poses to the Western-centric and patriarchal bias often found in similar collections of scholarly essays. Thus, the book focuses on female authors, seeking to give visibility and voice to women victims, generally forgotten in hegemonic cultural discourses.
    Keywords: Polish Jewishness,Spanish Civil War,Symbolic violence,Gender,Jay Winter,Murata Sayaka,Graphic memoir,Sustainability,Catalan literature,Respect,Villar,Japanese literature,Amazīgh culture,Palestine,Colonialism,Body,Political violence,Systemic violence,Temporality,Interactive visual art,Youth,Genealogies,Anal sex,Violence,Jean Laplanche,Testimony,Psychoanalysis,Precariousness,Memory,Prostitution,Reading,Najat El Hachmi,Subalternity,Ethics,Guerrillas,Body literature,India,Nini Haslund Gleditsch,Morocco,Holocaust,Walter Benjamin,Villar - Los hijos de Manuela,Testimonial narrative,Dignity,Representation,Economic violence,Ethical turn,Historical memory,Marianne Hirsch,Identity,Literature,Epistemic violence,Maurice Halbwachs,Yū Miri,Eva Koch,Memoir,Mrīrīda nʾait ʿAtiq,Kawakami Mieko,Feminism,Oliva and Norwegian humanitarian aid,Immigration,Postcolonialism,Argentinean feminist movement,Heroism,Violence against women,Exile,Human rights
    Language: English , Catalan , Spanish
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    Admiración del mundo (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: En El licenciado Vidriera de Cervantes se halla un gran elogio de Venecia, que se define como «admiración del mundo antiguo» por «su riqueza infinita, su gobierno prudente» y otros muchos valores que solo la hacen paragonable a «la gran Méjico». Con esta invitación, el presente libro recoge las tres conferencias plenarias y una selección de las contribuciones presentadas al XIV Coloquio Internacional de la Asociación de Cervantistas (2-4 de octubre de 2019), que giran principalmente en torno al teatro, la recepción y las relaciones italianas de Cervantes. Al mismo tiempo, este volumen rinde homenaje a Donatella Pini y Carlos Romero Muñoz, organizadores de la clásica serie «Giornate cervantine».
    Keywords: Quixote,Testament,Gender,Novelas ejemplares,Erotic crimes,De senectute,Contemporary theatre,Villaseñor,Intertextuality,Biography,Sergio Pitol,Fiction,Theogenes,Golden Age theatre,Narrative transition formulas,Cervantes theatre,Garcilaso,Library,Ludeña,Orlando furioso,Spain,Ortega Rosa,Tríptico del carnaval,History,Show,Don Quijote,El Toboso,Exemplary Novels,Body,Law,Truth,Galatea,Carla Perugini,Authentication,Reception,Revival,Classic,Interlacing,Grammar,José Manuel Lucía Megías,La Mancha,Error,Hypothetical and narrative discourse,Dances,Persiles,Anticipation,Honesto y entretenido sarao,Poetry,Jorge García López,Quijote,Music,Parody,Recreation,Elegiac dystic,Antonio de la Peña,Fame,Miguel de Cervantes,Voyage to Parnassus,Amplificatio of the enunciative system,Individual,Comparative study,Theatre,Linguistic deformation,Lofraso,Veridiction,Entremeses,Fielding,Irony,Society,Tirante,Metafiction,Conception of speech,Corography,Judgment,Orlando innamorato,Royal Court,Lie,Italy,Novel,Quintanar de la Orden,Quijote II, 74,Mainstreaming,Viaje del parnaso,Love,La Galatea,Posthumous fame,Suicide,Shakespeare,Pride,Don Quixote,Timbrio and Silerio,English theatre,Jordi Gracia,Entremés,Narratology,Rubric,Spanish Court,Narrative frame,Narrative perspective,Translation,Avellaneda,Madness,María de Zayas,Inserted poetry,Spanish novel,Clientelar relationship,Individuality,Scrutiny,Philology,Romantic irony,Scipio,Cervantes,Libretto,Opera,Poetics,Melancholy,Picaresque
    Language: Spanish
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    La Historia del Derecho en la Universidad del siglo XXI. I Congreso de la Sociedad Española de Historia del Derecho (2024)
    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History | Dykinson
    Details
    Publication Date: 2024-03-30
    Description: At the beginning of the 21st century, the role that the history of law should play in the training of jurists cannot be the same as the discipline played in the last century, hence the importance of reflecting on the scope that from now on the subjects of historical content should have in the different curricula in which the knowledge of law in its historical dimension has a place. The delimitation of the role to be played by historical education requires reflection on the three traditional dimensions of knowledge, the material, spatial and temporal dimensions. This is the reasoning that justified the first symposium of the Spanish Society of Law Historians.
    Description: Published
    Description: El papel que en los inicios del siglo XXI debe tener la Historia del Derecho en la formación de los juristas no puede ser el mismo que la disciplina cumplió en el siglo pasado, de ahí la importancia de reflexionar sobre el alcance que de aquí en adelante deben tener las asignaturas de contenido histórico en los distintos planes de estudio en los que tiene cabida el conocimiento del derecho en su dimensión histórica. La delimitación del cometido que debe cumplir la formación iushistórica requiere reflexionar sobre las tres dimensiones tradicionales del conocimiento, la dimensión material, la espacial y la temporal. Siendo este el razonamiento que justificó el primer simposio de la Sociedad Española de Historiadores del Derecho.
    Keywords: Historia del Derecho ; Universidad ; Formación ; Juristas ; Siglo XXI
    Language: Spanish
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    Chapter Remote sensing e rilievo architettonico per il restauro della moschea Al Raabiya a Mosul (Iraq) (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Transizioni comunicative nella narrazione dell’Italia oltre ai suoi confini (1924-1929) (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter La Libreria Nuova del complesso conventuale di San Giuseppe in Brescia (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Dall’archivio al modello: processi metodologici per valorizzare il patrimonio invisibile (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Meditaciones Fichteanas (2024)
    Logos Verlag Berlin | Logos Verlag Berlin
    Details
    Publication Date: 2024-04-08
    Description: Este año de 2014, celebramos y conmemoramos el 200 aniversario de la muerte de Juan Teófilo Fichte, el gran filósofo idealista alemán, discípulo de Kant y genial creador del primer gran sistema filosófico idealista, basado en los revolucionarios hallazgos de la filosofía kantiana, inicio brillante de un camino filosófico que conducirá a la filosofía contemporánea. A pesar de la inmensa fama e influencia que tuvo en su tiempo, Fichte, junto con su inicial y brillante seguidor, Schelling, ha sido relegado posteriormente por figuras como Kant o Hegel . También el propio Hegel ha padecido tras la caída del Muro de Berlín un cierto desinterés por su filosofía, en comparación con Kant o Husserl. No obstante, en la segunda mitad del pasado siglo, se ha iniciado entre los especialistas un proceso de rehabilitación y nueva valoración de la filosofía de Fichte, junto con la del propio Schelling, que ha ido dando frutos al renovar el interés de los estudiosos actuales por los dos filósofos de aquella época filosófica del llamado Idealismo clásico alemán. Por nuestra parte quisiéramos añadir, a las voces que se unan al coro conmemorativo de aquel gran filósofo alemán, algunas reflexiones a modo de meditaciones En tal sentido trataremos de llevar críticamente a un autor como Fichte a la plenitud de su significación, en especial sobre un aspecto que puede despertar de nuevo el interés por la obra fichteana, raramente tratado por la crítica especializada, que es el de la conexión anticipadora de la Teoría del Conocimiento de Fichte desarrollada en su Wissenschaftslehre, con la novedosa y mundialmente influyente concepción del conocimiento humano desarrollada por Jean Piaget en su Epistemología Genética.
    Keywords: Fichte ; Piaget ; Actión ; Wissenschatslehre ; Epistemologie Genetique ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy::HPCD Western philosophy: c 1600 to c 1900 ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought
    Language: Spanish
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    Chapter Idoli virtuali. Rappresentazioni di corpi in transito e modelli estetici da incarnare (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter I disegni di Francesco Paolo Labisi per il convento dei Padri Crociferi a Noto (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Transitus Signa. Il complesso monastico medioevale di San Giorgio Maggiore a Venezia (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Mapping Landscape Qualities in Inner Areas and UNESCO Sites in North Sicily by a GIS Multisource Geodatabase (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-07
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Lo spazio dell’Annuncio. Portici, abitazioni, palcoscenici nella pittura italiana tra Trecento e Cinquecento (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Método de investigación científica: Diseño de proyectos y elaboración de protocolos en las Ciencias Sociales (2024)
    Instituto de Investigación y Capacitación Profesional del Pacífico - IDICAP PACÍFICO
    Details
    Publication Date: 2024-03-29
    Description: El presente libro que llevó por título "Método de Investigación Científica: Diseño de proyectos y elaboración de protocolos en las Ciencias Sociales" ofrece una guía completa para investigadores en el campo de las Ciencias Sociales. Explora la importancia de la investigación rigurosa y ética en disciplinas como la sociología desde un punto de vista cuantitativo y cualitativo. A lo largo de sus páginas, se detalla el proceso de investigación, desde la formulación de preguntas hasta la comunicación de resultados. Se enfatiza la necesidad de la colaboración y se proporcionan herramientas y técnicas para la recopilación y análisis de datos. Este libro se presenta como una valiosa fuente de referencia para quienes buscan avanzar en la investigación en Ciencias Sociales.
    Description: Published
    Keywords: metodología ; Investigación ; diseño ; proyectos ; protocolos ; bic Book Industry Communication::J Society & social sciences::JN Education ; thema EDItEUR::J Society and Social Sciences::JN Education
    Language: Spanish
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    El elogio a la vida y otros textos (2024)
    Sello Editorial UNAD
    Details
    Publication Date: 2024-03-23
    Description: The essays in this book serve to promote the reading of little-known universal authors in Colombia, such as Elías Canetti, Joseph Brodsky, authors of different languages ​​whose translations mainly come from English or the original language. The book is a compilation of essays that address a fundamental point of each author, as each author encourages the reading of each one because each one has a key collection, more than ten books each, in which we find narrative resources either in short stories, essays, or novels that represent the culture of other countries.
    Description: Published
    Description: Los ensayos de este libro sirven para promocionar la lectura de autores universales poco conocidos en Colombia como es el caso de Elías Canetti, Joseph Brodsky, autores de diferentes lenguas cuyas traducciones vienen fundamentalmente del inglés o de la lengua original. El libro es una compilación de ensayos que tratan un punto primordial de cada autor ya que cada autor motiva a la lectura de cada uno, porque cada uno cuenta con un acervo clave, más de diez libros cada uno, en los cuales encontramos recursos narrativos ya sea de cuento, ensayo o novela que representan la cultura de otros países.
    Keywords: escuela ; Literatura ; fenomenología ; poesía expresionista ; guerra mundial ; política ; surrealismo ; internamiento psiquiátrico ; thema EDItEUR::A The Arts
    Language: Spanish
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  • 74
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    Chapter Rappresentazioni AI nella comunicazione del patrimonio culturale: nuovi scenari del digital storytelling (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    La ética del cuidado dentro de las organizaciones sociales (2024)
    Editorial Grupo AEA | Resultados Científicos de la Investigación Multidisciplinaria desde la Perspectiva Ética
    Details
    Publication Date: 2024-02-05
    Description: Human beings are naturally sociable entities that need to interact with other people throughout life, in this course they meet those who share ideas, tastes and become important in their day to day life, but they also go through complicated moments where it is unable to take care of himself and needs others to live by depending on human weakness, which is known as the ethic of care. The objective of the article is to identify the way in which the ethics of care intervenes in social organizations, from those that range from the public, private, religious spheres or any type of person with whom one has a relationship. The applied methodology is a qualitative bibliographic review whose purpose is to go from inductive to deductive to understand how to describe the qualities and characteristics within social organizations. In the analysis you can see that there are organizations in the country which provide free services for the benefit of people in vulnerable situations with principles to follow, but they are not fully complied with due to the lack of ethics among some members, giving rise to actions corrupt. Finally, it is concluded that social organizations promote the value of ethics by recognizing improvements through respect, equality, solidarity and justice.
    Description: Published
    Description: Los seres humanos son entes naturalmente sociables que necesitan relacionarse con otras personas a lo largo de la vida, en este transcurso conocen a quienes comparten ideas, gustos y se vuelve importantes dentro de su día a día, pero también se atraviesan momentos complicados donde se es incapaz de cuidarse a sí mismo y necesita a los demás para vivir al depender de la debilidad humana, lo que se conoce como la ética del cuidado. El objetivo del artículo es identificar la manera en que cual la ética del cuidado interviene en las organizaciones sociales, desde las que van del ámbito público, privado, religioso o cualquier tipo de personas con las que se tiene relación. La metodología aplicada es de revisión bibliográfica con carácter cualitativo cuya finalidad es pasar de lo inductivo a deductivo para comprender la forma de describir las cualidades y características dentro de las organizaciones sociales. En el análisis se puede apreciar que existen organizaciones en el país las cuales brindan servicios gratis a beneficio de las personas en situación de vulnerabilidad con principios a seguir, pero los mismos no son cumplidos en totalidad por la poca ética entre algunos miembros dando lugar a acciones corruptas. Finalmente se concluye que las organizaciones sociales fomentan el valor de la ética mediante el reconocimiento de mejoras a través del respeto, igualdad, solidaridad y justicia.
    Keywords: Ética ; organizaciones sociales ; cuidado ; principios ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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    Chapter La prospettiva solida come strumento di analisi delle transizioni tra lo spazio euclideo e lo spazio della rappresentazione (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter ‘Een nobele persoonlijkheid op het gebied van het maatschappelijke hulpbetoon’ (2024)
    Amsterdam University Press | Veilig = Safe
    Details
    Publication Date: 2024-03-07
    Description: On 13 March 1908, the National Bureau for the Collection of Data on the Trade in Women and Girls was founded. The 47-year-old H.J.A. Simons de Ruyter was appointed National Police Commissioner. He proved to be the best person for the job owing to his passion for gathering and recording vital data, his knowledge of languages and his dedicated, helpful and generous personality. The Bureau and the police worked with women’s organisations to monitor activities and carry out checks at stations and ports where women and girls who could be exposed to a lewd lifestyle might be travelling. After legislation on morality was passed in 1911, the Bureau was given an additional task in 1914 to tackle trade in lewd publications. After the First World War erupted that year, there was not much more to do at the Bureau, which led Simons de Ruyter to support the immigration authorities in Amsterdam at his own request. This consisted mainly of finding accommodation, providing healthcare, food, clothing and financial assistance and helping to repatriate Belgian refugees.
    Keywords: trafficking women, First World War, Belgian refugees, commissioner of state police ; bic Book Industry Communication::1 Geographical Qualifiers::1D Europe::1DD Western Continental Europe::1DDN Netherlands ; bic Book Industry Communication::2 Language qualifiers::2A Indo-European languages::2AC Germanic & Scandinavian languages::2ACD Dutch ; bic Book Industry Communication::H Humanities::HB History::HBT History: specific events & topics::HBTB Social & cultural history ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFU Public safety issues
    Language: Dutch
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    Ansiedad en la era COVID-19: Estado, Rasgo y Resiliencia (2024)
    Editorial Grupo AEA
    Details
    Publication Date: 2024-03-30
    Description: This research analyzes the levels of trait-anxiety and state-anxiety, modifying a state-anxiety as an immediate emotional state, evolving over time. While trait-anxiety refers to relatively stable individual differences in anxiety. The objective was to determine levels of state-trait anxiety in times of Covid-19 pandemic in workers of Red de Salud Angaraes - Huancavelica, 2021. Methodology: basic research, descriptive level, synthetic analytical method, non-experimental, transactional, descriptive design, technique used, survey, Inventory of Trait-State Anxiety (IDARE), sample of 110 workers was used. Results: Concerning state anxiety levels, low level 7.27%, medium level 41.82% and high level 50.91%. Regarding trait anxiety, 6.36%, low level, 40.91% medium level and 52.73% high level. Regarding gender for state anxiety, for females, 2.73% low level, 20.00% medium level and 30.91% high level; for males, 4.55% low level, 21.82% medium level and 20.00% high level. According to gender, trait anxiety, females present 1.82% low level, 20.00% medium level and 31.82% high level. Males presented 4.55% low level, 20.91% medium level and 20.91% high level.
    Description: Published
    Description: Esta investigación analiza los niveles de ansiedad-rasgo y ansiedad-estado, modificando una ansiedad-estado como un estado emocional inmediato, evolucionando en el tiempo. Mientras que la ansiedad rasgo se refiere a diferencias individuales relativamente estables en la ansiedad. Tuvo como objetivo determinar niveles de ansiedad estado - rasgo en tiempos de pandemia Covid-19 en trabajadores de Red de Salud Angaraes - Huancavelica, 2021. Metodología: investigación básica, nivel descriptivo, método analítico sintético, diseño no experimental, transaccional, descriptivo, técnica utilizada, encuesta, se utilizó Inventario Ansiedad Rasgo Estado (IDARE), se tuvo muestra de 110 trabajadores. Resultados: Concerniente a niveles de ansiedad estado, se evidencia nivel bajo 7,27%, nivel medio 41,82% y 50,91% nivel alto. Respecto a ansiedad rasgo, 6.36%, nivel bajo, 40,91 % nivel medio y el 52,73% nivel alto. Respecto al género para ansiedad estado, para femeninos 2.73% nivel bajo, 20.00% nivel medio y 30.91% nivel alto; para masculinos, 4,55% nivel bajo, 21,82% nivel medio y 20,00% nivel alto. De acuerdo con el género, ansiedad rasgo, femeninos presentan 1,82% nivel bajo, 20.00% nivel medio y 31,82% nivel alto. Género masculino presentan 4,55% nivel bajo, nivel medio 20,91% y 20,91% nivel alto. Respecto a edad, trabajadores de 21 a 30 años presentan ansiedad estado en nivel bajo (2,7%), 22,7% nivel medio, y 9,1% nivel alto; de 31 a 40 años 2,7% nivel bajo, nivel medio 13,6%, y 34,5% nivel alto. Conclusión: Los trabajadores de la Red de Salud Angaraes, presentan nivel alto de ansiedad estado 50,91%, respecto a ansiedad rasgo, presentan un nivel alto 52,73%.
    Keywords: Ansiedad ; estado ; rasgo ; Covid-19
    Language: Spanish
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    Periodismo de frontera en América Latina (2024)
    Bielefeld University Press
    Details
    Publication Date: 2024-04-04
    Description: En esta obra se aborda la situación de violencia y desigualdad que enfrentan los periodistas en América Latina, centrándose en el caso de México por ser este el país en donde se ha asesinado a un mayor número de comunicadores en los últimos 22 años. El enfoque se dirige hacia los periodistas de frontera, aquellos que trabajan en los márgenes físicos, políticos, económicos, culturales y tecnológicos de un territorio, y cuya condición no puede entenderse únicamente como un reflejo de lo que ocurre a nivel nacional o internacional, ya que presentan características propias y particularidades que los modelos existentes no logran explicar. Además, se explora el contexto histórico y político en el que los periodistas han ejercido su labor, incluyendo las transiciones democráticas y los regímenes autoritarios, y se destaca el impacto de la guerra contra el narcotráfico en la violencia ejercida hacia ellos en México. La autora enfatiza en la necesidad de adoptar nuevos marcos de análisis para comprender la situación de los periodistas de frontera, tomando en cuenta los márgenes del estado, la esfera pública a nivel microlocal y la capacidad que tienen para enfrentar las crisis.
    Keywords: Periodismo ; América Latina ; México ; Violencia ; Violence ; Migration ; Migration Policy ; Latin America ; Bielefeld University Press ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFH Migration, immigration and emigration ; thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PB Relating to peoples: ethnic groups, indigenous peoples, cultures and other groupings of people::5PBC Relating to migrant groups / diaspora communities or peoples ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPQ Central / national / federal government::JPQB Central / national / federal government policies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFK Violence and abuse in society
    Language: Spanish
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    Chapter Tabulae scalatae: ritratti anamorfici in transizione (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Introducción a la estructura ecológica principal del Distrito Capital y su región ambiental: Conceptos fundamentales, ordenamiento territorial e instrumentos jurídicos (2024)
    Editorial Grupo AEA
    Details
    Publication Date: 2024-02-26
    Description: The Capital District, as a territorial entity located in the center of the Bogota Savanna, has the political and administrative responsibility to lead environmental sustainability and articulate with the Corporación Autónoma Regional de Cundinamarca (CAR) in order to preserve the ecological structure of the territory and promote sustainable land uses (urban and rural). To this end, there is a set of administrative tools and instruments contemplated in the Land Use Plan (POT) of the Capital District that all citizens should know and use to protect the ecosystems of the savanna of Bogota and the human rights associated with environmental sustainability. The objective of this publication is to contribute to the dissemination of these tools, through conceptualization and synthesis of relevant legal information on the subject. To achieve this purpose, this book is structured in two parts, the first one presents a theoretical contextualization and history of land use planning in Bogota and the second part presents the main concepts of the main ecological structure following the articles of the POT of Bogota - District Decree 555 of 2021.
    Description: Published
    Description: El Distrito Capital, como entidad territorial localizada en el centro de la Sábana de Bogota, tiene la responsabilidad política y administrativa de liderar la sostenibilidad ambiental y articularse con la Corporación Autónoma Regional de Cundinamarca (CAR) con miras a preservar la estructura ecológica del territorio y propiciar usos sostenibles del suelo (urbano y rural). Para ello existe un conjunto de herramientas e instrumentos administrativos contemplados en el Plan de Ordenamiento Territorial (POT) del Distrito Capital que todos los ciudadanos deberían conocer y usar para proteger los ecosistemas de la sabana de Bogota y los derechos humanos asociados con la sostenibilidad ambiental. El objetivo de esta publicación es contribuir a la divulgación de dichas herramientas, mediante conceptualización y síntesis de la información jurídica relevante sobre la materia. Para lograr este propósito, este libro está estructurado en dos partes, la primera plantea una contextualización teórica e historia sobre el ordenamiento territorial en Bogotá y la segunda parte presenta los principales conceptos de la estructura ecológica principal siguiendo el articulado del POT de Bogotá - Decreto Distrital 555 de 2021.
    Keywords: Ordenamiento ; Estructura Ecológica Principal ; Distrito Capital ; Plan de Ordenamiento Territorial ; Historia de Bogotá ; bic Book Industry Communication::J Society & social sciences ; bic Book Industry Communication::L Law
    Language: Spanish
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  • 82
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    Chapter Dal testo verbale al testo estetico del fumetto. Un esercizio di stile (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 83
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    Chapter Manet o Pistoletto? Riflettersi nella sala delle Prospettive di Palazzo Calini a Brescia (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 84
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    De la periferia al centro: nuevas escritoras vascas (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Entre finales del año 2018 y principios de 2020, en un pequeño lapso tiempo, confluyeron en el sistema literario vasco dos fenómenos que aportaban una sensación de cambio de ciclo narrativo. Las escritoras Eider Rodríguez, Irati Elorrieta y Karmele Jaio ganaron el Premio Euskadi de Literatura en los años 2018, 2019 y 2020. En paralelo a este proceso tenía lugar un fenómeno de globalización y reconocimiento en la traducción de la obra de Katixa Agirre, Eider Rodríguez, Karmele Jaio y Leire Bilbao, hasta entonces poco conocidas fuera del sistema vasco. Este volumen ayuda al conocimiento de la obra de estas escritoras componiendo una investigación singular en el ámbito de la escritura en lengua vasca.
    Keywords: New masculinity,Children’s literature,Leire Bilbao,Karmele Jaio,Narrative,Basque Literature,Works of women writers,Victim,Women’s writing,Reception,Literature,Male violence,Basque literature,Aggressor,Sociology of Literature,Picturebook,Feminism,Maternity,Violence against women,Poetry
    Language: Spanish
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    Novecento e dintorni (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Il volume celebra la chiusura della lunga e prolifica carriera accademica di Giuseppe Grilli, di cui si riconosce un lungo e proficuo percorso nello studio della letteratura catalana che ha prodotto diverse illuminazioni e troballes. Si sviluppa sull’ambizione di ricordare tale percorso attraverso le testimonianze di una vita fatta di rapporti affettivi e letterari: da una parte il ricordo degli amici, degli alunni, dei poeti; dall’altra lo sviluppo diacronico degli argomenti su cui si sono articolati i filoni di studio più importanti della seconda parte del Novecento. La comparazione dei classici e la storiografia della critica, le traduzioni italiane e la ricerca sul barocco catalano sono alcuni dei temi grilliani riproposti qui negli approdi più attuali, insieme al contributo creativo di Manuel Foraster, Pere Gimferrer e Narcís Comadira.
    Keywords: Italian Literature,Iberianism,Fortune,Don Quijote,Phraseology,Iberianist Portuguese League,Literary criticism,Curial e Güelfa,Solitude,Tirant lo Blanc,Criticism,History of Medieval Philosophy,History of literature,Collocations,Experience of reality,Corpus Linguistics,Symbolic transfiguration,Catalan literature of the Middle Ages,Carnation Revolution,Early Modern Age,Translation,Giuseppe Grilli,Maragall,Regeneracionism,Cultural contest,Digital Humanities,Comparative literature,Catalan culture,Narcís Comadira,Baroque,Anthology,Bernat Metge,Francesc Vicent García,Contemporary Catalan literature,Nature and writing,Tableaux,Postmodernism,Anniversary,Diachronic Linguistics,Poetical intentions,Humanism,Yxart,Re-translation,Twentieth Century,Catalan Literature,Medieval and Renaissance Catalan Literature,Francesc Fontanella,Ramon Llull,Poetic language,Poetry,Grilli,Count Arnau
    Language: Italian , Catalan , Spanish
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    Capital Social y la Intención de Emprender (2024)
    Editorial Grupo AEA
    Details
    Publication Date: 2024-02-17
    Description: Discovering what factors motivate and influence entrepreneurial activity is a topic of great interest for researchers, socioeconomic policy makers, academics and people in general. Throughout this book, the authors tell us in an entertaining and understandable way how our immediate and distant environment forms a series of values, attitudes and beliefs that predispose or do not predispose the individual to undertake. A book that will undoubtedly enrich our entrepreneurial spirit, answering questions that we have sometimes asked ourselves about people who make the big decision to create their own businesses.
    Description: Published
    Description: Descubrir qué factores motivan e influyen en la actividad emprendedora es un tema de gran interés para investigadores, formuladores de política socioeconómica, académicos y para las personas en general. A lo largo de este libro, los autores nos relatan de forma amena y comprensible cómo nuestro entorno cercano y lejano forma una serie de valores, actitudes y creencias que predisponen o no al individuo a emprender. Un libro que sin duda va a enriquecer nuestro espíritu emprendedor, dando respuesta a preguntas que alguna vez nos hemos planteado en torno a las personas que toman la gran decisión de crear sus propios negocios.
    Keywords: Emprendimiento ; Teoría del Comportamiento Planificado ; Capital Social ; bic Book Industry Communication::K Economics, finance, business & management
    Language: Spanish
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    Chapter Architetture del mare. Un metodo per lo studio delle tonnare (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-05
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Modelli procedurali per l’ideazione, il controllo e la generazione della forma libera negli apparati decorativi (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-02
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Prefazione (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Phonodia (2024)
    Fondazione Università Ca' Foscari
    Details
    Publication Date: 2024-02-22
    Description: Phonodia es un archivo en línea dedicado a la voz de los poetas ideado y realizado por el autor de este libro en el marco de las actividades científicas de la Universidad Ca’ Foscari de Venecia. En Phonodia, las grabaciones de la voz de los poetas que leen sus poemas se presentan yuxtapuestos al texto poético. Este ensayo, que analiza el elemento de la «voz» en el discurso poético y las grabaciones, se enfoca en esa específica configuración donde se activa una «relación intermedial» entre medio-voz y medio-escritura. Con un enfoque interdisciplinario, el ensayo propone también un método para «escuchar críticamente» esas voces y presenta veintiocho entrevistas realizadas a los poetas españoles contemporáneos que entraron a formar parte de Phonodia y aceptaron hablar de su relación con la «voz» y cómo este elemento actúa en su práctica creativa.
    Keywords: Intermedial relation,Critical listening,Author’s voice,Sound recording,Digital archives
    Language: Spanish
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    Herre og drott – konge og sjøkonge (2024)
    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Details
    Publication Date: 2024-04-04
    Description: Avaldsnes on Karmøy in Rogaland, which according to Snorre was King Harald Fairhair's royal estate, has been the center of a major research effort since 2007. Extensive excavations have, among other things, uncovered the remains of a lordly settlement from the AD 200s–400s and the ruins of a royal masonry complex from around AD 1300. Important insights have been gained about the place, the region, and the history of the Norwegian kingdom, and the results are also of significance for international scholarly debates. The papers in this book are based on lectures from the Karmøy Seminar 2022, and have a joint spotlight on the nature of lordship and kingship. The themes range from tribal societies in Roman times via the first kings of the Viking Age to the Norwegian kingdom's collapse at Håkon 6. Magnusson's death in 1380. Prominent professionals from Norway, Sweden and England discuss, among other things, the migrations of Ryger, Goths, and other tribes in the continent in the first centuries AD, the queens and queen mothers of the Viking Age, Harald Fairhair's overseas contacts, and the Norwegian kingship's roots in Nordvegen, the sailing route along the western coast of the Scandinavian Peninsula. The papers are written to be readable by scholars as well as the interested public.
    Description: Avaldsnes på Karmøy i Rogaland, som ifølge Snorre var Harald Hårfagres kongsgård, har siden 2007 vært sentrum for en stor forskningsinnsats. Omfattende utgravninger har blant annet avdekket restene av en høvdinggård fra 200–400-tallet og ruinen av en kongsgård i stein fra omkring 1300. Viktige innsikter er vunnet om stedets, regionens, og det norske kongerikets historie, og resultatene har stor betydning også for internasjonale forskningsspørsmål. Artiklene i denne boken baserer seg på foredrag fra Karmøyseminaret 2022, og har et felles søkelys på høvding- og kongemaktens vesen. Temaene spenner fra romertidens stammesamfunn via vikingtidens første rikskonger til det norske kongedømmets fall ved Håkon 6. Magnussons død i 1380. Fremstående fagfolk fra Norge, Sverige og England diskuterer blant annet rygers, goteres, og andre stammers vandringer på kontinentet i de første århundrer e.Kr., vikingtidens dronninger og kongsmødre, Harald Hårfagres oversjøiske kontakter og det norske kongedømmets utgangspunkt i Nordvegen, seilingsleden langs kysten fra Rogaland til Hålogaland. Artiklene er skrevet for å kunne leses av både leg og lærd. Dagfinn Skre (f. 1954) er professor i arkeologi ved Kulturhistorisk museum, Universitetet i Oslo, og leder Kongsgårdprosjektet Avaldsnes. Han har tidligere blant annet ledet utgravninger av vikingbyen Kaupang i Vestfold. Frans-Arne Stylegar (f. 1969) er arkeolog, tidligere fylkeskonservator i Vest-Agder og direktør for Varanger museum IKS, og arbeider nå som kulturminneekspert i Multiconsult.
    Keywords: Viking Age Scandinavia, tribal Europe, medieval kingship, medieval Scandinavia, medieval architecture, maritime history, vikingtiden, stammer og folkevandringer, konger i jern- og middelalder, skandinavia i middelalderen, middelalderens arkitektur, sjøfartshistorie ; thema EDItEUR::N History and Archaeology::NK Archaeology::NKD Archaeology by period / region ; thema EDItEUR::3 Time period qualifiers::3B Prehistory ; thema EDItEUR::N History and Archaeology::NH History::NHD European history ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500::3KH c 500 to c 1000 CE ; thema EDItEUR::1 Place qualifiers::1D Europe::1DN Northern Europe, Scandinavia::1DNN Norway ; thema EDItEUR::1 Place qualifiers::1Q Other geographical groupings: Oceans and seas, historical, political etc::1QB Historical states, empires, territories and regions::1QBD Historical states, empires, territories and regions: Europe::1QBDA Austro-Hungarian Empire
    Language: English , Swedish , Norwegian (Nynorsk)
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    Chapter Van Kriminologische Verzameling tot Korpora, Erfgoed Publieke Veiligheid (2024)
    Amsterdam University Press | Veilig = Safe
    Details
    Publication Date: 2024-03-07
    Description: In 2022, Korpora, the Public Safety Heritage Centre opened – tasked with acquiring, managing and exhibiting physical and digital collections on public safety in the Netherlands. Today, Korpora includes the national collections of the Dutch police and the fire service, the Dutch Red Cross and the former Civil Defence service. Korpora’s roots go back to the early 20th century, when firefighting and police enthusiasts began collecting heritage items from these organisations and putting them on display. Despite setbacks due to a lack of funding and a suitable home for the objects, as well as a lack of historical awareness within those organisations, a great deal of heritage items still managed to be preserved. Thanks to the dozen or so foundations – some already in existence, some set up later – the heritage has been preserved, expanded and ultimately culminated in Korpora’s rich and astounding subcollections.
    Keywords: heritage, public safety, police museum, fire museum, civil defence, Red Cross ; bic Book Industry Communication::1 Geographical Qualifiers::1D Europe::1DD Western Continental Europe::1DDN Netherlands ; bic Book Industry Communication::2 Language qualifiers::2A Indo-European languages::2AC Germanic & Scandinavian languages::2ACD Dutch ; bic Book Industry Communication::H Humanities::HB History::HBT History: specific events & topics::HBTB Social & cultural history ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFU Public safety issues
    Language: Dutch
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    Chapter Dai disegni analogici all’esplorazione in ambiente immersivo: la Stazione Autocorriere di U. Nordio (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Chapter Giovanni Antonio Zamarin: la ‘normalità’ di un artista (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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    Morsmålsdidaktisk forskning og profesjonalisert lærerutdanning (2024)
    Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
    Details
    Publication Date: 2024-04-14
    Description: In this book, five experienced Nordic L1-didactitians and teacher educators search for their professional roots as pupils, students, teachers, teacher educators, managers and researchers over a period of fifty years. In the form of the scientific essay, various historical professional struggles and processes that may lie behind this professionalisation are examined, partly from a critical perspective: Academisation, theorising, didacticisation, textualisation, and internationalisation, especially within first language (L1), L1 didactics and L1 didactic research. Documentation and discussion of the complex relationship between institutionalised academic operations and personal and collective knowledge development nevertheless constitute a main line in the presentation. The L1 subjects in which the descriptions are anchored are Danish, Finnish Swedish, Norwegian and Swedish. The contributions provide personal, experience-based, historical representations of the development contextualized with the narrators' own research in the field as well as descriptions of general development trends within schools, education, and society. A framing chapter provides methodological and theoretical premises for the texts and a concluding chapter analyses the content of and discusses the outcome of the essays. The book is aimed at anyone who is interested in the development of professional teacher training on a Nordic basis, especially native language and subject didactics. Although Per-Olof Erixon and Sigmund Ongstad are editors, the book has been created in close collaboration with the other contributors, Sven-Erik Hansén, Ellen Krogh, and Jon Smidt.
    Description: I denne boka søker fem erfarne, nordiske morsmålsdidaktikere og lærerutdannere sine faglige røtter som elever, studenter, lærere, lærerutdannere, ledere og forskere over en femtiårsperiode. I det vitenskapelige essayets form undersøkes ulike historiske fagkamper og prosesser som kan ligge bak denne profesjonaliseringen, dels i et kritisk perspektiv: Akademisering, teoretisering, didaktisering, tekstualisering og internasjonalisering, spesielt innen morsmål (L1), morsmålsdidaktikk og morsmålsdidaktisk forskning, men også fagdidaktisk forskning. Dokumentasjon og diskusjon av det komplekse forholdet mellom institusjonalisert akademisk drift og personlig og kollektiv kunnskapsutvikling utgjør likevel en hovedlinje i fremstillingen. De L1-fagene som beskrivelsene forankres i, er dansk, finlandssvensk, norsk og svensk. Bidragene gir personlige, erfaringsbaserte, historiske fremstillinger av utviklingen kontekstualisert med beretternes egen forskning på feltet samt beskrivelser av generelle utviklingstendenser innen skole, utdanning og samfunn. Et innrammingskapittel gir metodologiske og teoretiske premisser for tekstene og et avslutningskapittel analyserer innhold i og diskuterer utkommet av essayene. Boka henvender seg til alle som er interessert i fremveksten av en profesjonalisert lærerutdanning på nordisk grunn, særlig morsmåls- og fagdidaktikere.
    Keywords: didactics, mother tongue, the Nordic countries, teacher training, didaktikk, morsmål, norden, lærerutdanning ; thema EDItEUR::Y Children’s, Teenage and Educational::YP Educational material::YPA Educational: Arts, general::YPAF Educational: Drama and performance arts ; thema EDItEUR::J Society and Social Sciences::JN Education::JNA Philosophy and theory of education ; thema EDItEUR::C Language and Linguistics::CJ Language teaching and learning::CJA Language teaching theory and methods ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACB English ; thema EDItEUR::4 Educational purpose qualifiers::4L For language learning courses and examinations::4LE For ELT / ESL learning, courses, examinations and certificates ; thema EDItEUR::Y Children’s, Teenage and Educational::YP Educational material::YPA Educational: Arts, general::YPAF Educational: Drama and performance arts ; thema EDItEUR::J Society and Social Sciences::JN Education::JNA Philosophy and theory of education ; thema EDItEUR::C Language and Linguistics::CJ Language teaching and learning::CJA Language teaching theory and methods ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACB English ; thema EDItEUR::4 Educational purpose qualifiers::4L For language learning courses and examinations::4LE For ELT / ESL learning, courses, examinations and certificates
    Language: Swedish , Danish
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    Chapter Il fenomeno delle ferrovie dismesse. Il di-ségno per descrivere, ricostruire e comunicare (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 97
    facet.materialart.
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    Digitrabes em contexto (2024)
    Ariadna Ediciones
    Details
    Publication Date: 2024-04-06
    Description: This book was prepared with the purpose of facilitating the understanding of a relevant dimension of the contemporary metamorphosis of the world of work: the emerging, complex, heterogeneous, dynamic and blurred constellation of work activities mediated by digital platforms. This specific variety of process digitization is designated here by the name digitrab, an acronym for digital work.
    Keywords: World of work, teleworking, digital platforms, job insecurity ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBL Sociology: work and labour
    Language: Spanish , Portuguese
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  • 98
    facet.materialart.
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    Chapter Desenho como Transição: Realidade e A Outra-Realidade (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 99
    facet.materialart.
    Unknown
    Verbieden van organisaties (2024)
    University of Groningen Press
    Details
    Publication Date: 2024-04-16
    Description: This book presents a classic legal study of banning organisations in Dutch law. One of the main research questions is when, according to our law, an organisation is right for a ban. Must the organisation commit criminal offences, or are there other starting points for banning it? Another key question is what kind of organisations can be banned. Are, for example, political parties and denominations excluded, given the special function of these organisations in our society? Other important questions are how the procedure works, which body is authorised to ban and how legal protection against a ban is designed. In answering these questions, the author focuses on the fundamental question of the extent to which the regulation complies with the requirements arising from the freedom of association enshrined in our Constitution and treaties binding under international law. By no means all regulations meet these requirements. With a comparative law analysis of German and French law, the author makes recommendations to improve our prohibition regime on these issues
    Keywords: Verenigingsvrijheid; Rechtsvergelijking; Verbieden van Organisaties ; thema EDItEUR::L Law ; thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNX Public Law ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPH Political structure and processes::JPHC Constitution: government and the state
    Language: Dutch
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  • 100
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    Unknown
    Den engagerade reportern (2024)
    Kriterium
    Details
    Publication Date: 2024-03-30
    Description: Social reportages are written by reporters who fight for the weak and expose injustices. So it is said in the profession, in handbooks and among the genre’s supporters. But what is hidden behind the ideal? And what does the commitment look like when it is converted into text? This book highlights reportages by some of the 20th century’s most celebrated Swedish reporters and examines the ways in which their texts convey a commitment to the reader. The narratologically based analyses are performed against a background of changing ideas about a reporter’s role in society. It turns out that the commitment is often time-related and can be counteracted by generalizing values about the depicted people. Here, the difference between empathy and compassion becomes crucial. The selected reporters represent Swedish social reportage at central turning points within the tradition. Ester Blenda Nordström and Gustaf Hellström have been chosen for the 1910s, Ivar Lo-Johansson for the years around 1930, Barbro Alving for the 1950s, Jan Guillou for the 1970s and Maciej Zaremba and Karen Söderberg for the 1990s and 2000s.
    Keywords: Karen Söderberg; Maciej Zaremba; Jan Guillou; Barbro Alving; Ivar Lo-Johansson; Gustaf Hellström; Ester Blenda Nordström; Svenska 1900-talsreportrar; Sociala reportage ; thema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries::KNTP Publishing industry and journalism::KNTP2 News media and journalism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNP Reportage, journalism or collected columns ; thema EDItEUR::J Society and Social Sciences
    Language: Swedish
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