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  • Develop  (192)
  • History  (151)
  • D1-2009  (104)
  • Spanish  (443)
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  • 1
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    Unknown
    Centro de estudios mexicanos y centroamericanos
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; Nayarit ; tierra ; situación agraria ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 2
    Publication Date: 2024-03-25
    Description: A partir del regreso definitivo de Juan D. Perón a la Argentina, el 20 de junio de 1973, el nivel de violencia política y represión fue progresivamente en aumento hasta alcanzar niveles inéditos en los meses cercanos al golpe de Estado de 1976. Esta investigación se aboca al estudio de ese proceso destinado a “depurar” la “infiltración” marxista en el interior del Movimiento Peronista. Para ello, realiza un acercamiento al problema desde un estudio de caso local. Se trata del abogado y militante peronista José Antonio Pastor Deleroni, que en la actualidad es considerado, oficialmente, la primera víctima de la Triple A en el ex partido de General Sarmiento (provincia de Buenos Aires). Tito Deleroni fue asesinado junto con su esposa, Nélida Arana, el 27 de noviembre de 1973. Este doble crimen fue señalado para dar cuenta del clima previo al golpe de Estado: la existencia a nivel local de una fuerte activación política y la acción represiva ejercida contra ella desde los sectores más reaccionarios del peronismo.
    Keywords: D1-2009 ; F1201-3799 ; Peronismo ; Historia política argentina ; Historia argentina ; 1973-1976 ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 3
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    CLACSO
    Publication Date: 2024-04-14
    Description: ste libro es expresión de las investigaciones realizadas por seis integrantes de la Línea Contextos, Prácticas Políticas y Políticas Públicas como parte del Programa Posdoctoral en Ciencias Sociales, Niñez y Juventud. Los trabajos que componen el segundo libro colectivo de esta línea fueron producidos entre el 2014 y el 2017 y abordan diferentes dimensiones de las vidas de niñas, niños y jóvenes de América Latina desde una perspectiva situada que, siendo rigurosa, asume el compromiso intelectual y político de aportar a la transformación de las condiciones en las que producen sus existencias. Si bien cada uno de los seis capítulos corresponde a investigaciones singulares llevadas a cabo por cada uno de los posdoctores en tres países de América Latina (Argentina, Brasil y Colombia), estos se alimentaron de los intercambios colectivos sostenidos en el espacio de trabajo que compartimos en la Línea del Posdoctorado. De esta manera, el libro puede leerse como el encuentro de seis textos con unidad y lógica en sí mismos, pero también como obra única en la que reverberan los diálogos sostenidos en el espacio común de trabajo que construimos en estos años. En este sentido, este texto es resultado de un proceso que demandó casi dos años de debates y reelaboraciones y que pasó por diversos momentos y circunstancias antes de que se hiciera posible su publicación. Agradecemos entonces la paciencia y la dedicación de las autoras —el azar o los procesos de igualdad de género quisieron que todas las autoras fueran mujeres— así como los comentarios y aportes de los otros colegas que integran la línea, cuyos trabajos ya han sido publicados o se editarán pronto. Asimismo, queremos agradecer al equipo de trabajo del posdoctorado que radica en el Centro de Estudios de Niñez y Juventudes (Cenju) del Cinde y la Universidad de Manizales (Sandra, Daniela, Julián), a los coordinadores de las otras líneas del programa (Toya, Patricia, Karina, Silvinha, José Manuel, Héctor Fabio, Fernanda, Myriam), a Sara Victoria Alvarado, a María Camila Ospina por aceptar con generosidad hacer el prólogo, a las instituciones coeditoras y, especialmente, a Lucía Rangel, quien compartió la coordinación de la línea junto a Pablo Vommaro hasta fines del 2016, momento en el que se incorporó Alejandra Barcala a este espacio. Este libro es también símbolo del trabajo que llevamos a cabo con Lucía y una bienvenida para Alejandra. La apuesta por publicar los capítulos en su idioma original (castellano o portugués) también es expresión de la vocación intercultural y latinoamericanista de esta obra. Los invitamos a compartir las páginas que siguen y a recorrer las experiencias de investigación y práctica intelectual que contienen. Esperamos que esta sea una manera de integrarse, al menos por algunos momentos, a la comunidad que constituimos en el Posdoctorado desde el 2010, que se potencia día a día con la publicación de obras como esta y con los ecos y debates que pueda generar. Buena lectura. "Pablo Vommaro y Alejandra Barcala"
    Keywords: Peace & Conflict Studies ; History ; Latin American Studies ; thema EDItEUR::Y Children’s, Teenage and Educational::YX Children’s / Teenage: Personal and social topics::YXZ Children’s / Teenage: Social issues / topics ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPV Political control and freedoms::JPVH Human rights, civil rights ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
    Language: Spanish
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  • 4
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    CLACSO
    Publication Date: 2024-04-08
    Description: Este libro permite, entre otras cosas, acercarse a la mayor parte de los desarrollos, las tendencias y los intereses teóricos que ocupan actualmente a los cientistas sociales en América Latina. Es un mapa capaz de mostrar mucho de lo que se está haciendo en el campo de la teoría social, y capaz también de mostrar mucho de lo que queda por hacer. Uno de los rasgos más notables de este mapa es su pluralidad. Se constata aquí que las más diversas tradiciones de pensamiento transitan por nuestro continente, y que son reelaboradas por nuevas lecturas de un modo tan vital como riguroso y consistente. Queda por saber si este pluralismo existente se irá todavía ampliando, si llegará a albergar más cabalmente tradiciones no tradicionales de pensamiento. Es decir, si podrá abrirse con más fuerza a un diálogo con puntos de vista sobre lo social, lo político y lo cultural provenientes de las epistemes no occidentales, o no completamente occidentales, que habitan el sur global.
    Keywords: Philosophy ; History ; Latin American Studies ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy ; bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJK History of the Americas ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
    Language: Spanish
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  • 5
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 6
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 7
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    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación | Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación ; Universidad Nacional de Misiones ; Universidad Nacional de General Sarmiento
    Publication Date: 2024-04-01
    Description: This book analyzes the role of the argentine liberal-conservative intellectuality before the last dictatorship, kown as "Proceso de Reorganización Nacional" (1976-1983).
    Description: Published
    Description: El presente trabajo analiza el rol de la intelectualidad liberal-conservadora argentina ante la última dictadura, el "Proceso de Reorganización Nacional" (1976-1983). El libro estudia las posiciones e intervenciones de un conjunto de catorce actores: Álvaro Alsogaray, Alberto Benegas Lynch, Germán Bidart Campos, Horacio García Belsunce, Jorge Luis García Venturini, Mariano Grondona, Juan Segundo Linares Quintana, Mario Justo López, José Alfredo Martínez de Hoz, Víctor Massuh, Jaime Perriaux, Ambrosio Romero Carranza, Carlos Sánchez Sañudo y Ricardo Zinn. La elección de estos nombres implica considerar un abanico amplio de trayectorias que componen figuras intelectuales de diversidad, unidas sin embargo por muchos más vínculos que la adscripción política. La obra se interna en la historia político-intelectual de un espacio ideológico aún poco explorado desde los estudios sobre la intelectualidad, las derechas y la propia dictadura, reponiendo los diversos espacios ocupados por estos hombres, sus proyectos, coincidencias, polémicas y desencantos en un momento clave de la historia argentina.
    Keywords: D1-2009 ; H1-99 ; dictadura militar ; Argentina ; political violence ; military dictatorship ; violencia política ; thema EDItEUR::N History and Archaeology::NH History
    Language: Spanish
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  • 8
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    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-03-25
    Description: En las sociedades de la modernidad, las “fronteras” se convierten en marcas o limes que determinan ámbitos o zonas de contacto que, de alguna manera, han servido para crear y recrear marcos generales de diferenciación y de posibles comparaciones a partir de sus componentes sociales, económicos, culturales, políticos, religiosos, etc., distinguiendo así, ambos márgenes. Hablamos por ello de “fronteras” en plural, distintas y cambiantes, pero con un punto común, esto es la idea de un límite o linde que puede ser extenso, dilatado, poroso o difuminado. Al mismo tiempo, en muchos casos estas “fronteras” no se muestran en sí como separadoras. Por el contrario, constituyen la basa que ha permitido la aparición de determinados procesos de permeabilidad y percolación que provocan un importante efecto de convergencia siendo así también zonas o espacios de encuentro, contacto e intercambio. En este sentido, el reto de la presente compilación de trabajos es el de pensar las fronteras dentro de unas monarquías hispano lusitanas agregativas. Las innumerables formas de abordaje, aspectos y dinámicas que confluyen en pensar las “fronteras” en el Mundo Atlántico fundan un aliciente más para este encuentro de miradas que resume, en gran medida, el espíritu propio del proyecto de la Red inter-universitaria de Historia del Mundo Ibérico del Antiguo Régimen a las Independencias.
    Keywords: D1-2009 ; Historia americana ; Historia europea ; Comercio internacional ; Naciones ; Territorios ; Fronteras ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 9
    Publication Date: 2024-03-29
    Description: La presente antología contiene un amplio conjunto de textos que Fernando Martínez Heredia elaboró en función de los problemas sociales y retos que la práctica política socialista latinoamericana demandó al pensamiento con el objetivo de ir más allá de lo posible. Materiales vivos que nos incitan a pensar en tiempo de revolución para que, según dijera un humilde habanero que entregó su vida a esa empresa, los sueños de hoy se conviertan en la ley del mañana.
    Keywords: Political Science ; History ; Latin American Studies ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPF Political ideologies and movements::JPFC Far-left political ideologies and movements ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTQ Colonialism and imperialism
    Language: Spanish
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  • 10
    Publication Date: 2024-04-03
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 11
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 12
    Publication Date: 2024-03-25
    Description: Este libro resulta de una inquietud compartida por once colegas activos en ocho países, a ambos lados del Atlántico:mostrar la interconexión múltiple de diversos tópicos de la relación América Latina – el Caribe – Europa en una obra editorial de divulgación internacional.El comercio, la ciencia y la técnica posibilitan esta interconexión. De hecho, este conjunto de artículos atinge lo que Horst Pietschmann designacomo «un amplio proyecto, subdividido en distintos proyectos parciales» cuando analiza la historia atlántica. Entre las fuentes que respaldan la amplia temática presentada aparecen analizados documentos de archivo, epistolarios, hemerografía y bibliografía junto a memorias, pinturas, fotografías, genealogías, obras civiles, postales y lápidas de cementerios. El legado de artistas, científicos, comerciantes, diplomáticos, historiadores, viajeros y familias, ha posibilitado esta compilación que, remontando desde finales del siglo XVIII hasta comienzos del siglo XX, ofrece aquí, en simultáneo, tanto la conceptualización del mundo atlántico, la visión civilizadora del desarrollo social y de los efectos económicos de la emancipación americana, como la visión artística de la Ilustración sobre la exótica producción tropical, la dilatada representación del paisaje latinoamericano y los intereses de la expansión europea exhibidos en exposiciones universales. Además, este legado facilitó una relectura de los proyectos globales y agendas personales, familiares y políticas, existentes detrás de expediciones, estudios científicos y empresas mercantiles que fomentaron la transferencia de conocimientos y técnicas, el turismo, la diplomacia y los negocios entre América Latina, el Caribe y Europa. Capa: Detalhe de «Vista de Valparaíso. 1842», Johann Moritz Rugendas. Propiedade da Colección Patricia Phelps de Cisneros. Com cessão de uso para a publicação nesta capa.
    Keywords: D1-2009 ; Península Ibérica ; ciencia ; América Latina ; comercio ; mundo atlántico ; Caribe ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 13
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    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-03-25
    Description: El volumen colectivo Represión estatal y violencia paraestatal en la historia reciente argentina: nuevos abordajes a 40 años del golpe de Estado es resultado de un extenso trabajo realizado en el seno de la Red de Estudios sobre Represión y Violencia Política (RER), que nuclea desde 2014 a investigadores que se encuentran produciendo y debatiendo sobre tales temáticas. El libro tiene como objetivo central sistematizarlos principales aportes y líneas de renovación en los estudios sobre la represión, ofreciendo un panorama sintético y analítico sobre las formas, dispositivos y efectos de la represión previa y posterior al golpe de Estado. Para ello se convocó a un conjunto de investigadores/as especialistas en dichas temáticas con diversas trayectorias, quienes desarrollan sus investigaciones en distintas universidades nacionales o en el CONICET y forman parte de la RER, y han producido renovados estudios e interpretaciones sobre la problemática. El libro está dividido en tres partes, que tratan los ejes principales por los que discurre la producción académica sobre la represión en la historia reciente en nuestro país.En la primera parte se aborda un conjunto de problemas y temas referidos a los orígenes, las condiciones de posibilidad y el ejercicio de la represión en los años previos al golpe de Estado, poniendo el foco en la cuestión de las continuidades y rupturas en las formas de represión, la excepcionalidad y la normalidad de la última dictadura, yla inscripción del terror de Estado en las formas de represión social y política durante el siglo XX. La segunda parte agrupa una serie de trabajos que analizan, en una temporalidad fluida entre los años 50 y 80, un conjunto de prácticas, dispositivos y discursos represivos y sus efectos sociales e individuales, así como algunas agencias e instituciones estatales en contextos de represión (los exilios, la cárcel, los consejos de guerra militares, la represión a los trabajadores, a los judíos y los niños apropiados, el Poder Judicial). La tercera parte se centra directamente en el accionar represivo durante la última dictadura militar, focalizando en un problema central: el de las escalas de análisis. Así, se incluye un conjunto de estudios a escala local/regional (Rosario, Bahía Blanca, Norpatagonia, Santa Fe) y trasnacional/nacional (la coordinación represiva en el Cono Sur).
    Keywords: D1-2009 ; HM401-1281 ; F1201-3799 ; represión ; historia argentina ; violencia política ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 14
    Publication Date: 2024-04-06
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 15
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 16
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 17
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    CLACSO
    Publication Date: 2024-04-02
    Description: Resultado de la orientación de investigación y exposición de académicas y académicos que valoraron como indispensable, para abordar los temas actuales de la frontera norte de México, el tener presente la complejidad y diversidad de su conformación histórica. Así, desde la diversidad de disciplinas Antropológicas y de la historia, las y los autores abordan temas que van de las primeras ocupaciones y aprovechamientos humanos del extenso territorio norteño de la actual república mexicana, hasta el estudio de los intereses estadounidenses en la geopolítica de lo que ellos han considerado su frontera sur, pasando por el largo periodo de invasión y conquista española de todo ese inmenso territorio y aun de los movimientos y estrategias de resistencia de los pueblos y comunidades indígenas, de ayer y hoy.
    Keywords: History ; Latin American Studies ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
    Language: Spanish
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  • 18
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 19
    Publication Date: 2024-04-08
    Description: "Hemos organizado esta antología alrededor de cinco ejes temáticos que nos permiten establecer conversaciones cruzadas entre los ensayos incluidos y formular algunas tesis que claramente los enlazan y que asumimos como propias. Podríamos haber establecido muchas más relaciones entre ellos y articular otras tesis interpretativas, pero con ello escaparíamos los confines de un ensayo introductorio. Le dejamos a los amigos y amigas lectores el culminar una tarea que siempre permanecerá inconclusa. En todo caso, encontrarán a continuación una serie de relatos críticos a nuestra oficialidad y a los intereses que esta ha salvaguardado. Damos fe que la historia reciente, en buena medida, les ha dado la razón a estos pensadores. En Puerto Rico hemos gozado de una ventaja epistemológica que nos asigna un inusual grado de responsabilidad. Las causas de nuestra crisis no solo eran anticipables —mucho más previsibles que las azarosas rutas de los huracanes— sino que algunas nos fueron anunciadas desde hace medio siglo. Los que tuvimos el privilegio de ir a la universidad del estado —ahora, como todo, bajo asedio— pudimos leer y escuchar en sus aulas a algunos de estos autores, y a muchos otros que merecerían estar aquí. De todos aprendimos que a pesar de lo auspicioso que parecía el presente había encuadres narrativos plagados de ausencias, fallas sistémicas que atender, y nuevos rumbos que desde entonces no podían esperar. No todas esas ausencias que nos fueron señaladas están plasmadas en nuestra selección, ni todas las fallas sistémicas que debemos corregir son atendidas en esta colección. Esto nos pesa enormemente y esperamos que no desmerezca en un ápice la generosa clarividencia de los textos que les presentamos". De la Introducción de Anayra Santory Jorge y Mareia Quintero Rivera
    Keywords: Philosophy ; History ; Latin American Studies ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy::HPCF Western philosophy, from c 1900 - ; bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJK History of the Americas ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800 ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
    Language: Spanish
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  • 20
    Publication Date: 2024-03-25
    Description: Cuando la oralidad era imperante, siete soldados de la Monarquía sintieron la necesidad de escribir sus autobiografías en la primera mitad del siglo xvii. Entre ellos, el capitán Alonso de Contreras, cuya obra, vital, cautivó a Ortega y Gasset. Con sus plumas retrataron al Imperio, del Mediterráneo al Índico. Esa fotografía del Leviatán —el Estado Moderno—, en sus años formativos, constituye el principal propósito de este libro, en un acercamiento pragmático, inmerso en la cotidianidad, jocosa o trágica. Se siguen vidas a «salto de mata», rescatando sus sueños y tropelías, restituyendo sus vivencias y, con ellas, las de una época, así como parte de la maquinaria imperial, cuando el sol se ponía sobre la Monarquía. Todo se ensarta, en definitiva, alrededor de dos preguntas. ¿Cómo se pasó de la espada a la pluma, otro ejercicio de esgrima? ¿Cómo las dos dibujan universos, de Italia a Filipinas, pasando por España, hacia 1600-1650?
    Keywords: D1-2009 ; Z1001-8999 ; historia global ; autobiografía ; espacio imperial ; honor ; historia y literatura ; soldado ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 21
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    CLACSO
    Publication Date: 2024-04-04
    Description: Los estudios sociales en ciencia y tecnología en América Latina cuentan ya con medio siglo de desarrollo en la región. El origen del campo en los años sesenta dotó de características propias que permanecieron, a lo largo de las décadas con diferentes niveles de intensidad, en el marco de nuevos modelos y formas de pensar el desarrollo y de afrontar las condiciones de pobreza y exclusión de nuestras sociedades. Una vez recorrida la etapa de profesionalización del campo –y en diálogo con la dinámica de construcción de estos estudios en los países del norte– se retomaron desde nuevas preguntas y perspectivas aquellas reflexiones iniciadas en los años sesenta, al tiempo que se generaron esfuerzos por construir miradas originales sobre los significados sociales, económicos y políticos de la ciencia y la tecnología. Así se construyeron enfoques y perspectivas analíticas que aprovechan los aportes del campo a nivel internacional y los alimentan con perspectivas regionales. Ciencia, tecnología y sociedad en América Latina está organizado en cinco secciones variadas y heterogéneas, referidas todas ellas a América Latina, en las que se discuten problemas sociales muy diversos. El rico caudal de estas investigaciones sostiene como objetivo común la superación del atraso y de la dependencia de nuestros países, y la búsqueda de estrategias adecuadas en pos de mejorar las condiciones de vida en la región. Con una perspectiva múltiple e interdisciplinar, investigadores jóvenes del continente muestran la riqueza y la relevancia de los estudios actuales en este campo.
    Keywords: General Science ; History ; Latin American Studies ; thema EDItEUR::P Mathematics and Science::PD Science: general issues ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
    Language: Spanish
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  • 22
    Publication Date: 2024-03-25
    Description: Esta publicación presenta siete investigaciones sobre los procesos de sometimiento e incorporación de los pueblos originarios de las regiones patagónica, pampeana y chaqueña por parte del Estado argentino. Los autores discuten sobre conceptos centrales como los de genocidio, terrorismo y violencia de Estado. No obstante, abordan al mismo tiempo la participación de la sociedad civil en la concentración, la deportación y la distribución de indígenas, así como la acción de los mismos pueblos originarios en dichos procesos. En este último sentido, el carácter etnográfico de las investigaciones posibilita la recuperación de la memoria social silenciada en las narrativas nacionalistas y da entidad individual al proceso histórico.
    Keywords: D1-2009 ; H1-99 ; native people ; memory ; indigenous communities ; otherness ; genocide ; Patagonia ; Nation state ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 23
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    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-03-25
    Description: El libro comienza su introducción con un trabajo de Juan Marchena quien indaga en larga duración las repercusiones que tuvieron los conflictos hispanolusitanos de la península en el plano americano, desde el Amazonas hasta el Río de la Plata. Así, este trabajo permite adentrarnos en el otro plano del libro que analiza la guerra en la frontera; en primer lugar hacia el sur rioplatense y luego, en un segundo bloque, se traslada el análisis hacia la frontera norte de la región platina. El trabajo ubica al área rioplatense como parte constitutiva de una extensa área de frontera hispanolusitana e indígena. En lo que respecta a las relaciones hispanolusitanas en el área rioplatense observa que la misma fue un espacio de constantes intercambios entre españoles y portugueses. Luego del Tratado de Tordesillas el área rioplatense quedó definitivamente signada como una región de frontera. La imposibilidad de establecer una longitud terrestre y señalar exactamente el lugar donde pasaba la línea imaginaria de Tordesillas dejó definitivamente establecida la región como área de frontera entre las coronas peninsulares. En esta región las relaciones entre súbditos de ambas coronas se dio de forma demasiado particular. Estos individuos percibían la realidad de frontera como lo cotidiano, muy alejado de las perspectivas geopolíticas de las respectivas coronas. Siguiendo con la idea de permeabilidad de la frontera, un tercer plano del trabajo se aboca a las fronteras en movimiento, entendiendo a la frontera como ese lugar permeable abierto en el que interactúan todas las sociedades: la hispanocriolla, la portuguesa y la indígena, generando dentro de este mundo un complejo mosaico étnico en donde las coronas peninsulares tuvieron que idear diferentes modelos de control y organización. Por último, el bloque sobre historiografía, memoria e identidad cierra el libro dejando abierto el debate en la temática planteada.
    Keywords: D1-2009 ; F1201-3799 ; Colonización ; Río de la Plata ; España ; Historiografía ; Portugal ; Fronteras ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 24
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 25
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 26
    Publication Date: 2024-03-25
    Description: Esta obra aborda los procesos de cambio institucional en España e Hispanoamérica durante los años que fueron desde la guerra de los Siete Años hasta la formación de los estados nacionales. Para mantener el hilo de esta historia global, dichos procesos se analizan a través del prisma de la historia de las finanzas, examinando los problemas fiscales en su interdependencia con transformaciones económicas, sociales y culturales más amplias. Resultado de dos proyectos del programa ECOS que reunieron a especialistas argentinos, franceses y mexicanos, así como a colegas de Alemania, España e Italia invitados a distintos encuentros, el libro ha intentado situarse en diferentes escalas de observación: la de la Monarquía, que negocia y reforma los mecanismos de acceso y de circulación de recursos, transformando así sus propios equilibrios políticos; o, en el otro extremo, la de las arenas locales, donde la cooperación y el conflicto de sus actores producían reconfiguraciones institucionales y territoriales; o aun el ámbito de los dispositivos que atravesaban las diferentes escalas —los derechos de propiedad, los cuerpos y las articulaciones comunitarias, o las dimensiones fiscales de la ciudadanía— cuyas evoluciones acompasaban el tránsito del Antiguo Régimen al orden republicano.
    Keywords: D1-2009 ; fiscalidad ; reformas ; instituciones ; mundo hispánico ; independencias ; América colonial ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 27
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    CLACSO
    Publication Date: 2024-04-02
    Description: A lo largo de doscientos años de autonomía en Centroamérica se ha demostrado suficientemente que las pretensiones de independencia, a pesar de consolidarse en el plano político, no abonaron para generar el cambio de las estructuras sociales y económicas. Abundantes análisis señalan la recurrente falta de visión y voluntad para reorientar el camino de los países centroamericanos. ¿En dónde está la región? ¿Qué perspectivas se pueden visualizar a partir de las condiciones con las que se convive cotidianamente? ¿Hay alternativas que subsanen los excesos del sistema vigente y que lo reorienten o transformen? Estos y otros más son los interrogantes que motivan y estimulan los quince ensayos que componen este libro colectivo, ganadores de la convocatoria organizada por la Secretaría Ejecutiva de CLACSO y los centros miembros de Centroamérica con la finalidad de poner en valor la relevancia del conocimiento producido por las y los investigadores.
    Keywords: History ; Latin American Studies ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
    Language: Spanish
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  • 28
    Publication Date: 2024-04-02
    Description: El estudio etnográfico sobre los chichimecas jonáz, reconoce en la historia a uno de los pueblos originarios cazadores-recolectores del centro-norte de México, más denostado desde la época prehispánica por los Mexica o Aztecas, considerados como “perros sucios, inciviles", significado del término chichimeca; bárbaros-salvajes, por los conquista- dores ibéricos; holgazanes, que no trabajan y no producen nada, por algunos habitantes de San Luis de la Paz, Guanajuato. El lector encontrará cómo los chichimecas-jonáz continúan siendo una sociedad marginal al resto de la sociedad dominante, pero resistiendo ante el embate del sistema capitalista que se apropia de sus territorios y fuerza laboral mediante megaproyectos extractivistas, energéticos, parques industriales y otros, que generan enormes ganancias a los capitales transnacionales, además de la expansión de las ciudades cercanas.
    Keywords: History ; Latin American Studies ; Sociology ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies::JBSL1 Ethnic groups and multicultural studies::JBSL11 Indigenous peoples ; thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PB Relating to peoples: ethnic groups, indigenous peoples, cultures and other groupings of people::5PBA Relating to Indigenous peoples
    Language: Spanish
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  • 29
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 30
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    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-03-25
    Description: Memorias del BIM: biografías es un libro hecho de testimonios, de recuerdos, que intenta recuperar las vidas y las historias de las víctimas asesinadas y desaparecidas por la Fuerza de Tareas N.o 5, dependiente de la Armada, en nuestra región. Vidas e historias que se han podido recuperar parcialmente gracias a un arduo trabajo de memoria realizado por parte de los sobrevivientes, familiares, amigos y colectivos sociales, académicos y políticos comprometidos con la defensa de los derechos humanos y los reclamos de Memoria, Verdad y Justicia. Esta segunda edición integra sesenta y ocho nuevos casos a los ya trabajados en la primera (2015), lo que suma un total de ciento veinte biografías que, al ser leídas en una sucesión, cobran espesor colectivo y permiten conocer las múltiples dimensiones que nutrieron las tramas colectivas sobre las que se montó la participación de estos hombres y mujeres. En el espacio de estas páginas, esas luchas vuelven a cobrar la relevancia histórica y política que tuvieron; y a través de ellas nos acercamos al clima social y cultural de toda una época.
    Keywords: D1-2009 ; F1201-3799 ; Biografías ; Ensenada ; Berisso ; Detenido desaparecido ; La Plata ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 31
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    Editorial Universidad del Rosario | Editorial Universidad del Rosario
    Publication Date: 2024-04-01
    Description: ¿Pueden las imágenes incidir en la historia? ¿Son fieles evidencias del pasado? Esta compilación aparece frente al renovado interés de la disciplina histórica y las ciencias humanas, por interpretar las fuentes visuales como producciones intencionalmente elaboradas y difundidas tanto en momentos como en espacios particulares. Alejándose de la vista inocente y contemplativa, los autores del libro proponen desde sus contribuciones, situar la función social de las imágenes en el centro de sus análisis de caso, los cuales abarcan un amplio conjunto de procesos latinoamericanos ocurridos entre los siglos XIX y XXI en países como Chile, Brasil, Perú, Colombia y Argentina. De esta manera, cada capítulo invita al lector a “pensar visualmente” temas como la propaganda política, la construcción de la nación, el ensamblaje de identidades o de memorias colectivas, etc., partiendo del supuesto metodológico que sugiere rastrear las imágenes desde su producción hasta su recepción, donde adquieren múltiples sentidos en su respectivo presente, así como en su preservación actual. Imaginando América Latina se presenta entonces como una iniciativa abierta a diferentes perspectivas disciplinares no solo limitadas a la lectura del historiador. Los doce capítulos contenidos en este libro, buscarán reflexionar sobre la capacidad de la imagen para conectar realidades en escalas globales y locales, insistiendo en mostrar la doble relación entre una historicidad de lo visual y una visualidad de la historia.
    Keywords: History ; thema EDItEUR::N History and Archaeology::NH History
    Language: Spanish
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  • 32
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 33
    Publication Date: 2024-03-29
    Description: Los textos aquí publicados apoyaron las discusiones del seminario La defensa del territorio, la cultura y la vida de las comunidades campesinas e indígenas de América Latina y el Caribe ante el avance del capital extractivista, realizado del 12 al 16 de septiembre de 2019, en Asunción y que congregó a líderes de movimientos sociales campesinos e indígenas, organizaciones urbanas que luchan por el derecho a la tierra y a la ciudad, académicos de Argentina, Brasil, Colombia, México y Paraguay. La actividad pública se construyó en el marco de la XIX Reunión Anual del GT CLACSO Estudios Críticos del Desarrollo Rural, resultado de una alianza con la Facultad de Ciencias Sociales (FACSO) de la Universidad Nacional de Asunción (UNA), a través de su Dirección de Extensión Universitaria (DEU) y el Centro de Estudios Rurales Interdisciplinarios de Paraguay (CERI).
    Keywords: Political Science ; Latin American Studies ; History ; bic Book Industry Communication::J Society & social sciences::JP Politics & government ; bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJK History of the Americas ; thema EDItEUR::J Society and Social Sciences::JP Politics and government ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
    Language: Spanish
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  • 34
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 35
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: La Comisión Provincial por la Memoria (CPM) es un ente estatal, extra poderes, autónomo y autárquico, es decir, no gubernamental, que funciona en la provincia de Buenos Aires. Está compuesta, por un lado, por una comisión de “notables”, personas reconocidas socialmente que provienen de diferentes ámbitos ligados a las luchas por la memoria y la defensa de los derechos humanos y, por el otro, por un equipo técnico de trabajadores que llevan a cabo las tareas cotidianas de la institución. En este libro se indaga cómo fue la inscripción de la CPM en el campo de los derechos humanos y la memoria. Abordar esta agencia estatal en el marco de las lógicas de este campo permite ver con profundidad el proceso a través del cual la institución nació y en qué contexto político y social lo hizo. A su vez, puede observarse qué trayectorias y horizontes tenían sus creadores y qué estrategias institucionales guiaron su armado. Por último, el análisis de la CPM en funcionamiento permite reconocer que algunas de sus cualidades distintivas reflejan el modo en que la institución eligió inscribirse en las estructuras administrativas del Estado y en el campo, con los acuerdos y los conflictos que esto acarrea.
    Keywords: D1-2009 ; HM401-1281
    Language: Spanish
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  • 36
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: Las Jornadas de Trabajo sobre Historia Reciente se encuadran en una persistente preocupación por abordar tanto desde perspectivas teórico-metodológicas como histórico-concretas las problemáticas que este fructífero campo está generando. Las VII Jornadas [2014] aspiran a acrecentar y consolidar el amplio desarrollo que ha tenido este ámbito de estudios en los últimos años. Para ello se proponen formas organizativas que propicien aún más el desarrollo de los debates e intercambios, así como otras actividades para la difusión de las problemáticas abordadas en nuevos formatos que alcancen ámbitos no estrictamente universitarios.
    Keywords: D1-2009 ; Jornada de trabajo sobre Historia Reciente ; Historia ; History
    Language: Spanish
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  • 37
    facet.materialart.
    Unknown
    Purdue University Press
    Publication Date: 2024-03-23
    Description: Neorrealismo y cine en Cuba: Historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 examina la historia estética y las relaciones entre la producción cinematográfica cubana y el neorrealismo italiano. El recorrido histórico comienza en 1951, antes del triunfo de la Revolución, y termina en 1962, año que marca la ruptura entre los cineastas cubanos y la estética neorrealista italiana. Las colaboraciones principales sucedieron entre los directores de cine Tomás Gutiérrez Alea y Julio García Espinosa y el cineasta neorrealista italiano Cesare Zavattini. Las circunstancias que llevaron al fin de las relaciones entre Zavattini y los cineastas cubanos están conectadas a la película El joven rebelde, dirigida por García Espinosa y estrenada por primera vez en 1961. La ruptura se dio por divergencias creativas e ideológicas sobre la manera en que se quería retratar al protagonista del largometraje. Este detalle, que aparentemente puede parecer de menor importancia, tuvo repercusiones importantes que llevaron a un distanciamiento de García Espinosa, de Gutiérrez Alea, así como del resto de los cineastas cubanos que estaban trabajando en el Instituto Cubano del Arte e Industria Cinematográficos (ICAIC) a partir de 1959, para buscar sus propias estrategias creativas con el fin de moldear una producción cinematográfica nacional. Sin embargo, cabe señalar que los cineastas cubanos no habrían encontrado la gramática necesaria para reescribir su cine revolucionario sin las colaboraciones y sobre todo sin la ruptura con Zavattini. Este nuevo lenguaje cinematográfico no habría podido existir sin las varias pausas y distancias que caracterizaron la relación cubana con el neorrealismo. En otras palabras, el intercambio fragmentado entre García Espinosa, Gutiérrez Alea y Zavattini creó nuevos espacios dentro de los cuales los cubanos pudieron encontrar oportunidades creativas para expresar su propia visión cinematográfica. Neorrealismo y cine en Cuba: Historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 [Neorealism and Cinema in Cuba: History and Discourse on the First Polemic of the Revolution, 1951-1962] examines the aesthetic history and relations between Cuban film production and Italian Neorealism. The historical framework begins in 1951 before the triumph of the Cuban Revolution and ends in 1962, a year that marks a rupture between Cuban filmmakers and the Italian neorealist aesthetic. The main collaborations happened between Cuban directors Tomás Gutiérrez Alea and Julio García Espinosa and Italian neorealist filmmaker Cesare Zavattini. The circumstances that led to the end of the relationship between Zavattini and the Cuban filmmakers are connected to the film El joven rebelde [The Young Rebel], directed by García Espinosa and screened for the first time in 1961. The rupture centered on creative and ideological differences regarding the way in which the protagonist was to be portrayed in the movie. This seemingly minor disagreement had considerably larger repercussions, the end result of which was that García Espinosa and Gutiérrez Alea, as well as the rest of the Cuban filmmakers who worked within the Instituto Cubano del Arte e Industria Cinematográficos (ICAIC) after 1959, were driven to find their own creative strategies to craft a national film production. However, the Cuban filmmakers would not have found the necessary grammar to rewrite their own revolutionary cinema without the rupture with Zavattini. This new cinematographic language could not have existed without the various pauses and the distances that characterized the Cuban relationship with Neorealism. In other words, the fragmentary interchange between García Espinosa, Gutierrez Alea, and Zavattini created new spaces in which the Cubans could find creative opportunities to express their own cinematic vision.
    Keywords: Art & Art History ; Latin American Studies ; Film Studies ; Communication Studies ; History ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::A The Arts::AB The arts: general topics ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
    Language: Spanish
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  • 38
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-03-25
    Description: Las Jornadas de Trabajo sobre Historia Reciente se encuadran en una persistente preocupación por abordar tanto desde las perspectivas teórico-metodológicas como histórico-concretas las problemáticas que este fructífero campo está generando. Las VII Jornadas aspiran a acrecentar y consolidar el amplio desarrollo que ha tenido este ámbito de estudios en los últimos años. Para ello se proponen formas organizativas que propicien aún más el desarrollo de los debates e intercambios, así como otras actividades para la difusión de las problemáticas abordadas en nuevos formatos que alcancen ámbitos no estrictamente universitarios.
    Keywords: D1-2009 ; F1201-3799 ; Enseñanza de la historia ; Historia social ; Movimientos sociales ; Historia política ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 39
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 40
    Publication Date: 2024-03-25
    Description: Esta obra se ocupa de una generación y de una corriente particular del universo cultural judío de la Mitteleuropa: una generación de intelectuales nacidos en el curso del último cuarto del siglo XIX, cuyos escritos beben al mismo tiempo de fuentes alemanas (romanticismo) y judías (mesianismo). Se articula en torno a la idea judía (cabalística) de Tikkoun, la redención. Algunos de ellos estuvieron orientados hacia la religión: Martín Buber, Gershom Scholem, Franz Rosenzweig. Otros, por el contrario, se sintieron atraídos por las utopías sociales: Ernst Bloch. Gyorgy Lukács, Erich Fromm. Entre ambos, más allá de todas las corrientes y en el cruce de todos los caminos: Franz Kafka y Walter Benjamín. A pesar de todas sus diferencias, hay entre ellos una impresionante comunidad espiritual, fundada sobre la afinidad electiva entre la redención mesiánica y la utopía libertaria.
    Keywords: D1-2009 ; messianism ; utopia ; romanticism ; Judaism ; Central Europe ; religion ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 41
    Publication Date: 2024-03-25
    Description: La ausencia de una obra dedicada al estudio de los lugares de memoria de la identidad nacional española durante el franquismo constituía una laguna importante de la historiografía española que este volumen intenta completar. Se pretende aquí, por un lado, abordar el estudio del nacionalismo español durante el franquismo a la luz de la dimensión cultural y simbólica de la política, contribuyendo así a un mejor conocimiento de la evolución del discurso y de las prácticas nacionalistas a lo largo de las diferentes etapas por las que pasó el régimen, más allá de las aproximaciones puntuales o excesivamente generales. Por otro lado, y en consecuencia, se propone en este libro una perspectiva interpretativa de la nacionalización franquista que otorgue un mayor protagonismo a las prácticas culturales, simbólicas y visuales, contemplándolas en su interacción con otras identidades colectivas.
    Keywords: D1-2009 ; nacionalismo ; siglo XX ; España ; franquismo ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 42
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 43
    Publication Date: 2024-03-29
    Description: Las propuestas gubernamentales de cambio educativo en el siglo XXI son fundamentalmente reformas laborales que forman parte de nuevos paquetes de ajuste estructural que se adelantan en correspondencia a la nueva generación de políticas neoliberales en curso. Algunas de sus expresiones más evidentes son la despedagogización del hecho educativo, el ataque a la profesión docente, la destrucción de la educación pública y las limitaciones para el desarrollo de formas organizativas autónomas de los y las trabajadoras de la educación.
    Keywords: Education ; History ; Latin American Studies ; bic Book Industry Communication::J Society & social sciences::JN Education::JNF Educational strategies & policy ; bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJK History of the Americas ; thema EDItEUR::J Society and Social Sciences::JN Education::JNF Educational strategies and policy ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
    Language: Spanish
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  • 44
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; Portuguese ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 45
    facet.materialart.
    Unknown
    Editorial Universidad Nacional (EUNA)
    Publication Date: 2024-03-23
    Description: This book collects the artistic and academic life of ten women and men who have stood out not only in the teaching field at the Center for Research, Teaching and Artistic Extension (CIDEA), but also in the national and international artistic sphere. They, like many other theater artists at heart, have contributed their expertise and life experiences to the artistic environment and for the School of Scenic Art it is a pleasure to demonstrate their artistic and teaching career in this book.
    Keywords: School Of Performing Arts (Universidad Nacional (Costa Rica)) ; History ; Universidad Nacional (Costa Rica) ; University Professors ; Actors ; Artists ; Theatrical Performance ; Theater ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art ; thema EDItEUR::A The Arts::AT Performing arts::ATC Individual actors and performers ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
    Language: Spanish
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  • 46
    facet.materialart.
    Unknown
    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History
    Publication Date: 2022-01-31
    Description: Este libro contiene diversos trabajos referidos a procesalistas españoles de la primera mitad del siglo XX. El estudio inicial y el final de los que componen la obra incluyen otras tantas síntesis sobre la evolución de la doctrina procesal española durante ese mismo periodo de tiempo. Varios trabajos más se dedican a reconstruir la trayectoria vital, académica y científica de algún procesalista. Hay otros que se limitan a analizar hechos concretos concernientes a la vida de un procesalista determinado, aunque siempre se trata de acontecimientos que han tenido una especial incidencia en el devenir del derecho procesal español. A su vez, algunos estudios se ocupan de obras doctrinales dotadas de una significación particularmente relevante en la historia reciente de la cultura procesal española.
    Keywords: AS1-945 ; DP1-402 ; KJ2-1040 ; K5000-5582 ; Procedural law ; Derecho procesal ; Universidades ; History ; Universities
    Language: Spanish
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  • 47
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 48
    Publication Date: 2023-10-05
    Description: Este es un libro que permite comprender las políticas que ha desarrollado el Estado de Chile para hacer frente a la siempre contingente y creciente organización de hinchadas de fútbol profesional. Al mismo tiempo, es un aporte para el diálogo y la discusión que sobre estos temas se lleva en Latinoamérica. Desde el grupo de Trabajo Deporte, Cultura y Sociedad de CLACSO recomendamos este trabajo como un aporte al debate y como una guía para quienes construyen políticas públicas sobre el tema.
    Keywords: Cultural Studies ; Public Policy & Administration ; History ; Latin American Studies ; bic Book Industry Communication::W Lifestyle, sport & leisure::WS Sports & outdoor recreation::WSJ Ball games::WSJS American football ; bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPQ Central government::JPQB Central government policies ; bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJK History of the Americas
    Language: Spanish
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  • 49
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 50
    Publication Date: 2024-04-02
    Description: La presente publicación es un esfuerzo interinstitucional entre el Consejo Latinoamericano de Ciencias Sociales (CLACSO) y la Casa de las Américas, quienes lanzaron el Premio de ensayos Haydée Santamaría para investigadores/as de América Latina y el Caribe. Dicho Premio se realizó en homenaje a Haydée Santamaría (1923-1980), revolucionaria e intelectual cubana quien, entre otras importantes obras, fundó y dirigió la Casa de las Américas. Esta publicación ofrece una diversidad de temas centrados en la política, movimientos y desafíos del legado revolucionario cubano y también en las fuerzas progresistas latinoamericanas. Se trata de una publicación que contiene ensayos individuales, pero que al publicarse de manera conjuntan implican un importante emprendimiento colectivo, cuyo contenido con seguridad invitaran al debate y a la reflexión.
    Keywords: History ; Latin American Studies ; Political Science ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPF Political ideologies and movements::JPFC Far-left political ideologies and movements
    Language: Spanish
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  • 51
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    Editorial Universidad del Rosario | Editorial Universidad del Rosario
    Publication Date: 2024-04-02
    Description: El objetivo principal de esta obra es reconstruir los procesos migratorios que llevaron a los migrantes de la ex Unión de Repúblicas Socialistas Soviéticas, a residir en Bucaramanga (Colombia). Así mismo, se indaga sobre la falsa creencia de que en Colombia no existe la inmigración y el vacío en la producción académica frente a este tema, que suele centrarse en las personas que dejan el país y no en quienes llegan. Por otro lado, se indaga sobre el hecho de que la literatura sobre el tema obedece más a investigaciones de tipo histórico. Metodológicamente, este estudio se sustentó en el uso de historias de curso de vida basados en los supuestos de Howard Becker, donde el uso de historias de vida permite aproximarse a cuestiones subjetivas de los investigados, sus experiencias, sus motivaciones y la interpretación que estos tienen de su realidad.
    Keywords: History ; Latin America ; General ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
    Language: Spanish
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  • 52
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    Universidad Carlos III de Madrid. Figuerola Institute of Social Science History
    Publication Date: 2022-01-31
    Description: El libro consta de dos partes claramente delimitadas: una dedicada a los libros de texto y otra a los planes de estudio. En la primera se aborda la utilización que los liberales hicieron de los manuales para conseguir la unidad que tanto ansiaban: establecieron un sistema de listas de libros que aprobaba el gobierno y que estuvo vigente en buena parte del siglo XIX. El estudio del sistema, la publicación de las listas y la reconstrucción de la biblioteca escolar constituye ocupan las páginas de esta parte. En la segunda se editan los planes de estudios jurídicos que existieron en los siglos XIX y XX, se analiza la evolución de los mismos y se ensaya una tipología que permita su comprensión.
    Keywords: AS1-945 ; DP1-402 ; Derecho ; Enseñanza ; Law ; Education ; Historia ; History
    Language: Spanish
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  • 53
    Publication Date: 2024-03-28
    Description: “La verdad poco importa para un gobierno cínico. Y no es que se desconoce sino que simplemente no importa. El cinismo es eso: saber la verdad y mentir sabiendo que se miente. Los medios hegemónicos, aliados indispensables de estos gobiernos, llevan adelante grandes estrategias de disciplinamiento que se condicen a su vez con diferentes etapas históricas que ha atravesado nuestra región, pero que también operan yuxtapuestas hasta nuestro presente, acompañadas, todas ellas, por la idea insoslayable de que siempre ante el poder opresivo de las elites, se oponen poderes de resistencia de nuestros pueblos". Florencia Saintou - - “Este libro nace de una apuesta colectiva: es posible el sueño de comunicar. Es posible una comunicación política colectiva. Frente a los discursos individualizantes, frente a la psicopolítica que nos entrena cada vez más para que nos autocontrolemos y nos autoexijamos. Frente a las redes sociales que aíslan en lugar de comunicar. Frente a los discursos que nos dejan vacíos de esperanzas. Es posible una comunicación distinta, es la comunicación de la resistencia". Amparo Marroquín Parducci
    Keywords: Communication Studies ; History ; Latin American Studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
    Language: Spanish
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  • 54
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 55
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 56
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    CLACSO
    Publication Date: 2024-04-02
    Description: La lucha por la implementación del Acuerdo de Paz transcurre de manera simultánea en dos sentidos. Por una parte, como necesidad de superar y derrotar en forma definitiva las resistencias de sectores que liderados por las expresiones más extremistas de la derecha política buscan desconocer la realidad histórica y concreta del Acuerdo de Paz, en cuanto posibilidad de tramitar el conflicto social y d clase por la vía exclusivamente política. Pero, al mismo tiempo, por la otra, como necesidad también de una implementación integral, de construir la legitimidad de una concepción de la paz que trascienda la visión meramente pacificadora o gatopardista, es decir, que apunte a una paz que efectivamente posea los contenidos propios de la democracia verdadera y la justicia social en camino hacias las transformaciones más profundas de la sociedad colombiana. Y, por qué no decirlo, que se encauce hacia la superación definitiva del orden social vigente; aspiración que también se encontraba tanto en los orígenes como en la larga historia de la lucha guerrillera en Colombia.
    Keywords: History ; Latin American Studies ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
    Language: Spanish
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  • 57
    Publication Date: 2024-03-29
    Description: Esta antología de Horacio González es una invitación a aventurarse en el archipiélago completo de la obra de una de las figuras claves en la conversación pública de Argentina. El recorrido propuesto por los compiladores incluye tanto capítulos fundamentales como algunas rarezas y piezas dispersas que buscan presentarnos a un ensayista cuyo estilo está hecho, a la vez, de derroche y precisión. El volumen transita entre la lectura de los clásicos del pensamiento argentino que arriesgaron un surco propio en la historia de las ideas de este país y artículos abocados a pensar los “años de la revolución". Guía el itinerario la pregunta sobre cómo tratar los archivos que nos llegan del pasado, pero también aquellos que circulan y nos comprometen en el presente.
    Keywords: Political Science ; Latin American Studies ; History ; Sociology ; bic Book Industry Communication::J Society & social sciences::JP Politics & government ; bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJK History of the Americas ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general ; thema EDItEUR::J Society and Social Sciences::JP Politics and government ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
    Language: Spanish
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  • 58
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 59
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 60
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    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-03-25
    Description: En este libro no se pretende hacer un balance de aportaciones recientes, sino que, teniendo como eje de desarrollo el concepto de “familia” en un amplio sentido, demográfico y social, se intenta integrar las perspectivas micro-analíticas –estudio de familias específicamente desarrolladas a ambos lados del Atlántico, familias virreinales, de la nobleza, la administración e incluso la Iglesia- y las regionales –de territorios especialmente afectados por el paso de sus habitantes a América-, al lado de la dimensión “macro” derivada de los estudios de las estructuras familiares en América y en la Península Ibérica y de las migraciones entre ambos espacios. Ese enfoque múltiple es el fundamento mismo de la comparación y de la complementariedad: un conjunto de lecturas diversas respecto a las teorías generalizadoras, la aplicación de métodos distintos y a las aportaciones y problemas de las fuentes documentales diferentes son esenciales en esta monografía; un eje que se refiere a cómo el modelo familiar castellano se impuso por medio de la legislación en América durante la colonización y, más allá, cómo se integró en las sociedades autóctonas y acabó mezclándose con los modelos locales; finalmente un eje dedicado a las migraciones y el paso a América como nexo entre las familias de ambos lados.
    Keywords: D1-2009 ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 61
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    El Colegio de México
    Publication Date: 2024-04-01
    Description: El cumplimiento de cuarenta años de docencia e investigación sobre China en El Colegio de México en el año 2004 y del mismo número de años de publicación continua de la revista Estudios de Asia y África, antes Estudios Orientales, en el 2005, es una ocasión propicia para la selección y publicación de algunos artículos sobre ese país aparecidos en la mencionada revista.
    Keywords: History ; thema EDItEUR::N History and Archaeology::NH History
    Language: Spanish
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  • 62
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    Editorial Universidad del Rosario | SciELO Books - Editorial Universidad del Rosario
    Publication Date: 2024-04-01
    Description: Esta obra reúne once ensayos originales acerca de la función de las imágenes en los procesos de formación de la nación en América Latina, incluyendo contribuciones de especialistas de Europa, Estados Unidos, América Latina e Israel. Inspirados por el reciente “giro pictorial” en las ciencias sociales, estos textos no sólo transcienden los límites nacionales, sino también los disciplinares, combinando acercamientos de la historia, la literatura, los estudios culturales y las ciencias políticas. En general, los autores indagan sobre la función que han desempeñado las imágenes de lo propio y de lo ajeno –como parte de discursos nacionalistas– dentro de exposiciones y museos, en la prensa, en el arte, en la fotografía, en el cine, así como en forma de monumentos y estatuas, es decir en su función de “imágenes públicas”.
    Keywords: History ; General ; thema EDItEUR::N History and Archaeology::NH History
    Language: Spanish
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  • 63
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    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación | Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación ; Universidad Nacional de Misiones ; Universidad Nacional de General Sarmiento
    Publication Date: 2023-03-17
    Description: The Comisión Provincial por la Memoria (CPM) is a state, autonomous, self-sufficient and non-governmental entity, which operates in the province of Buenos Aires.
    Description: Published
    Description: La Comisión Provincial por la Memoria (CPM) es un ente estatal, extra poderes, autónomo y autárquico, es decir, no gubernamental, que funciona en la provincia de Buenos Aires. Está compuesta, por un lado, por una comisión de “notables”, personas reconocidas socialmente que provienen de diferentes ámbitos ligados a las luchas por la memoria y la defensa de los derechos humanos y, por el otro, por un equipo técnico de trabajadores que llevan a cabo las tareas cotidianas de la institución. En este libro se indaga cómo fue la inscripción de la CPM en el campo de los derechos humanos y la memoria. Abordar esta agencia estatal en el marco de las lógicas de este campo permite ver con profundidad el proceso a través del cual la institución nació y en qué contexto político y social lo hizo. A su vez, puede observarse qué trayectorias y horizontes tenían sus creadores y qué estrategias institucionales guiaron su armado. Por último, el análisis de la CPM en funcionamiento permite reconocer que algunas de sus cualidades distintivas reflejan el modo en que la institución eligió inscribirse en las estructuras administrativas del Estado y en el campo, con los acuerdos y los conflictos que esto acarrea.
    Keywords: D1-2009 ; HM401-1281 ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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  • 64
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    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-03-25
    Description: Este libro apunta a complejizar la noción de Estado burocrático autoritario para el análisis de las dictaduras del Cono Sur, puesto que se considera como hipótesis que ambos regímenes buscaron organizar a los sectores populares bajo nuevas coordenadas sociales y no solo reprimirlos. Centralmente, se analizan las políticas sociales destinadas a la búsqueda del consenso social que llevaron adelante la Secretaría de Estado de Promoción y Asistencia a la Comunidad (SEPAC) del Ministerio de Bienestar Social durante la “Revolución Argentina” (1966-1973) y la Dirección de Organizaciones Civiles y el Ministerio del Interior durante la dictadura chilena (1973-1988).
    Keywords: D1-2009 ; E11-143 ; Dictadura ; Argentina ; Políticas públicas ; Chile ; Historia política ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 65
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    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-03-23
    Description: El libro reúne los trabajos de especialistas e investigadores dedicados al estudio revistas, diarios, suplementos semanales y otras formas de publicación periódica en la Argentina de los dos últimos siglos. Las colaboraciones abordan estos objetos a partir de múltiples perspectivas dando cuenta de intereses y problemáticas variadas. En ese sentido, varios se interesan en la cultura urbana, la circulación de lo impreso, o las funciones de la cultura visual en procesos culturales concretos; otros se enfocan en las relaciones entre cultura y política; otros se detienen en aspectos más específicamente metodológicos del estudio de las publicaciones o se concentran en aspectos institucionales ligados con los repositorios; otros plantean sus interrogantes desde la historia de las ideas o la historia intelectual; otros dan cuenta del papel productivo y modelador de la lectura en el contexto de una ampliación de la circulación y el consumo de la letra impresa; otros indagan las expresiones plásticas en publicaciones propiamente artísticas.
    Keywords: A ; D1-2009 ; Argentina ; Social science ; 19th Century ; Ciencias sociales ; Periodicals ; Publicaciones periódicas ; 20th Century ; Siglo XX ; Siglo XIX ; thema EDItEUR::A The Arts
    Language: Spanish
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  • 66
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    Publicacions Universitat Rovira i Virgili
    Publication Date: 2024-03-25
    Description: Cien años de la Primera Guerra Mundial inicia un recorrido por toda la contienda en sus diferentes vertientes, bajo la hipótesis de que dicho conflicto bélico marcaría profunda e irremediablemente el siglo xx y sin el cual tampoco podríamos entender las claves de las principales cuestiones de relaciones internacionales de hoy en día.
    Keywords: D1-2009 ; historia ; Primera Guerra Mundial ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 67
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    CLACSO
    Publication Date: 2024-04-02
    Description: Este libro no fue escrito para agradar a nadie. Muy probablemente la gran mayoría de actores institucionales aquí mencionados no lo apreciara. Aunque, como alerta Camus en La caída, si estuviesemos en una democracia seríamos todos culpados. No es el caso. No hay como transigir frente al descalabro de la supuesta cooperacion internacional, la connivencia criminal de la elite haitiana y el sufrimiento sin fin de la mayoría de su poblacion. Se trata de un testimonio comprometido, escrito por alguien imbuido de la tenue esperanza de que puede contribuir a reducir el tiempo que falta para que el mundo y Haití encuentren otro camino, distinto al que recorrieron hasta ahora, en sus relaciones recíprocas.
    Keywords: History ; Latin American Studies ; International Relations ; Security Studies ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPS International relations::JPSH Espionage and secret services
    Language: Spanish
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  • 68
    Publication Date: 2024-03-28
    Description: En este libro se abordan algunas de las formas en las que la desigualdad social y la estigmatización, racialización e invisibilización de la pobreza se legitiman a través de la prensa hegemónica. Reúne artículos que presentan parte de los resultados de las investigaciones llevadas a cabo en Argentina, Brasil y Colombia en el marco del proyecto POLAME (Poverty, Language and Media –Pobreza, Lenguaje y Medios–) financiado por la cooperación noruega. Los autores pertenecen al equipo de este proyecto salvo el caso de Marcela Toro, articulista invitada. El objetivo del proyecto POLAME fue detectar las expresiones lingüísticas usadas en la prensa de cuatro países indo/latinoamericanos (Brasil, Argentina, Colombia y México), palabras, vocabulario, nociones, conceptos, atributos sobre la pobreza y sus representaciones, partiendo del supuesto de que, como formadora de opinión, la prensa hegemónica reproduce concepciones, creencias e ideologías sobre la pobreza.
    Keywords: Sociology ; Communication Studies ; History ; Latin American Studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFC Poverty and precarity ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
    Language: Spanish
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  • 69
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 70
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    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación | Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación ; Universidad Nacional de Misiones ; Universidad Nacional de General Sarmiento
    Publication Date: 2023-03-20
    Description: Published
    Description: Ubicado en el cruce entre los estudios de la memoria y la transmisión de la historia reciente, este trabajo analiza los procesos de lectura y traducción de la historia reciente que operan en el interior de una institución educativa que ha asumido la incorporación de tópicos controvertidos y aún en proceso de elaboración en el contexto urbano particular que lo circunda. Relación esta que se da entre una escuela ubicada en el Municipio de San Miguel y los hechos ocurridos en la guarnición militar Campo de Mayo durante la última dictadura. El libro estudia el proceso de enseñanza que se da cuando una profesora de historia y sus alumnos de sexto año realizan un producto cultural destinado a la comunidad: un libro que recopila diversos testimonios de habitantes de San Miguel a propósito de la conmemoración de 30 años de democracia.
    Keywords: D1-2009 ; LB5-3640 ; Enseñanza secundaria ; Dictadura cívico-militar ; Argentina ; Historia argentina ; Enseñanza de la historia ; bic Book Industry Communication::J Society & social sciences
    Language: Spanish
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  • 71
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    Editorial Universidad Nacional (EUNA)
    Publication Date: 2024-03-23
    Description: This text is made up of two great nuclei of ideas. The first concerns training and historical development that allow a definition of the unique profile that the School of Art and Visual Communication offers the country through artistic education. Here we analyze the contributions of two administrative periods that are fundamental, because it is during their duration that the identity that characterizes the School as an educational and artistic institution is forged. The second part refers to the plastic-artistic, intellectual and teaching production of outstanding professors. This section characterizes the facets that distinguish the work of each author considered and gives a global idea of the values of their artistic production, their projection to the country and the artistic environment from the spheres of creation, art criticism, insertion in museums and teaching itself.
    Keywords: School Of Art And Visual Communication (Universidad Nacional (Costa Rica)) ; Universidad Nacional (Costa Rica) ; History ; University Professors ; Artists ; Plastic Arts ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs
    Language: Spanish
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  • 72
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    CLACSO
    Publication Date: 2024-04-02
    Description: Esta recopilación de artículos, conferencias y entrevistas sobrevuela las distintas realidades de los países de la región. Lo hace munido de una concepción de la historia que no mira con nostalgia el pasado y cree en la necesidad de reinventar siempre el camino, en al menos dos direcciones. Por un lado, buscando profundizar la integración latinoamericana en una tarea permanente de rearticulación de sus objetivos e instituciones, conformada tanto de visiones y agendas convergentes como de pragmatismo y eficacia. Por el otro, avanzando en un modelo de gobernabilidad que sepa ampliar las bases del Estado sin coaptar el poder popular, en una dinámica que no es sencilla de alcanzar pero sobre la que se podrá sostener un programa de gobierno progresista que no traicione la voluntad y la capacidad de movilización de las bases.
    Keywords: History ; Latin American Studies ; Political Science ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPH Political structure and processes::JPHV Political structures: democracy
    Language: Spanish
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  • 73
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    El Colegio de México
    Publication Date: 2024-04-01
    Description: Este libro expresa las reflexiones que se han formulado sobre el hombre y su historia acerca de lo que es vivir en sociedad y de lo que es luchar por valores e ideas con las que se han tejido infinidad de discursos. El autor busca recrear el discurso sobre la realidad circundante al sujeto como acto constitutivo de éste en su capacidad de actuar con voluntad y emoción. Nos situamos ante la exigencia de desarrollar una argumentación orientada a recuperar al sujeto desde los múltiples planos en que se desenvuelve el movimiento de la realidad, privilegiando los de la existencia y la historia; planos que no pueden reducirse a los objetos propios de las disciplinas científicas convertidas en compartimentos estancos.
    Keywords: History ; thema EDItEUR::N History and Archaeology::NH History
    Language: Spanish
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  • 74
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 75
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 76
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    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: Este libro reúne trabajos sobre distintos aspectos de la historia del Imperio Romano desde el surgimiento hasta su crisis terminal en Occidente. La sociedad romana es abordada desde puntos de vista políticos, económicos y sociales, en la medida en que estos pueden ser separados. Se han traducido textos de reconocidos investigadores: Morstein-Marx, Rosenstein, Mattingly, Ziolkowski, Grey y Drinkwater, cuya publicación busca acercar al mundo hispanoparlante estudios actualizados acerca de este período histórico para ser utilizados en la enseñanza de grado de la educación superior y universitaria. Esperamos que impulse la curiosidad de los alumnos sobre esta época, al mostrar su complejidad y lo que podemos aprender de ella para la comprensión de la sociedad en la que vivimos.
    Keywords: D1-2009 ; HN1-995 ; DE1-100 ; D51-90 ; Imperio romano ; Historia económica ; Monarquía ; República ; Historia política
    Language: Spanish
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  • 77
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    CLACSO
    Publication Date: 2024-03-29
    Description: Esta edición se realiza en el contexto del Centenario de la Reforma Universitaria cordobesa de 1918 y del cincuentenario de los hechos de 1968: el Mayo Francés, el ’68 uruguayo, la passeata dos cen mil brasileña y la masacre de Tlatelolco. El año elegido constituye un ícono, donde el sentido común ha condensado toscamente la gran cantidad de movilizaciones estudiantiles inmediatamente anteriores y posteriores, como las ocurridas en Alemania Federal, Bélgica, Checoslovaquia, China, Corea, Egipto, España, Gran Bretaña, Estados Unidos, Italia, Japón, Polonia, la Unión Soviética y Yugoslavia. En nuestro continente, además de los casos mencionados, también hubo grandes luchas estudiantiles en Argentina, Colombia y Chile, que aparecen en este volumen, y en Bolivia, Cuba, Nicaragua, Perú y Venezuela, que lamentablemente no cuentan con capítulos específicos en nuestro libro. Se trata de un libro verdaderamente colectivo, porque reunimos investigaciones con perspectivas teóricas y metodológicas diversas, sobre varios de los ciclos de movilización estudiantil más trascendentes de seis países latinoamericanos hacia fines de los ’60 y principios de los ’70, procesos a los que llamamos “los ‘68". Compartimos artículos realizados con el marco conceptual del marxismo y otros escritos desde las teorías de la acción colectiva; investigaciones que utilizaron como fuente principal los testimonios orales y otras que privilegiaron el registro hemerográfico, escritos de una densidad descriptiva notable y reflexiones conceptuales originales. En todos los casos textos metódicamente construidos, que brindan nueva información o nuevos enfoques sobre la política, la cultura y la universidad latinoamericana en los años ’60 y ’70. Del Prólogo de Mariano Millán
    Keywords: Education ; History ; Latin American Studies ; bic Book Industry Communication::J Society & social sciences::JN Education::JNB History of education ; bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJK History of the Americas ; thema EDItEUR::J Society and Social Sciences::JN Education::JNB History of education ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
    Language: Spanish
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  • 78
    Publication Date: 2024-03-25
    Description: En el siglo XVI, la Península Ibérica no quedó al margen del gran debate teológico que sacudía Europa. En España y Portugal se leían, comentaban y discutían los escritos de la Reforma. Su recepción no fue una mera aceptación pasiva de ideas extranjeras, sino el fruto de una interacción con planteamientos espirituales autóctonos que no puede ser reducida a la polarización entre católicos y protestantes. Las redes de creyentes evolucionaron al mismo tiempo que las doctrinas reformadas y que las estrategias de contención desarrolladas por los reyes y la Inquisición. Las contribuciones de este libro permiten un nuevo balance de la situación de la Reforma en el conjunto de la Península Ibérica, a la vez que ponen en relación a los círculos de exiliados con las comunidades del interior.
    Keywords: D1-2009 ; BL1-50 ; luteranismo ; Inquisición ; Reforma ; recepción ; herejía ; protestantismo ; censura ; siglo XVI ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 79
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 80
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 81
    Publication Date: 2024-04-02
    Description: La meta principal de este estudio es averiguar –siguiendo la teoría de Frantz Fanon a través de su pedagogía obrera– los "mecanismos" conceptuales que podrán servir para una "relectura" de los Movimientos Sociales, observando al proceso pedagógico de Haití, con vistas a su transformación social y económica. De esa forma, ante el cuadro de emergencias en el que se encuentra Haití, surgieron preguntas respecto de cuáles serían las tareas más osadas de un educador que acepta el desafío como su responsabilidad. Preguntas como ésta, entre otras, nos han acompañado en el día-a-día, a lo largo de la escritura de este libro. Sin duda, el repensar a Haití y sus procesos educativos, consiste en un gran desafío que no puede ser asumido de forma aislada, sino de forma colectiva.
    Keywords: History ; Latin American Studies ; Education ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::J Society and Social Sciences::JN Education::JNB History of education
    Language: Spanish
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  • 82
    Publication Date: 2024-03-25
    Keywords: D1-2009 ; Portuguese ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 83
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    Editorial Universidad del Rosario | Editorial Universidad del Rosario
    Publication Date: 2023-03-03
    Description: Con todas las cosas creó Dios la medicina, simple y específica; y a la naturaleza, admirable en lo productiva y conservativa, y vio que todo era excelente, bueno”, de esta manera comienzan los Casos felices y auténticos de medicina del relojero, platero y médico Domingo Rota; libro que dio vida a esta investigación. Este ejercicio microhistórico busca esclarecer algunos aspectos claves de la medicina neogranadina de finales del siglo XVIII en Santafé y sus alrededores, a través de la comprensión y estudio de los casos médicos presentados por Domingo Rota en su libro. El texto explora eventos de la vida de este singular personaje, su proceso de aprendizaje del saber médico, el trato que este mantenía con otros practicantes, los contenidos de su libro y la relación que todos estos aspectos establecen con el universo en el que Domingo llevó a cabo su práctica.
    Keywords: Medical ; History ; bic Book Industry Communication::M Medicine::MB Medicine: general issues::MBX History of medicine
    Language: Spanish
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  • 84
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 85
    Publication Date: 2024-03-25
    Description: Montañas, comunidades y cambio social en el Pirineo medieval analiza un periodo clave en el devenir histórico de la sociedad del Pirineo central, que arranca en el siglo X y termina en el XIV, a través de un estudio pormenorizado del condado de Ribagorza (situado entre Aragón y Cataluña). El libro describe una prolongada etapa de transformación social y crecimiento agrario que condujo a unas comunidades montañesas bastante autónomas hacia formas de dependencia feudal y servidumbre características de la plena Edad Media, y muestra cómo posteriormente tuvo lugar la progresiva emancipación de las clases subordinadas respecto a las facetas más onerosas del señorío, al calor del desarrollo del Estado y el auge de los mercados. A lo largo de sus páginas se exploran las capacidades y limitaciones de la población campesina como actor social decisivo en aquel proceso de cambio histórico frente a los diferentes modelos de dominación feudal.
    Keywords: D1-2009 ; cambio social ; Edad Media ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 86
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 87
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    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación | Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-04-01
    Description: Published
    Description: Este libro homenaje se formula como un diálogo abierto entre grupos de investigación europeos y americanos sobre problemáticas referidas a una visión Atlántica de la proyección de los Imperios Ibéricos en la Edad Moderna. Los ejes convocantes son aquellos que a lo largo de su dilatada trayectoria en la investigación histórica ha desarrollado y publicado la Dra. María Inés Carzolio, tanto en Argentina como en el extranjero: Las raíces medievales de la Europa Moderna, las monarquías del Antiguo Régimen, la organización del espacio social y los agentes sociales en la modernidad, cuestiones sobre creencias y religiosidad, estudios urbanos y, finalmente, problemáticas en torno al campo discursivo y cultural.
    Keywords: D1-2009 ; Historia europea ; Mujeres ; María Inés ; Historia moderna ; Carzolio ; Historiadores ; Historia política ; thema EDItEUR::N History and Archaeology::NH History
    Language: Spanish
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  • 88
    Publication Date: 2024-03-30
    Description: En el marco de intensos cambios políticos y económicos, el salto de siglo trajo a Latinoamérica nuevas orientaciones en la gestión y negociación de las políticas sociales, además de consensos y conflictos en torno a las mismas. Sin abandonar del todo las medidas de corte liberal recomendadas por el Consenso de Washington, buena parte de los gobiernos de la región incluyeron en sus agendas objetivos de corte universalista, junto con la implementación de un conjunto de transformaciones (heterogéneas) que mantienen, consolidan o modifican procesos iniciados en los años ochenta del siglo pasado. Partiendo de este contexto, la presente obra colectiva del Grupo de Trabajo sobre Pobreza y Políticas Sociales de CLACSO, condensa sus preocupaciones sobre los retos que enfrenta América Latina para enfrentar los niveles de exclusión social que la caracterizan, a la vez que ensaya explicaciones sobre la incidencia de los ciclos económicos y políticos que afectan permanentemente su patrón de distribución de la riqueza, e instituyen una lógica de avance y retroceso que bloquea la instalación de adecuadas estrategias de bienestar, con capacidad para atender los principales riesgos sociales y reducir la desigualdad. El análisis de esta compleja e histórica problemática, contextualizada en los primeros quince años del siglo XXI, ofrece la oportunidad de identificar las distintas orientaciones políticas de los gobiernos de turno y sus dilemas.
    Keywords: Political Science ; Latin American Studies ; Development Studies ; History ; thema EDItEUR::K Economics, Finance, Business and Management::KC Economics::KCP Political economy ; thema EDItEUR::J Society and Social Sciences::JP Politics and government ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTP Development studies ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
    Language: Spanish
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  • 89
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 90
    Publication Date: 2024-04-02
    Description: La descolonización de la historia se basa en el supuesto según el cual no hay una entidad única denominada historia, ya que ningún relato único puede dar cuenta del pasado. Lo que llamamos pasado no es más que una ilusión y un ajuste de cuentas entre fuerzas sociales rivales que luchan por el poder. Si bien el pasado es el de los ganadores, existe un pasado-presente, el de aquellos para quienes la lucha continúa y para quienes existen aún posibilidades de resistencia. La colección Epistemologías del Sur fue concebida en un formato de libros pequeños y ágiles, que más que conformar un gran edificio del conocimiento al que accedan unos pocos, se presentan como pequeñas artesanías a descubrir y como potentes brújulas para cruzar la línea abisal que separa las formas de sociabilidad metropolitanas de las experiencias coloniales.
    Keywords: History ; thema EDItEUR::N History and Archaeology::NH History::NHA History: theory and methods::NHAH Historiography
    Language: Spanish
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  • 91
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 92
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 93
    facet.materialart.
    Unknown
    CLACSO
    Publication Date: 2024-03-29
    Description: Description not available.
    Keywords: Political Science ; Latin American Studies ; History ; Philosophy ; bic Book Industry Communication::J Society & social sciences::JP Politics & government ; bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJK History of the Americas ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy ; thema EDItEUR::J Society and Social Sciences::JP Politics and government ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy
    Language: Spanish
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  • 94
    Publication Date: 2024-03-25
    Description: Durante mucho tiempo se han considerado como un hito esencial en la historia del imperio hispanoamericano la muerte del último Habsburgo a finales del siglo xviii y la llegada al trono de los Borbones a inicios de la centuria siguiente. Como ya, en no pocos aspectos, la realidad de las provincias americanas se estaba autonomizando de los procesos de la Península, ese cambio sucedió para ellas en un contexto de dinámicas propias y de evoluciones a veces notables aunque en general mal conocidas, con las que tuvo que contar el gobierno español cuando inició las primeras reformas que prefiguraban las de la segunda mitad del siglo. Los estudios aquí reunidos tratan de esas temáticas en una perspectiva comparativa en la que resaltan las semejanzas y los procesos de diferenciación de los dos virreinatos.
    Keywords: D1-2009 ; cultura y poder ; élite ; religión ; mundo indígena ; organización territorial ; Consejo de Indias ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 95
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 96
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 97
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 98
    Publication Date: 2024-04-02
    Description: Hace años que México atraviesa por una crisis de largo aliento, combinada con sucesivos estallidos de indignación y reclamos populares. Este texto propone ubicar y pensar la crisis de México a nivel específico del estado, considerándolo en su doble faz de instrumento de dominación y promesa no inocua de bienestar y evitando salidas sencillas. Este tipo de crisis no es nuevo en la región latinoamericana, por lo que recurrimos a otras experiencias (Argentina, Bolivia, Colombia, Ecuador y Venezuela) con ánimos de analizar qué podemos recuperar. El factor que nos permite la comparación con estos casos es la instancia de renovación constituyente: la convocatoria a renovar los acuerdos más básicos que nos ligan como pueblo. Pensamos la renovación constituyente no como simple recambio legal o técnico, sino como la convocatoria amplia a re-construir la nación a partir de acuerdos sociales básicos. ¿La figura del Congreso Constituyente es útil para estos fines? ¿cuál ha sido la experiencia al respecto en América Latina en el último movimiento constituyente? ¿Cómo se ven las perspectivas de México a la luz de esas experiencias? Estas son las preguntas que guían el texto.
    Keywords: History ; Latin American Studies ; Political Science ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPH Political structure and processes::JPHC Constitution: government and the state
    Language: Spanish
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  • 99
    facet.materialart.
    Unknown
    CLACSO
    Publication Date: 2024-04-02
    Description: Description not available.
    Keywords: History ; Latin American Studies ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
    Language: Spanish
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  • 100
    facet.materialart.
    Unknown
    Centro de estudios mexicanos y centroamericanos
    Publication Date: 2024-03-25
    Description: "Fue hacia fines de 1826 cuando el ministro de la guerra, Gómez Pedraza, pudo hacer maniobrar, en la plaza de armas de México, el primer batallón completamente armado y equipado según el gusto moderno o el modelo francés". Así califica Claudio Linati, en su libro Costumes Civils, Militaires et Religieux du Mexique, la organización del ejército a cinco años del nacimiento de México, como país independiente. Esa observación autoriza preguntar sobre el papel que jugó francés" -hombres, ideas, mercancías y capitales- en la modernización del país, y a indagar su contribución en el tránsito de la sociedad novohispana a la nacional. Fruto de dos coloquios del provecto "México Francia", esté libro reúne veinticinco estudios, articulados en cinco ejes analíticos (El inmigrante: imagen y realidad; De lo privado a lo público; La República de las letras; El medio de la Medicina; y Élites, familias e individuos), donde historiadores mexicanos y franceses abordan esa problemática. Además de utilizar la perspectiva mundializadora y la reflexión sobre las sensibilidades, ellos ponen a prueba una escala pequeña de análisis, la historia de vida, cuyos alcances cuestionan la historia tradicional que excluye la participación de actores extranjeros en la construcción de la nación.
    Keywords: D1-2009 ; Francia ; México ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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