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  • FrancoAngeli  (193)
  • Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación  (117)
  • Spanish  (310)
  • Undetermined
  • 2020-2024  (310)
  • 2020-2020
  • 1980-1984
  • 2024  (195)
  • 2021  (115)
  • 2020
Collection
Language
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  • 2020-2024  (310)
  • 2020-2020
  • 1980-1984
Year
  • 1
    Publication Date: 2024-03-25
    Description: A partir del regreso definitivo de Juan D. Perón a la Argentina, el 20 de junio de 1973, el nivel de violencia política y represión fue progresivamente en aumento hasta alcanzar niveles inéditos en los meses cercanos al golpe de Estado de 1976. Esta investigación se aboca al estudio de ese proceso destinado a “depurar” la “infiltración” marxista en el interior del Movimiento Peronista. Para ello, realiza un acercamiento al problema desde un estudio de caso local. Se trata del abogado y militante peronista José Antonio Pastor Deleroni, que en la actualidad es considerado, oficialmente, la primera víctima de la Triple A en el ex partido de General Sarmiento (provincia de Buenos Aires). Tito Deleroni fue asesinado junto con su esposa, Nélida Arana, el 27 de noviembre de 1973. Este doble crimen fue señalado para dar cuenta del clima previo al golpe de Estado: la existencia a nivel local de una fuerte activación política y la acción represiva ejercida contra ella desde los sectores más reaccionarios del peronismo.
    Keywords: D1-2009 ; F1201-3799 ; Peronismo ; Historia política argentina ; Historia argentina ; 1973-1976 ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 2
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 3
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    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: Los trabajos aquí reunidos reflejan el resultado de las comunicaciones y conferencias presentadas en el Coloquio Internacional Sobre el pensamiento de Maurice Merleau-Ponty desarrollado durante los días 6 y 7 de diciembre de 2016 en la FaHCE-UNLP. En él se pusieron a consideración y debate interpretaciones sobre algunos tópicos fundamentales de la obra del pensador francés, tales como las nociones de cuerpo, carne, quiasmo y naturaleza. Se revisaron relaciones distintivas en sus reflexiones poniendo el foco en el arte, en la historicidad, en la pintura y en la ciencia, así como algunos cruces posibles con otros pensamientos como los de Husserl, Heidegger, Rancière, Ricoeur, o el de los estudios de género.
    Keywords: B1-5802 ; Fenomenología ; Filosofía contemporánea ; Género ; Cuerpo ; Existencialismo
    Language: Spanish
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  • 4
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 5
    Publication Date: 2023-12-20
    Description: Desde la perspectiva de la extensión universitaria este manual aborda las dificultades de acceso a la documentación de identidad en grupos sociales vulnerables. En el marco de un análisis que permite comprender las desigualdades sociales inscriptas en las barreras de acceso a la documentación de identidad, se despliegan una serie de herramientas para facilitar la tarea de organizaciones y referentes territoriales y/o institucionales. Encontrarán aquí respuestas a preguntas frecuentes para resolver situaciones problemáticas, estrategias de acción y organización colectiva, recomendaciones y trucos que permitirán transitar las instituciones estatales propias del circuito de identificación.
    Keywords: HM401-1281 ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFP Social interaction
    Language: Spanish
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  • 6
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    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: El III Seminario Nacional Red Latinoamericana de Estudios sobre Trabajo Docente Argentina (Red ESTRADO) se realizó en la Facultad de Humanidades y Ciencias de la Educación - UNLP los días 2, 3 y 4 de septiembre de 2015, con el propósito de consolidar el intercambio entre docentes, investigadoras e investigadores nacionales y extranjeros sobre temas de educación, trabajo y políticas. En este sentido, el encuentro dio continuidad a los debates y producciones académicas de la Red ESTRADO que fuera creada a fines de 1999, durante la primera reunión del Grupo de Trabajo "Educación, Trabajo y Exclusión Social" del Consejo Latinoamericano de Ciencias Sociales (CLACSO). Los seminarios de la Red ESTRADO constituyen los únicos eventos académicos sobre esta área específica que se realizan a nivel nacional y continental, por lo que revisten una importancia significativa para la consolidación del campo de estudios sobre el trabajo docente a partir de los desarrollos que, desde diferentes perspectivas y disciplinas, vienen realizando numerosos investigadores latinoamericanos en distintas instituciones, principalmente universidades, institutos de formación docente y sindicatos.
    Keywords: L7-991 ; Enseñanza ; Aspectos especiales de la educación ; Género ; Formación docente ; Pedagogía ; Investigación Educativa ; Trabajo
    Language: Spanish
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  • 7
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    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2023-12-20
    Description: Estas páginas abordan los conceptos que han resultado vertebradores de reflexiones, debates y estudio sobre la representación de la violencia en la literatura, desde la antigüedad clásica hasta el presente. Cada uno de los ensayos que componen el libro indaga acerca de cómo y por qué razones las sociedades de diversas épocas quiebran el entramado social en determinadas circunstancias que se reiteran cíclicamente, expresadas en enfrentamientos bélicos, muertes, sacrificios y otros ejemplos de quebrantos. Estos trabajos se inscriben en el actual desafío que plantea la discusión teórica acerca de la identificación de los modos mediante los cuales los escritores, de períodos históricos y de geografías distantes, advierten dificultades reincidentes a la hora de plasmar la beligerancia humana inscripta en lo diacrónico. En este sentido, proponen instalar el diálogo respecto de puntos de vista críticos sobre textos literarios de diferentes épocas que permitirán sombrear las múltiples y por momentos disonantes y, en otros, visiones sinfónicas con que ha sido abordada la problemática de la guerra.
    Keywords: PA ; bic Book Industry Communication::P Mathematics & science
    Language: Spanish
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  • 8
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    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-03-25
    Description: En las sociedades de la modernidad, las “fronteras” se convierten en marcas o limes que determinan ámbitos o zonas de contacto que, de alguna manera, han servido para crear y recrear marcos generales de diferenciación y de posibles comparaciones a partir de sus componentes sociales, económicos, culturales, políticos, religiosos, etc., distinguiendo así, ambos márgenes. Hablamos por ello de “fronteras” en plural, distintas y cambiantes, pero con un punto común, esto es la idea de un límite o linde que puede ser extenso, dilatado, poroso o difuminado. Al mismo tiempo, en muchos casos estas “fronteras” no se muestran en sí como separadoras. Por el contrario, constituyen la basa que ha permitido la aparición de determinados procesos de permeabilidad y percolación que provocan un importante efecto de convergencia siendo así también zonas o espacios de encuentro, contacto e intercambio. En este sentido, el reto de la presente compilación de trabajos es el de pensar las fronteras dentro de unas monarquías hispano lusitanas agregativas. Las innumerables formas de abordaje, aspectos y dinámicas que confluyen en pensar las “fronteras” en el Mundo Atlántico fundan un aliciente más para este encuentro de miradas que resume, en gran medida, el espíritu propio del proyecto de la Red inter-universitaria de Historia del Mundo Ibérico del Antiguo Régimen a las Independencias.
    Keywords: D1-2009 ; Historia americana ; Historia europea ; Comercio internacional ; Naciones ; Territorios ; Fronteras ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 9
    Publication Date: 2024-04-03
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 10
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 11
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    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-03-25
    Description: El volumen colectivo Represión estatal y violencia paraestatal en la historia reciente argentina: nuevos abordajes a 40 años del golpe de Estado es resultado de un extenso trabajo realizado en el seno de la Red de Estudios sobre Represión y Violencia Política (RER), que nuclea desde 2014 a investigadores que se encuentran produciendo y debatiendo sobre tales temáticas. El libro tiene como objetivo central sistematizarlos principales aportes y líneas de renovación en los estudios sobre la represión, ofreciendo un panorama sintético y analítico sobre las formas, dispositivos y efectos de la represión previa y posterior al golpe de Estado. Para ello se convocó a un conjunto de investigadores/as especialistas en dichas temáticas con diversas trayectorias, quienes desarrollan sus investigaciones en distintas universidades nacionales o en el CONICET y forman parte de la RER, y han producido renovados estudios e interpretaciones sobre la problemática. El libro está dividido en tres partes, que tratan los ejes principales por los que discurre la producción académica sobre la represión en la historia reciente en nuestro país.En la primera parte se aborda un conjunto de problemas y temas referidos a los orígenes, las condiciones de posibilidad y el ejercicio de la represión en los años previos al golpe de Estado, poniendo el foco en la cuestión de las continuidades y rupturas en las formas de represión, la excepcionalidad y la normalidad de la última dictadura, yla inscripción del terror de Estado en las formas de represión social y política durante el siglo XX. La segunda parte agrupa una serie de trabajos que analizan, en una temporalidad fluida entre los años 50 y 80, un conjunto de prácticas, dispositivos y discursos represivos y sus efectos sociales e individuales, así como algunas agencias e instituciones estatales en contextos de represión (los exilios, la cárcel, los consejos de guerra militares, la represión a los trabajadores, a los judíos y los niños apropiados, el Poder Judicial). La tercera parte se centra directamente en el accionar represivo durante la última dictadura militar, focalizando en un problema central: el de las escalas de análisis. Así, se incluye un conjunto de estudios a escala local/regional (Rosario, Bahía Blanca, Norpatagonia, Santa Fe) y trasnacional/nacional (la coordinación represiva en el Cono Sur).
    Keywords: D1-2009 ; HM401-1281 ; F1201-3799 ; represión ; historia argentina ; violencia política ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 12
    Publication Date: 2024-04-06
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 13
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 14
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 15
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 16
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: Este libro es el resultado de investigación del proyecto “Educación Física y escuela: el deporte como contenido y su enseñanza” (2009-2013) 11/H573, como continuidad de estudios anteriores, que fueron realizados en instituciones deportivas. El producto presenta las características y particularidades del tratamiento y la enseña del deporte, en escuelas públicas y privadas de la región y zonas aledañas, en los niveles primario y secundario, en clases organizadas con alumnos agrupados por sexo o de forma mixta. Desde una perspectiva cualitatíva–interpretativa se trabajó en la recolección de información a través de observación y registro de clase, entrevistas a profesores, profesoras, estudiantes y expertas, análisis de planificaciones y de libros de temas como también de textos teóricos y técnico-metodológicos de uso corriente en la escuela y entre los profesores y profesoras. También se analizó el Diseño Curricular de Educación Física para los niveles primario y secundario. El tratamiento realizado con estos materiales, entre otros, se refleja de forma particular en los diferentes capítulos, mostrando tanto diversas posibilidades de entrecruzamiento de fuentes e información como de análisis e interpretación. Esos mismos capítulos muestran diferentes formas de describir y escribir. A la vez, este producto incluye en particular una discusión dada por el equipo en torno a los sentidos y significados que pueden asignársele y otorgársele al deporte, en un momento avanzado del desarrollo de la investigación, intentando reflejar y respetar las miradas y voces presentes en la información lograda. En ese sentido, se privilegia la discusión en torno a las particulares característica que toma el deporte en la escuela al ser enseñando, lo que supone cambios y asignaciones especiales al mismo que exceden las caracterizaciones tradicionales y clásicas existentes en el campo. Al cierre, se presentan algunas conclusiones generales que suman a las particulares realizadas en cada capítulo.
    Keywords: L7-991 ; Enseñanza ; Deporte
    Language: Spanish
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  • 17
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-03-25
    Description: El libro comienza su introducción con un trabajo de Juan Marchena quien indaga en larga duración las repercusiones que tuvieron los conflictos hispanolusitanos de la península en el plano americano, desde el Amazonas hasta el Río de la Plata. Así, este trabajo permite adentrarnos en el otro plano del libro que analiza la guerra en la frontera; en primer lugar hacia el sur rioplatense y luego, en un segundo bloque, se traslada el análisis hacia la frontera norte de la región platina. El trabajo ubica al área rioplatense como parte constitutiva de una extensa área de frontera hispanolusitana e indígena. En lo que respecta a las relaciones hispanolusitanas en el área rioplatense observa que la misma fue un espacio de constantes intercambios entre españoles y portugueses. Luego del Tratado de Tordesillas el área rioplatense quedó definitivamente signada como una región de frontera. La imposibilidad de establecer una longitud terrestre y señalar exactamente el lugar donde pasaba la línea imaginaria de Tordesillas dejó definitivamente establecida la región como área de frontera entre las coronas peninsulares. En esta región las relaciones entre súbditos de ambas coronas se dio de forma demasiado particular. Estos individuos percibían la realidad de frontera como lo cotidiano, muy alejado de las perspectivas geopolíticas de las respectivas coronas. Siguiendo con la idea de permeabilidad de la frontera, un tercer plano del trabajo se aboca a las fronteras en movimiento, entendiendo a la frontera como ese lugar permeable abierto en el que interactúan todas las sociedades: la hispanocriolla, la portuguesa y la indígena, generando dentro de este mundo un complejo mosaico étnico en donde las coronas peninsulares tuvieron que idear diferentes modelos de control y organización. Por último, el bloque sobre historiografía, memoria e identidad cierra el libro dejando abierto el debate en la temática planteada.
    Keywords: D1-2009 ; F1201-3799 ; Colonización ; Río de la Plata ; España ; Historiografía ; Portugal ; Fronteras ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 18
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 19
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 20
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-04-01
    Description: Se cree que en el marco de un contexto de institucionalización y formalización de la política social, orientada a afianzar un sistema integral de protección social que garantizara una serie de derechos, se vuelve clave desentrañar las condiciones objetivas y los sentidos implicados en los procesos de implementación de tales políticas. A fin de comprender y dimensionar el alcance de tal escenario en términos de avances en la superación de la pobreza, de la vulnerabilidad y de la exclusión, en el logro de la equidad de género y de derechos de niños, adolescentes y adultos mayores de hogares pobres -excluidos normativamente de las lógicas reproductivas y productivas y por tanto subordinados y desigualados en distintos sentidos-, planteamos actualizar conocimientos sobre algunas problemáticas previamente indagadas e incorporar otras cuya novedad deriva de cambios legislativos que avanzaron en el reconocimiento de derechos. La obra contiene el análisis de las siguientes políticas sectoriales: trabajo, salud, educación y vivienda, dirigidas a grupo poblacionales con vulnerabilidades específicas: hogares pobres, niños y jóvenes que viven y/o trabajan en la calle, adultos mayores pobres, mujeres en edad reproductiva. Considerando las desigualdades sociales, étnicas, de género y etarias, se indagan los efectos de las mismas en las condiciones de vida, de trabajo, en las relaciones sociales, en la configuración de identidades, en la consecución de derechos económicos, sociales y culturales, meta de cualquier política social comprometida con el logro de igualdad, inclusión e integración social.
    Keywords: H1-99 ; thema EDItEUR::N History and Archaeology::NH History
    Language: Spanish
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  • 21
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 22
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-03-25
    Description: Memorias del BIM: biografías es un libro hecho de testimonios, de recuerdos, que intenta recuperar las vidas y las historias de las víctimas asesinadas y desaparecidas por la Fuerza de Tareas N.o 5, dependiente de la Armada, en nuestra región. Vidas e historias que se han podido recuperar parcialmente gracias a un arduo trabajo de memoria realizado por parte de los sobrevivientes, familiares, amigos y colectivos sociales, académicos y políticos comprometidos con la defensa de los derechos humanos y los reclamos de Memoria, Verdad y Justicia. Esta segunda edición integra sesenta y ocho nuevos casos a los ya trabajados en la primera (2015), lo que suma un total de ciento veinte biografías que, al ser leídas en una sucesión, cobran espesor colectivo y permiten conocer las múltiples dimensiones que nutrieron las tramas colectivas sobre las que se montó la participación de estos hombres y mujeres. En el espacio de estas páginas, esas luchas vuelven a cobrar la relevancia histórica y política que tuvieron; y a través de ellas nos acercamos al clima social y cultural de toda una época.
    Keywords: D1-2009 ; F1201-3799 ; Biografías ; Ensenada ; Berisso ; Detenido desaparecido ; La Plata ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 23
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 24
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 25
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: La Comisión Provincial por la Memoria (CPM) es un ente estatal, extra poderes, autónomo y autárquico, es decir, no gubernamental, que funciona en la provincia de Buenos Aires. Está compuesta, por un lado, por una comisión de “notables”, personas reconocidas socialmente que provienen de diferentes ámbitos ligados a las luchas por la memoria y la defensa de los derechos humanos y, por el otro, por un equipo técnico de trabajadores que llevan a cabo las tareas cotidianas de la institución. En este libro se indaga cómo fue la inscripción de la CPM en el campo de los derechos humanos y la memoria. Abordar esta agencia estatal en el marco de las lógicas de este campo permite ver con profundidad el proceso a través del cual la institución nació y en qué contexto político y social lo hizo. A su vez, puede observarse qué trayectorias y horizontes tenían sus creadores y qué estrategias institucionales guiaron su armado. Por último, el análisis de la CPM en funcionamiento permite reconocer que algunas de sus cualidades distintivas reflejan el modo en que la institución eligió inscribirse en las estructuras administrativas del Estado y en el campo, con los acuerdos y los conflictos que esto acarrea.
    Keywords: D1-2009 ; HM401-1281
    Language: Spanish
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  • 26
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: Las Jornadas de Trabajo sobre Historia Reciente se encuadran en una persistente preocupación por abordar tanto desde perspectivas teórico-metodológicas como histórico-concretas las problemáticas que este fructífero campo está generando. Las VII Jornadas [2014] aspiran a acrecentar y consolidar el amplio desarrollo que ha tenido este ámbito de estudios en los últimos años. Para ello se proponen formas organizativas que propicien aún más el desarrollo de los debates e intercambios, así como otras actividades para la difusión de las problemáticas abordadas en nuevos formatos que alcancen ámbitos no estrictamente universitarios.
    Keywords: D1-2009 ; Jornada de trabajo sobre Historia Reciente ; Historia ; History
    Language: Spanish
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  • 27
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-03-25
    Description: Las Jornadas de Trabajo sobre Historia Reciente se encuadran en una persistente preocupación por abordar tanto desde las perspectivas teórico-metodológicas como histórico-concretas las problemáticas que este fructífero campo está generando. Las VII Jornadas aspiran a acrecentar y consolidar el amplio desarrollo que ha tenido este ámbito de estudios en los últimos años. Para ello se proponen formas organizativas que propicien aún más el desarrollo de los debates e intercambios, así como otras actividades para la difusión de las problemáticas abordadas en nuevos formatos que alcancen ámbitos no estrictamente universitarios.
    Keywords: D1-2009 ; F1201-3799 ; Enseñanza de la historia ; Historia social ; Movimientos sociales ; Historia política ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 28
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 29
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-04-01
    Description: Este libro reúne trabajos sobre el pasado y el presente de las leyes, las justicias y las insituciones de seguridad de la provincia de Buenos Aires. Dicha temática plantea una complejidad que solo ha sido analizada parcialmente, y que aquí se quiere profundizar sumando aportes de distintas disciplinas y miradas. Se aprovechan para ello las contribuciones más recientes de las Ciencias Sociales, que se han ocupado del sobreexpuesto tema de la seguridad y de las instituciones que detentan el monopolio de la coerción estatal, junto con los aportes de la llamada historia social y cultural de la justicia y las instituciones de seguridad de América Latina. Los autores que integran esta compilación buscan avanzar en el conocimiento de los marcos normativos y las prácticas sociales en el territorio bonaerense, indagando sobre distintos aspectos -históricos y contemporáneos- de la administración del conflicto, que involucran una trama compleja de relaciones, tanto hacia el interior de las agencias estatales  como en su relación con diversos grupos, clases y actores sociales.     
    Keywords: F1201-3799 ; Argentina ; Buenos Aires (provincia) ; Historia ; history ; Participación social ; social participation ; 19th Century ; 21th Century ; justice ; Siglo XXI ; Justicia ; Siglo XIX ; thema EDItEUR::N History and Archaeology::NH History
    Language: Spanish
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  • 30
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 31
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: Los espacios portuarios son estructuras sociales complejas que condicionan el desarrollo social y, a su vez, son modificadas en ese mismo proceso. Esas estructuras están conformadas por una multiplicidad de elementos que incluyen: circulación de mercancías y personas, una cambiante población flotante, un intenso y variado intercambio cultural, migraciones, turismo, circulación de información y el asentamiento de industrias, entre otros. Esta diversidad, casi inabordable en su totalidad, constituye una invitación a que las ciencias sociales encaren su estudio desde una perspectiva interdisciplinaria. Este libro es el resultado del esfuerzo que, en ese sentido, lleva a cabo la Red de Estudios Portuarios. Las actividades realizadas por la red vinculan a investigadores que desde distintas disciplinas científicas indagan sobre diferentes aspectos que hacen a los espacios portuarios de la actualidad y del pasado. El conjunto de los textos reunidos en esta compilación es un claro ejemplo de ese trabajo y constituye, además, una muestra de la amplitud de aspectos desde los cuales se puede estudiar esos espacios.
    Keywords: HE1-9990 ; H1-99 ; Harbours ; Argentina ; Transportation ; Siglos XII-XIX ; Industria pesquera ; Puertos ; Fishing industry ; 12th-19th Century
    Language: Spanish
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  • 32
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 33
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 34
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: Este volumen de la colección Discutir el lenguaje recoge los trabajos que los diferentes equipos de investigación nucleados en el Centro de Estudios e Investigaciones Lingüísticas (IdIHCS-UNLP-CONICET) presentaron durante la I Jornada del CEIL, realizada en octubre de 2015. Las líneas de investigación expuestas fueron: gramática de las variedades del español en contacto con otras lenguas; aspectos gramaticales desde el punto de vista de los estudios generativistas; investigaciones en lenguaje de especialidad (lenguaje jurídico); estudios sobre didáctica de la lengua y la literatura; investigaciones sobre fonética y fonología; estudios acerca de las interacciones conversacionales. En este sentido, las seis secciones de este libro reflejan las perspectivas de trabajo, los avances realizados y los resultados obtenidos por cada equipo.
    Keywords: P1-1091 ; Escritura ; Psicolingüística ; Gramática ; Teoría lingüística ; Sociolingüística
    Language: Spanish
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  • 35
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 36
    Publication Date: 2023-12-20
    Description: Pensar la construcción histórica del actor político calificado como “comunista”, para los servicios de inteligencia policial en la provincia de Buenos Aires, devino en un trabajo que encontró en su fuente principal -archivos DIPBA- un disparador para que aquella narrativa policial se convierta en una página de la historia, dialogando inevitablemente con un contexto que contempló saberes, discursos y leyes represivas desde fines del siglo XIX. Este libro abordalas prácticas que caracterizaron el funcionamiento de la inteligencia de la policía bonaerense, desde sus inicios en la Década Infame, hasta su definitiva institucionalización y jerarquización como labor policial hacia fines de los años cincuenta y principios de los sesenta. La noción de peligrosidad que envolvió al comunismo fue constitutiva y definitoria para la inteligencia policial, siendo la construcción política del “enemigo” una categoría necesaria para legitimar su persecución y aniquilamiento. En este trabajo se privilegiaron aquellas representaciones que atravesaron las narrativas policiales, tanto desde la “doctrina” como desde la elaboración de los informes de inteligencia. Las dimensiones que abarcan estapesquisa se incorporan a partir del estudio de los informes y la producción de “doctrina”, articuladas en un entramado represivo que se solidificó enla definición de políticas, la sanción de leyes y prácticas policiales.
    Keywords: H1-99 ; comunismo ; Ciencias sociales ; legislación ; poder policial ; Buenos Aires [provincia] ; bic Book Industry Communication::H Humanities
    Language: Spanish
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  • 37
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 38
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 39
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 40
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-03-25
    Description: En este libro no se pretende hacer un balance de aportaciones recientes, sino que, teniendo como eje de desarrollo el concepto de “familia” en un amplio sentido, demográfico y social, se intenta integrar las perspectivas micro-analíticas –estudio de familias específicamente desarrolladas a ambos lados del Atlántico, familias virreinales, de la nobleza, la administración e incluso la Iglesia- y las regionales –de territorios especialmente afectados por el paso de sus habitantes a América-, al lado de la dimensión “macro” derivada de los estudios de las estructuras familiares en América y en la Península Ibérica y de las migraciones entre ambos espacios. Ese enfoque múltiple es el fundamento mismo de la comparación y de la complementariedad: un conjunto de lecturas diversas respecto a las teorías generalizadoras, la aplicación de métodos distintos y a las aportaciones y problemas de las fuentes documentales diferentes son esenciales en esta monografía; un eje que se refiere a cómo el modelo familiar castellano se impuso por medio de la legislación en América durante la colonización y, más allá, cómo se integró en las sociedades autóctonas y acabó mezclándose con los modelos locales; finalmente un eje dedicado a las migraciones y el paso a América como nexo entre las familias de ambos lados.
    Keywords: D1-2009 ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 41
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: La presente obra, de carácter introductorio, está dirigida a estudiantes y profesionales de Bibliotecología, Documentación y Ciencia de la Información de lengua española, que se enfrentan por primera vez al diseño y desarrollo de tesauros. Se encuadra en el marco referencial de la Organización del Conocimiento y se basa principalmente en la nueva norma ISO 25964-1/2 que ha puesto énfasis en la publicación electrónica del tesauro. Sus doce capítulos tratan sobre la Organización del Conocimiento, sus sistemas y los distintos enfoques con que éstos han sido estudiados. Se define y caracteriza el tesauro, se resume su historia, se describe su vocabulario, las relaciones y el orden sistemático, así como su evaluación, publicación y actualización. También se hace referencia a la interoperabilidad entre tesauros y otros sistemas de organización del conocimiento, el software de gestión, los modelos de datos y los formatos de intercambio.
    Keywords: Z ; Tesauros ; Indización ; Lenguajes controlados ; Organización del conocimiento ; Sistemas de organización del conocimiento
    Language: Spanish
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  • 42
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-04-04
    Description: Este libro reúne, desde el contexto del hispanismo argentino y sobre la base de diferentes ejes de análisis, áreas de interés de los estudios actuales en torno a la literatura y la cultura españolas que contemplan tanto paradigmas de larga tradición como cuestiones emergentes. La publicación, si bien tiene su origen en el IV Congreso Internacional de Literatura y Cultura Españolas Contemporáneas. Otros diálogos transatlánticos: desde y hacia España. A 90 años de la Generación del 27, que se celebró en la Facultad de Humanidades y Ciencias de la Educación de la Universidad Nacional de La Plata en noviembre de 2017, no constituye una mera edición de exposiciones que tuvieron lugar en la reunión científica, sino que se ha procurado la edición extendida y en muchos casos notoriamente actualizada, de trabajos que adquieren una entidad diferente a través de un abordaje más detenido, pensado para el formato libro y para su integración, a su vez, en un volumen específico. El libro se abre con una participación especial de Joan Oleza y se cierra con dos trabajos abocados a la Generación del 27, a cargo, respectivamente, de Raquel Macciuci, y de Andrés Soria Olmedo. El cuerpo se articula en cinco volúmenes que nuclean diferentes convergencias, tanto en lo concerniente a cuestiones de género literario, disciplina artística y soporte, como de temas y cruces transnacionales: I. Lectores, representaciones del libro, edición e historia(s) de la literatura española; II. Temas, cruces y miradas emergentes en la narrativa española; III. Escrituras del yo y memoria: De la intimidad a la representación literaria de la desaparición y otras formas de violencia de Estado; IV. Poesía, teatro y otros lenguajes, soportes y campos de la ficción y V. Vínculos transnacionales y puentes artísticos e históricos entre España y Brasil.
    Keywords: P ; thema EDItEUR::P Mathematics and Science
    Language: Spanish
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  • 43
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: Este libro, segundo en la serie, recoge las conferencias dictadas en el marco de las II y III Jornadas Académicas de la Maestría en Lingüística de la UNLP. Continuando la idea del primer volumen, el texto va dando cuenta de las rutas construidas desde diferentes orientaciones teóricas de la lingüística, por distintos especialistas de nuestro país. El objetivo del libro es seguir elaborando un estado de la cuestión en el que se reflexiona sobre las distintas perspectivas teóricas-metodológicas así como experiencias concretas que conforman el panorama de la disciplina en la Argentina. Desde las investigaciones en Fonología y Fonética hasta el análisis semiótico de discursos específicos como el cine, este volumen nos permite transitar varios caminos. Para ello, contamos con la elaboración de estos artículos que, a partir de las conferencias antes aludidas, los autores nos han aportado.
    Keywords: P1-1091 ; P87-96 ; Lingüística ; Psicolingüística ; Gramática ; Sociolingüística ; Política lingüística
    Language: Spanish
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  • 44
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2023-12-20
    Description: Una de las confusiones más presentes en el ámbito de la ciencia geográfica se refiere a la diferenciación de los conceptos de espacio y territorio; otra, también muy presente, es la que se refiere a la noción de territorialidad. Son cuestiones que se intentan esclarecer en el transcurso de este texto, recorriendo obras relativamente recientes ya consideradas clásicas en el pensamiento geográfico, y otras tal vez menos expresivas a nivel nacional, pero también muy importantes para la constitución de las perspectivas actuales de abordaje del territorio y la territorialidad. Se estudia la territorialidad humana, teniendo en cuenta simultáneamente nuestra sociabilidad, animalidad y espiritualidad, destacando la primera dimensión sin dejar de considerar las otras. El texto se refiere, por lo tanto, a las territorialidades del animal-hombre-social-espiritual, y no a los demás animales. Otra observación inicial importante se refiere a los niveles escalares y temporales con los cuales se trabaja. Cuando el texto se refiere a las escalas espaciales de análisis, se conciben de manera trans-multiescalar, o sea, a nivel local (calle, barrio, “comunidad” rural, etc.); a nivel municipal, estatal, regional, nacional, internacional y global; y al mencionar las escalas temporales, se entienden como tiempos instantáneos, períodos, fases, y como ritmos lentos y rápidos sincrónicos, en una perspectiva transtemporal histórica y coexistente. Uno de los objetivos es destacar la necesidad de comprensión de los ritmos y las desigualdades, en especial los más lentos, normalmente dejados de lado en los estudios de geografía (humana).
    Keywords: G1-922 ; Territorialidad ; Geografía humana ; Espacio ; Territorio ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RG Geography
    Language: Spanish
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  • 45
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-03-25
    Description: Este libro apunta a complejizar la noción de Estado burocrático autoritario para el análisis de las dictaduras del Cono Sur, puesto que se considera como hipótesis que ambos regímenes buscaron organizar a los sectores populares bajo nuevas coordenadas sociales y no solo reprimirlos. Centralmente, se analizan las políticas sociales destinadas a la búsqueda del consenso social que llevaron adelante la Secretaría de Estado de Promoción y Asistencia a la Comunidad (SEPAC) del Ministerio de Bienestar Social durante la “Revolución Argentina” (1966-1973) y la Dirección de Organizaciones Civiles y el Ministerio del Interior durante la dictadura chilena (1973-1988).
    Keywords: D1-2009 ; E11-143 ; Dictadura ; Argentina ; Políticas públicas ; Chile ; Historia política ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 46
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-04-05
    Description: Las categorías de Identidad de Género y Cuerpo, en su complejo y enredado interjuego, operan de modo subterráneo a partir de sentidos naturalizados que alimentan la patologización, la inferiorización y la exclusión de aquellas personas cuyas expresiones no son decodificadas bajo los principios de coherencia o autenticidad. Este libro ofrece un recorrido por diferentes miradas teóricas pertenecientes al contexto norteamericano contemporáneo. El abordaje realizado tiende a localizar nudos problemáticos y develar supuestos que participan en la sedimentación de las normas sociales a partir de las cuales toda localización sexo-genérica cobra existencia en función de su mayor o menor desajuste respecto a lo esperable. La riqueza de la perspectiva ofrecida se encuentra en el recorrido más que en la segmentación de sus contenidos. En última instancia, se trata de una cartografía posible que invita a recorrer un territorio complejo.
    Keywords: B1-5802 ; H1-99 ; Género ; Cuerpo ; Diversidad sexual ; Identidad de género ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy
    Language: Spanish
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  • 47
    Publication Date: 2022-01-31
    Description: Este libro reúne las exposiciones presentadas en el Primer Encuentro Deporte y Sociedad: Debates en tránsito en las Ciencias Sociales en la Argentina actual realizado en Ensenada en noviembre de 2016. El encuentro fue pensado como un espacio académico de participación de especialistas orientado a establecer vínculos e intercambios entre docentes investigadores interesados en debatir producciones relativas al tratamiento del deporte moderno en nuestra sociedad en una perspectiva que integra la docencia, la extensión y la investigación en las universidades nacionales.
    Keywords: L7-991 ; Educación ; Políticas universitarias ; Universidad ; Educación física ; Teoría social ; Deporte ; Estado
    Language: Spanish
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  • 48
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-03-23
    Description: El libro reúne los trabajos de especialistas e investigadores dedicados al estudio revistas, diarios, suplementos semanales y otras formas de publicación periódica en la Argentina de los dos últimos siglos. Las colaboraciones abordan estos objetos a partir de múltiples perspectivas dando cuenta de intereses y problemáticas variadas. En ese sentido, varios se interesan en la cultura urbana, la circulación de lo impreso, o las funciones de la cultura visual en procesos culturales concretos; otros se enfocan en las relaciones entre cultura y política; otros se detienen en aspectos más específicamente metodológicos del estudio de las publicaciones o se concentran en aspectos institucionales ligados con los repositorios; otros plantean sus interrogantes desde la historia de las ideas o la historia intelectual; otros dan cuenta del papel productivo y modelador de la lectura en el contexto de una ampliación de la circulación y el consumo de la letra impresa; otros indagan las expresiones plásticas en publicaciones propiamente artísticas.
    Keywords: A ; D1-2009 ; Argentina ; Social science ; 19th Century ; Ciencias sociales ; Periodicals ; Publicaciones periódicas ; 20th Century ; Siglo XX ; Siglo XIX ; thema EDItEUR::A The Arts
    Language: Spanish
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  • 49
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    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: Este libro de actas reúne las presentaciones y ponencias presentadas en las V Jornadas de Intercambio y Reflexión acerca de la investigación en Bibliotecología, organizadas por el Departamento de Bibliotecología de la FaHCE y realizadas el 23 y 24 de noviembre de 2017. Los contenidos de esta obra reflejan la amplitud y diversidad de las temáticas incluidas en las Jornadas que versan sobre: Investigación en Bibliotecología y Ciencia de la Información; Acceso abierto; Métricas de información científica y tecnológica; Cultura impresa, lectores y bibliotecas; Organización, representación y recuperación de la información, y Gestión de unidades de información.
    Keywords: Z ; Publicaciones científicas ; Servicios de información ; Bibliometría ; Información científica
    Language: Spanish
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  • 50
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 51
    facet.materialart.
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 52
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 53
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: Este libro reúne trabajos sobre distintos aspectos de la historia del Imperio Romano desde el surgimiento hasta su crisis terminal en Occidente. La sociedad romana es abordada desde puntos de vista políticos, económicos y sociales, en la medida en que estos pueden ser separados. Se han traducido textos de reconocidos investigadores: Morstein-Marx, Rosenstein, Mattingly, Ziolkowski, Grey y Drinkwater, cuya publicación busca acercar al mundo hispanoparlante estudios actualizados acerca de este período histórico para ser utilizados en la enseñanza de grado de la educación superior y universitaria. Esperamos que impulse la curiosidad de los alumnos sobre esta época, al mostrar su complejidad y lo que podemos aprender de ella para la comprensión de la sociedad en la que vivimos.
    Keywords: D1-2009 ; HN1-995 ; DE1-100 ; D51-90 ; Imperio romano ; Historia económica ; Monarquía ; República ; Historia política
    Language: Spanish
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  • 54
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2023-12-20
    Description: Los Esteros del Iberá han sido ampliamente analizados desde una perspectiva natural, es por ello que la presente propuesta vincula los aspectos del ecosistema con su apropiación y producción del territorio, en la búsqueda de aportar desde un aspecto con menos trayectoria de exploración académica e intentando superar la prevaleciente visión económica de las transformaciones territoriales separada de lo ambiental. Así, se profundiza en los conflictos ambientales y formas de gestionar el territorio desde el análisis de los actores sociales involucrados según las lógicas predominantes de intervención, reconociendo tres dimensiones de análisis: ecológico-ambiental, socioeconómico y jurídico-político-institucional. Este libro es el resultado de investigaciones llevadas a cabo en el marco de la Universidad Nacional de La Plata, y por ende pretende ser un aporte a la comunidad científica. Sin embargo, la presente obra intenta llegar a un público más amplio, con el propósito de contribuir al entendimiento de una realidad en la cual las transformaciones territoriales y los conflictos ambientales suscitados en el área preocupan a los correntinos de distinta manera. Busca ser un humilde aporte como material de consulta y de estudio de investigadores, docentes y estudiantes de todos los estamentos de la educación formal y no formal, de organizaciones sociales, políticas y culturales, decisores políticos y del público en general.
    Keywords: GE1-350 ; Medio ambiente ; Población ; Producción ; Reservas naturales ; Paisaje ; Turismo ; Ecología ; bic Book Industry Communication::K Economics, finance, business & management::KC Economics::KCN Environmental economics
    Language: Spanish
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  • 55
    Publication Date: 2023-12-20
    Description: Este libro recoge reflexiones compartidas durante el V Encuentro Latinoamericano de Metodología de las Ciencias Sociales (ELMeCS), que se realizó en noviembre de 2016 en Mendoza, Argentina, y que fue organizado por la Facultad de Ciencias Políticas y Sociales de la Universidad Nacional de Cuyo y la Red Latinoamericana de Metodología de las Ciencias Sociales (RedMet). El volumen constituye una invitación a repensar colectivamente los dilemas e interrogantes del proceso de producción de conocimiento frente a las actuales condiciones sociales, culturales y políticas de nuestra América. Se compone de doce artículos organizados en seis módulos que se corresponden con los bloques temáticos abordados en las conferencias, paneles y el taller del Encuentro, y que se orientaron a la discusión de diferentes perspectivas teóricas, metodológicas y epistemológicas, así como a la reflexión en torno del sistema científico en el contexto latinoamericano, la enseñanza de la metodología, las prácticas de investigación social y las herramientas utilizadas en la producción de conocimiento.
    Keywords: H1-99 ; Métodos de investigación ; Epistemología ; América Latina ; Metodología ; Investigación en ciencias sociales ; bic Book Industry Communication::H Humanities
    Language: Spanish
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  • 56
    Publication Date: 2023-12-20
    Description: El objetivo de este trabajo es facilitar la lectura y análisis de una serie de indicadores de violencia en la provincia de Buenos Aires desde 2009 a 2017. Esta publicación se enmarca en la tarea de colaborar en el acceso a la información pública a través de la construcción de series temporales, territoriales y de indicadores poblacionales. Las series de datos que se presentan a continuación han sido elaboradas por el equipo del Observatorio de Políticas de Seguridad (OPS) de la Provincia de Buenos Aires, espacio de trabajo conjunto entre la Comisión Provincial por la Memoria y de la Facultad de Humanidades y Ciencias de la Educación de la Universidad Nacional de La Plata. El análisis es realizado a partir de los datos publicados por el área de Estadística de la Procuración General de la Suprema Corte de Justicia de la provincia de Buenos Aires (PGSCJBA).
    Keywords: H1-99 ; HV1-9960 ; Derecho ; Buenos Aires (Provincia) ; Delicuencia ; Violencia ; Delitos ; Estadísticas ; bic Book Industry Communication::H Humanities
    Language: Spanish
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  • 57
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 58
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 59
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: Este libro reúne una versión actualizada del texto canónico “Trabajo, Juego y Vocación” con otros ensayos que representan un aporte crucial para la problematización de temas específicos del campo de la Educación Física y el Deporte, abordados con el rigor conceptual y la claridad que caracteriza el estilo comunicativo de Adriana Marrero. A partir del desarrollo de conceptos claves de la teoría sociológica clásica y contemporánea sobre la modernidad y su radicalización, se analiza la práctica docente concreta del Profesor de Educación Física, las particulares contradicciones que lo atraviesan y sus efectos en las subjetividades de sus actores. El planteo da cuenta de la dificultad de armonizar exigencias y expectativas provenientes de un concepto altruista y vocacional de la docencia, por un lado, con las duras condiciones laborales del campo y su lógica instrumental por otro, sobre el trasfondo de poderosas representaciones sociales y culturales de la Educación Física, que asocian el juego y la recreación con el ocio y la falta de esfuerzo. En ese recorrido, se interpreta e incorpora al análisis sociológico y educativo para la Educación Física las tensiones que la filosofía moderna en Occidente describe en los procesos de racionalización y de secularización de la modernidad. Asimismo, en este volumen se analiza el deporte de masas como espectáculo para el consumo, la enseñanza curricular de prácticas deportivas y corporales, y la relación entre el desarrollo del fútbol de masas y constitución de la identidad nacional uruguaya.
    Keywords: L7-991 ; HM401-1281 ; Uruguay ; Educación física ; Deporte
    Language: Spanish
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  • 60
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 61
    Publication Date: 2022-01-31
    Description: Este libro reúne las intervenciones presentadas en la Jornada de Debate sobre Políticas Científicas y Evaluación en Humanidades y Ciencias Sociales, organizada conjuntamente por la Secretaría de Investigación de la Facultad de Humanidades y Ciencias de la Educación de la UNLP y el Instituto de Investigaciones en Humanidades y Ciencias Sociales (IdIHCS- UNLP/CONICET), desarrollada el 26 de septiembre de 2014. Con la finalidad de generar un espacio compartido de debate sobre la relación entre investigación y evaluación y delinear una posición institucional sobre dicha temática, se desarrollaron tres paneles en los que participaron destacados miembros del campo académico, de la educación superior y de la gestión en organismos de ciencia y tecnología. Los tres paneles –Las políticas de investigación en Humanidades y Ciencias Sociales en la actualidad: diagnóstico y perspectivas; La evaluación en Humanidades y Ciencias Sociales: criterios, actores y contextos y Publicaciones y evaluación– constituyeron un marco propicio para el intercambio y el debate.
    Keywords: H1-99 ; Política científica ; Universidades ; Publicaciones periódicas ; Investigación ; Indicadores
    Language: Spanish
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  • 62
    facet.materialart.
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 63
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 64
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-02-01
    Description: Este libro explora, en diferentes momentos y casos argentinos, algunas de las peculiaridades de la singular colaboración de los escritores en los diarios y en publicaciones diversas y analiza a su vez ejemplos concretos para determinar los modos en que allí se constituye un laboratorio, un espacio de ensayo para la obra de un autor y una zona de definición (vacilante y variada) de la muchas veces fluctuante identidad literaria. Parte, así, de dos estudios que se enmarcan en el siglo XIX (sobre José Hernández y sobre Juana Manuela Gorriti) y luego se concentra en el siglo XX, en un recorrido por las publicaciones en periódicos de una serie de reconocidos escritores-periodistas como Roberto Arlt, Enrique González Tuñón, Nicolás Olivari hasta llegar a Juan Gelman.
    Keywords: PN1-6790 ; Prensa ; Argentina ; Escritura ; Uruguay ; Siglos XIX-XX ; Escritores
    Language: Spanish
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  • 65
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación | Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación ; IdIHCS
    Publication Date: 2024-04-01
    Description: Published
    Description: Un país para los porteños propone un panorama renovado y plural sobre la experiencia del Estado de Buenos Aires al asumir libremente el ejercicio de su soberanía interior y exterior (1852-1861) en el proceso de construcción del Estado nacional argentino. El objetivo es facilitar una mayor comprensión de los intensos y complejos procesos acaecidos a mediados del siglo XIX que permiten señalar particularidades del Estado de Buenos Aires, sin dejar de considerar los enfrentamientos armados y demás interrelaciones con la Confederación Argentina y las agencias indígenas. Con esa finalidad, quince investigadores elaboraron síntesis argumentativas, estados de la cuestión e investigaciones específicas, desde sus respectivas especialidades, sobre: las provincias y la Confederación Argentina; la rebelión rural y federal de 1852; la condición estatal de Buenos Aires; la renovación política en las gobernaciones; los entramados jurídico-político-institucionales en la campaña; los procesos eleccionarios; las fuerzas armadas de Buenos Aires; las alternativas indígenas; la población, fiscalidad, economía y política de tierras; las mujeres de la Sociedad de Beneficencia; la prensa en la política; la cuestión religiosa; y las formas de construcción de una identidad porteña como comunidad imaginada.
    Keywords: thema EDItEUR::N History and Archaeology::NH History
    Language: Spanish
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  • 66
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 67
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-03-29
    Description: El presente libro busca realizar una aproximación a la población que se inscribió en los profesorados de Educación Física en la provincia de Buenos Aires. A partir de una encuesta administrada en cuatro instituciones a los ingresantes y a los estudiantes que se encontraban en el último año de la formación, se procuró trazar a lo largo de la obra una serie de perfiles con los caracteres que singularizan a estos grupos sociales. En ese proceso, se prestó especial atención a las inscripciones dentro del sistema de educación superior de las instituciones donde se cursaba la formación. A tal efecto, se analizaron los casos de estudiantes que transitaron su formación en universidades nacionales y en institutos de formación docente de gestión pública y privada. Teniendo todo ello en cuenta, se indagó en las concepciones disciplinares y sus percepciones acerca del ámbito laboral futuro. Este trabajo busca abrir un grupo de interrogantes para continuar reflexionando sobre la formación superior.
    Keywords: L7-991 ; LB5-3640 ; Formación superior ; Enseñanza de la educación física ; Argentina ; Estudiantes ; Formación de profesores ; Universidades ; Educación física ; Graduados ; bic Book Industry Communication::J Society & social sciences::JN Education ; thema EDItEUR::J Society and Social Sciences::JN Education
    Language: Spanish
    Format: application/octet-stream
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  • 68
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 69
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 70
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 71
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 72
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 73
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 74
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: Se publican las actas de las “Jornadas Marcel Proust: Literatura y Filosofía” en cuyas ponencias los investigadores exploran las múltiples conexiones entre filosofía y literatura presentes en el obra de Marcel Proust. En efecto, puesto que En busca del tiempo perdido reconstruye diversas tradiciones literarias, filosóficas y artísticas a la vez que suscita lecturas heterogéneas y divergentes, lo trabajos de las jornadas profundizan algunas de esas relaciones o proponen nuevas posibilidades de lectura. En las ponencias se indaga, en última instancia, sobre cuestiones y concepciones filosóficas inmanentes a los desarrollos ficcionales y las relaciones entre demostración ficcional y demostración filosófica, desde los estudios de género al neopragmatismo, de Merleau Ponty a Benjamin o Sartre.
    Keywords: PN1-6790 ; B1-5802 ; Crítica literaria ; Proust ; Estudios de género ; Neopragmatismo ; Marcel
    Language: Spanish
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  • 75
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: Se puede reconstruir la situación general de la Argentina durante los años 1913-1923, pero menos estudiado ha sido el comportamiento de la crisis en las economías regionales dependiente del mercado interno. El presente libro intenta subsanar esa situación respecto de la vitivinicultura de Mendoza. Él recoge investigaciones inéditas y otras presentadas en reuniones científicas, publicadas en revistas especializadas o como capítulos de libros. El periodo elegido cubre el comienzo de la crisis del sector en 1913, la recuperación con el fin de la Gran Guerra, y los coletazos posteriores de la crisis hasta comienzos de 1923, cuando se derogó la legislación vitivinícola sancionada durante esos años.
    Keywords: D1-2009 ; Historia económica ; Producción ; Argentina ; Industria vitivinícola ; Economía regional
    Language: Spanish
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  • 76
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 77
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 78
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: Alejandro Joaquín Amavet fue uno de los impulsores de la creación del Profesorado Superior Universitario de Educación Física en la Universidad Nacional de la Plata, y quien desarrolló y representó para los distintos actores del campo disciplinar la perspectiva que singularizó en sus inicios la formación en esta institución. Sus trabajos, editados entre 1957 y 1969, circulan entre profesores y estudiantes del Profesorado de Educación Física de la casa desde su publicación hasta la actualidad, con diferentes lecturas e inscripciones programáticas. Por ello, este volumen tiene como intención, por un lado, reeditar parte de los escritos del profesor Amavet como una forma de facilitar el acceso a estos y su difusión; pero, por otro lado, busca reavivar y potenciar una serie de discusiones sobre el pasado y el presente. Es decir, esta reedición se ofrece para pensar cuestiones inherentes a la educación física en lo relativo a la institución, a la formación en la Argentina y al campo disciplinar entre las décadas del 50 y 70, aunque estos textos también pueden aportar a la observación del presente a partir de esta referencia, potente en su momento, y en parte aparentemente lejana y diferente para el modo de significar y explicar la educación física de la actualidad.
    Keywords: L7-991 ; Profesorado ; Educación física
    Language: Spanish
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  • 79
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 80
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 81
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 82
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2023-12-20
    Description: Los trabajos reunidos en Literatura y violencia en la narrativa latinoamericana reciente interrogan los modos de narrar las experiencias extremas de la historia latinoamericana de las últimas décadas. Configuran un variado mapa de la violencia de las últimas décadas, que comienza con las dictaduras del Cono Sur y arriba a los setecientos femicidios de Ciudad Juárez; un recorrido que va de sur a norte, de los ´70 a los ´90, de la violencia dictatorial a la violencia neoliberal y a la guerra de las drogas. Las obras de Luis Gusmán, Martín Kohan, Alan Pauls, Ricardo Piglia y Daniel Moyano interrogan la violencia dictatorial en Argentina. Las narrativas de Iván Thays, Santiago Roncagliolo y Daniel Alarcón exploran los años de la violencia en Perú (1980-2000) durante el conflicto armado entre Sendero Luminoso y las fuerzas militares. Si las obras de Horacio Castellanos Moya, Rodrigo Rey Rosa y Franz Galich recorren el contexto de América Central atravesado por el genocidio guatemalteco; la narrativa de Fernando Vallejo descubre el fracaso de la izquierda y el imperio de la violencia sin ideología desatada por el narcotráfico en Colombia.
    Keywords: P ; H1-99 ; F1201-3799 ; literature ; desarrollo histórico ; América Latina ; violencia ; literatura ; Latin America ; violence ; historical development ; bic Book Industry Communication::P Mathematics & science
    Language: Spanish
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  • 83
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 84
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: El volumen recoge los trabajos presentados en el Coloquio internacional: 50 años de Lire le Capital celebrado en Buenos Aires del 28 al 30 de octubre de 2015. El evento fue organizado por la Red Latinoamericana de Estudios Althusserianos (RELEA), Associazione Louis Althusser (Italia), las revistas Demarcaciones. Revista latinoamericana de estudios althusserianos y Décalages. An Althusser Studies Journal, contando con el aval de la Universidad de Buenos Aires, de la Universidad Nacional de la Plata, de la Universidad de Chile y de la Universita degli Studi Milano-Bicocca. El evento contó con un “Subsidio para reuniones científicas 2015” (por concurso abierto a nivel nacional) de la Agencia nacional de promoción científica y tecnológica, (ANPCyT).
    Keywords: B1-5802 ; Althusser ; Filosofía contemporánea ; Marxismo ; Filosofía política ; Louis
    Language: Spanish
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  • 85
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 86
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 87
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: A partir de una sucinta descripción de la inseguridad alimentaria que en los últimos años caracteriza al contexto mundial y regional, y atendiendo a los objetivos y metas de la Agenda 2030 para el Desarrollo Sostenible, presentamos los resultados sobre inseguridad alimentaria que se desprenden de la Encuesta Nacional sobre Estructura Social (ENES) del Programa de Investigación sobre la Sociedad Argentina Contemporánea (PISAC). La misma, realizada en 2014-2015, relevó dimensiones estructurales de la heterogeneidad social y sus resultados permitieron observar que el 12,3% de los hogares totales -y el 8,7% de los hogares con niños/as- se encontraban afectados por alguna forma de inseguridad alimentaria, incidiendo particularmente en los hogares con jefatura femenina -entre otros indicadores de vulnerabilidad- y en las regiones del NEA y NOA. Según el análisis de información posterior, la situación registrada por la ENES no se ha revertido; por el contrario, pareciera haberse deteriorado aun más.
    Keywords: HN1-995 ; HM401-1281 ; Argentina ; Políticas públicas ; Condiciones sociales ; Pobreza ; Desarrollo económico y social
    Language: Spanish
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  • 88
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 89
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 90
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-03-25
    Description: La Noche de los Lápices se representa a través de múltiples memorias que condensan de diversas formas la transmisión del pasado reciente en el presente. Es, asimismo, un dato histórico y una película, es memoria con sus silencios, olvidos y omisiones, se constituye a través de un conjunto de testimonios que trazan un recuerdo emblemático y que se configuran como un relato sobre el terrorismo de Estado en la Argentina. Símbolo hecho de imágenes y testimonios que relatan, dicen, enuncian el secuestro, tortura y desaparición de un grupo de jóvenes de la ciudad de La Plata en septiembre de 1976, puede ser tomado como un relato, cerrado y cristalizado, o bien observado como un calidoscopio conformado por una multiplicidad de puntos de vistas y narrativas. Este libro propone una doble lectura. Por un lado, es un trabajo artesanal. Un análisis complejo sobre las múltiples voces que construyen el relato de lo que se denominó la Noche de los Lápices. Por otro lado, se plantea un dilema más amplio, relativo a la verdad histórica y la verdad que se construye desde la memoria.
    Keywords: D1-2009 ; F1201-3799 ; Testimonios ; Dictadura ; Argentina ; Historia argentina ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 91
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2022-01-31
    Description: Ubicado en el cruce entre los estudios de la memoria y la transmisión de la historia reciente, este trabajo analiza los procesos de lectura y traducción de la historia reciente que operan en el interior de una institución educativa que ha asumido la incorporación de tópicos controvertidos y aún en proceso de elaboración en el contexto urbano particular que lo circunda. Relación esta que se da entre una escuela ubicada en el Municipio de San Miguel y los hechos ocurridos en la guarnición militar Campo de Mayo durante la última dictadura. El libro estudia el proceso de enseñanza que se da cuando una profesora de historia y sus alumnos de sexto año realizan un producto cultural destinado a la comunidad: un libro que recopila diversos testimonios de habitantes de San Miguel a propósito de la conmemoración de 30 años de democracia.
    Keywords: D1-2009 ; LB5-3640 ; Enseñanza secundaria ; Dictadura cívico-militar ; Argentina ; Historia argentina ; Enseñanza de la historia
    Language: Spanish
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  • 92
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 93
    Publication Date: 2024-03-25
    Description: En el marco de la Red inter-universitaria de Historia del Mundo Ibérico del Antiguo Régimen a las Independencias, en la que participan las universidades nacionales argentinas de La Plata, Rosario y Mar del Plata, y las universidades españolas de Cantabria y País Vasco, se organizó el 25 de abril de 2014 la Jornada de Historia Moderna: Articulación territorial en los espacios plurales de las Monarquías Ibéricas (Siglos XVI-XVIII). La presente publicación reúne -en un mismo cuerpo bibliográfico- las distintas ponencias que conformaron las mesas centrales de estas Jornadas a partir del material trabajado por cada uno de los autores participantes de las mismas. Cita sugerida: Reitano, Emir; Pereyra, Osvaldo Víctor; Carrera, Julián, coordinadores (2015). Jornada de Historia Moderna (1 : 2014 : La Plata). Articulación territorial en los espacios plurales de las Monarquías Ibéricas (Siglos XVI-XVIII). La Plata : Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. (Trabajos, comunicaciones y conferencias ; 24) Disponible en http://libros.fahce.unlp.edu.ar/index.php/libros/catalog/book/60
    Keywords: D1-2009 ; Siglos XVI-XVIII ; Historia moderna ; Historiografía ; historiography ; modern history ; 16th-18th century ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Language: Spanish
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  • 94
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 95
    facet.materialart.
    Unknown
    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-03-29
    Description: Según postula Foucault la verdad del cuerpo en la modernidad es un privilegio de las ciencias biomédicas, que promueven una relación matematizada y geometrizada sujeta a diversos procedimientos de mensuración. Partimos de esta base para emprender una genealogía que nos permita comprender el alcance de ese proyecto en el campo de la Educación y de la educación corporal. Los trabajos que presentamos parten de esta teorización para explorar diversos territorios que problematizan las vinculaciones del cuerpo y la educación, a partir de los aportes del filósofo francés. La genealogía que emprendió en sus últimos años, y que tiene como eje al problema del sujeto ético, nos abre un fértil horizonte para situar el complejo problema de la relación entre el sujeto y la verdad, o mejor, la tríada: sujeto, verdad y poder. Entendemos que en ese momento de su obra se encuentran los conceptos más promisores para ampliar el horizonte del debate en las ciencias humanas de forma general y en el campo de la educación corporal en particular.
    Keywords: L7-991 ; LC8-6691 ; Enseñanza ; Michel ; Educación corporal ; Educación física ; Filosofía ; Foucault ; bic Book Industry Communication::J Society & social sciences::JN Education ; thema EDItEUR::J Society and Social Sciences::JN Education
    Language: Spanish
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  • 96
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 97
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 98
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 99
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 100
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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