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  • thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas  (4)
  • Science of Representation
  • Kipu-Verlag  (2)
  • Latin America Research Commons  (2)
  • Spanish  (4)
  • Swedish
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  • 1
    facet.materialart.
    Unknown
    Kipu-Verlag
    Publication Date: 2024-04-07
    Description: The book “este tren no está destinado a la gloria” (this train is not destined for glory) revolves around the metaphor of literary ferro-landscapes. Conceived as narrative nodes created around the mobility of human and material capital by train, and at the same time interdependent of the economies that move such capital, this book approaches the literary representation of the railway world in narratives located in the Panama Canal Zone, through the Central American banana enclaves and follows the migrant caravan that crosses Mexico on La Bestia (The Beast). Ravasio reveals in her study a dialectic of in/mobilities where literary ferro-landscapes narratologically correlate spatial displacement with social immobility, exposing the exiles of modernity in their inglorious journey through the Americas.
    Keywords: Ferro-landscapes, mobility and the social, historical imagination, geometries of power, dialectics of in/mobility ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFQ Social mobility
    Language: Spanish
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  • 2
    facet.materialart.
    Unknown
    Kipu-Verlag
    Publication Date: 2024-04-03
    Description: Spurred by a new wave of protests around the world - from the Occupy movement, Black Lives Matter, the Arab Spring, and the various street marches against neoliberal governments throughout Latin America - Raussert examines how artistic practices in the Americas have challenged the control of public space in relation to gender, race, sexuality, class, and age in three periods (the 1920s and 1930s, the 1960s and 1970s, and the new millennium). This inter-American perspective sheds light on common utopian aspirations across time and space, as in the networked movements of indigenous, African-descended and the diasporic groups, epitomized by the Zapatista slogan: “Mientras los medios de comunicación sigan mintiendo, las paredes seguirán hablando” (As long as the media continues to lie, the walls will continue to talk). Indeed, this must-read book shows how contesting artists subvert the increasing privatization, consumerization and electronic monitoring of public space and its virtualization in the new media in our own time period. | George Yúdice (Professor of Latin American Studies and Modern Literature at the University of Miami, U.S.A.)
    Keywords: Public space, artistic practices, street art, the social, the Americas ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFJ Other graphic or visual art forms ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPW Political activism / Political engagement::JPWG Pressure groups, protest movements and non-violent action
    Language: Spanish
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  • 3
    facet.materialart.
    Unknown
    Latin America Research Commons | Latin America Research Commons
    Publication Date: 2024-03-29
    Description: In 1988, the first bilingual educational model in Latin America, managed autonomously by an indigenous social movement, was institutionalized in Ecuador. The will was to challenge the hierarchies of knowledge and an exclusive society. Since the colonial period, the indigenous population, their languages, knowledge and practices had been confined to a subordinate and invisible condition. It had been done through discourses and measures that imagined and manufactured 'the other as other', and reduced it to the space of the non-human, in order to legitimize exploitation and oppression. The indigenous movement, creator of the project, broke into history with the 1990 uprising, and presented itself as a subversive force whose purpose was to decolonize the Ecuadorian racist imaginary. He proposed a political and epistemological challenge, to build what Latin American critical thinking has called "critical interculturality." This proposal, different from multiculturalism, is forged in a counter-discourse that is based on creating a group ('we, the indigenous people') linked by centuries of discrimination, and an 'ancestral' and 'millennial' culture, which is recreated and reinvented claiming a new identity. In this book, the author analyzes the historical reasons why the Intercultural Bilingual Education (EIB) project emerged in Ecuador. In addition, the tensions between this, aimed at decolonizing knowledge and subverting racialized hierarchies, and how it was applied in a State that declares itself 'intercultural and plurinational'. Through an analysis that is historically based and solidly anchored in field work, she will try to answer the multiple questions that arise in the daily practice of the project.
    Keywords: Kichwa ; Shuar ; Movimiento indígena ecuatoriano ; Revolución Ciudadana ; Ecuador ; Intercultural Bilingual Education ; Educación Intercultural Bilingüe (EIB) ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology::JHMC Social & cultural anthropology, ethnography ; bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJK History of the Americas ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas
    Language: Spanish
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  • 4
    facet.materialart.
    Unknown
    Latin America Research Commons
    Publication Date: 2024-04-02
    Description: Throughout these pages a journey is made chronological by the main expressions of the cultural policy developed by the Institute Cuban Film to Latin America, from the early sixties to late 20th century. From the analysis of the Cumbite films (1964, Tomás Gutiérrez Alea), Cantata de Chile (1975, Humberto Solás), Love in the minefield (1987, Pastor Vega) and Mascaró, the American hunter (1991, Constant Rapi Diego), the highlights of this policy and the ideological projects that gave them sustenance. A set of works by Santiago Álvarez, considered the exponent most significant of documentary Cuban politics. History the relationships between ICAIC and Latin America allows us to delve into a complex reading of outer links of the Cuban Revolution, specifically what concerning the interrelationships between actors and institutions. The ultimate goal of this book is contribute to the construction of a critical account of Cuban culture after 1959, with respect to to Latin America.
    Keywords: Cuba ; Política Exterior ; Revolución cubana ; Cine latinoamericano ; ICAI ; thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::1 Place qualifiers::1K The Americas::1KJ Caribbean islands ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPS International relations::JPSD Diplomacy
    Language: Spanish
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