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  • Publicacions i Edicions de la Universitat de Barcelona  (70)
  • Transizioni = Transitions  (58)
  • Spanish  (128)
  • Swedish
  • 2020-2024  (128)
  • 2020-2020
  • 2010-2014
  • 1990-1994
  • 1980-1984
  • 1960-1964
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  • 2020-2024  (128)
  • 2020-2020
  • 2010-2014
  • 1990-1994
  • 1980-1984
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  • 1
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 2
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2023-12-21
    Description: La relación médico-paciente está sometida a varias presiones. La financiación de la asistencia sanitaria puede determinar tanto la percepción colectiva del acceso a los recursos sociales (prestaciones económicas, centros de atención especializada, ayudas a domicilio, entre otros) como la prescripción de medicamentos y de pruebas complementarias. Además de las prioridades del financiador o de los beneficiarios de los resultados económicos, las campañas publicitarias influyen también en el criterio del paciente, al que la industria farmacéutica halaga convenciéndolo de que posee conocimientos de medicina y de que es un consumidor con el poder de escoger, cuando en realidad decide porque tiene los medios económicos para pagar su elección. En este libro se analizan las razones que empujan a los profesionales de la sanidad hacia una parcialidad interesada, así como las consecuencias éticas que ello tiene sobre el individuo y sobre la eficiencia del sistema sanitario.
    Keywords: R5-920 ; RA1-1270 ; BJ1-1725 ; Relacions metge-pacient ; Medicina ; Dret ; bic Book Industry Communication::M Medicine
    Language: Spanish
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  • 3
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-29
    Description: La narración es una herramienta educativa de primer orden. Con el denominado «giro narrativo» en el ámbito de las ciencias sociales, el interés por sus diversas formas y contextos no ha dejado de aumentar, hasta el punto de generar una nueva disciplina: la narratología. Sin embargo, su repercusión tanto en el ámbito educativo de la escuela, como en la educación social y el trabajo social, no ha sido tan amplia. Este libro expone teorías pedagógicas, metodologías con ejemplos de su aplicación: desde las historias de vida y las autobiografías hasta los relatos digitales, en varios contextos sociales y etapas vitales (el aula, la prisión, la inmigración, la formación de profesionales, la vejez), y recoge aportaciones de autores italianos, sudamericanos y españoles, todos con una vasta experiencia en este campo.
    Keywords: L7-991 ; HM401-1281 ; Autobiografia ; Sociologia de l'educació ; Narració (Retòrica) ; Narrativa digital ; bic Book Industry Communication::J Society & social sciences::JN Education ; thema EDItEUR::J Society and Social Sciences::JN Education
    Language: Spanish
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  • 4
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 5
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-29
    Description: Lo auténtico, como lo autóctono, aparece vinculado a la localidad, pero la globalización la ha vaciado de gran parte de su población autóctona, ha vuelto obsoletas sus formas productivas y ha modificado su estilo de vida. La repuesta de las poblaciones locales consiste a menudo en la creación o recreación de formas “tradicionales, “auténticas” en ámbitos tales como el patrimonio, los museos, las fiestas, la arquitectura, la gastronomía, y la identidad. Este proceso no ha de ser considerado como una reacción tradicionalista ni nostálgica, sino más bien como el reflejo del fuerte compromiso de las localidades con las fuerzas de la globalización. Este libro es consecuencia de los resultados de una investigación etnográfica sobre la interacción entre procesos globales y locales en diversas áreas de montaña de Cataluña y en una del País Vasco, en las que se producen procesos de terciarización de la economía, de patrimonialización de la naturaleza y de la cultura, debidas al influjo del mercado, de las políticas de la Unión Europea, del estado, y de las demandas de los habitantes de las ciudades
    Keywords: GN1-890 ; GN301-674 ; GF1-900 ; Etnografia ; Globalització ; Catalunya ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology
    Language: Spanish
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  • 6
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 7
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 8
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 9
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 10
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-31
    Description: La gestación por sustitución es una forma alternativa de acceder a la paternidad o maternidad, en el marco de las técnicas de reproducción humana asistida. Se trata de una práctica cada vez más frecuente, pues se estima que en la actualidad nacen unos veinte mil niños cada año como consecuencia de un acuerdo de este tipo. Esta obra expone la realidad de esta práctica, la gran cantidad de jurisprudencia nacional e internacional existente, las distintas opciones legales que recoge el derecho comparado y los conflictos que pueden suscitarse debido a la falta de regulación. Al mismo tiempo, propone una legislación que permita y regule explícitamente dicha práctica, que concilie los derechos en juego y sea acorde al interés superior del niño nacido bajo esas circunstancias. El libro analiza en profundidad la gestación por sustitución, sus orígenes, modalidades y tendencias, haciendo especial hincapié en los distintos tipos de familia que genera y en los importantes cambios que comporta en materia de filiación.
    Keywords: R5-920 ; RA1-1270 ; BJ1-1725 ; Bioètica ; Paternitat (Dret) ; Surrogate motherhood ; Bioethics ; Paternity ; Gestació subrogada ; thema EDItEUR::M Medicine and Nursing
    Language: Spanish
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  • 11
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 12
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2022-02-01
    Description: En la presente miscelánea se recogen estudios redactados por el autor a lo largo de más de cincuenta años de dedicación al esclarecimiento del texto hebreo-bíblico desde la perspectiva contextual cananeo-ugarítica. Organizados en tres grupos temáticos, los artículos tratan en líneas generales sobre cuestiones relacionadas con la interculturalidad sociorreligiosa, con la intertextualidad ugarítico-hebrea y con aspectos estilísticos y literarios de la Biblia hebrea. Por las reflexiones en torno a temas tan vigentes como los problemas de la traducción o el impacto del descubrimiento del Oriente antiguo en la cultura occidental, el interés de esta obra va más allá de los círculos de especialistas a quienes en principio va dirigida.
    Keywords: PN1-6790 ; BS1-2970 ; Intertextualitat ; Hebreu ; Bíblia. Antic Testament ; Ugarític
    Language: Spanish
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  • 13
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 14
    Publication Date: 2022-01-31
    Description: En aquest volum del Grup d’Opinió de l’Observatori de Bioètica i Dret, coordinat per les doctores María Casado, Maria Rosa Llàcer i Lídia Buisan, s’analitzen, des de la perspectiva bioètica, els inconvenients de l’explotació i la comercialització de dades dels usuaris de la sanitat pública arran dels problemes detectats en el projecte VISC+ de la Generalitat de Catalunya, tant en relació amb possibles vulneracions dels drets dels ciutadans com amb la manca de transparència i de debat públic informat en una qüestió de tanta importància com és el tràfic de dades personals. El document posa de manifest que la implementació de les tecnologies Big Data en l’àmbit sanitari, associada a una eventual comercialització d’aquestes dades, impacta directament en el nostre sistema sanitari i investigador i afecta de ple a l’àmbit privat dels ciutadans.
    Keywords: R858-859.7 ; R5-920 ; RA1-1270 ; BJ1-1725 ; Bioètica ; Dades massives ; Bioethics ; Big data ; Salut pública ; Public health
    Language: English , Catalan , Spanish
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  • 15
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2023-12-20
    Description: La antropología y algunas disciplinas afines como son la geografía y la sociología se encuentran en esta obra con el fin de pensar conjuntamente el objeto que les es común: el espacio. La publicación sigue la vía iniciada por el libro pionero de José Luis García, "Antropología del territorio" (1976) i recoge algunas de las contribuciones de diferentes investigadores en el marco de un seminario de tercer ciclo sobre antropología del espacio promovido por el Equipo de Investigación de Antropología de los Procesos Identitarios (ERAPI). Grupo de Investigación Multiculturalismo y Género.
    Keywords: GN1-890 ; HM401-1281 ; G1-922 ; Identitat col·lectiva ; Migració (Població) ; Antropologia cultural ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology
    Language: Spanish
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  • 16
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2022-01-31
    Description: El siglo XX ha sido llamado el " siglo del genocidio" por el número de genocidios y de víctimas, que un especialista ha evaluado en sesenta millones, pero también por la acuñación del término genocidio por Lemkin, la celebración de la Convención de la ONU sobre el Genocidio (1948), que lo definió como un crimen universal e imprescriptible, y la creación de diversos Tribunales internacionales. La antropología en general ha prestado poca atención a este tema complejo y de dimensiones trágicas y se ha centrado más bien en el estudio de etnocidio, es decir, la destrucción de la cultura de un grupo humano. En este texto, por el contrario, se plantea el papel de la cultura, de un matriz cultural compuesta por concepciones de procreación, monoteísmo y nación o pueblo, representadas mediante relatos de inicio, personificaciones y símbolos, en el exterminio de grupos humanos específicos. Probablemente la contribución más importante del texto estribe en la perspectiva adoptada, es decir, en el planteamiento comparativo de la relación entre cultura, estado y genocidio. El estudio de este tema se trata de un objeto de estudio no sólo de importancia científica, sino también ética.
    Keywords: GN1-890 ; BJ1-1725 ; Genocidi ; Antropologia ; Estat
    Language: Spanish
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  • 17
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2022-02-17
    Description: La narración es una herramienta educativa de primer orden. Con el denominado «giro narrativo» en el ámbito de las ciencias sociales, el interés por sus diversas formas y contextos no ha dejado de aumentar, hasta el punto de generar una nueva disciplina: la narratología. Sin embargo, su repercusión tanto en el ámbito educativo de la escuela, como en la educación social y el trabajo social, no ha sido tan amplia. Este libro expone teorías pedagógicas, metodologías con ejemplos de su aplicación: desde las historias de vida y las autobiografías hasta los relatos digitales, en varios contextos sociales y etapas vitales (el aula, la prisión, la inmigración, la formación de profesionales, la vejez), y recoge aportaciones de autores italianos, sudamericanos y españoles, todos con una vasta experiencia en este campo.
    Keywords: Narració (Retòrica) ; Narrativa digital ; Autobiografia ; Sociologia de l'educació ; bic Book Industry Communication::J Society & social sciences::JN Education::JNF Educational strategies & policy ; bic Book Industry Communication::J Society & social sciences::JN Education
    Language: Spanish
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  • 18
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 19
    facet.materialart.
    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 20
    facet.materialart.
    Unknown
    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2023-12-21
    Description: Aquest Document examina l’impacte de la utilització de les tècniques d’edició genòmica, tant en recerca bàsica com en el seu ús terapèutic i en l’anomenat «millorament» humà, amb l’objectiu de promoure un debat social informat que comporti propostes d’actuació assumibles per la col·lectivitat i que contribueixin a la construcció d’un marc jurídic, ètic i deontològic adequat.
    Keywords: R5-920 ; QH426-470 ; RA1-1270 ; BJ1-1725 ; TP248.13-248.65 ; Biotechnology ; Bioètica ; Human genome ; Biotecnologia ; Bioethics ; Genoma humà ; bic Book Industry Communication::M Medicine
    Language: English , Catalan , Spanish
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  • 21
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 22
    Publication Date: 2023-12-21
    Description: La Unesco propugna que la Declaración Universal sobre Bioética y Derechos Humanos puede y debe ser considerada como un marco de principios y pautas bioéticas que se deben aplicar, también, en el tratamiento de las cuestiones de la discapacidad. Este libro aporta claves que permiten a los estados y al resto de agentes implicados adoptar la perspectiva de la diversidad funcional y las capacidades diferenciadas que evite la exclusión, desde un enfo­que basado en los derechos humanos.
    Keywords: R5-920 ; RA1-1270 ; BJ1-1725 ; R723-726 ; Bioètica ; Human rights ; Discapacitats ; Bioethics ; People with disabilities ; Drets humans ; Comentaris sobre legislació ; bic Book Industry Communication::M Medicine
    Language: Spanish
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  • 23
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 24
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 25
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 26
    facet.materialart.
    Unknown
    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2022-01-31
    Description: La crisis económica y las políticas de austeridad de la última década han transformado la gestión del patrimonio natural. Mientras las administraciones públicas han aplicado recortes presupuestarios y de personal que limitan su acción, han surgido nuevas estrategias procedentes de la sociedad civil, como colectivos locales, grupos ecologistas y empresas. De ahí que hoy nos encontremos ante un cambio de paradigma con importantes consecuencias socioambientales. Desde el enfoque metodológico propio de la antropología ambiental y el trabajo etnográfico, este libro plantea dos líneas de reflexión principales. Por un lado, examina cómo este modelo descentralizado y descentralizador de la conservación se implementa en distintos contextos, observando particularidades y elementos comunes que ponen en evidencia una tendencia global. Por otro, ofrece un análisis crítico de lo que significa la gestión del patrimonio natural en sí misma desde el campo de las relaciones humano-ambientales y de la conservación, apostando por nuevas perspectivas que enriquecen la comprensión de los cambios de modelo. Este recorrido por espacios naturales protegidos de Europa y Latinoamérica da las claves para repensar el presente del patrimonio natural y, sobre todo, para replantear el futuro.
    Keywords: GN1-890 ; Conservacio de la natura ; Monuments naturals ; Protecció ambiental ; Espais naturals protegits Política ambiental Gestió ambiental
    Language: Spanish
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  • 27
    facet.materialart.
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2023-12-20
    Description: El presente libro constituye la biografía intelectual del autor, en la que relata cómo veintiún pensadores le hicieron caer del corcel del cristianismo sobre el que montaba tan seguro. Veintiún «impertinentes» que socavaron los cimientos que sustentaban su concepción del mundo y, por ende, de la educación. Si ignoramos qué es conocer, si hay o no algo absoluto —Dios—, qué significan los términos «bueno» y «malo», y si, además, no podemos responder de modo contundente a la pregunta «¿por qué tengo que ser bueno?», la axiología educativa se tambalea y hasta da la impresión de que va a dar en tierra de un momento a otro. Experto en filosofía de la educación, Octavi Fullat se propone estudiar las bases tanto de la epistemología de las ciencias de la educación como de la axiología educativa. Impertinentes narra la historia de esta peripecia.
    Keywords: L7-991 ; B1-5802 ; Pensament crític ; Filosofia ; bic Book Industry Communication::J Society & social sciences::JN Education
    Language: Spanish
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  • 28
    facet.materialart.
    Unknown
    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-29
    Description: Las tecnologías son ideas en acción que comportan cambios constantes en las formas de comunicación, los procesos de trabajo y los sistemas organizativos y que, en la actualidad, plantean nuevos retos en las formas de pensar, virtualizar la realidad y conectarse social e interculturalmente. Es preciso un esfuerzo analítico para entender las nuevas relaciones entre tecnología y sociedad, en un mundo en que las categorías y dicotomías establecidas se disuelven impugnadas por las innovaciones tecnocientíficas e industriales. En este nuevo paisaje tecnocultural, la mirada etnográfica y la perspectiva de la antropología proporcionan una profundidad descriptiva y una agudeza en la interpretación que son necesarias tanto para la elaboración de un diagnóstico ajustado como para el diseño de futuros deseables. Los textos recopilados en este libro, publicados originariamente en distintas revistas y obras colectivas a lo largo de más de veinte años, ponen de manifiesto la sólida contribución de la antropóloga Maria Jesús Buxó al análisis cultural de la tecnología como expresión más genuina de la creatividad y la innovación. Junto al interés que tienen sus reflexiones, la vigencia y proyección de sus trabajos justifican plenamente la iniciativa de reunirlos en un volumen en reconocimiento a su trayectoria profesional.
    Keywords: GN1-890 ; GN301-674 ; Antropologia social ; Antropologia cultural ; Amèrica ; Catalunya ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology
    Language: Spanish
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  • 29
    Publication Date: 2023-12-21
    Description: Los análisis genéticos y el convenio de la ONU contra las desa­pariciones forzadas son dos poderosas herramientas que per­miten esclarecer los orígenes biológicos y luchar contra el robo de bebés y las desapariciones forzadas de niños. Estos delitos, de una gravedad manifiesta, requieren ser examinados desde sus vertientes jurídica, filosófica, política y bioética, porque, ante una situación tan compleja y que afecta a tantas personas, una so­ciedad responsable está obligada a tomar medidas. El presente libro, que analiza estas cuestiones tanto en el contexto europeo como en el latinoamericano, es obra de especialistas vinculados a las instituciones y los comités más representativos en la materia.
    Keywords: R5-920 ; RA1-1270 ; BJ1-1725 ; Biotechnology ; Amèrica Llatina ; Europe ; ADN ; Human rights (International law) ; Latin America ; Kidnapping ; Disappeared persons ; DNA ; Segrest de menors ; Biotecnologia ; Persones desaparegudes ; Drets humans (Dret internacional) ; Europa ; bic Book Industry Communication::M Medicine
    Language: Spanish
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  • 30
    facet.materialart.
    Unknown
    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2023-12-20
    Description: Este libro estudia la posesión y el ejercicio del poder por parte de ciertos colectivos integrados en las entidades políticas de Siria durante el Bronce Final (siglos XVI-XII a. C.). A partir del análisis de los documentos escritos que han llegado hasta nosotros, la autora intenta determinar quiénes era los depositarios sociales de este poder, así como el ámbito de autoridad que tenían, su grado de institucionalización y su relación con otras formas de poder de carácter individual. Con su investigación, aporta nuevos datos que ayudarán a comprender mejor algunos elementos constitutivos de estas sociedades, como los mecanismos generadores de legitimidad política.
    Keywords: H1-99 ; D51-90 ; Poder (Ciències socials) ; Edat del bronze ; Mesopotàmia (Regió) ; Orient Mitjà ; Civilització antiga ; Síria ; bic Book Industry Communication::H Humanities
    Language: Spanish
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  • 31
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 32
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 33
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 34
    facet.materialart.
    Unknown
    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-29
    Description: El presente trabajo reúne una serie de estudios monográficos que interesan a distintas áreas de la Antropología, particularmente en sus vertientes social y cultural.
    Keywords: GN1-890 ; GN301-674 ; Relacions humanes ; Xafarderia ; Grups socials ; Comunitats rurals ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology
    Language: Spanish
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  • 35
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 36
    facet.materialart.
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2023-12-21
    Description: En aquest volum del Grup d’Opinió de l’Observatori de Bioètica i Dret, coordinat per la Dra. María Casado i pel Dr. Antoni Vilà, s’analitzen els problemes bioètics específics que afronten les persones amb discapacitat, les quals pateixen un «dèficit de ciutadania» que sovint n’impedeix una plena participació en la vida social com a subjectes de ple dret i en igualtat de condicions. Per a analitzar la situació i presentar les propostes que han d’assegurar l’autonomia personal i la integració social d’aquestes persones, el Grup d’Opinió ha pres com a referència la Declaració Universal sobre Bioètica i Drets Humans de la Unesco (2005) i la Convenció sobre els drets de les persones amb discapacitat de l’ONU (2006), que coincideixen a tractar la discapacitat des de la perspectiva dels drets humans.
    Keywords: R5-920 ; RA1-1270 ; BJ1-1725 ; Bioètica ; Discapacitats ; Bioethics ; People with disabilities ; bic Book Industry Communication::M Medicine
    Language: English , Catalan , Spanish
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  • 37
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-27
    Description: La Biblia hebrea, uno de los modelos vertebradores de la cultura occidental, ha ejercido un influjo constante en el imaginario de su creación artística. Y esto, en todos sus ámbitos (pintura, iluminación, escultura, música, cinematografía), pero de manera especial en el literario. El teatro nace en el medievo como «representación» de temes y personajes bíblicos; innumerables obras literarias (poéticas, dramáticas y narrativas) de siglos posteriores hallaron en la Biblia hebrea, no solo argumentos de representación del pasado, sino sobre todo «arquetipos» de valor universal sobre los que organizar y resolver las situaciones y conflictos de la existencia humana, tal y como afloraban en los sucesivos momentos históricos. A pesar de la secularización de la cultura moderna occidental, la Biblia ha mantenido su influjo como referente válido de su creatividad y simbolización. La presente guia intenta ofrecer una visión de conjunto de ese influjo y facilitar su estudio a personas interesadas en esta parcela de la literatura comparada.
    Keywords: Z1001-8999 ; PN1-6790 ; BS1-2970 ; Literatura hebraica ; Bibliografies ; Literatura americana ; Bíblia. Antic Testament ; Bíblia com a obra literària ; Literatura europea ; Influència literària ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects
    Language: Spanish
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  • 38
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 39
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-23
    Description: [eng] The I coupDefouet International Congress was held in June 2013 to celebrate the tenth anniversary of coupDefouet, the magazine of the Art Nouveau European Route, an association of municipalities and other entities to promote and disseminate Modernista or Art Nouveau heritage. Its success and excellent scientific results led to its continuity with a second congress, held in 2015, whose acts are presented in this volume of Singularities. The congresses are organised by the Urban Landscape Institute (IMPUiQV) of the Barcelona City Council in partnership with GRACMON, a consolidated research group of the University of Barcelona. [cat] El primer Congrés Internacional coupDefouet se celebrà el juny de l’any 2013 per commemorar els deu anys de l’aparició de coupDefouet, la revista de la Ruta Europea del Modernisme, una associació de municipis i altres entitats per a la promoció i la difusió del patrimoni modernista o Art Nouveau. Gràcies a l’èxit i als bons resultats científics es va apostar per la seva continuïtat amb un segon congrés que tingué lloc el 2015, les actes del qual presentem en aquest volum de Singularitats. Aquestes jornades estan organitzades per l’Institut Municipal del Paisatge Urbà i la Qualitat de Vida de l’Ajuntament de Barcelona, amb la col·laboració de GRACMON, grup de recerca consolidat de la Universitat de Barcelona.
    Keywords: NX440-632 ; NX1-820 ; Llibres electrònics ; Modernisme ; Congressos ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: English , French , Catalan , Spanish
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  • 40
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 41
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 42
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2022-01-31
    Description: Afirman los coordinadores de este libro que vivimos en un mundo fragmentado y neonómada en el que todas las cosas –y la educación en lugar privilegiado– cambian con extrema rapidez. Así pues, a un colectivo como el de los profesionales de la Teoría y la Historia de la Educación compete analizar –una y otra vez– la naturaleza de la educación, que constituye una de las dimensiones esenciales del quehacer humano. En la década de 1970, las discusiones epistemológicas emplearon mucha tinta en el ámbito de la educación. A la tradicional Pedagogía implantada en España a comienzos del siglo XX bajo el signo de la filosofía, siguieron nuevos planteamientos y, junto a ellos, nuevas nomenclaturas. Gracias a la influencia del positivismo, del evolucionismo y del experimentalismo surgió una disciplina de nueva planta que respondía al epígrafe de «Ciencia de la Educación» y que deseaba fijar las bases de un conocimiento exacto y riguroso de la educación. Por esta vía, la vieja Pedagogía de ascendencia filosófica entraba en una crisis que desembocó en la sustitución del sintagma «Ciencia de la Educación» por el de «Ciencias de la Educación». Quedaba así confirmado que la justificación científica de la educación no podía reducirse a una única ciencia –primero la filosofía, base de la Pedagogía; más tarde, la biología, referente de la Ciencia de la Educación– sino que se había de acudir a un conjunto de disciplinas (Historia, Antropología, Psicología, Sociología, Economía, Derecho, etc.) que, en conjunto, daban vida a las Ciencias de la Educación.
    Keywords: L7-991 ; LB5-3640 ; Història de l'educació ; Filosofia de l'educació ; Pedagogia social ; Gènere
    Language: Spanish
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  • 43
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 44
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 45
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2022-01-31
    Description: Este libro muestra otras formas de pensar la pedagogía más allá de los tópicos predominantes y evidencia cómo algunos conceptos (cuerpo, soma, sarx, corporalidad, corporeidad, körper, corps, leib, corpofobia, corpografía) atrapan a quien se siente atraído por la pedagogía sensible. Se trata de conceptos que, a su vez, no se dejan atrapar: se convierten en palabras escurridizas que requieren un trabajo de profundización para poder aprehenderlas. La finalidad de todo ello es discutir so­bre las posibilidades de una mirada somática, de una pedago­gía sensible que se preocupe por esas otras dimensiones del sujeto que muy a menudo quedan ofuscadas por las técnicas de parametrización de la diferencia, por la clasificación, por la cuantificación, por la necesidad (injusta) de tener bajo control a todo aquel que vive en los márgenes y lo que puede repre­sentar de peligro para nuestras vidas.
    Keywords: L7-991 ; Ment i cos ; Ciències de l’educació ; Cos humà ; Pedagogia
    Language: Spanish
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  • 46
    Publication Date: 2023-12-21
    Description: Los análisis genéticos afectan a derechos fundamentales, por lo que el uso de esta información debe estar supeditado a vías de control democrático. En la actualidad, la lucha contra grandes delitos, como por ejemplo el terrorismo, aparentemente legitima a invadir derechos antes considerados intangibles. La presente obra, fruto del trabajo multidisciplinar llevado a cabo por juristas, filósofos, biólogos, técnicos y médicos, tiene por objetivo poner de manifiesto cuáles son los problemas ético-jurídicos derivados de la obtención, el análisis y el almacenamiento del ADN, así como sus usos judiciales y extrajudiciales. Ante el difícil equilibrio entre libertad individual y seguridad colectiva, este libro ayuda a comprender los conflictos que subyacen en el manejo de una herramienta informativa tan poderosa como son las muestras y los perfiles del ADN.
    Keywords: R5-920 ; RA1-1270 ; QH426-470 ; BJ1-1725 ; Ressenya genètica ; Bioètica ; Forensic genetics ; Bioethics ; DNA fingerprinting ; Genètica forense ; bic Book Industry Communication::M Medicine
    Language: Spanish
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  • 47
    facet.materialart.
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 48
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-01-29
    Description: La educación de nuestros días está inmersa en un conflicto de complejas dimensiones y reproduce las desigualdades en la distribución de bienes y saberes a nivel internacional. Es posible afirmar que la educación vive una suerte de modernización sin modernidad, que se manifiesta por contar con infraestructuras de alto nivel formal y tecnológico, bajo condiciones de desigualdad y de opresión individual y social. Dicho escenario, que alcanza su mayor expresión en las naciones más pobres del planeta, se expresa tambien de una manera inocultable en prácticamente todos los países - incluyendo naturalmente los de América Latina y el sur de Europa-.Por sus alcances globales, la modernización es un factor que enlaza -real o virtualmente- a grupos y a individuos más allá de las fronteras geográficas. En tal sentido, el eje configurado por la modernización y la educación pone en contacto a determinados segmentos sociales que, de manera independiente a sus orígenes culturales y regionales, llegan a encontrar grandes afinidades entre sí merced a sus condición e intereses socioecónomicos. En la educación de principios del siglo XXI, los grandes avances y los indicadores exitosos siguen teniendo como contraparte la ignorancia y la desigual distribución social y regional del conocimiento.
    Keywords: Educación ; Universidad ; Education ; University ; bic Book Industry Communication::J Society & social sciences::JN Education::JNM Higher & further education, tertiary education
    Language: Spanish
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  • 49
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 50
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-29
    Description: Este libro es el resultado de una serie de conferencias que se realizaron en el curso 2001-2002 en el marco del Seminario de Investigación del Programa de Doctorado en Antropología Social y Cultural de la Universitat de Barcelona. El texto constituye una muestra no exhaustiva de la diversidad temática de las investigaciones que se están desarrollando actualmente en antropología social y cultural, y de ahí el título de Antropología en un mundo en transformación. A pesar de la diversidad temática, el lector encontrará en este libro una serie de cuestiones básicas que surgen durante el desarrollo de una investigación antropológica: desde las consideraciones generales sobre cómo plantearse la elaboración de una tesis de doctorado hasta los resultados concretos obtenidos en una investigación, pasando por la definición del objeto de estudio y las estrategias metodológicas, así como la aplicación de técnicas específicas de recogida y análisis de información. Esta diversidad tanto de temas como de aspectos de la investigación tratados convierte la lectura de este libro en un ejercicio recomendable, sobre todo, para aquellos estudiantes de tercer ciclo que se inicien en el campo de la investigación antropológica.
    Keywords: GN1-890 ; Metodologia de les ciències socials ; Antropologia social ; Conferències ; Antropologia cultural ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology
    Language: Spanish
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  • 51
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 52
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-04-01
    Description: En 1950 Charles R. Boxer, antiguo espía británico y profesor de historia colonial portuguesa y holandesa, publicó un artículo donde describía un bello códice que él mismo había adquirido en una subasta. El hoy denominado Códice Boxer, creado bajo el gobierno de Gómez Pérez Dasmariñas (1590-1593) en la colonia española de Filipinas, es un documento absolutamente excepcional tanto por su contenido textual como por sus bellas ilustraciones en color, probablemente realizadas por un artista chino del parián de Manila. En sus páginas reúne veintidós jornadas, derroteros y, sobre todo, relaciones etnográficas de procedencia diversa, la mayoría escritos originalmente en castellano, y otros traducidos del portugués o del chino. Entre textos e imágenes, ofrece información sobre los pueblos nativos de Guam y Filipinas, el sudeste asiático (Borney, Maluku, Java, Aceh, Patani, Siam, Nueva Guinea), las costas de Champa y Vietnam, el norte de Formosa (Taiwán), Japón y China. El Códice, sin embargo, plantea innumerables interrogantes acerca de su autoría, su cronología precisa, sus finalidades y su carácter culturalmente híbrido. El presente libro reúne, por primera vez, diversos estudios con el objetivo de dar respuesta a todas estas cuestiones.
    Keywords: D204-475 ; Etnografia ; orient i Occident ; Història ; Colonialisme ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day
    Language: Spanish
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  • 53
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 54
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-29
    Description: La etnografía es una de las bases de la investigación en an­tropología social y cultural. A partir del trabajo de campo en un territorio y con una población específica, busca alcanzar un conocimiento profundo de las distintas realidades exis­tentes, ejerciendo una mirada externa para aprender sus interioridades. Este libro plantea cómo los etnógrafos abordan su compromiso al emprender la investigación, en un proceso de análisis y reflexión que los obliga a replantearse continua­mente sus supuestos. Todos los artículos contenidos en él es­tán inspirados en las líneas de estudio que ha desarrollado el antropólogo Joan Frigolé, que abarcan desde la etnografía y el trabajo de campo hasta la literatura, pasando por las relaciones de parentesco y los modelos de procreación. Es la voz crítica del maestro la que acompaña a los investigadores en el proceso de pensar y repensar sus caminos etnográficos.
    Keywords: GN1-890 ; GN301-674 ; Antropòlegs ; Antropologia ; Homenatges ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology
    Language: Spanish
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  • 55
    facet.materialart.
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-04-05
    Description: La bioética es un campo de conocimiento que requiere planteamientos plurales y soportes científicos sólidos para analizar con el suficiente rigor las consecuencias éticas, legales y sociales de la biotecnología y la biomedicina. Por ese motivo, el presente Manual de bioética laica (I), fruto de largos años de docencia e investigación, pretende proporcionar la información necesaria a quienes se aproximen a la materia. El objetivo último es suministrar argumentos y propuestas que fomenten la autonomía y la responsabilidad, de forma que las decisiones bioéticas redunden en la construcción de una sociedad más transparente y democrática. Esta perspectiva explica que los autores aboguen por el paradigma laicista, basado en la idea de que los derechos humanos reconocidos en los textos internacionales deben constituir el suelo ético mínimo de carácter universal, como modelo jurídico-político idóneo para que estos debates sean fructíferos, plurales y no se fundamenten solo en creencias, tanto religiosas como de cualquier otro tipo.
    Description: Published
    Keywords: R5-920 ; RA1-1270 ; BJ1-1725 ; Bioètica ; Biotecnologia ; Dret ; Ciències de la salut ; thema EDItEUR::P Mathematics and Science::PS Biology, life sciences::PSA Life sciences: general issues::PSAD Bioethics
    Language: Spanish
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  • 56
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 57
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-29
    Description: En este trabajo, el autor aplica la perspectiva de la antropología social para examinar algunos fenómenos implicados en las prácticas productivas y reproductivas de una población de Almería dedicada casi exclusivamente a la actividad pesquera (grupos de parentesco, organización del trabajo, prácticas de herencia, etc.). Se trata, por lo tanto, de una aportación al conocimiento de las poblaciones que trabajan en un importante sector que acostumbra a ser subvalorado por el resto de la sociedad.
    Keywords: GN1-890 ; GN301-674 ; Pescadors ; Parentiu ; Família ; Níjar (Andalusia) ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology
    Language: Spanish
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  • 58
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 59
    facet.materialart.
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-23
    Description: [cat] Durant la segona meitat del segle XIX i les dues primeres dècades del XX, molts artistes catalans van treballar al continent americà, fenomen que es repetí amb l’exili, després de la Guerra Civil. Els creadors catalans endegaren projectes arreu de l’Amèrica Llatina, i també deixaren la seva empremta als Estats Units. Així mateix, fou un període en què es palesà a Catalunya l’influx d’autors de l’altra banda de l’Atlàntic. Aquest llibre obre una finestra a un univers singular de trajectòries artístiques, i explora la transmissió i la recepció d’influències i patrons des de Catalunya a Amèrica, i viceversa, en àmbits tan diversos com l’arquitectura, l’urbanisme, l’escultura, la pintura i la fotografia. [spa] Durante la segunda mitad del siglo XIX y las dos primeras décadas del XX, muchos artistas catalanes trabajaron en el continente americano, fenómeno que se repitió con el exilio, tras la Guerra Civil. Los creadores catalanes desarrollaron proyectos en muchas partes de América Latina, y también dejaron su huella en Estados Unidos. Asimismo, fue un periodo en el que se hizo patente en Cataluña el influjo de autores del otro lado del Atlántico. Este libro abre una ventana a un universo singular de trayectorias artísticas, y explora la transmisión y la recepción de influencias y patrones desde Cataluña hacia América, y viceversa, en ámbitos tan diversos como la arquitectura, el urbanismo, la escultura, la pintura y la fotografía.
    Keywords: NX440-632 ; NX1-820 ; Història de l'Art ; Catalans ; Llibres electrònics ; Amèrica llatina ; Artistes exiliats ; Catalunya ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: Catalan , Spanish
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  • 60
    Publication Date: 2023-12-21
    Description: Aquest document de l’Observatori de Bioètica i Dret es proposa identificar problemes bioètics derivats de l’ús d’Internet en el comerç i l’intercanvi d’aliments i medicaments; oferir recomanacions cap a la responsabilitat dels actors implicats (poders públics, plataformes digitals, distribuïdors i ciutadania en general), i fomentar polítiques públiques que s’adeqüin als requisits de seguretat i qualitat.
    Keywords: R5-920 ; RA1-1270 ; BJ1-1725 ; Bioètica ; Medicines ; Comerç electrònic ; Aliments ; bic Book Industry Communication::M Medicine
    Language: English , Catalan , Spanish
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  • 61
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 62
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 63
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-23
    Description: Joan de Torralba, mercader de origen aragonés afincado en Barcelona desde inicios del siglo XV, estuvo al frente (hasta su muerte en 1458) de varias compañías con importantes nego­cios entre la Corona de Aragón y el Mediterráneo. Gracias al comercio de exportación de lana aragonesa a ciudades italianas como Venecia, Florencia y Génova, llegó a ser uno de los em­presarios más relevantes del momento y pudo llevar a cabo un sinfín de operaciones bancarias y financieras. Todo ello quedó reflejado en numerosos libros de cuentas, algunos conservados excepcionalmente hasta hoy. Los documentos aquí presentados tienen un interés es­pecial porque corresponden a la actividad privada de Joan de Torralba. El primero de ellos, el «Llibre de comtans», registra los albaranes de los pagos en dinero contante que realizaba el mercader en la ciudad para sus gastos cotidianos. El segundo, un pequeño cuaderno de deudas entre Torralba y uno de sus yernos, Pere de Sitges, ofrece una visión del día a día y de las pautas de consumo de esta importante familia burguesa de la Barcelona bajomedieval.
    Keywords: Comerciants ; Llibres de comptes ; Fonts històriques ; Segle XV ; Corona Catalanoaragonesa ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500::3KL c 1000 CE to c 1500 ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology
    Language: Spanish
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  • 64
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-04-01
    Description: Este relato parte del éxito extraordinario que en el siglo XVI obtuvo la Historia del Gran Reino de la China, de fray Juan González de Mendoza, que alcanzó treinta ediciones y fue traducida a varios idiomas. El origen de esta obra se remonta al tiempo en que Felipe II, señor ya de un imperio que iba desde los dominios españoles en América hasta la India portuguesa, encargó a religiosos agustinos que se encontraran con el emperador de China y acordaran una alianza que debía convertir el Celeste Imperio en un paraíso cristiano bajo su protección. Para llevar a cabo la misión, González de Mendoza realizó una ingente labor de acopio de noticias sobre historia, geografía y tradiciones que le permitieran conocer la sofisticada complejidad de la civilización china. Con el presente libro, Diego Sola no solo reconstruye la biografía de González de Mendoza, que descubrió a Occidente cómo eran China y sus habitantes, sino que recupera la notable influencia que ejerció en los escritores españoles y europeos de su generación.
    Keywords: D204-475 ; Influència cultural ; Història ; Orient i Occident ; Xina ; Cultura europea ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day
    Language: Spanish
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  • 65
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 66
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-23
    Description: [eng] In 2013 the magazine coupDefouet reached its first decade of existence. As a way of celebrating this, the Art Nouveau European Route – the association of cities and other local institutions for the promotion and diffusion of Art Nouveau heritage that created the magazine – organised a magnificent international congress as a framework for scientific exchange and raising public awareness. The first coupDefouet International Congress on Art Nouveau was held in Barcelona, the city from which coupDefouet is published and one of the undisputable world capitals of Art Nouveau. This volume of the Singularitats series comprises the proceedings of that event. [cat] L’any 2013 va fer deu anys de l’aparició de coupDefouet, la revista de la Ruta Europea del Modernisme, una associació de municipis i altres entitats locals per a la promoció i la difusió del patrimoni modernista o Art Nouveau. Per commemorar-ho, s’organitzà un congrés internacional amb l’objectiu de contribuir al coneixement científic i la difusió d’aquest moviment artístic. El primer Congrés Internacional coupDefouet se celebrà a Barcelona, la ciutat en què s’edita coupDefouet i una de les capitals indiscutibles de l’Art Nouveau. En aquest volum de Singularitats s’apleguen les actes d’aquell esdeveniment.
    Keywords: NX440-632 ; NX1-820 ; Llibres electrònics ; Modernisme ; Congressos ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: English , French , Catalan , Spanish
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  • 67
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-24
    Description: El Apocalipsis del Pseudo Atanasio, una obra compuesta originalmente en copto –del que deriva la presente recensión en lengua árabe–, se inserta en el seno de la tradición apocalíptica oriental, con innovaciones propias del medio copto tanto a nivel histórico como literario. En la línea de los temas transmitidos por esta tradición y con una tendencia a la exposición sumaria, el autor articula de un modo ejemplar los mecanismos literarios y la confección narratológica del texto. La obra desempeña, entre otras funciones, la de propaganda política contra la expansión árabe-islámica en Oriente Medio, después de que las comunidades cristianas ocupadas realizasen un interesante proceso de reflexión acerca de las causas teológicas, políticas y sociales que supuso la invasión árabe del siglo VII.
    Keywords: PN1-6790 ; Literatura apocalíptica ; Literatura cristiana ; Literatura àrab ; Coptes ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Spanish
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  • 68
    facet.materialart.
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2023-12-21
    Description: La aplicación de criterios que priorizan las relaciones mercantiles, no solo en la economía sino también en el conjunto de la sociedad, somete a las reglas del mercado ámbitos que se reservaban a la gratuidad y la solidaridad entre las personas, como es el caso del cuerpo humano. Este libro desentraña cómo es posible que, transcurrido más de medio siglo desde la aprobación de la Declaración Universal de los Derechos Humanos, se acepte la comercialización del cuerpo humano, de sus partes y componentes. Por ello los autores, con un enfoque bioético y desde diferentes perspectivas, apuestan por una reorientación de las acciones que, cada vez en mayor medida, atentan contra los principios de justicia global y respeto a los derechos.
    Keywords: R5-920 ; RA1-1270 ; BJ1-1725 ; Bioètica ; Cos humà ; Dret ; bic Book Industry Communication::M Medicine
    Language: Spanish
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  • 69
    Publication Date: 2024-04-01
    Description: En los siglos XVI y XVII, el Reino de Nápoles fue gobernado por virreyes que se comportaron como auténticos alter ego del monarca español. Muchos de ellos desempeñaron un papel de primer orden en el panorama político y cultural del continente, y contaban con un gusto refinado. Durante su mandato, enviaron a la Península ibérica gran cantidad de pinturas, esculturas, muebles y libros, que con frecuencia acabaron en las colecciones reales, en sus propios palacios privados o en las iglesias y los conventos que protegieron. A través de un viaje fascinante por los lugares por donde circularon esos objetos, Visiones cruzadas recoge el mecenazgo de unos virreyes que fueron mediadores en el proceso de creación y difusión del arte y la cultura napolitanos del Seiscientos, situándolos en el centro del escenario barroco europeo.
    Keywords: D204-475 ; Història ; Política ; Virreis ; Nàpols (Regne) ; Monarquia ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day
    Language: Spanish
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  • 70
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 71
    facet.materialart.
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-23
    Description: La compañía Torralba, integrada por socios aragoneses (algunos, ciudadanos barceloneses), se constituye en la década de 1420 con el objetivo de comercializar en Barcelona e Italia dos productos básicos de la economía aragonesa: el trigo y la lana. Se da la circunstancia excepcional de que se han conservado once libros de contabilidad de esta empresa, correspondientes a la gestión de uno de los socios, Joan de Torralba. La memoria del mercader ofrece un estudio sobre la actividad de la sociedad entre los años 1434 y 1437, junto con la transcripción del «Manual honzè», el libro que registra las operaciones realizadas en este período. Los datos conservados nos informan sobre la capacidad económica de la compañía y sus intereses, productos y espacios de actuación mercantil, posibilitando con ello la reconstrucción de sus redes de co­mercio y distribución.
    Keywords: Comerciants ; Llibres de comptes ; Baixa edat mitjana ; Corona Catalanoaragonesa ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500::3KL c 1000 CE to c 1500 ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology
    Language: Spanish
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  • 72
    Publication Date: 2023-12-20
    Description: La democracia y la inclusión son dos de los ejes sobre los que gira el debate pedagógico actual. Se suceden las preguntas, a menudo sin respuesta, acerca de los problemas derivados de la búsqueda de una educación en que la participación y la aceptación de la diversidad formen parte de la realidad y no constituyan un mero sueño, y también acerca de las posibilidades de crear escuelas democráticas e inclusivas en la vida diaria, en el desarrollo curricular, en las actividades del alumnado y en las relaciones de la comunidad educativa. Las formas de gobierno del centro, las condiciones de bienestar en el mismo, el reconocimiento del otro y los valores son cuatro dimensiones a partir de las cuales se pueden construir democracias justas y ciudadanías inclusivas. Las distintas aportaciones del presente libro muestran ejemplos de realidades diversas que persiguen el objetivo de convertir los centros de secundaria en espacios de experimentación para seguir avanzando en la dirección indicada.
    Keywords: L7-991 ; LC8-6691 ; Igualtat d'oportunitats educatives ; Escoles secundàries ; Educació inclusiva ; Ciències de l’educació ; bic Book Industry Communication::J Society & social sciences::JN Education
    Language: Spanish
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  • 73
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 74
    facet.materialart.
    Unknown
    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2023-12-20
    Description: Los condicionantes religiosos y los posicionamientos políticos, no siempre honestamente explicitados, han tenido y siguen teniendo una influencia evidente sobre el estudio del antiguo Israel: han marcado la reconstrucción de su historia y de la tradición judía en general, y han servido para crear distintas narrativas, de signo ideológico muy diverso, sobre esta materia. Los trabajos recogidos en este volumen, realizados en el con­texto del proyecto de investigación «L’ús de la història antiga en el conflicte àrab-israelià», financiado por el Institut Català Inter­nacional per la Pau, analizan, a partir de una serie de casos, las implicaciones políticas (y, por supuesto, religiosas) asociadas a la interpretación de la herencia judía en la Antigüedad, prestando especial atención a la manera en que la ideología determina de forma decisiva los discursos sobre la historia antigua de Israel.
    Keywords: JA1-92 ; D51-90 ; Història antiga ; Palestina ; Israel ; Política ; bic Book Industry Communication::G Reference, information & interdisciplinary subjects::GT Interdisciplinary studies::GTJ Peace studies & conflict resolution
    Language: Spanish
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  • 75
    facet.materialart.
    Unknown
    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2023-12-21
    Description: ¿Dónde y cuándo nació la bioética? Tradicionalmente se ha atribuido la creación del neologismo «bioética» a Potter, en 1970, y su desarrollo a los jesuitas de la Universidad de Georgetown. Sin embargo, la cuestión es mucho más compleja y supera ampliamente el contexto norteamericano, no solo porque se descubrió que el alemán Fritz Jahr ya había acuñado el término en los años veinte, sino porque la ética clínica tiene siglos de historia, y en todas las culturas y religiones se ha reflexionado sobre los problemas referentes a la salud, la vida y su ocaso. Al factor meramente histórico hemos de añadir el ideológico. «Bioética» fue el término que emplearon algunos teólogos para adoctrinar al personal sanitario conforme al dogma católico en asuntos como la reproducción y la eutanasia. Este intento de monopolizar materias tan sensibles provocó como reacción defensiva la incorporación a la disciplina de corrientes de pensamiento feministas, laicistas y multiculturales. Por último, la aceleración de la biotecnología y el temor a las consecuencias de la manipulación del genoma de los seres vivos terminaron de consolidar la bioética como campo de conocimiento plural y multidisciplinar.
    Keywords: R5-920 ; RA1-1270 ; QH301-705.5 ; BJ1-1725 ; Bioètica ; Bioethics ; bic Book Industry Communication::M Medicine
    Language: Spanish
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  • 76
    Publication Date: 2022-01-31
    Description: El presente volumen reúne trabajos acerca de las formaciones po­líticas de Mesopotamia y el Cercano Oriente realizados sobre una base filológico-textual y arqueológica, pero con una ambición y una impronta decididamente históricas. En él se presta atención a la historia de los estudios, a las comparaciones y a las aportaciones que vienen de otras disciplinas, como la historiografía, la antropo­logía social y la economía política, entre otras. Este interés y esta conciencia metodológica de los estudios presentados aquí advier­ten que los trabajos sobre el Cercano Oriente han estado dedica­dos demasiado exclusivamente a la edición y exégesis de los textos, y a la interpretación de las excavaciones arqueológicas, operacio­nes obviamente indispensables pero que de por sí generan una li­mitada reconstrucción histórica. Así pues, el objetivo del libro no es solo estudiar las sociedades antiguas, sino también interpretar los procesos históricos de aquellas lejanas épocas y el papel de los actores sociales que los protagonizaron.
    Keywords: P1-1091 ; H1-99 ; D51-90 ; Poder (Ciències socials) ; Mesopotàmia (Regió) ; Orient Mitjà ; Civilització antiga ; Política
    Language: Spanish
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  • 77
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 78
    facet.materialart.
    Unknown
    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-29
    Description: Ante los debates en torno a las tecnologías de la reproducción humana, el autor plantea una pregunta básicamente etnográfica ¿Cómo la gente experimenta y da sentido a estas tecnologías? Para resolver la cuestión analiza diferentes aspectos de las relaciones de parentesco en contextos de la reproducción asistida, desde la fragilidad vivida de los hechos de la reproducción, la incertidumbre ante los conocimientos de la reproducción, hasta las conexiones cambiantes que se establecen entre naturaleza y cultura. Resalta el aspecto de mediación de los conocimientos del parentesco como uno de los principales instrumentos que tiene la gente para pensar y dar sentido a las tecnologías de la reproducción ¿Cómo dar sentido a un gameto? ¿Cómo entender la filiación a través de las donaciones? ¿Cómo entender la herencia? ¿Cómo comprender las posibilidades que la nueva genética nos proporciona? Se pregunta por las implicaciones de las tecnologías para analizar cómo la gente piensa las relaciones de parentesco del futuro ¿Qué sucede cuando la "sustancia biogenética" es el resultado de los "hechos de la reproducción asistida", es decir, cuando la biología de la reproducción es asistida por la tecnología? ¿Cuáles son las transformaciones de las relaciones de parentesco actuales? Estableciendo un diálogo con las nuevas teorías del parentesco, analiza los valores que sustentan las prácticas de las relaciones de parentesco ¿Cómo las tecnologías de reproducción humana son un elemento para pensar y hacer explícitos valores surgidos a partir de la división moderna entre naturaleza y cultura? ¿Qué sucede a la cultura cuando la naturaleza es asistida? ¿Qué pueden decirnos otros sistemas de parentesco que no se fundamentan en la división entre naturaleza y cultura?
    Keywords: GN1-890 ; BJ1-1725 ; QH301-705.5 ; Bioètica ; Parentiu ; Reproducció humana assistida ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology
    Language: Spanish
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  • 79
    facet.materialart.
    Unknown
    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2023-12-20
    Description: El Instituto del Próximo Oriente Antiguo (IPOA ) de la Universidad de Barcelona ha sido, durante décadas, la principal institución académica dedicada al estudio, la investigación y la promoción del orientalismo antiguo en España. Tras más de cuarenta años de trayectoria, ha llegado el momento de reconstruir y analizar su historia, desde la creación del Instituto de Estudios Orientales (precedente inmediato del IPOA ) en 1971, hasta el año 2012, momento en el que una nueva generación de orientalistas tomó el relevo de los fundadores en la dirección del mismo. El presente libro sirve como reconocimiento al trabajo llevado a cabo en pos de la construcción de una nueva disciplina, el orientalismo antiguo, en nuestra universidad: una auténtica tarea de visionarios.
    Keywords: H1-99 ; D51-90 ; Història ; Institut del Pròxim Orient Antic ; bic Book Industry Communication::H Humanities
    Language: Spanish
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  • 80
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 81
    facet.materialart.
    Unknown
    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-04-02
    Description: La exploración de Oriente y Egipto estuvo dominada, entre los siglos XVIII y XIX, por las tres potencias de la época: Francia y, siguiendo su estela, Gran Bretaña y Alemania, que sentaron los fundamentos de la asiriología y la egiptología. A pesar del contexto poco favorable, tanto España como Portugal también hicieron esfuerzos —en general en intervenciones aisladas y personalistas— para contribuir a la investigación en estos ámbitos. Esta monografía reúne los estudios de una serie de especialistas hispanolusos realizados con el objetivo común de recuperar el legado de algunos de estos pioneros españoles y portugueses en el campo de las antigüedades orientales y egipcias, y de reivindicar el trabajo de las instituciones, los viajeros, los diplomáticos y los coleccionistas que abrieron el camino por el que hoy transitamos.
    Keywords: Egiptologia ; Assiriologia ; Arqueologia ; thema EDItEUR::N History and Archaeology::NH History::NHG Middle Eastern history
    Language: Spanish
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  • 82
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 83
    Publication Date: 2024-04-01
    Description: En 1425, dos mercaderes de Barcelona, Joan de Torralba y For­tuny de Manariello, y uno zaragozano, Juan Feixas, deciden constituir una compañía (posteriormente renovada y reestructurada) con el objetivo de comerciar en Aragón, Cataluña e Italia. De esta sociedad ha pervivido, excepcionalmente y en perfecto estado de conservación, una parte de sus registros contables, once libros correspondientes a la gestión de Joan de Torralba, los cuales representan, sin embargo, una parte ínfima de los que debieron de generar los movimientos económicos de las dos sedes principales (Barcelona y Zaragoza), la delegación de Tortosa y las plazas de Génova, Pisa y Venecia. De Aragón a Venecia estudia la actividad de la compañía entre 1433 y 1434 en el contexto socioeconómico de la época, e incluye la transcripción de uno de sus registros, el «Llibre major de comerç de llana blanca amb Itàlia». Redactado por el corresponsal de Joan de Torralba en Venecia, Francesc Aluart, este libro contabiliza las operaciones derivadas de la arribada y venta de diversas partidas de lana, ofreciendo un retrato vívido de las redes de intercambio entretejidas por la compañía en los mercados italianos.
    Keywords: D111-203 ; HF1-6182 ; CC1-960 ; Itàlia ; Indústria de la llana ; Catalunya ; Edat mitjana ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500
    Language: Spanish
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  • 84
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 85
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 86
    Publication Date: 2023-12-21
    Description: [cat] Actualment ens trobem davant d’una nova concepció del sistema de recerca i innovació, de manera que, en la creació i l’aplicació del coneixement, cal incloure-hi la governança, l’educació en ciència, l’ètica, l’accés obert, el gènere i la implicació de la ciutadania en aquests processos des del principi. La reflexió bioètica ha avançat i s’ha projectat transversalment en els programes d’aprenentatge en ètica dels diversos agents del sistema de recerca, innovació i desenvolupament; no obstant això, la ultracompetitivitat i les interseccions entre recerca, innovació, desenvolupament i mercat, no faciliten les bones pràctiques científiques. L’aposta per considerar l’ètica de bon principi es contraposa a la persistència de casos de frau científic i de problemes d’autoria, entre altres, en contextos en els quals perdura, a més, el sostre de cristall i la inclusió de qüestions de gènere és habitualment una mera formalitat sense cap impacte real. La nostra anàlisi se situa en un moment de transició entre velles i noves concepcions de l’ètica, la integritat científica i la responsabilitat investigadora, transformació que ens obliga a identificar escenaris, valors i regles, i a sensibilitzar la societat sobre aquesta transformació, les seves implicacions i les conseqüències que comporta.
    Keywords: R5-920 ; RA1-1270 ; BJ1-1725 ; Q1-390 ; Ciència i ètica ; Investigació ; Science and ethics ; Research ; bic Book Industry Communication::M Medicine
    Language: English , Portuguese , Catalan , Spanish
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  • 87
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-04-05
    Description: La gestación por sustitución, llamada también subrogación de útero o alquiler de vientres, es una práctica que suscita múltiples problemas éticos relacionados con los límites morales del mercado, la idea del cuerpo humano como objeto de contrato o los conflictos entre libertad negativa y positiva. Además, la repercusión de las ideologías políticas y del feminismo en el debate es notable: por un lado, las izquierdas critican la mercantilización de la capacidad reproductiva, pues genera injusticias y grandes desigualdades; por otro, el feminismo se opone a que las mujeres sean tratadas como medios para cumplir fines, y considera que la subrogación de útero conduce a la negación de las libertades conquistadas. El autor de este libro denuncia que el mercado reproductivo de corte neoliberal, nutriéndose del deseo de tener hijos y escudándose en la defensa de la libre elección, fomenta prácticas que perjudican a las mujeres gestantes, en clara desventaja económica y social, para satisfacer los intereses procreativos de las clases privilegiadas. Y en su crítica rescata conceptos clave de la izquierda emancipadora para abordar el debate en términos de derechos básicos y justicia social.
    Keywords: Gestació subrogada ; Mares de lloguer ; Bioètica ; Dret i ètica ; thema EDItEUR::P Mathematics and Science::PS Biology, life sciences::PSA Life sciences: general issues::PSAD Bioethics ; thema EDItEUR::L Law
    Language: Spanish
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  • 88
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 89
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 90
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-29
    Description: Este libro es fruto de un ejercicio intelectual llevado a cabo durante el año 2001 que al final resultó fascinante y altamente productivo. A una serie de antropólogas y antropólogos jóvenes con un trabajo de campo reciente se les planteó que presentaran desde su conocimiento etnográfico la cuestión de la identidad tanto desde el punto de vista relacional, como a partir de su conocimiento etnográfico local. Se trataba, pues, de un reto, que todas aceptaron gustosamente, de producir un argumento teórico a partir de su etnografía. El reto se cumplió ritualmente cada quince días en el seminario de post-grado del Departamento, donde cada autor presentó su argumento etnográfico, que fue debatido ampliamente y apasionadamente entre las asistentes al seminario, la mayoría estudiantes del programa de Doctorado. Fruto del planteamiento inicial, de la argumentación etnográfica de cada autor y de la discursión colectiva es el presente volumen que evidencia la vitalidad argumentativa de la joven antropología en nuestro país, así como la variedad de contextos etnográficos a partir de los que los jóvenes antropólogos producen sus propios conocimientos. Lejos está ya aquella época en que se decía que la antropología en nuestro país sólo se hacía en casa. En este volumen encontramos etnografías en cuatro continentes (Europa, África, Asia y América) y, sobre todo, una sofisticación en el argumento etnográfico que dialoga claramente con los problemas que la antropología como disciplina se plantea actualmente.
    Keywords: GN1-890 ; GN301-674 ; Antropologia social ; Etnografia ; Parentiu ; Identitat col·lectiva ; Etnicitat ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology
    Language: Spanish
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  • 91
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 92
    facet.materialart.
    Unknown
    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-29
    Description: ¿Por qué nos marcó aquella maestra de la que es imposible olvidarse?, ¿qué hizo aquel maestro para conseguir que amá­ramos su asignatura? Cuestiones como estas nos hablan del maravilloso arte de educar, y nos advierten de un hecho que no debería pasar desapercibido: ser maestro y maestra es algo más que saber y saber hacer. Es saber ser, o mejor dicho, saber ser de una determinada manera. La formación universitaria no debería desatender el carácter de las personas que quieren de­dicarse a la educación. El tema no es baladí, porque el carácter de un maestro puede conseguir extraordinarios resultados o provocar efectos desastrosos en su alumnado. Este libro, fruto de la investigación de diversos autores, presenta ideas sobre la formación del carácter de quienes quieren cambiar el mundo a través de la educación.
    Keywords: L7-991 ; Mestres ; Ciències de l’educació ; Formació del professorat ; bic Book Industry Communication::J Society & social sciences::JN Education ; thema EDItEUR::J Society and Social Sciences::JN Education
    Language: Spanish
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  • 93
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 94
    facet.materialart.
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    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 95
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    Unknown
    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2023-12-21
    Description: Hi ha pocs temes en bioètica que generin tant debat com la gestació per substitució. Els autors d’aquest document, vinculats a l’Observatori de Bioètica i Dret, i preocupats per la mercantilització del cos humà, defensen la protecció de les persones més vulnerables: les criatures nascudes mitjançant aquesta pràctica, les dones gestants i els comitents.
    Keywords: R5-920 ; RA1-1270 ; BJ1-1725 ; Ètica ; Dret ; Gestació subrogada ; bic Book Industry Communication::M Medicine
    Language: English , Catalan , Spanish
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  • 96
    facet.materialart.
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-29
    Description: La universidad sufre hoy en día una gran presión burocráti­ca y tecnológica que la está convirtiendo en una institución cada vez más opresiva, rígida y reglamentada, tanto respecto a la creación y difusión del conocimiento como a la docencia y a la relación entre estudiantes y profesores. Afortunadamente todavía queda algo de la libertad que desde siempre ha caracterizado a la universidad. Y, aunque precaria, la libertad sigue siendo la condición de posibilidad de la conversación, que crea el contexto propicio para la aparición del conocimiento y resulta ser la mejor, si no la única, forma de aprender. ¿Qué otro modo hay, si no, de acercarse al misterio de la transmisión, a la incógnita de cómo convertir la experien­cia del profesor en experiencia del estudiante? Estas páginas son una invitación a profundizar en el senti­do y el significado de la enseñanza y el aprendizaje, a acercarse a la esencia misma del mundo universitario y su vivencia. Los distintos capítulos del libro traen a la luz razones y emociones, ambas necesarias para que, tal vez, el rumbo que ahora lleva la universidad pueda algún día redirigirse.
    Keywords: L7-991 ; Educació superior ; Teoria de l'educació ; Filosofia de l'educació ; Aprenentatge ; bic Book Industry Communication::J Society & social sciences::JN Education ; thema EDItEUR::J Society and Social Sciences::JN Education
    Language: Spanish
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  • 97
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 98
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 99
    facet.materialart.
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    Publicacions i Edicions de la Universitat de Barcelona
    Publication Date: 2024-03-29
    Description: En el presente libro se recogen cuatro artículos dedicados a la esquizofrenia, basándose en los datos recogidos por el autor durante su trabajo de campo en la red asistencial de Barcelona. En ellos se toma como base la dialéctica entre la naturaleza y la cultura, sin la cual es imposible pensar en una antropología de la enfermedad y de las aflicciones.
    Keywords: GN1-890 ; RC435-571 ; Esquizofrenia ; Antropología ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology
    Language: Spanish
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  • 100
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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