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  • Bücher  (20)
  • thema EDItEUR::A The Arts::AM Architecture::AMX History of architecture
  • thema EDItEUR::J Society and Social Sciences
  • thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
  • Schwedisch  (11)
  • Slowenisch  (9)
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  • Bücher  (20)
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  • 1
    facet.materialart.
    Unbekannt
    ZRC SAZU, Založba ZRC
    Publikationsdatum: 2024-03-23
    Beschreibung: The authors of the volume ('From May ’68 to November ’89: Transformations of the World, Literature, and Theory') intervene in the study of the student movement’s “rehearsal” for a world revolution and its afterlife in the 1980s and 1990s by addressing two hitherto neglected aspects – the literary and the peripheral. They consider the roles played by the (semi-)periphery of the modern world-system, on the one hand, and modernist literature and theory, on the other, in transforming the existing world order in the fields of culture, politics, economy, and everyday life. How were critical theory and neo-avant-garde literature in the world, in Slovenia, and in Yugoslavia intertwined with the student protest that advocated the transformation of the capitalist world-system and its socialist counterpart? The monograph focuses on the processes that connected the events of 1968 and 1989 in the social, literary, and theoretical spheres in the sign of continuity and turning points, and at the same time defined our contemporary world.
    Beschreibung: Avtorji knjige Med majem '68 in novembrom '89: Transformacije sveta, literature in teorije v preučevanje poskusa študentsko-delavske svetovne revolucije in njene poznejše usode v osemdesetih in devetdesetih letih 20. stoletja posežejo z obravnavo dveh doslej zanemarjenih vidikov – literarnega in perifernega. Sprašujejo se, katere vloge sta pri transformaciji obstoječe svetovne ureditve na področjih kulture, politike, gospodarstva in vsakdanjega življenja odigrali (pol)periferija modernega svetovnega-sistema na eni strani ter modernistična literatura in teorija na drugi. Kako sta bili kritična teorija in neoavantgardna literatura po svetu, na Slovenskem in v Jugoslaviji prepleteni s študentskim protestništvom, ki se je zavzemalo za transformacijo kapitalističnega svetovnega-sistema in njegove socialistične alternative? Monografija se posveča procesom, ki so na družbenem, literarnem in teoretskem področju povezali dogodke let 1968 in 1989 v znamenju kontinuitet in prelomov, obenem pa določili naš današnji svet.
    Schlagwort(e): 1968 ; 1989 ; collective volume ; cultural history ; literary studies ; Slovenia ; Slovenian art ; Slovenian literature ; socialism ; kulturna zgodovina ; literarne študije ; Slovenija ; slovenska književnost ; slovenska umetnost ; socializem ; zborniki ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AG Slavic (Slavonic) languages::2AGV Slovenian ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
    Sprache: Slowenisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 2
    facet.materialart.
    Unbekannt
    ZRC SAZU, Založba ZRC
    Publikationsdatum: 2024-03-23
    Beschreibung: The book Glasba, politika, afekt: novo življenje partizanskih pesmi v Sloveniji ('Music, Politics, Affect: New Lives of Partisan Songs in Slovenia') explores the potentialities of music in imagining alternatives and establishing alliances, which introduce new senses of belonging and solidarity in global neoliberal capitalism. It examines the reactualization of partisan songs in post-Yugoslav Slovenia with an emphasis on the collective spirit, its rebelliousness and emancipatory potential. In researching the “new lives” of partisan songs, the book focuses on the self-organized female choir Kombinat, an emblematic example of thinking about the partisan art in Slovenia today. Just a part of Kombinat repertoire, partisan songs are discursively, sonically, spatially, ideologically and symbolically reloaded, challenging thus the various boundaries in thinking about this legacy in Slovenian context. Using theoretical framework of affect theory, and particularly theories of music materialism and sonic affect, the book provides an alternative perspective to our understanding of political capacity of music. It addresses four main issues: the role of music and sound in political mobilization and participation, the potentials of musical alliances and musical self-organization and self-education, referencing musical past as a way of political engagement, and finally, revitalization and reactualization of socialist ideas and values in the current moment of global transition.
    Beschreibung: Ali gre pri petju partizanskih pesmi danes za čisti nostalgični eskapizem? Ali je zborovsko petje res preživeta glasbena dejavnost? Ali je skupinsko petje kot primer družbenosti glasbe v pravem pomenu besede še vedno zmožno družbene kritike? Zakaj se določene glasbene prakse štejejo kot bolj učinkoviti dejavniki mobilizacije estetske izkušnje v političnem boju? Kakšno (zvočno) moč ima glasba v globalnem neoliberalnem kapitalizmu? Knjiga Glasba, politika, afekt: novo življenje partizanskih pesmi v Sloveniji ponuja premislek o osrednjih vprašanjih, ki se nanašajo na politični potencial glasbe in zvoka v postjugoslovanski Sloveniji, zaznamovani z okoliščinami globalnega kapitalizma. Cilj knjige je premislek o vlogi glasbe in zvoka v politični mobilizaciji in participaciji, o potencialu glasbenih dejavnosti pri samoorganiziranju, o izzivih in potencialih tako imenovanih glasbenih kolektivitet ter o sklicevanju na glasbeno preteklost kot načinu političnega angažmaja. Knjiga izziva obstoječe diskurze o političnosti glasbe v postjugoslovanskem kontekstu ter dihotomije med političnim in nostalgičnim, komercialnim in angažiranim ter eskapističnim in emancipacijskim.
    Schlagwort(e): anthropology of music ; NOB ; partisan songs ; patriotic poetry ; psychology of music ; social aspect ; sociology of music ; World War 1939-1945 ; antropologija glasbe ; domoljubna poezija ; družbeni vidik ; partizanske pesmi ; psihologija glasbe ; sociologija glasbe ; svetovna vojna 1939-1945 ; thema EDItEUR::1 Place qualifiers::1D Europe::1DX Southeast Europe::1DXV Slovenia ; thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWR Specific wars and campaigns::NHWR7 Second World War ; thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWL Modern warfare ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999::3MPB Early 20th century c 1900 to c 1950::3MPBL c 1940 to c 1949::3MPBLB c 1938 to c 1946 (World War Two period) ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPF Political ideologies and movements::JPFN Nationalism
    Sprache: Slowenisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 3
    facet.materialart.
    Unbekannt
    Kriterium
    Publikationsdatum: 2024-03-23
    Beschreibung: During the 1920s and 1930s the wordless novel – stories told in black-and-white wordless woodcuts – was established as a narrative genre. The genre was most popular in Germany, but was as well known in other parts of Europé and in the US. The wordless novel was characterized by the absence of words, the use of woodcut and other relief printing techniques, as well as themes of social critique and serious existential issues. The purpose of the book is to - through the wordless novels of the 1920s and 30s - explain the uniqueness of the wordless narrative and thus the autonomous narrative possibilities of the image. The method of the examination is a close reading of the German artist Otto Nückel's wordless novel Schicksal (Destiny 1926). A comparative material consists of the Czech artist Helena Bochořáková-Dittrichova's wordless novel Z Mého Dětství (From My Childhood, 1929). Wordlessness is studied through the image's characteristics as an intermediary of messages and narratives and through comparisons with other expressions - the silent film, cirkus, expressionist dance and visual art, as well as medieval woodcuts. Narratives – which are usually put together by verbal communication – are in this project a tool for seeing: the image sequences or the image groups that ""replace"" the words - not as a lack or implied meaning of words, but as a personal visual story.
    Schlagwort(e): Expressionism in black and white; Visual Story; German interwar graphic art; Otto Nückel; Wordless Books; Graphic novels ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::W Lifestyle, Hobbies and Leisure::WF Handicrafts, decorative arts and crafts::WFT Book and paper crafts ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
    Sprache: Schwedisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    facet.materialart.
    Unbekannt
    ZRC SAZU, Založba ZRC
    Publikationsdatum: 2024-03-23
    Beschreibung: The book ('Religiosity and consumption in the contemporary Japanese society‘) explores dilemmas regarding the effects of consumer culture on the secularization of religion. Author finds the key to understanding religion in a consumer society in the so-called popular religiosity, which she analyzes against the socio-economic and political contexts from early modern to contemporary Japanese society. Using various case studies she demonstrates how alongside official religiosity the Japanese pluralist religious field ‘allowed’ for popular religiosity with its worldly interests and practical benefits, which has had a positive catalytic role in the modernization processes. A contemporary counterpoint to such traditional popular religiosity is presented through empirical research conducted at Togenuki jizō − a popular religious site in Tokyo. The street vendors of food and clothing in front of the temple are seen to borrow religious symbols to successfully promote their products, whereas the buying of products embellished with religious symbols (i.e. during the so called ennichi festivities) may serve as a means of affirming social identities and establishing temporary communal contexts, within which religious practices take place at relatively regular intervals, thus strengthening the beliefs behind the religious symbols.
    Beschreibung: Danes se pogosto poudarja kvarni vpliv modernizacije in potrošniške kulture na religijo in religioznost, a že sam obstoj tradicionalne religioznosti v (post)moderni japonski družbi kaže na skrivnost nekakšnega sožitja. Avtorica knjige ključ do razumevanja religije v potrošniški družbi poišče v t. i. ljudski religioznosti, ki jo analizira v družbenoekonomskih in političnih kontekstih od zgodnjemoderne do sodobne japonske družbe. Pokaže, kako je japonsko pluralno religijsko polje ob uradni religiji »dopuščalo« ljudsko religioznost v njenih tuzemskih interesih in praktičnih koristih, v »imanentističnem« pojmovanju božanstev in v eklektičnem, neafiliacijskem prakticiranju religije, s čimer je ta imela ugodno spodbujevalno vlogo v modernizacijskih procesih. Z empirično raziskavo potrošniškega prostora priljubljenega templja Togenuki jizō v središču Tokia pokaže, da nakupovanje oblačil in hrane z religioznimi simboli (na številne praznične dni templja) služi potrjevanju družbenih identitet in vzpostavljanju začasnih skupnostnih kontekstov, v katerih se dokaj regularno vršijo religiozne prakse in krepi verovanje, ki stoji za religioznimi simboli.
    Schlagwort(e): consumer society ; consumption ; cultural anthropology ; ethnology ; folk religiosity ; history ; Japan ; religions ; religiousness ; rituals ; secularization ; society ; družba ; etnologija ; Japonska ; kulturna antropologija ; ljudska religioznost ; potrošniška družba ; potrošnja ; religije ; rituali ; sekularizacija ; vernost ; zgodovina ; thema EDItEUR::1 Place qualifiers::1F Asia::1FP East Asia, Far East::1FPJ Japan ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFS Consumerism
    Sprache: Slowenisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 5
    Publikationsdatum: 2024-04-07
    Beschreibung: Cultural heritage is not just something from the past, but always also reflects contemporary needs and desires. In the Traces of the Cold War describes the making of a diverse and innovative Swedish military heritage. The book shows how memories and material remains from a period characterized by fear and geopolitical tensions are infused with new meanings when bunkers, decommissioned military facilities and technology are transformed into luxury housing, attractive tourist destinations and museum exhibitions. Through field-visits to military heritage sites across Sweden, the authors examine what material objects, narratives and emotions that today represent the Cold War. These examinations show how military structures and equipment from a time associated with threat and danger become captivating elements of the cultural heritage, while also communicating specific ideas regarding security and protection. In the Traces of the Cold War takes a novel approach to cultural heritage by relating collective memory-making to security policy. Based on theoretical perspectives from critical heritage studies (CHS) and feminist international relations (IR), the analysis focuses on constructions of national belonging and underlines the role of gender and sexuality in narrations of security and protection. In a democracy, the subject of military violence must always be a matter of ethical and political conversations. Setting out from this assumption, the authors critically discuss how Cold War heritagisation produces militarization as “natural” and necessary. The book invites reflection on how history is written as well as on what the requirements are for a safe and secure society. In the Traces of the Cold War presents the results from an interdisciplinary research project. The authors are all researchers at Stockholm University and have written the book together.
    Schlagwort(e): Bunkers; Bunkrar; Security politics; Säkerhetspolitik; Gender; Genus; Military threat; Militärt hot; Military Heritage; Militära kulturarv; Cold War; Kalla kriget ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies ; thema EDItEUR::A The Arts::AM Architecture::AMX History of architecture ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPS International relations ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPA Political science and theory ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups
    Sprache: Schwedisch
    Format: image/jpeg
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 6
    facet.materialart.
    Unbekannt
    Kriterium
    Publikationsdatum: 2024-03-24
    Beschreibung: "Cleaning is central to all societies. It is an experience shared by almost everyone. A clean home is related to both respectability and status. The mere execution of the deed – whether it concerns taking care of other peoples’ dirt or ones’ own – ranks, however, strikingly low, contaminating everyone who has to perform it. Therefore, cleaning is permeated by hierarchies of for instance gender, class, sexuality and race. Even though cleaning activates several existential and politically burning questions, it is surprisingly non-existing in research. The point of departure for this study is anthropological, and the material is a number of interviews with Swedes of today about their habits and experiences of cleaning. In focus are questions of cleaning as a cultural symbol, a bodily practice, temporality, and as an expression of taking care of decay. By investigating the meaning of what cleaning means to people – how it is experienced, organized, and distributed in everyday life – I want to discuss how such a central part of our existence is regarded as something that lacks value."
    Schlagwort(e): Feminist ; politics ; Intersectionality ; Queer ; temporality ; Feminist ; theory ; Care ; work ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::J Society and Social Sciences
    Sprache: Schwedisch
    Format: image/jpeg
    Format: image/jpeg
    Format: image/jpeg
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    Standort Signatur Erwartet Verfügbarkeit
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  • 7
    facet.materialart.
    Unbekannt
    Kriterium
    Publikationsdatum: 2024-03-30
    Beschreibung: Social reportages are written by reporters who fight for the weak and expose injustices. So it is said in the profession, in handbooks and among the genre’s supporters. But what is hidden behind the ideal? And what does the commitment look like when it is converted into text? This book highlights reportages by some of the 20th century’s most celebrated Swedish reporters and examines the ways in which their texts convey a commitment to the reader. The narratologically based analyses are performed against a background of changing ideas about a reporter’s role in society. It turns out that the commitment is often time-related and can be counteracted by generalizing values about the depicted people. Here, the difference between empathy and compassion becomes crucial. The selected reporters represent Swedish social reportage at central turning points within the tradition. Ester Blenda Nordström and Gustaf Hellström have been chosen for the 1910s, Ivar Lo-Johansson for the years around 1930, Barbro Alving for the 1950s, Jan Guillou for the 1970s and Maciej Zaremba and Karen Söderberg for the 1990s and 2000s.
    Schlagwort(e): Karen Söderberg; Maciej Zaremba; Jan Guillou; Barbro Alving; Ivar Lo-Johansson; Gustaf Hellström; Ester Blenda Nordström; Svenska 1900-talsreportrar; Sociala reportage ; thema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries::KNTP Publishing industry and journalism::KNTP2 News media and journalism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNP Reportage, journalism or collected columns ; thema EDItEUR::J Society and Social Sciences
    Sprache: Schwedisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 8
    facet.materialart.
    Unbekannt
    Kriterium
    Publikationsdatum: 2024-03-23
    Beschreibung: This book highlights the diverse roles of the humanities in the history of the Swedish welfare society. This society has often been seen as dominated by an instrumental view of knowledge that rewarded the social sciences, natural sciences and technology, but the contributions in this book show the significant role that the humanities played in the Swedish welfare state. Various forms of humanistic knowledge and knowledge actors were part of large networks and left a clear mark on the public sphere and society at large. A narrative of the marginalization and crisis of the humanities in the postwar period must therefore be problematized. This edited volume brings together some twenty scholars from a number of humanities disciplines (history, history of ideas, media history, literary studies, archaeology, education, etc.). Much of the current research on the history of the humanities conducted in Sweden today is brought together here and put in relation to international discussions in fields such as history of humanities, history of knowledge, etc. The book is a sibling to the monograph Humanister i offentligheten, which was published in 2022.
    Schlagwort(e): The humanities; Public sphere; History of knowledge; Knowledge; History ; thema EDItEUR::A The Arts::AK Design, Industrial and commercial arts, illustration::AKH Book design and Bookbinding ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history ; thema EDItEUR::A The Arts::AM Architecture::AMX History of architecture ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDX History of science ; thema EDItEUR::N History and Archaeology::NH History::NHA History: theory and methods ; thema EDItEUR::N History and Archaeology ; thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500
    Sprache: Schwedisch
    Format: image/jpeg
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 9
    Publikationsdatum: 2024-03-23
    Beschreibung: Cultural heritage is not just something from the past, but always also reflects contemporary needs and desires. In the Traces of the Cold War describes the making of a diverse and innovative Swedish military heritage. The book shows how memories and material remains from a period characterized by fear and geopolitical tensions are infused with new meanings when bunkers, decommissioned military facilities and technology are transformed into luxury housing, attractive tourist destinations and museum exhibitions.Through field-visits to military heritage sites across Sweden, the authors examine what material objects, narratives and emotions that today represent the Cold War. These examinations show how military structures and equipment from a time associated with threat and danger become captivating elements of the cultural heritage, while also communicating specific ideas regarding security and protection.In the Traces of the Cold War takes a novel approach to cultural heritage by relating collective memory-making to security policy. Based on theoretical perspectives from critical heritage studies (CHS) and feminist international relations (IR), the analysis focuses on constructions of national belonging and underlines the role of gender and sexuality in narrations of security and protection.In a democracy, the subject of military violence must always be a matter of ethical and political conversations. Setting out from this assumption, the authors critically discuss how Cold War heritagisation produces militarization as “natural" and necessary. The book invites reflection on how history is written as well as on what the requirements are for a safe and secure society.In the Traces of the Cold War presents the results from an interdisciplinary research project. The authors are all researchers at Stockholm University and have written the book together.
    Schlagwort(e): Architecture & Architectural History ; International Relations ; Security Studies ; Political Science ; Gender Studies ; thema EDItEUR::A The Arts::AM Architecture::AMX History of architecture ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPS International relations ; thema EDItEUR::J Society and Social Sciences::JP Politics and government ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups
    Sprache: Schwedisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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  • 10
    facet.materialart.
    Unbekannt
    ZRC SAZU, Založba ZRC
    Publikationsdatum: 2024-03-23
    Beschreibung: World literature is always “glocalized.” Every national literature, every region, migration, and multicultural space has fashioned its own version of world literature. Consequently, many world literatures simultaneously exist within the single and unequal global literary system, “Slovenian” world literature being one of them. Based on Casanova’s and Moretti’s theories of the world literary system/space and, using a transdisciplinary approach, the collective volume explores the relationships between the world literary system and small or peripheral literary fields: the Slovenian, Estonian, Croatian, Luxembourgish, and Georgian. The authors of chapters are: César Domínguez, Bala Venkat Mani, Jernej Habjan, Katarina Molk, Jola Škulj, Morana Čale, Jüri Talvet, Jeanne Glesener, Liina Lukas, Irma Ratiani, Alen Širca, Matija Ogrin, Luka Vidmar, Darko Dolinar, Marko Juvan, Marijan Dović, Alenka Koron, Andraž Jež, and Jožica Jožef Beg.
    Beschreibung: Svetovna književnost je kot globalni pojav navzoča prek mnoštva lokalnih variant. Vsaka nacionalna literatura si je s knjižnim prometom, knjižnicami, prevodi, šolskim kanonom in repertoarjem referenčnih tujih del, ki so navdihovala domačo tradicijo, ustvarila svojo, specifično »glokalizirano« različico svetovne literature. Toda ta pluralnost je naddoločena z enotnim, a neenakim svetovnim literarnim sistemom, razpetim med središča in obrobja. Študije slovenskih in tujih avtorjev, zbrane v tej knjigi, razmerje slovenske književnosti do ideje in prakse svetovne literature prikazujejo v teoretskem in zgodovinskem kontekstu primerljivih književnosti Evrope, katerih sistemski položaj je obroben.
    Schlagwort(e): comparative studies ; cultural transfer ; literature ; national literatures ; Slovenian literature ; small literatures ; studies ; world literature ; književnost ; kulturni transfer ; male literature ; nacionalne književnosti ; primerjalne študije ; slovenska književnost ; študije ; svetovna književnost ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AG Slavic (Slavonic) languages::2AGV Slovenian ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
    Sprache: Slowenisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
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