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  • Ф.М. Достоевский: Юмор, парадоксальность, демонтаж  (4)
  • Masaryk University Press  (2)
  • Russian  (6)
  • 2020-2024  (6)
  • 1980-1984
Collection
Language
Years
  • 2020-2024  (6)
  • 1980-1984
Year
  • 1
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    Masaryk University Press | Masaryk University
    Publication Date: 2024-04-05
    Description: Title in English: Russian Philosophy of the 19th and Early 20th Century: A reader of anthropologically oriented texts by Russian philosophers of idealist orientation The textbook contains medallions of nine selected Russian philosophers of the 19th and early 20th century – P. Ya. Chaadaev, N. A. Berdyaev, S. N. Bulgakov, N. F. Fyodorov, P. A. Florensky, S. L. Fank, K. N. Leontyev, V. S. Solovyov and L. N. Tolstoy. In the next section, the texts of these philosophers are presented in the original Russian so that readers can become familiar with the basic underpinnings of their philosophical concepts. The textbook is intended for students of Russian studies, philosophy and humanities in general at the faculties of philosophy and education in the Czech and Slovak Republics, as well as for a wider circle of those interested in Russian idealist philosophy.
    Keywords: Russian philosophy ; idealist philosophy of the 19th and early 20th centuries ; original texts ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy
    Language: Russian
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  • 2
    Publication Date: 2024-03-26
    Description: Title in English: Lectures on the history of Russian-Ukrainian literary relations The book contains 16 chapters, which in the form of lectures are devoted to various aspects of the history of Russian-Ukrainian literary relations, especially in the 19th and 20th centuries. Some myths still alive in the consciousness of the wider and professional public are set to the right level, and issues of double cultural identity are tehere also discussed, namely on a philosophical, historical and literary level. The book is intended for readers fluent in the Russian language from among students of philological fields focused on the East Slavic area, professional literary scholars and the wider public.
    Keywords: Ukrainian literature ; Russian literature ; Ukrainian-Russian relations ; 19th century literature ; 20th century literature ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Russian
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  • 3
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    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
    Publication Date: 2024-03-24
    Description: Humor and Irony as a Means of Combating Atheism in the Discourse of F.M. Dostoevsky . The question of the God’s existence troubled Dostoevsky throughout his life. He created a very convincing portrait of the atheist of his time. He did not consider unbelievers immoral, but only “infected with recklessness”, and when speaking of his atheist acquaintances, often admitted that they were good people. Dostoevsky created the image of an atheist as an intelligent person, who is guided not by the heart, but by the mind and who often evokes sympathy for his questing, his thinking, and his suffering (like Versilov or Ivan Karamazov). If we carefully consider the “atheistic” characters of Dostoevsky, however, we will see that atheism is a phenomenon associated with something both bad and funny. Through humorous details, Dostoevsky imperceptibly creates an image of the “atheist” as a comical and frivolous person.
    Keywords: Dostoevsky ; atheism ; humor ; irony ; unbelievers ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 4
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    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
    Publication Date: 2024-03-24
    Description: Onomastics and Paradox: Dostoevsky and the Collapse of the Ontological Integrity of Character. Onomastics plays a key role in Dostoevsky’s poetics: the names of most of his characters are essential to their portraits, even though these names rarely signify unambiguously. Moreover, a number of his characters are nameless and a semantic tension arises from this absence: the impossibility of “branding” the hero with a name prevents us from identifying his or her features through verbal onomastic symbolism. The portrait of such characters necessarily remains somewhat murky. It is no coincidence that the “nameless heroes” are the most paradoxical and enigmatic characters of Dostoevsky’s creative world. By denying them names, Dostoevsky seeks to destroy the inner integrity of these heroes, their identity, in order that a living, independent, and contradictory personality emerges in them.
    Keywords: Dostoevsky ; Onomastics and Ontology ; Characters’ names ; Nameless heroes ; Hermeneutics of the name ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 5
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    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
    Publication Date: 2024-03-24
    Description: Deconstruction in the 19th Century (from the Natural School to Leo Tolstoy) and Fyodor Dostoevsky. The modern understanding of deconstruction arose from post-structuralism and implies distrust of semblance, the outward appearance of any ideology or structure, together with the search for a hidden interior. Dostoevsky renounces one-dimensionality and shows its deconstructing nature. He considers it a prejudice to believe that disclosing the hidden and forbidden has more “truth” in it, as is evident from his dispute with Tolstoy, who uses the principle of exposing the ignoble background of a supposedly noble national ideology to criticize the “defenders of the Slavic brothers” in Anna Karenina. Dostoevsky refuses to recognize the results of deconstruction (the denial of the declared) as the last and only version of the truth about reality. His approach can be defined as the “deconstruction of deconstruction.”
    Keywords: deconstruction ; Dostoevsky and the Natural School ; Dostoevsky and Leo Tolstoy ; specificity of Dostoevsky’s realism ; artistic model of truth ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 6
    Publication Date: 2024-03-24
    Description: “Both violin and contrabass”: The Figure of Paradox and the Poetics of Bewilderment in the Artistic Thinking of Pirandello and Dostoevsky. Pirandello and Dostoevsky are deeply linked at thematic, ideological and textual levels. In 1908, Pirandello published the treatise Humorism, in which he elaborated an original theory of humor and substantiated a worldview that is quite close to the type of artistic consciousness inherent in Dostoevsky’s work, and is genetically related to it. The poetics of paradox, in which every mental and sensual experience is tested by its “opposite”, encourages the reader to “hang” between two seemingly mutually exclusive principles while opening up the possibility of a new, more complex understanding of reality and of the Other. This article presents aspects of Pirandello’s theory of humor in a new light, revealing their potential for application to the analysis of Dostoevsky’s work.
    Keywords: Dostoevsky ; Pirandello ; humorism ; reflection ; paradox ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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