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  • thema EDItEUR::D Biography, Literature and Literary studies  (21)
  • BL1-50  (5)
  • M14
  • Sociology
  • ddc:300
  • ddc:330
  • Firenze University Press  (18)
  • Casa de Velázquez  (6)
  • Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación ; IdIHCS  (2)
  • Russisch  (16)
  • Spanisch  (10)
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  • 1
    Publikationsdatum: 2024-03-24
    Beschreibung: Paradoxality as a Specific Feature of Dostoevsky’s Literary Works. Techniques, Stylistics, Mechanisms of Action. All works by Dostoevsky reveal the presence of paradox. These paradoxes act according to mechanisms that depend either on the fictional (polyphonic) or nonfictional (monologic) text “dominant.” Taking as a starting point (a) the arguments of G.S. Morson, according to whom paradoxes “seem to carry the quintessence of ‘Dostoevskyism’, particularly of his brand of humor,” (b) the analysis of Dostoevsky’s paradoxical humor; and (c) the three main categories of paradoxes (“empty or rhetorical”, “negative”, “positive”), we argue that Dostoevsky applies a fourth type of paradox, one that affects neither the premise nor the ending of the paradoxical structure, but their intrinsic logical interconnection. This article analyses a repertoire of paradoxical techniques used by Dostoevsky, focusing on the destabilizing humoristic function they enact.
    Schlagwort(e): Dostoevsky ; paradox ; skeptical humor ; Grand Inquisitor ; polyphony ; thema EDItEUR::D Biography, Literature and Literary studies
    Sprache: Russisch
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  • 2
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    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
    Publikationsdatum: 2024-03-24
    Beschreibung: Humor and Irony as a Means of Combating Atheism in the Discourse of F.M. Dostoevsky . The question of the God’s existence troubled Dostoevsky throughout his life. He created a very convincing portrait of the atheist of his time. He did not consider unbelievers immoral, but only “infected with recklessness”, and when speaking of his atheist acquaintances, often admitted that they were good people. Dostoevsky created the image of an atheist as an intelligent person, who is guided not by the heart, but by the mind and who often evokes sympathy for his questing, his thinking, and his suffering (like Versilov or Ivan Karamazov). If we carefully consider the “atheistic” characters of Dostoevsky, however, we will see that atheism is a phenomenon associated with something both bad and funny. Through humorous details, Dostoevsky imperceptibly creates an image of the “atheist” as a comical and frivolous person.
    Schlagwort(e): Dostoevsky ; atheism ; humor ; irony ; unbelievers ; thema EDItEUR::D Biography, Literature and Literary studies
    Sprache: Russisch
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  • 3
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    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación | Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación ; IdIHCS
    Publikationsdatum: 2024-03-24
    Beschreibung: Poetry as a transterritory: theoretical-critical journeys This collective book has been conceived and organized with the aim of thinking of poetry as a genre that can be understood from the idea of territory, or from the tension between the territorialization–deterritorialization of languages in the creation process. At a general level, the authors propose that in the poetic dimension language opens up to broader conceptualizations such as the idea of transterritory: a territory that crosses other textual territories, deterritorializing them, but also a territory that allows itself to be crossed by other discourses, proposing nomadic territorializations. Poetry is the discourse which, by enhancing the possibilities of language at all its levels —those of sonority, words, syntax, semantics and discursive genre—makes it possible to operate territorial openings, which landmark or insinuate possible paths, and retrace the great tracks to proliferate in ramifications and allow to give way to divergent semantic, symbolic, ideological, affective, aesthetic and generic lines.
    Beschreibung: Published
    Beschreibung: Este libro colectivo se ha concebido y organizado con el objetivo de pensar la poesía como un género que puede ser entendido a partir de la idea de territorio, o de la tensión que se establece entre la territorialización-desterritorialización de lenguajes en el proceso de creación. Lo que se pretende plantear a nivel general, es que en la dimensión poética el lenguaje se abre hacia conceptualizaciones más amplias como la idea de transterritorio: un territorio que atraviesa a los otros territorios textuales, des-territorializándolos, pero también un territorio que se deja atravesar por otros discursos, proponiendo territorializaciones nómades. La poesía es ese discurso que, al potenciar las posibilidades del lenguaje a todos sus niveles, el de la sonoridad, el de la palabra, el de la sintaxis, el de la semántica, el del género discursivo; permite operar aperturas territoriales, que marcan o insinúan trayectos posibles, que desmarcan las grandes vías para proliferar en ramificaciones y permiten dar paso a líneas divergentes semánticas, simbólicas, ideológicas, afectivas, estéticas y genéricas. Coordinadores: Silvio Mattoni y Anahí Mallol. Obras de: Mariano Calbi, Gabriela Milone, Violeta Percia, Santiago Venturini, Franca Maccioni, Silvana Fernández, Dolores Aicega, María Celeste Carrettoni, Guillermo Siles, Verónica Paula Gómez, Paula La Rocca, Flavia Garione, Omar Chauvié, Matías Moscardi, Carlos Battilana, Enzo Cárcano, Hélène Davoine, Paula Poenitz.
    Schlagwort(e): Poesía ; Semántica ; Género discursivo ; Lenguaje ; thema EDItEUR::D Biography, Literature and Literary studies
    Sprache: Spanisch
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  • 4
    Publikationsdatum: 2024-03-24
    Beschreibung: “We laughed like from a tickle on the heart.” Dostoevsky’s Muddy Confession. When considering laughter in Dostoevsky, one immediately thinks of the long “tirade” in The Adolescent, which proposes a kind of physiology of laughter, and its unpredictable effects on the perception of those who witness it. Laughter and caustic humor color even the most intimate confessions and can serve to partially mask the difficult action of revealing oneself before others. Modernity itself is the era of self-exhibition, of a sort of widespread confession. And yet, the laughter of modernity has lost the essence of joy. Joy is a function of that almost impossible sincerity that unveils the essence of man. The grimace of the fool, who shamelessly denudes himself before others in confession, becomes a sign of the isolation of the modern self and the end of the utopia of sincerity pursued by Rousseau.
    Schlagwort(e): confession ; Dostoevsky ; laughter ; modernity ; sincerity ; thema EDItEUR::D Biography, Literature and Literary studies
    Sprache: Russisch
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  • 5
    Publikationsdatum: 2024-03-24
    Beschreibung: On Features of Word Usage in Dostoevsky’s Poetic Dictionary in Connection with M.L. Uralskij and G. Mondry’s Dostoevsky and the Jews (St. Petersburg: Aletheia, 2021) . This article addresses the question of Dostoevsky’s alleged anti-Semitism with particular attention to Uralskij and Mondry’s book devoted to this topic, in which conclusions about the author’s chauvinism and xenophobia are based on his use of the word ‘Jew’ (zhid). For almost the entirety of the 19th century, however, such word usage was not a marker of anti-Semitism. Throughout his life, Dostoevsky communicated with many representatives of the Jewish people without differentitating them in any particular way from representatives of other nationalities. In the writer’s poetic dictionary, the word ‘Jew’ sometimes denotes a person who acquires unscrupulously, examples of which Dostoevsky found in all nationalities of the world, including the Russian.
    Schlagwort(e): Dostoevsky ; Jewish question ; national character ; denial of anti-Semitism ; Russian word zhid ; thema EDItEUR::D Biography, Literature and Literary studies
    Sprache: Russisch
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  • 6
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    Firenze University Press
    Publikationsdatum: 2024-03-24
    Beschreibung: Foreword. Dostoevsky: Paradox, Humor, Deconstruction. A foreword to the present book and to each of the 15 articles that are part of it. While the analysis of humor, paradox, and deliberate deconstruction has generally occupied a marginal position in the study of Dostoevsky’s universe, it seems impossible to understand his poetics without pointed attention to these categories. The present book aims to fill the existing gap by focusing on the nature of ambivalent humor, paradoxicality, and methods of “de-automatizing” consciousness through deconstruction. It is precisely the dialogical and paradoxical nature of Dostoevsky’s artistic method that enables such different and sometimes contradictory readings.
    Schlagwort(e): Dostoevsky ; Paradox ; Humor ; Deconstruction ; Dostoevsky Studies ; thema EDItEUR::D Biography, Literature and Literary studies
    Sprache: Russisch
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  • 7
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    Firenze University Press
    Publikationsdatum: 2024-03-24
    Beschreibung: In Dostoevsky’s binary poetics, an opposition can be drawn between two fundamental stances – asceticism and incontinence. Ascetics adhere to an ethos of self-restraint in response to the desires of the flesh. Incontinents act spontaneously to gratify their desires. The current study draws an analogy between the behavior pattern of Dostoevsky’s self-denying intellectual heroes and that of exiled castrate (skoptsy) communities. Dostoevsky’s ascetics represent a cerebral mindset attracted to visions of social utopia; their intellectualizing detaches them from the life of the body and thus weirdly parallels the strictures of the skoptsy. An encounter between an ascetic and a prostitute serves as a central plot moment in works such as Crime and Punishment and Notes from Underground.
    Schlagwort(e): Dostoevsky ; ascetism ; sectarianism ; castrates ; drunkenness ; thema EDItEUR::D Biography, Literature and Literary studies
    Sprache: Russisch
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  • 8
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    Firenze University Press
    Publikationsdatum: 2024-03-24
    Beschreibung: While the analysis of humor, paradox, and deliberate deconstruction has generally occupied a marginal position in the study of Dostoevsky’s universe, it seems impossible to understand his poetics without pointed attention to these categories. The present book aims to fill the existing gap by focusing on the nature of ambivalent humor, paradoxicality, and methods of ‘de-automatizing’ consciousness through deconstruction, arguing that these are central elements in Dostoevsky’s creative arsenal. It is precisely the dialogical and paradoxical nature of his artistic method that enables such different and sometimes contradictory readings. Dostoevsky, who proclaimed «the excitement of compassion» as the secret of humor (in the ‘funny’ there is always sadness and even despair), more generally exposes in his writing the structural duality of all phenomena.
    Schlagwort(e): Dostoevsky ; Paradox ; Humor ; Deconstruction ; Comparative Studies ; thema EDItEUR::D Biography, Literature and Literary studies
    Sprache: Russisch
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  • 9
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    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
    Publikationsdatum: 2024-03-24
    Beschreibung: Onomastics and Paradox: Dostoevsky and the Collapse of the Ontological Integrity of Character. Onomastics plays a key role in Dostoevsky’s poetics: the names of most of his characters are essential to their portraits, even though these names rarely signify unambiguously. Moreover, a number of his characters are nameless and a semantic tension arises from this absence: the impossibility of “branding” the hero with a name prevents us from identifying his or her features through verbal onomastic symbolism. The portrait of such characters necessarily remains somewhat murky. It is no coincidence that the “nameless heroes” are the most paradoxical and enigmatic characters of Dostoevsky’s creative world. By denying them names, Dostoevsky seeks to destroy the inner integrity of these heroes, their identity, in order that a living, independent, and contradictory personality emerges in them.
    Schlagwort(e): Dostoevsky ; Onomastics and Ontology ; Characters’ names ; Nameless heroes ; Hermeneutics of the name ; thema EDItEUR::D Biography, Literature and Literary studies
    Sprache: Russisch
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  • 10
    Publikationsdatum: 2024-03-24
    Beschreibung: Funny Fathers. Types of the ridiculous old man in Dostoevsky’s novels. The first chapters from Dostoevsky’s novel Netochka Nezvanova deal with the fate and the peculiar story of life of the heroine’s stepfather. He is called Efimov and, being an alcoholic and overconfident, he plunges his family into misery. Therefore, he can be considered a prototype of ridiculous father figures occurring in the great novels (Marmeladov from Crime and Punishment, General Ivolgin from The Idiot and Stepan Trofimovič from The Demons). The article focuses on the determining character traits of these figures who embody the dramatic failure of the father generation. While characterising those laughable vecchi, special attention is given to the seemingly paradox criterium of the tragicomic, which finally results in questioning the tension between freedom and a predetermined fate.
    Schlagwort(e): Dostoevsky – Netochka Nezvanova – Tragicomic – Asthetic existence – Hybris ; thema EDItEUR::D Biography, Literature and Literary studies
    Sprache: Russisch
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  • 11
    Publikationsdatum: 2024-03-24
    Beschreibung: The Paradox of Female Sexual Desire in Crime and Punishment: On the Question of the Female Breast . This article examines references to the female breast found in Dostoevsky’s novel Crime and Punishment to reveal the contradictory role of female sexuality in his literary world. Despite feminist inclinations and a personal familiarity with “emancipated love,” he had particular difficulty with issues of women’s sexual desire and female corporeality, associating them with danger. He actively suppressed the bodies and desire of physically attractive women in his work. In Crime and Punishment, for ex., both Sonia and Dunia attract male desire, but do not express their own. References to the female breast in his work reveal this deep ambivalence about the female body: now alluring, now menacing, now subject to torture, the breast can also be symbolically maternal or disease-ridden.
    Schlagwort(e): Dostoevsky ; breast ; sexuality ; desire ; maternity ; thema EDItEUR::D Biography, Literature and Literary studies
    Sprache: Russisch
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  • 12
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    Firenze University Press
    Publikationsdatum: 2024-03-24
    Beschreibung: A Gentle Creature’s Paradox. The aim of this article is to analyze a smile as a mimetic, nonverbal facial expression. Although a smile most often displays joy and pleasure, it sometimes expresses emotions such as sadness, cruelty, anger, etc. This analysis aims to focus on the paradoxical “mistrustful, silent, and evil smile” of A Gentle Creature. Her smile marks the beginning of her life with the Pawnbroker and it is her companion until the end of her life. The paradox of smile illuminates other paradoxes such as that of communication (verbal/nonverbal, communication/its negation), of death (suicide and the icon, destruction/resurrection, silence/birth of words), of the Pawnbroker’s story (author-narrator, narrative/story, fantastic/realistic, contradictions in the story), and of the event (real event/event in the narrator’s mind).
    Schlagwort(e): smile ; Dostoevsky ; А Gentle Creature ; story ; paradox ; thema EDItEUR::D Biography, Literature and Literary studies
    Sprache: Russisch
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  • 13
    Publikationsdatum: 2024-03-24
    Beschreibung: About Slavonicisms in The Brothers Karamazov. This work draws attention to the function of Slavonicisms in The Brothers Karamazov. In the last dialogue between Kolja Krasotkin and Alesha Karamazov, Kolja’s lines about postmortality or immortality are stylistically limited to the framework of the middle-lower register of Russian and thus exclude any metaphysical component. Alesha’s response, in contrast, is constructed in a Slavonic idiolect that belongs simultaneously to the conventional and to the mythopoetic. Another case of this appeal to the Slavonic register may be found in the dispute between Ivan and the devil regarding the recognition or denial of the incarnation of evil in the world. Claiming incarnation, Satan tries to demonstrate the equivalence of demonic and human nature. The primary instrument deployed in this argument is a Slavonicism, claimed by Satan, but which does not belong to him.
    Schlagwort(e): Dostoevsky ; The Brothers Karamazov ; Slavonicisms ; paradox ; dialogue with the Devil ; thema EDItEUR::D Biography, Literature and Literary studies
    Sprache: Russisch
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  • 14
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    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
    Publikationsdatum: 2024-03-24
    Beschreibung: Deconstruction in the 19th Century (from the Natural School to Leo Tolstoy) and Fyodor Dostoevsky. The modern understanding of deconstruction arose from post-structuralism and implies distrust of semblance, the outward appearance of any ideology or structure, together with the search for a hidden interior. Dostoevsky renounces one-dimensionality and shows its deconstructing nature. He considers it a prejudice to believe that disclosing the hidden and forbidden has more “truth” in it, as is evident from his dispute with Tolstoy, who uses the principle of exposing the ignoble background of a supposedly noble national ideology to criticize the “defenders of the Slavic brothers” in Anna Karenina. Dostoevsky refuses to recognize the results of deconstruction (the denial of the declared) as the last and only version of the truth about reality. His approach can be defined as the “deconstruction of deconstruction.”
    Schlagwort(e): deconstruction ; Dostoevsky and the Natural School ; Dostoevsky and Leo Tolstoy ; specificity of Dostoevsky’s realism ; artistic model of truth ; thema EDItEUR::D Biography, Literature and Literary studies
    Sprache: Russisch
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  • 15
    Publikationsdatum: 2024-03-24
    Beschreibung: Dostoevsky’s Dialectic: The Name of the Father and the Saving Power of Childhood. The artistic experience of Dostoevsky’s novels combines two rather heterogeneous hermeneutic strategies – the analysis of the unconscious and of existential utopia. In the first case, Dostoevsky problematizes the completeness of the symbolic order of culture as such through the thematization of the figure and name of the Father. From the perspective of the second strategy, Dostoevsky creates his own utopia of a symbolic order, with the eternal substance of people’s life capable of infinite renewal in the child’s soul in the role of the great Other. His novels reveal what can be called the creative core of culture. The murder of Fyodor Karamazov is an archetypal event, a sacrifice of the Body of the Father for the sake of the NAME of the dead Father, it initiates a paradigmatic process in the Symbolic.
    Schlagwort(e): Dostoevsky ; Lacan ; Body of the Father ; Father’s Name ; childhood ; thema EDItEUR::D Biography, Literature and Literary studies
    Sprache: Russisch
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  • 16
    Publikationsdatum: 2024-03-24
    Beschreibung: Deconstruction in Dostoevsky’s Novels: Ideas, Plans, Preparatory Materials, Main Text . This article examines the role of deconstruction in Dostoevsky’s novels as a technique for bringing the ideological and psychological components of images into collision. These images are imbued with complex paradoxical meaning, revealing anthropological and philosophical issues in the writer’s work. Crime and Punishment advances the theme of a need for crime in order to achieve the moral rebirth of the hero. Moving forward on this path, the novel dismantles both inner and outer limits in the space of the hero. In The Idiot, Dostoevsky links passionate and antagonistic motifs to the Christian idea, thereby deconstructing boththe entire ethical concept of Myškin and the narrative associated with it. In The Adolescent the main character is subjected to destructive motivational interventions.
    Schlagwort(e): Dostoevsky ; deconstruction ; dismantling ; paradoxicity ; Christian idea ; thema EDItEUR::D Biography, Literature and Literary studies
    Sprache: Russisch
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  • 17
    Publikationsdatum: 2024-03-24
    Beschreibung: “Both violin and contrabass”: The Figure of Paradox and the Poetics of Bewilderment in the Artistic Thinking of Pirandello and Dostoevsky. Pirandello and Dostoevsky are deeply linked at thematic, ideological and textual levels. In 1908, Pirandello published the treatise Humorism, in which he elaborated an original theory of humor and substantiated a worldview that is quite close to the type of artistic consciousness inherent in Dostoevsky’s work, and is genetically related to it. The poetics of paradox, in which every mental and sensual experience is tested by its “opposite”, encourages the reader to “hang” between two seemingly mutually exclusive principles while opening up the possibility of a new, more complex understanding of reality and of the Other. This article presents aspects of Pirandello’s theory of humor in a new light, revealing their potential for application to the analysis of Dostoevsky’s work.
    Schlagwort(e): Dostoevsky ; Pirandello ; humorism ; reflection ; paradox ; thema EDItEUR::D Biography, Literature and Literary studies
    Sprache: Russisch
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  • 18
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    Firenze University Press
    Publikationsdatum: 2024-03-24
    Beschreibung: For the first time, this book parallels the works of Góngora and Tirso, analyzing their different involvement in the expressive modalities of the Baroque that both interpret and value in a hyperbolic way. With efficiency and originality, the renowned hispanist Laura Dolfi studies the style of Soledades, Panegírico, and Cigarrales, and the artifices of fiction that, in Las firmezas de Isabela and La fingida Arcadia, guide the desenlace, underlining the position of its author with respect to the literary precepts of the time (rejection or acceptance of new art and culteranismo). In addition, Góngora’s role as a playwright is valued, and his plays are studied from less accustomed points of view: the dramatic characteristics, the importance of the rhythm that his verses scanned, the diffusion and the possible corruption of the text.
    Schlagwort(e): Góngora ; Tirso de Molina ; poetry ; prose ; theater ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Sprache: Spanisch
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  • 19
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    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación | Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación ; IdIHCS
    Publikationsdatum: 2024-03-24
    Beschreibung: This book is the result of a collective study, research, discussion and review project that began in 2014 at the IdIHCS, in the Faculty of Humanities and Educational Sciences of the National University of La Plata. From the paths traced by Curtius, Auerbach, Jauss and Ong, the fourteen studies that are part of this volume emerged and were written with the intention of generating a contribution for the dialogue of a cultural, transnational and diachronic reading of literature. Autores: Disalvo, Santiago (comp.); Calabrese, Martín Ezequiel (comp.); Lima, Damián; Rio Riande, Gimena del; Pavón, María Cecilia; Calvo, Florencia; Festini, Patricia; González, Ximena; Varela, Fernanda Soledad; Nusch, Carlos Javier; Stecher, Cecilia; De Oro, Camila; Chicote, Gloria; Natoli, Cecilia; Arata, Facundo.
    Beschreibung: Published
    Beschreibung: Este libro es fruto de un proyecto colectivo de estudio, investigación, discusión y revisión que comenzó en el año 2014 en el IdIHCS, en la Facultad de Humanidades y Ciencias de la Educación de la Universidad Nacional de La Plata. A partir de los caminos trazados por Curtius, Auerbach, Jauss y Ong, surgieron los catorce estudios que forman parte de este volumen y que se escribieron con la intención de generar una contribución para el diálogo de una lectura cultural, transnacional y diacrónica de la literatura. El eje transversal que liga los textos que estructuran este trabajo plural está constituido por las tradiciones letradas y populares dentro de la poesía hispánica, especialmente en su vertiente lírica, y los intercambios simbólicos que son reconocibles entre tales tradiciones literarias, sus lenguas poéticas, sus variantes genéricas y sus autores. Para concretar tal tentativa también se han considerado otros acercamientos, no menos importantes, asociados al proceso de génesis y evolución de las formas líricas europeas estudiado por Dronke y Menéndez Pidal. Desde allí, se aborda la lírica románica contemplando su pasaje de la circulación oral a la manuscrita, la difusión de textos impresos a partir del siglo XVI y las tradiciones discursivas que pudieron haber intervenido en este proceso. De igual manera se estudia la permeabilidad de los textos líricos en su tránsito de la cultura monacal a la laica, en el contexto del intercambio entre el ámbito cortesano y el popular, tanto en sus dimensiones formales como ideológicas. De esta manera es como se contempla la complejidad de un corpus heterogéneo que abarca varios siglos de textos líricos ibéricos medievales, renacentistas y modernos en sus diversas manifestaciones.
    Schlagwort(e): Historia literaria ; Estudios literarios ; Crítica literaria ; Hispanoamérica ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::1 Place qualifiers::1D Europe ; thema EDItEUR::1 Place qualifiers::1K The Americas::1KL Latin America – Mexico, Central America, South America
    Sprache: Spanisch
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  • 20
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    Firenze University Press
    Publikationsdatum: 2024-03-24
    Beschreibung: The contributions that compose this book were presented at the XIV Taller Internacional de Estudios Textuales (Perugia 2018), where different issues related to the transmission of Spanish Golden Age plays and its relevance for modern editing were discussed. The relationship between autograph manuscripts and prompt books, the usus scribendi of professional copyists, the textual variant readings in the transmission of printed texts, the importance of meter for establishing texts and proving authorships, the comparison of Spanish and Anglo-American editing practices, and the adaptation of plays for the modern stage, are all issues addressed by means of case studies that elucidate unexpected angles of textual criticism.
    Schlagwort(e): Spanish Golden Age theatre ; edition of plays ; textual criticism ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Sprache: Spanisch
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  • 21
    Publikationsdatum: 2024-03-25
    Beschreibung: En el siglo XVI, la Península Ibérica no quedó al margen del gran debate teológico que sacudía Europa. En España y Portugal se leían, comentaban y discutían los escritos de la Reforma. Su recepción no fue una mera aceptación pasiva de ideas extranjeras, sino el fruto de una interacción con planteamientos espirituales autóctonos que no puede ser reducida a la polarización entre católicos y protestantes. Las redes de creyentes evolucionaron al mismo tiempo que las doctrinas reformadas y que las estrategias de contención desarrolladas por los reyes y la Inquisición. Las contribuciones de este libro permiten un nuevo balance de la situación de la Reforma en el conjunto de la Península Ibérica, a la vez que ponen en relación a los círculos de exiliados con las comunidades del interior.
    Schlagwort(e): D1-2009 ; BL1-50 ; luteranismo ; Inquisición ; Reforma ; recepción ; herejía ; protestantismo ; censura ; siglo XVI ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Sprache: Spanisch
    Format: image/png
    Standort Signatur Erwartet Verfügbarkeit
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  • 22
    Publikationsdatum: 2024-04-08
    Beschreibung: Los estudios aquí reunidos versan sobre el contacto intelectual entre musulmanes y judíos que tuvo lugar en el Occidente islámico medieval. El eje crucial de dicho contacto fue la lengua árabe, pues la arabización de los judíos posibilitó la comunicación diaria y literaria entre dos comunidades. ¿En qué consistió esa comunicación en el campo intelectual? ¿Hasta qué punto las partes implicadas se vieron afectadas por igual? ¿Qué disciplinas se prestaron mejor a tal encuentro cultural? ¿Cuáles fueron los márgenes entre los que se canalizó este para asegurar el mantenimiento, dentro de su inevitable devenir, de las identidades culturales propias? Las respuestas a estas y otras preguntas conciernen a la función identitaria de la lengua, al desarrollo de la gramática hebrea y de la exégesis de los textos sagrados hebreos, a la poesía ascética y las expectativas mesiánicas, a la obra de autores tan destacados como al-Harizi, Maimónides, Ibn Jaldun e Ibn Adret. Si los especialistas encontrarán materia de interés en el libro, la aportación de la obra no se limita a esos campos, pues atañe al lector no especialista que sienta curiosidad por el apasionante proceso de un encuentro entre culturas.
    Schlagwort(e): BL1-50 ; islam ; África del norte ; España ; Edad Media ; Andalucía ; Al-Andalus ; intelectual vida ; judaísmo ; bic Book Industry Communication::H Humanities::HR Religion & beliefs ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs
    Sprache: Spanisch
    Format: image/png
    Standort Signatur Erwartet Verfügbarkeit
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  • 23
    Publikationsdatum: 2024-03-25
    Beschreibung: El presente libro versa sobre el papel de la Iglesia católica y sus misiones en los Imperios ibéricos del siglo xix y el primer tercio del siglo xx. En concreto, aborda las relaciones entre el poder civil y el eclesiástico en contextos coloniales en un período de intensa modernización de las estructuras imperiales. Con una perspectiva comparada entre los distintos espacios que componían los diferentes imperios, la obra refleja el papel que desempeñan los misioneros como un cuerpo intermedio entre colonizadores y colonizados, siempre en contacto e interacción con las poblaciones locales, así como la compleja relación entre el poder colonial y las misiones religiosas. El indudable apoyo mutuo partía de intereses que eran en parte divergentes, lo cual provocó conflictos en no pocas ocasiones. Todo ello en el marco de una relación Iglesia-Estado que, en las mismas metrópolis, no careció de importantes roces y dificultades.
    Schlagwort(e): D1-2009 ; BL1-50 ; JA1-92 ; órdenes religiosas ; Cuba ; Mozambique ; Imperios ibéricos ; Filipinas ; Guinea Ecuatorial ; sociedad colonial ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose
    Sprache: Spanisch
    Format: image/png
    Standort Signatur Erwartet Verfügbarkeit
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  • 24
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    Casa de Velázquez
    Publikationsdatum: 2024-04-08
    Beschreibung: La España contemporánea vivió según su propia cronología, y su propio dramatismo, los cambios y las crisis de las sociedades occidentales. De hecho, las relaciones entre la Iglesia y el Estado orientaron, sin duda mucho más que en otros países, su historia. La hegemonía política y cultural de la España moderna, reivindicada por la derecha, estribaba en el catolicismo. Toda cuestión política tuvo en España un trasfondo religioso puesto que la religión abarcaba todas las esferas de la sociedad y el Estado dependía de la Iglesia. Pero la sacralización por la derecha autoritaria de un pasado glorioso y de la organización estamental del Antiguo Régimen, confundidos con el catolicismo triunfante, contribuyó a forjar la imagen de un país enfrentado con la modernidad y que tenía dificultades para adaptarse a las exigencias del liberalismo económico y político. Lo que estuvo en juego en la lenta evolución de este fenómeno religioso fue la interpretación de la modernización y de la democratización de España. La democracia, que pasó de ser un valor reivindicado por una minoría social a una exigencia compartida por amplios sectores, implicaba otra relación con una Iglesia que aceptara la cultura secular y renunciara a su concepción totalizadora de la sociedad.
    Schlagwort(e): BL1-50 ; siglo XX ; religión ; catolicismo ; iglesia ; política ; España ; siglo XIX ; bic Book Industry Communication::H Humanities::HR Religion & beliefs ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs
    Sprache: Spanisch
    Format: image/png
    Standort Signatur Erwartet Verfügbarkeit
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  • 25
    Publikationsdatum: 2024-04-08
    Beschreibung: Los estudios aquí incluidos se enmarcan todos en el área geográfica que comprende el actual territorio de Marruecos extendido por el Este hasta incluir Orán. Se trata del territorio norteafricano de más intensa imbricación con la Península Ibérica y el único en no estar bajo el dominio otomano. La intensidad de las relaciones entre la Península y el Magreb se debe en gran parte a la población judía, verdadera mediadora entre estos dos conjuntos religiosos, culturales y políticos. Los judíos tuvieron que vivir en un ambiente fronterizo y adoptaron estrategias que dejaron una profunda huella en el judaísmo moderno. En este libro se habla de judíos y también de conversos al cristianismo o de criptojudíos. Los contactos de los judíos magrebíes con las comunidades peninsulares son constantes y la existencia de conversos, de «cristianos nuevos», es uno de los problemas más importantes de los primeros siglos de la Edad Moderna española. La historia de estas comunidades forma parte, pues, de la historia de España como de la del Magreb: aparente paradoja que estas actas contribuyen a esclarecer y definir en su justa escala.
    Schlagwort(e): BL1-50 ; Judíos ; tiempos modernos ; christianismo ; Islam ; África del norte ; Judaísmo ; participación política ; bic Book Industry Communication::H Humanities::HR Religion & beliefs ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs
    Sprache: Spanisch
    Format: image/png
    Standort Signatur Erwartet Verfügbarkeit
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  • 26
    Publikationsdatum: 2024-03-24
    Beschreibung: Propiciadas por el desarrollo de la imprenta, las continuaciones literarias conocen en la España de la Edad Clásica un verdadero auge que afecta a todos los ámbitos de la ficción. Sin embargo, este fenómeno no es totalmente nuevo puesto que durante la Edad Media cualquier elaboración literaria se centraba en la reutilización y continuación de textos ajenos. Sin hacer caso omiso de esta herencia medieval, este libro trata de especificar la noción de continuación para la época moderna considerándola como una modalidad peculiar del préstamo. Situándose por encima de las fronteras genéricas, ofrece un estudio de conjunto de esta práctica proponiendo una arqueología de la misma y tomando en cuenta la dimensión creativa que conllevan las obras correspondientes.
    Schlagwort(e): PN1-6790 ; chivalric romances ; Quixote ; Celestina ; picaresque ; medieval literature ; Spanish Golden Age ; Spanish literature ; thema EDItEUR::D Biography, Literature and Literary studies
    Sprache: Spanisch
    Format: image/png
    Standort Signatur Erwartet Verfügbarkeit
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