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  • L7-991
  • thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
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  • 1
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    Peter Lang International Academic Publishers
    Publication Date: 2024-05-13
    Description: Der Solothurner Komponist Hermann Meier (1906–2002) strebte nach einer ständigen Erneuerung seiner Musiksprache: Abseits der Zentren der Avantgarde fand er um 1950 zu einem eigenen seriellen Verfahren, er explorierte Klangflächen und vertiefte im Spätwerk seine elektronischen Visionen. Die Orientierung an der Kunst Piet Mondrians, Sophie Taeuber-Arps und Paul Klees sowie ein eigenes Arbeitsverfahren mit großformatigen Verlaufsdiagrammen zielten auf eine «abstrakte» oder «geometrische Musik». Deren Bildlichkeit wird anhand der nachgelassenen Skizzen und Schaffensdokumente erstmals im historischen Kontext, in ihrer Operativität und im Zusammenspiel mit anderen kompositionsästhetischen Orientierungen gedeutet.
    Keywords: Arbeitsmittel ; bildlichen ; Creative Process ; Elektronische Musik ; Erich Schmid ; Geometrie ; Graphische Notation ; Hermann ; Klangflächen ; Klaviermusik ; Klavierwerk ; Kunst und Musik ; Materialität ; Meiers ; Michelle ; Modelle ; Musikalische ; Musikalische Komposition ; Musikalische Schrift ; Musikforschende ; Operativität ; Rechtecksgeometrie ; Schriftbildlichkeit ; Schwarzbubenland ; Schweiz ; Schweizer Musik ; Serielle Musik ; Skizzenforschung ; Solothurn ; Wladimir Vogel ; Ziegler ; Zwölftontechnik ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::A The Arts::AV Music::AVR Musical instruments::AVRG Keyboard instruments
    Language: German
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  • 2
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    transcript Verlag | transcript Verlag
    Publication Date: 2024-05-12
    Description: Wie hängen musikalische Schrift und Gender zusammen? Mit dieser Frage erschließt der Band ein neues Forschungsfeld. Die Beiträge gehen den geschlechtlichen Kodierungen im Diskurs über musikalische Schrift nach sowie der Vermittlung von Körper- und Geschlechterbildern etwa in bildlichen Notationsformen, in Transkriptionen afrikanischer Musik, in Schriftkulturen populärer Musik oder in der Solmisation. Dabei nehmen sie auch die soziokulturellen Bedingungen des Schreibens, also Fragen zur Teilhabe an musikalischen Schriftkulturen, in den Blick - und führen so Ansätze und Erkenntnisse der Schrift- und Genderforschung produktiv zusammen.
    Keywords: Musik ; Notation ; Schrift ; Gender ; Kultur ; Körper ; Geschlecht ; Kulturgeschichte ; Musikwissenschaft ; Gender Studies ; Musikgeschichte ; Music ; Writing ; Culture ; Body ; Cultural History ; Musicology ; Music History ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups ; thema EDItEUR::A The Arts::AV Music::AVM History of music
    Language: German
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  • 3
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    transcript Verlag | transcript Verlag
    Publication Date: 2024-05-12
    Description: Die künstlerische Hinwendung zu Phänomenen des täglichen Lebens in Verbindung mit der aufkommenden Ästhetisierung des Alltagslebens hat seit den 1960er Jahren zu einer Neubetrachtung des Verhältnisses zwischen Kunst und Nicht-Kunst geführt. In diesem Zusammenhang kommt dem spezifischen Einsatz des Musikerkörpers eine Schlüsselfunktion zu. Karolin Schmitt-Weidmann leitet aus ihm Distanzauslotungen zwischen Kunst und Nicht-Kunst ab und eruiert diese anhand von konkreten Werkbeispielen. Dafür greift sie zurück auf hier erstmalig veröffentlichte Interviews mit Annesley Black, Cathy van Eck, Dieter Schnebel, Vinko Globokar, Hans-Joachim Hespos, Robin Hoffmann und Heinz Holliger zum Verhältnis von Kunst und Lebenswelt.
    Keywords: Neue Musik ; Körper ; Performativität ; Ästhetik ; Kunstbegriff ; Musik ; Klang ; Musikwissenschaft ; New Music ; Body ; Performativity ; Aesthetics ; Concept of Art ; Music ; Sound ; Musicology ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology
    Language: German
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  • 4
    Publication Date: 2024-05-12
    Description: Music plays an important role in many religions and in a variety of religious contexts. Music and Religion: Texts on Music in Religion and Religion in Music takes a look at the intersections between music and religion. We experience religion in music, and in religion we encounter musical expression. Although music and religion are unquestionably mutually pervasive, we can also come across gaps between them: Is it possible to move beyond a musical experience toward a religious one without having to hop over this gap? And is there any direct route from religion into music as an acoustic phenomenon? Without a religious interpretation of the music remaining? There is a wealth of research about music and religion, but little on how they meet. That is what this anthology seeks to remedy. Music and Religion will be relevant for anyone with an interest in encounters between these two phenomena. It will be especially relevant for students in performing, composing and scientific music education, as well as theology and religious studies. The anthology has been edited by Henrik Holm (associate professor in education at Oslo Metropolitan University and professor in philosophy at Rudolf Steiner University College) and Øivind Varkøy (professor in music education and music sciences at the Norwegian Academy of Music and professor II in music at Oslo Metropolitan University).
    Description: Musikk spiller en stor rolle i ulike religioner og ulike religiøse sammenhenger. Musikk og religion: Tekster om musikk i religion og religion i musikk setter søkelyset på møtepunkter mellom musikk og religion. Mennesker erfarer religion i musikken, og i religionen møter mennesket i musikalske uttrykk. Selv om musikk og religion utvilsomt gjennomtrenger hverandre, kan vi også støte på gap mellom dem: Er det mulig å overskride en musikalsk erfaring henimot det religiøse uten å måtte hoppe over dette gapet? Og finnes det en vei fra religionen direkte inn i musikken som klangfenomen? Forblir det ikke bare en religiøs fortolkning av musikk? Det finnes mye forskning på musikk og religion, men lite om hvordan de møtes. Denne antologien forsøker å gjøre noe med dette. Musikk og religion retter seg mot alle med interesse for møter mellom disse to livsfenomener. Den vil være særlig aktuell for studenter innenfor utøvende, skapende og vitenskapelige musikkutdanninger, teologi og religionsvitenskap. Boken er redigert av Henrik Holm (førsteamanuensis i pedagogikk, OsloMet, og professor i filosofi, Steinerhøyskolen), og Øivind Varkøy (professor i musikkpedagogikk og musikkvitenskap, Norges musikkhøgskole, og professor II i musikk, OsloMet).
    Keywords: music, aesthetic experiences of religious music, religious expressions of music in the presence and the past, theology, musikk, religion, estetiske erfaringer av religiøs musikk, religiøse musikkuttrykk i nåtid og fortid, teologi ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLK Sacred and religious music ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRM Christianity ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVK Spirituality and religious experience ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRJ Judaism ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVJ Prayers and liturgical material::QRVJ1 Worship, rites, ceremonies and rituals ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general::QRAB Philosophy of religion
    Language: English , Norwegian , Swedish
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  • 5
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    Open Book Publishers
    Publication Date: 2024-05-12
    Description: "This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach’s Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach’s opus."
    Keywords: j. s. bach ; perception ; baroque performance practice ; violin ; musical performance ; Dynamics (music) ; Johann Sebastian Bach ; Tempo ; Vibrato ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLA Art music, orchestral and formal music ; thema EDItEUR::6 Style qualifiers::6C Styles (C)::6CA Classical style ; thema EDItEUR::A The Arts::AV Music::AVP Musicians, singers, bands and groups ; thema EDItEUR::A The Arts::AV Music::AVN Composers and songwriters
    Language: English
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  • 6
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    Peter Lang International Academic Publishers
    Publication Date: 2024-04-15
    Description: The first study of this volume looks for reminiscences of Dies Irae in Chopin’s works. A great number of allusions and affinities are found in the preludes as well as in Chopin’s output. The study also yields insights into Chopin’s composition method. These intertextual findings are used in an attempt to establish the extra-musical content of the Second Ballade. Five preludes – A minor, E minor, B minor, A major and C minor – are closely examined, using diverse analytical approaches. A primary concern is to critically assess previous readings, and Schenkerian ones in particular. An analysis of the initial right-hand passage of the F-minor étude from Méthode brings up matters of idiomatic and ontology.
    Keywords: Bengt ; Chopin ; Dies Irae ; Edlund ; Intertextuality ; Preludes ; Schenkerian analysis: Idiomatik ; Second Ballade ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
    Language: English
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  • 7
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    Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación | Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    Publication Date: 2024-04-14
    Description: This book contains the papers presented at the 1st Encuentro Cuerpo, educación y sociedad (Ensenada, November 7-9, 2016). The themes addressed in them are more or less directly linked to the research topics that are developed in the Interdisciplinary Center for Body, Education and Society.
    Description: Published
    Description: Este libro reúne los trabajos presentados en el I Encuentro Cuerpo, educación y sociedad (Ensenada, 7 al 9 de noviembre de 2016). Las temáticas abordadas en los mismos se vinculan de manera más o menos directa con los temas de investigación que se desarrollan en el Centro Interdisciplinario Cuerpo, Educación y Sociedad. Todos ellos vinculados al cuerpo, las prácticas corporales, su educación y formación en las sociedades contemporáneas. Hay trabajos más generales, vinculados a problematizaciones conceptuales y trabajos más específicos vinculados a problemas histórico-empíricos. Los ejes a partir de los cuales se problematiza el cuerpo, las prácticas corporales y su educación pasan por el juego, las sexualidades, las artes performáticas y la discapacidad entre otros. Dentro de estas características se ubican, tanto las presentaciones de las ponencias como las de los paneles e incluimos también una pequeña síntesis de los talleres de trabajo con el interés de mostrar los diversos modos en que la investigación sobre el cuerpo, su educación y las prácticas corporales se llevan a cabo en los momentos de transmisión de contenidos.
    Keywords: HM401-1281 ; L7-991 ; Educación ; Sociedad ; Cuerpo ; thema EDItEUR::V Health, Relationships and Personal development
    Language: Spanish
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  • 8
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    Stockholm University Press
    Publication Date: 2024-04-14
    Description: What can artists learn from theatre scholars when it comes to performing historical works on stage today? What can theatre scholars learn from today’s artists when it comes to understanding the works and practices of the past? How is the experience of modern spectators affected by attending performances in historic theatres? And how, aesthetically, do we experience the reconstruction of productions from the remote past? This collection of essays covers the findings of the research project ‘Performing Premodernity’: an international group of theatre scholars whose work centred on the Drottningholm theatre from 1766: just outside Stockholm, this famous theatre has authentic stage sets and machinery preserved almost in their original eighteenth-century state. Behind all the essays is a mixture of fascination and dissatisfaction with today’s performances of drama and opera classics, particularly those that take place in historic theatres, and those operating within the so-called Historically Informed Performance movement. Moreover, they reflect a desire to develop and expand the methods traditionally used by theatre historians. And they present a variety of angles on today’s performances in historic theatres and on today’s attempts to revive theatrical practices of the past. The authors combine academic and artistic research as a way of deepening and nuancing our understanding of eighteenth-century theatre practices. The historical research is set in dialogue with the dramaturgical insights and aesthetic experiences the historians gained from their practical doing in historic spaces. Experimentation with lighting, costumes, stage movement, vocal and instrumental practices, and the flow of energy between performers and spectators led to the investigation of topics that theatre historians otherwise tend to ignore. In turn, this has led the researchers to challenge long-held views of the sites, repertoires, and performance practices of eighteenth-century theatre. Performing Premodernity’s experimental, practice-based approach accords with the view of the late Enlightenment as what Vincenzo Ferrone has called ‘a real and still unexplored laboratory of modernity’. The second half of the eighteenth century was a time of both wide-ranging artistic innovation and earth-shaking political revolutions; it was a period when ideal and practice, philosophy and art influenced and guided each other to an unprecedented degree. The essays start from the conviction that any attempt at a holistic understanding of the theatrical practices of the time must take these exchanges into account. And that a strictly antiquarian approach that merely tries to establish ‘how it really was’, without considering the utopian dimension of the reforms of people like Rousseau, Gluck, and Mozart, will fail to grasp the impetus and the dynamic, communicative aspect of eighteenth-century theatre. Therefore, several of the essays revolve around the group’s historically informed production of a true ‘avantgarde’ work of the eighteenth century: Pygmalion, Jean-Jacques Rousseau’s scène lyrique from 1762. Performing Premodernity’s research-based production premiered at Český Krumlov Castle Theatre in 2015. The present anthology is essential reading for theatre scholars and musicologists studying eighteenth-century performance as well as for theatre and opera artists concerned with period performance practice.
    Keywords: Theatre historiography; Historical theatres; Eighteenth-century acting; Eighteenth-century opera; Eighteenth-century theatre; Historically informed performance ; thema EDItEUR::W Lifestyle, Hobbies and Leisure::WC Antiques, vintage and collectables::WCV Antiques, vintage and collectables: carpets, rugs and textiles ; thema EDItEUR::N History and Archaeology::NH History ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKP Performance art ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
    Language: English
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  • 9
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    transcript Verlag | transcript Verlag
    Publication Date: 2024-04-11
    Description: Wie entstehen Musikdokumentationen? Und woran orientieren sich die Produzierenden - an der außerfilmischen Wirklichkeit oder an institutionellen Vorgaben, Quoten und Absatzmärkten? Christian Bettges beantwortet diese Fragen in Auseinandersetzung mit Jürgen Habermas' »Theorie des Kommunikativen Handelns« und arbeitet so multidimensionale Begründungsprozesse heraus. Er begreift Musikdokumentationen als Teil gesamtgesellschaftlicher Realitäten und formuliert eine radikale Absage an »Abbild-Theorien«. Im Rahmen künstlerischer Forschung rücken rationale Praxen des Kompilierens und Arrangierens von Materialien in den Timelines digitaler Schnittsysteme ins Zentrum der Analyse.
    Keywords: Film ; Dokumentation ; Musik ; Musikdokumentation ; Audiovisuelle Medien ; Popmusik ; Gesellschaft ; Rationalität ; Vernunft ; Kritische Theorie ; Zeit ; Ästhetik ; Kunst ; Digitale Schnittsysteme ; Popkultur ; Jürgen Habermas ; Martin Seel ; Queer Theory ; Medien ; Medienphilosophie ; Medienästhteik ; Medienwissenschaft ; Documentary ; Music ; Music Documentary ; Audiovisual Media ; Pop Music ; Society ; Rationality ; Reason ; Critical Theory ; Time ; Aesthetics ; Art ; Digital Editing Systems ; Popular Culture ; Media ; Media Philosophy ; Media Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLP Popular music
    Language: German
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  • 10
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    transcript Verlag | transcript Verlag
    Publication Date: 2024-04-11
    Description: In der musikalischen Aufführungspraxis ist es normalerweise der Mensch, der das Tempo erzeugt. Innerlich ein Tempo zu etablieren und es an das der mitmusizierenden Personen anzugleichen, ist eine grundlegende musikalische Fähigkeit. Was bedeutet es also, wenn das Tempo von einem technischen System vorgegeben wird? Philippe Kocher unterzieht diese besondere Art der Mensch-Maschine-Interaktion einer musikgeschichtlichen, technikgeschichtlichen und medienarchäologischen Betrachtung. Darüber hinaus entwickelt er innerhalb seiner wissenschaftlich-künstlerischen Studie ein eigenes System zur technikgestützten Tempovermittlung und beschreibt dessen Einsatz in der Praxis.
    Keywords: Musik ; Technik ; Zeit ; Metronom ; Click-Track ; Musiktechnologie ; Tempopolyphonie ; Aufführungspraxis ; Dirigat ; Geschwindigkeit ; Musikwissenschaft ; Musikgeschichte ; Klang ; Music ; Technology ; Time ; Metronome ; Music Technology ; Tempo Polyphony ; Performance Practice ; Speed ; Musicology ; Music History ; Sound ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLA Art music, orchestral and formal music
    Language: German
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