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  • Ф.М. Достоевский: Юмор, парадоксальность, демонтаж  (4)
  • Fondazione Università Ca' Foscari  (2)
  • Russian  (6)
  • Lithuanian
  • 2020-2024  (6)
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  • 2020-2024  (6)
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  • 1
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    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
    Publication Date: 2024-03-24
    Description: Humor and Irony as a Means of Combating Atheism in the Discourse of F.M. Dostoevsky . The question of the God’s existence troubled Dostoevsky throughout his life. He created a very convincing portrait of the atheist of his time. He did not consider unbelievers immoral, but only “infected with recklessness”, and when speaking of his atheist acquaintances, often admitted that they were good people. Dostoevsky created the image of an atheist as an intelligent person, who is guided not by the heart, but by the mind and who often evokes sympathy for his questing, his thinking, and his suffering (like Versilov or Ivan Karamazov). If we carefully consider the “atheistic” characters of Dostoevsky, however, we will see that atheism is a phenomenon associated with something both bad and funny. Through humorous details, Dostoevsky imperceptibly creates an image of the “atheist” as a comical and frivolous person.
    Keywords: Dostoevsky ; atheism ; humor ; irony ; unbelievers ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 2
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    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
    Publication Date: 2024-03-24
    Description: Onomastics and Paradox: Dostoevsky and the Collapse of the Ontological Integrity of Character. Onomastics plays a key role in Dostoevsky’s poetics: the names of most of his characters are essential to their portraits, even though these names rarely signify unambiguously. Moreover, a number of his characters are nameless and a semantic tension arises from this absence: the impossibility of “branding” the hero with a name prevents us from identifying his or her features through verbal onomastic symbolism. The portrait of such characters necessarily remains somewhat murky. It is no coincidence that the “nameless heroes” are the most paradoxical and enigmatic characters of Dostoevsky’s creative world. By denying them names, Dostoevsky seeks to destroy the inner integrity of these heroes, their identity, in order that a living, independent, and contradictory personality emerges in them.
    Keywords: Dostoevsky ; Onomastics and Ontology ; Characters’ names ; Nameless heroes ; Hermeneutics of the name ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 3
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    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
    Publication Date: 2024-03-24
    Description: Deconstruction in the 19th Century (from the Natural School to Leo Tolstoy) and Fyodor Dostoevsky. The modern understanding of deconstruction arose from post-structuralism and implies distrust of semblance, the outward appearance of any ideology or structure, together with the search for a hidden interior. Dostoevsky renounces one-dimensionality and shows its deconstructing nature. He considers it a prejudice to believe that disclosing the hidden and forbidden has more “truth” in it, as is evident from his dispute with Tolstoy, who uses the principle of exposing the ignoble background of a supposedly noble national ideology to criticize the “defenders of the Slavic brothers” in Anna Karenina. Dostoevsky refuses to recognize the results of deconstruction (the denial of the declared) as the last and only version of the truth about reality. His approach can be defined as the “deconstruction of deconstruction.”
    Keywords: deconstruction ; Dostoevsky and the Natural School ; Dostoevsky and Leo Tolstoy ; specificity of Dostoevsky’s realism ; artistic model of truth ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 4
    Publication Date: 2024-03-24
    Description: “Both violin and contrabass”: The Figure of Paradox and the Poetics of Bewilderment in the Artistic Thinking of Pirandello and Dostoevsky. Pirandello and Dostoevsky are deeply linked at thematic, ideological and textual levels. In 1908, Pirandello published the treatise Humorism, in which he elaborated an original theory of humor and substantiated a worldview that is quite close to the type of artistic consciousness inherent in Dostoevsky’s work, and is genetically related to it. The poetics of paradox, in which every mental and sensual experience is tested by its “opposite”, encourages the reader to “hang” between two seemingly mutually exclusive principles while opening up the possibility of a new, more complex understanding of reality and of the Other. This article presents aspects of Pirandello’s theory of humor in a new light, revealing their potential for application to the analysis of Dostoevsky’s work.
    Keywords: Dostoevsky ; Pirandello ; humorism ; reflection ; paradox ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 5
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    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: I contributi raccolti nel presente volume delineano lo stato dell’arte delle ricerche di linguistica slava svolte recentemente nell’ambito della slavistica italiana. I saggi sono dedicati a temi di morfologia, sintassi, semantica, lessicologia, pragmatica, sociolinguistica e didattica delle lingue slave, in ottica contrastiva, sincronica o diacronica, secondo quadri teorici e approcci metodologici di scuole e tradizioni diverse. La grande varietà dei temi trattati dagli autori, non solo italiani, è la più viva testimonianza della vivacità e della ricchezza che oggi permeano lo studio delle lingue slave in Italia e non solo.
    Keywords: Current Relevance,Russian Heritage Speakers,Slovene,Deixis,Czech language,Transfer,Locational,Negative Concord,Verb,Discourse/pragmatic markers, ved', Russian-Italian,Spatial metaphor,Italian,Czech,Present gerund,Passive voice,Competing inflectional case endings,Pragmatics,Nominative case,Background knowledge,Russian Renarrative markers,Manuscripts,Indefinite article,Fixed expression,Contrastive interlanguage analysis,Verbal aspect,17th century,Aktionsart,Conjunction chot’,Supralexical prefixes,Russian,Macedonian,Semantic shift,Articles,Verbs of motion,Oblique case,Slovo,Variation,Morphosyntactic structure,Saturday Russian Schools,Phraseology,Language standardisation,Aspectual pairs,Metaphor,Meta-linguistic analysis,Bulgarian,Spatial prefixes,Dynamic modality,Italian verb ‘fare’,Negative polarity items,Zonal inclusion,Language Learning,Slovo, the prefix iz-/vy-,Female referent,Indefiniteness,Scalar semantics,Slovenian,Neologisms,Comitative,Imperfective general-factual (IGF),Resian,Ved',Derivation,Delimitatives,Areal distribution,Non-paradigmatic imperative forms,Subjunctive complements,Metonymy,Resumption,Russian as a foreign language,Linguistic gender,Word formation,Běžati,Verbal mood,Anglicism,L2 Russian,With-phrase,Alienable,Factual meaning,Location-possession,Polish,Derivational models,Heritage Languages,Nonce compounds,Semantics,Aspect,Dialects,Litoral dialect,Part-of-speech affiliation,Albanian,Natural gender,Contrastive Interlanguage Analysis,Syntactic idioms,Truthfulness,Vocabulary articles,Learner corpus,Grammaticalization,Romance languages,Syntactic environment,Corpus-based contrastive analysis,Evidentiality,Resultative constructions,Relative Introducers,Croatian,Morphosyntax,Ukrainian,Linguistic minorities,Verbal lexicon,Minimizers,Tense,Negative indefinites,Old-Russian language,Discourse/pragmatic markers,Bilingualism and Migration,Contrastive studies,Morphology,Slavic languages,Perfective,Language planning,Past gerund,Slavic aspect,Evaluation,Present participle,Secondary borrowing,Negation,Irrealis,Predicative possession,Syntax,Non-past,Actionality,Distance,Intensification,Internet linguistics,Support (light) verb constructions,Productivity,Gradual verbs,Russian-Italian contrastive analysis,Inalienable,Contemporary Russian,Corpus,Modal logic,Modality of strong obligation,Linguistic coding,Taboo words,Restrictive/non-restrictive,Vocative case,Emotion verbs,International recognition,The prefix iz-/vy-,Deadjectival verbs,Grammatical aspect,Clausal mood,Translation,Causation,Language Acquisition,Relative Clauses,Derogatory words,Intercomprehension,Slavonic,Mood and modality,Suffixation,Telicity,Parallel corpora,Prepositions,Analogy,Neologism,Causative verbs,Neosemy,Lexicography,Discontinuous past,Prefixes,Molise Slavic,Colloquial Slovenian,Iintensification,Early East Slavic language,Preposition,Semantic Roles,Numeral one,Mood and moality,Aorist,Perfect,Slavic languages (Serbian, Polish, Bulgarian),Etiquette formulas
    Language: Russian , English , Italian
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  • 6
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    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Questo nuovo volume della serie Eurasiatica. Quaderni di Studi su Balcani, Anatolia, Iran, Caucaso e Asia Centrale delle Edizioni Ca’ Foscari di Venezia raccoglie diversi articoli dedicati all’Armenia, al Caucaso e all’Asia Centrale. Gli articoli del volume vanno dall’archeologia alla letteratura, dal folclore alla storia, dalla storia del cristianesimo orientale all’arte, dalla narrazione di viaggio all’urbanistica. Un’intera sezione è dedicata agli studi osseti, di grande interesse non solo nell’ambito caucasico e in quello iranistico, ma anche per quel che riguarda la storia e la cultura russe.
    Keywords: National diasporas,Religious buildings,Artistic image,Armenia,Ossetian folklore,Travels,Caucaso,Pastoralism,Či dæ? (Kto ty?),Non-fairy prose,Early photographs,Fortress,Translations,Travel writing,Palestine,Source text,Central Asia,Ossetia,Caucasus,Confessional groups,Diplomacy,Chetagurov,Gaza,Carla Serena,Iron Age,Abkhazia,Manuscript tradition,Motivation,Nomadism,Monastic practices,Archaeology,Formation of urban space,Tbilisi,Ethnoarchaeology,Early modern times,End of the XIX century-beginning of the XX century,Ossetic literature,Translation unit,Oral story,Translation,Translating language,Artistic translation,Icons, Incarnation of Christ, Prince Ašot II Bagra,National colouring,The city of Vladikavkaz,Urartu,Lexical unit,Transcription,Stylistic means,The Ossetians of Turkey,Source language,Anthology,Equivalence,Substring,Azerbaijan,Akhmatova,Ossetic folklore,Migration,Anna Akhmatova,Baku,Murghab,Georgia,Conversion,Nart epos,Venice,Translated text,Kosta Khetagurov,Turkmenistan,Equivalency,Biographies
    Language: Russian , Italian
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