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  • thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design
  • 1
    facet.materialart.
    Unknown
    FrancoAngeli
    Publication Date: 2024-04-11
    Description: Which are the main research funds currently accessed by the Department of Design? What are the topics explored through them and which are the interconnections with the Department core research activities? Also, what are the research products delivered, the reached outcomes, and the expected impacts BY these research projects? The book synthesises the results of a qualitative analysis conducted over 32 research (out of 96) projects coordinated or participated in by the researchers of the Department in the timeframe 2014-mid 2021. The results of the analysis confirm the high-level attractiveness of the Department research profile on core topics such as design methodology, service design, and health. However, more interestingly, the analysis shows a significant variety of new topics and themes that emerge as new research questions for the Department, such as the role of design in public sector innovation, ethics, or policy design. The publication provides a snapshot of the topics addressed through the competitive research projects, the dimension of such strands of investigations, the typology and features of results achieved, as well as their relationship to the Department's basic research lines. The relationship and interplay among the outputs, outcomes, and impacts of the funded research is then elaborated in impact pathways, opening up reflections about the upcoming and future of Design research. The findings of the analysis aim to capture the present to understand future directions in terms of scientific, societal, technological and economic aspects. The volume addresses an academic audience from long terms researchers the field of design and other closely related scientific disciplinary fields at the national and international levels, to young researchers approaching the world of design research.
    Keywords: Funded Design Research; Outputs, Outcomes, Impacts; Design Research Keywords; New Design Research Trajectories; National and regional research funds; Horizon 2020 programme ; thema EDItEUR::A The Arts::AM Architecture::AMA Theory of architecture ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::A The Arts::AM Architecture::AMV Landscape architecture and design
    Language: English
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  • 2
    Publication Date: 2024-04-11
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 3
    Publication Date: 2024-04-09
    Description: Urban Design Governance takes a deep dive into the governance of urban design around Europe. It examines interventions in the means and processes of designing the built environment as devised by public authorities and other stakeholders across the continent. In particular, the focus is on the use of soft powers and allied financial mechanisms to influence design quality in the public interest. In doing so, the book traces the scope, use and effectiveness of the range of informal (non-regulatory) urban design governance tools that governments, municipalities and others have at their disposal. Developed from the Urban Maestro project, a joint initiative of the United Nations Human Settlement programme (UN-Habitat), UCL and the Brussels Bouwmeester Maître Architecte (BMA), Urban Design Governance offers the first panorama of informal urban design governance tools from across Europe, and places the tools within a theoretical and analytical framework with the potential to be applied locally and internationally. Last, the book discusses and reveals the essential pre-requisites for the effective governance of urban design. Governments everywhere are increasingly seeing these sorts of tools as part of a necessary investment in delivering the high-quality built environments that their residents, businesses and investors demand. This book shows how.
    Keywords: urban design;planning;governance;soft powers;architecture;public policy;urban studies ; thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RP Regional and area planning::RPC Urban and municipal planning and policy ; thema EDItEUR::A The Arts::AM Architecture::AMV Landscape architecture and design::AMVD City and town planning: architectural aspects ; thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RP Regional and area planning ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RP Regional and area planning::RPC Urban and municipal planning and policy ; thema EDItEUR::A The Arts::AM Architecture::AMV Landscape architecture and design::AMVD City and town planning: architectural aspects ; thema EDItEUR::R Earth Sciences, Geography, Environment, Planning::RP Regional and area planning ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design
    Language: English
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  • 4
    facet.materialart.
    Unknown
    UCL Press | UCL Press
    Publication Date: 2024-04-07
    Description: Dwelling on the Future focuses on the design of dwellings and their varied environments, and questions how an architect responds to the challenge of providing humane places in which to live for a growing, multifarious population in an increasingly divided world. The issue is never just housing. People – individuals, groups and societies – can and do have different goals and aspirations. Is it possible to imagine and implement a world in which a level of comfort and stability is available for even the poorest members of societies? Pierre d’Avoine covers a wide range of examples, including proposals for luxury housing and designs for low-cost dwellings, which all address the needs and desires of their potential inhabitants. He explores an inclusive approach to the design of settlements – and not just in cities – that recognises difference, an approach that demands a fresh political vision to resolve humanity’s increasing inequality, for the benefit of all. D’Avoine asks if we can respond with optimism to the Kabakovs’ mordantly titled installation ‘Not Everyone Will Be Taken Into the Future (2001)’. While this was perhaps a statement of fact in Russia and elsewhere in the Soviet Union during the Cold War, it is implicit, and ever more so, in the West today. Praise for Dwelling on the Future 'Beautifully judged line drawings, physical models and critical texts ...supplemented here by interviews that he has conducted with the full range of project partners. These illuminate the rich, diverse and often idiosyncratic contexts within which housing in the UK is produced and prove that good housing is not merely a socio-technical process. The resulting proposals suggest the triumph of possibility over regulatory limitation ...As the Welsh Government’s laudable Innovative Housing Programme progresses, Dwelling on the Future illustrates the value of different ways of thinking and acting.' Touchstone: The journal for architecture in Wales ‘The merits of the images [in paperback] out perform the on-screen version.’Construction Expert, Russia ‘In the modern world, with its growing speed and increasingly widespread clip-based thinking, it is rare to find an architect's book about architecture in which text prevails over images. …Dwelling on the Future is also unusual in that it is based not on a text by the architect about his projects, but on a series of interviews with those who were involved in them. …The book should be of interest to anyone who is curious about the origins of architectural ideas, projects and the process of their implementation.’ Gleb A. Sobolev '‘The ultimate problem for the profession is that of setting out the possibilities and choices in building and environment.’ - Architect and educator Leslie Martin (1967) In this valuable book[the] projects, individually and in sum, are ‘possibilities and choices’ for housing in the 21st century.' Buildings & Cities
    Keywords: architecture ; land use ; design research ; residential housing ; luxury housing ; low-cost dwellings ; ethnography ; collaborative practice ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design
    Language: English
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  • 5
    Publication Date: 2024-04-07
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 6
    facet.materialart.
    Unknown
    University of Michigan Press
    Publication Date: 2024-04-07
    Description: Intense attention has been paid to Detroit as a site of urban crisis. This crisis, however, has not only yielded the massive devaluation of real estate that has so often been noted; it has also yielded an explosive production of seemingly valueless urban property that has facilitated the imagination and practice of alternative urbanisms. The first sustained study of Detroit’s alternative urban cultures, The Unreal Estate Guide to Detroit initiates a new focus on Detroit as a site not only of urban crisis but also of urban possibility. The Guide documents art and curatorial practices, community and guerilla gardens, urban farming and forestry, cultural platforms, living archives, evangelical missions, temporary public spaces, intentional communities, furtive monuments, outsider architecture, and other work made possible by the ready availability of urban space in Detroit. The Guide poses these spaces as “unreal estate”: urban territory that has slipped through the free- market economy and entered other regimes of value, other contexts of meaning, and other systems of use. The appropriation of this territory in Detroit, the Guide suggests, offers new perspectives on what a city is and can be, especially in a time of urban crisis.
    Keywords: Media ; thema EDItEUR::A The Arts::AM Architecture ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design
    Language: English
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  • 7
    Publication Date: 2024-04-07
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 8
    Publication Date: 2024-04-07
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 9
    Publication Date: 2024-04-07
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 10
    Publication Date: 2024-04-06
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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