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  • Books  (7)
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  • thema EDItEUR::D Biography, Literature and Literary studies  (7)
  • bic Book Industry Communication::J Society & social sciences::JN Education::JNA Philosophy & theory of education
  • Ф.М. Достоевский: Юмор, парадоксальность, демонтаж  (4)
  • University of Tartu Press  (2)
  • De Gruyter  (1)
  • KIT Scientific Publishing
  • Russian  (6)
  • Italian  (1)
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  • 1
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    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
    Publication Date: 2024-03-24
    Description: Humor and Irony as a Means of Combating Atheism in the Discourse of F.M. Dostoevsky . The question of the God’s existence troubled Dostoevsky throughout his life. He created a very convincing portrait of the atheist of his time. He did not consider unbelievers immoral, but only “infected with recklessness”, and when speaking of his atheist acquaintances, often admitted that they were good people. Dostoevsky created the image of an atheist as an intelligent person, who is guided not by the heart, but by the mind and who often evokes sympathy for his questing, his thinking, and his suffering (like Versilov or Ivan Karamazov). If we carefully consider the “atheistic” characters of Dostoevsky, however, we will see that atheism is a phenomenon associated with something both bad and funny. Through humorous details, Dostoevsky imperceptibly creates an image of the “atheist” as a comical and frivolous person.
    Keywords: Dostoevsky ; atheism ; humor ; irony ; unbelievers ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 2
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    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
    Publication Date: 2024-03-24
    Description: Onomastics and Paradox: Dostoevsky and the Collapse of the Ontological Integrity of Character. Onomastics plays a key role in Dostoevsky’s poetics: the names of most of his characters are essential to their portraits, even though these names rarely signify unambiguously. Moreover, a number of his characters are nameless and a semantic tension arises from this absence: the impossibility of “branding” the hero with a name prevents us from identifying his or her features through verbal onomastic symbolism. The portrait of such characters necessarily remains somewhat murky. It is no coincidence that the “nameless heroes” are the most paradoxical and enigmatic characters of Dostoevsky’s creative world. By denying them names, Dostoevsky seeks to destroy the inner integrity of these heroes, their identity, in order that a living, independent, and contradictory personality emerges in them.
    Keywords: Dostoevsky ; Onomastics and Ontology ; Characters’ names ; Nameless heroes ; Hermeneutics of the name ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 3
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    Firenze University Press | Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
    Publication Date: 2024-03-24
    Description: Deconstruction in the 19th Century (from the Natural School to Leo Tolstoy) and Fyodor Dostoevsky. The modern understanding of deconstruction arose from post-structuralism and implies distrust of semblance, the outward appearance of any ideology or structure, together with the search for a hidden interior. Dostoevsky renounces one-dimensionality and shows its deconstructing nature. He considers it a prejudice to believe that disclosing the hidden and forbidden has more “truth” in it, as is evident from his dispute with Tolstoy, who uses the principle of exposing the ignoble background of a supposedly noble national ideology to criticize the “defenders of the Slavic brothers” in Anna Karenina. Dostoevsky refuses to recognize the results of deconstruction (the denial of the declared) as the last and only version of the truth about reality. His approach can be defined as the “deconstruction of deconstruction.”
    Keywords: deconstruction ; Dostoevsky and the Natural School ; Dostoevsky and Leo Tolstoy ; specificity of Dostoevsky’s realism ; artistic model of truth ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 4
    Publication Date: 2024-03-24
    Description: “Both violin and contrabass”: The Figure of Paradox and the Poetics of Bewilderment in the Artistic Thinking of Pirandello and Dostoevsky. Pirandello and Dostoevsky are deeply linked at thematic, ideological and textual levels. In 1908, Pirandello published the treatise Humorism, in which he elaborated an original theory of humor and substantiated a worldview that is quite close to the type of artistic consciousness inherent in Dostoevsky’s work, and is genetically related to it. The poetics of paradox, in which every mental and sensual experience is tested by its “opposite”, encourages the reader to “hang” between two seemingly mutually exclusive principles while opening up the possibility of a new, more complex understanding of reality and of the Other. This article presents aspects of Pirandello’s theory of humor in a new light, revealing their potential for application to the analysis of Dostoevsky’s work.
    Keywords: Dostoevsky ; Pirandello ; humorism ; reflection ; paradox ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Russian
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  • 5
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    University of Tartu Press
    Publication Date: 2024-03-24
    Description: Acta Slavica Estonica is an international series of publications on current issues of Russian and other Slavic languages, literatures and cultures. This volume continues the long tradition of Tartu Pushkin studies, which began in the 19th century, but became truly influential in the era when Yu. M. Lotman headed the Department of Russian Literature. This tradition has continued over the past decades. The volume includes contributions by scholars from St. Petersburg, Moscow, Tartu, Oxford, Madison, Milwaukee. There are commentaries on specific texts of Pushkin, as well as general observations on the literary processes of the early 19th century.
    Keywords: Pushkin ; 19th-century literature ; Russian literature ; literary criticism ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AG Slavic (Slavonic) languages::2AGR Russian ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899
    Language: Russian , English , Estonian
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  • 6
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    University of Tartu Press
    Publication Date: 2024-03-24
    Description: Acta Slavica Estonica is an international series of publications on current issues of Russian and other Slavic languages, literatures and cultures. Another volume in the long tradition of Tartu Pushkin studies includes works by scholars from Estonia, Russia, USA, Ukraine, the Czech Republic and Switzerland. There are comments on individual texts as well as extensive historical and literary studies. A separate section is devoted to a study that demonstrates the possibilities of the statistical approach to the problems of attribution and dating of poetic texts. The most extensive section contains various biographical and bibliographical material, significantly expanding our understanding of Russian periodicals, Russian-European cultural ties and literary history of the early 19th century.
    Keywords: Pushkin ; 19th-century literature ; Russian literature ; literary criticism ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AG Slavic (Slavonic) languages::2AGR Russian ; thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899
    Language: Russian , English , Estonian
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  • 7
    Publication Date: 2024-03-24
    Description: Notwithstanding an impressive amount of secondary literature, an exhaustive study has been never devoted to the twelve letters written by Dante Alighieri after his banishment from Florence (1302–1315). This book answers to this important need of Dante Studies, offering an important tool for the increasing community of specialists interested in Dante’s works and posterity linked to the seventh centenary of his death (2021). A section is devoted to study in depth the theory and practice of the dictamen of the age in relationship with the concrete style of Dante’s texts. A preliminary overview is provided by Latin Philologists and Paleographers on the subject of the manuscript trasmission envisaging the problems dealing with the critical editions of the texts. Example of political communication realized by a layman, the papers gathered in this volume intend to offer a new reading and interpretation of these important letters, studying them in their socio-cultural context.
    Keywords: PN1-6790 ; Dante Alighieri ; Medieval Italy ; Italian Medieval Studies ; Medieval Epistolography ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: English , Italian
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