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  • Italian  (422)
  • Norwegian  (21)
  • Russian  (15)
  • 2020-2024  (456)
  • 1960-1964
  • 1955-1959
  • 2024  (456)
Collection
Language
Years
Year
  • 1
    Monograph available for loan
    Monograph available for loan
    Leningrad : Gidrometeorolog. Izd.
    Call number: MOP 33767
    Type of Medium: Monograph available for loan
    Pages: 663 S.
    Language: Russian
    Note: In kyrill. Schr., russ.
    Location: MOP - must be ordered
    Branch Library: GFZ Library
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  • 2
    Call number: MOP 19538/1d-6d
    Type of Medium: Monograph available for loan
    Pages: 111 S.
    ISSN: 0486-2287
    Language: Russian
    Note: In kyrill. Schr.
    Location: MOP - must be ordered
    Branch Library: GFZ Library
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  • 3
    facet.materialart.
    Unknown
    Scandinavian University Press (Universitetsforlaget)
    Publication Date: 2024-03-15
    Description: Published
    Description: Hvordan samarbeider organisasjoner på tvers av sektorer og bransjer for å bidra til bærekraftig samfunnsutvikling? Og hvordan opplever ledere, ansatte, politikere og frivillige i ulike norske organisasjoner presset for å bidra til samskapt bærekraft? Denne boka utforsker hvordan offentlige og private organisasjoner i Norge arbeider med bærekraft i praksis. Kapitlene er studier av hvor­dan ledere, ansatte, politikere og frivillige definerer, arbeider med og forsøker å samskape bærekraftig utvikling. Studiene gir dermed leseren konkrete eksempler på hvordan bærekraftsarbeid gjøres, og belyser muligheter og utfordringer som oppstår når organisasjoner arbeider for å bli bærekraftige. Boka er til inspirasjon for arbeidslivets ansatte, ledere og politikere samt studenter og forskere innen bærekraft, organisasjon og ledelse.
    Keywords: bic Book Industry Communication::R Earth sciences, geography, environment, planning::RN The environment::RNU Sustainability ; bic Book Industry Communication::J Society & social sciences ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology::JHBL Sociology: work & labour
    Language: Norwegian
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  • 4
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 5
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    Unknown
    FrancoAngeli | Transizioni = Transitions
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 6
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il volume, muovendo dall’analisi dello stile architettonico promosso in Deccan dalla dinastia dei Bahmani (1347-1527), intende offrire uno spaccato della complessità sociale, religiosa e culturale della regione. L’identificazione di modelli e vocabolari eletti consente di ridefinire ‘scontri’, ‘incontri’ e sincretismi tra le diverse identità presenti, consolidatesi e rimodellatesi nel tempo proprio attraverso un reciproco guardarsi. Lo scenario tratteggiato e la condivisione di spazi e riti rivelano l’inapplicabilità delle categorie che generalmente dominano gli studi sul subcontinente indiano anche in ambito storico-artistico, ridisegnando la geografia sacra della regione e i rapporti tra le comunità coinvolte.
    Language: Italian
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  • 7
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: Il presente volume consiste in una miscellanea di studi su vari temi del mondo classico offerta da amici, colleghi, ed ex-allievi, a Ettore Cingano, Professore Ordinario di Letteratura Greca presso l’Università Ca’ Foscari Venezia, in occasione del suo settantesimo compleanno. I contributi qui presentati coprono, con approcci metodologici variegati, una vasta area della cultura classica: dall’epica arcaica e la lirica arcaica e tardo-arcaica alla storia degli studi e alla ricezione antica e moderna della classicità, dalla poesia latina alla storia politica e del pensiero, dalla poesia ellenistica alla prosa imperiale, dalla linguistica alla metrica.
    Keywords: Evenius,Glaucus of Rhegium,Platon curapalates,Epigram,Latin Literature,Apollonios Malakos,Ass,Lyric poetry,Augustus,Poetry and religion,Herodotus,Poseidippus,Intertextuality,Didactic poetry,Hesiod,Theognis,Ancient reception,Early Greek hexameter poetry,Civil wars at Rome,Aphrodite,Metric-rhythmic variation,Corinna,Hecataeus of Miletus,Freud,Ancient readership,Hexameter,Pragmatics,Enunciation,Tragic irony,Delphic verse oracles,Magic,Alcibiades,Romance,Moirai,Oracular poetry,Epicleseis,Hellenistic,Anthropology,Homeric Hymns,Textual history,Alcman,Antigone,Hedylus,Lyric Poetry,Atalanta,Amphiaraus,Antinoupolis,Etymology,Codex,Aristophanes,Garland,Priapus,Aelian,Alexandrian scholarship,Narrative,Aeschines,Eschatology,Ritual,Dionysus,Cleopatra,Erotodidaxis,Etymologica,Epic,Programmatic,Local traditions,Pindar,Sexual meaning,Volcanism,Caesarion,Iphigenia,Dictys of Crete,Pythian Apollo,Eratosthenes’ Catasterismoi,PSI X 1174,Aspasia,Sacrifice,Ausonius,Second stasimon,Sublime,Greek Popes,Virgil,Human error,Hyginus’ Astronomica,Hesiodic Catalogue of Women,Prometheus Bound,Sicily,Socrates,Perioikoi,Pope John VII,Eumenides,Callimachus,Catalogue of Women,Poetic allusivity,Poetry,Verbal adjectives,Cyprus,Homeric hymn,Collection,Byzantine poetry,Asclepiades,Ps,μάχλος,Christian poetry,Ancient scholarship,Didymus,Dares the Phrygian,Epitaphs of animals,Ancient exegesis of comedy,Typhonomachy,Funerary epigram,Theban saga,Aristophanic scholia,Carmina Latina Epigraphica 1395,Odyssey,Text and image,Corinthian vases,Critical editions,Oxyrhynchus,Aeschylus,Curse,Plato,Commentary,Sophocles,Audience,Greek Poetry,Hermes,impersonation,Adespota,Aristocracy,Roman epic and politics,Greek Literature,Knowledge,Linguistics,Elegy,A personal anthology of modern Greek poems (from D,Frazer,Homeric model,Euphronius,Athenaeus,Venus,Boeotian dialect,Heraclides of Pontus,Carthage and Alexandria in the Aeneid,Metaphors,Antiatticist,Kitharōidia,Fragmentary poetry,Comparatives,Prose,Greek epigram,Byzantine Rome,Xenophon,Authorship,Ancient Rhetoric,Epiploke,Narratology,Aulōidia,Epithets,Longinus,Book,Tragedy,Second Sophistic,Papyrology,Trojan War,Mount Etna,Body doubles,Plutarch’s De musica,Reperformance,Inscribed Greek verse,Solon,Strabo,Rhodes,Ibycus,Heracles,Homer,Lexicography,The Greek West,Pyrwias,Folklore,Iliad,Melampous,Herodicus,Cyrene,Dancers,μαχλοσύνη,Late Latin epigrams,Parthenopaeus
    Language: English , Italian , French
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  • 8
    facet.materialart.
    Unknown
    Fondazione Università Ca' Foscari
    Publication Date: 2024-02-22
    Description: L’Italia, l’altrove è una riflessione su come il cinema e la letteratura sulla migrazione ci invitano a ripensare gli spazi e i luoghi non come elementi stabili e immutabili, ma in termini di mobilità. Analizzando alcuni luoghi (la stazione Termini e i ponti nella letteratura sugli italiani americani), la costruzione di spazi nazionali in termini trans-nazionali (l’Italia e gli Stati Uniti d’America), e due modalità di attraversare lo spazio (camminare e guidare), questo intervento si propone di ripensare la cultura, l’identità nazionale, ma soprattutto quello spazio che consideriamo come «nostro» in maniera più inclusiva.
    Keywords: Representation,Place,Migration,Space,Mobility
    Language: Italian
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  • 9
    Publication Date: 2024-04-03
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 10
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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