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  • thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies  (4)
  • Italienisch  (4)
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  • 1
    facet.materialart.
    Unbekannt
    Firenze University Press | USiena Press
    Publikationsdatum: 2024-04-06
    Beschreibung: Moby Dick Rehearsed is a magnificent experiment in the style of Orson Welles, whose talent explores in depth the texture of Melville's novel in an attempt to put it on stage. The analysis shows how the play - performed in New York in 1955 - sheds light on Welles's idea of the theater as a laboratory to experiment with the possibilities of this peculiar form of entertainment. The novel's inner violence and theatrical power become evident when Welles stages a rehearsal of Moby Dick by a company of actors used to act in Shakespeare's Hamlet in 1955. The well-known influence of Shakespeare on Melville's novel emerges from the play, which became a book published by Samuel French in 1965 in New York. Its Italian translation by Cristina Viti - Moby Dick. Prove per un dramma in due atti - provides the base for Elio De Capitani's mise en scene of the play in Milan in 2022, under the title of Moby-Dick alla prova.
    Schlagwort(e): Adaptation ; violence ; rehearsal ; experiment ; performance ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
    Sprache: Italienisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    facet.materialart.
    Unbekannt
    Firenze University Press | USiena Press
    Publikationsdatum: 2024-04-03
    Beschreibung: The volume aims to investigate the concept of ‘violence’ and its representation in different theatrical genres, both in original works and in adaptations that have been written and staged between the 20th and 21st centuries. The book offers a wide-ranging reflection on this theme and the mechanisms implemented in playwriting to represent the different forms and voices of violence imposed and suffered.
    Schlagwort(e): violence and theatre ; violence and body ; violence and culture ; violence and power ; violence and censorship ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
    Sprache: Italienisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    facet.materialart.
    Unbekannt
    Firenze University Press | USiena Press
    Publikationsdatum: 2024-05-12
    Beschreibung: Hugo von Hofmannsthal's Elektra constitutes an important turning point in the transition from early lyric to theatre. Inspired by Sophocles' drama, but with elements more similar to Euripides', it proposes a linguistic connotation, characterisation of the characters and a completely innovative and unconventional staging. Blood, a concrete representation of the unprecedented violence that characterises the entire drama, is the red thread that links the succession of events. Words turn into weapons and the protagonist's thirst for vengeance drives the action. The finale culminates in a supreme act of violence that sees the roles reversed: the executioners become victims and the victims executioners. This is the only solution to end the circle of brutal suffering.
    Schlagwort(e): Hugo von Hofmannsthal ; contemporary Austrian theatre ; Sophocles ; Euripides ; violence ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
    Sprache: Italienisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    facet.materialart.
    Unbekannt
    Firenze University Press | USiena Press
    Publikationsdatum: 2024-04-07
    Beschreibung: For Ágota Kristóf, theatrical and novel communication are not as clearly different as we would expect given the difference between the two literary genres. The first plays, written in French-speaking Switzerland starting from the end of the 1970s, contain those motifs that would later build the imaginative system of the most famous novels. Violence, latent or manifest, dominates all sentimentality and outlines, in its precise contours of abuse of the body, what will be the constant controversy in all of the writer's activity in the theatre, in the novel, in poetry. In the features of violence we see a detached testimony of social relationships, that accumulation of frustrations that causes individual events to transform into episodes of a broader human story.
    Schlagwort(e): Ágota Kristóf ; violence ; theatre ; imaginative system ; body's representation ; monstrosity ; thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
    Sprache: Italienisch
    Format: image/jpeg
    Standort Signatur Erwartet Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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