ALBERT

All Library Books, journals and Electronic Records Telegrafenberg

X
feed icon rss

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • Modulate  (192)
  • Philosophie  (130)
  • Spanish  (193)
  • Italian  (192)
  • German  (129)
  • 2020-2024  (322)
  • 2020-2020
  • 2005-2009
  • 1985-1989
  • 1980-1984
  • 2024  (322)
Collection
Keywords
Publisher
Language
Years
  • 2020-2024  (322)
  • 2020-2020
  • 2005-2009
  • 1985-1989
  • 1980-1984
Year
  • 1
    facet.materialart.
    Unknown
    Chapter Transición desde el cuadrado a la elipse. La cripta barroca del Convento de San Francisco de Guadalajara (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 2
    facet.materialart.
    Unknown
    Franz Rosenzweig (2024)
    Nomos Verlagsgesellschaft mbH & Co. KG | Karl Alber
    Details
    Publication Date: 2024-01-29
    Description: Published
    Description: Franz Rosenzweig ist bei uns - bedingt durch die nationalsozialistische Judenverfolgung - immer noch ein weitgehend Unbekannter. Dabei hatte er allein schon mit seinem zweibändigen Werk "Hegel und der Staat" (1920) wesentlich zur Neubelebung der gesellschafts- und geschichtsphilosophischen Diskussion beigetragen. Umwälzender ist jedoch der existenzphilosophische Neuansatz, den Rosenzweig mit seinem Hauptwerk "Der Stern der Erlösung" (1921) vorlegte. Es ist dies nicht nur eines der bedeutenden theologischen Werke des 20. Jahrhunderts, dessen Herausforderung - wenn auch verspätet - von den christlichen Kirchen heute mehr und mehr erkannt und aufgenommen wird, sondern das ihm zugrunde liegende Neue Denken ist auch in fundamentaltheologischer Hinsicht von einschneidender Bedeutung. An der kritischen Auseinandersetzung mit dem Deutschen Idealismus gereift, wirft Rosenzweig die grundlegenden Fragen nach der negativen Begrenztheit unseres Denkens, dem existentiellen Grund unseres Daseins, nach dessen Zeitlichkeit und Sprachlichkeit sowie nach dem Anderen und dem Wir der Gemeinschaft auf - Fragen, die auch heute noch die philosophische Gegenwartsdiskussion bestimmen. Den vorliegenden Studien geht es um eine einführende Vergegenwärtigung der Existenzphilosophie Rosenzweigs von unterschiedlichen Aspekten her. sie versuchen sich dem Neuen Denken Rosenzweigs vor allem vom Entstehungskontext aus den Gesprächen mit den Freunden - Hans Ehrenberg, Eugen Rosenstock, Martin Buber - zu nähern. ihr Ziel ist jedoch kein philosophiegeschichtliches, sondern die Vermittlung der existentiellen Fragen Rosenzweigs an uns.
    Keywords: Philosophie ; HP
    Language: German
    Format: image/png
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 3
    facet.materialart.
    Unknown
    Chapter Modellando Piero. Indagini ricostruttive sulla Madonna del Parto (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 4
    facet.materialart.
    Unknown
    Chapter Digital Transitions for a Comprehensive 3D Documentation: European Trends for Heritage Preservation (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-03
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 5
    facet.materialart.
    Unknown
    Chapter Il controllo della forma nelle superfici libere dell’architettura contemporanea (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 6
    facet.materialart.
    Unknown
    Menschenrechte und Menschenwürde (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-03
    Description: Menschenrechte - und mit ihnen die Menschenwürde - sind weltweit in den Verfassungen zahlreicher Staaten verankert. Und dennoch werden sie immer wieder relativiert, sodass ihre Um- und Durchsetzung selbst in der Demokratie - dessen Grundlage die Menschenrechte darstellen - nicht mehr sichergestellt werden kann. Wirken sich direktdemokratische Entscheide unter Umständen als menschenrechtlich problematisch aus? Wie sollen wir mit humanitären Interventionen umgehen? Wie kann der Begriff der Menschenwürde begründet werden - und wie lassen sich Menschenrechte global absichern? Die Beiträge des Bandes widmen sich diesen Fragen aus unterschiedlichen Perspektiven.
    Keywords: Menschenrechte ; Menschenwürde ; Humanitäre Interventionen ; Demokratie ; Ethik ; Politische Theorie ; Mensch ; Recht ; Sozialphilosophie ; Philosophie ; Human Rights ; Human Dignity ; Humanitarian Interventions ; Democracy ; Ethics ; Political Theory ; Human ; Law ; Social Philosophy ; Philosophy ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPV Political control and freedoms::JPVH Human rights, civil rights ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTQ Ethics and moral philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy
    Language: German
    Format: image/jpeg
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 7
    facet.materialart.
    Unknown
    Schillers »Ästhetische Briefe« als Literatur (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-11
    Description: Der Versuch, Friedrich Schillers Text Über die Ästhetische Erziehung des Menschen (1795) als ›Literatur‹ und nicht als ein theoretisch-poetologisches Dokument der Philosophie über die Kunst zu lesen, stellt die Plausibilität seiner konventionellen disziplinären Verortung in Frage. Denn der darin enthaltene programmatische Anspruch an die »ästhetische Kunst« und die »Dichtung« vollzieht sich zugleich und im selben Text anhand von literarischen Praktiken - wie der Performanz ›logischer Fehler‹. Mit dieser anderen Perspektive auf den vielfach gedeuteten Text erklärt und begründet Alexa Lucke die bis heute ungelösten Probleme seiner logischen Unstimmigkeiten, Widersprüche und Aporien.
    Keywords: Ästhetische Briefe ; Ästhetische Erziehung ; Friedrich Schiller ; Ästhetik ; Literatur ; Dichtung ; Literarische Praxis ; Kunst ; Philosophie ; 18. Jahrhundert ; Kulturgeschichte ; Germanistik ; Literaturtheorie ; Literaturwissenschaft ; Aestethic Letters ; Aesthetic Education ; Aesthetics ; Literature ; Poetry ; Art ; Philosophy ; 18th Century ; Cultural History ; German Literature ; Theory of Literature ; Literary Studies ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 8
    facet.materialart.
    Unknown
    Chapter Progettare dall’infanzia: rappresentare e produrre per un apprendimento inclusivo (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-06
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 9
    facet.materialart.
    Unknown
    Chapter Piattaforme digitali integrate per la gestione del patrimonio costruito esistente: il progetto InSPiRE (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 10
    facet.materialart.
    Unknown
    Kleine Schriften (2024)
    Nomos Verlagsgesellschaft mbH & Co. KG | Karl Alber
    Details
    Publication Date: 2024-01-29
    Description: Published
    Description: Das Buch bringt aus dem Nachlass Josef Königs die Texte dreier akademischer Vorträge von 1937, 1952 und 1958 sowie eine umfangreiche Vortragsgrundlage zur philosophischen Situation 1934 in Deutschland mit Blick auf Heidegger, Jaspers und Klages. Diese Arbeit zur Lage der Philosophie und insbesondere zur allgemeinen Bestimmung der Existenzphilosophie ergänzt und erweitert Königs Darlegungen zur „offenen Unbestimmtheit“ des Heideggerschen Existenzbegriffs, die aus dem Nachlass im Dilthey-Jahrbuch 1990/1991 erschienen sind. Intensive Beispieldiskussionen und Einzelanalysen gelten vor allem den Prinzipien der Existenzphilosophie und der Struktur ihrer leitenden Begriffe. Im Vortrag „Bemerkungen zur Metapher“ (1937) entfaltet König den Gedanken, dass diejenige metaphorische Rede, die nicht ein im Prinzip ersetzbares Additum zur nicht-metaphorischen ist, eine wesentliche Möglichkeit der menschlichen Sprache darstellt. Sie kommt zwar zur nicht-metaphorischen Rede hinzu, aber wesentlich hinzu und konstituiert dadurch das Einssein der Sprache. Der zweistündige Vortrag „Verantwortung in der Wissenschaft“ (1952) erörtert den Begriff von Wissenschaft in Verbindung mit dem eines wissenschaftlichen Gewissens, das „anschaffbar“ ist, und legt die Eigenart der sittlichen Natur des wissenschaftlichen Wissens dar. Im Vortrag „Probleme des Begriffs Entwicklung“ (1958) geht König der Frage nach, wie prinzipiell begriffen werden kann, dass ein Wesen, das abstammt von Wesen, denen lediglich äußere Wahrnehmung zugeschrieben werden kann, zu einem Wesen werden kann, das auch innere Wahrnehmung besitzt.
    Keywords: Philosophie ; HP
    Language: German
    Format: image/png
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 11
    facet.materialart.
    Unknown
    Chapter La dimensione visuale dei nativi digitali (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 12
    facet.materialart.
    Unknown
    Die Kunst des Möglichen I (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-07
    Description: Ein großer Teil herkömmlicher Technikphilosophien basiert auf naturalistisch-anthropologischen Grundvorstellungen oder Handlungskonzepten, die bereits nach einem Grundmuster von Technik modelliert und insofern »technomorph« sind. Sie reflektieren nicht den eigenen Standpunkt. Die vorliegende Untersuchung ist der Frage gewidmet, inwiefern die Technizität unserer Weltbezüge hintergehbar ist bzw. was uns wie veranlasst, den Möglichkeitshorizont des Technischen näher zu erschließen. Als »Medialität des Technischen« ist dieser Gegenstand historischer und systematischer Analysen, die im ersten Band die theoretischen, im zweiten die praktischen Aspekte der Fragestellung behandeln. Dabei werden die qualitativen Veränderungen herausgestellt, die die modernen Hochtechnologien aufweisen.
    Keywords: Technik ; Medien ; Kultur ; Dialektik ; Reflexion ; Technikphilosophie ; Philosophie ; Technology ; Media ; Culture ; Philosophy of Technology ; Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy
    Language: German
    Format: image/jpeg
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 13
    facet.materialart.
    Unknown
    Chiasmen (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: »Chiasmen« ist ein Buch zu Platon, Sappho und Aristoteles. Das Chiasma, die diagonale Überkreuzung zweier Gegensatzpaare, hat sich als der methodologisch beste Schlüssel für deren Bearbeitung erwiesen - ein Schlüssel, der vor allem am Leib-Seele-Problem sowie an der Geschlechterfrage im Kontext der antiken Polis erprobt wurde. Dieser Schlüssel hebelt die alteingesessenen Dogmen umso besser aus, als er in den antiken Werken selbst zu finden ist. Das Chiasma legt ebenso die surreale Komik Platons inmitten seiner einfallsreichen Begriffssystematik frei, wie es die genial poetischen Philosopheme Sapphos zu erschließen hilft.
    Keywords: Philosophie ; Griechische Antike ; Geschlechter ; Leib-Seele ; Gender ; Antike Philosophie ; Gender Studies ; Philosophy ; Ancient Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy::HPCA Western philosophy: Ancient, to c 500 ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSJ Gender studies, gender groups ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHA Ancient Greek and Roman philosophy ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 14
    facet.materialart.
    Unknown
    Subjektivität und Ästhetik (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: Das Buch widmet sich einer systematischen Rekonstruktion der ästhetisch bestimmten Subjektivität. Ausgehend von einer Analyse der neuzeitlichen (Subjekt-)Metaphysik werden dieser kritisch gegenüberstehende Theorieansätze gelesen, die unter dem Titel »Ästhetik« operieren. Damit wird versucht, konstruktiv an die Kritik der Subjektmetaphysik in den letzten Dekaden (u.a. durch Derrida) anzuschließen und ihre Ressourcen für eine zu dieser Metaphysik alternativen Theorie des Subjekts auszuloten. Die postmoderne Kritik am Subjekt führt nicht zu einer Nivellierung des Subjekts, sondern zu einer Neubeschreibung, die diese Kritik fruchtbar zu machen versucht.
    Keywords: Ästhetik ; Subjektivität ; Vernunftkritik ; Ironie ; Ästhetische Erfahrung ; Deutsche Philosophiegeschichte ; Dekonstruktion ; Literaturwissenschaft ; Philosophie ; Aesthetics ; German History of Philosophy ; Deconstruction ; Literary Studies ; Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPN Philosophy: aesthetics ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy::HPCF Western philosophy, from c 1900 -::HPCF7 Deconstructionism, Structuralism, Post-structuralism ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800::QDHR7 Structuralism and Post-structuralism
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 15
    facet.materialart.
    Unknown
    Chapter Disegno di nuovi spazi urbani e percorrenze culturali nel patrimonio storico di Stigliano (MT) (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 16
    facet.materialart.
    Unknown
    Zur Gestaltung von Philosophie (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-05
    Description: Unter den gegenwärtigen Bedingungen von Medienwandel und Erkenntnispluralismus lässt sich die Gestaltung von Philosophie kaum mehr als unerheblich übersehen. In einer historisch weit gespannten Studie unternimmt Hanno Depner eine kultur- und medienwissenschaftliche Kritik der blinden Bevorzugung von Diskursivität. Im Fokus steht die Konturierung des epistemischen Potentials von Diagrammen im Verhältnis zu Schrift und Bild. Dabei wird das Diagramm als Paradigma einer Philosophie vorgeschlagen, die sich als Orientierung versteht. Das erfordert jedoch die angemessene Berücksichtigung der ästhetischen Dimension des Diagramms, wofür der Vorschlag eines »hybrid optimierten Diagramms« entwickelt wird.
    Keywords: Diagrammatik ; Orientierung ; Schrift ; Platon ; Kant ; Wittgenstein ; Derrida ; Medien ; Sprache ; Bild ; Philosophie ; Medienphilosophie ; Sprachphilosophie ; Erkenntnistheorie ; Bildwissenschaft ; Diagrammatic ; Orientation ; Writing ; Plato ; Media ; Language ; Image ; Philosophy ; Media Philosophy ; Philosophy of Language ; Epistemology ; Visual Studies ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFA Philosophy of language ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTK Philosophy: epistemology and theory of knowledge
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 17
    facet.materialart.
    Unknown
    Chapter Transizioni virtuali: studio su un edificio non realizzato di Alberto Legnani a Castelfranco Emilia (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 18
    facet.materialart.
    Unknown
    Chapter L’opera Elba di Pietro Consagra: nuovi paradigmi analitico-documentali per l’intervento di restauro (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 19
    facet.materialart.
    Unknown
    Macht:Denken (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: Das Verhältnis von klassischen und modernen Theorien der Macht wird gemeinhin kontradiktorisch gedacht: entweder aus dem Glauben, beide Theorien würden sich systematisch ausschließen, oder basierend auf der Annahme, die modernen Machttheorien à la Michel Foucault hätten die klassischen à la Thomas Hobbes abgelöst. Das Phänomen der Macht aus einem wechselseitigen Verhältnis beider Ansätze zueinander zu begreifen, ist bisher ein Desiderat in der Forschung. Der Band wirft einen neuen Blick auf die Macht, indem er Beiträge zur Vermittlung beider Ansätze versammelt. Nicht nur wissenschaftliche, sondern auch künstlerische Beiträge machen das Phänomen aus einer ganzheitlicheren Perspektive heraus zugänglich.
    Keywords: Macht ; Herrschaft ; Theorie ; Performative Philosophie ; Performance ; Politik ; Politische Philosophie ; Politische Theorie ; Politische Soziologie ; Politikwissenschaft ; Philosophie ; Power ; Power Relations ; Theory ; Performative Philosophy ; Politics ; Political Philosophy ; Political Theory ; Political Sociology ; Political Science ; Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy ; bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPA Political science & theory ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPA Political science and theory ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 20
    facet.materialart.
    Unknown
    Miteinander leben (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: Auch wenn der Mensch ein zur Selbstbestimmung fähiges Wesen ist, kann er nicht vollkommen autark leben. Als soziales Wesen ist er auf seine Mitmenschen angewiesen und muss sich mit den komplexen Fragen des Zusammenlebens auseinandersetzen. Brisant wird es immer dann, wenn unterschiedliche Lebensentwürfe und Lebensgestaltungen aufeinanderprallen, die sich nicht ohne weiteres miteinander vereinbaren lassen. In diesem zweiten Band der Vadian Lectures beleuchten Heinz Kleger, Alois Riklin, Martin Hartmann und Ludwig Hasler die verschiedenen Facetten menschlicher Koexistenz.
    Keywords: Ethik ; Moral ; Toleranz ; Weltethos ; Vertrauen ; Lügen ; Zusammenleben ; Gesellschaft ; Zivilgesellschaft ; Sozialphilosophie ; Politische Philosophie ; Soziologische Theorie ; Philosophie ; Ethics ; Tolerance ; Global Ethic ; Trust ; Coexistence ; Society ; Civil Society ; Social Philosophy ; Political Philosophy ; Sociological Theory ; Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPQ Ethics & moral philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTQ Ethics and moral philosophy
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 21
    facet.materialart.
    Unknown
    Chapter Archivos digitales de arquitectura: la transformación de la difusión del dibujo (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 22
    facet.materialart.
    Unknown
    Die andere Natur des Menschen (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Es gilt, dem hegemonialen Anspruch der Naturwissenschaften und ihrem Naturbegriff ein anderes Denken entgegenzustellen. Dieses Buch zeigt einen philosophischen Zugang zur Natur des Menschen. Am Beispiel konkreter Phänomene - wie dem der Verdauung, der Anatomie, dem Leben, der Gene oder der Psyche - und anhand systematischer Argumentation auf der Grundlage der Wissenschaftskritik von J.F. Lyotard und M. Foucault entwickelt Anke Haarmann eine Philosophie des »fröhlichen Produktivismus«. Die essayistischen Reflexionen begreifen sich als kritischer und zugleich konstruktiver Beitrag zu einer Pluralisierung vorherrschender biologistischer Wissenstypen und Menschenbilder.
    Keywords: Philosophie ; Epistemologie ; Philosophischer Naturbegriff ; Wissenschaftskritik ; Situated Knowledge ; Lyotard ; Foucault ; Mensch ; Natur ; Wissenschaft ; Philosophische Anthropologie ; Naturphilosophie ; Wissenschaftsphilosophie ; Philosophy ; Human ; Nature ; Science ; Philosophical Anthropology ; Philosophy of Nature ; Philosophy of Science ; bic Book Industry Communication::H Humanities::HP Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPJ Philosophy: metaphysics & ontology ; bic Book Industry Communication::P Mathematics & science::PD Science: general issues::PDA Philosophy of science
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 23
    facet.materialart.
    Unknown
    Chapter Messina ricostruita in pietra artificiale: la grafica di palazzo Mariani per il progetto di restauro (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 24
    facet.materialart.
    Unknown
    Kunst und Handlung (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Ist Kunst eine Form des Handelns? Und wenn ja, in welchem Sinne? Handlungen werden häufig als praktische Verkörperung von Intentionen aufgefasst. Die Beiträge des Bandes zeigen: Von der kunstphilosophischen Tradition her lässt sich die Frage nach Kunst und Handlung sowohl mit Blick auf die Hervorbringung von Kunst als auch mit Blick auf ihre Erfahrung stellen. Kunst im Rahmen einer Poetik aufzufassen bedeutet allerdings, sie als eine Handlung zu bestimmen, der bestimmte Ziele zu eigen sind.
    Keywords: Kunst ; Handlung ; Intentionalität ; Ästhetik ; Produktionsästhetik ; Rezeptionsästhetik ; Poetik ; Sozialphilosophie ; Kunsttheorie ; Kunstwissenschaft ; Philosophie ; Art ; Agency ; Intentionality ; Aesthetics ; Aesthetics of Production ; Aesthetics of Reception ; Poetics ; Social Philosophy ; Theory of Art ; Fine Arts ; Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPN Philosophy: aesthetics ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy ; bic Book Industry Communication::A The arts::AB The arts: general issues::ABA Theory of art
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 25
    facet.materialart.
    Unknown
    Chapter Documenting Theatres as Spaces for ‘Transitions’ (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 26
    facet.materialart.
    Unknown
    Chapter Canova digitale: il potere della copia tra rappresentazione e immaginazione tattile (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 27
    facet.materialart.
    Unknown
    Chapter Digital Unrealities. Photo(Un)Realism and Alienation in Contemporary Postdigital Architecture (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 28
    facet.materialart.
    Unknown
    CyberPlaces - Philosophische Annäherungen an den virtuellen Ort (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-15
    Description: Unser Alltag ist von technisch erzeugter Virtualität nicht nur geprägt - er wird in vielen Bereichen durch sie bestimmt. Die Informationsgesellschaft pflegt einen selbstverständlichen Umgang mit sich immer weiter entwickelnden technischen Geräten. Als Schein oder Unwirklichkeit konnotiert, bleiben die neuen Phänomene der Virtualität dabei jedoch weitgehend unreflektiert. Tobias Holischkas phänomenologische Analyse zeigt, dass insbesondere der virtuelle Ort als versammelndes Prinzip eine Realität schafft, die - ganz im Gegensatz zum abstrakten Konzept des Cyberspace - eine ontologische Verbindung zur menschlichen Alltagswelt herstellt und sie auf diese Weise erweitert.
    Keywords: Virtualität ; Ort ; Raum ; Computerspiel ; Wirklichkeit ; Cyberspace ; Phänomenologie ; Technik ; Gesellschaft ; Philosophie ; Medien ; Medienphilosophie ; Medientheorie ; Kulturphilosophie ; Virtuality ; Place ; Space ; Computer Game ; Reality ; Phenomenology ; Technology ; Society ; Philosophy ; Media ; Media Philosophy ; Media Theory ; Philosophy of Culture ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RG Geography::RGC Human geography ; bic Book Industry Communication::H Humanities::HP Philosophy ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 29
    facet.materialart.
    Unknown
    Chapter Digital Transitions for the Use and Reuse of Digital Assets for Museum Collections (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 30
    facet.materialart.
    Unknown
    Der Begriff der Kultur (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Was ist eigentlich gemeint mit Kultur? Es liegt im Interesse der Kulturphilosophie, den Kulturbegriff zu klären und ihn als analytische Kategorie zu profilieren. Um den Begriff tragfähig definieren zu können, untersucht dieser Band den inneren Zusammenhang der unterschiedlichen Aspekte der Kulturalität des Menschen. Die Lebenswelt und die Lebensweisen werden dabei als gleichermaßen zur Kulturalität des Menschen gehörig und in ihrer wechselseitigen Abhängigkeit begriffen. Dies schafft die Grundlage für ein weites und gleichermaßen tiefes Verständnis des Menschen als kulturellem Wesen, das im disziplinübergreifenden Dialog weiter ausgebaut wird.
    Keywords: Kultur ; Gesellschaft ; Mensch ; Wahrnehmung ; Kulturphilosophie ; Interkulturelle Philosophie ; Kulturtheorie ; Philosophie ; Culture ; Society ; Human ; Philosophy of Culture ; Intercultural Philosophy ; Cultural Theory ; Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 31
    facet.materialart.
    Unknown
    Chapter Beyond Letarouilly (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 32
    facet.materialart.
    Unknown
    Chapter Ri-abitare patrimoni fragili: il caso studio di Pomarico (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 33
    facet.materialart.
    Unknown
    Chapter L’interazione visibile: transizioni tra modelli analogici e digitali per le ricostruzioni storiche (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 34
    facet.materialart.
    Unknown
    Zwischen Offenbarung und metaphysischer Losigkeit (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-05
    Description: Infolge der Moderne schwinden absolute Erklärungsprinzipien: Man sucht Orientierung, um seine Lebenswelt und den erfahrungswissenschaftlich aufgeschlossenen Kosmos zu überschauen. Seine sich in diesem Kontext ausbildende, nie ganz bewusst gestaltete Weltanschauung artikuliert der Mensch auch in der Literatur. Antonia Bräutigam analysiert anhand von Jenseitsreisen in Werken von Autoren wie Thomas Mann, Samuel Beckett und C.S. Lewis die durch die Moderne geprägte Weltanschauung und reflektiert diese philosophisch-theologisch. Literatur erweist sich dabei als locus theologicus, als Erkenntnisort für die Theologie, das Motiv der Jenseitsreise als Daseinsmetapher von hoher theologischer Relevanz.
    Keywords: Jenseitsreisen ; Himmelsreise ; Literaturtheologie ; Religionssoziologie ; Moderne ; Thomas Mann ; Samuel Beckett ; C. S. Lewis ; Religion ; Literatur ; Kulturgeschichte ; Kulturphilosophie ; Religionswissenschaft ; Allgemeine Literaturwissenschaft ; Philosophie ; Afterlife Journeys ; Literature Theology ; Sociology of Religion ; Modernity ; Literature ; Cultural History ; Philosophy of Culture ; Religious Studies ; General Literature Studies ; Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 35
    facet.materialart.
    Unknown
    Chapter Ca’ Venier e ponte dell’Accademia nel 1985. Tre immagini transitorie (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 36
    facet.materialart.
    Unknown
    Chapter Systematizing Virtual Reconstruction of Lost or Never Built Architectures (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 37
    facet.materialart.
    Unknown
    Vorausschauendes Denken (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Der soziotechnische Wandel bringt neue Phänomene des Zufalls hervor, die sich den üblichen Strategien des Umgangs mit Risiken und Unsicherheit entziehen. Diese Akzidenzphänomene sind prinzipiell unvorhersehbar und in ihrer komplexen Effektgesamtheit jenseits von Kalkulation und Antizipation. Eine allgemeine Verzukünftigung unseres Weltbezuges mit spezifischen weitreichenden Problemen ist die Folge und lässt klassische Agenturen des Risikomanagements und der Unsicherheitsbewältigung an ihre Leistungsgrenzen stoßen. Bruno Gransche zeigt, dass Philosophie und Zukunftsforschung gemeinsam großes Potenzial aufweisen, hier zu helfen.
    Keywords: Philosophie ; Zukunftsforschung ; Zukunft ; Akzidenz ; Technik ; Resilienz ; Narration ; Zufall ; Risikomanagement ; Hochtechnologie ; Antizipation ; Wissenschaft ; Wissenschaftsphilosophie ; Technikphilosophie ; Erkenntnistheorie ; Wissenschaftssoziologie ; Philosophy ; Foresight ; Future ; Accident ; Technology ; Resilience ; Coincidence ; Risk Management ; High-technology ; Anticipation ; Science ; Philosophy of Science ; Philosophy of Technology ; Epistemology ; Sociology of Science ; bic Book Industry Communication::P Mathematics & science::PD Science: general issues::PDA Philosophy of science ; bic Book Industry Communication::H Humanities::HP Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPK Philosophy: epistemology & theory of knowledge
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 38
    facet.materialart.
    Unknown
    Chapter Do Students Dream of Electronic Worksheets? The ‘Grade Runner’ Dilemma (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 39
    facet.materialart.
    Unknown
    Chapter Discusión taxonómica del campo de las Extended Realities (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 40
    facet.materialart.
    Unknown
    Chapter From Survey to Digital Reconstruction. Study of a Roman Fragment of an Ionic Volute (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 41
    facet.materialart.
    Unknown
    Alles relativ? (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: Welche Werte und Normen als moralisch verbindlich erklärt werden und ob diese universelle Gültigkeit beanspruchen können, ist umstritten. So ist z.B. keineswegs geklärt, wozu wir gegenüber unserer Familie verpflichtet sind oder welche Verantwortung für uns aus dem Umgang mit der Vergangenheit erwächst. Können wir also je nach Belieben handeln? Sind durch den Wertepluralismus und die Vielfalt der Handlungsoptionen in modernen Gesellschaften allgemeingültige Werte und Normen überholt? Woran können wir uns dann noch orientieren? Die Beiträge von Konrad Paul Liessmann, Barbara Bleisch, Herfried Münkler und Susan Neiman geben einen tiefen Einblick in das Spannungsfeld zwischen Wertepluralismus und moralischer Verantwortung.
    Keywords: Ethik ; Moralischer Relativismus ; Handlungsoptionen ; Verpflichtung ; Orientierung ; Verantwortung ; Werte ; Wertepluralismus ; Sozialphilosophie ; Philosophie ; Ethics ; Moral Relativism ; Obligation ; Orientation ; Responsibility ; Values ; Pluralism of Values ; Social Philosophy ; Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPQ Ethics & moral philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTQ Ethics and moral philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 42
    facet.materialart.
    Unknown
    Der archäologische Zirkel (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-24
    Description: Foucaults »archäologisch« genannte Schriften sind mehr als nur historiographische Methode. Sie bilden einen Diskurs, der den historischen Prozess seiner eigenen Konstitution als Diskurs beschreibt und betreibt. Der performativen Dimension von Foucaults archäologischem Diskurs wohnt damit eine spezifische Reflexionsfigur inne, die in der vorliegenden Studie als der »archäologische Zirkel« freigelegt wird. Ferner leistet diese Freilegung eine neuartige Auslotung des Foucault'schen Diskursbegriffs und, im Ausgang von Descartes, Kant und Nietzsche, eine Neueinbettung der Philosophie in eine diskontinuierliche Diskursgeschichte.
    Keywords: Foucault ; Descartes ; Kant ; Nietzsche ; Philosophiegeschichte ; Diskurstheorie ; Reflexionstheorie ; Sprache ; Poststrukturalismus ; Sprachphilosophie ; Philosophie ; History of Philosophy ; Language ; Post-structuralism ; Philosophy of Language ; Philosophy ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFA Philosophy of language ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 43
    facet.materialart.
    Unknown
    Chapter Matrice delle transizioni nell’ambito disciplinare del Disegno (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 44
    facet.materialart.
    Unknown
    Chapter Processo di digitalizzazione in HBIM per la gestione ampliata del patrimonio culturale. La Lonja de Zaragoza (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 45
    facet.materialart.
    Unknown
    Herausforderungen für die Politik und die Ethik (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Politik soll ihre Entscheidungen nicht nur sachgerecht und gemäß den rechtlichen Rahmenbedingungen treffen, sondern ebenso den Ansprüchen der Moralität genügen. Anhand der vier Themen Moral, Terrorismus, Globalisierung und Demokratie zeigen renommierte Experten allgemeinverständlich auf, welche Herausforderungen damit für Politik und Ethik verbunden sind. Mit Beiträgen von Moritz Leuenberger, Herfried Münkler, Francis Cheneval und Julian Nida-Rümelin.
    Keywords: Ethik ; Politik ; Demokratie ; Sicherheit ; Globalisierung ; Politische Theorie ; Politische Philosophie ; Politikwissenschaft ; Philosophie ; Ethics ; Politics ; Democracy ; Globalization ; Political Theory ; Political Philosophy ; Political Science ; Philosophy ; bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPA Political science & theory ; bic Book Industry Communication::H Humanities::HP Philosophy::HPQ Ethics & moral philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 46
    facet.materialart.
    Unknown
    Ästhetik der Autonomie (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: Performance-Kunst ist mehr als ein kulturindustrielles Spektakel, denn sie will auf die Beteiligten existenziell einwirken. Hanna Heinrich entwickelt Analysekategorien, die die Kommunikationsmodi dieser Kunstform ebenso wie ihren gesellschaftstransformativen Anspruch philosophisch ergründen. Dazu bedient sie sich der ästhetischen Positionen G.W.F. Hegels, Friedrich Nietzsches, Martin Heideggers, Alain Badious und Michel Foucaults, die der Kunst große emanzipatorische und soziopolitische Kraft zusprechen sowie politischer Philosophien und Ethiken und zeigt damit auf: »Gelungene« Performances stellen sich als exemplarische Handlungsräume mit utopischem Potenzial der gegenwärtigen Entfremdung entgegen und verweisen auf die (Mit-)Verantwortung und Freiheit jedes Einzelnen.
    Keywords: Ästhetik ; Kunst ; Politik ; Kunsttheorie ; Performance-Kunst ; Politische Philosophie ; Feminismus ; Avantgarde ; Georg Wilhelm Friedrich Hegel ; Martin Heidegger ; Friedrich Nietzsche ; Michel Foucault ; Körper ; Geist ; Gefühl ; Realität ; Vernunft ; Philosophie ; Ethik ; Kunstwissenschaft ; Aesthetics ; Art ; Politics ; Theory of Art ; Performance-art ; Political Philosophy ; Feminism ; Avant-garde ; Body ; Mind ; Emotion ; Reality ; Reason ; Philosophy ; Ethics ; Fine Arts ; bic Book Industry Communication::H Humanities::HP Philosophy::HPN Philosophy: aesthetics ; bic Book Industry Communication::H Humanities::HP Philosophy::HPQ Ethics & moral philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTQ Ethics and moral philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 47
    facet.materialart.
    Unknown
    Eine kritische Theorie der Tugendethik (2024)
    Campus Verlag
    Details
    Publication Date: 2024-04-08
    Description: Der neo-aristotelischen Tugendethik zufolge hängen ethische Maßstäbe von der biologischen Spezieszugehörigkeit der ethischen Akteure ab. Diese Perspektive, so argumentiert Richard Friedrich Runge in seinem Buch, bleibt bislang unbefriedigend. Unter Einbeziehung der modernen philosophischen Biologie und der dialektischen Anthropologie von Erich Fromm plädiert der Autor für eine kritische Wendung der Tugendethik und ein dialektisches Verständnis der Beziehung von Individuum und Umwelt. Seine kritische Theorie der Tugendethik ist der Versuch eines großen systematischen Neuentwurfs in einer der bestimmenden metaethischen Debatten unserer Zeit. https://creativecommons.org/licenses/by/4.0/
    Keywords: Philosophie ; kritische Theorie ; Lebensformen ; biologische Natur des Menschen ; dialektische Anthropologie ; dialektische Biologie ; dialektische Teleologie ; Erich Fromms ; Essentialismuskritik ; Ethikbegründung ; Lebensbegriff ; metaethischer Naturalismus ; neo-aristotelische Tugendethik ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy
    Language: German
    Format: image/jpeg
    Format: image/jpeg
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 48
    facet.materialart.
    Unknown
    Agieren und Handeln (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-11
    Description: Ausgehend von Freuds Begriff des unbewussten Agierens spannt Alice Pechriggl ein semantisches Feld auf, in dem das Begriffspaar »Freiheit zu Handeln - Zwang zu Agieren« mit dem überkreuz gelegten Begriffspaar »freies Agieren - Handlungszwang/ Zwangshandlung« verknüpft wird. In sieben Anläufen entwirft sie unterschiedliche Szenarien dieses Spannungsfeldes und betrachtet dabei Denkakte zwischen Agieren und Deliberatio, Psyche und Körper als Handlungsschauplätze sowie Demokratie als die Regierungsform des deliberativen Handelns. Menschliches Handeln wird im breiteren Kontext unbewussten Agierens sowohl aus philosophischer als auch aus gruppen-/psychoanalytischer Perspektive erhellt.
    Keywords: Philosophie ; Psychoanalyse ; Gruppenpsychoanalyse ; Handlungstheorie ; Politische Theorie ; Sigmund Freud ; Sozialität ; Sozialphilosophie ; Politische Philosophie ; Philosophy ; Psychoanalysis ; Group Analysis ; Political Theory ; Social Relations ; Social Philosophy ; Political Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::J Society and Social Sciences::JM Psychology::JMA Psychological theory, systems, schools and viewpoints::JMAF Psychoanalytical and Freudian psychology
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 49
    facet.materialart.
    Unknown
    Kritik der ethischen Institution (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: Die Idee des modernen Verfassungsstaats beruht auf dem Akt der freiheitlichen Selbstbestimmung aller Bürger*innen. Insofern bildet er die ethische Institution schlechthin. Denn wo das Volk die Parameter der Freiheit bestimmt, da gilt es, das Wesen der Freiheit selbst zu begreifen. Bleibt dieses Begreifen aus, wird der Gründungsakt zur gewesenen Freiheit und die Verwaltung des Staats zur Expert*innensache. Doch wo bleibt da die kreative Freiheit? Diese Frage macht eine Kritik der ethischen Institution notwendig. Dabei zeigt Thies Münchow in Anschluss an Kant und Hegel den integralen Zusammenhang von Ethik und Politik auf und nimmt zuletzt eine Neubestimmung der politischen Theologie vor.
    Keywords: Ethik ; Politische Theologie ; Politik ; Immanuel Kant ; Georg Wilhelm Friedrich Hegel ; Freiheit ; Staat ; Selbstbestimmung ; Religion ; Deutsche Philosophiegeschichte ; Politische Philosophie ; Religionswissenschaft ; Philosophie ; Ethics ; Political Theology ; Politics ; Liberty ; State ; Self-Determination ; German History of Philosophy ; Political Philosophy ; Religious Studies ; Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTQ Ethics and moral philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTQ Ethics and moral philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy
    Language: German
    Format: image/jpeg
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 50
    facet.materialart.
    Unknown
    Der Klang der Vernunft (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-11
    Description: Neue Musik ist eine Verkörperungsform von Aufklärungskultur und somit im akustischen Medium tätige Vernunft. René Thun erweist die Stichhaltigkeit dieser musikphilosophischen Perspektive, indem er statt von einer rein begrifflich deduzierten Ontologie vorrangig von einer medientheoretischen Pragmatik in ideengeschichtlicher Hinsicht ausgeht. Seine interdisziplinäre Verschränkung von Philosophie, Musik und Musikwissenschaft ermöglicht es, die kritischen Bezüge Neuer Musik zu Begriffen wie Aufklärung, Tradition, Natur sowie zur Politik, Anthropologie und Musikpädagogik zu explizieren. Der innovative Ansatz erlaubt es zudem, einen Ausblick auf eine mögliche Musikkultur geben zu können.
    Keywords: Musik ; Neue Musik ; Philosophie ; Aufklärung ; Vernunft ; Musikphilosophie ; Ästhetik ; Musikwissenschaft ; Musikgeschichte ; Music ; Philosophy ; Enlightenment ; Reason ; Aesthetics ; Musicology ; Music History ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics ; thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology ; thema EDItEUR::A The Arts::AV Music::AVM History of music
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 51
    facet.materialart.
    Unknown
    Heteronome Subjektivität (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: Die Kritik am autonomen, über sich verfügenden und sich selbst transparenten Subjekt, wie sie Martin Heidegger am entschiedensten ausgearbeitet hat, führte in der Mitte des 20. Jahrhunderts in der Philosophie zu einer Verabschiedung der Kategorie »Subjektivität«. Die Ironie dieser Situation liegt darin, dass gerade auf dem Boden einer solch umfassenden Kritik die Existenzweise von Subjekten und damit die Möglichkeit der Freiheit neu ausgelegt werden können. Martin Eldrachers Studie zeigt, wie sich erst im Anschluss an die Freilegung einer anarchischen Abhängigkeit Handlungsfähigkeit, Verantwortung und Selbstverständnis als zentrale Komponenten von Subjektivität überzeugend denken lassen.
    Keywords: Französische Philosophie ; 20. Jahrhundert ; Dekonstruktion ; Poststrukturalismus ; Hermeneutik ; Sprache ; Französische Philosophiegeschichte ; Philosophie ; French Philosophy ; 20th Century ; Deconstruction ; Post-structuralism ; Hermeneutics ; Language ; French History of Philosophy ; Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800::QDHR7 Structuralism and Post-structuralism ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800::QDHR7 Structuralism and Post-structuralism
    Language: German
    Format: image/jpeg
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 52
    facet.materialart.
    Unknown
    Chapter Silenzi e riflessioni nel villaggio di Shurdhah in Albania (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 53
    facet.materialart.
    Unknown
    Chapter La metamorfosi comunicativa con Il Mondo Illustrato Giornale Universale (1847-1861) (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 54
    facet.materialart.
    Unknown
    Chapter Disegno e intelligenza artificiale. Enunciati teorici e prassi sperimentale per una poiesi condivisa (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 55
    facet.materialart.
    Unknown
    Chapter Transizioni artistiche da preservare: street art tra realtà fisica e conservazione digitale (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 56
    facet.materialart.
    Unknown
    Chapter Uncertainty in Hypothetical 3D Reconstructions: Technical, Visual and Cultural ‘Transitions’ (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 57
    facet.materialart.
    Unknown
    Chapter Conoscenza e trasmissione del patrimonio urbano romano: Piazza Montanara (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 58
    facet.materialart.
    Unknown
    Die Unergründlichkeit des Lebens (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Der lebensphilosophische Topos der Unergründlichkeit betont, dass etwas nicht restlos in unserer Verfügungsgewalt steht. Damit sichert er etwa die Unverfügbarkeit (und somit die Würde) der Person - aber auch einen präzisen Begriff von Performativität. Dieser Gewinn des Topos kommt bisher nicht zum Tragen, da er nicht systematisch vor kulturkritisch-irrationalistischen Lesarten geschützt ist. Umgekehrt führt eine bloße Irrationalismus-Kritik zur Verharmlosung und biopolitischen Vereinnahmung: Unergründlichkeit ist mehr und anderes als nie erreichbare Verfügbarkeit. Volker Schürmann macht mit Hegel, Misch und Plessner die Weichenstellungen sichtbar, um dieses Entweder-oder in einer politischen Lesart von Unergründlichkeit unterlaufen zu können.
    Keywords: Leben ; Lebensphilosophie ; Praxis ; Praxisphilosophie ; Entzauberung ; Unmittelbarkeit ; Intuition ; Plessner ; Biopolitik ; Deutsche Philosophiegeschichte ; Kulturphilosophie ; Naturphilosophie ; Philosophie ; Life ; Biopolitics ; German History of Philosophy ; Philosophy of Culture ; Philosophy of Nature ; Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPJ Philosophy: metaphysics & ontology ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 59
    facet.materialart.
    Unknown
    Chapter Lygia Pape. A obra Tteia I na Bienal de Veneza e a transição sensível entre linhas e teias (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 60
    facet.materialart.
    Unknown
    Philosophie der Lebensführung (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: Existenzphilosophie fragt nach dem Sinn menschlichen Lebens. Für den Konstruktivismus ist diese Frage schon beantwortet, ja, sinnlos: Für ihn ist die Wirklichkeit des Einzelnen ohnehin die ganze Wirklichkeit - es gibt keine »Objektivität«. So fremd sich beide Denkweisen also gegenüberstehen, so nahe sind sie sich in ihrer radikalen Subjektivität. René Weiland nimmt diese fremde Nähe in den Blick, indem er sich von der Kategorie der Innen-Außen-Differenz als eines Schaltbegriffs leiten lässt, der beide Denkweisen untergründig miteinander verbindet: als Nahtstelle alles Systemischen wie als Nadelöhr unserer Individuationen. Ein Buch für Philosophen und Psychologen - und für Resilienz-Forscher.
    Keywords: Existenzphilosophie ; Konstruktivismus ; Innen-Außen ; Karl Jaspers ; Objektivität ; Subjektivität ; Individuation ; Ethik ; Lebenskunst ; Psychologie ; Philosophiegeschichte ; Philosophie ; Existential Philosophy ; Constructivism ; Inside-outside ; Objectivity ; Subjectivity ; Ethics ; Art of Living ; Psychology ; History of Philosophy ; Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPQ Ethics & moral philosophy ; bic Book Industry Communication::J Society & social sciences::JM Psychology ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTQ Ethics and moral philosophy ; thema EDItEUR::J Society and Social Sciences::JM Psychology
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 61
    facet.materialart.
    Unknown
    Philosophie nach dem »Medial Turn« (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-05
    Description: Mediale Umbrüche erzeugen Reflexionsbedarf. Heute sind Medien allgegenwärtig, ihre philosophische Reflexion ist also notwendiger denn je. Die Medienphilosophie allerdings ist eine noch junge Disziplin. Dieses Buch stellt in seinen einzelnen Kapiteln Beiträge einer philosophischen Erörterung der aktuellen Mediengesellschaft sowie ihrer fortschreitenden medialen Umbrüche vor und liefert zugleich den Entwurf einer pragmatisch orientierten Medienphilosophie.
    Keywords: Medien ; Philosophie ; Kultur ; Medienreflexion ; Gesellschaft ; Medienphilosophie ; Medientheorie ; Kulturphilosophie ; Media ; Philosophy ; Culture ; Society ; Media Philosophy ; Media Theory ; Philosophy of Culture ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 62
    facet.materialart.
    Unknown
    Gemeinschaft jenseits von Identität? (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: »Gemeinschaft« ist ›in‹: Inmitten einer allgegenwärtigen Krise kollektiver Subjektivierungen ist eine paradoxe Renaissance von Anrufungen des Begriffs der »Gemeinschaft« zu verzeichnen. Juliane Spitta nähert sich dem Begriff der politischen Gemeinschaft aus theoretischer und kulturhistorischer Warte. Im Kontext aktueller Debatten thematisiert sie die ambivalente Wirkungsmacht der Gemeinschaft im politischen Imaginären, analysiert Geschichte und biopolitische Bedeutung - von Hobbes über die Romantik bis zur Gegenwart - und diskutiert Perspektiven einer Philosophie der Gemeinschaft jenseits von sehnsüchtig-romantischem Identitätsdenken und völkischer Erbauung.
    Keywords: Gemeinschaft ; Multitude ; Das Politische ; Nationalismus ; Dekonstruktion ; Radikale Demokratie ; Das Imaginäre ; Ideologie ; Fetisch ; Politik ; Gesellschaft ; Politische Philosophie ; Sozialphilosophie ; Politische Theorie ; Philosophiegeschichte ; Philosophie ; Deconstruction ; Politics ; Society ; Political Philosophy ; Social Philosophy ; Political Theory ; History of Philosophy ; Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy ; bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPA Political science & theory
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 63
    facet.materialart.
    Unknown
    Gewaltbefragungen (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Das ambivalente Verhältnis zwischen Politik und Gewalt - obwohl gegenwärtig von großer Brisanz - bleibt bislang in der Politischen Philosophie begrifflich und konzeptionell unscharf bestimmt. Dieses Buch knüpft an unterschiedliche disziplinäre und subdisziplinäre Perspektiven über die Politische Philosophie hinaus an - etwa an Überlegungen aus den Internationalen Beziehungen oder der Soziologie. So entsteht eine genauere und kritische Analyse zu einem Thema, das die Politik immer wieder herausfordert.
    Keywords: Politische Philosophie ; Politikwissenschaft ; Gewalt ; Internationale Beziehungen ; Politik ; Politische Theorie ; Konfliktforschung ; Philosophie ; Political Philosophy ; Political Science ; Violence ; Politics ; Political Theory ; Conflict Studies ; Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy ; bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPA Political science & theory ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFE Violence in society
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 64
    facet.materialart.
    Unknown
    Chapter Documentare e rappresentare bassorilievi e decorazioni per conoscere e valorizzare il patrimonio (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 65
    facet.materialart.
    Unknown
    Chapter Geometrie in movimento nelle architetture cinetiche (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 66
    facet.materialart.
    Unknown
    Die Evidenz der Kunst (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: Kunstwerke sind weder Träger einer historischen oder überhistorischen Wahrheit, noch sind sie unbestimmbar. Sie sind von Künstlern absichtsvoll geschaffene Gegenstände und Situationen, die als Kommunikationsträger zwischen Produzenten und Rezipienten stehen. Das gelungene Kunstwerk leuchtet ein, obwohl (und indem) es fremd ist. Aus dieser Einsicht entwickelt das Buch Grundzüge einer neuen Theorie ästhetischer Kommunikation - einer Theorie, die den Gegensatz von Produktions- und Rezeptionsästhetik überwindet und zugleich der künstlerischen Praxis angemessen ist.
    Keywords: Evidenz ; Künstler ; Kunstwerk ; Kommunikation ; Ästhetische Erfahrung ; Ästhetik ; Kunst ; Kunsttheorie ; Kunstwissenschaft ; Philosophie ; Aesthetics ; Arts ; Theory of Art ; Fine Arts ; Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPN Philosophy: aesthetics ; bic Book Industry Communication::A The arts::AB The arts: general issues::ABA Theory of art ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics ; thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 67
    facet.materialart.
    Unknown
    Chapter Un sistema de gestión de código abierto para el inventario del patrimonio de estilo Gótico Mediterráneo (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 68
    facet.materialart.
    Unknown
    Epiphanie (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: »Die Freiheit zum anderen unterscheidet die Menschen.« (H. Lipps) Die in diesem Essay unternommene Analyse der einzigartigen Epiphanie, in der menschliche Existenz »in die Erscheinung tritt«, führt von der Unscheinbarkeit der Sicht, der Anmut des Gesichts, der Entschiedenheit des frontalen Blicks bis zur Wehrlosigkeit des Antlitzes. In Auseinandersetzung mit erscheinungsphilosophischen Beiträgen von G.W.F. Hegel, H. Barth, H. Lipps und E. Levinas nähert sie sich dem von der Existenzialanalytik bisher verdunkelten »Konvergenzpunkt« von existenzieller und christologischer Erkenntnis. Der in der Epiphanie vernommene deontologische Anspruch tritt in den Lichtkreis einer ethischen Verhaltenheit, die sich der kategorialen Bestimmung entzieht und die Bedeutung des vinculum fidei et amoris für eine verbindliche Existenzform des Menschen sichtbar macht.
    Keywords: Verbindlichkeit ; Anspruch ; Existenzialanalytik ; Antlitz ; Offenbarung ; Mensch ; Ethik ; Religion ; Ästhetik ; Philosophie ; Human ; Ethics ; Aesthetics ; Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPN Philosophy: aesthetics ; bic Book Industry Communication::H Humanities::HP Philosophy::HPQ Ethics & moral philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTQ Ethics and moral philosophy
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 69
    facet.materialart.
    Unknown
    Perspektiven interdisziplinärer Medienphilosophie (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-05
    Description: Medienphilosophie ist das kritische Nachdenken über die Medien und das Phänomen der Medialität. Philosophie und Kulturwissenschaften stehen gegenwärtig vor der Notwendigkeit, diese Begriffe im interdisziplinären Dialog zu klären. Im Kontext phänomenologischer Grundideen rücken dabei speziell die Künste in den Fokus des Interesses. Der Band nimmt sich dieser Ausgangslage an. Beiträge aus den Bereichen Philosophie, Literatur-, Buch-, Theater- und Filmwissenschaft sowie den New Media Studies zeichnen ein praxisorientiertes Bild der philosophischen und kulturwissenschaftlichen Auseinandersetzung mit medienphilosophischen Grundfragen.
    Keywords: Medienphilosophie ; Neue Medien ; Phänomenologie ; Medienwissenschaft ; Kulturwissenschaft ; Medien ; Philosophie ; Media Philosophy ; Phenomenology ; Media Studies ; Cultural Studies ; Media ; Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 70
    facet.materialart.
    Unknown
    Chapter Transition to Parametric Modelling in Heritage Documentation (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 71
    facet.materialart.
    Unknown
    Chapter Digital twin ed esperienza immersiva in VR: il caso studio dell’ex mattatoio di Testaccio, Roma (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 72
    facet.materialart.
    Unknown
    Chapter L’incanto nella cultura di un intreccio femminile. Tra ornamento e rappresentazione (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 73
    facet.materialart.
    Unknown
    Zeit, Dauer und Veränderung (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Bewegungen sind nicht nur an räumliche, sondern auch an zeitliche Verhältnisse gebunden. Die daraus resultierenden Widersprüche gelten bis heute als ungelöst. So ist es zwar möglich, Bewegungen zu messen und zu berechnen - als problematisch erweist sich jedoch die weitergehende Frage, wie ein beweglicher Körper im selben Zeitmoment an unterschiedlichen Orten zugleich sein kann. Da einfache empirische Antworten sowie rein gedankliche Lösungen nicht zu geben sind, fokussiert Franz Bockrath vor allem auf jene sozialphilosophischen und kulturwissenschaftlichen Ansätze, die Zeit und Bewegung in ihrem widersprüchlichen Zusammenhang begreifen.
    Keywords: Bewegung ; Zeit ; Dauer ; Kritik ; Praxis ; Raum ; Körper ; Philosophie des Körpers ; Sozialphilosophie ; Kulturphilosophie ; Philosophie ; Movement ; Time ; Duration ; Critique ; Practice ; Space ; Body ; Philosophy of Body ; Social Philosophy ; Philosophy of Culture ; Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 74
    facet.materialart.
    Unknown
    Konzepte und Modelle Integrierter Medizin (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-04
    Description: Thure von Uexküll (1908-2004) ist einer der Väter der psychosomatischen Medizin in Deutschland. Sein lebenslanges Bemühen um eine naturphilosophisch-systemtheoretisch begründete bio-psycho-soziale Medizin ist unverändert aktuell. Ottmar Leiß nimmt sich diesem Pionier an und betrachtet in aktueller Relektüre seine theoretischen Ansätze und die Auswirkungen seiner Arbeiten u.a. auf das medizinische Menschenbild und das Verhältnis zwischen ärztlich Tätigen und Patient*innen. Die Integration von Salutogenese und Hartmut Rosas Resonanztheorie in Uexkülls Konzepte machen diese zum handlungsleitenden Kompass für eine humane Medizin.
    Keywords: Bio-psycho-soziales Modell ; Karl Kuno Thure Von Uexküll ; Integrierte Medizin ; Salutogenese ; Medizinphilosophie ; Systemtheorie ; Ärztlicher Alltag ; Sprechstunde ; Achtsamkeit ; Resonanztheorie ; Hartmut Rosa ; Semiotik ; Konstruktivismus ; Wissenschaftstheorie ; Medizin ; Wissenschaft ; Wissenschaftsphilosophie ; Medizingeschichte ; Medizinsoziologie ; Phänomenologie ; Philosophie ; Systems Theory ; Attention ; Resonance Theory ; Semiotics ; Constructivism ; Methodology ; Medicine ; Science ; Philosophy of Science ; History of Medicine ; Sociology of Medicine ; Phenomenology ; Philosophy ; thema EDItEUR::P Mathematics and Science::PD Science: general issues::PDA Philosophy of science ; thema EDItEUR::M Medicine and Nursing::MB Medicine: general issues::MBX History of medicine ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFN Health, illness and addiction: social aspects ; thema EDItEUR::M Medicine and Nursing::MB Medicine: general issues::MBS Medical sociology
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 75
    facet.materialart.
    Unknown
    Chapter Verso la modellazione informativa per il progetto di restauro. Il Teatrino di Corte della Reggia di Portici (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 76
    facet.materialart.
    Unknown
    Chapter La digitalizzazione del patrimonio culturale: la collezione dei ‘lapidei’ del Museo delle Storie di Bergamo (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 77
    facet.materialart.
    Unknown
    Chapter Dai transatlantici alle navi da crociera: comunicazione visiva e corporate image tra analogico e digitale (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 78
    facet.materialart.
    Unknown
    Was ist ein Original? (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: Um den Begriff des Originals gibt es heftige Debatten. Können Fälschungen ebenso gut sein wie Originale? Wann sind Kopien vielleicht sogar besser? Und ist die Zeit des Originals nicht überhaupt vorbei? Dabei tritt die Frage, was ein Original eigentlich sei, oft in den Hintergrund. Doris Reisinger stellt die These auf: Der Begriff des Originals ist nicht nur nicht obsolet, er hat auch nicht notwendig mit Neuheit, Urheberschaft oder ästhetischem Wert zu tun - das Problem des Originalbegriffs besteht schlicht darin, dass seine komplexe Struktur verkannt wird. Vor diesem Ausgangspunkt erarbeitet sie einen Explikationsvorschlag, der die Beantwortung einer ganzen Reihe von Fragen dieser klassischen philosophischen Debatte erlaubt.
    Keywords: Original ; Originalität ; Kopie ; Fälschung ; Artefakt ; Ästhetik ; Urheberschaft ; Neuheit ; Kunst ; Kunsttheorie ; Philosophie ; Kunstgeschichte ; Museumswissenschaft ; Originality ; Copy ; Fake ; Artifact ; Aesthetics ; Authorship ; Newness ; Art ; Theory of Art ; Philosophy ; Art History ; Museology ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics ; thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics ; thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
    Language: German
    Format: image/jpeg
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 79
    facet.materialart.
    Unknown
    Chapter Documentare una rotta culturale tra procedure di rappresentazione e di materializzazione del paesaggio (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 80
    facet.materialart.
    Unknown
    Diskurs - radikale Demokratie - Hegemonie (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: Wenige politische Denker haben den internationalen politik- und sozialwissenschaftlichen Theoriediskurs der vergangenen Jahre so beeinflusst wie Chantal Mouffe und Ernesto Laclau - über Paradigmengrenzen hinweg. Beide verknüpfen neo-gramscianische, (post-)strukturalistische und psychoanalytische Theorieelemente und ermöglichen damit einerseits eine Erklärung von Ereignissen des politisch-diskursiven Geschehens, insbesondere der Ausbildung von Hegemonien, und andererseits eine normative Theorie der agonalen Demokratie. Die Beiträge dieses Bandes geben einen Überblick über wesentliche Denkfiguren von Laclau und Mouffe, setzen sich mit diesen kritisch auseinander und zeigen methodische und empirische Anschlussmöglichkeiten auf. Dieser Band enthält u.a. Originaltexte von Ernesto Laclau und Chantal Mouffe.
    Keywords: Ernesto Laclau ; Chantal Mouffe ; Demokratietheorie ; Hegemonie ; Politik ; Politische Philosophie ; Politische Theorie ; Poststrukturalismus ; Politikwissenschaft ; Philosophie ; Politics ; Political Philosophy ; Political Theory ; Post-structuralism ; Political Science ; Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPA Political science and theory ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPA Political science and theory
    Language: German
    Format: image/jpeg
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 81
    facet.materialart.
    Unknown
    Logos und ousia (2024)
    Logos Verlag Berlin | Logos Verlag Berlin
    Details
    Publication Date: 2024-04-08
    Description: Das Buch untersucht das interdependente Verhältnis von Sein und Sprache im Rekurs auf die aristotelischen Schriften Metaphysik, De Interpretatione und Topik. Entsprechend liefert es einen Beitrag zur ontologischen Forschung. Sein und Sprache machen die vom Menschen wahrnehmbare Wirklichkeit aus - als zwei Seiten einer Medaille. Die Frage nach dem Sein ist immer zugleich auch diejenige nach der Sprache. Über die bedeutsame Sprache wird der erkennende Zugang zum Sein möglich, das Sein wird in der Sprache offenbar. Die aristotelische Philosophie versteht sich in der Konsequenz als Erste Wissenschaft und vertritt einen übergreifenden Anspruch: grundsätzlich, im Rahmen der Frage nach der Sprache und dem Sein, kann ihr alles thematisch werden. Implizit wird damit nach nichts Geringerem als der Möglichkeit von Sprache, Kommunikation und Erkenntnis gefragt. Umgekehrt bedürfen Sprache und Erkenntnis der Referenz auf das Wirkliche, um bedeutsam und sinnerfüllt zu sein. Unter der Prämisse dieser doppelten Perspektive kann die aristotelische Philosophie ihren primärwissenschaftlichen Anspruch behaupten. Fundament der grundlegenden Wechselseitigkeit ist das to ti en einai, das wohl mit Recht als einer der wichtigsten Kernbegriffe der aristotelischen Philosophie bezeichnet werden kann.
    Keywords: Philosophie ; Philosophie der Antike ; Aristoteles ; Metaphysik ; Sprachphilosophie ; bic Book Industry Communication::H Humanities::HP Philosophy ; bic Book Industry Communication::H Humanities::HR Religion & beliefs ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy ; thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 82
    facet.materialart.
    Unknown
    Immanente Kritik heute (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Dieses Buch bietet eine aktualisierte Annäherung an die immanente Kritik in unserer Zeit. Mit dem Begriff ist jene Art von Kritik angesprochen, die - von Hegel bis zur Frankfurter Schule - ihren Gegenstand aus den eigenen normativen Prinzipien heraus und nicht unter Bezug auf äußere Maßstäbe kritisiert. Die Beiträge zeigen, wie die immanente Kritik in verschiedenen Bereichen (Philosophie, Soziologie, Medientheorie und Sozialkritik) Themen analysieren und sie gleichzeitig auf überzeugende Weise in Frage stellen kann - ausgehend von den eigenen Geltungs- und Wahrheitsansprüchen.
    Keywords: Kritik ; Kritische Theorie ; Sozialphilosophie ; Normativität ; Sozialität ; Deutsche Philosophiegeschichte ; Philosophie ; Critical Theory ; Social Philosophy ; Social Relations ; German History of Philosophy ; Philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy::HPCF Western philosophy, from c 1900 -
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 83
    facet.materialart.
    Unknown
    Chapter Tra metamorfosi e anamorfosi: gli spazi surreali nei dipinti di Rob Gonsalves (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 84
    facet.materialart.
    Unknown
    Chapter Disegnare per rigenerare i nostri luoghi. Nuove relazioni fra comunità e spazi pubblici (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 85
    facet.materialart.
    Unknown
    Chapter HeterOffice. Concept progettuale per una postazione di lavoro flessibile nello spazio domestico (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 86
    facet.materialart.
    Unknown
    Unsicheres Mitleid (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-11
    Description: Wie kaum ein anderes Gefühl ist Mitleid von Unsicherheiten geprägt: Der Begriff »Mitleid« wird widersprüchlich verwendet - aber auch das Gefühl selbst kann schwanken. Dies wirft Fragen der Angemessenheit auf. Georg Sillers genaue Lektüre Ludwig Wittgensteins zeigt, dass solche Unbestimmtheiten jedoch nicht als Defizite gesehen werden müssen: Erstens sind psychologische Begriffe in ihrer Bedeutungsvielfalt Teil unserer Lebensform und damit mehr als die Bezeichnung von Zuständen, zweitens stellt schwankendes Mitleid eine ganz eigene Haltung dar - und zwar häufig die des Respekts. Diese Perspektive ermöglicht neue Zugriffe auf Aristoteles, Nietzsche, Brecht, Arendt sowie die Neuropsychologie - und nicht zuletzt auf Wittgenstein selbst.
    Keywords: Mitleid ; Emotion ; Respekt ; Philosophie der Emotionen ; Wittgenstein ; Aspektwahrnehmung ; Aristoteles ; Friedrich Nietzsche ; Bertolt Brecht ; Hannah Arendt ; Sozialität ; Ethik ; Philosophiegeschichte ; Analytische Philosophie ; Sozialphilosophie ; Philosophie ; Compassion ; Feeling ; Respect ; Philosophy of Emotions ; Aspect-Perception ; Aristotele ; Social Relations ; Ethics ; History of Philosophy ; Analytical Philosophy ; Social Philosophy ; Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800::QDHR9 Analytical philosophy and Logical Positivism ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 87
    facet.materialart.
    Unknown
    Realität und Wirklichkeit (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: Dass wir alle in einer gemeinsamen Wirklichkeit leben, setzen wir meist unhinterfragt voraus. Sehen Andere die Welt dann doch einmal anders, mag es uns scheinen, als sähen sie diese einfach nicht so, wie sie wirklich ist. Schwerer fällt uns anzuerkennen, dass andere zuweilen in ganz anderen Wirklichkeiten unterwegs sind als wir selbst. - Tom Poljansek zeigt, wie sich die Vorstellung einer Pluralität menschlicher Wirklichkeiten mit der Annahme einer wahrnehmungsunabhängigen Realität vereinbaren lässt, ohne sich in einen Relativismus der vielen Wirklichkeiten zu verlaufen. In Auseinandersetzung mit »kontinentalen« und »analytischen« Ansätzen legt er eine elegante Theorie menschlicher Wirklichkeiten vor, die konstruktivistische und realistische, phänomenologische und naturalistische Motive unerwartet miteinander verbindet.
    Keywords: Phänomenologie ; Ontologie ; Kultur ; Gesellschaft ; Epistemologie ; Wirklichkeit ; Realität ; Wahrnehmung ; Konstruktivismus ; Mensch ; Leben ; Sozialphilosophie ; Technikphilosophie ; Medienphilosophie ; Philosophie ; Phenomenology ; Ontology ; Culture ; Society ; Epistemology ; Reality ; Perception ; Constructivism ; Human ; Life ; Social Philosophy ; Philosophy of Technology ; Media Philosophy ; Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy
    Language: German
    Format: image/jpeg
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 88
    facet.materialart.
    Unknown
    Chapter Il disegno della transizione. Proposta di una tassonomia della rappresentazione del movimento dell’architettura (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 89
    facet.materialart.
    Unknown
    Chapter Il transitare della memoria. Quando il tempo trasforma gli oggetti per un nuovo spazio (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 90
    facet.materialart.
    Unknown
    Chapter Riflessioni sulla rappresentazione della tipologia architettonica. Transizioni tra epoche e arti (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 91
    facet.materialart.
    Unknown
    Möglichkeit (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-04-08
    Description: Was meinen wir, wenn wir soziale Konstellationen als »möglich« bezeichnen? Diese Frage wurde allzu oft nur randständig beleuchtet, obwohl »Möglichkeit« seit Aristoteles zum grundbegrifflichen Repertoire der praktischen Philosophie zählt. Umso unverständlicher wirkt die Zurückhaltung von Horkheimer und Adorno, den Begriff gesellschaftstheoretisch zu explizieren. Gösta Gantner zeigt, inwiefern die Vorstellungen des »Andersseinkönnens« und der »Potentialität« die Kritische Theorie nahezu unbemerkt dominieren. Als Schlüsselbegriff trägt »Möglichkeit« dazu bei, aktuelle Varianten kritischen Denkens in ihrem leitenden Erkenntnisinteresse und ihrer praktischen Ausrichtung zu schärfen: Im Lichte der Kritik des Gegebenen geht es um das, was anders sein kann.
    Keywords: Möglichkeit ; Kontingenz ; Kritische Theorie ; Utopie ; Freiheit ; Gesellschaftstheorie ; Begriffsgeschichte ; Max Horkheimer ; Theodor W. Adorno ; Sozialität ; Ethik ; Sozialphilosophie ; Soziologische Theorie ; Philosophie ; Possibility ; Contingency ; Critical Theory ; Utopia ; Liberty ; Social Theory ; Conceptual History ; Social Relations ; Ethics ; Social Philosophy ; Sociological Theory ; Philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800 ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTQ Ethics and moral philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTS Social and political philosophy ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDH Philosophical traditions and schools of thought::QDHR Western philosophy from c 1800 ; thema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTQ Ethics and moral philosophy
    Language: German
    Format: image/jpeg
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 92
    facet.materialart.
    Unknown
    Chapter La ricostruzione virtuale del progetto ottocentesco di Giuseppe Martelli per Ponte Vecchio a Firenze (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 93
    facet.materialart.
    Unknown
    Chapter Laser scanner a confronto: problematiche e potenzialità nella restituzione grafica 2D di un bene storico (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 94
    facet.materialart.
    Unknown
    Chapter Transizioni espressive nell’archivio dei disegni di architettura della scuola romana (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 95
    facet.materialart.
    Unknown
    Chapter La carpenteria del legno. Alcune riflessioni sul rapporto tra modello e disegno (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 96
    facet.materialart.
    Unknown
    Chapter Apparati decorativi: l’Arco di Tito fra tracce originali, trasformazioni e interpretazioni temporali (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-04-04
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 97
    facet.materialart.
    Unknown
    Chapter Exploring the Landscape of Virtual and Augmented Reality Laboratories in Top Universities Worldwide (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 98
    facet.materialart.
    Unknown
    Zeichen und Freiheit (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Wo von »Freiheit« gesprochen wird, geht es gewöhnlich um das Handeln. Legt man aber zugrunde, dass wir uns die Welt aktiv in Zeichen erschließen, so ist damit auch für das Erkennen und Verstehen Freiheit vorausgesetzt. Lars Leetens Buch geht dem Sinn dieser Voraussetzung nach. Dabei zeigt sich, dass Freiheit im Verstehen nicht als Willkür gedacht werden kann. Das theoretische Weltverhältnis als frei zu begreifen, bedeutet vielmehr, sich die Verantwortung zu vergegenwärtigen, mit der alles Denken und Verstehen von Anfang an verbunden ist.
    Keywords: Zeichen ; Freiheit ; Verstehen ; Interpretationsfreiheit ; Verantwortung ; Sprache ; Ethik ; Sprachphilosophie ; Erkenntnistheorie ; Semiotik ; Philosophie ; Language ; Ethics ; Philosophy of Language ; Epistemology ; Philosophy ; bic Book Industry Communication::C Language::CF linguistics::CFA Philosophy of language ; bic Book Industry Communication::H Humanities::HP Philosophy::HPQ Ethics & moral philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPK Philosophy: epistemology & theory of knowledge
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 99
    facet.materialart.
    Unknown
    Chapter Remote sensing e rilievo architettonico per il restauro della moschea Al Raabiya a Mosul (Iraq) (2024)
    FrancoAngeli
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 100
    facet.materialart.
    Unknown
    Von der Vernunft zum Wert (2024)
    transcript Verlag | transcript Verlag
    Details
    Publication Date: 2024-03-22
    Description: Was sind die individuellen und methodischen Voraussetzungen der Marx'schen ökonomischen Theorie? Martin Eichler untersucht Marx' Schriften im Lichte seiner emanzipatorischen Absichten und unterstreicht so ihren kohärenten Zusammenhang. Darüber hinaus stellt er den Wertbegriff als methodisches und inhaltliches Zentrum der Marx'schen ökonomischen Theorie vor und hebt die Bedeutung des geldvermittelten Tausches für die Konstitution der kapitalistischen Wirtschaftsweise hervor. Die Studie begreift die ökonomische Theorie als Geisteswissenschaft auf empirischer Grundlage und liefert so einen wertvollen Beitrag zur neuen Marx-Lektüre.
    Keywords: Karl Marx ; Philosophie ; 19. Jahrhundert ; Ökonomische Theorie ; Wirtschaft ; Sozialphilosophie ; Politische Philosophie ; Deutsche Philosophiegeschichte ; Kapitalismus ; Philosophy ; Economic Theory ; Economy ; Social Philosophy ; Political Philosophy ; German History of Philosophy ; Capitalism ; bic Book Industry Communication::H Humanities::HP Philosophy::HPS Social & political philosophy ; bic Book Industry Communication::H Humanities::HP Philosophy::HPC History of Western philosophy
    Language: German
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...