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  • 1
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publikationsdatum: 2023-09-11
    Beschreibung: Through an intelligent and sharp description of the Irvine School of Critical Theory, Ewa Bobrowska’s book significantly expands the knowledge about post-structuralist critical thinking that has dominated the Western humanities in the last quarter of a century. While the achievements of Derrida, Lyotard, Iser, as well as Jameson, Joseph Hillis Miller, Greenblatt, and Dominick LaCapra are well known in Polish critical thought, the interdisciplinary project called the Irvine School has not yet been systematically and competently described. . . . The unusual dispositions of the author, who is an English philologist, philosopher, art historian, and an active artist, allow her to carry out all dimensions of the analysis, including critical discourse, philosophical reasoning, and an intellectual examination of a work of art. Ewa Bobrowska’s book can be read in several ways: as a guide to contemporary (mainly American) art that requires participation, and as a guide to contemporary (mainly postmodern) philosophy while visualising some, even very abstract, statements. These two diverse fields of contemporary art discourse and philosophy meet in this work and illuminate each other, giving the reader an extraordinary opportunity to understand the contemporary world of images and ideas. What is particularly worth emphasising is the part of the work that refers to ethical threads: it shows a little-known part of contemporary philosophy and, at the same time, the author’s extraordinary sensitivity. (excerpt from a review by Prof. Grażyna Borkowska)
    Schlagwort(e): critical theory ; contemporary art ; University of California ; Irvine ; irony ; the sublime ; Jacques Derrida ; Jean-François Lyotard ; J. Hillis Miller ; David Carroll ; bic Book Industry Communication::G Reference, information & interdisciplinary subjects::GT Interdisciplinary studies::GTG General studies
    Sprache: Polnisch
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  • 2
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publikationsdatum: 2024-03-26
    Beschreibung: The author identifies selected aspects of the history of attention and exposes the peculiar relation between philosophy and literature against this background. The task of describing the world, not finished by phenomenology, is taken up by attentive poetry: it can complete the project of portraying the visible world, while keeping the rules of perceptive faith, but also being mindful of the constraints of language at the same time. After breaking contact between word and object, the poet becomes the one who brings the spirit of mankind closer to the world. In the context of twentieth-century dilemmas and projections, attention turns out to be not only a simple consequence of a certain aesthetic choice, but instead, choosing attention gains a crucial importance, rendering it a tool of re-vindicating the lost reality. Attentive poetry, that is such poetry, which does not allow itself to get carried away with language in whichever direction, but tames its anarchy, and does not accept a finished world, rejecting the temptation of relying on easy knowledge, is complemented by attentive reflection in this study: a reflection which is not prone to putting too much faith in the exclusivity of its own accomplishments. (excerpt from a review by Prof. Piotr Śliwiński)
    Schlagwort(e): attention ; philosophy ; literature ; poetry ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Sprache: Polnisch
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  • 3
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publikationsdatum: 2024-03-27
    Beschreibung: This volume comprises texts created on the basis of three-fold meetings: the first kind were constituted by lectures led by invited guests, representing various fields and areas of research, which, in some necessary simplification, can be divided into historiography (Ewa Domańska), philosophy (Agata Bielik-Robson), literary and memory studies (Michael Rothberg), and philosophy of literature (Michał Paweł Markowski). The lectures were accompanied by workshops, whose leaders present their texts in the second part of the work, and the third part is made up of notes from panel talks. As per the nature of these types of sessions, they present themselves as highly intense (various meetings from morning until evening), as well as showing the unavoidable variety in outlooks, which is one of the major advantages of such events. Another advantage is a slightly more ‘personalist’ encounter, not so much with text, but with the figure of an author, and thus also with the personality of a researcher. What became the idea bringing all these activities together was memory, understood and treated in very different ways. The variety of starting points and views on the forms and places of the functioning of memory then transformed itself into an abundance of experiences of the ‘originators’ and the richness of feelings (also of those imprinting themselves in memory) of the ‘receivers’.
    Schlagwort(e): memory ; memory studies ; historiography ; philosophy ; literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Sprache: Polnisch
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  • 4
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publikationsdatum: 2024-03-27
    Beschreibung: Alongside Bentham the guardian of the weak and the subordinate, sensitive to other’s suffering and deeply engaged in the fight for a better future and a more just legal system, there also exists a Bentham the unmitigated demiurge, with uncontrollable ambitions, incessantly creating soulless and authoritarian worlds of control and discipline. There is much that would suggest the English philosopher was pushed towards authoritarianism by the striving to provide a sense of security to the landed classes, and by fear of phenomena such as panic and social unrest. At the same time, as work on specific projects progressed, the noble impulses which often underpin them became weak, and they were replaced, under the influence of perfectionist fears and passions, by the thirst for complete control and total discipline. (excerpt from the book)
    Schlagwort(e): Jeremy Bentham ; control ; power ; philosophy ; panopticism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Sprache: Polnisch
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  • 5
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    Instytut Badań Literackich Polskiej Akademii Nauk
    Publikationsdatum: 2024-03-27
    Beschreibung: We will be following the departure of cinema ‘towards virtuality’ (towards new ways of creating, understanding and existence of cinema in the times of transformations of media technology) primarily from the perspective of selected artistic practices of three artists: Peter Greenaway (who often repeats the argument about the ‘death’ of traditional cinema and the birth of new ways of depiction), Lynn Hershman Leeson (American artist of the ‘wider cinema’) and Mike Figgis, who reflected on various types of cinematic image and the cinema of the digital age in his autothematic films. The authors will also discuss cinema in the wider context of cultural reflection. Questions on the ‘virtualisation’ of culture will require an attempt at defining the notion of ‘virtuality’, and a tracing of its journey through different levels of cultural discourses, as well as linking it back to the analysed works. Towards Virtuality… is a book about cinema (its creators, works and characters), steeped in technological, philosophical, scientific and, more generally, cultural transformations of modernity.
    Schlagwort(e): contemporary cinema ; virtuality ; contemporary art ; Peter Greenaway ; Lynn Hershman Leeson ; Mike Figgis ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
    Sprache: Polnisch
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