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  • thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism  (507)
  • French  (278)
  • Italian  (230)
  • Norwegian (Nynorsk)  (1)
  • Slovenian  (1)
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  • 1
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    Firenze University Press
    Publication Date: 2024-05-12
    Description: From the 1920s onwards, the Soviet Union became a favourite destination for Italian writers, travellers who took it upon themselves to interpret and present the new Soviet world to Italian readers by sending articles to newspapers and magazines, most of which were later published as monographs. The present study aims to investigate the reasons that drove so many intellectuals to visit Russia and the Soviet territories after the October. Through references to historical and political ideologies that may have influenced the writers’ interpretations, the reconstruction of travel conditions and individual approaches to Soviet life, the study focuses on Italian intellectuals’ views on the USSR and the particular value that the reportages had in the construction of the image of the Soviet world in the Italian reality.
    Keywords: USSR ; Italian writers ; travel ; report ; thema EDItEUR::C Language and Linguistics::CF Linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 2
    Publication Date: 2024-05-09
    Description: This issue of Skriftkultur stems from our desire to honor our good colleague Geir Hjorthol with a festschrift on the occasion of his 70th birthday. As the recipient is a professor of literature and also interested in literary culture studies more generally, we have titled the issue Norwegian Nynorsk contemporary literature and written culture. Geir Hjorthol is himself responsible for the first article, in which he focuses on the role of music within Jon Fosses' novel, Septologien (2019–2022). This article became no less relevant when, a few weeks prior to completion of the issue, Fosse received the Nobel Prize in Literature 2023, the first Norwegian Nynorsk author in the prize’s history. In the second article, Jan Inge Sørbø questions whether reading literature may be stuck in a critical rut, where one is constantly occupied with revealing something hidden in the text. The four subsequent articles explore various recent Norwegian Nynorsk novels or authorships. In the first of these, Elin Stengrundet reflects on how Erlend Skjetne's young adult novel Eit anna blikk (2021) connects to modern migration literature and the Norwegian Nynorsk literary tradition, while Nora Simonhjell's article sheds new light on the inner coherence in the authorship of Olaug Nilssen. Marit Brekke and Wenke Mork Rogne present a post-humanistic reading of the Is-slottet (1963) by Tarjei Vesaas, while Beatrice G. Reed examines the precence of nature in Norwegian Nynorsk picture books for children in our time by taking a closer look at 13 prize-winning Norwegian Nynorsk picture books published up until the year 2000. Non-fiction and the topic of translation are covered by the next two articles. Brage Egil Herlofsen discusses the relationship between Norwegian Nynorsk literary culture and the essay genre, based on two books from the Norsk røyndom-series published by Samlaget (2018), while Marie Nedregotten Sørbø analyzes translations of Jane Austen from English to Norwegian nynorsk in light of literary cultural and hermeneutical perspectives. In the last article, Stian Hårstad shows how the language culture of our time places emphasis on increased pluralization, not least through the rise of digital technology, which facilitates new forms of interaction via writing, before discussing possible consequences this may have for written culture in general, and for studies of written cultures.
    Description: Bakgrunnen for dette nummeret av Skriftkultur var at vi ville heidre vår gode kollega og fagfelle Geir Hjorthol med eit festskrift i høve hans 70-årsdag. Sidan festskriftmottakaren er litteraturprofessor og dessutan er interessert i skriftkulturstudiar meir generelt, valde vi å gje festskriftet tittelen Nynorsk samtidslitteratur og skriftkultur. Geir Hjorthol står sjølv for den første artikkelen om Jon Fosses Septologien (2019–2022), og her rettar han søkjelyset mot forholdet til musikk i romanen. Denne artikkelen blei ikkje mindre aktuell då det nokre veker før festskriftet var ferdig, blei klart at Fosse fekk Nobelprisen i litteratur 2023, som den første nynorskforfattaren nokosinne. I den andre artikkelen stiller Jan Inge Sørbø spørsmål om lesing av litteratur kan ha køyrt seg fast i eit kritisk spor der ein heile tida er oppteken av å avsløre noko som er skjult i teksten. Deretter følgjer fire artiklar som tek føre seg ulike nyare nynorske romanar eller forfattarskapar. I den første av desse reflekterer Elin Stengrundet over korleis Erlend Skjetnes ungdomsroman Eit anna blikk (2021) knyter an til moderne migrasjonslitteratur og den nynorske litteraturtradisjonen, medan Nora Simonhjell sin artikkel kastar nytt lys over den indre samanhengen i forfattarskapen til Olaug Nilssen. Marit Brekke og Wenke Mork Rogne presenterer ei posthumanistisk lesing av Is-slottet (1963) av Tarjei Vesaas, medan Beatrice G. Reed undersøker graden av naturorientering i nynorske biletbøker for barn i vår tid ved å sjå nærare på 13 prislønte nynorske biletbøker utgjevne etter år 2000. Sakprosasjangeren og temaet nynorsk omsetjing blir dekt av dei to neste artiklane i festskriftet. Brage Egil Herlofsen drøftar forholdet mellom nynorsk skriftkultur og essaysjangeren med utgangspunkt i to bøker frå Norsk røyndom-serien til Samlaget (2018), medan Marie Nedregotten Sørbø analyserer omsetjingar av Jane Austen frå engelsk til norsk i lys av skriftkulturelle og hermeneutiske perspektiv. I den siste artikkelen viser Stian Hårstad korleis vår tids språkkultur legg vekt på auka pluralisering og folkeleggjering, ikkje minst gjennom framveksten av digital teknologi som legg til rette for nye former for skriftbasert samhandling, før han drøftar kva for konsekvensar dette kan ha for skriftlegheita og for skriftkulturforskinga.
    Keywords: Norwegian Nynorsk, literature, written culture, picture books, essay theory, translation, sociolingustics of writing, nynorsk, litteratur, skriftkultur, Fosse, Skjetne, Nilssen, Vesaas, biletbøker, essayistikk, omsetjing, skriftsosiolingvistikk ; thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AC Germanic and Scandinavian languages::2ACS Scandinavian languages::2ACSN Norwegian ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Norwegian (Nynorsk)
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  • 3
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    Peter Lang International Academic Publishers
    Publication Date: 2024-04-07
    Description: La poésie de Pétrarque et le pétrarquisme qui en est dérivé constituent une matière inestimable et un champ fertile pour comprendre les sources des identités et des cultures européennes. Il est donc crucial d’examiner les études pétrarquiennes au regard de nouvelles notions critiques telles que la transculturalité ou la transnationalité. L’exemple emblématique français constitue un champ d’enquête privilégié pour décrire ce que l’auteur définit comme le « mouvement migrant » du pétrarquisme européen. Grâce à l’application de nouvelles théories et méthodologies transdisciplinaires, cet ouvrage offre au public la possibilité de découvrir la richesse des traductions françaises des Rerum vulgarium fragmenta sur une période très vaste qui court du XVIe au XXIe siècle. Au-delà de l’ambition d’un travail d’érudition, ce livre est surtout le fruit d’une enquête intime sur des formes archétypales qui s’incarnent dans l’histoire des idées et des littératures. L’histoire de la traduction et des traductions n’est pas seulement une histoire des textes, mais aussi un récit des imaginaires qui les ont traversés.
    Keywords: Alouëtes ; Claudio ; fragmenta ; française ; Gigante ; histoires ; imaginaires ; langue ; Pétrarque ; Phenix ; Poëte ; Raimondo ; Rerum ; Riccardo ; siècle ; Thierry ; traditions ; Traduire ; vulgarium ; Waser ; XVIe ; XXIe ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFP Translation and interpretation ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetry
    Language: French
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  • 4
    Publication Date: 2024-04-07
    Description: Feld-maréchal, septième prince du nom, Charles-Joseph de Ligne (1735-1814) exerça une véritable fascination sur ses contemporains. Ce volume, auquel ont contribué des spécialistes issus de plusieurs disciplines, entend rompre avec la représentation figée d'un homme et d’une œuvre trop longtemps méconnus.
    Keywords: eighteenth century ; history ; literature ; Belgium ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: French
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  • 5
    Publication Date: 2024-04-07
    Description: Écrivaine et philosophe, fondatrice des Cahiers du GRIF, Françoise Collin nous a quitté.e.s à l’automne 2012. Ce numéro de Sextant souhaite lui rendre hommage et souligner à la fois la singularité et la pertinence de son œuvre dans notre société contemporaine.
    Keywords: études de genre ; Françoise Collin ; littérature ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: French
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  • 6
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    Firenze University Press
    Publication Date: 2024-04-07
    Description: Narrative has been the subject of theoretical reflection and empirical investigation since Aristotle’s Poetics. However, with the turn of the millennium, we are witnessing a real narrative turn in the humanities and social sciences. This volume aims to provide an overview of recent developments in the theoretical analysis of narrative, offering the reader a series of contributions that are organized along the following three theoretical-disciplinary axes: theories of narrative at the intersection of cognitive, evolutionary, and computational approaches; narrative theory and cognitive neuroscience; and narrative and storytelling as socio-communicative phenomena.
    Keywords: Computational literary studies ; Cognitive narratology ; Embodiment ; Inner speech ; Social Media Analysis ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFF Historical and comparative linguistics ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 7
    Publication Date: 2024-04-06
    Description: In the early 19th-century, Milan was the most active Italian city in the publishing of books. There, collectors, librarians, scholars of ancient literature and young men of letters were protagonists in an intense activity of publishing classical texts. New editions of Divina Commedia, Petrarch's Rime, Boccaccio’s Decameron, Ariosto’s Orlando Furioso, Tasso’s Gerusalemme Liberata and of many works by writers of the 18th century were published in Milan, in particular by Società Tipografica de' Classici Italiani (Italian Classical Writers’ Printing Society). In a period rich in cultural and linguistic debates, even discussions on the procedures for publishing texts took on a new importance. By analysing the statements of the editors, investigating their textual choices, following their polemics, Alberto Cadioli, one of the well-known Italian textual bibliography scholars for the modern texts, underlines the importance of the «sana critica», the «sound criticism» – i.e. the philological practice, according to the language of that time - with which classical texts were published in Milan in the first decades of the 19th century. This book, that offers unknown data and a large documentation, reveals theoretical unexpectedly Modern observations and methodological indications, hidden in pages forgotten for many years.
    Keywords: Italian philology ; textual criticism ; classical writers’ editions ; authorial philology ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 8
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    Firenze University Press
    Publication Date: 2024-04-05
    Description: «Auf Wiedersehen in Florenz!» Voci di ebrei tedeschi dall’Italia presents a new Italian perspective on German exile literature, which is related to the migration of German-Jewish intellectuals to Florence after 1933. A reconstruction of the historical context is provided by shedding light on the intersections between Italian, German and Jewish cultures in the Florentine context but also on the literary production of the involved authors. Migration writers such as Alice Berend, Rudolf Borchardt, Karl Wolfskehl and Walter Hasenclever are presented in relation to the process of writing in exile, whereas the works of Max Krell, Monika Mann, Otti Binswanger-Lilienthal and Georg Strauss are analyzed in the section devoted to post-exile.
    Keywords: Emigration ; Florence ; German-Jewish intellectuals ; German exile literature ; cross-cultural ; thema EDItEUR::D Biography, Literature and Literary studies ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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  • 9
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    FrancoAngeli
    Publication Date: 2024-04-03
    Description: The reception of Seneca’s Tragedies had a crucial moment during the 14th and early 15th centuries. In this period, after their recent rediscovery but before the extraordinary circulation across Europe in the Renaissance, Seneca’s plays attracted the attention of scholars and poets, and also of some exegetes who taught in Italian universities and schools. These cultural places represented a formidable medium for the dissemination of the Tragedies and the exegetical materials produced around them. In particular, an important role was played by Petrarch and Boccaccio, who read Tragedies and evoked them in their works, but also by some exegetes-professors such as Giovanni del Virgilio, Pietro da Moglio, Domenico Bandini, Bartolomeo del Regno and Petrus Parmensis, who focused their commentaries and lectures on Seneca’s plays. So, at first, this volume recalls the narrow spread of Seneca’s Tragedies up to Early Middle Ages, and examines their rediscovery, that was realized by Nicolaus Trevet and Paduan prehuminists Lovato de’ Lovati and Albertino Mussato, but which took place also in Tuscany and Bologna. Then, the book analyses the philological and interpretative reception of the Tragedies by Petrarch and Boccaccio, and the allusions to Seneca’s plays in the Expositio on Ovid’s Metamorphoses by Bolognese professor Giovanni del Virgilio, who may have influenced Petrarch. Furthermore, great attention is paid to the exegetic activity of Pietro da Moglio, professor in Bologna and Padua and author of poetic summaries of the Tragedies that were very popular. In detail, the volume contains a new edition of these text, which updates Giuseppe Billanovich’s edition on the basis of many recently rediscovered manuscripts. Then, the book explores the interest in Tragedies shown by Domenico Bandini, teacher in Bologna and Tuscany and close friend of Coluccio Salutati. A pupil of the latter, Lorenzo Ridolfi, in his youth wrote – almost certainly on Salutati’s advice – a proem and some original summaries of the Tragedies, an edition of which is offered in this volume for the first time. New investigations are also focused on the exegetical activity of Bartolomeo del Regno, student of Pietro da Moglio and professor in Bologna, and on an important manuscript of the Tragedies linked to him. Good attention is also given to the original glosses on the Tragedies written by Petrus Parmensis in a manuscript adorned with elegant miniatures, that show special features compared to the illustrations in other codices and textual commentaries composed by Trevet and Mussato. This continuous exegesis, multifaceted and also open to dialogue with the art of illumination, represented an indispensable point of reference for the pupils of such professors, including Coluccio Salutati, Francesco da Fiano and Francesco Piendibeni da Montepulciano, who were students of Pietro da Moglio before becoming humanists. After all, the book underlines that Francesco da Fiano and Francesco Piendibeni knew Seneca’s dramas, but also analyses the manuscript of Tragedies copied and annotated by Coluccio Salutati and lists all quotations from this plays in his Epistolary and De laboribus Herculis. Therefore, the ways followed by exegesis and fortune of Tragedies in the 14th century and at dawn of 15th, analyzed in this volume, offer an example of the multiple routes of the text’s tradition, but also an eloquent paradigm of the fact that Middle Ages and Humanism, far from being conceived as historical categories, in this era could productively dialogue on the level of hermeneutics and dissemination of knowledge.
    Keywords: Seneca’s Tragedies, Classical reception, Middle Ages and Humanism, 14th and 15th century, Ancient Italian universities and schools, Commentaries and glosses, Lectures on classics, Medieval and Humanistic exegesis, Manuscripts ; thema EDItEUR::D Biography, Literature and Literary studies::DB Ancient, classical and medieval texts ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism ; thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
    Language: Italian
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  • 10
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    Presses universitaires Blaise-Pascal
    Publication Date: 2024-03-26
    Description: Considéré longtemps comme une grave faute, l'anachronisme a été réévalué pour en souligner les dimensions heuristiques. Acte délibéré ou involontaire, l’anachronisme peut ouvrir la voie aussi bien à une relecture du passé qu’à une réinterprétation du présent, nous permettant de repenser la « marche des temps » (Siegfried Kracauer) et de se pencher autrement sur les rapports que nous établissons à la fois avec le présent d’où écrit l’auteur, avec le passé que cet auteur réinvestit et avec le présent d’où nous lisons ses textes. L’objet de cet ouvrage est une revalorisation de l'anachronisme dont nous montrons aussi bien le potentiel poïétique que la dimension heuristique et interprétative de l’anachronisme en littérature. Cervantès, Camões, Chateaubriand, Gautier, Flaubert, Rimbaud Laforgue, Queneau, Perrault, Peter Handke, Thiéfaine, Pasolini, Jacques Demy, Kennely, Thomas Ostermeier, témoignent ici du potentiel poétique des « anachronismes créateurs ».
    Keywords: anachronism ; creation ; literature ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: French
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