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  • Transizioni = Transitions  (58)
  • UNICApress  (57)
  • Italian  (115)
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  • 1
    facet.materialart.
    Unknown
    Chapter Modellando Piero. Indagini ricostruttive sulla Madonna del Parto (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 2
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    Chapter Disegno di nuovi spazi urbani e percorrenze culturali nel patrimonio storico di Stigliano (MT) (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 3
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    Chapter Archivos digitales de arquitectura: la transformación de la difusión del dibujo (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 4
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    Chapter Messina ricostruita in pietra artificiale: la grafica di palazzo Mariani per il progetto di restauro (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 5
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    Chapter Canova digitale: il potere della copia tra rappresentazione e immaginazione tattile (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 6
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    Chapter Digital Unrealities. Photo(Un)Realism and Alienation in Contemporary Postdigital Architecture (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 7
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    Chapter Digital Transitions for the Use and Reuse of Digital Assets for Museum Collections (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 8
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    Chapter Ca’ Venier e ponte dell’Accademia nel 1985. Tre immagini transitorie (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 9
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    Chapter Discusión taxonómica del campo de las Extended Realities (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 10
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    Chapter La metamorfosi comunicativa con Il Mondo Illustrato Giornale Universale (1847-1861) (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 11
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    Chapter Disegno e intelligenza artificiale. Enunciati teorici e prassi sperimentale per una poiesi condivisa (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 12
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    Chapter Conoscenza e trasmissione del patrimonio urbano romano: Piazza Montanara (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 13
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    Chapter Documentare e rappresentare bassorilievi e decorazioni per conoscere e valorizzare il patrimonio (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 14
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    Chapter Un sistema de gestión de código abierto para el inventario del patrimonio de estilo Gótico Mediterráneo (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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    E-BOOK
  • 15
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    Chapter HeterOffice. Concept progettuale per una postazione di lavoro flessibile nello spazio domestico (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 16
    facet.materialart.
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    Chapter Il transitare della memoria. Quando il tempo trasforma gli oggetti per un nuovo spazio (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 17
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    Fisica degli atomi, delle molecole e dei solidi (2024)
    UNICApress | UNICApress
    Details
    Publication Date: 2024-04-04
    Description: According to a well-established Italian university tradition, the verification of learning of a subject belonging to the cultural area of the 'STEM disciplines' involves passing a written test and an oral test. While the latter is intended as verification of the acquisition of both the conceptual foundations and the theoretical formalism of the discipline, the written test is intended to verify problem solving skills according to the "knowing means knowing how to do" paradigm, of whose formative validity the authors of this manual are convinced supporters. Usually there are many very good textbooks that cover the theoretical part, while there are chronically few textbooks that propose problems at the right level of complexity, also offering detailed and commented solutions. This is particularly true for those disciplines corresponding to the last year of the three-year cycle of a Bachelor's degree. In order to at least partially fill this gap, a textbook is proposed here that brings together a rich and varied series of problems (with solutions and comments) in the physics of atoms, molecules and crystalline solids. These topics, which constitute an indispensable body of knowledge in modern physics, represent the core of the discipline 'Structure of Matter', as defined by the Italian university taxonomy.
    Description: Published
    Description: Secondo una consolidata tradizione universitaria italiana, la verifica dell’apprendimento di una materia appartenente all’area culturale delle “discipline STEM” prevede il superamento di una prova scritta e di una prova orale. Mentre quest’ultima è intesa come verifica di acquisizione tanto dei fondamenti concettuali quanto del formalismo teorico della disciplina, la prova scritta intende verificare le capacità di problem solving secondo il paradigma “sapere significa saper fare”, della cui validità formativa gli Autori di questo manuale sono convinti sostenitori. Usualmente esistono molti validissimi manuali che coprono la parte teorica, mentre è cronicamente scarso il numero di manuali che propongano problemi al giusto livello di complessità, offrendone anche la dettagliata e commentata soluzione. Questo è particolarmente vero per quelle discipline che corrispondono all’ultimo anno del ciclo triennale di una laurea di primo livello. Al fine di colmare almeno parzialmente questa lacuna, qui viene proposto un manuale che raccoglie una ricca e variegata serie di problemi (con soluzioni e commenti) di fisica degli atomi, delle molecole e dei solidi cristallini. Questi argomenti, che costituiscono un irrinunciabile corpus di conoscenze in fisica moderna, rappresentano il cuore della disciplina “Struttura della Materia”, come definita dalla tassonomia universitaria italiana.
    Keywords: physics ; thema EDItEUR::P Mathematics and Science::PH Physics
    Language: Italian
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  • 18
    facet.materialart.
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    Chapter Transizioni espressive nell’archivio dei disegni di architettura della scuola romana (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 19
    facet.materialart.
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    Chapter Exploring the Landscape of Virtual and Augmented Reality Laboratories in Top Universities Worldwide (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 20
    facet.materialart.
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    Chapter Construyendo transiciones pedagógicas híbridas (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 21
    facet.materialart.
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    Chapter “Mi parve pinta de la nostra effige”. Alcune note critiche sulla creatività artificiale (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 22
    facet.materialart.
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    Chapter Disegno in transizione e transizione nel disegno. Passato e futuro degli esercizi di Parquet Deformations (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 23
    facet.materialart.
    Unknown
    Chapter Transitabile/in-transitabile. Il Canale della Manica tra storia e rappresentazione (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 24
    facet.materialart.
    Unknown
    Chapter Architettura e Musica: le melodie ‘mistiche’ del chiostro benedettino dell’Abbazia di San Zeno a Verona (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 25
    facet.materialart.
    Unknown
    Chapter Note sulla transizione (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 26
    facet.materialart.
    Unknown
    Chapter Origen de la cartografía científica de los puertos de la Sierra de Guadarrama entre los Sitios Reales (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 27
    facet.materialart.
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    Chapter Spazi virtuali in luogo reale. Narrazioni tra storia e paesaggio del Faro di Capo Colonna (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 28
    facet.materialart.
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    Chapter Verso un’architettura… accessibile. Un’esperienza didattica: dai princìpi alle applicazioni (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 29
    facet.materialart.
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    Chapter Modellazione parametrica delle gemme dall’Encyclopedie. Analisi geometrica e criticità morfologiche (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 30
    facet.materialart.
    Unknown
    Chapter Le transizioni del progetto nei disegni degli archivi di architettura (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 31
    facet.materialart.
    Unknown
    Chapter Il disegno del ‘limite’. La chiesa della Madonna delle Vergini a Matera tra architettura e paesaggio (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 32
    facet.materialart.
    Unknown
    Chapter Digital Transition for Heritage Management and Dissemination: via Flaminia and Corduba-Emerita (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 33
    facet.materialart.
    Unknown
    Chapter Modelli digitali per la conoscenza dei complessi monumentali spagnoli (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 34
    facet.materialart.
    Unknown
    Chapter Dos bóvedas en la Lonja de Valencia. Experimentación y seriación en la arquitectura del Siglo XV (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 35
    facet.materialart.
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    Chapter Geometrie e transizioni dal paesaggio all’architettura: l’abitare a Lignano per Marcello D’Olivo (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
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  • 36
    facet.materialart.
    Unknown
    Chapter Un’installazione di video mapping per la valorizzazione del Teatro Farnese di Parma (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
    BibTip Others were also interested in ...
    E-BOOK
  • 37
    facet.materialart.
    Unknown
    L' impegno dell’Università di Cagliari per lo sviluppo sostenibile (2024)
    UNICApress | UNICApress
    Details
    Publication Date: 2024-01-17
    Description: For several years now, the University of Cagliari has been committed to the adoption of policies in the field of sustainability that have been translated into strategic goals to be achieved through concrete actions consistent with the Goals of the UN 2030 Agenda and the related National and Regional Strategy on Sustainable Development. Especially in recent years, there has been a growing focus on integrated management of the environmental and social impacts of sustainability arising from the many activities that are carried out daily by the University, which produce an impact both in terms of ecological footprint and social spillovers. In fact, sustainability is a value that cuts across all of the University's activities. The purpose of this document is to describe the most significant steps taken in recent years by the University along the complex path of sustainable development, to give evidence of the efforts made to achieve the goals but also the aspects that still need to be strengthened.
    Description: Published
    Description: Da diversi anni ormai l’Università di Cagliari è impegnata nell’adozione di politiche nel campo della sostenibilità che si sono tradotte in obiettivi strategici da raggiungere attraverso azioni concrete coerenti con gli Obiettivi dell’Agenda ONU 2030 e con la relativa Strategia nazionale e regionale sullo Sviluppo sostenibile. Soprattutto negli ultimi anni è stata crescente l’attenzione verso una gestione integrata degli impatti ambientali e sociali della sostenibilità derivanti dalle molteplici attività che quotidianamente vengono realizzate dall’Università, le quali producono un impatto sia in termini di impronta ecologica sia di ricadute a livello sociale. La sostenibilità è infatti un valore trasversale a tutte le attività dell’Ateneo. Scopo di questo documento è descrivere i passi più significativi compiuti in questi anni dall’Ateneo lungo il complesso percorso dello sviluppo sostenibile, per dare testimonianza degli sforzi profusi per raggiungere gli obiettivi ma anche degli aspetti che devono essere ancora rafforzati.
    Keywords: sustainability ; greeneconomy ; sustainable development ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RN The environment
    Language: Italian
    Format: image/png
    Format: image/png
    Location Call Number Expected Availability
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  • 38
    facet.materialart.
    Unknown
    Chapter Disegno come transizione tra storia e progetto: note su una continuità romana (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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    E-BOOK
  • 39
    facet.materialart.
    Unknown
    Chapter Fra spazio fisico e digitale: ricostruzione e comunicazione del complesso del Castello di Mirafiori (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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    E-BOOK
  • 40
    facet.materialart.
    Unknown
    L' impegno dell’Università di Cagliari per lo sviluppo sostenibile (2024)
    UNICApress | UNICApress
    Details
    Publication Date: 2024-01-16
    Description: For several years now, the University of Cagliari has been committed to the adoption of policies in the field of sustainability that have been translated into strategic goals to be achieved through concrete actions consistent with the Goals of the UN 2030 Agenda and the related National and Regional Strategy on Sustainable Development. Especially in recent years, there has been a growing focus on integrated management of the environmental and social impacts of sustainability arising from the many activities that are carried out daily by the University, which produce an impact both in terms of ecological footprint and social spillovers. In fact, sustainability is a value that cuts across all of the University's activities. The purpose of this document is to describe the most significant steps taken in recent years by the University along the complex path of sustainable development, to give evidence of the efforts made to achieve the goals but also the aspects that still need to be strengthened.
    Description: Published
    Description: Da diversi anni ormai l’Università di Cagliari è impegnata nell’adozione di politiche nel campo della sostenibilità che si sono tradotte in obiettivi strategici da raggiungere attraverso azioni concrete coerenti con gli Obiettivi dell’Agenda ONU 2030 e con la relativa Strategia nazionale e regionale sullo Sviluppo sostenibile. Soprattutto negli ultimi anni è stata crescente l’attenzione verso una gestione integrata degli impatti ambientali e sociali della sostenibilità derivanti dalle molteplici attività che quotidianamente vengono realizzate dall’Università, le quali producono un impatto sia in termini di impronta ecologica sia di ricadute a livello sociale. La sostenibilità è infatti un valore trasversale a tutte le attività dell’Ateneo. Scopo di questo documento è descrivere i passi più significativi compiuti in questi anni dall’Ateneo lungo il complesso percorso dello sviluppo sostenibile, per dare testimonianza degli sforzi profusi per raggiungere gli obiettivi ma anche degli aspetti che devono essere ancora rafforzati.
    Keywords: sustainability ; greeneconomy ; sustainable development ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RN The environment
    Language: Italian
    Format: image/png
    Location Call Number Expected Availability
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  • 41
    facet.materialart.
    Unknown
    Chapter L’Éléphant triomphal a Parigi: dal disegno di progetto al simbolismo iconico, alla ricostruzione virtuale (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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    E-BOOK
  • 42
    facet.materialart.
    Unknown
    Chapter Dall’archivio al modello: processi metodologici per valorizzare il patrimonio invisibile (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
    Format: image/jpeg
    Location Call Number Expected Availability
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  • 43
    facet.materialart.
    Unknown
    La Sardegna nel Settecento (2024)
    UNICApress | UNICApress
    Details
    Publication Date: 2024-01-16
    Description: The text is a guided itinerary in the knowledge and interpretations now critically acquired, but also in those in need of further investigation, dedicated to the Sardinian eighteenth century, one of the most significant centuries of the confrontation between tradition and innovation, between preservation and reformism, that Sardinian history can number. This is the first volume in the "Sardiniae memoria" series, a series of textbooks on Sardinia, designed to be usable by both university students and high school seniors.
    Description: Published
    Description: Il testo è un itinerario guidato nelle conoscenze e interpretazioni ormai criticamente acquisite, ma anche in quelle che necessitano di ulteriori indagini, dedicate al Settecento sardo, uno tra i secoli più significativi del confronto fra tradizione e innovazione, tra conservazione e riformismo, che la storia sarda possa annoverare. È il primo volume della collana “Sardiniae memoria”, una serie di manuali sulla Sardegna, concepiti per essere fruibili sia dagli studenti universitari che da quelli degli ultimi anni delle superiori.
    Keywords: Sardinia ; eighteenth century ; history ; bic Book Industry Communication::H Humanities::HB History
    Language: Italian
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  • 44
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    Chapter Transitus Signa. Il complesso monastico medioevale di San Giorgio Maggiore a Venezia (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 45
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    Chapter Rappresentazioni AI nella comunicazione del patrimonio culturale: nuovi scenari del digital storytelling (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 46
    facet.materialart.
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    Chapter La prospettiva solida come strumento di analisi delle transizioni tra lo spazio euclideo e lo spazio della rappresentazione (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 47
    facet.materialart.
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    Chapter Manet o Pistoletto? Riflettersi nella sala delle Prospettive di Palazzo Calini a Brescia (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 48
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    Chapter Prefazione (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 49
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    Chapter Il fenomeno delle ferrovie dismesse. Il di-ségno per descrivere, ricostruire e comunicare (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 50
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    Chapter Dalla pianta al volume: transizioni e trasformazioni geometriche del cerchio nell’architettura di Mario Botta (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 51
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    La Sardegna nel Settecento (2024)
    UNICApress | UNICApress
    Details
    Publication Date: 2024-04-01
    Description: The text is a guided itinerary in the knowledge and interpretations now critically acquired, but also in those in need of further investigation, dedicated to the Sardinian eighteenth century, one of the most significant centuries of the confrontation between tradition and innovation, between preservation and reformism, that Sardinian history can number. This is the first volume in the "Sardiniae memoria" series, a series of textbooks on Sardinia, designed to be usable by both university students and high school seniors.
    Description: Published
    Description: Il testo è un itinerario guidato nelle conoscenze e interpretazioni ormai criticamente acquisite, ma anche in quelle che necessitano di ulteriori indagini, dedicate al Settecento sardo, uno tra i secoli più significativi del confronto fra tradizione e innovazione, tra conservazione e riformismo, che la storia sarda possa annoverare. È il primo volume della collana “Sardiniae memoria”, una serie di manuali sulla Sardegna, concepiti per essere fruibili sia dagli studenti universitari che da quelli degli ultimi anni delle superiori.
    Keywords: Sardinia ; eighteenth century ; history ; thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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  • 52
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    Chapter Transizioni digitali: artefatti dalle macchine intelligenti. Riflettendo con Cesare Battelli (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 53
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    Perché tanta poesia (2024)
    UNICApress | UNICApress
    Details
    Publication Date: 2024-03-25
    Description: Love for a woman is the theme that engages Italian poets more than any other from the 13th to the late 16th century, and the phenomenon has no counterpart in cultures related to our own. What must be the reason for such success? This study offers an explanation: the Provençal troubadours linked erotic love to a moral problematic, and the Italians, starting with the poets of the Sicilian school, preserved this link but problematised it in a new way, and the same happened with the Siculo-Tuscan poets, the Stilnovists and even Dante, in whom love becomes a scientific and philosophical and theological problem. But enfin Pétrarque vint, and set the story of his love as a 'spiritual exercise', discovering conscience and will as indispensable factors in a heroic struggle towards wisdom and then towards salus eterna. And it was the model that won over generations of 'heroic' love poets. These in turn brought variations: in the 15th century, poetry became a source of 'fame', and in the 16th century, it prompted contemplation of divine beauty. Meanwhile, the natural and indispensable eros in love emerged. Marino wrote a 'song of kisses', and the Adonis was a poem centred on erotic love: thus love's link to morality died, and a new one was born, linking venereal love to aesthetics.
    Description: Published
    Description: L’amore per una donna è il tema che più di ogni altro impegna i poeti italiani dal Duecento al tardo Cinquecento, e il fenomeno non ha corrispettivi nelle culture affini alla nostra. A cosa sarà dovuto tanto successo? Questo studio offre una spiegazione: i trovatori provenzali legarono l’amore erotico ad una problematica morale, e gli italiani, a cominciare dai poeti della scuola siciliana, conservarono questo legame ma lo problematizzarono in modo nuovo, e lo stesso accadde con i poeti siculo-toscani, con gli stilnovisti e persino con Dante, nei quali l’amore diventa un problema scientifico e filosofico e teologico. Ma enfin Pétrarque vint, e impostò la storia del suo amore come un “esercizio spirituale”, scoprendo la coscienza e la volontà come fattori indispensabili in una lotta eroica verso la saggezza e poi verso la salus eterna. E fu il modello che conquistò generazioni di poeti “eroi” dell’amore. Questi a loro volta apportarono delle varianti: nel ’400, la poesia diventò fonte di “fama”, e nel ’500 spingeva a contemplare la bellezza divina. Nel frattempo emerse l’eros naturale e indispensabile nell’amore. Marino scrive una “canzone dei baci”, e l’Adone è un poema incentrato sull’amore erotico: muore così il legame dell’amore con la morale, e ne nasce uno nuovo che lega l’amore venereo all’estetica.
    Keywords: poetry ; italian poetry ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetry
    Language: Italian
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  • 54
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    Il "traffico delle lingue" (2024)
    UNICApress | UNICApress
    Details
    Publication Date: 2024-03-24
    Description: This volume collects the results of the University of Cagliari's two-year research project "Trafficking between languages: idioms in contact in pre-unitary Sardinia," funded under the three-year agreement between the Fondazione di Sardegna and Sardinian Universities (Year 2020). The main objective of the research was to examine the linguistic contact between Sardinian, Italian and Castilian in the textual production of Sardinia, captured at the time of the transition from Iberian domination to Savoy rule. The synchronic chronological scope is identified mainly in the Sardinian eighteenth century, with some encroachment into the early nineteenth century, but the perspective framework rests on the cross-cultural and multilingual dynamics of the seventeenth century. The perimeter of investigation consists of a wide repertoire of texts written in Sardinian, Italian and Spanish, manuscript and printed, not only of a literary nature: it is a production as abundant and heterogeneous as ever, ranging from legal-administrative documentation to didactic literature, in which the new progressive spirit of the Enlightenment flows, up to treatises of a historiographic, lexicographic and historical-linguistic slant, in which reflection on the question of language takes shape.
    Description: Published
    Description: Il volume raccoglie i risultati del progetto di ricerca biennale dell’Università di Cagliari «Trafficking between languages»: idioms in contact in pre-unitary Sardinia, finanziato nell’ambito della Convenzione triennale tra la Fondazione di Sardegna e gli Atenei Sardi (annualità 2020). La ricerca ha avuto come obiettivo principale la disamina del contatto linguistico tra sardo, italiano e castigliano nella produzione testuale di Sardegna, colta nel momento del trapasso dalla dominazione iberica al governo sabaudo. L’ambito cronologico sincronico è individuato prevalentemente nel Settecento sardo, con qualche sconfinamento nel primo Ottocento, ma il quadro prospettico poggia sulle dinamiche interculturali e multilingui del Seicento. Il perimetro d’indagine è costituito da un ampio repertorio di testi redatti in sardo, in italiano e in spagnolo, manoscritti e a stampa, di carattere non solo letterario: si tratta di una produzione quanto mai abbondante ed eterogenea che spazia dalla documentazione giuridico-amministrativa alla letteratura didascalica, in cui scorre il nuovo spirito progressista dell’Illuminismo, sino alla trattatistica di taglio storiografico, lessicografico e storico-linguistico, in cui prende forma la riflessione sulla questione della lingua.
    Keywords: languages ; Mediterranean sea ; pre-unitary Sardinia ; thema EDItEUR::C Language and Linguistics
    Language: Italian
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  • 55
    facet.materialart.
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    Chapter Drawing beyond Language and Images: Steps to Olfactory Representations (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 56
    facet.materialart.
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    Chapter Art du Trait. Considerations on Double Orthogonal Projection in Medieval Stereotomy (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 57
    facet.materialart.
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    Chapter Disegnare un sistema informativo 3D per la promozione della rotta culturale di Jaime I a Valencia (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 58
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    Chapter Modellazione, analisi e interpretazione di una volta a padiglione adattiva in Visual Programming Language (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 59
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    Chapter Disegnare, modulare, sentire: mappe psicogeografiche per indagare l’identità della città di Lisbona (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 60
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    Chapter Grandezza: alcune considerazioni sul concetto di ‘Bigness’ in Rem Koolhaas (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 61
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    Chapter Fortificazioni alla moderna e rappresentazione: esempi dalla trattatistica del XVI secolo (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 62
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    Chapter Attraversare (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 63
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    Chapter I sistemi impiantistici nel progetto. Un excursus storico dal disegno concettuale al modello digitale (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 64
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    Chapter Archaeology and Natural Sciences. Giovanni Antonio Antolini’s Unpublished Texts and Drawings (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 65
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    Chapter The Church of St. Giusta in Bazzano (L’Aquila). Documentation and Survey (2024)
    FrancoAngeli | Transizioni = Transitions
    Details
    Publication Date: 2024-03-23
    Description: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Language: Italian , English , Spanish
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  • 66
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    UniCa PhD Book – XXXIII Cycle (2023)
    UNICApress | UNICApress
    Details
    Publication Date: 2024-03-27
    Description: Published
    Description: This volume reports, in brief, the experience of the students enrolled in the XXXIII cycle of the PhD courses at the University of Cagliari. The contributions are grouped by course and are preceded by a presentation of the coordinators of each PhD program. In two pages each student gives the reader an idea of his/her personal experience and of the results of his/her research.
    Keywords: PhD ; University ; Research ; Students ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GP Research and information: general
    Language: Italian
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  • 67
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    Anatomia Clavis et Clavus Medicinae (2023)
    UNICApress | UNICApress
    Details
    Publication Date: 2023-03-27
    Description: Recurring in 2020 the 400th year since the founding of the University of Cagliari, the Authors have the dual ambition to make a scientific-cultural contribution to the University's celebrations and to enhance the role of Anatomy and its teaching in society and in the medical events that have accompanied the evolution of healthcare and medical culture in Cagliari and Sardinia.
    Description: Published
    Description: Ricorrendo nel 2020 il 400° anno dal privilegio regio di fondazione dell’Università degli Studi di Cagliari, gli Autori hanno la duplice ambizione di dare un contributo scientifico-culturale alle celebrazioni dell’Ateneo e di valorizzare il ruolo dell’Anatomia e del suo insegnamento nella società e nelle vicende medico-sanitarie che hanno accompagnato l’evoluzione della sanità e della cultura medica a Cagliari e in Sardegna.
    Keywords: anatomy ; anatomical theatre ; medicine ; bic Book Industry Communication::M Medicine::MB Medicine: general issues::MBX History of medicine
    Language: Italian
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    Le tracce del passato e l'impronta del presente (2023)
    UNICApress | UNICApress
    Details
    Publication Date: 2024-04-04
    Description: The great Scientist Giovanni Lilliu, as well as the most important archaeologist of the last century, was also a lively intellectual, attentive to numerous issues that also exuded archeology, themes strongly linked, however, to the culture and language of his beloved Sardinia. His wealth of interests, his love of complexity, is reflected in the present volume, in which various scholars, especially archaeologists but not only, wanted not only to remember the Master, but also to take up the themes treated by him, often deepening them in the light of the new discoveries and research.
    Description: Published
    Description: Il grande Maestro Giovanni Lilliu, oltre che il più importante Archeologo del secolo scorso, fu anche un vivace intellettuale, attento a numerose tematiche che esulavano anche dall’archeologia, tematiche legate fortemente, però, alla cultura ed alla lingua della sua amata Sardegna. Questa ricchezza di interessi, questo amore per la complessità, è rispecchiata nel presente volume, in cui vari studiosi, soprattutto archeologi ma non solo, hanno voluto non soltanto ricordare il Maestro, ma anche riprendere le tematiche da Lui trattate, spesso approfondendole alla luce delle nuove scoperte e ricerche.
    Keywords: Giovanni Lilliu ; Sardinia ; archeology ; thema EDItEUR::N History and Archaeology::NK Archaeology
    Language: Italian
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  • 69
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    Abitare (2023)
    UNICApress | UNICApress
    Details
    Publication Date: 2023-04-18
    Description: Dwelling can be conceived as making sense of a portion of space or as a condition of possibility of human existence; besides, there exist innumerable situations d’habiter, that is, the particular modalities with which human groups settle in specific places or with which individuals organise their lives. In any case, as dwelling precisely involves the very essence of mankind, it constitutes a crossroads in which various fields of knowledge and several practices enter in a dialogue, up to the point of re-discussing their status on different levels, from the anthropological one to the more specifically methodological or procedural one. The contributions of this volume try to reflect on the meaning of dwelling, involving philosophical and architectural discourse, historical and ethno-anthropological investigation, the contributions of geography, the artistic experience and the literary and cinematographic horizons.
    Description: Published
    Description: L’abitare può essere concepito come conferimento di senso di una porzione di spazio o come la condizione di possibilità dell’esistenza umana; d’altro canto, appaiono innumerevoli le situations d’habiter, cioè le modalità particolari con le quali i gruppi umani si insediano in luoghi specifici o con le quali i singoli individui ordinano le loro vite. In ogni caso, proprio perché coinvolge l’essenza stessa del genere umano, l’abitare costituisce un crocevia nel quale si confrontano svariati saperi e diverse pratiche, fino a giungere a ridiscutere il loro statuto su diversi piani, da quello antropologico a quello più propriamente metodologico o procedurale. Nell’ottica di un dialogo fecondo tra discipline, i contributi di questo volume vogliono provare a riflettere sul senso dell’abitare, coinvolgendo il discorso filosofico e architettonico, l’indagine storica ed etnoantropologica, gli apporti della geografia, l’esperienza artistica e gli orizzonti letterari e cinematografici.
    Keywords: Dwelling ; Ecologism ; Cultural heritage ; Geometrical spaces ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RP Regional & area planning
    Language: Italian
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    Valutazione ambientale strategica, piani urbanistici comunali e piani dei parchi (2023)
    UNICApress | UNICApress
    Details
    Publication Date: 2024-04-11
    Description: The conception of sustainability, in land governance, goes beyond environmental protection in that, beyond the environmental profile, it includes the economic and social profile. It therefore highlights the need to make the requirements of economic development compatible with those of natural resource protection, equity and social progress. With this in mind, the Region of Sardinia has approved the Regional Strategy for Sustainable Development (SRSvS), as a declination of the National Strategy, consistent with the United Nations 2030 Agenda. This volume presents and discusses the results of the research developed during the SOSLabs Research Laboratory of the SOSLabs1 Project, conducted, at the University of Cagliari, under the call issued in 2019 by the Directorate General for Sustainable Development, Environmental Damage and Relations with the European Union of the then Ministry of the Environment and Protection of Land and Sea (now the Ministry of Environment and Energy Security). The outcomes are based on a methodological approach that integrates SRSvS into the practice of spatial and urban planning in the municipal and metropolitan context, through a model in which plan construction is permeated by assessment. Strategic Environmental Assessment (SEA) is taken as the scientific and technical reference, by virtue of its being deeply innervated in the plan process, almost identifying itself with the plan itself, both in the preparatory and implementation phases. The methodology of integrating SRSvS into the planning and evaluation process is applied, experimentally, to two urban plans: the Preliminary Municipal Plan of the Municipality of Cagliari and the Plan of the Tepilora Regional Nature Park.
    Description: Published
    Description: La concezione della sostenibilità, nel governo del territorio, va oltre la tutela dell’ambiente in quanto, oltre il profilo ambientale, include quelli economici e sociali. Si evidenzia, quindi, la necessità di rendere compatibili le esigenze dello sviluppo economico con quelle della tutela delle risorse naturali, e dell’equità e del progresso sociale. In quest’ottica, la Regione Sardegna ha approvato la Strategia regionale per lo sviluppo sostenibile (SRSvS), quale declinazione della Strategia nazionale, in coerenza con l’Agenda 2030 delle Nazioni Unite. Il volume presenta e discute i risultati di una ricerca sviluppata durante lo svolgimento del Laboratorio di ricercaazione SOSLab1 del Progetto SOSLabs, condotto, presso l’Università di Cagliari, nell’ambito del bando emanato nel 2019 dalla Direzione Generale per lo Sviluppo Sostenibile, per il Danno Ambientale e per i Rapporti con l’Unione Europea dell’allora Ministero dell’Ambiente e della Tutela del territorio e del mare (oggi Ministero dell’Ambiente e della Sicurezza energetica). Gli esiti si basano su un approccio metodologico che integra la SRSvS nella prassi della pianificazione territoriale e urbanistica nel contesto comunale e metropolitano, tramite un modello in cui la costruzione del piano è permeata dalla valutazione. Si assume quale riferimento scientifico e tecnico la valutazione ambientale strategica (VAS), in virtù del suo essere profondamente innervata nel processo di piano, quasi ad identificarsi con il piano stesso, sia nelle fasi preparatorie, che attuative. La metodologia di integrazione della SRSvS nel processo di pianificazione e valutazione è applicata, sperimentalmente, a due piani urbanistici: il Piano urbanistico comunale preliminare del Comune di Cagliari e il Piano del Parco naturale regionale di Tepilora.
    Keywords: sustainable development ; park planning ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TQ Environmental science, engineering and technology
    Language: Italian
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  • 71
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    De pilón (2023)
    UNICApress | UNICApress
    Details
    Publication Date: 2024-03-24
    Description: Divided into three sections, it hosts contributions on translation, literature and language in Latin America. "Mediation, Writing and Society" is built around reflection on the cultural and social application of the mediation network and the origin of the creative process from forays into the writer's worktable. "Literature and Plot" explores the theme of warp in a cultural, historical, and personal point of view, while "Translation and Practice" concerns the experiential application of this discipline.
    Description: Published
    Description: Diviso in tre sezioni, ospita contributi su traduzione, letteratura e lingua in America Latina. "Mediazione, scrittura e società" è costruita attorno alla riflessione sull’applicazione culturale e sociale della rete di mediazione e sull’origine del processo creativo a partire da incursioni nel tavolo da lavoro dello scrittore. "Letteratura e trama" esplora il tema dell’ordito in senso culturale, storico e personale, mentre "Traduzione e prassi" riguarda l’applicazione esperienziale di questa disciplina.
    Keywords: Translation ; Latin America ; Literature ; thema EDItEUR::C Language and Linguistics::CF Linguistics::CFP Translation and interpretation ; thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
    Language: Italian
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    Ancient and modern knowledges (2023)
    UNICApress | UNICApress
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    Publication Date: 2024-04-04
    Description: This volume contains the Proceedings of the Conference held on Oct. 7-8, 2022, at the Department of Humanities, Languages and Cultural Heritage of the University of Cagliari, as a conclusion of a two-year Research Project. The idea of dedicating a Research Project to artistic-craft production arose from years of fieldwork in both archaeological and art-historical disciplines, which have increasingly highlighted how much the long tradition of craftsmanship of which Sardinia is proud, which is expressed in artifacts made of ceramics, glass, metal, stone, wood and fabric, even at first glance reveals a transmission of technical and artistic 'knowledge' that is kept alive through the centuries.
    Description: Published
    Description: Il volume contiene gli Atti del Convegno tenuto nei giorni 7-8 ottobre 2022, presso il Dipartimento di Lettere, Lingue e Beni culturali dell'Università di Cagliari, a conclusione dello svolgimento del Progetto biennale di ricerca omonimo. L’idea di dedicare alla produzione artistico-artigianale un Progetto di ricerca è scaturita da anni di lavoro sul campo sia nel settore delle discipline archeologiche sia storico-artistiche, che hanno evidenziato sempre più quanto la lunga tradizione artigianale di cui la Sardegna va fiera, che si esprime in manufatti in ceramica, vetro, metallo, pietra, legno e tessuto, anche solo ad un primo sguardo riveli una trasmissione di ‘saperi’ tecnici e artistici che si mantiene viva attraverso i secoli.
    Keywords: Sardinian craftsmanship ; University of Cagliari ; thema EDItEUR::N History and Archaeology::NK Archaeology ; thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
    Language: Italian
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    Antigiudaismo e antisemitismo dall’età antica all’età contemporanea (2023)
    UNICApress | UNICApress
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    Publication Date: 2023-03-29
    Description: At a historical juncture such as the one we are currently experiencing, where anti-Semitic tendencies and behaviors are re-emerging both politically and culturally, also thanks to the power of social channels, the contributions of this notebook intend to reflect on the ideal, political and cultural motivations of Jewish prejudice and persecution in history, starting from the ideal assumptions that have inspired discriminatory and violent behaviors throughout the centuries, from the classical world to the contemporary age. From philosophy to history, from literature to philology, from the history of books to the history of ideas and culture, the book is intended to be a guiding teaching tool for students, lower and high school teachers, and citizens in general who want to understand the reasons for one of the oldest and most dangerous prejudices in human history.
    Description: Published
    Description: Il presente volume raccoglie i contributi presentati nel seminario Antigiudaismo e antisemitismo dall’età antica all’età contemporanea: un percorso di riflessione fra filosofia e storia, organizzato in via telematica a causa della pandemia da Covid-19 dal corso di laurea in Filosofia con il patrocinio dell’Università degli Studi di Cagliari, della Facoltà di Studi Umanistici e del Dipartimento di Lettere, Lingue e Beni Culturali tra il dicembre 2020 e il gennaio 2021. In un frangente storico quale quello che stiamo vivendo, dove riemergono tendenze e comportamenti antisemiti tanto a livello politico che culturale anche grazie alla potenza dei canali social, i contributi di questo quaderno intendono riflettere sulle motivazioni ideali, politiche e culturali del pregiudizio e della persecuzione ebraica nella storia partendo dai presupposti ideali che hanno ispirato comportamenti discriminatori e violenti nel corso dei secoli, dal mondo classico all'età contemporanea. Attraverso una riflessione che spazia dalla filosofia alla storia, dalla letteratura alla filologia, dalla storia del libro a quella delle idee e della cultura, il libro vuole rappresentare uno strumento didattico di guida per gli studenti, i docenti delle scuole inferiori e superiori e in generale i cittadini che vogliono comprendere le ragioni di uno dei pregiudizi più antichi e pericolosi della storia dell’umanità.
    Keywords: anti-semitic ; prejudice ; persecution ; discrimination ; bic Book Industry Communication::J Society & social sciences
    Language: Italian
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    Media, linguaggi, comunicazione: scenari del presente e del futuro (2023)
    UNICApress | UNICApress
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    Publication Date: 2023-08-08
    Description: This volume represents an account of the conference "Media, languages, communication: scenarios of the present and the future," which took place in Cagliari, Italy, on October 13 and 14, 2022. The conference was jointly organized by the University of Cagliari, the Cagliari Hospital-University Hospital, and the University of Rome "Tor Vergata," with the intention of bringing together academics and professionals, philosophers, sociologists, linguists, as well as journalists, graphic designers, and game designers, to discuss some key issues in the landscape on communication scenarios. Each chapter of the text focuses on one of the issues addressed in the panels, with some additions necessary to make the volume usable. Overall, the importance of relationship, languages and media with respect to the effects of communication in social, educational, public and cultural communication is shown.
    Description: Published
    Description: Il volume rappresenta un resoconto della conferenza “Media, linguaggi, comunicazione: scenari del presente e del futuro”, che si è svolta a Cagliari il 13 e 14 Ottobre 2022. La conferenza è stata organizzata in collaborazione dall’Università di Cagliari, dall’Azienda Ospedaliero-Universitaria di Cagliari, e dalla Università di Roma “Tor Vergata”, con l’intento di mettere a confronto su alcuni temi fondamentali del panorama sugli scenari della comunicazione accademici e professionisti, filosofi, sociologi, linguisti, ma anche giornalisti, grafici, game designer. Ciascun capitolo del testo si focalizza su una delle tematiche affrontate nei panel, con alcune integrazioni necessarie a rendere fruibile il volume. Nel complesso viene mostrata l’importanza della relazione, dei linguaggi e dei media rispetto agli effetti della comunicazione in ambito sociale, educativo, della comunicazione pubblica e culturale.
    Keywords: communication ; media ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies
    Language: Italian
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    Energie della e per la città (2023)
    UNICApress | UNICApress
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    Publication Date: 2023-03-27
    Description: This volume collects part of the lectures and key-notes given at the 2020 edition of the International Smart City School: imagination, planning, governance and tools. The year's theme, "energies of and for the city," was addressed, as in the school's founding idea, from a multidisciplinary perspective by delving into both possible policy scenarios and more strictly technical aspects. Thus emerges a vision of a city that, to orient its development in terms of smartness, sustainability and resilience, must necessarily combine nature and technology, economy and culture, social cohesion and entrepreneurship, innovation and tradition. In this framework, the Sustainable Development Goal's (SDG's) outlined in the United Nations 2030 Agenda and the ways cities can contribute to their achievement occupy a prominent place. Indeed, the technologies available today make it possible to achieve these goals as well as to respond effectively to the challenges that cities, in their capacity as the main attractors of the world's population, will face thanks to their ability to succeed, when properly implemented, in interpreting the new themes of economic development (circularity, sharing, openess) in a way that ensures equal opportunities for all, intergenerationally and intragenerationally.
    Description: Published
    Description: Il volume raccoglie una parte delle lezioni e le key-note tenute in occasione della edizione 2020 della International Smart City School: imagination, planning, governance and tools. Il tema dell’anno, “energie della e per la città”, è stato affrontato, come nell’idea fondante della scuola, in chiave multidisciplinare approfondendo sia gli aspetti legati alla costruzione di scenari di policy che quelli più strettamente tecnici. Emerge così una visione di città che, per orientare il proprio sviluppo in termini di smartness, sostenibilità e resilienza, deve necessariamente coniugare, natura e tecnologia, economia e cultura, coesione sociale e imprenditorialità, innovazione e tradizione. In questo quadro occupano un posto di rilievo i Sustainable Development Goal’s (SDG’s) delineati nell’Agenda 2030 delle Nazioni Unite e le strade che le città possono percorrere per contribuire al loro raggiungimento. Le tecnologie oggi disponibili consentono, infatti, di raggiungere questi obiettivi nonché di rispondere efficacemente alle sfide che le città, nella loro veste di principali attrattori della popolazione mondiale, si troveranno ad affrontare grazie alla loro capacità di riuscire, laddove correttamente implementate, ad interpretare i nuovi temi dello sviluppo economico (circularity, sharing, openess) in modo da garantire uguali opportunità per tutti, a livello sia intergenerazionale che intragenerazionale.
    Keywords: smart city ; sustainable development ; urban planning ; ICT ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RP Regional & area planning::RPC Urban & municipal planning
    Language: Italian
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    Salvatore Mannironi (2023)
    UNICApress | UNICApress
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    Publication Date: 2024-03-29
    Description: Collection of writings on Salvatore Mannironi's life (1901-1971). Founder of the People's Party after World War I, lawyer and journalist in the 1920s and 1930s in Nuoro, stronghold of the antifascism of an educated and courageous professional bourgeoisie. Mannironi, in the post-World War II period, would be one of the most active members of the Commission of 75 in the Constituent Assembly, later a Christian Democratic parliamentarian for five terms in the House and Senate, undersecretary of key ministries, and finally a minister. Private correspondence, articles, records of the repressive apparatuses during the regime, and parliamentary reports composed a picture that transcends the individual biography by revealing the commitment of the new ruling class, that would build the foundations of the Italian republican democracy by opening it to regional autonomy.
    Description: Published
    Description: Raccolta di scritti sulla biografia di Salvatore Mannironi (1901-1971). Fondatore del Partito popolare nel primo dopoguerra, avvocato e giornalista negli anni Venti e Trenta nella Nuoro roccaforte dell’antifascismo di una borghesia professionale colta e coraggiosa. Mannironi, nel secondo dopoguerra, sarà componente tra i più attivi della commissione dei 75 nell’Assemblea Costituente, successivamente parlamentare della Democrazia cristiana per cinque legislature, alla Camera e al Senato, sottosegretario di fondamentali ministeri, infine ministro. L’epistolario privato, gli articoli giornalistici, le schede degli apparati repressivi durante il regime, i resoconti parlamentari hanno composto un quadro che travalica la singola biografia svelando l’impegno della nuova classe dirigente che costruirà le basi della democrazia repubblicana aprendola alle autonomie regionali.
    Keywords: politics ; antifascism ; People's party ; Sardinia ; Nuoro ; bic Book Industry Communication::J Society & social sciences::JP Politics & government ; bic Book Industry Communication::B Biography & True Stories::BG Biography: general ; thema EDItEUR::J Society and Social Sciences::JP Politics and government ; thema EDItEUR::D Biography, Literature and Literary studies::DN Biography and non-fiction prose::DNB Biography: general
    Language: Italian
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    Specchiate sembianze (2023)
    UNICApress | UNICApress
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    Publication Date: 2024-03-24
    Description: In the field of Sardinian literature, the volume collects the best of Giovanni Pirodda's articles and shows his rare ability to combine a synthetic overview - capable of bold diachronic weavings from which crucial literary facts emerge, in the constant tension between canon and deviation from it - with the author's portrait and the precise analysis of his texts. Pirodda's reflections have unquestionably qualified the critical vicissitudes of the leading figures in contemporary Sardinian literature, such as Grazia Deledda, Antioco Casula, Giuseppe Dessì and Salvatore Satta.
    Description: Published
    Description: In materia di letteratura sarda, il volume raccoglie il meglio della produzione saggistica di Giovanni Pirodda e dà conto della sua rara capacità di coniugare la sintetica visione d’insieme ‒ capace di ardite tessiture diacroniche dalle quali emergono i fatti letterari cruciali, nella tensione costante fra canone e deviazione ‒ con il ritratto d’autore e l’analisi puntuale dei testi. Le sue riflessioni, l’immersione nelle opere cui danno adito a beneficio del lettore, hanno indiscutibilmente qualificato la vicenda critica dei personaggi di spicco nella letteratura contemporanea isolana, quali sono Grazia Deledda, Antioco Casula, Giuseppe Dessì e Salvatore Satta.
    Keywords: Sardinian Literature ; Grazia Deledda ; Salvatore Satta ; Giuseppe Dessì ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Italian
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    Città tra mare e laguna: da Santa Gilla a Cagliari (2023)
    UNICApress | UNICApress
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    Publication Date: 2024-04-04
    Description: This volume contains the Proceedings of the Conference held on October 19 and 20, 2022, in Cagliari, Italy, at the Boscolo Lecture Hall of the Institute of History of Mediterranean Europe of the National Research Council (CNR-ISEM) to illustrate the results achieved during the conduct of a two-year research project "Cities between sea and lagoon: from Santa Gilla to Cagliari. Archaeological, geological, historical, settlement and social aspects, funded under Regional Law Aug. 7, 2007, No. 7: "Promotion of scientific research and technological innovation in Sardinia. basic research projects," presented by CNRISEM (PI Marcello Verga, succeeded by Maria Grazia Mele), together with the University of Cagliari (coordin. of Research Unit No. 1 Rossana Martorelli). The Project examined the current territory of Cagliari from a "between sea and lagoon" reading perspective, tracing the historical events and the geological and archaeological phenomena of the various settlements, from the Judicial citadel of Sancta Caecilia, Ilia, Ygia, on the shores of the Santa Gilla Lagoon, to the Castel di Castro/Caller with its Appendices of medieval and modern times. Following the same time frame, the Proceedings of the Conference sees the light of day in two parts, the first of which focuses on the historical-urban affairs of the buried and almost forgotten Sancta Caecilia, Sancta Ygia. The second, on the other hand, deals with Cagliari in the modern age, focusing on the political-institutional, economic, social and settlement aspects of the port district, which was more linked to the lagoon and the sea, as with other cities of the Hispanic Monarchy.
    Description: Published
    Description: Il volume contiene gli Atti del Convegno tenuto il 19 e 20 ottobre 2022, a Cagliari, presso l’aula Boscolo dell’Istituto di Storia dell’Europa Mediterranea del Consiglio Nazionale delle Ricerche (CNR-ISEM) per illustrare i risultati conseguiti durante lo svolgimento di un progetto biennale di ricerca “Città tra mare e laguna: da Santa Gilla a Cagliari. Aspetti archeologici, geologici, storici, insediativi e sociali, finanziato nell’ambito della Legge Regionale 7 agosto 2007, n. 7: “Promozione della ricerca scientifica e dell’innovazione tecnologica in Sardegna”. progetti di ricerca di base”, presentato dal CNRISEM (PI Marcello Verga, al quale è succeduta Maria Grazia Mele), insieme all’Università di Cagliari (coord. dell’Unità di Ricerca n. 1 Rossana Martorelli). Il Progetto ha esaminato l’attuale territorio di Cagliari in una prospettiva di lettura “tra mare e laguna”, ripercorrendo gli eventi storici e i fenomeni geologici e archeologici dei vari abitati, dalla cittadella giudicale di Sancta Caecilia, Ilia, Ygia, sulle sponde della Laguna di Santa Gilla, al Castel di Castro/Caller con le sue Appendici di età medievale e moderna. Seguendo la medesima scansione temporale, gli Atti del Convegno vedono la luce in due parti, di cui la prima si concentra sulla vicenda storico-urbanistica della sepolta e quasi dimenticata Sancta Caecilia, Sancta Ygia. La seconda invece, tratta di Cagliari in età moderna, focalizzando l’attenzione sugli aspetti politico-istituzionali, economici, sociali e insediativi del quartiere portuale, maggiormente legato alla laguna e al mare, come per altre città della Monarchia ispanica.
    Keywords: Sardinia ; archeology ; geology ; thema EDItEUR::N History and Archaeology::NK Archaeology::NKL Landscape archaeology
    Language: Italian
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    Relatività per principianti (2023)
    UNICApress | UNICApress
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    Publication Date: 2024-04-04
    Description: This book is designed to explain, in the simplest way possible, the Theories of Special and General Relativity to students who are approaching them for the first time. The contents of these two theories are now part of the cultural background needed by every physicist and mathematician, and, in particular, they constitute an indispensable body of knowledge for anyone involved in physics, astrophysics and cosmology.
    Description: Published
    Description: Questo libro è stato ideato per un corso che spieghi, nella maniera più semplice possibile, le Teorie della Relatività Ristretta e Generale a studenti che si accostano ad esse per la prima volta. I contenuti di queste due teorie fanno ormai parte del bagaglio culturale necessario ad ogni fisico e ad ogni matematico e, in particolare, esse costituiscono un insieme di conoscenze indispensabili per chiunque si occupi di fisica, astrofisica e cosmologia.
    Keywords: General relativity ; Special relativity ; thema EDItEUR::P Mathematics and Science::PH Physics
    Language: Italian
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    Sardegna 2050 CO2 zero: sei progetti strategici (2023)
    UNICApress | UNICApress
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    Publication Date: 2023-03-27
    Description: After the Covid-19 pandemic, environmental rebalancing became the vital limit for humans in the third millennium. The inevitable global scenario, where perhaps accidents have crossed, can be looked at from another horizon, as a mosaic of local operations on the environment. The design research by the Faculty of Engineering and Architecture of the University of Cagliari, in concert with the University of Applied Arts in Vienna, and funded by the Autonomous Region of Sardinia, configures, with inland areas at its core, a fundamental perspective of the Regional Policies for a carbon-neutral Sardinia in the next 30 years.
    Description: Published
    Description: Dopo la pandemia da Covid-19 il riequilibrio ambientale costituisce il limite vitale per gli uomini del terzo millennio. L’inevitabile scenario globale, dove forse gli incidenti si sono incrociati, può essere guardato da un altro orizzonte, come un mosaico di operazioni locali sull’ambiente. La ricerca progettuale della Facoltà di Ingegneria e Architettura dell’Università degli Studi di Cagliari, di concerto con l’Università delle Arti Applicate di Vienna, e finanziata dalla Regione Autonoma della Sardegna, configura, con fulcro le aree interne, una prospettiva fondamentale delle Politiche Regionali per una Sardegna a CO2 zero nei prossimi trent’anni.
    Keywords: Sardinia ; envrinomental law ; regional policies ; environmental rebalancing ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RP Regional & area planning
    Language: Italian
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    Disturbi visivi ed autismo: uno sguardo sulla complessità (2023)
    UNICApress | UNICApress
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    Publication Date: 2023-03-30
    Description: Over the past three decades, there has been a growing interest in the link between severe visual disorders (low vision and blindness) and the presence of autism spectrum disorders. Starting from an approach that focuses on the centrality of the person and adopts a biopsychosocial perspective, the text aims to investigate this comorbidity, proposing research questions, theoretical reflections, and intervention insights. In particular, the text focuses on the following themes: the importance of sensitive and specific diagnostic tools and pathways for the early detection of visual impairment from the earliest stages of development in people with autism spectrum disorders; the importance of specific intervention approaches that take into account the distinctiveness related to this comorbidity and allow supporting and promoting the developmental potential of people with this comorbidity; and the importance of informing and training, through a collaborative and person-centered approach, family members, caregivers, teachers, educators, pedagogues and other professionals in the field of inclusion.
    Description: Published
    Description: Nel corso degli ultimi trent’anni si è assistito ad un crescente interesse nei confronti del legame tra i disturbi visivi gravi (ipovisione e cecità) e la presenza di disturbi dello spettro autistico. Partendo da un approccio che si focalizza sulla centralità della persona ed adotta un’ottica biopsicosociale, il testo intende indagare questa comorbidità, proponendo quesiti di ricerca, riflessioni di natura teorica e spunti di intervento. In particolare il testo si focalizza sui seguenti temi: l’importanza di strumenti e percorsi diagnostici sensibili e specifici per la rilevazione precoce dei disturbi visivi sin dalle prime fasi dello sviluppo in persone con disturbi dello spettro autistico, l’importanza di approcci di intervento specifici che tengano conto della peculiarità legate a questa comorbidità e consentano di sostenere e promuovere il potenziale di sviluppo delle persone che presentano questa comorbidità, l’importanza di informare e formare, araverso un approccio collaborativo e centrato sulla persona, familiari, caregivers, insegnanti, educatori, pedagogisti ed altri professionisti nel campo dell’inclusione.
    Keywords: autism ; visual disorder ; comorbidity ; bic Book Industry Communication::M Medicine
    Language: Italian
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    Impianti motori a vapore e a gas (2023)
    UNICApress | UNICApress
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    Publication Date: 2024-04-11
    Description: Published
    Description: Il presente volume di Impianti motori a vapore e a gas è il frutto di una rielaborazione del testo di “Appunti alle lezioni di Sistemi energetici”, che per anni è stato un valido supporto didattico per gli allievi del corso di laurea in Ingegneria Meccanica dell’Università di Cagliari. Il volume contiene tutti gli argomenti trattati nell’insegnamento di Sistemi energetici, sviluppati ed esposti con giusto approfondimento, e fornisce allo studente uno strumento completo ed esauriente utile per lo studio della materia e per la preparazione all’esame.
    Keywords: mechanical engineering ; energy systems ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TG Mechanical engineering and materials::TGB Mechanical engineering
    Language: Italian
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    Sinergie (2023)
    UNICApress | UNICApress
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    Publication Date: 2023-03-28
    Description: This volume illustrates the research, teaching and third mission experiences undertaken by the University of Cagliari in the field of preservation, redevelopment and enhancement of historic military heritage with particular regard to the activities carried out within the institutional framework of the collaboration agreement signed with the Ministry of Defense in 2018. The studies, conducted on a wide and heterogeneous heritage, introduce and exemplify some of the many strands of research that the series intends to accommodate, opening towards interdisciplinary comparison and collaboration with other scientific communities involved nationally in similar research contexts.
    Description: Published
    Description: Il volume illustra le esperienze di ricerca, didattica e terza missione avviate dall'Università degli Studi di Cagliari nell'ambito della conservazione, riqualificazione e valorizzazione del patrimonio militare storico con particolare riguardo alle attività svolte nel quadro istituzionale dell'accordo di collaborazione sottoscritto con il Ministero della Difesa nel 2018. Gli studi, condotti su un patrimonio ampio ed eterogeneo, introducono ed esemplificano alcuni tra i molti filoni di ricerca che la collana intende accogliere, aprendo verso il confronto interdisciplinare e la collaborazione con le altre comunità scientifiche coinvolte in ambito nazionale in analoghi contesti di ricerca.
    Keywords: military heritage ; defense ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RP Regional & area planning::RPC Urban & municipal planning ; bic Book Industry Communication::H Humanities::HB History
    Language: Italian
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    Biblioteche private nella Sardegna del Seicento (2023)
    UNICApress | UNICApress
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    Publication Date: 2024-03-27
    Description: This volume is the result of an extensive archival research, and contains the analysis of 120 notarial documents useful for the reconstruction of seventeenth-century Sardinian private libraries. These are mainly post-mortem inventories through which it is possible to detect the consistency and characteristics of the library collections in use by people of different social backgrounds and professional roles. The collected materials make the repertory a valuable tool for scholars of book history and cultural history.
    Description: Published
    Description: Frutto di una lunga ricerca d’archivio, il volume contiene l’edizione e lo studio di 120 documenti notarili utili per la ricostruzione delle biblioteche private nella Sardegna del Seicento. Si tratta principalmente di inventari post mortem attraverso i quali è possibile rilevare la consistenza e le caratteristiche dei fondi librari in uso a personaggi diversi per estrazione sociale e ruolo professionale. I materiali raccolti fanno del repertorio uno strumento prezioso per gli studiosi di storia del libro e di storia della cultura.
    Keywords: libraries ; archives ; biblioteconomics ; Sardinia ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology
    Language: Italian
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    L’uomo fatto ad imagine di Dio fu anche fatto ad imagine della scimia (2023)
    UNICApress | UNICApress
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    Publication Date: 2023-03-21
    Description: Published
    Description: In una nota a piè di pagina dell’introduzione al Descent of Man, Charles Darwin commenta i contributi meno conosciuti sul tema dell’evoluzione umana. La nota integra la discussione sulle opere di «eminenti naturalisti e filosofi, come Wallace, Huxley, Lyell, Vogt, Lubbock, Büchner, Roll», citando due studiosi italiani: Giovanni Canestrini, autore di «uno scritto molto curioso sui caratteri rudimentali», e Francesco Barrago.
    Keywords: Barrago ; Darwin ; evolutionism ; bic Book Industry Communication::M Medicine ; bic Book Industry Communication::J Society & social sciences
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    L'inizio del cammino professionale (2023)
    UNICApress | UNICApress
    Details
    Publication Date: 2023-10-03
    Description: In recent decades, university degree programs have undergone a partial shift in their meaning and orientation, seeing an increase in the prominence of the professionalizing aspects of the training imparted. This partial shift in the direction of training has also entailed greater interaction with the world of work, with a view to an education in which the centrality of male and female students and the building of germinal foundations for their future were fundamental criteria. In this regard, the experience of curricular internships of first professional training was initiated and gradually increased in some degree programs. This occurred significantly in the three-year and specialized, later and still called master's degrees, of the educational and pedagogical field. The present volume aims to witness and analyze the specificity of these internships, as they developed in the courses of the relevant degrees at the University of Cagliari, in the period before the pandemic and during it. To do so, the theoretical-practical frame of reference is first outlined, and then the various actors involved, faculty, students and graduates, and representatives of the internship host institutions, are given the floor to narrate their experiences and to read and evaluate their main strengths and weaknesses.
    Description: Published
    Description: Negli ultimi decenni, i corsi di laurea universitari hanno conosciuto una parziale modifica del loro senso e orientamento, vedendo crescere il rilievo degli aspetti professionalizzanti della formazione impartita. Questo spostamento parziale della direzione formativa ha comportato anche una maggiore interazione con il mondo del lavoro, nell’ottica di una formazione in cui la centralità di studenti e studentesse e della costruzione di basi germinali per il loro futuro risultassero criteri fondamentali. A tale riguardo, in alcuni corsi di laurea è stata avviata e progressivamente incrementata l’esperienza di tirocini curricolari di prima formazione professionale. Ciò è avvenuto in maniera significativa nelle triennali e specialistiche, in seguito e tuttora denominate magistrali, dell’ambito educativo e pedagogico. Con i commi 594-601 della legge 205 del 2017, tali corsi sono stati anche formalmente riconosciuti come deputati alla formazione rispettivamente degli educatori sociopedagogici e dei pedagogisti. Il presente volume intende testimoniare e analizzare la specificità di questi tirocini, per come si sono sviluppati nei percorsi delle relative lauree dell’Università di Cagliari, nel periodo precedente la pandemia e durante la stessa. Per fare ciò, viene delineato dapprima il quadro teorico-pratico di riferimento, e successivamente viene data la parola ai diversi attori coinvolti, docenti, studenti e laureati, rappresentanti degli enti ospitanti i tirocini, affinché narrino le esperienze e ne leggano e valutino i principali punti di forza e debolezza.
    Keywords: psychology ; pedagogy ; internships ; bic Book Industry Communication::J Society & social sciences::JM Psychology
    Language: Italian
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    Patrimonio immobiliare pubblico (2023)
    UNICApress | UNICApress
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    Publication Date: 2023-04-17
    Description: This volume addresses the issue of knowledge, management and enhancement of public real estate assets, within an ambitious perspective of urban regeneration consistent with the principles underlying an accessible city of proximity.
    Description: Published
    Description: Il volume affronta il tema della conoscenza, della gestione e della valorizzazione del patrimonio immobiliare pubblico, all’interno di un’ambiziosa prospettiva di rigenerazione urbana coerente con i principi alla base della città accessibile e di prossimità.
    Keywords: real estate ; city of proximity ; regeneration ; bic Book Industry Communication::R Earth sciences, geography, environment, planning::RP Regional & area planning::RPC Urban & municipal planning
    Language: Italian
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    Città tra mare e laguna: da Santa Gilla a Cagliari (2023)
    UNICApress | UNICApress
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    Publication Date: 2023-06-05
    Description: This volume contains the Proceedings of the Conference held on October 19 and 20, 2022, in Cagliari, Italy, at the Boscolo Lecture Hall of the Institute of History of Mediterranean Europe of the National Research Council (CNR-ISEM) to illustrate the results achieved during the conduct of a two-year research project "Cities between sea and lagoon: from Santa Gilla to Cagliari. Archaeological, geological, historical, settlement and social aspects, funded under Regional Law Aug. 7, 2007, No. 7: "Promotion of scientific research and technological innovation in Sardinia. basic research projects," presented by CNRISEM (PI Marcello Verga, succeeded by Maria Grazia Mele), together with the University of Cagliari (coordin. of Research Unit No. 1 Rossana Martorelli). The Project examined the current territory of Cagliari from a "between sea and lagoon" reading perspective, tracing the historical events and the geological and archaeological phenomena of the various settlements, from the Judicial citadel of Sancta Caecilia, Ilia, Ygia, on the shores of the Santa Gilla Lagoon, to the Castel di Castro/Caller with its Appendices of medieval and modern times. Following the same time frame, the Proceedings of the Conference sees the light of day in two parts, the first of which focuses on the historical-urban affairs of the buried and almost forgotten Sancta Caecilia, Sancta Ygia. The second, on the other hand, deals with Cagliari in the modern age, focusing on the political-institutional, economic, social and settlement aspects of the port district, which was more linked to the lagoon and the sea, as with other cities of the Hispanic Monarchy.
    Description: Published
    Description: Il volume contiene gli Atti del Convegno tenuto il 19 e 20 ottobre 2022, a Cagliari, presso l’aula Boscolo dell’Istituto di Storia dell’Europa Mediterranea del Consiglio Nazionale delle Ricerche (CNR-ISEM) per illustrare i risultati conseguiti durante lo svolgimento di un progetto biennale di ricerca “Città tra mare e laguna: da Santa Gilla a Cagliari. Aspetti archeologici, geologici, storici, insediativi e sociali, finanziato nell’ambito della Legge Regionale 7 agosto 2007, n. 7: “Promozione della ricerca scientifica e dell’innovazione tecnologica in Sardegna”. progetti di ricerca di base”, presentato dal CNRISEM (PI Marcello Verga, al quale è succeduta Maria Grazia Mele), insieme all’Università di Cagliari (coord. dell’Unità di Ricerca n. 1 Rossana Martorelli). Il Progetto ha esaminato l’attuale territorio di Cagliari in una prospettiva di lettura “tra mare e laguna”, ripercorrendo gli eventi storici e i fenomeni geologici e archeologici dei vari abitati, dalla cittadella giudicale di Sancta Caecilia, Ilia, Ygia, sulle sponde della Laguna di Santa Gilla, al Castel di Castro/Caller con le sue Appendici di età medievale e moderna. Seguendo la medesima scansione temporale, gli Atti del Convegno vedono la luce in due parti, di cui la prima si concentra sulla vicenda storico-urbanistica della sepolta e quasi dimenticata Sancta Caecilia, Sancta Ygia. La seconda invece, tratta di Cagliari in età moderna, focalizzando l’attenzione sugli aspetti politico-istituzionali, economici, sociali e insediativi del quartiere portuale, maggiormente legato alla laguna e al mare, come per altre città della Monarchia ispanica.
    Keywords: Sardinia ; archeology ; geology ; bic Book Industry Communication::H Humanities::HD Archaeology::HDL Landscape archaeology
    Language: Italian
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    La città viva di Egle Renata Trincanato (2023)
    UNICApress | UNICApress
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    Publication Date: 2024-03-23
    Description: This volume presents the outcomes of a research, still in progress, on the contribution of Egle Renata Trincanato (1910-1998) to the discipline of Restoration. The study is part of a broader research carried out within the Chair of Restoration at the University of Cagliari, coordinated by Caterina Giannattasio, aimed at integrating the state of the art with the contribution of female figures who have worked in the field of cultural heritage intervention. The investigation presented here was conducted from the exploration of the archival fund kept at the Project Archive of the IUAV in Venice. The intention is to frame the scholar's thought in the context of the Second Postwar period, at a time when the issue of safeguarding the historic city is at the center of national and international debate. Trincanato, interweaving expertise in reading the urban fabric, a commitment to city preservation and a keen sensitivity to social issues, plays a crucial role in declining the discipline of Restoration to the urban scale.
    Description: Published
    Description: Il volume illustra gli esiti di una ricerca, ancora in corso, sull’apporto di Egle Renata Trincanato (1910-1998) alla disciplina del Restauro. Lo studio fa parte di una ricerca più ampia svolta in seno alla cattedra di Restauro dell’Università degli Studi di Cagliari, coordinata da Caterina Giannattasio, tesa a integrare lo stato dell’arte con il contributo delle figure femminili che hanno operato nell’ambito dell’intervento sul patrimonio culturale. L’indagine qui presentata è stata condotta a partire dall’esplorazione del fondo d’archivio conservato presso l’Archivio Progetti dello IUAV di Venezia. L’intento è quello di inquadrare il pensiero della studiosa nel contesto del Secondo Dopoguerra, in un momento in cui il tema della salvaguardia della città storica è al centro del dibattitto nazionale e internazionale. Trincanato, intrecciando le competenze nella lettura del tessuto urbano, l’impegno nella tutela della città e la spiccata sensibilità per i temi sociali, svolge un ruolo cruciale nella declinazione alla scala urbana della disciplina del Restauro.
    Keywords: restoration ; Egle Renata Trincanato ; thema EDItEUR::A The Arts::AM Architecture
    Language: Italian
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    Libri e circolazione di idee (2023)
    UNICApress | UNICApress
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    Publication Date: 2024-03-27
    Description: The content of this volume correspond to the desire to highlight the history of the re-founding of the University of Cagliari in the eighteenth century, through the publication of a series of documents related to the reform of university teaching, investigated both through the voice of one of the University's first and most illustrious professors, Liberato Fassoni, and in relation to the theme of book circulation and in particular to the bibliographic presences that characterize the eighteenth-century collection of the Scolopi Library. The investigations carried out show how unitary plots and connecting threads between the Library's layout and its most direct users can be reconstructed. On the occasion of the celebrations of the four hundredth anniversary of the founding of the University of Cagliari, it is worth emphasizing the importance of the sources presented, which show how articulate and complex the history of the University is and how much the eighteenth-century experience still offers.
    Description: Published
    Description: I contributi contenuti in questo volume corrispondono alla volontà di illuminare la storia della rifondazione dell’Università degli Studi di Cagliari nel Settecento con la pubblicazione di una serie di documenti relativi alla riforma degli insegnamenti universitari, indagata sia attraverso la voce di uno dei primi e più illustri docenti dell’Ateneo, Liberato Fassoni, che in relazione al tema della circolazione libraria e in particolare alle presenze bibliografiche che caratterizzano il fondo settecentesco della Biblioteca degli Scolopi. Le indagini portate avanti mostrano come possano essere ricostruite trame unitarie e fili di connessione tra l’impianto della Biblioteca e i suoi più diretti fruitori. In occasione delle celebrazioni dei quattrocento anni dalla fondazione dell’Università degli Studi di Cagliari, vale sottolineare l’importanza delle fonti presentate che dimostrano quanto sia articolata e complessa la storia dell’Ateneo e quanto l’esperienza settecentesca offra ancora spunti di studio e di approfondimento.
    Keywords: biblioteconomics ; libraries ; Sardinia ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLM Library and information services
    Language: Italian
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    Per una mappatura del pensiero di Antonio Gramsci nel Sud del mondo (2023)
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    Publication Date: 2023-03-30
    Description: This volume collects the results of the activities of the Hub for International Gramscian Studies (GramsciLab) and stems from the need, shared among colleagues from different scientific areas but united by specialization in historical-political and linguistic studies in specific area contexts, to proceed to a broader 'mapping' of the diffusion of Antonio Gramsci's thought. The focus is on countries in Asia, Africa and Latin America, where analyses and reflections on some important Gramscian analytical categories have been developing for decades with increasing vigor and surprising results, often little known, especially in Italy (not only for linguistic difficulties).
    Description: Published
    Description: Questo volume raccoglie i risultati delle attività del Laboratorio di studi internazionali gramsciani (GramsciLab) e nasce dall'esigenza, condivisa fra colleghe e colleghi di diverse aree scientifiche, ma accomunati dalla specializzazione in studi storico-politici e linguistici in determinati contesti d'area, di procedere a una più ampia 'mappatura' della diffusione del pensiero di Antonio Gramsci. L'attenzione è rivolta a Paesi dell'Asia, dell'Africa e dell'America Latina, dove le analisi e le riflessioni su alcune importanti categorie analitiche gramsciane si sviluppano da decenni con sempre più vigore e sorprendenti risultati, spesso poco noti, soprattutto in Italia (anche, ma non solo, a causa delle difficoltà linguistiche).
    Keywords: Antonio Gramsci ; Gramscian thought ; bic Book Industry Communication::J Society & social sciences
    Language: Italian
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    Interazione tra Campi Elettromagnetici e Biosistemi ICEmB (2023)
    UNICApress | UNICApress
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    Publication Date: 2024-04-05
    Description: The aim of the conference, in line with previous initiatives, was to stimulate discussion among researchers who, in their respective disciplinary fields (physics, engineering, biology, medicine, epidemiology), actively contribute to the development of knowledge in the field of bioelectromagnetism and the interaction between electromagnetic fields and biosystems. Contributions cover the following, but not exclusive, topics: i) study of the effects of electromagnetic fields in vivo, in vitro, on humans (laboratory and/or epidemiological studies), ii) exposure/dosimetry, iii) biomedical applications, iv) interaction mechanisms, and v) food engineering.
    Description: Published
    Description: L’obiettivo del convegno, in linea con le precedenti iniziative, è stato quello di stimolare il confronto tra i ricercatori che, nei rispettivi settori disciplinari (fisica, ingegneria, biologia, medicina, epidemiologia), contribuiscono attivamente allo sviluppo delle conoscenze nell’ambito del bioelettromagnetismo e delle interazione tra campi elettromagnetici e biosistemi. I contributi riguardano le seguenti, ma non esclusive, tematiche: i) studio degli effetti dei campi elettromagnetici in vivo, in vitro, sull’uomo (studi di laboratorio e/o epidemiologici), ii) esposizione/dosimetria, iii) applicazioni biomedicali, iv) meccanismi di interazione e v) food engineering.
    Keywords: bioelectromagnetism ; biomedical application ; thema EDItEUR::P Mathematics and Science::PH Physics::PHK Electricity, electromagnetism and magnetism ; thema EDItEUR::M Medicine and Nursing::MQ Nursing and ancillary services::MQW Biomedical engineering
    Language: Italian
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    Dimenticare Napoleone? (2023)
    UNICApress | UNICApress
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    Publication Date: 2024-04-01
    Description: The seminar held in December 2021, of which this volume is an outcome, made it possible to place the figure of the Emperor of the French in a multidisciplinary research context and to carry out a cultural policy action aimed at not forgetting historical events, with a response approach to controversies related to the political correct approach and the spread of cancel culture.
    Description: Published
    Description: Il seminario svoltosi a dicembre del 2021, di cui il volume è frutto, ha permesso di collocare la figura dell’imperatore dei francesi in un contesto di ricerca multidisciplinare e di realizzare un'azione di politica culturale mirata a non dimenticare le vicende storiche, con un approccio di risposta alle controversie legate al politically correct approach e alla diffusione della cancel culture.
    Keywords: Napoleon ; cancel culture ; thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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    La mobilità degli studenti universitari Sardi (2023)
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    Publication Date: 2023-04-17
    Description: This volume contains the main findings from the two-year project "Students' mobility in Sardinia. A comparative analysis of the tertiary education supply in Sardinia." The study of Sardinian student mobility is part of a more general line of research on student mobility that has involved researchers from several Italian universities since 2014.
    Description: Published
    Description: Il volume contiene le principali evidenze emerse dal progetto biennale “Students’ mobility in Sardinia. A comparative analysis of the tertiary education supply in Sardinia”. Lo studio della mobilità degli studenti sardi si colloca all’interno di una linea di ricerca più generale sulla mobilità studentesca che dal 2014 vede coinvolti i ricercatori di diverse università italiane.
    Keywords: students' mobility ; Sardinia ; bic Book Industry Communication::J Society & social sciences
    Language: Italian
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    Scampoli di ricerche critiche su Petrarca e la sua fortuna (2023)
    UNICApress | UNICApress
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    Publication Date: 2024-03-24
    Description: Rather, the "scraps" collected in this volume are "fragments" understood in the Petrarchan sense, as flakes of an organic whole, as moments that give a sense of what time is. Petrarch is an accessible author because he is flat and elegant, but he is actually scholarly without being ostentatious about it, so it is surprising every time one discovers a web of literary allusions behind dimly presented data. Each "remnant" bears witness to these occasional discoveries, to readings that seek not allegorical "supersense" but the scholarly undercurrent of this writing. An early section points to the "solitary life" as the matrix of this familiarity and intimacy with ancient texts. Another and more extensive section identifies specific "sources" on points where one would not suspect their presence. Another group concerns Petrarch's fortunes, that is, the different readings of his work given in different environments and eras. Finally, an essay on the "private" world of the author, who fights against superstitions but does not feel completely freed from them. Thus not an "organic" book in the traditional sense, and yet a unified work in that it is devoted to the reconstruction of a style of work and the various ways of enjoying it.
    Description: Published
    Description: Gli “scampoli” raccolti in questo volume sono piuttosto dei “frammenti” intesi nell’accezione petrarchesca, come scaglie di un complesso organico, come attimi che danno la percezione di cosa sia il tempo. Petrarca è un autore accessibile perché piano ed elegante, ma in realtà è dottissimo senza farne ostentazione, per cui sorprende ogni volta che si scopre una trama di allusioni letterarie dietro a dati presentati in modo dimesso. Ogni “scampolo” è la testimonianza di queste occasionali scoperte, di letture che non cercano il “soprasenso” allegorico, ma il sottofondo erudito di questa scrittura. Una sezione iniziale indica nella “vita solitaria” la matrice di questa familiarità e intimità con i testi antichi. Un’altra sezione e più estesa individua “fonti” specifiche su punti dove non se ne sospetterebbe la presenza. Un altro gruppo riguarda la fortuna di Petrarca, ossia le diverse letture della sua opera date in ambienti e in epoche diverse. Infine un saggio sul mondo “privato” dell’autore che combatte contro le superstizioni ma non si sente del tutto affrancato da queste. Quindi non un libro “organico” nel senso tradizionale, e tuttavia un lavoro unitario in quanto dedicato alla ricostruzione di uno stile di lavoro e ai vari modi di fruirlo.
    Keywords: Petrarca ; thema EDItEUR::D Biography, Literature and Literary studies
    Language: Italian
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    Università di Cagliari e Fondazione di Sardegna: un percorso comune nella ricerca (2023)
    UNICApress | UNICApress
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    Publication Date: 2024-03-27
    Description: The University of Cagliari is a multidisciplinary university. The research reports in this volume represent this feature, showing the many different aspects of the studies taking place in the University. A complex and diverse world that illustrates very well the potential of the University of Cagliari. The research was made possible thanks to the contribution of the Fondazione di Sardegna, which pursues purposes of public interest and social utility, promoting the Sardinian socio-economic development.
    Description: Published
    Description: L’Università degli studi di Cagliari è un'Università multidisciplinare e, in linea con tale caratteristica, i resoconti delle ricerche contenuti in questa pubblicazione rappresentano i molteplici aspetti degli studi che si svolgono nell’Ateneo. Un mondo complesso e variegato che illustra molto bene le potenzialità dell’Ateneo di Cagliari. Le ricerche sono state rese possibili grazie al contributo della Fondazione di Sardegna, che persegue finalità di interesse pubblico e di utilità sociale, promuovendo lo sviluppo socio-economico della Regione Sardegna.
    Keywords: research ; University of Cagliari ; multidisciplinary ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GP Research and information: general
    Language: Italian
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    Manualetto di linguistica sarda (2023)
    UNICApress | UNICApress
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    Publication Date: 2024-03-24
    Description: With his Manualetto, Giovanni Lupinu offers a nimble tool for students and enthusiasts who want to delve into Sardinian linguistics studies. The approach of the work is essentially historical and the organization of the subject traditional: in the first part, after providing a brief genealogical framework of Sardinian and discussing the linguistic Romanization of the island, there is a section on historical phonetics that aims to account for the elements that, from this perspective, mainly contribute to the dialectal fragmentation of the Sardinian-speaking domain; this is followed by more essential hints on morphology. The second part of the work deals with the (external) history of the language, following the model made canonical by Max Leopold Wagner: it starts from the pre-Latin substratum and goes all the way to linguistic Italianization in relatively recent times, leaving room as well for sociolinguistic considerations.
    Description: Published
    Description: Col suo Manualetto, Giovanni Lupinu offre uno strumento agile a studenti e appassionati che vogliano addentrarsi negli studi di linguistica sarda. L’impostazione del lavoro è di tipo essenzialmente storico e l’organizzazione della materia tradizionale: nella prima parte, dopo aver fornito un breve inquadramento genealogico del sardo e aver discusso della romanizzazione linguistica dell’isola, si ha una sezione di fonetica storica che mira a dar conto degli elementi che, da questa prospettiva, concorrono principalmente alla frammentazione dialettale del dominio sardoromanzo; seguono cenni più essenziali di morfologia. Nella seconda parte dell’opera si affronta la storia (esterna) della lingua, seguendo il modello reso canonico da Max Leopold Wagner: si parte dal sostrato prelatino e si arriva sino all’italianizzazione linguistica in tempi relativamente recenti, lasciando spazio pure a considerazioni di carattere sociolinguistico.
    Keywords: linguistics ; sardinian ; morphology ; thema EDItEUR::C Language and Linguistics::CF Linguistics
    Language: Italian
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    La ricerca nei 400 anni dell’Università degli Studi di Cagliari (2023)
    UNICApress | UNICApress
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    Publication Date: 2024-03-27
    Description: Research, along with teaching, has characterized since its birth, and continues to characterize, the life of Italian universities. This volume aims to retrace, through some of the most important researchers who have carried out their research in the University of Cagliari, the 400 years since its founding, to highlight the great vitality but also the difficulties it has gone through.
    Description: Published
    Description: La ricerca, insieme all’insegnamento, ha caratterizzato fin dalla nascita, e continua a caratterizzare, la vita delle Università italiane. Questo volume vuole ripercorrere, attraverso alcuni dei ricercatori più importanti che hanno svolto le loro ricerche nell’Ateneo cagliaritano, i 400 anni dalla sua fondazione, per testimoniare la grande vitalità ma anche le difficoltà attraversate dal nostro Ateneo.
    Keywords: Research ; University of Cagliari ; Sardinia ; thema EDItEUR::G Reference, Information and Interdisciplinary subjects
    Language: Italian
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    Quaderni del LUDiCa (2023)
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    Publication Date: 2024-04-01
    Description: This first issue of the "Quaderni del LUDiCa" series recounts the first edition of LUDiCa, the University of Cagliari's digital humanities lab. A narrative developed by the students who were protagonists both of the first phase of the lab (Bottega Digitale), in which they experienced for the first time the intersection between digital tools and humanities studies, and of the Digital and Public History Summer Camp, held in the Municipality of Nuraminis, in collaboration with the local municipal administration, associations and citizens.
    Description: Published
    Description: Questo primo numero della collana "Quaderni del LUDiCa" racconta la prima edizione del LUDiCa, il laboratorio di umanistica digitale dell'Università di Cagliari. Un racconto sviluppato dagli studenti e dalle studentesse che sono stati protagonisti sia della prima fase del laboratorio (Bottega Digitale), in cui hanno per la prima volta sperimentato l'intersezione tra strumenti digitali e studi umanistici, sia del Campo Estivo di Storia digitale e pubblica, svoltosi nel Comune di Nuraminis, in collaborazione con la locale amministrazione comunale, associazioni e semplici cittadini.
    Keywords: umanistica digitale ; bottega digitale ; humanities ; digital tools ; thema EDItEUR::N History and Archaeology::NH History
    Language: Italian
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    Meccanica dei fluidi e fisica matematica tra ricerca e insegnamento (2023)
    UNICApress | UNICApress
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    Publication Date: 2024-04-04
    Description: This volume collects the publications of Prof. Antonio Melis, Dean of the Department of Mathematics and Computer Science, on the occasion of his 93rd birthday. The anastatic reprint of the papers, which cover the period from 1955 to 1999, is part of the series of other publications that UNICApress has promoted for the 400th anniversary from the founding of the University of Cagliari. Research in the field of Mathematical Physics and the teaching of Rational Mechanics at the Faculties of Sciences and Engineering are where Professor Melis' passion for Mathematics and teaching came to life.
    Description: Published
    Description: Il volume raccoglie le pubblicazioni del Prof. Antonio Melis, Decano del Dipartimento di Matematica e Informatica, in occasione del suo 93-esimo compleanno. La ristampa anastatica dei lavori, che coprono il periodo dal 1955 al 1999, si inserisce nella linea di altre pubblicazioni dell’Ateneo che UNICApress ha promosso per i 400 anni dalla fondazione dell’Università degli Studi di Cagliari. La ricerca nel settore della Fisica Matematica e l’insegnamento di Meccanica Razionale presso le Facoltà di Scienze MM.FF.NN. e di Ingegneria sono i luoghi dove la passione del Professor Melis per la matematica e per l’insegnamento hanno preso vita.
    Keywords: anastatic reprint ; antonio melis ; mathematical physics ; fluid mechanics ; thema EDItEUR::P Mathematics and Science
    Language: Italian
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