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  • Media Studies  (11)
  • Sociology  (11)
  • University of California Press  (21)
  • English  (21)
  • 2020-2024  (21)
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  • English  (21)
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  • 2020-2024  (21)
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  • 1
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    University of California Press | University of California Press
    Publication Date: 2024-03-30
    Description: This sweeping book details the extent to which the legal revolution emanating from the US has transformed legal hierarchies of power across the globe, while also analyzing the conjoined global histories of law and social change from the Middle Ages to today. It examines the global proliferation of large corporate law firms—a US invention—along with US legal education approaches geared toward those corporate law firms. This neoliberal-inspired revolution attacks complacent legal oligarchies in the name of America-inspired modernism. Drawing on the combined histories of the legal profession, imperial transformations, and the enduring and conservative role of cosmopolitan elites at the top of legal hierarchies, the book details case studies in India, Hong Kong, South Korea, Japan, and China to explain how interconnected legal histories are stories of both revolution and reproduction. Theoretically and methodologically ambitious, it offers a wholly new approach to studying interrelated fields across time and geographies.
    Keywords: Law ; Legal History ; Social Science ; Sociology ; Social Theory ; Political Science ; Globalization
    Language: English
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  • 2
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    University of California Press | University of California Press
    Publication Date: 2024-03-29
    Description: "Want, disease, ignorance, squalor, and idleness: first recognized together in mid-nineteenth-century Europe, these are the focus of the Social Question. In 1942 William Beveridge called them the “giant evils” while diagnosing the crises produced by the emergence of industrial society. More recently, during the final quarter of the twentieth century, the global spread of neoliberal policies enlarged these crises so much that the Social Question has made a comeback. This carefully curated volume maps the linked crises across regions and countries and identifies the renewed and intensified Social Question as a labor issue. It includes discussions of American exceptionalism, Chinese repression, Indian exclusion, South African colonialism, democratic transitions in Eastern Europe, and other phenomena. Evaluated here are the effects of capitalism, the impact of the scarcity of waged work, and the degree to which the dispossessed poor bear the brunt of the crisis. Both thorough and thoughtful, the book serves as collective effort to revive and reposition the Social Question, reconstructing its meaning and its politics in the world today. “The global approach makes this book a highly innovative endeavor.” NICOLE MAYER-AHUJA, Director, Sociological Research Institute at the University of Göttingen “Approaches a familiar debate on the social implications of globalization using a lens that is at once unique, suggestive, and innovative.” EDWARD WEBSTER, Professor Emeritus and Founder of the Society, Work and Development Institute at the University of the Witwatersrand JAN BREMAN is Emeritus Professor at the University of Amsterdam and author of On Pauperism in Present and Past. KEVAN HARRIS is Assistant Professor of Sociology at the University of California, Los Angeles, and author of A Social Revolution: Politics and the Welfare State in Iran. CHING KWAN LEE is Professor of Sociology at the University of California, Los Angeles, and author of The Specter of Global China. MARCEL VAN DER LINDEN is Senior Fellow and former Director of Research at the International Institute of Social History and author of Workers of the World."
    Keywords: Social Science ; Sociology ; General ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology
    Language: English
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  • 3
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    University of California Press
    Publication Date: 2024-03-23
    Description: "This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms—social networking and crowdsourcing, video games and virtual environments, big data and data visualization—and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that ideological rifts inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that “truth” now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the “fake news” debates of 2016. “Looking at a unique and intriguing set of ‘hybrid media,’ Fallon convincingly makes a claim about a change in the form of new media, one linking politics, aesthetics, and technology.” ALEXANDRA JUHASZ, Brooklyn College, CUNY “Where Truth Lies does the difficult and much-needed work of unpacking how the documentary impulse is shifting in the digital age, both through the profound influence of digital aesthetics and computational thinking and through the ways traditional documentary is infusing digital expression.” JENNIFER MALKOWSKI, author of Dying in Full Detail: Mortality and Digital Documentary KRIS FALLON is Assistant Professor of Cinema and Digital Media at the University of California, Davis."
    Keywords: Film Studies ; Media Studies ; Politics ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::J Society and Social Sciences::JP Politics and government
    Language: English
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  • 4
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    University of California Press | University of California Press
    Publication Date: 2024-03-23
    Description: In this book, Deborah A. Starr recuperates the work of Togo Mizrahi, a pioneer of Egyptian cinema. Mizrahi, an Egyptian Jew with Italian nationality, established himself as a prolific director of popular comedies and musicals in the 1930s and 1940s. As a studio owner and producer, Mizrahi promoted the idea that developing a local cinema industry was a project of national importance. Togo Mizrahi and the Making of Egyptian Cinema integrates film analysis with film history to tease out the cultural and political implications of Mizrahi’s work. His movies, Starr argues, subvert dominant notions of race, gender, and nationality through their playful—and queer—use of masquerade and mistaken identity. Taken together, Mizrahi’s films offer a hopeful vision of a pluralist Egypt. By reevaluating Mizrahi’s contributions to Egyptian culture, Starr challenges readers to reconsider the debates over who is Egyptian and what constitutes national cinema.;“A captivating account of Egyptian film director Togo Mizrahi. Starr shows that Mizrahi’s distinct, often comical vision of Egypt captured a dramatic moment of social, political, and cultural transformation in which people of diverse backgrounds coexisted and struggled to achieve better lives.” JOEL GORDON, author of Revolutionary Melodrama: Popular Film and Civic Identity in Nasser’s Egypt;“A remarkable study of a remarkable career. Starr offers a comprehensive analysis of a life in filmmaking that adds nuance to our definition of Egyptian nationalism and enhances our appreciation of Alexandrian cinema. This is a book of recovery, reclamation, and celebration.” NANCY E. BERG, Professor of Hebrew and Comparative Literature, Washington University in St. Louis
    Keywords: Film Studies ; Jewish Studies ; Media Studies ; Middle Eastern Studies ; thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema ; thema EDItEUR::A The Arts::AT Performing arts::ATJ Television ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies ; thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSR Social groups: religious groups and communities ; thema EDItEUR::5 Interest qualifiers::5P Relating to specific groups and cultures or social and cultural interests::5PG Relating to religious groups::5PGJ Relating to Jewish people and groups ; thema EDItEUR::N History and Archaeology::NH History::NHG Middle Eastern history
    Language: English
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  • 5
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    University of California Press
    Publication Date: 2024-02-08
    Description: How do victim and perpetrator peoples generate conflicting knowledge about genocide? Using a sociology of knowledge approach, Joachim J. Savelsberg answers this question in the context of the Armenian genocide committed during the First World War. Focusing on Armenians and Turks, Savelsberg examines strategies of silencing, denial, and acknowledgment in everyday interactions, public rituals, law, and politics. He draws on interviews, ethnographic accounts, documents, and eyewitness testimony to illuminate the social processes that drive dueling versions of history. Ultimately, this study reveals the counterproductive consequences of denial in an age of human rights hegemony, demonstrating the implications for populist disinformation campaigns against overwhelming evidence. “This pioneering book is critical for understanding the background to Turkish denial as the final stage of genocide. Savelsberg’s epistemic study is a warning against a revived shade of an Orwellian order, with its ‘alternative realities’ and ‘post-truths.’” CLAIRE MOURADIAN, Centre National de la Recherche Scientifique, Paris “Knowledge denial is a deadly phenomenon and an urgent problem. Through painstaking research, unrivaled expertise, and ethical commitment, Joachim J. Savelsberg illuminates how mass harm has been negated or acknowledged.” LOIS PRESSER, author of Inside Story: How Narratives Drive Mass Harm “Savelsberg has done a brilliant job in this unique work that for the first time analyzes the Armenian genocide from the vantage point of knowledge construction. A must-read for all interested in collective violence, social movements, and sociology of knowledge.” FATMA MÜGE GÖÇEK, author of Denial of Violence: Ottoman Past, Turkish Present, and Collective Violence against the Armenians, 1789–2009
    Keywords: Law & Society ; Sociology ; bic Book Industry Communication::L Law::LA Jurisprudence & general issues::LAQ Law & society ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology
    Language: English
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  • 6
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    University of California Press | University of California Press
    Publication Date: 2024-01-13
    Description: Motion pictures are made, not mass produced, requiring a remarkable collection of skills, self-discipline, and sociality—all of which are sources of enormous pride among Hollywood’s craft and creative workers. The interviews collected here showcase the pleasures that attract people to careers in film and television. They also reflect critically on changes in the workplace brought about by corporate conglomeration and globalization. Rather than offer publicity-friendly anecdotes by marquee celebrities, Voices of Labor presents off-screen observations about the everyday realities of Global Hollywood. Ranging across job categories—from showrunner to make-up artist to location manager—this collection features voices of labor from Los Angeles, Atlanta, Prague, and Vancouver. Together they show how abstract concepts like conglomeration, financialization, and globalization are crucial tools for understanding contemporary Hollywood and for reflecting more generally on changes and challenges in the screen media workplace and our culture at large. “Essential reading for anyone interested in how Hollywood actually works.” -RAMON LOBATO, author of Shadow Economies of Cinema “Michael Curtin and Kevin Sanson craft a powerful elegy for organized labor, demonstrating how critical theory is sung to the everyday rhythms of the workplace.” -VICKI MAYER, author of Almost Hollywood, Nearly New Orleans: The Lure of the Local Film Economy “A star-studded cast with diverse talents, backgrounds, and perspectives tells a varied but consistent tale of the importance of organized labor and the challenges it faces when pitted against the forces of media consolidation and globalization, all set in that magical company town known as Hollywood.” -PATRIC M. VERRONE, writer and producer, former president, Writers Guild of America, West MICHAEL CURTIN is Duncan and Suzanne Mellichamp Professor of Film and Media Studies and director of the Global Dynamics Initiative at University of California, Santa Barbara. KEVIN SANSON is a senior lecturer in the Creative Industries Faculty at Queensland University of Technology and managing editor of Media Industries.
    Keywords: Social Science ; Media Studies ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies
    Language: English
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  • 7
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    University of California Press | University of California Press
    Publication Date: 2023-11-17
    Description: Luxury and Rubble is the tale of two cities in Ho Chi Minh City. It is the story of two planned, mixed-use residential and commercial developments that are changing the face of Vietnam’s largest city. Since the early 1990s, such developments have been steadily reorganizing urban landscapes across the country. For many Vietnamese, they are a symbol of the country’s emergence into global modernity and of post-socialist economic reforms. However, they are also sites of great contestation, sparking land disputes and controversies over how to compensate evicted residents. In this penetrating ethnography, Erik Harms vividly portrays the human costs of urban reorganization as he explores the complex and sometimes contradictory experiences of individuals grappling with the forces of privatization in a socialist country. “With captivating ethnography and trenchant analysis, Erik Harms delves deeply into two communities created and destroyed by redevelopment in contemporary Ho Chi Minh City. He poignantly shows how master plans defining personhood in terms of property rights empower some to live in luxury, while leaving others in the rubble of dispossession.” -ANN MARIE LESHKOWICH, author of Essential Trade: Vietnamese Women in a Changing Marketplace “Beautifully written... A remarkable achievement in urban studies and a must-read for anyone interested in changing spatial form, sociality, rights consciousness, and class dynamics in neoliberal times.” -LI ZHANG, author of In Search of Paradise: Middle-Class Living in a Chinese Metropolis “Once in a while, a book comes along and makes us rethink how cities and capitalism work. Luxury and Rubble is one of those, giving us new conceptual insights into urbanism and doing so through an intensely lived and beautifully narrated ethnography.” -ANANYA ROY, editor of Worlding Cities: Asian Experiments and the Art of Being Global ERIK HARMS is Associate Professor of Anthropology and Southeast Asia Studies at Yale University and the author of Saigon’s Edge: On the Margins of Ho Chi Minh City.
    Keywords: Social Science ; Anthropology ; Cultural & Social ; Social Science ; Sociology ; General ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHM Anthropology::JHMC Social & cultural anthropology, ethnography ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology
    Language: English
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  • 8
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    University of California Press
    Publication Date: 2023-10-05
    Description: A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more . What becomes of men the U.S. locks up and kicks out? From 2009 to 2020, the U.S. deported more than five million people-over 90 percent of them men. In Banished Men, Abigail Andrews and her students tell 186 of their stories. How, they ask, does expulsion shape men's lives and sense of themselves? The book uncovers a harrowing carceral system that weaves together policing, prison, detention, removal, and border militarization to undermine migrants as men. Guards and gangs beat them down, till they feel like cockroaches, pigs, or dogs. Many lose ties with family. They do not go "home." Instead, they end up in limbo: stripped of their very humanity. Against the odds, they fight for new ways to belong. At once devastating and humane, Banished Men offers a clear-eyed critique of the violence of deportation.
    Keywords: Sociology ; Criminology & Criminal Justice ; Law ; History ; Latin American Studies ; Political Science ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFN Migration, immigration & emigration ; bic Book Industry Communication::J Society & social sciences::JK Social services & welfare, criminology::JKV Crime & criminology ; bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions::LND Constitutional & administrative law::LNDA Citizenship & nationality law ; bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJK History of the Americas ; bic Book Industry Communication::J Society & social sciences::JP Politics & government
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  • 9
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    University of California Press | University of California Press
    Publication Date: 2023-02-02
    Description: High-Tech Trash analyzes creative strategies in glitch, noise, and error to chart the development of an aesthetic paradigm rooted in failure. Carolyn L. Kane explores how technologically influenced creative practices, primarily from the second half of the twentieth and first quarter of the twenty-first centuries, critically offset a broader culture of pervasive risk and discontent. In so doing, she questions how we continue onward, striving to do better and acquire more, despite inevitable disappointment. High-Tech Trash speaks to a paradox in contemporary society in which failure is disavowed yet necessary for technological innovation.  “Leonard Cohen sang ‘There’s a crack in everything…that’s how the light gets in.’ Here, Carolyn Kane teaches us how to see that light, one crack at a time.” FRED TURNER, author of The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties  “Kane profiles art practices and media discourses that exploit and celebrate, rather than filter or suppress, all kinds of errors and noises. A welcome intervention in a number of discursive fields.” PETER KRAPP, author of Noise Channels: Glitch and Error in Digital Culture  “An original work of scholarship that addresses some of the most pervasive phenomena and foundational questions in the contemporary media environment.” ROBERT HARIMAN, coauthor of The Public Image: Photography and Civic Spectatorship  CAROLYN L. KANE is Associate Professor of Communication at Ryerson University and author of Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code.
    Keywords: Social Science ; Media Studies ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies
    Language: English
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  • 10
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    University of California Press | University of California Press
    Publication Date: 2023-02-02
    Description: Early in the twenty-first century, Louisiana, one of the poorest states in the United States, redirected millions in tax dollars from the public coffers in an effort to become the top location site globally for the production of Hollywood films and television series. Why would lawmakers support such a policy? Why would citizens accept the policy’s uncomfortable effects on their economy and culture? Almost Hollywood, Nearly New Orleans addresses these questions through a study of the local and everyday experiences of the film economy in New Orleans, Louisiana—a city that has twice taken the mantle of becoming a movie production capital. From the silent era to today’s Hollywood South, Vicki Mayer explains that the aura of a film economy is inseparable from a prevailing sense of home, even as it changes that place irrevocably. “A scathing critique of the economic realities and broken promises of Hollywood South, told in rich ethnographic detail and passionately argued through Vicki Mayer’s deep connection to New Orleans. This is a vital book.” -NITIN GOVIL, author of Orienting Hollywood: A Century of Film Culture between Los Angeles and Bombay “Mayer guides readers through the numbers and arguments behind Louisiana’s costly love affair with the film industry and raises important questions over whether the state’s citizens are getting their money’s worth.” -STEPHANIE GRACE, columnist, The New Orleans Advocate “A visionary in the study of cultural labor, economy, and geography, Mayer is that rare writer who combines exquisite storytelling with rigorous scholarship. This is an essential contribution to film and media studies, and an urgent history lesson for policy makers.” -MELISSA GREGG, author of Work’s Intimacy VICKI MAYER is Professor of Communication at Tulane University. She is coeditor of the journal Television & New Media and author or editor of several books and journal articles about media production, creative industries, and cultural work.
    Keywords: Social Science ; Media Studies ; Social Science ; Sociology ; Urban ; Performing Arts ; Film ; General ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSG Urban communities ; bic Book Industry Communication::A The arts::AP Film, TV & radio
    Language: English
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  • 11
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    University of California Press | University of California Press
    Publication Date: 2023-02-02
    Description: Precarious Creativity examines the seismic changes confronting media workers in an age of globalization and corporate conglomeration. This pathbreaking anthology peeks behind the hype and supposed glamor of screen media industries to reveal the intensifying pressures and challenges workers face. The authors take on crucial issues and provide insightful case studies of workplace dynamics regarding creativity, collaboration, exploitation, and cultural difference. Furthermore, they investigate working conditions and organizing efforts on all six continents, offering comprehensive analysis of contemporary screen media labor in places such as Lagos, Prague, Hollywood, and Hyderabad, across a range of job categories that includes visual effects, production services, and adult entertainment. With contributions from John Caldwell, Vicki Mayer, Herman Gray, Tejaswini Ganti, and others, this collection offers timely critiques of media globalization and broader debates about labor, creativity, and precarity. “Every case study is an eye-opener, and no other book comes close in assessing the plight of creative workers in the era of global conglomerate Hollywood.” -THOMAS SCHATZ, University of Texas at Austin “A corrective to previous, U.S.-centric attempts to understand the global media economy by offering a bracing look at the dark underbelly of life for most media workers today.” -DENISE MANN, University of California, Los Angeles “A balanced and comprehensive portrayal of the reshaping of the contours of work and industry organization under the twin circumstances of digital disruption and a globalizing media system.” -TOM O’REGAN, The University of Queensland MICHAEL CURTIN is a professor of Film and Media Studies at University of California, Santa Barbara. KEVIN SANSON is a Lecturer in Entertainment Industries at Queensland University of Technology in Australia.
    Keywords: Social Science ; Media Studies ; Law ; Labor & Employment ; Political Science ; Globalization ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies ; bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions::LNH Employment & labour law ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFS Globalization
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  • 12
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    University of California Press | University of California Press
    Publication Date: 2023-02-02
    Description: With Mexico’s War on Crime as the backdrop, Making Things Stick offers an innovative analysis of how surveillance technologies impact governance in the global society. More than just tools to monitor ordinary people, surveillance technologies are imagined by government officials as a way to reform the national state by focusing on the material things—cellular phones, automobiles, human bodies—that can enable crime. In describing the challenges that the Mexican government has encountered in implementing this novel approach to social control, Keith Guzik presents surveillance technologies as a sign of state weakness rather than strength and as an opportunity for civic engagement rather than retreat. “This book rethinks the idea of surveillance. Surveillance technologies are elements in an assemblage of other objects and people, so their materiality matters for how we understand surveillance and power. I very much welcome the focus on the relationships between technologies, authorities, and those who are governed within their purview.” -LOUISE AMOORE, author of The Politics of Possibility, Professor of Human Geography, Durham University “We live in an era of intense state surveillance and in a moment when we are both aware of the general outlines of the surveillance state and, yet, still mostly uncertain about how to think about what surveillance is. For readers anxious to put the surveillance state in a broader global and conceptual framework, it will be a must-read.” -TOBY JONES, Associate Professor of History at Rutgers University “This is a very interesting work, filled with insight and built on solid empirical research. It shows a deep understanding of the role of surveillance in modern societies and, within that larger aim, focuses on creative and compelling ways in the case of Mexico.” -DIANE E. DAVIS, Charles Dyer Norton Professor of Regional Planning and Urbanism, Harvard University KEITH GUZIK is Associate Professor of Sociology at the University of Colorado, Denver. He is the author of Arresting Abuse and the coeditor of The Mangle in Practice.
    Keywords: Social Science ; Criminology ; Political Science ; Privacy & Surveillance (see Also Social Science ; Privacy & Surveillance) ; Social Science ; Sociology ; General ; bic Book Industry Communication::J Society & social sciences::JK Social services & welfare, criminology::JKV Crime & criminology ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFM Ethical issues & debates ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology
    Language: English
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  • 13
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    University of California Press | University of California Press
    Publication Date: 2023-02-02
    Description: In the climate of isolationism, nativism, democratic expansion of civic rights, and consumerism that America experienced after the First World War, Italian-born movie star Rudolph Valentino and Italy’s dictator, Benito Mussolini, became surprisingly appealing emblems of authoritarian male power. Drawing on extensive research in the United States and Italy, Bertellini’s work shows how the political and erotic popularity of Valentino, the Divo, and Mussolini, the Duce, was not just the result of spontaneous popular enthusiasm. Instead, Bertellini argues, it also depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. As such, the fame of the Divo and the Duce reveals both the converging publicity work undertaken in Hollywood and Washington since the Great War and the extent to which their foreignness was put to work in managing postwar anxieties about democratic governance. Beyond the democratic celebrations of the Jazz Age, this promotion of charismatic masculinity, while short-lived, inaugurated the now-familiar convergence of popular celebrity and political authority.
    Keywords: Social Science ; Media Studies ; History ; General ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies ; bic Book Industry Communication::H Humanities
    Language: English
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  • 14
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    University of California Press | University of California Press
    Publication Date: 2023-02-02
    Description: For the first half of the twentieth century, no American industry boasted a more motley and prolific trade press than the movie business—a cutthroat landscape that set the stage for battle by ink. In 1930, Martin Quigley, publisher of Exhibitors Herald, conspired with Hollywood studios to eliminate all competing trade papers, yet this attempt and each one thereafter collapsed. Exploring the communities of exhibitors and creative workers that constituted key subscribers, Ink-Stained Hollywood tells the story of how a heterogeneous trade press triumphed by appealing to the foundational aspects of industry culture—taste, vanity, partisanship, and exclusivity. In captivating detail, Eric Hoyt chronicles the histories of well-known trade papers (Variety, Motion Picture Herald) alongside important yet forgotten publications (Film Spectator, Film Mercury, and Camera!), and challenges the canon of film periodicals, offering new interpretative frameworks for understanding print journalism’s relationship with the motion picture industry and its continued impact on creative industries today.
    Keywords: Social Science ; Media Studies ; History ; United States ; 20th Century ; Performing Arts ; Film ; History & Criticism ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies ; bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJK History of the Americas ; bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism
    Language: English
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  • 15
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    University of California Press
    Publication Date: 2022-05-02
    Description: "Want, disease, ignorance, squalor, and idleness: first recognized together in mid-nineteenth-century Europe, these are the focus of the Social Question. In 1942 William Beveridge called them the “giant evils” while diagnosing the crises produced by the emergence of industrial society. More recently, during the final quarter of the twentieth century, the global spread of neoliberal policies enlarged these crises so much that the Social Question has made a comeback. This carefully curated volume maps the linked crises across regions and countries and identifies the renewed and intensified Social Question as a labor issue. It includes discussions of American exceptionalism, Chinese repression, Indian exclusion, South African colonialism, democratic transitions in Eastern Europe, and other phenomena. Evaluated here are the effects of capitalism, the impact of the scarcity of waged work, and the degree to which the dispossessed poor bear the brunt of the crisis. Both thorough and thoughtful, the book serves as collective effort to revive and reposition the Social Question, reconstructing its meaning and its politics in the world today. “The global approach makes this book a highly innovative endeavor.” NICOLE MAYER-AHUJA, Director, Sociological Research Institute at the University of Göttingen “Approaches a familiar debate on the social implications of globalization using a lens that is at once unique, suggestive, and innovative.” EDWARD WEBSTER, Professor Emeritus and Founder of the Society, Work and Development Institute at the University of the Witwatersrand JAN BREMAN is Emeritus Professor at the University of Amsterdam and author of On Pauperism in Present and Past. KEVAN HARRIS is Assistant Professor of Sociology at the University of California, Los Angeles, and author of A Social Revolution: Politics and the Welfare State in Iran. CHING KWAN LEE is Professor of Sociology at the University of California, Los Angeles, and author of The Specter of Global China. MARCEL VAN DER LINDEN is Senior Fellow and former Director of Research at the International Institute of Social History and author of Workers of the World."
    Keywords: Sociology ; BISAC SOC026000 ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology
    Language: English
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  • 16
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    University of California Press | University of California Press
    Publication Date: 2021-12-24
    Description: How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to Play spans Greek myth and contemporary Japanese digital games to chart a genealogy of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book’s diverse objects of inquiry—from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles—enter into analogical relations. Remapping the keyboard’s topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to Play invites readers to unlock ludic dimensions of music that are at once old and new. “Keys to Play is full of novel ideas, provocative observations, and brilliant aperçus. Whether our interests lie in audiovisual media, aesthetics, performance, improvisation, compositional technique, notation, theory, or historiography, Moseley shows us how much the field at large has to gain from taking play seriously. In a word: stunning.” -ALEXANDER REHDING, Harvard University “Moseley’s game-changing book puts a new and versatile set of tools at our disposal. Wonderfully allusive and erudite, Keys to Play will open new horizons for music scholars of all kinds.” -ELISABETH LE GUIN, University of California, Los Angeles “A dazzling and daring book: an intellectual symphony, a virtuosic boss run, a vigorous expedition in media-musical archaeology, and an exquisite love letter to the vitality of interdisciplinary play.” -WILLIAM CHENG, author of Sound Play: Video Games and the Musical Imagination “Keys to Play offers a new approach to central episodes in the narrative of European art music refracted through histories of the keyboard, digital games, and improvisation. It is at once provocative, bracing and, yes, profoundly playful.” -BENJAMIN WALTON, University of Cambridge ROGER MOSELEY is Assistant Professor of Music at Cornell University.
    Keywords: Social Science ; Media Studies ; Music ; General ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies ; bic Book Industry Communication::A The arts::AV Music
    Language: English
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    University of California Press | University of California Press
    Publication Date: 2021-12-24
    Description: From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. Manhua Modernity offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed—from interwar-era consumerism to war-time mobilization to Mao-style propaganda—the art form adapted to stay on the cutting edge of both politics and style.
    Keywords: Social Science ; Media Studies ; Art ; Asian ; Chinese ; Performing Arts ; Film ; History & Criticism ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies ; bic Book Industry Communication::A The arts::AC History of art / art & design styles ; bic Book Industry Communication::A The arts::AP Film, TV & radio::APF Films, cinema::APFA Film theory & criticism
    Language: English
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  • 18
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    University of California Press | University of California Press
    Publication Date: 2021-12-24
    Description: How do interventions by the UN Security Council and the International Criminal Court influence representations of mass violence? What images arise instead from the humanitarianism and diplomacy fields? How are these competing perspectives communicated to the public via mass media? Zooming in on the case of Darfur, Joachim J. Savelsberg analyzes more than three thousand news reports and opinion pieces and interviews leading newspaper correspondents, NGO experts, and foreign ministry officials from eight countries to show the dramatic differences in the framing of mass violence around the world and across social fields. “A pathbreaking examination of the multiple international narratives around Darfur by human rights advocates, humanitarians, journalists, and diplomats. Thorough and rigorous—an essential contribution to the scholarship.” — ALEX DE WAAL, Executive Director, World Peace Foundation at the Fletcher School, Tufts University “Darfur is the modern genocide that refuses to end, and this volume gives this mass atrocity the attention it deserves. It does so in highly original ways, including an unprecedented global analysis of media coverage, activism, and advocacy.” — JOHN HAGAN, John D. MacArthur Professor of Sociology and Law at Northwestern University and Co-Director of the Center on Law and Globalization at the American Bar Foundation in Chicago “Joachim Savelsberg’s engagement with the critics of the human rights regime, coupled with his analysis of media representations and their national variations (and similarities), provides a perspective that is more encompassing than anything I am aware of.” — DANIEL LEVY, Professor of Sociology at Stony Brook University JOACHIM J. SAVELSBERG is Professor of Sociology and Law and Arsham and Charlotte Ohanessian Chair at the University of Minnesota. He is the coauthor of American Memories: Atrocities and the Law and author of Crime and Human Rights: Criminology of Genocide and Atrocities.
    Keywords: Social Science ; Criminology ; History ; Africa ; General ; Social Science ; Sociology ; General ; bic Book Industry Communication::J Society & social sciences::JK Social services & welfare, criminology::JKV Crime & criminology ; bic Book Industry Communication::H Humanities::HB History::HBJ Regional & national history::HBJH African history ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology
    Language: English
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  • 19
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    University of California Press | University of California Press
    Publication Date: 2021-12-24
    Description: How do the United States and France differ in laws and attitudes concerning discrimination at work? Franco-American scholar Marie Mercat-Bruns interviews prominent legal scholars to demonstrate how these two post-industrial democracies have adopted divergent strategies. Whereas employers in the United States and France rarely discriminate openly, deep systemic discrimination exists in both countries, each with a unique history of dealing with difference. Powerful and incisive, the book examines hot-button issues such as racial and religious bias, sexual harassment, gender discrimination, and equality for LGBT individuals, highlighting comparisons that will further discussions on social equality and fundamental human rights across borders. “Mercat-Bruns makes original use of comparative law to shed new light on the issue of discrimination at work. In addition to reviewing the literature, she enters into a rich dialogue with American experts about their core findings. This book makes a fascinating and useful contribution to one of today’s most pressing issues.” -ANTOINE GARAPON, Secretary General, Director of the Comparative Law Program, Institut des Hautes Etudes sur la Justice (IHEJ) “A very interesting and innovative approach to examining nondiscrimination law.” -LISA WADDINGTON, Professor of International and European Law, Maastricht University “A dialogue among America’s most prominent contemporary theorists of discrimination, Discrimination at Work comprises a series of pluralistic, audacious, and critically considered reflections on discrimination in the workplace.” -ANTOINE LYON-CAEN, President of the International Institute for Comparative Studies (IIPEC), Professor Emeritus of French Labor Law, Paris West University Nanterre La Défense MARIE MERCAT-BRUNS is Affiliated Professor at Sciences Po Law School and Associate Professor in Labor and Employment Law at the Conservatoire National des Arts et Métiers in Paris. She is a member of the Research Institute LISE CNRS (Codirector of the program Gender, Categories and Policy) and also of the scientific committee of PRESAGE (Sciences Po/OFCE Research and Academic Program on Gender Thinking).
    Keywords: Law ; Labor & Employment ; Social Science ; Sociology ; General ; Law ; Comparative ; bic Book Industry Communication::L Law::LN Laws of Specific jurisdictions::LNH Employment & labour law ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology ; bic Book Industry Communication::L Law::LA Jurisprudence & general issues::LAM Comparative law
    Language: English
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    University of California Press
    Publication Date: 2021-02-10
    Description: Although wartime sexual violence against men occurs more frequently than is commonly assumed, its dynamics are remarkably underexplored, and male survivors’ experiences remain particularly overlooked. This reality is poignant in northern Uganda, where sexual violence against men during the early stages of the conflict was geographically widespread, yet now accounts of those incidents are not just silenced and neglected locally but also widely absent from analyses of the war. Based on rare empirical data, this book seeks to remedy this marginalization and to illuminate the seldom-heard voices of male sexual violence survivors in northern Uganda, bringing to light their experiences of gendered harms, agency, and justice. “Schulz offers a nuanced frame for understanding the dynamic and varied lived experiences of male survivors. Essential reading for anyone who wants to better comprehend conflict-related sexual violence as well as political violence more generally.” MARIA ERIKSSON BAAZ, author of Sexual Violence as a Weapon of War? Perceptions, Prescriptions, Problems in the Congo and Beyond “This extraordinary book opens new conceptual pathways in and beyond the field of transitional justice. A rich exploration of justice as a survivor-led praxis and a generous methodological offering for conducting ethical research.” ERIN BAINES, author of Buried in the Heart: Women, Complex Victimhood and the War in Northern Uganda “In his ethnographically nuanced study, Schulz charts a more grounded approach to international justice. The Ugandan men who have survived wartime rape have a lot to teach us—about constructing non-oppressive masculinities, creating mutual support, and building gender-aware sustainable peace.” CYNTHIA ENLOE, author of The Big Push: Exposing and Challenging the Persistence of Patriarchy
    Keywords: International Relations ; Sociology ; bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPS International relations ; bic Book Industry Communication::J Society & social sciences::JH Sociology & anthropology::JHB Sociology
    Language: English
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    University of California Press
    Publication Date: 2021-02-10
    Description: From fashion sketches of Shanghai dandies in the 1920s, to phantasmagoric imagery of war in the 1930s and 1940s, to panoramic pictures of anti-American propaganda rallies in the 1950s, the cartoon-style art known as manhua helped define China’s modern experience. Manhua Modernity offers a richly illustrated and deeply contextualized analysis of these illustrations from the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. “An innovative reconceptualization of manhua. John Crespi’s meticulous study shows the many benefits of interpreting Chinese comics and other illustrations not simply as image genres but rather as part of a larger print culture institution. A must-read for anyone interested in modern Chinese visual culture.” CHRISTOPHER REA, author of The Age of Irreverence: A New History of Laughter in China “A rich media-centered reading of Chinese comics from the mid-1920s through the 1950s, Manhua Modernity shifts the emphasis away from ideological interpretation and demonstrates that the pictorial turn requires examinations of manhua in its heterogenous, expansive, spontaneous, and interactive ways of engaging its audience’s varied experiences of fast-changing everyday life.” YINGJIN ZHANG, author of Cinema, Space, and Polylocality in a Globalizing China
    Keywords: Asian Studies ; Media Studies ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFS Social groups::JFSL Ethnic studies::JFSL3 Black & Asian studies ; bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies
    Language: English
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